Tom Dixon's tile collection for Bisazza references London's architectural landmarks

Bisazza Mosaico, an Italian company established in 1956, stands as a pioneer in the mosaic tile industry, distinguished by its innovative fusion of traditional Venetian glass design techniques with contemporary technologies. The company is poised to open the Bisazza Foundation on June 8, 2012, a private, non-profit institution located in Vicenza, Italy. This foundation will be dedicated to design and contemporary architecture, serving as a venue for showcasing mosaic works, installations, and exhibitions created by renowned international designers and artists specifically for Bisazza. The inaugural exhibition at the foundation will feature the work of British designer John Pawson. The article highlights a curated selection of 20 distinctive mosaic designs from Bisazza, encompassing both classic and innovative styles. Among these is the 'Chester' design, which mimics tufted buttoned upholstery, offered in white and a vibrant pink. For a more understated aesthetic, the 'Oro 20 Blends' present 3/4-inch by 3/4-inch tiles in a simple, random mosaic available in various colors. The 'Shading Blends 20' collection offers a gradient effect, featuring eight color variations that transition from light to dark within the same tile size. The 'Kilt' mosaic tile introduces a bold and colorful option suitable for floors, bathrooms, or kitchens. Carlo Dal Bianco's 'Labirinto' design features glossy and opaque 3/4-inch by 3/4-inch tiles arranged in a geometric pattern, available in three color schemes. Marco Braga's 'Pois' collection reinterprets polka dots with large iridescent white gold or alabaster white dots. 'Mimetico,' designed by Fabrio Novembre, offers a unique take on camouflage with three color variations. Marco Braga also designed 'Twill,' a mesmerizing pattern of diagonal lines in contrasting colors, available in three combinations. 'Giza,' another creation by Carlo Dal Bianco, showcases strong, metallic-quality geometric patterns in four color combinations, including white gold and yellow gold. The 'Liaisons' design provides a classic, overlapping pattern, offered in white gold and yellow gold, with three additional variations. 'Righe' features a white-on-white pattern that contrasts glossy and opaque tiles and is available in seven color variations, with 'Vienna' also mentioned for flooring applications. The 'Suite' design presents an interwoven hexagon pattern with an almost 3D effect, available in three color stories, for those seeking a bold statement. The 'Diagonale' pattern offers a simple yet dramatic look in black with white gold or white with white gold. Bisazza also offers animal print tile patterns, including 'Crocodile,' 'Python,' 'Leopard,' 'Giraffa,' and 'Zebra.' The 'Bamboo' mosaics, designed by Rene Gonzalez, emulate a bamboo forest and come in white or black with two pattern variations. The 'Velvet' design, available in four color variations, creates a classic raised pattern with depth. From the Crystal Collection, 'Flash' integrates Swarovski crystals into glass mosaic circles, offered in black, blue, and white. The 2012 collection introduces new designs such as 'Vesper Minor' by Edward Van Vliet, a geometric, star-like pattern with black or white backgrounds. Van Vliet's 'Andromeda' features overlapping circles in two color palettes. The Bisazza Design Studio contributes 'Clouds,' depicting white clouds in a blue sky, available in two pattern variations. Lastly, Carlo Dal Bianco's 'Rayures' offers a timeless striped pattern in black/white and brown combinations, ensuring a design that remains perpetually stylish. #BisazzaMosaico #MosaicTile #ItalianDesign #HomeDecor #InteriorDesign #GlassTile #ArchitecturalTiles #DesignFoundation

Bisazza, the renowned Italian design company, has collaborated with American designer David Rockwell to launch a new tile collection named 'Tonal.' This collection marks Rockwell as the first American designer to partner with Bisazza on their artistic 'Cementiles' range. The 'Tonal' collection features a suite of graphic patterns available in four distinct color families, bringing a contemporary aesthetic to Bisazza's classic Cementiles. Rockwell's long-standing admiration for Bisazza tiles, which he has used in his projects for years, motivated him to seek a unique contribution for this collaboration. His choice to work with the Cementiles was influenced by his early experiences in Mexico, where he developed an affinity for this material. Rosella Bisazza noted that Rockwell was given complete freedom in designing and selecting patterns for the collection. He also requested the addition of a new blue shade to Bisazza's palette, which has since been named 'David Rockwell Blue' in his honor. The essence of Rockwell's design philosophy for the 'Tonal' collection lies in the interplay of craftsmanship, light, and the concept of transition. He was particularly drawn to the subtle variations inherent in each Cementile tile, which he describes as slightly different. This characteristic inspired him to incorporate the notion of ombre, or gradual color transition, into his designs. Rockwell explains that the "in-between spaces" are often the most captivating, and the illusion created by colors fading into one another resonates with his work in both theatre and architecture. Within these guiding principles, Rockwell developed a series of graphic patterns, including bold chromatic stripes and a vivid end grain motif. These patterns are designed to be highly versatile, allowing for numerous combination possibilities. The four color palettes – a sepia-toned warm neutral, a charcoal cool neutral, a family of rust, and the newly introduced blues – are meticulously chosen to complement the matte finish of the tiles. These palettes contribute to a latent energy and a sense of dynamic movement when applied to larger spaces. Rockwell emphasized that the simpler patterns intentionally highlight the material's inherent quality without distracting from it. He believes that this boldness distinguishes the collection in a market often saturated with intricate details, making it stand out as a unique offering. #DavidRockwell #BisazzaTiles #TileDesign #InteriorDesign #Cementiles #GraphicPatterns #ColorPalettes #DesignCollaboration #HomeDecoration

