Focus | Fabric of life

The article, "Life in Bold Color," explores the profound impact of color on human psychology and physiology within home design. It emphasizes that while neutrals are often a safe choice, a reluctance to use bolder hues can lead to uninspired spaces. To showcase the transformative power of color, Midwest Home and ASID MN collaborated on a "Life in Bold Color" competition, sponsored by Hirshfield’s, inviting interior designers to present their most vibrant projects. The article highlights that interior designers, possessing a deep understanding of color theory, are adept at utilizing color to establish specific moods and achieve client objectives. It delves into the psychological associations of various colors: red, a warm and stimulating color, signifies passion and strength, and was incorporated into several winning projects to create dynamic spaces like a red bathroom. Yellow, another warm hue, evokes feelings of happiness and optimism, making it suitable for infusing cheer into areas such as a pantry adjacent to a blue and white kitchen, as demonstrated by Martha O’Hara Interiors. Blue, known for its tranquil and soothing properties, is frequently chosen for bedrooms, with winning designs integrating various shades of blue balanced with warm accents to create restful yet sophisticated environments. Green, a color associated with nature, generally leans towards cooler tones, although its versatility allows for warmer variations like chartreuse when mixed with yellow. Examples include kitchen cabinets that stand out and an apple-green chair in a Pure Design Environments project. The competition's judging criteria focused on how effectively design solutions met project goals, the innovative and creative application of color, and the designers' mastery of color theory and psychology. The article then presents several winning projects. Brooke Voss Design’s project, "Keen on Color," addressed clients' desire for a vibrant, fun space by using chartreuse, bright blue, and teal, balanced with neutral whites, honed blacks, and natural wood. This approach created a cheerful yet sophisticated atmosphere, notably in the kitchen cabinetry. Orfield Design & Construction, Inc.'s "Good Energy" project transformed an empty-nester couple's midcentury modern rambler bathroom into a fun and functional guest space. The design utilized Sherwin Williams' “Red Alert” on the walls, complemented by colorful mosaic tiles and balanced with Carrera marble countertops and wood-plank floor tiles. Martha O’Hara Interiors' "Sunny Farmhouse" integrated the homeowner’s earthy style with bold colors in a new North Dakota farmhouse. The white kitchen with a blue island and blue wallpaper was enlivened by a sunny yellow pantry, praised by jurors for its restrained yet impactful use of bold color. The same firm's "Boho Bedroom" project updated a 1913 Victorian master bedroom with deep turquoise, pinks, and eclectic patterns and textures, creating a vibrant, unforced Bohemian aesthetic. LiLu Interiors' "Pattern Play" project transformed a NE Minneapolis master suite, drawing inspiration from the homeowner’s distinctive style and vintage collection. The designers skillfully balanced finishes, patterns, textures, and bold colors, featuring cool blues with warm coral accents. Finally, Pure Design Environments' "Living Color Condo" combined two condominiums into a linear space. Facing challenges with natural light in areas like the spa room and closet, the designer used luxurious finishes and an interplay of light and color to create sophisticated, yet complementary and engaging, spaces. The article concludes by listing the jury members for the 2017 competition: Caren Martin, Ph.D., Patricia Undlin, ASID, and Chris Lee. #HomeDesign #ColorTheory #InteriorDesign #BoldColors #DesignCompetition #BrookeVossDesign #MarthaOHaraInteriors #ASIDMN #HomeDecoration

This report details observations from the Interwoven fabric show, held from May 7-9 in High Point. The event showcased upcoming trends and designs in fabrics and leathers that are expected to influence the marketplace in the latter half of the year and early next year. Fabric manufacturers and importers presented their latest collections, offering insights into the business and fashion trends poised to appear on upholstery frames and drive retail traffic. Culp introduced new designs featuring a mix of textures, colors, and patterns, aiming to provide unique narratives for retail presentation. Sunbrella also presented a wide array of new offerings, catering to diverse style preferences among consumers with its broad design palette. Richloom's booth attracted visitors like Aamir Thobhani of Innnotex Solutions USA, who explored the new fabric selections. Key industry figures were present, including Bob Meloy of Big House Fabrics, who met with Bob Gorman, vice president of sales and merchandising at PMT Fabrics. R. Sackett Wood, CEO of Moore & Giles, showcased the company's new leather collections. J. Allen Fabric highlighted its Revive performance fabric line, with Miron Yaghoubi, partner and CEO, discussing new additions with Mike Willoughby, senior vice president of sales and marketing. Nice Link unveiled eight new collections, including Waters Edge, totaling 60 patterns and 600 SKUs, demonstrating a wide range of colorways. RM Coco displayed its comprehensive line, encompassing multipurpose solids, prints, wovens, embroideries, silks, performance and outdoor fabrics, sheers, decorative trimmings, and hardware, located in the fifth-floor Pavilion area of Market Square. Nassimi LLC, represented by Executive Vice President Iwan Nassimi, presented new vegan leathers, featuring commercial-grade fabrics designed for both style and durability in residential applications. Z-Wovens showcased a diverse mix of indoor and outdoor fabrics from its core Z-Wovens and Sunbelievable lines, engaging customers with its extensive offerings. Valiant Fabrics also exhibited in the fifth-floor Pavilions of Market Square, where attendees gathered information on their latest fabric introductions. The show provided a platform for participants to observe and understand the evolving landscape of textile design and material innovation within the home furnishings industry. #InterwovenShow #FabricTrends #TextileInnovation #HomeFurnishings #UpholsteryFabrics #LeatherCollections #PerformanceFabrics #RetailTrends #HighPointMarket

