Raili Keiv Lets Her Vases Dance

The blog post, "Vibrant Vessels: Editor Favorites for Every Flower Preference," curated by Architectural Digest, presents a selection of unique and aesthetically pleasing vases designed to enhance any floral arrangement or stand alone as decorative pieces. The article emphasizes that the right vessel can be as impactful as the flowers it holds, showcasing a range of styles from hand-blown elegance to playfully eccentric designs. Each featured vase is highlighted for its distinct characteristics, offering diverse options for various home aesthetics and personal tastes. The collection includes the Murano Spring Olla Glass Vase from Abask, priced at $860, which exemplifies hand-blown craftsmanship. Another notable piece is the Konstantin Cache Pot by Carolina Irving & Daughters, available for $176, offering a more rustic or classical appeal. For those seeking a contemporary look, the Speckled Vase from Cabana, at $210, features a distinctive yellow splattered glaze, adding an artistic touch to any space. The article also showcases the Worley Vessel - Rising Dawn from The Future Perfect, which merges Murano glass artistry with a whimsical, "Candyland" aesthetic, creating a polished yet playful decor item. A significant discount is noted for the Soho House Carlotta Murano Vase from Soho Home, originally $1295 and now $645, making a luxurious item more accessible. The Ferm Living Verso Table Vase, available at Lulu and Georgia for $144, presents a versatile option with its unique form and texture. Further selections include the Wheaton Decorative Vase, also from Lulu and Georgia, priced at $414, which offers a more traditional yet sophisticated design. The Louise Roe Sophia Roe Glass Vase from Net-a-Porter, at $805, is presented as another elegant glass option. For minimalist and sculptural preferences, the Accordion Vase from Mociun, costing $135, stands out with its distinctive pleated design. More affordable options are also featured, such as the Hibiscus Bud Vase from Nordstrom for $74 and the Fairfax Vase from Serena & Lily, discounted to $50 from $78. The collection is rounded out with the Three Handled Jug from 1690, priced at $522, and the Delft Vase II from Memor, at $375, both offering classic and artistic styles. Lastly, the Bollenglass Hand-Blown Narrow Glass Vase from Abask, available for $134, is specifically recommended for displaying a single, dramatic flower. This vase, with its three-dimensional motifs and textured swirl, exemplifies the detailed craftsmanship highlighted throughout the article. The overall aim of the article is to guide readers in selecting vessels that not only serve their functional purpose but also significantly contribute to the aesthetic appeal of their living spaces, regardless of floral choice. #VibrantVessels #HomeDecor #VaseCollection #FloralArrangement #InteriorDesign #DecorativeObjects #HandBlownGlass #CeramicVases #LuxuryDecor

The author examines the social value of flower vases through the frameworks of the Triad of Limitations and the Triad of Well-Being. This analysis stems from a personal reflection on the author's increased use of flower arrangements after moving from a garden-equipped flat to a mid-rise apartment in Melbourne, highlighting a common urban living experience. The Triad of Limitations, conceptualized by designer Victor Papanek, assesses a design's social value based on its ability to help humans overcome biological, habitat, or mortality limitations. Initially, the author finds that vases do not address biological limitations; in fact, the bacteria that can grow in vase water could pose health risks, though later studies indicate these risks in hospital settings are low. However, vases do address the limitation of habitat, particularly for those without gardens or in urban environments, as exemplified by Ming Dynasty scholar Yuan Hongdao's historical account of using vases due to limited space. Historically, the earliest use of vases for flower arranging, dating back to 2,500 B.C.E. with the ancient Egyptians and later with Japanese Ikebana, was tied to religious practices and the overcoming of mortality limitations through offerings to the dead. Yet, the author notes that as vases became more widespread, their purpose shifted from spiritual piety to a reflection of conspicuous consumption, diminishing their role in addressing mortality today. The vase receives 1.5 out of three checks in this triad. Next, the Triad of Well-Being, a framework developed by the author, evaluates how a design contributes to belonging, recognition, and self-determination. The act of giving flowers fosters belonging, but the vase itself, often given as an impersonal gift, does not inherently contribute to this sense. Recognition, however, is significantly boosted by expensive or collectible vases, such as Alvar Aalto's Savoy Vase or antique Ming Dynasty pieces, which allow owners to display social and economic status. Self-determination, defined as the power to make decisions without external influence, is not directly enhanced by a vase; while one can decorate a vase to express identity, the object itself does not bestow or strengthen this ability. The vase scores one out of three in this triad. Based on these evaluations, the flower vase fails to meet the benchmark of contributing to at least four of the six social value criteria. The author suggests that society should critically consider whether to continue designing new flower vases, especially given concerns about sustainability and over-consumption. While existing vases can be used and inventory cleared, the article encourages exploring alternative flower arrangement traditions that do not require additional manufactured products, such as garlands and wreaths. The article concludes by challenging readers to re-evaluate consumption patterns for objects with limited social value, positing that breaking the habit of designing and purchasing new flower vases is one such opportunity. #DesignAnthropology #SocialValue #FlowerVases #Sustainability #ConsumptionPatterns #TriadOfLimitations #TriadOfWellBeing #UrbanLiving #HomeDecoration