Tom Dixon's ‘Liquid’ bathroom collection, developed for the Turkish brand VitrA, has been recognized with a Wallpaper* Design Award 2022 for 'Best Fluid Forms.' This collection marks Dixon's inaugural venture into bathroom design, drawing inspiration from the enduring aesthetics of Victorian-era bathrooms. Dixon expressed his admiration for the permanence evident in Victorian designs, characterized by their robust taps and plumbing, an aesthetic deeply rooted in British engineering traditions that significantly influenced bathroom evolution. The ‘Liquid’ collection translates Dixon’s signature bold design philosophy into a functional and comprehensive range of bathroom essentials. It includes various components such as sinks, showerheads, taps, WCs, mirrors, and hooks, alongside furniture pieces like stools and cabinets, and a selection of textured tiles. This collection exemplifies VitrA’s commitment to collaborative design, extending its product offerings beyond conventional bathroom fixtures. A defining characteristic of the ‘Liquid’ collection is its use of soft-edged, rounded forms. These shapes subtly reference the sculptural works of artists such as Jeff Koons, Claes Oldenburg, and Barbara Hepworth, creating a harmonious blend of gentle geometries and striking, reflective silhouettes. Dixon has thoughtfully infused even everyday bathroom items, like toilet roll holders and urinals, with a distinct design identity and a touch of playful aesthetic. Each piece within the collection was designed with individual consideration, ensuring that they can either integrate cohesively as a complete bathroom suite or stand alone as distinctive design elements. The collaboration with VitrA’s Innovation Centre was instrumental in pushing the boundaries of manufacturing and creative design within the bathroom sector. Echoing Dixon’s previous 2021 collections, which explored single materials like brass, cork, and glass, the ‘Liquid’ collection emphasizes materiality, focusing on the transformative qualities of ceramics. Dixon articulated his fascination with the process by which raw, earthy clay can be transformed into pristine, lustrous ceramic objects. He describes the ‘Liquid’ collection as embodying ‘expressive minimalism,’ a unique approach to bathroom design. Beyond its aesthetic appeal, the collection’s design also enhances functionality; for instance, its rounded edges improve safety, and its smooth surfaces facilitate easy cleaning. The range incorporates thoughtful design details, such as a magnetic attachment for the hand-held showerhead, illustrating that ‘Liquid’ is more than just a stylistic exercise. Dixon aimed for the collection to evoke the simplicity of a child's drawing of a bathroom basin or tap, thereby achieving a clear and intuitive logic in both its appearance and practical application. #TomDixon #VitrA #BathroomDesign #LiquidCollection #DesignAwards #InteriorDesign #CeramicDesign #ProductDesign #ExpressiveMinimalism

Tom Dixon is set to unveil a new textile collection, named Super Texture, at the Maison&Objet; furniture fair. This collection is an exploration of various textile techniques, including weaving, knitting, knotting, and digital printing, applied across a range of cushions and throws. The Super Texture collection introduces three new product families and includes updates to two of Dixon's existing lines. Among the new offerings are the Abstract cushions, which are thick, woolly cushions distinguished by bold blocks of saturated color. These cushions are crafted by artisans in Varanasi, Northern India, utilizing a hand-tufting technique traditionally employed for rug making, resulting in durable, shaggy textures. Dixon drew inspiration from urban perspective sketches and 1970s "hippy" wall hangings for these deep-pile cushions. Another new addition for 2018 is the Paint cushions, which feature painterly prints of abstracted urban landscapes. These landscapes were created by British artist Josephine Ortega, commissioned by Dixon to produce a series of architectural watercolors based on British urban scenes. The designs are rendered onto a textured canvas made from off-white linen blended with lightweight viscose, with pink and indigo pigments digitally printed onto the fabric. The Paint cushions are then sewn, stuffed, and finished in Britain. The third new family in the collection is Geo, comprising cushions and throws that showcase geology-inspired illustrations. These patterns, reminiscent of rock formations and layered sediment, are embroidered in black thread onto white cushions and a double-sided throw. In addition to these new product families, the Super Texture collection brings updates to the existing Soft and Boucle ranges. The Soft cushions and pouches are now available in new Wine and Khaki colorways. The Boucle cushions and throws are updated with Khaki and Electric Blue options, with the studio noting the electric blue's intensity and the military-inspired khaki's versatility as both a neutral and a highlight. The manufacturing processes for these textiles highlight traditional craftsmanship and global sourcing. The Boucle cushions are hand-spun using hand-woven yarn in the mountainous region of Rajasthan, India, with wool sourced from New Zealand. The Soft cushions and pouches are crafted from Dutch woven fabric, utilizing South-African Angora goat hair. This collection, debuting at Maison&Objet;, is part of a broader launch of new designs at the fair. Other notable introductions include spherical glass pendant lamps by Sebastian Herkner for German brand Pulpo and a martial arts-inspired table and chair set by AC/AL Studio for Petite Friture. The Super Texture collection reinforces Tom Dixon's commitment to exploring diverse materials and manufacturing techniques to create distinctive homeware items. #TomDixon #TextileDesign #MaisonObjet #Cushions #Throws #HomewareDesign #IndianCraftsmanship #BritishDesign #ProductLaunch

