Immerse Yourself With Patricia Urquiola and Moroso at Heimtextil

Heimtextil, the largest international trade fair for home and contract textiles, showcased the future of the textile industry for 2025 in Frankfurt, Germany. The event, held from January 14-17, featured over 3,000 exhibitors from 130 countries, with designer Patricia Urquiola as a special guest. The fair highlighted significant advancements in sustainable materials, digital technologies, and wellness-focused textiles, offering a comprehensive look at emerging trends. Patricia Urquiola's installation, 'among-us,' was a sensory experience designed to offer respite from the busy fairgrounds. Visitors were invited to remove their shoes and walk on soft surfaces within a sculpture park-like setting. The installation featured modular sofas from Kettal upholstered in soft Kvadrat wool and tapestries by CC-tapis created with innovative robo-tufting machines using Econyl, a yarn made from nylon waste. Other elements included hanging structures made from mineral aggregates and Cimento, and 'massive creatures' by Moroso incorporating fabrics produced with water-based printing methods to reduce environmental impact. Urquiola emphasized the importance of breaking boundaries and embracing fluidity in creative work, particularly in her first experience with printing materials. Alcova, a Milanese design platform, curated the Heimtextil Trends 25/26 show with the theme 'Future Continuous.' This segment explored three key areas: 'Regenerative,' focusing on biodegradable fabrics and extending material lifespans; 'Radically Restructured,' investigating digital weaving and techniques that mimic natural production; and 'Naturally Uneven,' celebrating the inherent imperfections of natural materials. Innovations in textile care were evident with Lanerossi's 'Lavabili' collection, offering machine-washable plaids and blankets made from 100% cashmere and wool, certified by the Global Organic Textile Standard. Lavatech introduced a new polyester made from finely crushed Mount Fuji lava powder, designed to provide far-infrared radiation for health and wellbeing benefits, including improved blood circulation, sleep, and muscle recovery. The focus on wellbeing extended to bedding, with Beddinghouse presenting skincare pillowcases with collagen fibers and sheets designed for athletes to boost circulation and muscle recovery. Lameirinho introduced pyjamas with advanced chemical inducers for temperature regulation, addressing common issues faced by couples with differing thermal preferences. Digital technology played a significant role, particularly artificial intelligence. Kornit Digital showcased on-demand digital fashion and textile production, including pigment printing that creates a 3D effect. The company also debuted a furniture collection with Niso Furniture. MYTH AI demonstrated the use of generative AI for designing bedding, wall decor, home textiles, and flooring, highlighting its ability to accelerate design, offer customization, reduce costs, and ensure design security through blockchain certification and IP protection. Natural materials and traditional craftsmanship were also prominent. Isidore Bryant, a textile design studio founded by Elizabeth Ballon, showcased tactile collections made from silk, wool, cashmere, cotton, and linen using restored vintage looms. Libeco, Belgium's largest flax weaving mill, emphasized sustainable and local linen production, noting that their natural products can return to nature at the end of their lifecycle. The 'Q581 changeant Laundered' linen-wool blend was particularly noted for its soft feel. Young talents presented groundbreaking research, such as Birke-Katharina Weber's MycoColors, which explores mushrooms as a sustainable source for textile dyes. Kateryna Basiuk's Silent Canvas project investigated the use of recycled yarns in aesthetically pleasing and effective circular acoustic absorbers, drawing inspiration from the ultrasonic-absorbing microstructures of moth wings. The Rug Republic launched an artisanal lighting collection, featuring the 'Argo Denim' lamp made from upcycled denim, symbolizing circular supply chains. Edmund Bell unveiled 'Diversity,' a double-sided textured blackout fabric addressing technical constraints in the industry. Salgado Group introduced innovative sheets made from milk and soya bean proteins, pineapple leaves, and nettle plant stalks, as well as waste carpet blended with sustainably sourced wood pulp. Wall coverings also saw innovations, with Marburger Tapetenfabrik introducing Terra, its first clay-based wallpaper collection, which is plasticiser-free and uses local clay-based colors. Their Celsius collection, a heat-reflecting wallpaper, also garnered interest. K'moor presented Cemento, an environmentally friendly wallpaper made from biomass, and Flax, derived from compostable flax-plant fibers. Attention to animal welfare was highlighted by Boyteks, with a line of vegan mattress fabrics made entirely from plant-based materials. Elastron's 'Chanel' collection of velvet upholstery, inspired by the fashion house, was designed to be tear-resistant, scratch-resistant, and easy to clean. Finally, a talk on rug trends by Lucy Upward of Cover magazine discussed the importance of storytelling, the prevalence of dark and warm neutrals, the 'Unexpected Red Theory' for adding pops of color, and the emergence of AI-designed rugs with 3D textures and abstract patterns. #Heimtextil2025 #TextileTrends #SustainableTextiles #PatriciaUrquiola #DigitalTextiles #AIinDesign #WellnessTextiles #NaturalMaterials #CircularEconomy