The annual 1000 Vases exhibition in Paris, founded in 2018 by Francesco Pirrello, celebrates the vase not merely as a container for flowers, but as a standalone object of art. Pirrello's vision for the exhibition prioritizes unique pieces from independent and emerging artists, asserting that a truly good vase does not require flowers to demonstrate its aesthetic merit. This perspective was inspired by his friend Roberto Baciocchi, an Italian architect and avid vase collector. Initially conceived to feature a large quantity of works, symbolizing abundance and diversity much like the '1000-sheet' delicacy of mille-feuille or the fables of 1001 Arabian Nights, the exhibition ultimately adopted a 'less is more' approach, showcasing around 100 items. This adjustment aimed to allow visitors to appreciate each piece individually and engage with the artists. Pirrello observes that contemporary vase-making trends show a predominance of women artists and a preference for ceramic materials, noting that vases are accessible, affordable, and easily incorporated into any space, referring to them as "democratic objects." This year's 1000 Vases exhibition, running during Paris Design Week until September 8, highlights the works of eight participating artists, each bringing a distinct perspective and technique to the art of vase creation. Chous Ceramics, a duo from Sparta, Greece, presents hand-built sculptures that explore balance and tension, drawing inspiration from nature and Greek ceramic history. Their predominantly beige vases are characterized by voluminous bases and open, elegant rims. Belgium-based artist Dietmar Michiels, born in 1988, works with ceramic sculpture, employing coiling, plating, and throwing techniques with porcelain and glaze to create imaginative, creature-like pieces often accompanied by conversational titles. His work draws from everyday inner experiences, the mystical, historical art, the occult, and various cultural identities. Hellen Song, an artist from Shanghai now based in Toronto, uses ceramic vessels to delve into themes of the human condition, philosophy, and nature, often influenced by the supernatural and Impressionistic mark-making. Her exhibited stoneware vessel, with its blue and white tones, evokes a seascape, representing a range of emotions through the metaphor of water bodies. The collaboration between French artist Coco Brun and Mexico City-based Sten Studio yields the 'Mistico' vase, a geometric, multi-colored piece made from red travertine, Venetian marble, and pink onyx. This work pays homage to Meso-American culture, with each color carrying symbolic meaning related to rituals, fertility, and the balance of masculine and feminine energies, inspired by Meso-American architecture. Norwegian artist Karin Amdal presents 'Pluss', a pair of smooth, round terracotta pots designed to form a 'plus' sign when combined, showcasing her style of creating simple yet characterful pieces that often incorporate extensions or words. Amdal's inspiration stems from nature and everyday life, with her pieces designed to be open to interpretation and evoke a smile. Magdalena Zarychta, a multidisciplinary Polish artist specializing in decorative and stained glass, showcases her (COM)PRESSION vase. This hot-formed, blown glass object is hand-shaped, embossed, and features botanical markings, symbolizing traces of the past akin to fossils. Istanbul-based artist Sara Montazeri's coral reef-like artwork, crafted from stoneware clay, pays tribute to the 13th-century Sufi poet Rumi, incorporating his words "You are my soul and my world" in gold Farsi script, blending tradition with modern organic design. Finally, New York City-based writer and artist Emily Tate Moreu, inspired by ancient Greek pottery, creates minimalist, thoughtful pieces that explore the philosophies of form and human interaction, including greige vessels, abstract sculptures, and a stoneware candelabra. #VaseExhibition #ArtisticVases #CeramicArt #IndependentArtists #ParisDesignWeek #ContemporaryDesign #HomeDecor #SculpturalVases #DesignTrends