The article explores five significant fabric trends currently dominating interior design, highlighting how designers and consumers are prioritizing comfort, well-being, and a sense of escapism. It begins by emphasizing that beyond aesthetics and utility, factors like material origin and environmental impact are increasingly influencing textile choices. Stine Find Osther, vice president of design at Kvadrat, notes an increased awareness of textiles' role in creating atmosphere and promoting well-being, especially after the recent global challenges that limited tactile interaction. One prominent trend is a "Craving for Comfort," characterized by a move towards cozy, voluminous textiles such as wool bouclé and soft cotton corduroy. Svenja Diekmann, head of design at Hem, observes that bouclé textiles, in particular, emphasize coziness and a warm, homey feel. This trend favors natural materials like cotton, linen, and wool, often in thick weaves and stubby checks, predominantly in beige hues. The resurgence of corduroy is attributed to its soft, velvet touch, durable 100 percent cotton composition, and subtle monochromatic striped style, adding haptic and visual depth to homes while bridging artisanal craft with characterful environments. Another crucial trend focuses on "Healthy Fabrics." Interior designer Laurence Carr points out a massive shift where consumers prioritize healthy living and interiors, opting for natural and renewable fabrics over processed materials that might contain questionable ingredients. This means a move away from performance fabrics, chemically treated fabrics, synthetic materials, and finishes emitting VOCs. Demand is growing for environmentally conscious materials with transparent certifications like SFC, FSC, and GOTS. Carr highlights a return to "noble" textiles, valuing traditional handmade artisanship, such as linen from 100 percent flax and wool and cotton dyed with natural water-based or vegetable dyes. Experts agree that sustainable fabrics are becoming standard, with a preference for thick, honest weaves made from organic materials over synthetic options that often lack texture, color, and are detrimental to the environment. The article also discusses "Creative Alternatives" in textile innovation. Carr expresses excitement about the search for circular, regenerative, and biodegradable next-generation materials. Companies are not only reevaluating material sources but also improving sustainability through closed-loop water systems and initiatives that protect ecosystems and communities involved in material sourcing and manufacturing. An example is Supreen, a performance textile utilizing woven technology and a proprietary silicone blend to create a liquid barrier that remains soft. Vegetable-tanned leathers are gaining popularity, and the rise of initiatives like Vegan Interior Design Week indicates a growing preference for leather alternatives among consumers. "Tactility in Tech" is an emerging trend where textiles extend beyond traditional home furnishings to cover electronic devices. Charlotte Bastholm Skjold, senior vice president of products at Kvadrat, notes that industry partners are integrating textiles into products like speakers, using them to humanize and add tactility in a visually driven digital age. The Bang & Olufsen A9 speaker, for instance, features Kvadrat wool-blend covers, demonstrating how aesthetics can complement sound quality. Finally, "Printed Escapism" highlights consumers' growing boldness in print and color selection. Print designer Stephanie Ogé observes that prolonged time at home has led people to dream about global destinations, with prints becoming a form of escapism. There's a movement away from neutral palettes towards warmer tones, including jewel tones, golden hues, and rust colors. The strong desire to bring nature indoors continues, with "Nature’s Way" encompassing prints featuring florals and leaves with bold color palettes. Diekmann also notes increased interest in warm colors like beige and earthy tones such as warm greens and terra-cotta, accented with vibrant splashes. Hem's Monster Collection, a collaboration with artist Siri Carlén, exemplifies this with its vibrant mohair throws and hand-knotted wool rugs, combining craft, design, natural materials, and coziness for a well-considered home. #FabricTrends #InteriorDesign #TextileInnovation #SustainableFabrics #HomeComfort #MaterialWellness #TactileDesign #PrintedTextiles #NaturalMaterials

The article discusses the "Tools for Life" furniture collection designed for Knoll by OMA, the architecture office co-founded by Rem Koolhaas. This collection, which debuted at the Salone Internazionale del Mobile in Milan, addresses the evolving nature of living and working spaces by offering kinetic and flexible furniture pieces. The collection was first previewed in January at the fall 2013 Prada men’s fashion shows before its official launch at Prada's exhibition space in Milan. Rem Koolhaas articulated his objective for the collection as creating furniture that performs in both precise and unpredictable ways, emphasizing flexibility as a core design principle. A prominent piece within the collection is the "04 Counter," a heavily engineered item comprising three horizontal bars. This piece is designed to stack like a wall but also features pivoting and cantilever mechanisms, allowing it to transform from a room divider into a "piazza," as described by Benjamin Pardo, Knoll’s design director. Pardo noted that the interactive nature of the movable object encourages user engagement. Further exemplifying the collection's flexibility are the "05 Round Table" and the "06 Table." The latter, conceived as an executive desk with a two-layered top, along with the 05 Round Table, can be adjusted in height using an electric mechanism. This feature allows the tables to transition seamlessly from standing height to lounge level, accommodating various activities and preferences. The collection also encompasses a coffee table, seating options, a screen, and a credenza, providing a comprehensive range of adaptable furniture. This furniture collection arrives as Knoll celebrates its 75th anniversary. Benjamin Pardo identifies parallels between OMA’s designs and some of Florence Knoll’s classic pieces, characterizing them as "background pieces that create sub-architecture in an architectural space." However, he primarily views "Tools for Life" as a direct response to contemporary work patterns, stating, "I want to talk about work and not the office... the distinction being that today people work everywhere." This perspective underscores the collection's relevance in an era where the boundaries between professional and personal spaces are increasingly blurred. The article also highlights that the trend towards flexible work and living spaces is a significant theme at the Salone this year. The fair itself is sponsoring an exhibition titled “Project: office for living,” designed by French architect Jean Nouvel. This exhibition will showcase five distinct work environments, ranging from a classic apartment transformed into a cocoon-like workspace to a cityscape of mobile, modular, and stackable flat surfaces designed for versatility. This convergence of design philosophies suggests a shared understanding among leading designers regarding the future of adaptable environments. #Knoll #OMA #RemKoolhaas #FurnitureDesign #FlexibleLiving #SaloneInternazionaleDelMobile #MilanDesignWeek #OfficeForLiving #ModernFurniture

The article explores the increasing relevance of biophilic design in architecture and interior design, highlighting a growing trend towards nature-inspired environments. With individuals spending up to 90% of their lives indoors, the negative impact of indoor environments lacking natural elements, such as higher stress and pollutant levels, is becoming more apparent. Biophilic design aims to address these issues by fostering a connection to nature within interior spaces, utilizing elements that evoke natural environments directly or indirectly. Biophilia, a concept rooted in Edward O. Wilson's ideas from the 1980s, posits an innate human need for connection with nature. Contemporary studies support this, demonstrating that nature-inspired design positively influences health and productivity. It promotes regeneration, regulates biorhythms, reduces stress, and enhances creativity and productivity, particularly in workplaces. Consequently, natural materials like wood, natural stone, clay, thatch, wool, and linen are increasingly chosen not merely for aesthetic appeal but for their contribution to healthier and more efficient indoor settings. The article outlines four key strategies for implementing biophilic design. First, integrating natural elements involves incorporating natural materials such as wood, stone, and plants, as well as features like air movement and water elements. Emphasis is placed on maximizing natural light and air circulation through large windows. Second, promoting well-being through natural materials encompasses using a variety of natural products for furniture, walls, and flooring, alongside acoustic solutions made from natural fibers and the inclusion of green walls or water features. Third, biomimicry is discussed as a method to bring natural patterns, curves, fractals, and geometric shapes into contemporary design. Fourth, creating green retreats involves designing outdoor areas like gardens, terraces, or balconies that serve as spaces for relaxation and rejuvenation. Biophilic design has significantly impacted the design of workplaces, moving beyond ergonomic furniture to incorporate plants, acoustic elements, and natural materials to boost concentration and productivity. Its benefits extend to healthcare facilities, where natural materials, ample daylight, and plant integration have been shown to accelerate patient recovery. Examples like Matteo Thun's Waldkliniken Eisenberg and Foster + Partners' Maggie’s Cancer Care Centre illustrate the successful application of biophilic principles in creating healing environments. Technology's role in this trend is presented as ambivalent. While digital tools, such as apps simulating forest bathing, can bring nature experiences indoors, the increasing digitization of daily life simultaneously intensifies the desire for genuine nature connection. The article suggests that while technology can offer immersive experiences, there's also a growing need for internet-free environments for undisturbed relaxation. Furthermore, intelligent climate control systems are becoming crucial in indoor spaces due to rising temperatures, requiring strategies that integrate these technologies seamlessly and minimally intrusively with nature-inspired designs. A critical distinction is made between biophilia and sustainability. Although environmental awareness drives the trend, biophilic design does not automatically equate to sustainability. For instance, an app simulating a forest benefits humans but not necessarily nature. True biophilic design that aligns with sustainability goals requires precise concepts to integrate both aspects effectively. It is more than a fleeting furnishing trend; it demands a complex, holistic strategy to genuinely impact human well-being and comfort within built environments. The article concludes that biophilic design is a lasting trend, poised to gain even greater relevance across various design fields, and can be integrated into existing spaces through individual elements and materials to create nature-inspired experiences. #BiophilicDesign #NatureInspiredDesign #InteriorDesign #SustainableDesign #NaturalMaterials #Architecture #WellBeing #WorkplaceDesign #HealthcareDesign #Biomimicry