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

British product designer Lindsey Lang has launched a new collection of wall and floor tiles that draw inspiration from the historical designs of London's transport network. Lang delved into the Transport for London archives to develop patterns for these tiles, specifically referencing two designs originally created for the London Underground rail system in the 1930s. The material chosen for the tiles is cement, a decision made to mirror the robust materials commonly found in tube stations across the city. One of the key designs in Lang's collection is the Chevron tile, which is a modern reinterpretation of a pattern created by British painter Enid Marx in 1938. Marx's original design featured a green and red grid of squares that coalesced to form a distinct zigzag shape. This pattern was initially used on the fabric upholstery for seats within Piccadilly and Central line tube trains. Lang's contemporary Chevron tiles incorporate raised square, striped, and rectangular sections. These individual components are designed to be arranged in various combinations, allowing for the creation of broader diamond-shaped outlines when installed. The second major design in the collection, the Roundel tiles, takes its cue from three-dimensional ceramic panels designed by artist Harold Stabler in 1938. These panels were historically featured in tube stations such as Aldgate East and Bethnal Green. Stabler's design was itself based on the iconic bar-and-circle-shaped logo of the London Underground, which was first introduced in 1908. Lang has developed the Roundel tiles by repeating elements of this famous motif. Her collection includes tiles with a single curved section, intended to evoke a quarter of the circular logo, as well as a second design that integrates full circles with a central cross-shaped raised section. The manufacturing process for these tiles involved a unique adaptation of the encaustic tile-making technique. Traditionally, encaustic tiles are flat and created by inlaying different colors of clay to form patterns. However, Lang innovated this method by building up layers of cement by hand to achieve a three-dimensional pattern. Pigment is then pressed into the surface of these built-up layers, resulting in tiles that possess both textural depth and vibrant color. Lang expressed her satisfaction with the opportunity to push the boundaries of traditional tile manufacturing, noting that the final product beautifully reflects the historical essence of Transport for London. This innovative approach to tile production underscores her commitment to blending traditional craftsmanship with contemporary design. Lang's work joins a growing trend among designers who are finding inspiration in London's urban landscape for tile collections. This revival of interest in local motifs and materials is evident in other notable projects. For instance, British designer Tom Dixon developed a collection of tiles that referenced distinctive architectural features of the city, transforming them into simplified graphic patterns. Similarly, design duo Edward Barber and Jay Osgerby created a range of tiles inspired by London's colors and patterns, including the textures of aged bricks and wooden floors. The broader context also includes a renewed appreciation for encaustic tiles, particularly in cities like Barcelona, where they are either being used in modern renovations or meticulously restored in historic apartments, highlighting a global resurgence in tactile and patterned tile designs. #LindseyLang #LondonUnderground #TileDesign #ProductDesign #TransportForLondon #ArchitecturalTiles #EmbossedPatterns #CementTiles #EncausticTiles

The blog post presents a curated guide to London's most inspiring design shopping destinations, emphasizing the experiential nature of browsing through the city's varied streets and shops. It details a suggested itinerary for a full day of design-focused exploration, starting with a morning routine. The morning begins in Fitzrovia with coffee at Kaffeine, followed by a visit to Pentreath & Hall, known for its marbled lampshades and ceramic candlesticks. The itinerary then moves south towards Covent Garden, recommending a stop at Choosing Keeping for Italian notebooks and Japanese pens, and a second coffee break at Monmouth Coffee for a croissant. These early stops focus on unique decorative items and stationery, setting a tone for discovery. Midday shifts to the east, recommending a visit to Clerkenwell and Holborn to explore Present & Correct for stationery. Further east in Shoreditch, the guide highlights Labour and Wait, a store recognized for enamelware and striped dishcloths, with a suggestion to explore its vintage-inspired perfumes and bath accessories. Lunch is recommended at the Old Spitalfields Market, keeping it simple to allow for a more indulgent afternoon of shopping. The afternoon segment suggests a leisurely visit to Petersham Nurseries in Richmond or Covent Garden, depending on one's energy, for garden accoutrements and a glass of rosé. This is followed by a visit to 8 Holland Street, which offers a gallery-meets-home shopping experience, and Collins & Green Art for antique and vintage artworks, available by appointment. Nearby, Penny Morrison and Guy Goodfellow are recommended for their textiles, antiques, and home decor, underscoring their importance in a design shopping tour. The evening portion of the guide leads to Straw London for playful pieces made from natural materials, including baskets and ceramic serving items. The day concludes with a retreat to The Mandrake Hotel, described as a bohemian anchor with a dream-like design, lush fabrics, and surreal art, creating an opulent yet intimate atmosphere. The suggestion is to order a dirty martini in its courtyard garden. The article concludes by emphasizing that London's design shopping is not just about purchases but about the experience of discovery through its streets, coffee stops, and unexpected treasures, suggesting that true engagement with the city involves bringing home unique, hand-carried items as mementos. #LondonDesign #ShoppingGuide #InteriorDesign #HomeDecor #Antiques #Textiles #Stationery #BoutiqueHotels #Travel