Drag And Drop, a Romanian design and manufacturing studio co-founded by Madalin Gheorghe and Dragos Sabareanu in 2019, is known for its innovative approach to design, merging advanced technology with artisanal techniques. The studio's ceramic collection showcases this philosophy by reimagining the function and aesthetics of everyday objects, specifically vases. The creation process leverages a large 3D-ceramic printer to produce intricate patterns, which are developed using sophisticated algorithmic modeling software. Throughout the design and manufacturing process, a strong emphasis is placed on sustainability, aesthetic appeal, and overall quality. The collection features five distinct vase designs, each drawing inspiration from natural patterns and traditional craftsmanship. The 'Intertwined' vase, for instance, is characterized by its organic, interwoven geometric pattern, reminiscent of growth structures found in tree bark and root systems. This unique design is achieved through 3D printing using 100% natural clay. While the interior of the Intertwined vase is hand-glazed, its exterior maintains a matte finish, a consistent characteristic across the entire ceramic collection. This contrast highlights the intricate textures created by the 3D printing process. Another design, 'Bulky,' is offered in three different sizes. This vase features a textile-like pattern that interacts with light throughout the day, creating varying visual effects. The design encourages tactile engagement, inviting individuals to explore its geometric forms and textures through touch. This interactive element adds another dimension to the appreciation of the piece, allowing for a more intimate connection with its design and material. The 'Ripple' vase demonstrates the studio's ability to translate complex mathematical formulae into aesthetically pleasing natural patterns. Its design mimics the visual effect of rippling liquid, such as the concentric circles formed when a stone is dropped into water. This piece exemplifies how technology can be used to replicate and enhance natural phenomena, creating objects that are both visually striking and conceptually rich. The wave-like pattern provides a sense of movement and fluidity, despite the static nature of the ceramic material. The 'Kilim' vase pays homage to the traditional tapestry-weaving methods employed in regions historically part of the Persian Empire. This design represents a contemporary reinterpretation of an ancient craft, demonstrating a harmonious blend of traditional artistry and modern industrial design. By translating the intricate patterns of kilim carpets into a 3D-printed ceramic form, the studio bridges the gap between historical techniques and cutting-edge manufacturing, creating a piece that is culturally resonant and technologically advanced. Finally, the 'Melting' vase directly incorporates its manufacturing process into its aesthetic. The design plays on the suppleness of wet clay during the layering process of 3D printing, creating the illusion of a soft object that appears to be melting. This visual effect is achieved despite the hard, finished ceramic product, creating an intriguing juxtaposition. The Melting vase challenges perceptions of material properties, making a rigid object appear fluid and malleable, highlighting the transformative potential of 3D printing in ceramic art. #3DPrinting #CeramicVases #NatureInspiredDesign #AlgorithmicModeling #SustainableDesign #HomeDecor #ModernCraftsmanship #DragAndDropDesign #InteriorDesign