This article explores the significant role of pillows in enhancing home comfort and aesthetics, emphasizing their ability to transform a room. Beginning with the historical evolution of pillows from simple stones to modern fiber-filled items, the piece highlights how these small elements contribute significantly to a space's success by adding layers of comfort and visual appeal. The materials used for pillow coverings have diversified over time, ranging from natural fibers like cotton, linen, silk, and wool to synthetic options like polyester, offering a wide array of textures and looks. The article provides a comprehensive guide to sourcing unique and impactful pillows, focusing on both local shops in and around Mérida, Mexico, and online options. It encourages readers to engage in the 'retail therapy' of discovering these items in person while also acknowledging the convenience of virtual shopping. A key recommendation is to seek out antique textiles, explaining that personal items, especially those with a story like an antique fabric, contribute to making a house feel more like a home. The thrill of the hunt for unique fabrics and the process of having custom items made are presented as enjoyable aspects of home decoration. Lourdes at My Living Room is cited as a secret source for antique fabrics and custom pillow covers. Several specific Mérida-based establishments are featured for their pillow offerings. Calle Veinte is highlighted as a prime destination for high-end fabrics from renowned brands such as Designer’s Guild and Camengo, along with a selection of ready-made pillows crafted from premium materials. Taller Maya is introduced as a collective supporting regional artisans, offering unique, hand-dyed, and hand-woven items that celebrate traditional Yucatecan crafts. The Corazon Maya Market, co-located with the Slow Food Market, is recommended for its array of handmade pillows and textiles, predominantly from Oaxaca. Xicalico, situated within Casa T’ho, is noted for its stylish, contemporary designs that blend historical influences with tropical motifs, utilizing materials like crushed velvet to create dramatic accents suitable for various interior styles. Antigüedades de Santo Remedio is presented as a source for modern interpretations of traditional crafts, featuring large-scale pillow covers with stylized floral patterns and lace edgings, offering a nostalgic yet contemporary aesthetic. For those on a budget or looking for seasonal changes, Telas Bayon is suggested for its inexpensive machine-woven serape covers that can fit standard bed pillows, providing versatile options for sofa ends or lumbar support. Lastly, Zara Home, with both an online presence and a retail store at La Isla Mall, is mentioned as a convenient option for a wide selection of pillow choices and inserts suitable for diverse decor styles, also offering room fresheners for a complete sensory update. The article emphasizes that whether through unique antique finds, artisan-made pieces, high-end designer fabrics, or budget-friendly options, pillows offer an accessible and effective way to refresh and personalize any living space. #HomeDecor #PillowShopping #MéridaShops #InteriorDesign #TextileCrafts #ArtisanGoods #HomeComfort #RetailTherapy #YucatánLifestyle

Patricia Urquiola has developed a new collection of ceramic tiles named Cover for the Italian brand Mutina. This collection is one of five new additions to Mutina's product range, and it aims to explore diverse materialities and geometries through unglazed porcelain tiles. The Cover collection is distinguished by three primary textures: Base, Grid, and Nube. These textures can be further customized with a selection of eight distinct patterns, including Bouclé, Daphne, Liberty, Nouveau, Poppy, Rounded, Scarabeo, and Stitch. The designs primarily feature subtle geometric and figurative patterns that are intended to evoke a sense of continuous movement, similar to clouds shifting across the sky. The manufacturing process for the Cover tiles incorporates advanced Continua Plus compaction technology. This method facilitates the application of intricate aesthetic effects on large-format ceramic surfaces, allowing for a broad spectrum of irregular and geometric designs. The technology combines various clays with a micro-grit mixture to establish a foundational pattern, which is then refined using a silk-screen printing technique. This innovative approach enables Mutina to create a virtually limitless array of patterns, characterized by varying intensities and densities of color, even within the limited palette of white, grey, and black. The Cover collection offers tiles in multiple sizes to accommodate diverse design requirements. Large-format tiles, measuring 12 by 240 centimeters, are available in all three textures. Additionally, mid-size tiles (120 by 120 centimeters) and smaller tiles (30 by 120 centimeters) are part of the collection. The color variations within each of the white, grey, and black sets are achieved through differences in the intensity and density of the color application during manufacturing. Urquiola's design philosophy for Cover emphasizes the creation of unique material properties on large slabs, ensuring that the natural grit within the material body serves as a base for subtly contrasting patterns. A significant advantage of the compaction technology used is the enhanced strength and density of the resulting tiles compared to those produced by traditional pressing methods. This increased durability makes the Cover tiles suitable for both floor and wall applications, as well as for both interior and exterior environments. Patricia Urquiola has a long-standing collaboration with Mutina, dating back to 2008 with the launch of her Déchirer range, which Mutina credits with establishing its global reputation. The latest releases also include an extension of the Déchirer range, Déchirer XL, featuring large-format tiles with signature bas-relief decorations designed specifically for wall coverings, available in Gesso, Grafite, and Avana. Alongside Urquiola's collections, Mutina has introduced other new designs, such as Piano by French designers Ronan & Erwan Bouroullec, and Tape and Folded XL by London studio Raw Edges. These product launches coincide with Mutina's opening of a new showroom and a contemporary art exhibition space at its headquarters in Fiorano, Italy. The headquarters building itself was originally designed by architect Angelo Mangiarotti in the 1970s, underscoring Mutina's commitment to design and artistic expression. #PatriciaUrquiola #MutinaTiles #CeramicDesign #InteriorDesign #ProductDesign #ArchitecturalSurfaces #DesignCollaboration