The increasing urgency of the climate crisis necessitates a reevaluation of material choices in interior design, particularly concerning textiles. While performance fabrics and synthetic blends have gained popularity for their durability and affordability, natural-fiber textiles such as cotton, linen, and hemp offer a more sustainable alternative. Petroleum-based synthetic fabrics contribute to pollution and global warming, making plant-based fibers a healthier choice for both humans and the environment. Moreover, the argument for cost efficiency with synthetics is often negated by their shorter lifespan compared to durable natural fibers, emphasizing that true good design prioritizes longevity and environmental responsibility. Designers can navigate the complexities of material selection by not entirely dismissing blends. A fabric with at least 60 percent natural fiber content, even when blended with synthetics for specific performance needs, still represents a positive step towards healthier choices. Transparency from manufacturers is crucial, and designers should actively inquire about the fiber percentages in blends to make informed decisions. A significant concern lies with chemical treatments, such as flame retardants, water repellents, PFAS, and PVC, which are detrimental to human health and overshadow the benefits of natural fibers. Clients, even those not primarily focused on sustainability, can be motivated by the desire for healthier indoor environments, prompting them to reconsider chemically treated performance fabrics. Curating a healthy materials library is an essential proactive step for designers. This involves removing harmful materials like PVC, vinyl, and known PFAS-containing items, and gradually incorporating more organic, natural-fiber textiles. Understanding the composition of regularly used blended fabrics and identifying those with low synthetic content is vital. While achieving 100 percent sustainability may be impractical, even small steps contribute significantly. Designers should also seek transparency labels and certifications to gain insight into how textiles are produced and their environmental impact. This information can be leveraged to demonstrate added value to clients. Among natural fibers, linen and hemp stand out due to their minimal environmental footprint, requiring less water, fertilizer, and pesticides compared to cotton. They are also highly durable and easy to maintain, making them ideal for applications like bedding and window treatments. For cotton, opting for organic varieties is preferable to mitigate the environmental impact of conventional growing methods. Increased demand for organic cotton can drive improvements in its supply chain. Finally, it's important to challenge the notion that all fabrics must be “bulletproof.” Designers should encourage clients to have realistic expectations regarding textile care and consider naturally durable, earth-derived materials like leather, linen, or wool. Extending the lifespan of upholstered furniture can also be achieved through practical design choices, such as darker colors and patterns, and construction methods that allow for disassembly and repair, like using slipcovers or upholstery tacks instead of glue. Engaging with vendors and clearly communicating a preference for sustainable options can also encourage manufacturers to produce more environmentally friendly textiles, ultimately shaping a more responsible interior design industry. #NaturalFibers #SustainableDesign #TextileChoices #EnvironmentalImpact #HealthyMaterials #InteriorDesign #OrganicFabrics #MaterialTransparency #ClimateCrisis

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

The article discusses the "Tools for Life" furniture collection, a collaboration between Knoll and OMA, the architecture office co-founded by Rem Koolhaas. This collection, which was previewed at Prada's fall 2013 men's fashion shows, is set for its official debut at the Salone Internazionale del Mobile in Milan. The exhibition will take place on April 9 and 10 at Prada’s exhibition space. The furniture is specifically designed to address the increasingly fluid boundaries between living and working environments, emphasizing kinetic and flexible functionality over static forms. Rem Koolhaas articulated his objective for the collection as creating furniture capable of performing in both precise and unpredictable ways, with flexibility being a core tenet. A notable piece, the 04 Counter, is described as a massive, engineered item comprising three horizontal bars. These bars can stack to form a wall, or they can pivot and cantilever, allowing the piece to transform from a room divider into a "piazza," according to Benjamin Pardo, Knoll’s design director. Pardo observed that the dynamic nature of the object encourages user interaction and engagement. Other items in the collection, such as the 05 Round Table and the 06 Table, are also designed with adaptability in mind. The 06 Table, envisioned as an executive desk, features a two-layered top. Both tables can be electrically adjusted in height, ranging from standing level to lounge height, catering to various user needs and activities. The collection further extends to include a coffee table, diverse seating options, a screen, and a credenza, each contributing to the overarching theme of versatile living and working spaces. The launch of the "Tools for Life" collection coincides with Knoll’s 75th anniversary. Benjamin Pardo identifies parallels between OMA’s furniture and some of Florence Knoll’s classic designs, noting that both serve as "background pieces that create sub-architecture in an architectural space." However, Pardo highlights that "Tools for Life" is specifically a response to contemporary work patterns. He stresses the importance of discussing "work" rather than solely the "office," reflecting the modern reality that individuals now work across various environments. This emphasis on flexible work and living spaces is a prominent theme at this year's Salone. The fair itself is sponsoring an exhibition titled "Project: office for living," conceived by French architect Jean Nouvel. This exhibition will showcase five distinct work environments, including a classic apartment reconfigured into a cocoon-like workspace and a cityscape composed of mobile, modular, and stackable flat surfaces designed for easy arrangement and use. This parallel exploration of adaptable spaces indicates a broader industry trend where design minds are converging on similar solutions for evolving lifestyle and work demands. #FurnitureDesign #Knoll #OMAArchitecture #RemKoolhaas #FlexibleLiving #MilanDesignWeek #SaloneInternazionaleDelMobile #WorkFromAnywhere #InteriorDesignTrends

