Arik Levy breezes through Dice Kayek’s pop-up with a wind-powered installation

Stickbulb, a sustainable lighting company founded by Yale University architecture graduates Russell Greenberg and Chris Beardsley, recently opened its first showroom in Long Island City, New York. Previously operating from a cramped space with limited shelving, the company acquired a 10,000-square-foot former steel factory to accommodate its growing operations. The new location, featuring terracotta walls and wooden floors, not only provides ample space but also reflects the company's commitment to sustainability and modern design. Stickbulb's core mission revolves around sustainability, utilizing salvaged wood from demolished buildings and dismantled water towers for its LED light fixtures. This approach allows each product to carry a unique history, traceable back to its original source. The founders emphasized the importance of this narrative, noting that the wood, often high-grade and knot-free from water towers with a 40-year lifespan, is no longer actively harvested, making its reclamation both environmentally conscious and integral to the product's character. The company’s design process is highly collaborative, focusing on iterating on a foundational system of wooden sticks with embedded LEDs and various metal connector pieces. This modular approach allows for the creation of a diverse range of lighting solutions, including linear pendants, chandeliers, wall sconces, and even functional pieces like side tables, all while maintaining the common element of the reclaimed wooden sticks. A notable art piece in the showroom, "Ambassador," was inspired by Russell Greenberg's sketch of a water tower. This sculpture aims to convey the history and urban context of the reclaimed water tower redwood without explicit words, highlighting the material's past in a sculptural form. The decision to use water tower wood was driven by its iconic presence in New York and other Northeastern urban centers, its consistent supply due to replacement cycles, and its high quality, being free of defects. The new showroom consolidates all aspects of Stickbulb's business—design, production, sales, and marketing—under one roof, a long-held dream for the founders. This unified space allows visitors to not only view the finished products but also observe the manufacturing process and meet the team behind them. The design of the showroom itself was approached with flexibility in mind, incorporating elements like curtains to easily reconfigure the space. While currently enjoying their expanded premises, the founders expressed confidence in the space's ability to support future growth. #Stickbulb #LongIslandCity #SustainableDesign #LEDLighting #ReclaimedWood #ArchitecturalSalvage #ShowroomDesign #ProductDesign #NewYorkCity #InteriorLighting

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

Jayde Jonathan Glover, a professional operating as both a General Contractor and a Touring DJ, discusses his approach to risk-taking and career management. He believes in pursuing endeavors that make him feel alive, regardless of uncertainty or the opinions of others, choosing a life with a healthy combination of predictability and surprise over a purely safe existence. This philosophy allows him to navigate two demanding and seemingly disparate careers successfully. As the owner of Ardor Design & Build, Glover specializes in ground-up construction and extensive renovations for residential and commercial properties. He acknowledges the high-stress nature and significant liability associated with the construction industry, crediting his partners, Albert Valdez and Zeke Evers, for helping manage the business more smoothly. Together, they have completed notable projects, including several for Fat Sal’s Deli, from their Venice Pier location to their new corporate headquarters in Los Angeles. Concurrently, Glover maintains a vibrant career as a DJ under the name “Kieffer Smutherland.” He holds residencies at prominent Hollywood clubs such as Bootsy Bellows and Hyde, and regularly performs at other well-known venues like The Highlight Room and Poppy’s. He collaborates with restaurant groups like the Vanderpump Group, hosting the popular “Smutherland” event every Friday at Tom Tom with Tom Schwartz, an event that draws fans globally, especially bachelor/bachelorette parties and 'Vanderpump Rules' enthusiasts. Additionally, he has a weekly residency at “The Hideaway” in Pacific Beach, San Diego. Glover's daily schedule is intense, often involving construction site oversight, building regulation navigation, and collaboration with architects and engineers from 6 AM to 5 PM, followed by DJ performances from 10 PM to 2 AM. He finds that the stress of his contracting work is effectively balanced by the exhilarating experience of performing for large crowds as a DJ. He views the demanding schedule and associated lack of sleep as a necessary “price to be paid” for moments of peace and the fulfillment derived from his dual passions. If a friend were visiting Los Angeles, Glover would craft an itinerary showcasing both his professional and leisure worlds. This would include dining at Fat Sal’s on the Venice Pier, visiting other restaurant groups he collaborates with for drinks, and attending his DJ sets at either Bootsy Bellows or The Highlight Room, complete with VIP treatment. A weekend would also involve overseeing a construction project in Santa Monica, visiting other local bars like Tom Tom or Tower 12, and another DJ performance. Sundays would feature a brunch party he DJs at Hyde nightclub, followed by a trip to San Diego for his show at “The Hideaway,” illustrating his non-stop, dynamic lifestyle. Glover extends credit to Andrea De Lancellotti, whom he identifies as an exceptional designer and real estate agent, and his father, Jeffrey Glover, for his newly published book, “Jungle Steam.” This recognition highlights the supportive network and influences in his life and career. #GeneralContractor #TouringDJ #RiskTaking #CareerBalance #ArdorDesignAndBuild #KiefferSmutherland #LosAngelesNightlife #Entrepreneurship