KAZA Concrete has unveiled its latest tile collection, “Flutes and Reeds,” designed by GRT Architects. This collection reinterprets ancient architectural embellishments, specifically the fluting and reeding patterns commonly found on columns, pilasters, and walls in classical Greek architecture, by transforming them into modern, modular concrete tiles. The collection comprises four distinct tile designs: Single Flute, Triple Flute, Single Reed, and Double Reed. Each design functions as a segment of a traditional fluted or reeded column, offering versatility in arrangement. When these tiles are installed in a conventional linear fashion, they evoke the classic, repeating patterns, albeit with a contemporary geometric subtlety. However, the true innovation lies in the ability to rotate and reconfigure these modular pieces. This flexibility allows for the creation of new, intricate patterns that balance both established order and dynamic complexity, while still maintaining a sense of familiarity derived from their historical inspiration. GRT Architects' design for KAZA Concrete bridges the gap between historical architectural elements and modern interior design. The use of concrete as the primary material gives the tiles a tactile and robust quality, while the three-dimensional fluted and reeded surfaces introduce depth and shadow play to any wall or surface they adorn. This makes the collection suitable for a wide range of applications, from residential interiors to commercial spaces, where designers might seek to add a sophisticated, textural dimension. By offering various arrangement possibilities, the “Flutes and Reeds” collection empowers designers and homeowners to customize surfaces, moving beyond simple repetitive patterns to create bespoke, architectural statements. The designs encourage experimentation with orientation, allowing for the generation of unique visual effects that can dramatically alter the perception of a space. This collection demonstrates a thoughtful approach to material design, combining historical reverence with contemporary modularity, and positioning concrete tiles as a medium for artistic expression in interior and exterior environments. #TileDesign #KAZAConcrete #GRTArchitects #ArchitecturalEmbellishments #FlutesAndReeds #ConcreteTiles #ModularDesign #InteriorDesign #SurfacePatterns

A tile company named Casa Ceramica, located in Manchester, has installed a unique optical illusion floor in their showroom entrance, which was implemented twelve months prior to this report. The design creates the visual effect of a wavy or sinking floor, despite being entirely flat and stable underfoot. This installation was conceived to demonstrate the diverse applications of tiles and to incorporate an optical illusion theme, which the company successfully achieved. The floor is constructed from porcelain tiles that were custom-cut by Aquacut into over 400 individual pieces. Duncan Cook, the director of Casa Ceramica, meticulously tiled these pieces according to a specific design layout to produce the intended visual effect. The result is a floor that challenges perceptions of stability, making individuals feel as though they might walk unsteadily, even when they are on a perfectly level surface. The unique flooring serves as a distinctive feature for the showroom, aiming to capture the attention of visitors and showcase the company's innovative use of tiling. Beyond the optical illusion floor, the showroom also features walls adorned with quotes, which were created by a local artist named Myro, adding another artistic element to the space. #OpticalIllusion #TileDesign #InteriorDesign #ShowroomDisplay #Manchester #CasaCeramica #FloorArt #ArchitecturalInnovation