Bud vases, often embodying a "less is more" design philosophy, are becoming increasingly popular for their ability to add unique and enticing characteristics to any space without compromising functionality or style. These versatile vessels are perfect for displaying single-stem floral arrangements, decorative twigs, or even cultivating sprouting avocados. They come in various forms, from classic glass to glossy ceramic and modern porcelain, proving that even when empty, they serve as interesting decorative objects. Among the featured options, the Ilex Studio Avocado Vase, priced at $48, offers a minimalist design that beautifully showcases avocado leaves and roots within a transparent rounded base. This design is inspired by contemporary artist Ellsworth Kelly’s plant drawings, offering a fresh perspective on nature's configuration. For those seeking a more sculptural piece, the Urban Outfitters Female Form Vase, available for $16, tastefully highlights the curves of a woman's body. Crafted from glazed ceramic with speckled detailing, this UO exclusive comes in several flesh tones, aligning with current Instagram trends for 'cheeky vases.' The Fundamental.Berlin Regenbogen Irregular Vase, at $70, is a handcrafted lead crystal piece designed in Berlin. Its chromatic film refracts and catches light, producing polychrome details, making it suitable for both miniature floral arrangements and single stems. The DBKD Mole Ceramic Table Vase, costing $46, is a matte white ceramic piece resembling a lowercase 'h'. It can also function as a watering pot and is best complemented by a thin, minimalistic twig to balance its chunky composition. For a playful touch, the Anthropologie Cactus Vase, priced at $14, reimagines desert flora as colorful transparent vases made from borosilicate glass. Each vase is a unique, handcrafted creation, adding a fun Southwestern vibe to any room. The Kenni Field Blue Pipe Bud Vase, at $50, is a whimsical, pipe-like ceramic piece from Philadelphia-based ceramicist Kenni Field. Its traffic-stopping blue shade pairs well with vibrant floral arrangements or bright green stems. The Light + Ladder Kala Vase, retailing for $160, features an architectural design composed of matte white porcelain with adjacent rounded semicylindrical forms contrasted by slim rectangular shapes. Finished with a clear glaze, it is ideal for a simple bouquet or a single stem. The Jungalow Peace Vase by Justina Blakeney, available in various neutral metallics and bright colors, is a quirky ceramic vase that conveys a message of peace and love. The Ceramic Vases from Taye Decor, priced at $36, draw inspiration from macaroni, resulting in playful, modern, and handcrafted semicircle designs. Each piece is unique and can be displayed either empty or with an arrangement. Finally, the Yellow Mini Vase from Effortless Composition, at $22, is an irregularly shaped stoneware vase in a soft yellow hue. Its subtle color ensures it complements existing decor while still adding a touch of warmth. The Porcelain Bottle Vase #7 Pink by Foekje Fleur, for $58, is part of a project to raise awareness about plastic bottle waste. These monochrome porcelain replicas of discarded bottles function as both decorative objects and functional vases, available in an array of pastel colors and various shapes and sizes. These diverse options demonstrate how bud vases can enhance interior aesthetics, catering to various design preferences and functional needs. #BudVases #HomeDecor #InteriorDesign #FloralArrangements #CeramicVases #GlassVases #ModernDesign #DecorativeObjects #ShoppingGuide

Dutch artist Suzan Drummen is renowned for her expansive and intricate art installations that feature thousands of glittering crystals and other reflective elements. These installations, often forming elaborate textile and mandala-like designs, are a testament to Drummen's spontaneous and site-specific artistic process. She does not pre-plan her designs but rather allows the unique characteristics of each location to guide her creative decisions. Factors such as the available light, the anticipated movement of visitors, existing color palettes, and the height of the space all contribute to the evolving nature of her artwork. Each installation, therefore, is distinct and slowly takes shape in response to its environment. Drummen's primary objective with her art is to create an overwhelming visual experience for the observer. From a distance, her installations present as clear and organized patterns. However, upon closer inspection, the sheer volume of details and visual stimuli can disorient the viewer. This dynamic interplay between order and chaos, between the ability to grasp the entirety of the artwork and being overwhelmed by its intricacies, is a central theme in her work. Through this intentional challenge to visual perception, Drummen aims to intensify and requisition the viewer's sensory experience. Her chosen materials include a diverse array of shiny objects such as pins for affixing crystals, chrome-plated metal, various precious stones, mirrors, and optical glass. While some of these materials are used to adorn walls, a significant portion is laid freely on the ground, allowing for fluid, unconstrained patterns. This method of arrangement contributes to the organic development of her designs. The kaleidoscopic effect achieved through the interplay of light and these numerous reflective surfaces is a hallmark of her artistic style. Drummen's work draws viewers into a vibrant world of color and sparkle, where the traditional boundaries of art are expanded to encompass entire spaces. Her installations transform ordinary floors, walls, and even people into canvases for her dazzling geometric patterns. This approach blurs the line between art and environment, inviting viewers to not just observe but also to immerse themselves in the dazzling visual landscapes she meticulously constructs. #SuzanDrummen #MandalaArt #CrystalArt #InstallationArt #KaleidoscopicDesigns #SiteSpecificArt #GemstoneArt #VisualPerception #DutchArtist