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Maya Newlin, the driving force behind KAMO Studio, shares her entrepreneurial journey, detailing the motivations and experiences that led her to establish her own interior design business. From a young age, Newlin harbored aspirations of entrepreneurship, often sketching floor plans and envisioning room transformations. Her passion for design was nurtured through a childhood fascination with a Victorian dollhouse, which served as an early outlet for her creativity in curating and storytelling within spaces. Prior to founding KAMO Studio, Newlin pursued a career as a national competitive figure skater, a background that instilled in her ambition and a strong-willed approach. Her professional path included a significant role as an Imagineer for Walt Disney Imagineering. While initially perceived as a dream job, the large-scale, impersonal nature of designing for global audiences at Disney led her to realize a longing for more intimate, one-on-one creative problem-solving. This experience, though valuable for fostering creativity, reinforced her desire to work independently, leading her to pursue a Master's degree in Interior Architecture, complemented by business courses, to equip her for launching her own venture. KAMO Studio, co-founded with business partner Jasmine, specializes in residential and boutique hospitality projects. The studio's philosophy centers on creating personalized spaces that genuinely reflect their clients' personalities and life stories. They emphasize incorporating unique elements like vintage finds and generational heirlooms into contemporary designs, aiming to celebrate everyday moments and evoke specific emotions within a space. The focus is on achieving an effortless aesthetic that also boasts hidden functionality, a skill KAMO Studio has refined and prides itself on. Newlin highlights the matchmaking aspect of design, where understanding and translating a client's often unarticulated desires into a tangible design is paramount. The studio guides clients beyond transient trends, encouraging them to trust their instincts and create spaces that resonate deeply with their individual needs. Newlin also provides a detailed, week-long itinerary for experiencing Los Angeles, offering a glimpse into her personal preferences and local favorites. The itinerary covers a range of activities, from active pursuits like rollerblading from Venice to Malibu and hiking in the Vicente Bluffs Reserve, to cultural experiences such as visiting art exhibitions at Hauser & Wirth. Dining recommendations span various cuisines and atmospheres, including Gjusta for baked goods, Ospi Venice for handmade pasta, Blueys Santa Monica for brunch, Le Great Outdoor for farm-to-table fare, Manuela or Bavel in the Arts District, and Broad Street Oyster Company for seafood. The itinerary also includes shopping excursions at Abbot Kinney and ROW DTLA, a nightcap at the DTLA Proper hotel, exploring Culver City's Citizen Public Market, and a day in Malibu with a visit to Cielo Farms for wine tasting. Sundays are reserved for the Brentwood farmers market and Jon & Vinny's for Italian food, showcasing a balance of local exploration, culinary delights, and relaxation. Finally, Newlin dedicates a "shoutout" to her mother, Kathy, acknowledging her as a primary source of inspiration and support. Her mother's pioneering career as one of the first female scientists in STEM, despite facing challenges, serves as a powerful role model for Newlin as a female entrepreneur. This recognition underscores the personal influences that have shaped Newlin's drive and resilience in building her business. #InteriorDesign #SmallBusinessOwner #Entrepreneurship #KAMOStudio #WaltDisneyImagineering #LosAngelesTravel #DesignPhilosophy #FemaleEntrepreneur #BusinessJourney