Martyn Thompson, a New York-based artist and the creative force behind Martyn Thompson Studio, has discovered an innovative approach to repurpose discarded materials, transforming his used drop-cloths and rags into a collection of woven tapestries and fabrics. This initiative, aptly named ‘The Accidental Expressionist,’ debuted at The Future Perfect in New York. The collection is notable for its jacquard-woven textiles and murals, which reimagine the incidental marks and stains left by the artist during his previous projects. Instead of being mere by-products, these elements are elevated and given new significance, becoming the central focus of the final artworks. The essence of ‘The Accidental Expressionist’ lies in its celebration of often-overlooked details and the expressive traces of the artist's creative process. Each piece in the collection encourages viewers to engage in close examination, revealing layers of colors and stains that coalesce into Pollack-esque splatters. Thompson meticulously collects and photographs these incidental marks, transforming them from discarded elements into purposeful components of his art. This process not only breathes new life into otherwise waste materials but also redefines their aesthetic and conceptual value within a fine art context. At The Future Perfect’s showroom, the versatile applications of this collection were showcased, demonstrating how these unique fabrics can serve as upholstery for furniture, be crafted into pillows, and even form bespoke lampshades. A standout example is the 'Quarry' lamp, a collaborative effort between Thompson and artist Dove Drury Hornbuckle. Hornbuckle hand-crafts the lamp's structure, which resembles stacks of ceramic shards, while Thompson’s studio provides the distinctive bespoke shade, featuring the collection's unique textiles. The 'Quarry' lamp is also available in a cast bronze edition, offering a variety of patinas. ‘The Accidental Expressionist’ collection thus embodies a powerful narrative of transformation and artistic vision, converting what was once considered refuse into objects of beauty and design. It highlights the potential for creativity to find inspiration and value in unexpected places, challenging conventional notions of artistic materials and processes. The collection offers a fresh perspective on sustainability in art and design, illustrating how an artist's personal history and working methods can be intimately woven into the fabric of their creations. The exhibition at The Future Perfect provided an immersive experience for visitors to witness the innovative use of these transformed materials in various interior applications, from large-scale murals to intricate lighting fixtures. #MartynThompsonStudio #AccidentalExpressionist #TextileArt #SustainableDesign #WovenTapestries #ArtisanCraftsmanship #InteriorTextiles #TheFuturePerfect #CollaborativeArt

Spanish designer Patricia Urquiola has developed a new modular sofa system named (love me) Tender for Italian brand Moroso, which was presented at the Salone Internazionale del Mobile in Milan. This innovative furniture piece features an aluminium frame and is distinguished by its unique upholstery in a wool jersey material. The design aims to offer versatility and a distinct aesthetic, focusing on both comfort and adaptable functionality for various interior spaces. The sofa system incorporates thin wooden legs that are designed to appear as if they are simply leaning against the sides of the seats. However, these legs serve as crucial structural pillars that anchor to the main aluminium frame, enabling multiple compositional arrangements. This design choice allows for significant flexibility in how the sofa can be configured, catering to diverse spatial requirements and user preferences. The integration of the legs into the frame, despite their seemingly detached appearance, highlights an ingenious approach to modular furniture construction. Further enhancing its modularity, the (love me) Tender system includes longer structural elements that support the backrests and provide for optional integrated side tables. These side tables are available in a variety of heights and sizes, adding practical surfaces for users without compromising the sofa's sleek design. This thoughtful inclusion addresses the need for functional accessories within a seating arrangement, making the sofa system more comprehensive and user-friendly. The sofa’s modular nature allows for the combination of standard two-seater and three-seater units into larger or more complex arrangements. This adaptability means the system can be easily reconfigured to suit changing layouts or evolving design needs within a space. Flat and corner back cushions are also part of the system, designed to be added or removed effortlessly. This flexibility enables users to define or separate sections of the sofa, creating different zones or levels of enclosure within a single seating arrangement. A key design detail is the single exaggerated seam that runs along the edges of the upright cushions. This distinctive seam, coupled with the wool jersey upholstery used for both the cushions and the seats, contributes to the sofa's unique textural and visual appeal. The jersey fabric choice provides a soft, comfortable feel while also offering a contemporary aesthetic. The sofas are offered in a diverse palette of colors, each complemented by matching throw cushions, allowing for customization to fit various interior design schemes. The presentation of this sofa system at a prestigious event like the Salone Internazionale del Mobile underscores its significance within the contemporary furniture design landscape. #PatriciaUrquiola #Moroso #ModularSofa #JerseyFabric #FurnitureDesign #MilanDesignWeek #InteriorDesign #Seating #ProductDesign

The article details an unexpected collaboration between interior designer Kerry Joyce and artist Marian McEvoy, sparked by a social media connection. Joyce, known for his interior design work, discovered McEvoy's intricate collages of natural elements on Instagram, specifically under the handle @gustthepoodle. Intrigued by her unique artistic style, Joyce researched McEvoy and learned about her prominent background as a former editor-in-chief of ELLE DECOR and House Beautiful, as well as an editor for Women’s Wear Daily and W. This discovery led to a personal visit to McEvoy's home and studio in Wappingers Falls, New York. During this visit, Joyce recognized the potential to translate McEvoy's distinct artistic vision into fabric designs. He expressed his admiration for her creative energy and his conviction that her designs would be ideal for textiles. The collaboration materialized into a collection featuring five black-and-white botanical watercolors by McEvoy, which were then printed onto linen in ten different colorways. The collection showcases various nature-inspired motifs, including dotted leaves, whimsical vines, and striped florals, all stemming from McEvoy's imaginative work. McEvoy shared her perspective on this new chapter in her career, attributing her refined sense of color, style, and quality to her extensive experience in the fashion industry, particularly her 17 years spent in Paris working with couturiers like Yves Saint Laurent. She expressed gratification at the current level of interest in her work, especially at 73 years old, and highlighted the positive experience of collaborating with someone who genuinely appreciates and acts upon her artistic contributions. The success of this initial collection has already paved the way for a second collaboration between Joyce and McEvoy, scheduled for 2022, underscoring the fruitful nature of their partnership. The story, originally published in the September 2021 issue of ELLE DECOR, exemplifies how digital connections can evolve into tangible and impactful creative endeavors within the design world. #FabricDesign #DesignCollaboration #InteriorDesign #MarianMcEvoy #KerryJoyce #SocialMediaInfluence #TextileArt #BotanicalPrints #ELLEDECOR