Fredericks & Mae, a New York City home decor shop co-founded by Gabriel Fredericks Cohen and Jolie Mae Signorile, is hosting an art show titled "About Face." The exhibition celebrates vases adorned with faces, an art form that Gabriel Fredericks Cohen became fascinated with after seeing examples in Luca Guadagnino's film _A Bigger Splash_. His subsequent research revealed that ceramics featuring faces have a rich and global history, appearing in various forms across almost all cultures. The "About Face" show is currently on display at the Fredericks & Mae store in Brooklyn, running from today until November 18. It showcases the work of 33 artists, many of whom Gabriel and Jolie have either personal connections with or have long admired. The artists were given a broad prompt: to create a vessel with a face, and were encouraged to interpret this theme as widely as possible, resulting in a diverse collection of pieces. The exhibition offers a unique opportunity for art enthusiasts and home decor aficionados to view and acquire these distinctive pieces. The store is open on weekends, and viewings can also be arranged by appointment. All the artworks featured in "About Face" are available for purchase, with prices ranging from $40 to $2,400. The article highlights the versatility of these face vases, suggesting their use not only as functional flower vases—where blossoms could creatively serve as "hair"—but also as standalone sculptural elements to enhance shelves and interior spaces. The article provides a glimpse into some of the featured works, including "King Dog" by Katie Kimmel ($450), "The Unlucky Lover" by Adam Frezza & Terri Chiao ($888), "Long Hair" by Pat Kim ($500), "Cheburashka" by Betty Roytburd ($300), Untitled (OK!) vessels by Joe Sturm (from $35), and "Face Vase/Untitled" by Recreation Center ($380). Additional pieces from the exhibition can be viewed on Fredericks & Mae's Instagram feed, allowing a wider audience to appreciate the collection even if they cannot visit in person. The "About Face" show is positioned as a celebration of artistic expression and cultural heritage, offering a diverse and compelling array of contemporary ceramics. #VaseDesign #HomeDecor #ArtExhibition #CeramicArt #BrooklynArtScene #FredericksAndMae #AboutFaceShow #UniqueVases #DecorativeArts

This blog post details an art installation created by industrial designer Arik Levy for the Paris fashion label Dice Kayek's pop-up boutique. The installation, titled 'FractalWind' and 'FacetFormation,' was unveiled in October 2016 at Galerie Catherine Houard in Paris. It coincided with fashion week and then transitioned to attract the art crowd during FIAC, demonstrating an intersection of fashion and art. The 'FractalWind' component of the installation features two clusters of LED lights. These lights are suspended from a wooden frame and are designed to move and 'jostle' as a result of a gentle breeze. This breeze is generated by standard desk fans strategically placed behind the light clusters, creating a kinetic and dynamic visual experience. The movement of the lights contributes to the overall atmospheric quality of the installation, transforming the space into something more fluid and boundless. Positioned in the center of these two light clusters is 'FacetFormation.' This sculpture is composed of interlocking discs made from wood and plaster. Levy describes 'FacetFormation' as benefiting from the light movement of 'FractalWind,' which highlights its various facets and dynamic spatial qualities. The interplay between the moving lights and the static, yet multifaceted, sculpture aims to create an immersive environment that challenges traditional perceptions of enclosed spaces. This collaboration between Arik Levy and Dice Kayek marks their second joint project. Their first partnership was in 2010, for an installation named 'Log Forest,' which was part of Dice Kayek's 'Istanbul Contrast' show held at Istanbul Modern. This history of collaboration suggests a shared artistic vision and a mutual appreciation for combining design and art in innovative ways. The current installation further solidifies this creative partnership by integrating a visual artist's work into a fashion retail space, attracting a diverse audience from both the fashion and art worlds. The installation aims to be more than just a display; it's an experience that encourages viewers to perceive the space differently. Levy's intention to create a space without traditional walls or boundaries through the movement and light of his artwork suggests an exploration of fluidity and illusion. The use of everyday objects like desk fans to achieve complex kinetic effects highlights a clever approach to art creation, blending industrial design principles with artistic expression. Ali Morris, a UK-based editor, writer, and creative consultant specializing in design, interiors, and architecture, reported on this installation. Her background in covering creative projects, products, places, and people for various design-focused publications, including Wallpaper* and Dezeen, lends credibility to the article's insights into the art and design world. The article highlights the innovative spirit of both the artist and the fashion brand in utilizing a pop-up store as a venue for a multi-sensory artistic experience. #ArikLevy #DiceKayek #ArtInstallation #GalerieCatherineHouard #ParisFashionWeek #FIAC #KineticArt #IndustrialDesign #FashionAndArt #Sculpture