The design industry has seen a continuous upward trend in biophilic design, which incorporates elements of nature into built environments. 3form, an award-winning materials innovator, introduces a novel approach to this movement with its new Ivory Flora Collection. This collection deviates from the conventional green and brown palettes typically associated with biophilia, instead presenting an all-white, neutral range of botanical patterns. The focus of the Ivory Flora Collection is to celebrate the inherent textures, intricate details, and varied scales of natural materials, offering a fresh perspective on how organic elements can influence a space, from fostering calmness to creating dramatic visual interest. Ryan Smith, 3form's Chief Creative Officer, emphasizes that the collection shifts the understanding of biophilia from merely a color additive to an appreciation of the tactile and visual qualities that organics provide. This results in surfaces that draw the viewer in with a stunning display of materiality. The collection features three distinct scaled patterns, each designed to evoke a different mood and suit various applications. Star Flower, the smallest pattern, is characterized by delicate and whimsical flora, making it suitable for healthcare and wellness settings where subtle design and intricate details are desired. Mountain Fern offers a fluid design with an elegant, overlapping pattern that appears boundless, creating a sense of continuous flow. The largest pattern in the collection, Anahaw Palm, evokes the image of fronds on a white sandy beach, providing a strong sense of neutrality and deep visual texture. This pattern is designed to add a luxurious feel to any space. To achieve these unique designs, 3form's designers meticulously pressed dried botanicals into the company's flagship Varia product. Extensive testing was conducted to observe how these flora interact with natural light, revealing a dynamic interplay between crisp cleanliness and warmth. This dichotomy enhances the depth and texture, which are highly sought after in biophilic design and broader interior aesthetics. The Ivory Flora Collection, available in Varia material platform, comes in panel sizes of 48″ x 96″ and 48″ x 120″, with gauges ranging from ¼” to 1″. The lead time for these panels is four weeks. The collection offers versatility, allowing designers to either integrate 3form’s existing color system to customize the Ivory Flora patterns or use them as a modern neutral statement. The core appeal lies in how these durable design materials encapsulate the intricate details of nature, promising longevity and aesthetic value. Furthermore, the Varia material platform, used for the Ivory Flora Collection, boasts several environmental certifications, including Optimized EPD (SCS), Greenguard Gold (UL), Type III EPD (SCS), and a Red List Free Declare Label (ILFI). These certifications are a testament to 3form’s comprehensive sustainability program, Align, which was launched in March 2020. Align reflects the company's commitment to enabling architects, designers, and consumers to make informed and responsible choices regarding their purchases and construction practices. The Ivory Flora Collection aligns with this commitment, promoting both aesthetic innovation and environmental stewardship. #BiophilicDesign #IvoryFloraCollection #3form #InteriorDesign #ArchitecturalMaterials #SustainableDesign #CommercialInteriors #NaturalElements #DesignInnovation

The project "Knowing the Ropes," initiated by designers Brynhildur Pálsdóttir, Þuriður Rós Sigurþórsdóttir, and Theresa Himmer, delves into the ubiquitous nature and varied applications of rope, challenging conventional perceptions of this utilitarian material. This artistic endeavor explores the cultural and structural significance of rope within a Scandinavian context, specifically focusing on its dual existence in interior design and maritime industries. The designers utilize two historical production facilities, Hampiðjan in Reykjavík, Iceland, and Aarhus Possementfabrik in Denmark, both established in the early 20th century and employing similar machinery. These facilities represent the divergent paths of rope production: one for marine use and the other for interior textiles. The core of the project lies in highlighting the unexpected aesthetic and functional intersections that arise when examining a material with such diverse applications. The genesis of "Knowing the Ropes" dates back to 2017. Over time, the project evolved from its initial conceptualization into a comprehensive body of work, culminating in a publication and an exhibition featuring objects and video installations. The initial exhibition was held at the Reykjavík Art Museum in 2021, showcasing the designers' innovative interpretations and creations. The artists further developed their project by presenting an evolved version at the Hallwyl Museum in Stockholm. This particular venue, a meticulously preserved Victorian home from the turn of the 20th century, provided a unique juxtaposition for the contemporary design pieces. The museum's ornate and traditional environment offered a striking contrast to the modern and unconventional objects crafted from rope, creating an unexpectedly modern aesthetic within a historical setting. The exhibition features a range of objects that reimagine the use of rope in everyday items and art installations. These pieces include floor lamps with rope-wrapped bodies and exposed light bulbs, demonstrating how rope can be integrated into lighting design to create a distinctive texture and form. Pedestals made entirely from rope showcase the material's structural capabilities and its potential as a sculptural element. A standing round mirror, framed and supported by intricate rope work, highlights the material's versatility in creating decorative and functional home furnishings. A modern three-legged table also utilizes rope in its construction, presenting it as a primary material rather than a mere accent. Additionally, arch-shaped shelving units, crafted with rope netting, illustrate innovative approaches to storage and display. Through these creations, Pálsdóttir, Sigurþórsdóttir, and Himmer prompt viewers to reconsider the inherent qualities of rope and its potential for artistic and design expression. The project not only celebrates the craftsmanship and heritage associated with rope making but also pushes the boundaries of how textiles can be perceived and utilized in contemporary design. The juxtaposition of modern designs with a historic setting further emphasizes the timeless appeal and adaptability of this fundamental material, inviting a deeper appreciation for the overlooked elements of our material world. #TextileArt #RopeDesign #ScandinavianDesign #MaterialExploration #ContemporaryArt #ExhibitionDesign #InteriorFurnishings #DesignInnovation

The choice of fabrics in interior design is currently being influenced by a combination of factors, including a heightened demand for comfort, a strong emphasis on well-being, and a desire for escapism. Experts in the field, such as Stine Find Osther and Charlotte Bastholm Skjold from Kvadrat, interior designer Laurence Carr, Svenja Diekmann from Hem, and print designer Stephanie Ogé of Sogé Decor, highlight several key trends that are shaping current textile preferences. One prominent trend is the craving for comfort, manifested through the increased popularity of cozy, voluminous textiles. Materials like wool bouclé and soft cotton corduroy are favored for their inviting texture and ability to create a warm, homey atmosphere. Diekmann notes the resurgence of bouclé and corduroy, attributing it to their plush feel, durability, and subtle stylistic elements like monochromatic stripes. The emphasis on natural materials such as cotton, linen, and wool, often with thick weaves and stubby checks in neutral beige hues, underscores a desire for tactile and visually rich environments that bridge artisanal craft with characterful interiors. Beyond aesthetics, health and wellness are significantly influencing fabric selections. There is a growing consumer preference for natural and renewable fabrics, driven by a post-pandemic awareness of indoor environmental quality. This shift involves a move away from chemically treated fabrics, synthetic materials, and finishes that emit volatile organic compounds (VOCs). Consumers are increasingly prioritizing materials with transparent certifications like SFC, FSC, and GOTS, indicating a strong demand for environmentally conscious options. Carr points to the return of traditional, handmade textiles such as 100 percent flax linen and wool and cotton dyed with natural water-based or vegetable dyes, reflecting a value for noble materials and sustainable practices. The consensus among experts is that sustainable fabrics are becoming standard, with a clear rejection of synthetic alternatives in favor of honest, organically derived weaves. Innovation in textile production is also leading to creative alternatives that address environmental concerns. Companies are exploring circular, regenerative, and biodegradable materials, and reevaluating their sourcing to improve sustainability. This includes using closed-loop systems for water reuse and initiatives that support the ecosystems and communities involved in material production. An example is Supreen, a new performance textile that combines advanced weaving technology with a silicone blend to create a liquid barrier while maintaining a soft touch. The increasing traction of vegetable-tanned leathers and the emergence of movements like Vegan Interior Design Week indicate a broader trend away from animal-derived products. Fabric application is extending beyond traditional home furnishings to technology. Bastholm Skjold observes that textiles are being integrated into devices like speakers, adding a humanizing and tactile dimension to an increasingly digital world. The use of Kvadrat wool-blend covers on products like the Bang & Olufsen A9 speaker exemplifies how textiles can enhance the aesthetic and sensory experience of technological items. Finally, printed fabrics are embracing escapism and bolder aesthetics. Ogé notes that consumers are becoming more adventurous with print selections and color palettes, often drawing inspiration from global destinations. The trend includes moving away from neutral tones towards warmer palettes featuring jewel tones, golden hues, and rust colors. This is complemented by a strong connection to nature, with prints featuring florals and leaves in bold color schemes, aiming to bring the outdoors inside. Diekmann also observes a shift towards warm colors, earthy tones, and energetic splashes of color, as seen in Hem’s Monster Collection, which uses vibrant hues in mohair throws and hand-knotted wool rugs, integrating art, craft, and natural materials into the home. #FabricTrends #InteriorDesign #SustainableFabrics #HomeDecor #TextileInnovation #ComfortInDesign #WellnessInteriors #PrintPatterns #NaturalMaterials