Textile designer Aelfie Oudghiri's Brooklyn townhouse, shared with her husband, Hicham, and daughter, Mirah, serves as a living showcase for her eponymous line of bedding, soft goods, rugs, and furniture. Housed in a former industrial pencil factory, the 1,800-square-foot space reflects an easy, comfortable, and effortlessly stylish aesthetic deeply rooted in Oudghiri’s upbringing. Her parents, both builders and developers, introduced her to the transformative power of design early on, and an oversized Kerman rug from her childhood ignited her passion for textiles, inspiring her eventual career. Many pieces in her home are samples from her company, allowing her to live with and test products before their official launch, ensuring they are practical and durable. Oudghiri's journey into design began with an e-commerce store in her teens, focusing on products made by other young women, which taught her the foundations of design. Her childhood dream, however, was to design bedding, driven by frustration with the gendered, corny, or poor-quality synthetic options available at the time. Her early sketchbooks are filled with bedding concepts, foreshadowing her future in textile design. When designing her home, the living room was the starting point, prioritized for its comfort, openness, and suitability for entertaining. Her Moroccan husband influenced the layout, seeking a space reminiscent of a Moroccan salon with ample seating for guests. This led to the inclusion of a mint green sofa from CB2, praised for its durability, and another from ABC Carpet & Home. Oudghiri approaches home design with a lack of inherent attachment to spaces, a common sentiment in New York, preferring to evolve the design slowly. Her access to her own home decor line means her apartment is filled with a complementary array of her designs, from bath mats and pillows to poufs and tables, all serving as practical testaments to their wear and tear resistance. A key design element for Oudghiri was baby-proofing and creating a kid-friendly environment for her daughter, Mirah. The massive, open layout allowed for a play-friendly space free from hard obstacles or fragile items. The open and industrial nature of the former factory presented challenges in making the space feel cozy and welcoming. Oudghiri overcame this by strategically using rugs and artwork to soften the industrial brick walls and warm up the cold aesthetic. Her favorite aspects of the home include the exposed beams, high ceilings, abundant wall space for art, and the intricate texture of the floors. A design element she recommends for readers is foregoing a traditional coffee table in favor of side tables and poufs. This decision, initially driven by an inability to find a beloved coffee table, later proved invaluable for creating a large, open play area for her daughter. Visitors often comment on the home's established feel, assuming Oudghiri has lived there for a long time, despite only a few years passing, indicating the successful integration of her personal style and products. #TextileDesign #BrooklynHome #HomeTour #InteriorDesign #ColorfulDecor #PatternMixing #KidFriendlyDesign #IndustrialConversion #DesignerHome

Josniel Fiallo, President of Rex Fabrics, discusses how his company distinguishes itself in the fabric and textile industry. Unlike many fabric stores, Rex Fabrics provides an extensive range of services directly related to the fabrics they sell. The company operates an in-house atelier with over 25 years of experience, offering haute couture services, also known as "servicio de alta costura" in Miami. This atelier specializes in custom-made dresses, ranging from jumpsuits to elaborate ball gowns, and particularly focuses on unique bridal gowns. Fiallo emphasizes empowering women by providing custom options that allow brides to feel and look their best, rather than conforming to standard designs. The availability of two in-house tailors further sets Rex Fabrics apart, ensuring personalized service for clients. Rex Fabrics also caters to men's fashion with bespoke tailoring services for suits, sports jackets, dress shirts, and guayaberas, which are popular in South Florida's tropical climate. The company handles diverse client requests, from wedding tuxedos to boardroom pinstripes, while upholding the highest standards of bespoke tradition. Beyond apparel, Rex Fabrics extends its services to home décor, offering custom upholstery for both indoor and outdoor furniture. This includes decorative services such as custom-made curtains, drapes, and furniture cushions, as well as reupholstery. As a Sunbrella® dealer, they provide hundreds of Sunbrella® fabric options for updating outdoor spaces. Fiallo shares his 22 years of experience in the fabrics and textile industry, highlighting his lifelong passion for fashion. He developed his skills at Rex Fabrics, which was already recognized as a premier fabric store in Miami. His journey began at the company's first location in Coral Gables, where he was captivated by the wide array of luxurious fabrics, including Brocades, Embroidered Tulles, Printed Silks, Embroidered Lace, Printed Chiffon, and Mikado Zibeline. He notes that exceptional customer service has always been a cornerstone of Rex Fabrics, a quality he believes is often lacking in contemporary retail environments. Fiallo acquired the store and leveraged his existing fashion knowledge to ensure continued success, contrasting his approach with competitors who might struggle due to a lack of focus on exclusive products or inadequate customer service. Regarding brand loyalty, Fiallo stresses the importance of communication and valuing customers as the company's most significant assets. He advocates for consistent engagement with clients to keep them informed and foster a sense of appreciation, which, in turn, promotes loyalty. Staying connected can also encourage customers to interact on social media, share content, and generate new referrals through word-of-mouth marketing, which he finds highly effective. He advises fabric stores in Miami to prioritize client loyalty by developing and maintaining relationships through personalized, focused communication. An example provided is implementing a communication plan upon a customer's purchase of a custom dress, bespoke suit, exclusive fabric, or upholstered item. This strategy not only gathers data but also builds a strong, lasting relationship, making clients feel valued and appreciated. Fiallo also provides insights into building social media presence, emphasizing that the objective is to cultivate an active online community rather than merely accumulating followers. The key has been to post original content, showcasing new products, vendor displays, custom-made dress results, and fashion-related information. This strategy has proven effective for Rex Fabrics, a company with over 30 years of presence in Miami, enabling them to expand their market and continuously acquire more inventory to meet customer demand for exclusive fabrics. #FabricStore #HauteCouture #BespokeTailoring #CustomUpholstery #HomeDecor #CustomerService #BrandLoyalty #SocialMediaStrategy #TextileIndustry