Simon Sörensen, a young engineer based in Sweden, has developed a kinetic art table that generates and subsequently erases intricate patterns in sand. This creation, featured on his YouTube channel RCLifeOn, offers a serene and contemplative ambiance, inspiring philosophical reflection on the ephemeral nature of creation and destruction. The table utilizes a metal ball that gently glides across a bed of sand, illuminated to enhance its visual appeal. Sörensen's inspiration for this project stemmed from hearing about a commercial sand-plotting machine called Sisyphus. Sisyphus Industries produces similar artful tables where metal balls create continuous patterns in sand, though these products are noted for their significant cost, with a coffee table model priced at approximately $2,000. In his DIY approach, Sörensen essentially reverse-engineered the concept of the Sisyphus table. To control the movement of the metal ball, he ingeniously adapted components from a 3D printer. Specifically, he utilized the rack-and-pinion mechanism, which is responsible for the motorized movement of an extruder along two axes in a 3D printer. By attaching a magnet to this motorized assembly, positioned beneath the table's surface, Sörensen demonstrated the capability to precisely guide the metal ball within the sand. An initial challenge in the development process involved mitigating a noticeable scratching sound produced by the ball moving across the glass surface. Once this acoustic issue was resolved, the remaining construction and refinement of the table became more straightforward. While Sörensen's self-built kinetic art table may not possess the same level of flawless execution as the commercially produced Sisyphus tables, its functionality is remarkably effective. The table consistently moves its small metal ball to generate mesmerizing geometric patterns that continuously emerge and then gradually dissipate, creating a perpetually shifting display of abstract art. The tranquil and repetitive motion, combined with the geometric designs, is suggested to have a calming effect on observers. #KineticArt #ZenPatterns #DIYProjects #EngineeringInnovation #SandArt #HomeDecor #MagneticControl #3DPrinterParts

The article details a DIY hack for transforming used glass jars and bottles into decorative, ceramic-style vases, offering an eco-friendly and cost-effective approach to home decoration. The hack was shared by an Australian woman in a Facebook group, highlighting the potential for upcycling common household items into elegant home decor. The process begins with thoroughly cleaning the glass items, removing labels and any sticky residue. Following this, the jars are coated with chalk paint. A key detail in this method is the addition of a small amount of wax to the chalk paint mixture, which is said to provide an extra sheen to the finished product. The woman specifically used 'Old Ochre' from Annie Sloan Chalk Paint, noting that no extensive preparation is required other than washing and air drying the jars before painting. For optimal coverage and adhesion, the paint is applied by tapping the brush against the glass, and typically, two to three coats are necessary to achieve full opacity. Once the chalk paint has dried, a clear wax coat is applied to seal the paint, ensuring durability and enhancing the ceramic-like finish. To further elevate the aesthetic, the crafter wrapped twine around the edges of some of the jars and adorned them with homemade tassels, contributing to a refined and custom look. The cost-effectiveness of this project is emphasized, with Annie Sloan chalk paint and wax each costing approximately £5.99. These materials are also reusable for multiple crafting projects, making the endeavor an economical choice for those looking to refresh their home decor. While the featured project used a neutral beige color and natural twine, the article encourages readers to experiment with different color schemes and decorative elements to match their personal home decor. The article also suggests pairing these newly crafted vases with dried flowers, a popular and low-maintenance trend in home styling that does not require watering. The DIY hack gained significant traction online, receiving over 4,000 likes and numerous positive comments from individuals inspired to try the project themselves, particularly for repurposing candle jars they were reluctant to discard. The project serves as an example of how simple materials can be transformed into beautiful and elegant decorative pieces, promoting creativity and sustainability in home design. #DIYHack #Upcycling #HomeDecor #ChalkPaint #VaseCrafting #EcoFriendlyDecor #CreativeReuse #BudgetDecor #InteriorDesign

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle