
The Artful Life Questionnaire: Sara Nash
This blog post introduces Sara Nash, the NEA Dance Director, through an "Artful Life Questionnaire." Nash shares details about her upbringing, highlighting the influence of her imaginative grandmother and great-aunt who were skilled storytellers. Growing up in Virginia Beach, she developed a love for the ocean and the arts, including dance, painting, drawing, reading, and theater, all supported by her parents. A formative experience was performing at the Edinburgh Fringe Festival at 16, which ignited her passion for travel.
After college, Nash moved to London in 2001, where she eventually found a role at the British Council arranging tours for UK dance and theater companies, combining her interests in art, international exchange, and program management. Her career path also included working at a contemporary dance festival in Prague, Dance Theater Workshop in New York focusing on international exchange programs, and leading the National Dance Project at New England Foundation for the Arts before becoming the Dance Director at the NEA six years ago. She maintains a deep love for travel and a growing appreciation for nature, while also navigating life with a disability, constantly balancing her passions with work and rest.
When asked about her current art practice, Nash mentions attending dance, theater, and music shows, and following and supporting visual artists. She identifies five words that represent an "artful life": intention, wonder, creativity, empathy, and generosity. Expanding on "intention," Nash explains it as the deliberate care taken in daily life—where one focuses attention, the people one engages with, the information consumed, the environment created, and the questions asked about the world. She believes this intentionality is central to living an artful life.
Nash highlights her community of Takoma Park as a creative hub, citing maker collectives like Takoma Collective, music venues such as Takoma Station, and arts organizations like Dance Exchange and Rhizome. She emphasizes that engaging in the arts fosters a sense of belonging and connection, whether in physical or virtual spaces, ultimately improving community well-being. Two local establishments serve as creative touchstones for her: People’s Book, an independent bookstore that acts as a community hub with author events and book clubs, and Indigro, a plant store that offers workshops for creating terrariums and propagation stations, blending creativity with nature.
Beyond dance, Nash reveals her passion for interior design, describing how she frequently rearranged her room as a child and enjoys transforming spaces through elements like paint colors. She expresses a fascination with how the feeling of a room can be altered by its contents and colors, aspiring to study color theory someday. Reflecting on the impact of arts on her life, she struggles to pick a single moment, instead recalling a lifetime of engagement, from childhood theater performances and concerts to her extensive exposure to diverse dance forms from around the world in her early twenties. She concludes by affirming that the arts are a vital and fundamental part of the human experience globally.
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