This article highlights the increasing popularity of virtual home tours, particularly through platforms like Openhaus, which allow users to explore and shop items from influencers' homes. The focus is on influencer Anni Vanderbeek's two-bedroom Floridian condo, showcasing her 'cozy and moody eclectic style.' Vanderbeek refers to her chosen items as “unnecessary necessities,” emphasizing how small, thoughtful details enhance a living space. Her home tour offers a direct shopping experience, enabling viewers to purchase featured items directly from Amazon. The Openhaus platform simplifies the virtual home tour experience by allowing users to navigate rooms through a 3D interface and utilize dedicated icons to browse and buy products. This innovative approach to interior design inspiration streamlines the process from discovery to purchase. The article then spotlights ten specific items from Vanderbeek's home tour that exemplify her aesthetic and are available for purchase. These items range from statement lighting to functional kitchenware and decorative accents, providing a comprehensive look into her interior choices. The curated selection includes a Dellemade Sputnik Chandelier, noted for its modern appeal and potential for dramatic customization with gold chain accents. For the kitchen, HVH 12 oz Ramekins with Lids are featured, praised for their versatility in cooking and their display-worthy design. LandHope Glass Olive Oil Dispenser Bottles are presented as a solution for maintaining neat and minimalist countertops, with a focus on their no-drip spout and dust-resistant features. Storage and organization are addressed with the Hipiwe Mirrored Glass Keepsake Box, which offers a stylish way to store jewelry and can be customized by arranging smaller boxes within a larger one. Bathroom essentials include Tommy Bahama Bath Towels, highlighted for their plush, 100 percent cotton waffle-knit material, high absorbency, fade resistance, and low-linting properties. For art display, Luxsway Wireless Picture Lights for Paintings are introduced as an effective way to elevate any room by creating a personal art gallery. The Nuloom Rigo Hand Woven Farmhouse Jute Area Rug is recommended for layering, valued for its neutral, textural quality that adds depth to a space. A Gold Circle Wall Mirror is suggested for entryways, chosen for its ideal 36-inch size that complements console tables without overwhelming wall space. Table decor is covered with Lebenze Black Candlestick Holders, appreciated for their elegant design, sturdy base, and stackable nature for easy storage. Lastly, the Breville Barista Express Espresso Machine is presented as a high-end appliance for coffee enthusiasts, promising barista-quality drinks at home. Each item description includes its price and a link for direct purchase, reinforcing the shoppable nature of the virtual tour and the article itself. The overall presentation emphasizes practical yet stylish home decor solutions that align with an eclectic aesthetic. #HomeDecor #InteriorDesign #EclecticStyle #VirtualHomeTour #InfluencerHome #ShoppableHome #AmazonFinds #HomeStyling #FloridaCondo

Grupo Parisina, established 90 years ago in Mexico City, has grown to become Mexico's most extensive fabric and hobby chain, boasting over 600 stores nationwide and an online presence. The company caters to a diverse clientele, consistently updating its vast inventory to meet customer demands. A significant portion of Parisina's business revolves around fabric sales, offered both retail and wholesale. Stores present a wide array of options, from seasonal and children's prints to 100% cotton manta and sophisticated dress fabrics. The timing of fabric releases is strategically aligned with upcoming holidays and seasons, allowing ample time for home seamstresses to complete their projects, which often leads to crowded stores as holidays approach. Beyond fabrics, Parisina is a comprehensive one-stop shop for all sewing needs, stocking buttons, threads, zippers, embroidery supplies, and even sewing machines. The chain also features extensive collections of upholstery and curtain fabrics, including imported selections. The company's online platform facilitates purchases through various payment methods like credit cards, debit cards, bank transfers, and PayPal, with nationwide shipping via Estafeta, typically delivered within a week. A notable service offered by Parisina is the custom curtain-making by local 'maquiladoras' for a small fee, with employees available to assist customers in selecting fabrics and measuring for their windows. Additionally, a range of packaged, ready-made curtains and curtain rods are available. For DIY enthusiasts, Parisina serves as a Mexican equivalent to stores like Hobby Lobby or JOANN, offering an extensive selection of craft supplies. This includes beading materials, felt by the square or meter, high-quality artificial flowers and plants, various glass vases, and wooden boxes of all sizes. The stores also feature numerous bolts of colorful and patterned Mexican oilcloth. Interspersed within these craft aisles are various home décor items, providing options for those seeking retail therapy. The author highlights Parisina as an excellent source for well-made, attractive, and affordable wooden picture frames, as well as ready-made or re-coverable throw pillows and some acceptable throw rugs. Furthermore, Parisina is a go-to destination for party supplies, offering unique themed items not easily found elsewhere. However, the process of purchasing fabric at Parisina can be challenging due to its multi-step, often confusing system, particularly during crowded periods. Unlike the streamlined U.S. model where fabric is cut and paid for at central locations, Parisina typically involves separate queues for ordering, cutting, and paying, often with cash registers located away from the cutting tables. Customers may need to navigate multiple lines, receive different receipts, and then return to a cutting station to collect their fabric. In other store variations or during peak seasons, the process might differ but remain equally complex. The author suggests approaching the experience with patience and a sense of humor, emphasizing that despite the operational intricacies, Parisina ultimately provides significant value for DIY projects. For more information, customers can visit local stores or explore the website www.laparisina.mx, with a note that online offerings might not always be familiar to in-store employees. For wholesale inquiries, the company can be contacted via email. #GrupoParisina #FabricStore #DIYCrafts #HomeDecor #SewingSupplies #MexicanRetail #Crafting #TextileIndustry #HomeImprovement