Tiles possess the ability to redefine any area of a home, whether utilized for expansive patterns, striking splashbacks, or creating a subtle, faded mural effect reminiscent of Sicilian aesthetics. This article highlights eleven prominent British tile brands that offer diverse styles to elevate interior design. These brands cater to various aesthetic preferences, from minimalist sophistication to intricate, art-inspired creations. Mandarin Stone provides a collection of porcelain and ceramic tiles, suitable for both understated minimalist designs and more distinctive looks. Bert & May, a York-based brand, has garnered significant attention, notably collaborating with Soho House and other prestigious hotels. Their tiles, characterized by chic, patterned, and eye-catching designs, have achieved a cult status, being the preferred choice for celebrities such as Sienna Miller. Balineum offers an extensive range, featuring designs inspired by Mediterranean seaports, ethereal mottled and tortoiseshell glazes, and marbled swirls on cement that draw from Florentine paper-marbling traditions. Fired Earth, established in 1983, began by selling terracotta tiles and has evolved into a leading British tile producer, renowned for its diverse range influenced by both local and international aesthetics, including reclaimed-inspired designs like the Bert & May Bolonia. Claybrook Studio presents a selection of tiles that are not only visually appealing but also serve as a source of inspiration for tiling projects. Their styles encompass vibrant power-pop pinks, confetti bursts, and romantic trellises. Piccolpasso, founded by Caroline Egleston, specializes in handmade ceramic tiles, with each design being an individual work of art marked by texture and expressive brushwork. Marlborough Tiles, with a history spanning over 85 years, boasts a rich heritage; its designs have been collected by notable figures such as Queen Mary and are now exhibited in the V&A. The brand is particularly known for its etching and hand-painted tiles, which feature delicate designs of flowers, farm creatures, and natural motifs in softened palettes. Craven Dunnill Jackfield, founded in 1872, has a significant presence in public spaces, including Westminster Central Lobby, Kew Gardens, and the London Underground. The brand is recognized for its distinctive designs and also undertakes bespoke artistic commissions. The Baked Tile Company offers a broad selection, ranging from distressed-effect tiles to botanical murals and traditional Mediterranean and Tuscan designs, ideal for transforming spaces like bathrooms. Maitland & Poate, a London-based family business, originates from a deep appreciation for Andalucian tiles. The company emphasizes handcraftsmanship and traditional Spanish designs, often incorporating reclaimed flooring from across Europe for environmentally conscious projects. Their hand-painted glazed tiles are suitable for various indoor and outdoor settings, imparting a hacienda style. Ca’ Pietra has collaborated with the Natural Trust to create nature-inspired tilescapes, such as those featuring woodland glade themes. The brand also provides more subdued, traditional designs within its collection. These British tile brands collectively offer a wide array of options for those seeking to enhance their home interiors with quality, artistry, and distinctive style. #BritishTileBrands #InteriorDesign #HomeDecor #CeramicTiles #HandmadeTiles #ArchitecturalTiles #PatternedTiles #LuxuryInteriors

The author, a freelance illustrator, embarked on a project in 2008 in their hometown of Cascais, Portugal, a village with 650 years of history. The goal was to create artwork that reflected the town's rich past while also representing their Portuguese identity. Utilizing their unique illustration style, the artist decided to interpret traditional Portuguese tile patterns, specifically azulejos. The visual outcome was successful, inspiring the artist to further explore this concept. The artist emphasizes the importance of preserving traditions in an increasingly fast-paced and technologically advanced world. Having grown up surrounded by these tile panels, both inside and outside buildings across Portugal, the artist recognized their cultural significance. The project aims to reconnect people with their heritage by integrating art into everyday urban environments. One of the interventions mentioned took place in Largo de S. Paulo in Lisbon, where an electricity box was partially transformed. A key aspect of the artist's methodology involves contextualizing interventions by redrawing patterns from the immediate surroundings. This approach ensures that the artwork resonates with the specific location and its history. The core purpose of these artistic interventions is straightforward: to capture the attention of passersby and encourage them to contemplate the cultural foundations that underpin the beauty of their cities. The artist believes that these cultural elements, often overlooked due to their constant presence, are vital to understanding a city's identity. The artwork is designed to create "layers of history" by applying designs onto existing structures or walls. From a distance, the art appears traditional, echoing the classic Portuguese azulejos. However, upon closer inspection, contemporary and pop art elements become visible, introducing a modern twist to a historical art form. This blend of old and new is a signature of the artist's work. Over several years, the artist has specialized in stencil paintings, murals, and ceramics, all centered around tiles and patterns, predominantly azulejos. Examples of their work include a stencil mural in Muraliza, Cascais, from 2014, and contributions to the Djerbahood Project in Erriadh, Tunisia, also in 2014. These projects demonstrate the artist's consistent dedication to this unique artistic expression. #PortugueseArt #TileIllusions #StreetArt #CulturalHeritage #UrbanArt #Azulejos #DiogoMachado #PublicArt #HistoricalPreservation