Biophilic design, a concept merging the Greek words for “life” (bio) and “love” (philia), integrates natural elements into architectural and interior spaces. This design philosophy aims to enhance human connection to nature, thereby improving health and well-being. Studies indicate that spending time outdoors can lower cortisol levels, heart rate, and blood pressure, promoting a sense of peace. Bill Browning, co-founder of Terrapin Bright Green and co-author of "Nature Inside, A Biophilic Design Guide," highlights that humans instinctively respond positively to biophilic elements such as natural materials, organic shapes, and patterns, which can significantly benefit health and wellness when incorporated indoors. Central to biophilic design is the creation of a sense of safety and wonder. Browning refers to the concept of “prospect and refuge,” derived from a 1970s landscape geographer’s observation. Prospect involves an unimpeded view, evoking opportunity and inspiration, such as a sunrise over the ocean. Refuge describes a feeling of safety and comfort, like having one's back protected or a canopy overhead. Traditional craftsman bungalows with overhanging porches are an excellent example, offering both a broad view and a sense of enclosure. This balance inspires exploration from a secure position. Designer Ashley Cardiel often uses this principle, creating cozy, enveloping spaces within large homes and strategically placing windows to maximize natural views. She recounts a project where a writing desk was placed to overlook a river, and mature trees were preserved near a bedroom to create a forest canopy effect, enhancing engagement with nature. Another aspect of biophilic design is the incorporation of natural pattern language, or fractal fluencies. These are self-repeating mathematical patterns found in nature, like snowflakes, fern leaves, and waves, which elicit positive human responses. These patterns can be easily introduced through textiles, such as fabrics for window treatments, throw pillows, or wallpaper. Cardiel exemplifies this by repurposing antler sheds into a contemporary chandelier, creating intricate shadow play reminiscent of light filtering through tree canopies, thereby adding visual texture even in windowless rooms. Natural light is crucial for regulating circadian rhythms, improving sleep quality, and boosting energy levels. Designers prioritize unobstructed windows and views. For spaces lacking natural light, innovative biophilic solutions are employed. Cardiel installed circadian rhythm canned lights in one client's home, which automatically adjust color temperature throughout the day to mimic natural sunlight—warmer in the morning, cooler blue at midday, and redder in the evening. This technology aids in adjusting to time zones and can positively impact energy levels, similar to caffeine. Vanity mirrors with cool, white energizing light offer a localized biohack. Finally, direct integration of nature is a simple yet powerful biophilic element. This includes bringing plants and animals indoors. Grouping several houseplants, or creating miniature landscapes like terrariums, can evoke a stronger positive psychological response than a single plant, as the brain perceives a thriving habitat. Incorporating stained wood in flooring, paneling, or furniture, and using natural stone in countertops or walls, further connects interior spaces to the natural world. Cardiel notes that these elements inspire clients to personalize their homes, leading to reduced stress, increased calmness, and enhanced cognition and contentment over time. The scientific validation of these fundamental design values underscores their importance in creating healthier, happier living environments. #BiophilicDesign #HomeDecor #InteriorDesign #WellnessDesign #NaturalElements #FractalPatterns #CircadianLighting #IndoorPlants #SustainableLiving

Liberty, traditionally known for its heritage floral textiles, has launched a new interiors and fashion fabrics collection named FuturLiberty. This collection, which debuted at Milan Design Week 2023, is deeply influenced by the early 20th-century art movements of Futurism and Vorticism, both of which celebrated the dynamic and rapidly evolving aspects of modern life. The creative direction for FuturLiberty was spearheaded by nonagenarian Italian designer Federico Forquet. His collaboration with Andrea Petochi, Liberty Fabrics’ managing director, began after the Covid pandemic, with Forquet challenging Liberty to look beyond its signature floral designs and explore how avant-garde artists responded to periods of crisis and social change. Forquet specifically pointed towards the Futurists, an Italian art group from the early 20th century known for their admiration of machines, industry, power, and speed, expressed through abstract and dynamic forms. Under Forquet’s guidance, Liberty’s fabrics and product team, led by design director Mary-Ann Dunkley, delved into Futurist paintings to develop new patterns. Dunkley highlighted Forquet’s emphasis on geometrics and the importance of rhythm in each design. The design process involved extensive research into Liberty's own archives, spanning over 50,000 historic designs. The team found inspiration in the 1960s collections of former Liberty design director Bernard Nevill, particularly his Tango and Jazz ranges, which were inspired by Vorticism—the British art movement that evolved from Futurism. This discovery provided a valuable historical connection for Liberty, aligning the new collection with the brand’s past while embracing an avant-garde aesthetic. After gathering a wealth of inspirational material, Dunkley’s team synthesized and adapted pictorial references to create repeatable fabric patterns. These patterns, characterized by a strong geometric language, were then applied to various fabrics in a diverse range of colorways. Forquet's emphasis on color and nature helped to infuse a playful quality into the designs, distinguishing them from the potentially more austere nature of their artistic inspirations. To further contextualize the FuturLiberty collection, Liberty is hosting two exhibitions in Milan. One exhibition, at Museo del Novecento, showcases the original Futurist and Vorticist artworks that inspired the collection, alongside some of the new FuturLiberty interiors fabrics, demonstrating the translation of artistic inspiration into design. The second exhibition, at Palazzo Morando, explores Liberty’s historical trajectory from the Arts and Crafts movement through Nevill's 1960s designs to the contemporary FuturLiberty collection. This exhibition prominently features the fashion fabrics of the new collection in an immersive installation. Both exhibitions were developed in collaboration with Ester Coen, a renowned art historian, who underscores the exhibitions’ aim to highlight the dialogue between Futurism and Vorticism and to show how FuturLiberty embodies the energy and commitment of avant-garde art towards a valuable future. In conjunction with Milan Design Week, Liberty is also launching a book about the FuturLiberty project, published by Thames & Hudson, which will delve deeper into the interplay between art and design. Andrea Petochi views this initiative as a return to Liberty's artistic roots, fostering a dialogue between society and creativity. As Liberty approaches its 150th anniversary in 2025, the FuturLiberty collection positions the brand as both an innovator and a disruptor, grounded in its rich tradition. #MilanDesignWeek2023 #Futurism #Vorticism #LibertyFabrics #FedericoForquet #TextileDesign #InteriorDesign #FashionFabrics #ArtAndDesign