Eventscape, a Toronto-based custom fabrication company with over 20 years of experience, specializes in creating unique architectural features, particularly custom ceilings. The company has garnered multiple ARIDO and ARE awards for its dynamic projects and has collaborated with prominent architectural firms like Gensler and Diamond Schmitt, as well as renowned artists such as Jason Bruges and Jaakko Pernu. Steve Haniewicz, Eventscape's executive project director and first employee, emphasizes the company's capability to create without limitations regarding scale, form, material, or performance, globally. Custom ceiling work presents distinct challenges, primarily gravity. Eventscape designs a bespoke suspension system for each project, adapting to varying venue conditions, weight restrictions, and existing building systems like electrical and mechanical infrastructure. Despite these complexities, ceiling projects often highlight the firm's innovative capabilities. Two recent installations at the RBC Convention Center in Winnipeg and Saks Fifth Avenue's New York flagship store exemplify their expertise in crafting delicate yet bold geometric designs. For the RBC Convention Center in Winnipeg, Eventscape undertook a 30,000-square-foot custom design for the main conference room. Collaborating with LM and Number Ten Architects, and inspired by LMN Architects' ice crystal concept, Eventscape engineered, fabricated, and installed 324 identical steel modules. These modules form a sophisticated, tessellated monohedral pattern of snow-white "crystals" set against a matte black ceiling. The design is further enhanced by 81 custom-fabricated lights that provide vibrant color and brightness in the evenings, with the dynamism extending to street level through floor-to-ceiling windows. The Saks Fifth Avenue project, though smaller in scale, showcases equally graceful structural work. Eventscape was commissioned to engineer, build, and install a custom dome feature, 30 feet in diameter, designed to brighten the room and align with Saks' aesthetic and brand identity. This installation features concentric laser-cut aluminum arcs, inspired by spiral patterns cut from paper, creating the illusion that the structure is emerging from the finished ceiling. Concealed LED tape lights provide subtle illumination, complemented by delicate steel accent rings with a bronze-plated finish hanging below. Through such projects, Eventscape transforms functional architectural elements into captivating art, ensuring that their clients' ceilings become focal points that elicit admiration. #CustomFabrication #CeilingDesign #ArchitecturalFeatures #InteriorDesign #Eventscape #RBCConventionCenter #SaksFifthAvenue #ArchitecturalEngineering #DesignInnovation

Drybar, a rapidly expanding chain of blow dry-only salons, is launching its first product line, which includes nine hair products and eight hair tools. The product range is designed to complement the brand's services and extend the salon experience to consumers' homes. Each product and tool in the line features playful, alcohol-themed names, aligning with Drybar's established brand identity. For instance, a treatment oil is named '100 Proof,' a dry shampoo is called 'Detox,' and a curling iron is dubbed '3-Day Bender.' Drybar founder and stylist Alli Webb, in collaboration with her graphic designer husband Cameron Webb, developed a unique, editor-exclusive tester kit for the product range. This kit was packaged in a distinctive six-pack carrier, mirroring the alcohol theme of the product names. However, there are no immediate plans to make this specific six-pack carrier available to the general public, indicating it was primarily a promotional or marketing tool for media professionals. Consumers can anticipate the official release of the full product line in mid-January, when it will be available for purchase at Drybar salon locations and through the brand's official website, thedrybar.com. Following this initial launch, the products are slated to become available at Sephora retail stores in March, broadening their accessibility to a wider consumer base. This phased rollout strategy allows for an initial focused distribution before expanding to a major beauty retailer. The introduction of this product line signifies a strategic expansion for Drybar, moving beyond its service-based model to offer tangible products that customers can use at home. This diversification allows Drybar to capture a larger share of the beauty market and cater to the ongoing hair care needs of its clientele. The playful naming convention and the distinctive marketing approach, such as the editor-exclusive six-pack, are indicative of Drybar's efforts to maintain its unique and engaging brand personality in a competitive market. #Drybar #HairCare #BeautyProducts #HairTools #SalonIndustry #ProductLaunch #HairStyling #BeautyInnovation