Architectural details such as low-sloped roofs, arched front doors, or prominent turrets are commonly associated with charming homes like Craftsman, Spanish Colonial, or Queen Anne styles. However, even ordinary residences, such as split-levels or traditional brick row houses, can significantly enhance their curb appeal through the strategic use of exterior tile. The versatility and durability of porcelain and ceramic tiles, traditionally used in bathrooms and kitchens, can be extended to outdoor applications. The recent launch of OuterClé, a platform dedicated to outdoor-friendly tile products, highlights new opportunities for incorporating materials like terracotta and terrazzo into patios and garden pathways. Interior designers have also begun utilizing trendy materials like handmade zellige around firepits and swimming pools, further demonstrating the potential of exterior tiling. Architects are increasingly integrating tiles into building exteriors, whether by cladding entire facades or adding tiled sections to new additions. This approach allows for the creation of unique and personalized looks that can rival the character of historic Victorian or cozy Craftsman homes. The article presents eight examples of tiled exteriors, showcasing various creative applications and design impacts. One approach involves building custom patterns from simple rectangular tiles. For instance, Richard Christiansen, founder of Flamingo Estate, clad his garden office in Los Angeles with turquoise tiles arranged in various directions to create a patchwork effect. This design utilizes vibrant shades of green and blue, reflecting Christiansen's aesthetic preference. Another technique focuses on enhancing rooflines. In Costa Nova, Portugal, residences feature striped tiled facades, which, when combined with high-pitched roofs, create the illusion of increased height. Tile can also be used to create inviting covered spaces. In Lisbon, Portugal, an architectural firm utilized dark green tiles, including on the ceiling of a covered patio, to achieve a cocooning effect. This design transforms a simple overhang into a serene retreat, ideal for relaxation. Public transit systems can even serve as inspiration for exterior tile designs. London's Underground tube stations, with their distinctive curved corner tiles and specific pink glazes, have influenced architects to replicate similar aesthetics on Victorian terrace houses. This demonstrates how urban elements can be adapted for residential use, adding a unique historical and local flavor. For efficiency and cost-effectiveness, KitKat-style mosaic tiles offer a practical solution. These tiles come in large sheets, making installation quicker and more affordable. A Melbourne Victorian home, designed by Dan Gayfer, utilized this type of tile to introduce new natural light and update its interior efficiently. Tiled seating is another functional and aesthetic application. At a home in Buenos Aires, white square tiles were used to clad a rooftop entrance and integrate a built-in bench, effectively utilizing surplus material while maintaining a consistent design theme with large gridded windows. Mixing two tones of cement tile on a facade provides both durability and aesthetic depth. Cement tiles are robust, resistant to chips, scratches, dirt, and moisture, and available in a wide array of colors. An example from a UK home showcases the pairing of two similar blue shades in a random arrangement, creating a weathered, established appearance. Finally, framing windows with tile adds definition to flat architectural structures. A care home in Zoersel, Belgium, used minty green tiles for its facade, inspired by the surrounding forest, and further enhanced the windows with dark green tiles to provide contrast and visual interest to an otherwise boxy design. These diverse examples illustrate the transformative potential of exterior tiling in adding charm, personality, and architectural distinction to various types of homes. #ExteriorTile #ArchitecturalCharm #HomeImprovement #OutdoorDesign #FacadeRenovation #TileDesign #Zellige #CementTile #MosaicTile

In Gardena, California, a family-owned business called B&W Tile Co. has been manufacturing tiles since 1947. The company's vibrant purple building stands out near the freeway, attracting builders, contractors, and DIY enthusiasts. Inside, a team of 15 operates a showroom displaying a wide array of tiles, which are the same colors and styles the company has produced for decades. Beyond the showroom, the manufacturing process unfolds in a clay-filled environment, utilizing kilns and large machinery to create each tile from start to finish. Alex Vassaux, the head of operations, attributes the company's longevity to the passion and dedication of its employees and their commitment to preserving historical craftsmanship. The tile bisque and glazes are made from scratch, with most processes handled by personnel. Despite using machinery, the operations are not automated or computerized, relying on staff for control and operation. B&W Tile has faced significant challenges, including a factory fire last year that destroyed critical equipment, impacting production timelines. The company is actively working to recover from these setbacks, with production currently running six days a week to compensate for the damage. New kilns are expected to arrive within three months, which should help normalize production. The resilience of B&W Tile mirrors the durability of its products. The commitment to traditional tile-making by B&W Tile aligns with a broader resurgence of interest in vintage tiles. Social media platforms, particularly Instagram, have played a crucial role in fostering online communities dedicated to the preservation and appreciation of vintage tiling. An Instagram account, @vintagebathroomlove, curated by an individual without professional ties to the tile industry, exemplifies this passion. The curator's appreciation for vintage tiles began in their mid-20s, sparked by a studio apartment with original hex mosaic floor tile, a pedestal sink, and a tub. They were impressed by the enduring quality of these neglected installations. Vintage Bathroom Love considers tiles to be an accessible form of art, functional, approachable, and relatively affordable. Elaborate tiled bathrooms are viewed as museum-quality art pieces, highlighting the skill of past tile setters. The visual appeal of vintage tiles, especially colorful ones, is well-suited for platforms like Instagram, where bright, eye-catching imagery thrives. This visual emphasis has contributed to a shift in design culture, moving away from monochrome aesthetics towards more vibrant and unique elements. Evidence of this trend can be seen in mainstream advertisements from companies like Geico and Target incorporating vintage bathroom aesthetics. Nostalgia also contributes to the rising popularity of vintage tiles. Vassaux notes that classic designs are always appreciated across generations. Vintage Bathroom Love adds that people often gravitate towards familiar elements from the past during challenging times. Many individuals grew up in homes with colored tiles and retain fond memories of these designs, leading them to incorporate similar elements into their own living spaces. This cultural phenomenon reflects a desire for comfort and familiarity in home design. #VintageTiles #TileManufacturing #HistoricCraftsmanship #DesignCulture #HomeDecoration #InteriorDesignTrends #SocialMediaInfluence #ArchitecturalPreservation

Boston, with its historical architecture, including red brick brownstones and Georgian-style structures, offers a rich source of inspiration for design enthusiasts. The Beacon Hill neighborhood, particularly known for its Federal-style rowhouses and cobblestone streets, is highlighted as a prime example of the city's architectural charm. This area is home to unique home décor shops and accommodations that blend old-world charm with modern aesthetics. One notable destination is Koo de Kir, a home décor shop on Chestnut Street. The shop's name, a phonetic play on the French "Coup de Coeur," signifies an item that captivates. The owner curates a selection of unique items, aiming to offer products that are distinctive and memorable. Among the favored items mentioned are the Lotus Nesting Bowls, which are popular during wedding season, indicating their appeal as gifts or household additions. Adjacent to Koo de Kir is another recommended shop, Good, which offers a broader range of lifestyle accessories, encompassing both fashion and home goods. Its inventory includes antiques, works of art, and vintage accessories, suggesting a focus on curated and unique finds for those seeking distinctive pieces for their personal style or living spaces. For an immersive experience in Beacon Hill, the Charles Street Inn is suggested as a lodging option. This inn is characterized by its quiet and cozy ambiance, combined with an old-world flair. Each room is individually named after historical Beacon Hill residents, such as John Singer Sargent or Ralph Waldo Emerson, adding a historical touch. A key feature of the inn is the presence of authentic 1860 marble working fireplaces in every room, contributing to its charm and historical authenticity. Beyond traditional design, the article explores the contemporary design integration seen at the Liberty Hotel, located at the periphery of Beacon Hill. This hotel exemplifies how Boston marries its historical heritage with modern design and an energetic nightlife. Originally the Charles Street Jail, completed in 1851, the hotel's recent renovation respectfully incorporated elements of the original structure and its former purpose, creating an innovative and modern space. Its nightclub, Alibi, and restaurant, Clink, are highlighted as popular venues, partly due to their interior design, which creatively reinterprets the building's history. The article concludes by emphasizing Boston's ability to offer an exciting and inspiring experience for design aficionados, challenging any perception of the city as overly traditional or "stuffy." It showcases Boston as a city where historical elegance and contemporary design coexist and inspire. #BostonInteriorDesign #BeaconHill #HomeDecor #ArchitecturalInspiration #BoutiqueShopping #LuxuryTravel #HistoricalRenovation #LifestyleAccessories

The multidisciplinary studio Zaven, based in Venice, Italy, embarked on a project named "Practice Practice Practice," which explores ceramic as a medium to create three-dimensional tiles. This endeavor was inspired by the work of Italian artist Nino Caruso, whose artistic approach resonated with Zaven's creative direction. The studio's objective was to develop tiles that transcend traditional flat surfaces, aiming to inject vitality and dynamic interaction into interior spaces through their graphic and sculptural qualities. Zaven's design process utilized clay, allowing for the creation of tiles with a bold, graphic aesthetic. A key innovation in these ceramic tiles is the interplay of positive and negative space, achieved through the incorporation of both concave and convex surfaces. This design choice results in a visually engaging product that manipulates light and shadow, adding depth and texture to any installed area. The collection features three distinct modules, each designed to be versatile, enabling various installation patterns and arrangements. This modularity empowers designers and homeowners to create customized, curated looks that cater to specific aesthetic preferences and spatial requirements. The ability to mix and match these modules offers a high degree of flexibility, transforming walls and surfaces into unique artistic expressions. The "Practice Practice Practice" tile collection made its public debut at the London Design Fair, where it was presented as part of the Brompton Design District. This exhibition provided Zaven with a platform to showcase their innovative approach to ceramic design, highlighting the potential of three-dimensional tiles to enhance contemporary interiors. The tiles represent a departure from conventional flat tiling, offering a modern alternative that blends artistic expression with functional design. The project demonstrates Zaven's commitment to pushing the boundaries of material use and design principles, translating a deep appreciation for craft into a product with broad appeal. The collaboration with Stylnove for the ceramic production underscores the technical expertise involved in realizing Zaven's vision. Stylnove's craftsmanship ensured that the intricate designs and specific textural requirements of the tiles were met with precision and quality. This partnership highlights the importance of collaboration between designers and manufacturers in bringing innovative concepts to fruition, ensuring that the artistic intent is translated into a durable and aesthetically pleasing product. The focus on ceramic as a medium also points to its enduring appeal and adaptability in modern design, capable of offering both traditional charm and contemporary flair depending on its application. Ultimately, Zaven's "Practice Practice Practice" collection is a testament to how traditional materials can be reinterpreted to create modern, engaging, and dynamic interior elements. By focusing on graphic qualities, three-dimensionality, and modularity, the studio has crafted a product that encourages creative exploration in interior design, providing a new way to "animate interiors" with depth, texture, and artistic character. #CeramicTiles #3DTiles #InteriorDesign #ZavenStudio #NinoCaruso #LondonDesignFair #ArchitecturalSurfaces #ModernDesign #HomeDecor

Charlotte and Angus Buchanan, London-based designers and cofounders of Buchanan Studio, have transformed their Edwardian townhouse in Harlesden, northwest London, into a working laboratory for their design experiments. The couple, who are avid bath-takers, designed their primary bathroom around a central antique tub, aiming to recreate a luxurious, hotel-like experience. To maintain this aesthetic, they conceived "sheds" – 8-foot-tall structures clad in dusty pink and white zellige tile – to conceal the shower and toilet from view. These structures, named by their children, feature salvaged wood doors from an old bank, which, when closed, resemble miniature gable-roof houses, adding a romantic and unexpected touch to the bathroom. The experimental approach extends to other areas of the home, notably the kitchen, which features restaurant-grade stainless steel surfaces. Angus Buchanan emphasizes the material's durability and practicality, highlighting its use in commercial kitchens worldwide. The kitchen is further enhanced by overhead skylights and a heated concrete floor, contributing to a warm and inviting atmosphere. The townhouse also serves as an archive for their furniture designs. The dining table on wheels was an early creation, while their popular pillowy Studio Chair, first marketed in 2020, gained significant demand, leading to the development of various fabric options, including the Ticking Rose print found throughout the home, such as on curtains flanking the front door. Even small fabric scraps are put to use, with Angus rerigging a sail for an antique toy boat on the primary bathroom's fireplace mantel using the Ticking Rose material. The renovation process involved navigating London's building permit regulations. The Buchanans initially sought to add a modern extension for their new kitchen and dining area. Their consultant helped them gain approval for the necessary square footage by creatively applying to build multiple small garden sheds, which were subsequently combined into a single extension, illustrating their resourcefulness in overcoming bureaucratic hurdles. The home also includes a tiny powder room under the stairs, a common feature in London houses, which Angus, drawing from his background in set design, personalized with hot-glued fuzzy red trim on the walls and mirror, complementing its pink and red color scheme. Delft tile remnants from the living room threshold were used to frame the small sink in this powder room. The formal living area features a Studio Sofa, Studio Ottoman, and Studio Chair from Buchanan Studio, complemented by a vintage Murano glass chandelier sourced after an extensive online search. The challenge of finding an uncolored Murano fixture led to a cautious installation process. A new bathroom for the children, created as part of the garden extension, showcases a playful design. Inspired by a vintage pink toilet and sink from the 1960s, the space features a whimsical checkered tile layout. Charlotte notes her daughter's involvement in the design and her affection for her "princess bathroom," underscoring the aim to create an energetic and entertaining space for bath time, providing a source of joy even after a long day. Beyond their design endeavors, the Buchanans maintain a small library, offering a convenient source for captivating reads during their frequent baths. This collection also serves as a last-minute gift resource for friends, with unique titles chosen to match individual interests. The London townhouse, therefore, embodies a blend of innovative design, practical solutions, and personal touches, serving as both a residence and a dynamic creative space for the design duo. #LondonHome #EdwardianTownhouse #InteriorDesign #BathroomDesign #KitchenDesign #CustomFurniture #Renovation #BuchananStudio #TileDesign

Susan Alexandra, known for its vibrant and beaded accessories, has opened a new store in New York City's Lower East Side, offering a colorful and whimsical retail experience. The store's design, spearheaded by founder Susan Korn in collaboration with Lula Galeano of Studio Galeon and Levi Shaw-Faber of Wiggle Room, transforms the space into a 'pigmented oasis' that draws inspiration from playful, retro aesthetics like '80s roller rinks, watermelons, and bananas. This design ethos extends beyond a mere shopping destination, providing a source of innovative and bold home decor inspiration that can be adapted for various personal styles. The store's exterior immediately captures attention with its bright yellow facade, setting the tone for the interior's vibrant color palette and unique architectural elements. One notable feature is the beaded banana door handle, a whimsical detail that exemplifies the brand's playful approach. Inside, the design incorporates several distinct elements that can be translated into residential settings. For instance, colored-glass bricks are used to create custom archways, room partitions, and corner tables, introducing a burst of color and a disco-like ambiance while minimizing the need for traditional wall hangings. This approach suggests an alternative to conventional wall decor, using structural elements to infuse color and light into a space. Another design technique highlighted in the store is color-blocking the ceiling and the top quarter of the walls, a concept referred to as 'Accent Wall 2.0.' This method creates a dynamic feel in any room and can be further enhanced by painting accent shelves and cubby spaces to match, integrating storage with the overall color scheme. The use of mosaics, described as a supersized version of Susan Alexandra's beaded bags, is prevalent throughout the store. Multicolored tiles in various shapes and sizes are employed to craft custom images and patterns, effectively embedding visuals directly into the walls, offering a creative alternative to wallpaper or paint for personalization. Lighting also plays a significant role in the store's design, featuring bespoke elements such as giant fruit sconces and intricate beaded chandeliers. While these are custom creations, the article suggests that antique and modern lighting fixtures can serve a similar purpose in residential interiors, introducing interesting colors and silhouettes that act as bold decorative choices. An example provided is the Matin wall sconce from Hay, illustrating how specific lighting pieces can contribute to a space's overall aesthetic. These design choices collectively offer a blueprint for homeowners looking to incorporate vivid colors, unique textures, and playful elements into their living spaces, moving away from neutral palettes toward more expressive and personalized interiors. #StoreDesign #HomeDecor #InteriorDesign #ColorBlocking #MosaicTiles #LightingDesign #RetailSpace #SusanAlexandra #NewYorkCity