The concept of biophilia, initially introduced by psychoanalyst Erich Fromm in the 1970s and further developed by biologist Edward O. Wilson in the 1980s, describes the innate human connection to nature and all living things. While a specific biophilic gene remains unidentified, the universal appreciation for the well-being derived from natural environments has propelled biophilic design into prominence across various industries. Biophilic design extends far beyond simply incorporating potted plants. It encompasses a broad spectrum of design elements, including patterns, colors, materials, and textures, to integrate natural elements into indoor spaces. This approach offers designers numerous opportunities to infuse elements of wellbeing into products and design processes. Table Place Chairs exemplifies how furniture can be a primary vehicle for integrating nature into an environment. The company emphasizes the acoustic properties of wood, ensuring all its oak and beech products are FSC certified. These wooden products are available in various natural stains that highlight the natural grain, allowing them to complement diverse biophilic design aesthetics, from bright, airy spaces to darker, more intimate interiors. Research indicates that visual connections to nature in workspaces can significantly enhance employees' cognitive functions. Table Place Chairs addresses this by offering clever solutions, such as natural wood finishes, grain enhancement on oak-framed chairs, and customization options like adding rattan to their Clover seating collection. Furthermore, the company utilizes recycled timber as a sustainable alternative for tabletops. Effective biophilic design integrates all elements of nature to create sustainable and livable spaces. This shift is evident in architecture and interior design, moving away from concrete-heavy structures towards incorporating more natural elements, such as vibrant oasis walls, freshwater aquariums, and advanced air filtration systems. Textiles and soft furnishings are crucial in unifying biophilic design schemes. They achieve this through the use of natural colors, organic and dry textures, and patterns inspired by flora, fauna, and botanicals. ILIV has recently launched two collections that draw inspiration from biophilic design. The Exotic Garden collection, influenced by warmer climates, features six coordinating designs with tropical origins, incorporating leaf details and intricate exotic plants to create balanced spaces. The Serene collection, designed to evoke calmness and tranquility, reflects a strong trend that emerged during the global pandemic. This collection aims to extend the feeling of relaxation and ease experienced in homes to contract environments. A study by Professor Sir Cary Cooper, titled 'Biophilic Design in the Workplace,' surveyed 3,600 office workers across Europe and the Middle East. The findings highlighted that internal green spaces, natural light, and foliage positively impact employee mood, productivity, and job satisfaction, while also reducing stress. Wallcoverings offer an excellent medium to combine color and print to emulate the natural world, featuring organic colors and textures of stone, wood, and botanicals, as well as prints inspired by landscapes, fauna, and flora. Newmor Wallcoverings provides interior designers with a wide array of biophilic-inspired patterns. Examples include Leaves, a large-scale skeletal leaf design; the witty Banshee cacti pattern by The Patternistas; and the dramatic Blooming Marvellous collection, which features large-scale palms and florals. These designs can be printed on vinyl wallcoverings or window film, expanding opportunities to incorporate biophilia into interiors. The application of biophilic-inspired designs in living, working, and relaxation spaces has been shown to enhance feelings of well-being, happiness, and serenity, as well as improve concentration, creativity, and productivity, and reduce stress and anxiety. #BiophilicDesign #InteriorDesign #SustainableMaterials #WorkplaceWellbeing #NaturalElements #TextileDesign #FurnitureDesign #Wallcoverings

The article explores the upcoming fabric trends for 2025, offering insights into how to incorporate these textiles into home decor and craft projects. Marie Goodwin, head designer at Prestigious Textiles, provides expertise on the expected styles. The focus for 2025 emphasizes nature-inspired motifs, earthy colors, and a blend of luxury and comfort. One prominent trend is the 'Say Yes to Safari' theme, where animal prints, particularly leopard print, transition from fashion to interiors. The advice is to either go bold with full animal kingdom aesthetics or subtly integrate safari-inspired prints with metallic accents for a luxurious feel. Brass lighting and dark drapery can create impact, while natural wood tones and soft textiles contribute to a warm and cozy scheme. Another significant trend involves 'Beautiful Butterfly Motifs' and fruit designs, bringing the outdoors inside. These motifs are often subtly integrated into designs for a contemporary look. The trend encourages moving beyond typical spring/summer palettes, suggesting warmer autumnal tones like orange and red accents for an intriguing twist. The article also highlights a shift towards 'Wonderfully Warm' color palettes, moving away from cooler grays to embrace browns and oranges. These warm tones are recommended to be combined with fresh paint colors, such as off-white with creamy undertones, and complemented by wooden elements in flooring and blinds to enhance texture. The 'Dare to Drench' trend focuses on color drenching, where different tones of the same color are used throughout a space for walls, floors, and furnishings. This technique aims to create a multi-layered, tactile look within a single colorway, adding depth to the scheme. 'Gorgeous Greens' continue to be a staple, expanding beyond traditional sage to include hunter green and zesty limes. Green is presented as a calming palette, ideal for adding serenity to a home, especially when paired with fresh foliage and multi-layered plants. Looking back at 2024 trends that are expected to carry over, 'Textured Neutrals' remain popular for creating light interiors by using muted color palettes of white, cream, and earthy tones. Interest is added through varied textures in upholstery and drapery, mixing materials like boucle and chenille with weaves and subtle embroidery, and incorporating abstract or geometric shapes. 'Embracing Arts and Crafts' signifies a return to traditional designs with intricate patterns, emphasizing archival pieces and heritage looks. This trend focuses on details like florals and classic stripes, encouraging highly decorative pieces that complement existing schemes. 'Perfect Animal Prints' from 2024, particularly leopard print, are expected to continue their maximalist presence in homes. Tips for incorporating these prints include starting with small soft furnishings and complementing them with colors like brown, terracotta, and cream, accented with gold and bronze. 'Sunset Hues' bring the colors of a beautiful sunset indoors, with brown and neutrals serving as comforting base colors. Dusky pink, radiant yellows, and ambers are introduced to brighten spaces and add a sense of tranquility, particularly in bedrooms and living rooms. 'Stylish Small Prints' are a key trend, driven by block print revival, featuring floral designs, gingham, stripes, and tile patterns. These small-scale prints are versatile for window dressings, upholstery, and are often seen in traditional shades like powder blue and mid-greens. Finally, a 'Retro Revival' draws inspiration from 70s prints and colors, mixing retro palettes with iconic geometric shapes. This trend encourages integrating vintage furniture and using bold, striking prints in weaves and jacquards, with boucle as a complementary fabric choice. 'Celestial Prints' introduce metallic finishes and star-inspired designs, often mixed with velvet and jacquard fabrics, suitable for updating cushions or curtains. 'Sheer Luxury' promotes the use of sheer fabrics for curtains to maintain bright, light rooms and bridge indoor and outdoor spaces, with printed sheers in delicate patterns being a popular option. 'Wonderfully Warm Whites' offer an alternative to cooler neutral palettes, emphasizing warm-toned whites layered with boucle, linen, and jacquard fabrics to add personality and three-dimensional texture. 'Feel at Home with Folklore' suggests a return to painterly woodland scenes and delicate embroidery to create relaxed and cozy spaces, leaning into nature for playfulness and comfort. 'Embrace Earthy Shades' continues the popularity of darker brown and neutral hues for creating calming and inviting environments. 'Live in Luxury' focuses on micro-luxury, adding opulent touches through rich hues, satin textiles, and golden accents to elevate a room without excessive lavishness. 'Intricate Embroidery' highlights the importance of detailed needlework, whether floral or classical herringbone, to add personal touches and uniqueness to interiors. Lastly, 'Go for the Geometric' encourages the use of repeating geometric patterns, often inspired by 70s interiors, as a bold statement, particularly in woven textiles with multi-dimensional and multi-tonal finishes. #FabricTrends2025 #HomeDecor #InteriorDesign #CraftProjects #TextileDesign #NatureInspired #ColorDrenching #Maximalism

This article celebrates Suzanne Tick's induction into the Interior Design Hall of Fame, highlighting her multifaceted career as a material innovator, textile designer, and artist. Tick's work is characterized by a forward-thinking approach, integrating sustainability, advanced technologies like 3D knitting, and concepts of transparency and digitalism into woven surfaces for commercial interiors. Her textile brand, Luum, for instance, launched its 'Fabric of Space' collection with patterns inspired by celestial phenomena, coincidentally aligning with the public release of images from the James Webb Space Telescope. Throughout her four-decade career, Tick has collaborated with prominent brands such as Tarkett, Tandus Centiva, 3form, and Skyline Design, creating a diverse range of products including upholstery, drapery fabrics, high-performance carpeting, broadloom, cement-tile, LVT flooring, and etched glass panels. Beyond her commercial endeavors, she maintains an active fine-art practice, producing tapestries and experimental handweavings for clients like the Gates Foundation and BlackRock. Before establishing her independent studio and Luum, Tick served as an in-house design lead for Knoll Textiles, Unika Vaev, and Brickel Associates. However, she values the autonomy and risk-taking opportunities afforded by her entrepreneurial path. This independence has enabled her to innovate, as seen in Luum's pioneering contract industry fabrics made from postconsumer-recycled biodegradable polyester and discarded garment waste. Her journey began in the early 1980s after earning textile design degrees, where she quickly sought to understand the entire production process, learning everything from fiber sourcing to pattern implementation, an experience that shaped her holistic approach. Sustainability has been a cornerstone of Tick's philosophy, encompassing raw material development, structural innovation, and manufacturing method revitalization. At Luum, the focus is on developing new fibers and constructions, resulting in distinct fabrics. Her handweavings also incorporate novel and salvaged materials, such as dry-cleaning hangers, shredded ledgers, and cut-up paint sample discards. Tick attributes her salvage mindset to her upbringing, influenced by her father's scrap-metal business and her mother's creative pursuits and Eastern philosophy interests. Meditation has also profoundly influenced Tick's creative process and studio culture. After a period of personal dissatisfaction, she embraced Vedic meditation seven years ago and now teaches it, crediting it with enhancing collective creativity and clarity within her design teams. This practice has also reinforced her commitment to social responsibility, leading to free weaving workshops and involvement with The Light Inside, an organization teaching meditation to prison inmates. Tick's dedication extends to environmental stewardship, evidenced by her role in creating Resolution, the first solution-dyed panel fabric for Knoll Textiles, and her studio's textile waste recycling efforts. Her work consistently pushes boundaries, merging technology, craft, and human ingenuity to promote circularity in design. #SuzanneTick #InteriorDesignHallOfFame #TextileDesign #MaterialInnovation #Sustainability #LuumTextiles #KnollTextiles #SkylineDesign #VedicMeditation #ArtInstallation

The article explores the growing trend of incorporating soft textures and textiles into home interiors to create more comfortable, cosy, and tactile spaces. This movement is seen as a response to the dominance of digital technology, the anxieties of modern life, and a desire to make homes feel like sanctuaries. The shift towards soft textures builds upon earlier interior design trends, such as the resurgence of wallpaper two decades ago and the preference for moodier paint colours, both aimed at creating cosier environments. Today, designers are increasingly utilizing textiles for walls, floors, and furniture, moving beyond mere decorative elements to provide cushioning and a sense of luxury. These contemporary textile designs often feature natural, plant-based fibres like bamboo, jute, coconut waste, and even vegetable waste, emphasizing warmth and sustainability. Designers employ a mix of traditional techniques like embroidery and modern digital technology to achieve diverse textures, from matt to glossy finishes. The use of sustainable materials and dyeing methods also reflects a growing environmental consciousness within the design community. A key advantage of textiles is their adaptability; unlike rigid fixtures, they can be easily repositioned and layered for enhanced comfort. The Covid-19 pandemic significantly boosted sales of throws, cushions, and rugs, as people sought to make their homes more comfortable during lockdown. Charlotte Bastholm Skjold of Kvadrat highlights that textiles counterbalance the pervasive influence of technology by engaging the sense of touch, providing a human quality to spaces dominated by screens. Historically, textiles have played a similar role, with tapestries in medieval times offering portability and insulation, much like modern textiles provide warmth and softness. Textile artist Alan Oliver notes that wall-hangings and rugs evoke feelings of comfort and safety, fulfilling a deep-seated desire to 'nest.' He also points out the perceived impermanence of textiles, which encourages bolder design choices compared to permanent artworks or furniture. Prominent designers like Sarah Campbell, known for her hand-painted fabrics, emphasize how textiles enliven spaces by reflecting light and showcasing human artistry. Her work, along with that of other textile artists, is currently being exhibited, indicating a vibrant market for craft-based textiles. A younger generation of textile designers is also contributing to this trend, with events like London Craft Week highlighting the renewed interest in this craft, particularly for wall-hangings. Artists such as Singaporean weaver Tiffany Loy explore sculptural and three-dimensional textiles that offer translucency, sound absorption, and flexible space division. Ekta Kaul creates bespoke, hand-embroidered maps, drawing inspiration from historical and personal narratives. The appreciation for large-scale textiles has been influenced by exhibitions featuring artists like Anni Albers and the quilts of Gee's Bend. Claire Coles's silk wallpapers, incorporating appliquéd floral motifs, exemplify the demand for textured, non-repeating wall coverings. The trend also includes a preference for rugged, raw-looking textures, as seen in the large-scale tapestries by Crossing Threads, which use unconventional materials like coconut husk and discarded denim. Aiveen Daly's monumental upholstered panels, with their soothing monochrome colours and layered suede, are designed to evoke peace and tranquility, underscoring the role of textiles in making homes feel like sanctuaries in an anxious world. #SoftTextures #HomeDecor #InteriorDesign #TextileArt #CosySpaces #SustainableMaterials #Craftsmanship #TactileAesthetics #ComfortZone

The article explores the enduring appeal and multifaceted roles of coffee table books, particularly highlighting their significance during the COVID-19 pandemic. It begins by establishing coffee table books as revealing personal interests, noting their substantial cost as an indicator of a keen interest. The author reminisces about their role in pre-pandemic social gatherings, serving as conversation starters and offering insights into hosts' personalities. The history of coffee table books is traced back to the 16th century with Michel de Montaigne's writings, and their modern iteration is credited to David Bower, Executive Director of the Sierra Club, in 1961. Bower's vision for these books, particularly the Exhibit Format Series featuring works by Ansel Adams and Eliot Porter, emphasized large page sizes and dynamic imagery designed to invite readers to linger and engage deeply with the content. This deliberate design aimed to prevent the eye from encompassing an image in a single glance, fostering a more immersive experience. The aesthetic appeal of coffee table books is a primary factor in their popularity. They are described as beautiful, chic, and often showstopping, serving as objets d'art that can intentionally enhance living room décor alongside elements like lamps or throw blankets. Their high production value, weight, and size contribute to their role as accent pieces. Furthermore, these books are highly curated, featuring the best images from photographers or compilations of extraordinary moments, even extending to cookbooks with glorious photos and personal stories. In an increasingly digital world, they offer a tangible, high-quality print experience that contrasts with the fast-scrolling nature of digital media. Beyond their aesthetic value, coffee table books are presented as informative and substantive. The written content is carefully curated to inspire, provide meaning, and inform readers, often focusing on contemporary subjects that allow individuals to stay current and immerse themselves in living times. The information is typically presented in a simple and uncomplicated format, with text crafted to be as stylish and purposeful as the images themselves, conveying a cool, hip, and sleek impression. These books inherently make a statement due to their grand format, bold images, and often provocative subject matter, naturally serving as conversation starters. More profoundly, they reflect the owner's personality and life, acting as a profound personal statement. Robert Klanten, founder of Gestalten, likens print books to vinyl records in the music industry, suggesting that as digital consumption grows, there's an increasing urge for tangible foundations that reaffirm individual identity. Coffee table books offer this tangible connection, helping readers to explore and solidify who they are. The article concludes by emphasizing the particular relevance of coffee table books during the pandemic. In a time characterized by sameness and shapelessness, these books offer an opportunity to reconnect with past selves, embrace future selves through new hobbies, and make a personal statement. They are framed as mini works of art and storytelling tomes that can uplift and beautify the home environment, providing a small lifeline to formulate personal identity amidst global changes. #CoffeeTableBooks #HomeDecor #InteriorDesign #PersonalStatement #PandemicLife #CuratedContent #LiteraryCreations #TangibleExperiences #VisualStorytelling

Bouclé, a textured fabric characterized by looped or curled fibers, is experiencing a resurgence in popularity across various design sectors. The material's origins trace back to the late 1940s when Eero Saarinen designed the Womb Chair, upholstered in Knoll's Classic Bouclé, at the request of Florence Knoll. Historically, bouclé referred to either the yarn, crafted from a series of looped fibers, or the resulting fabric. While wool is the most common fiber used in this technique, cotton, linen, and silk also lend themselves to creating bouclé’s distinctive textured feel. Following its mid-century debut, bouclé gained traction in fashion couture, with Chanel notably incorporating it, and became a staple in furniture design. The appeal of bouclé lies in its versatile properties. It is substantial enough to provide acoustic absorption, making it suitable for applications like window treatments, yet sufficiently soft for use in pillows. Designer Tina Ramchandani attributes the material's current popularity to a broader societal need for comfort and security. In an era marked by environmental concerns and political turbulence, individuals seek to create safe and cozy home environments that promote well-being. This sentiment aligns with bouclé’s inherent comfort and inviting texture. Bouclé particularly complements curvilinear furniture forms, as evidenced by its application in iconic midcentury designs by Saarinen and Vladimir Kagan, and more contemporary pieces such as Pierre Yovanovitch’s Papa and Baby Bear Armchairs. At Salone del Mobile, Sé showcased an arced Ini Archibong-designed Oshun sofa upholstered in an eggshell-hued bouclé from Perennials, further illustrating this synergy. As consumer demand increasingly favors fabrics that offer both rich texture and breathability, textile manufacturers are expanding their bouclé collections. Several textile houses are responding to this trend by introducing new bouclé offerings. De Le Cuona's Flint bouclé collection, for instance, features a blend of wool and linen, suitable for both drapery and upholstery, and is available in six colorways. Sella Concepts launched the Ladies Pond collection, its first commercially available furniture, featuring hand-turned tulipwood pieces finished with stone composite and coordinating bouclé upholstered cushions. Frank Ponterio’s inaugural collection for Clarence House includes bouclé fabrics in four distinct colorways, blending linen, cotton, and alpaca. Perennials x Sé Collections highlight performance bouclé on modern organic sofa forms, as seen at Milan’s Rosana Orlandi. Stella TriBeCa offers bouclé throws woven from Stansborough wool and New Zealand mohair, providing warmth and softness. Lastly, Christophe Delcourt’s EKO Meridienne chair, upholstered in bouclé, draws inspiration from Le Corbusier’s Ronchamp chapel, incorporating sweeping planes and geometric forms. These diverse offerings demonstrate the material's adaptability and its continued relevance in contemporary design. #BoucleFabric #TextileTrends #InteriorDesign #FurnitureUpholstery #MidcenturyDesign #HomeComfort #FabricInnovation #ModernInteriors

The Deep Connections fabric collection, created by HBF Textiles, reinterprets natural colors and textures, moving beyond conventional organic designs. This collection is presented through Dezeen Showroom, highlighting its innovative approach to textile design. Mary Jo Miller, Vice-President of Design and Creative Direction at HBF Textiles, led the creation of this range, focusing on developing distinctive surface textures and patterns. The collection currently features three primary fabric styles: Agate Stripe, Moody Moss, and Tessellations. Agate Stripe is characterized by its velvet texture and multicolored stripes. These stripes vary in thickness and draw their color palette from the diverse hues found in natural agate stones. This design aims to mimic the geological patterns and layered appearances observed in these minerals, translating them into a tactile and visually engaging fabric. Moody Moss offers a different textural experience with its pin-curled surface. This design is specifically engineered to evoke the dense, soft feel and appearance of moss carpets found in forested environments. The texture is intended to bring a natural, earthy element into interior spaces, providing both visual depth and a unique haptic quality. Completing the collection, Tessellations features a tightly woven pattern that, upon closer inspection, reveals a complex interplay of different shapes and colors. This design draws inspiration from tessellating geometric patterns, creating a visually intricate and dynamic surface that can add a sophisticated touch to various applications. The detailed patterning allows for a rich visual experience, where individual elements combine to form a larger, cohesive design. Mary Jo Miller emphasizes that the collection's core lies in its ability to play with light and shade, using both vibrant color pops and deep, moody hues. This strategic use of color and texture results in fabrics that possess a wave-like depth, creating a multi-dimensional character. The fabrics are designed not only for their aesthetic appeal but also for their tactile properties, ensuring that they contribute to the overall sensory experience of a space. A significant aspect of the Deep Connections collection is its commitment to sustainability and health. All fabrics within the range are free from chemicals listed on the Living Building Challenge Red List. This ensures that the textiles are environmentally friendly and safe for indoor use, aligning with modern demands for sustainable and healthy building materials. The collection's release through Dezeen Showroom underscores its positioning as a contemporary and responsible option for interior design professionals and enthusiasts. #Textiles #Fabric #HBFTextiles #InteriorDesign #SustainableMaterials #PatternDesign #ProductDesign #DezeenShowroom