In 1967, fiber artist Sheila Hicks collaborated with architect Warren Platner to design two linen-and-silk wall panels for the Ford Foundation headquarters in New York City. Platner was responsible for the interiors of the 12-story modernist landmark, designed by Kevin Roche John Dinkeloo and Associates. Hicks's original wall panels, which featured rosettes threaded around metal discs, suffered significant damage over the years due to an attempted fire retardation treatment in the 1980s, the abrasion from Eames executive chairs in the conference room, and cigarette smoke in the auditorium. Recognizing the historical and artistic importance of these pieces, Ford Foundation President Darren Walker, appointed in 2013, initiated their replacement. He commissioned Hicks to recreate the murals. Hicks accepted the project without an artist's fee, underscoring her commitment to the foundation and her artwork. The re-installation took place in August 2014, with Hicks overseeing the process. This reprisal of her work for the Ford Foundation coincided with a broader resurgence of interest in Hicks's art, marked by other large-scale public commissions, including a yearlong exhibition at the Palais de Tokyo in Paris, and a general renewal of appreciation for weaving as an art form. The modern tapestry was produced in smaller, modular sections by Enrico Martignoni, the chief installer, and project leader Dominique Pastor. This modular approach was adopted to facilitate easier replacement if any section were to be damaged in the future. Crucially, the new silk-blend threads will not undergo the same caustic chemical fire-proofing treatment that damaged the original works. Additionally, the new panels are more cost-effective, utilizing a silk-blend thread and plastic discs in place of the original metal components. The article also touches upon the broader design elements of the Ford Foundation building. Warren Platner, known for his opulent modernist style, integrated bold metallics into his interiors, such as the gold-plated, floor-to-ceiling doors leading to the subterranean auditorium. The landscape designer Dan Kiley, celebrated for his work on projects like the Miller House and the St. Louis Arch, created the lush indoor urban garden within the Ford Foundation. Architects Kevin Roche and John Dinkeloo designed the headquarters with the employee in mind, reversing the traditional skyscraper layout to ensure every office had exterior views or overlooked the indoor park within the ten-story glass atrium. Skylights at the top of the atrium, framed in Cor-Ten steel, allow natural daylight to flood the space. Even the executive chairs, modified by Charles and Ray Eames, featured brown leather upholstery and brass accents to complement Platner's design, and notably, still included pull-out ashtrays. #SheilaHicks #FordFoundation #TextileArt #ModernistDesign #InteriorDesign #ArchitecturalRenovation #ArtInstallation #WarrenPlatner #KevinRocheJohnDinkeloo

This report details observations from the Interwoven fabric show, held from May 7-9 in High Point. The event showcased upcoming trends and designs in fabrics and leathers that are expected to influence the marketplace in the latter half of the year and early next year. Fabric manufacturers and importers presented their latest collections, offering insights into the business and fashion trends poised to appear on upholstery frames and drive retail traffic. Culp introduced new designs featuring a mix of textures, colors, and patterns, aiming to provide unique narratives for retail presentation. Sunbrella also presented a wide array of new offerings, catering to diverse style preferences among consumers with its broad design palette. Richloom's booth attracted visitors like Aamir Thobhani of Innnotex Solutions USA, who explored the new fabric selections. Key industry figures were present, including Bob Meloy of Big House Fabrics, who met with Bob Gorman, vice president of sales and merchandising at PMT Fabrics. R. Sackett Wood, CEO of Moore & Giles, showcased the company's new leather collections. J. Allen Fabric highlighted its Revive performance fabric line, with Miron Yaghoubi, partner and CEO, discussing new additions with Mike Willoughby, senior vice president of sales and marketing. Nice Link unveiled eight new collections, including Waters Edge, totaling 60 patterns and 600 SKUs, demonstrating a wide range of colorways. RM Coco displayed its comprehensive line, encompassing multipurpose solids, prints, wovens, embroideries, silks, performance and outdoor fabrics, sheers, decorative trimmings, and hardware, located in the fifth-floor Pavilion area of Market Square. Nassimi LLC, represented by Executive Vice President Iwan Nassimi, presented new vegan leathers, featuring commercial-grade fabrics designed for both style and durability in residential applications. Z-Wovens showcased a diverse mix of indoor and outdoor fabrics from its core Z-Wovens and Sunbelievable lines, engaging customers with its extensive offerings. Valiant Fabrics also exhibited in the fifth-floor Pavilions of Market Square, where attendees gathered information on their latest fabric introductions. The show provided a platform for participants to observe and understand the evolving landscape of textile design and material innovation within the home furnishings industry. #InterwovenShow #FabricTrends #TextileInnovation #HomeFurnishings #UpholsteryFabrics #LeatherCollections #PerformanceFabrics #RetailTrends #HighPointMarket

Following his appointment as creative director at Celine, Hedi Slimane has swiftly implemented his vision, significantly transforming the luxury brand. His initiatives include removing the accent from the brand's 'e', introducing menswear lines, and reshaping womenswear. A cornerstone of this transformation is the global rollout of his new retail concept, driven by Celine's CEO Séverine Merle's strategy to expand the brand's footprint with larger flagship stores capable of showcasing the broadened menswear and womenswear collections. This expansion began in March with a 5,000 sq ft New York flagship and two new addresses in Paris: a remodelled two-storey space on rue de Grenelle for both menswear and womenswear, and the brand’s first dedicated menswear flagship on rue François 1er. By mid-April, new boutiques had opened in major cities including Tokyo, Shanghai, Los Angeles, Madrid, Milan, and London, with a Beijing store slated for later in the year. Each store, designed in collaboration with Celine’s in-house team, possesses a unique character while adhering to common design principles. A strong emphasis is placed on natural stone and bold materials, with massive, richly veined slabs of marble, granite, and travertine adorning walls, shelves, and columns. Basaltina lava stone covers the floors. These materials, with their contrasting patterns, are reflected in large mirrors and steel surfaces, creating a visually dynamic environment. Reclaimed oak, alongside wood and leather furniture, introduces warm brown accents that complement the sleek black-and-white palette. Many surfaces, such as the creamy Bianco Raffaello marble and ginger-veined black granite, are noted for their smooth, tactile qualities, inviting touch and offering a departure from the typical coldness associated with stone. Slimane's architectural style is characterized by rigorous lines, evident in the intersecting seams of concrete floors, parallel shelving, and rectangular metal displays. Despite this precision, the designs maintain a sense of weightlessness; display cases and shelves appear to hover, and materials, like brushed steel and Grande Antique marble, are positioned in close proximity without directly touching. This creates an effect of suspension and delicate interaction between elements. The stores also feature a new collection of furniture designed by Slimane, alongside vintage 1960s and 1970s pieces that highlight French woodworking. Slimane’s furniture, primarily made from light or dark plywood, is minimalist and evokes the simplicity of children's building blocks or primitive thrones, with future plans for retail. A significant aspect of the new concept is the Celine Art Project, which integrates contemporary artworks by established and emerging artists. These pieces, either acquired or commissioned, add another layer of sensory engagement; examples include Rindon Johnson’s yellowed rawhide cube wrapped in rope and Shawn Kuruneru’s ink-and-acrylic paintings that echo the marble patterns. The rue de Grenelle store's centerpiece is a site-specific installation by Oscar Tuazon, reflecting Slimane's commitment to combining global brand strategy with a passion for supporting young talent in music, art, and creativity. #HediSlimane #Celine #RetailDesign #LuxuryFashion #StoreArchitecture #InteriorDesign #MaterialSelection #ArtIntegration #FurnitureDesign

This article serves as a comprehensive guide for individuals seeking to purchase fabric online for various home decor projects. It addresses the common challenge of finding specific furniture pieces, curtains, or pillows, and proposes that buying fabric to create custom designs or update existing ones is an effective solution. The piece highlights the convenience of online fabric shopping, detailing a curated list of 15 online stores that cater to diverse budgets and aesthetic preferences. The featured stores range from well-known platforms to more specialized retailers, offering a wide array of fabric types, patterns, and price points. Spoonflower is presented as an online marketplace utilizing on-demand digital printing, featuring designs from artists globally and allowing users to shop by category, color, and fabric type. Annie Selke, while primarily a home decor and furniture retailer, also offers a selection of fabrics by the yard, including both patterned and solid options. NY Designer Fabrics is highlighted for its extensive collection, encompassing silky and metallic fabrics as well as cotton prints. Rifle Paper Co., known for its stationery, also provides a selection of fabrics by the yard, often adorned with floral and nature prints. Decorator's Best is introduced as a premier destination for designer-favorite fabrics, stocking brands such as Schumacher, Brunschwig & Fils, and Kravet. Marimekko is recognized for its bold floral patterns, offering fabrics by type and pattern, including iconic florals, retro, animal, and abstract prints. Etsy is identified as a valuable resource for both new and vintage fabrics, allowing for specific searches or browsing individual shops. Fabric.com boasts a vast inventory, including options from typically trade-only designers like Fabricut. Minted, primarily known for stationery, also offers home products, including fabrics with designs submitted by independent creators. Bolé Road Textiles specializes in handwoven fabrics from Ethiopia, featuring bright and neutral colors, as well as unique textural patterns, all made from 100 percent hand-dyed cotton. LinenMe is recommended for linen enthusiasts, providing a wide selection of linen fabrics in various colors. JOANN is presented as a go-to destination for fabric at different budget levels, offering a massive online selection. AphroChic is noted for its smaller but distinctive collection of fabrics, featuring unique patterns like subtle silhouettes. Calico Corners offers a broad range of home textiles, with fabric being a central focus, allowing customers to filter by color, type, pattern, and designer collections. Lastly, Loom Decor is highlighted not only for its fabric selection but also for its custom upholstery services, enabling customers to design their own window treatments, pillows, and bedding with chosen fabrics. #FabricShopping #OnlineFabricStores #HomeDecor #DIYProjects #InteriorDesign #Textile #CustomUpholstery #DesignerFabric #CraftSupplies

Habitat, a renowned furniture brand known for its affordable, design-led, and on-trend furniture, has recently introduced a new made-to-order upholstery collection. This collection features a wide array of fabrics and colors, available across a selection of sofas, armchairs, and footstools, offering customers a personalized shopping experience. All pieces in the collection are manufactured in the UK and include both revitalized archive designs and new creations from Habitat's in-house design studio. The collection brings back popular archive designs such as the Hendricks, Swift, and Fenner sofas, updated with modern finishes and contemporary color palettes. Additionally, new designs have been introduced, including the mid-century inspired Turnmill, James Cottingham's Scandi-influenced Ayr, and Will Hudson's timeless Holmfirth sofa. The range emphasizes diversity in its offerings, featuring a broad spectrum of vibrant colors like papaya, burnt orange, sky blue, and emerald green, alongside various neutral hues, ensuring suitability for diverse interior schemes. Customers can choose from a variety of fabric types, including flat weave, textured weave, chenille, and a plush velvet made from 100 percent recycled materials. For enhanced practicality, an Aquaclean fabric option is available, which incorporates stain-resistant technology, allowing for cleaning with just water. Hannah Mallett, director of product for Habitat, highlights that the made-to-order collection aims to meet customer demand for a more personalized experience, providing extensive choices to create furniture that perfectly matches their individual preferences. The collection offers 21 new colorways and five different fabric qualities, applicable to two-seater, three-seater, chaise, and corner seating styles. Furthermore, customers can customize their furniture by selecting between dark wood or lighter ash finishes for the legs. Each sofa in the collection is constructed with FSC-certified timber, underscoring a commitment to sustainable sourcing. The furniture also comes with a 15-year guarantee and includes home assembly services, adding convenience and assurance for purchasers. The article showcases several notable pieces from the collection, such as the Frome 3-Seater Sofa, ideal for mid-century or Scandi-inspired interiors with its curved back and low armrests. The Turnmill 2-Seater Sofa, a popular comeback, offers a mid-century design with a reclining back and lumbar-supporting bolsters. The Fenner 2-Seater Sofa combines hand-buttoned, deep-fill seats with a neat box frame, suiting contemporary living spaces. The Habitat Lomond Left Hand Corner Sofa is part of the 'Full Circle' range, designed for full recyclability at the end of its life, featuring a gently angled design. The Ayr Reversible Corner Sofa provides a low and boxy style with wide armrests and generously padded cushions, emphasizing comfort and contemporary aesthetics. The Brooker 3-Seater Sofa blends traditional and modern elements with a Chesterfield-inspired deep button back, rolled arms, and curved legs. Lastly, the Askem Cuddle Chair offers a contemporary take on a classic shape, providing sinkingly soft and tactile comfort with a tall backrest and plump seat, while the Swift Reversible Corner Sofa, a Habitat classic, features an elegant design with curved arms, tapered legs, and ample scatter cushions. #Habitat #UpholsteryCollection #MadeToOrder #FurnitureDesign #InteriorDecor #Sofa #Armchair #HomeFurnishings #SustainableMaterials

Mytheresa, a prominent digital retailer specializing in luxury fashion and accessories, has expanded its offerings into the home decor market with the launch of a new vertical named 'Life.' This expansion occurred approximately a year after the company's public listing on the New York Stock Exchange. The 'Life' category now features an extensive selection of furniture, objets, and curated tabletop pieces from around 60 designer labels. This strategic move aims to position Mytheresa as a comprehensive luxury shopping destination, integrating lifestyle products alongside its established womenswear, menswear, and kidswear categories. The new home collection includes diverse items from various renowned brands. For instance, colorful linens featuring unique patterns and prints are available from fashion-forward labels such as La DoubleJ and Les Ottomans. The selection also encompasses sophisticated china from Ginori 1735 and Cassina, along with exquisite glassware from Reflections Copenhagen and NasonMoretti. In addition to these decorative and utilitarian pieces, 'Life' offers a range of lifestyle products, including books from esteemed publishers like Phaidon and a variety of candles from brands such as Cire Trudon, 1882 LTD, and Missoni, which features distinctive zigzag-patterned taper candles. Michael Kliger, the CEO of Mytheresa, expressed enthusiasm for the launch, emphasizing that 'Life' represents a significant new chapter for the company. He highlighted the curated nature of the selection, aiming to provide an elevated assortment of home decor and lifestyle products. Kliger also underscored Mytheresa's unique position in the market as the only luxury online platform to seamlessly combine fashion for women, men, and children with an expanding range of lifestyle products, thereby creating a distinctive and engaging experience for its discerning clientele. The article provides several examples of standout pieces from the inaugural 'Life' collection. Among these are the Reflections Copenhagen Ascot Set of 2 Crystal Glasses, priced at $600, which exemplify the high-end glassware now available. Another notable item is the Tom Dixon Swirl Stem Vase, offered in various colors including blues, greens, and a classic black-and-white option, available for $290. The collection also bridges fashion and interiors with the Anglepoise Type 75 Paul Smith Edition 1 Mini Desk Lamp, a collaboration between the lighting brand and the renowned fashion designer, retailing for $285. Further examples include the La DoubleJ Libellula Set of 2 Dessert Plates, part of a broader range of La DoubleJ products such as china, glassware, and textiles available through 'Life,' priced at $120. The expansion also incorporates classic design pieces, such as the Vitra Panton Chair, designed by Verner Panton, which is available for $430. These selections collectively demonstrate Mytheresa's commitment to offering a diverse and high-quality assortment that caters to luxury consumers seeking to extend their design sensibilities into their living spaces. The introduction of 'Life' positions Mytheresa as a comprehensive destination for luxury goods across multiple categories. #MytheresaLife #LuxuryHomeDecor #InteriorDesign #DesignerFurniture #TabletopDecor #OnlineShopping #FashionAndHome #ECommerceExpansion