Melbourne’s Cornerstone House creates modern beauty out of rough materials

In Melbourne's Armadale, amidst a streetscape of Victorian and Federation-style mansions, stands the Armadale Residence, a project by BE Architecture designed for a family seeking to downsize. The residence is notable for its substantial granite facade, weighing approximately 260 tonnes. Despite its mass, the silvery-grey, split-faced texture of the granite, characterized by quartz veins, lends a sense of weightlessness when light refracts across its surface, softening the modular design's hard lines. Large mechanical timber shades punctuate this stone sheath, complementing its organic feel and allowing daylight into the interior spaces. BE Architecture co-director Andrew Piva notes that the internal spaces are designed to be light and open, particularly the living area, which features fully retractable glazed doors that open onto an adjacent courtyard. The house occupies nearly the entire 537 sq m block, including a pool integrated with the rear wall. To manage the building's volume discreetly, the sleeping quarters, including additional bedrooms with en-suites for visiting adult children, are located on the upper level. A gym and a second study are positioned behind a subterranean double-garage, effectively concealing these areas from direct view. Landscape design, also handled by BE's in-house multi-disciplinary team, was crucial in creating an illusion of expansive outdoor space. A private Japanese garden adjoins the master bedroom's outdoor shower, while Mount Fuji trees line the front fence. This landscaping approach addresses the clients' desire for varied planted outlooks and terraces without the intensive maintenance associated with a full lawn. Throughout the residence, a juxtaposition of raw and refined materials is evident, with granite serving as a consistent element. For instance, flamed and brushed Torino Granite is used for the outdoor terrace, transitioning seamlessly into a honed, speckled version within the open-plan living area. The selection of a specialized stone mason by the builder, LBA Construction, underscored the importance of the stone's application, particularly in the master en-suite, where Fallow Granite was uniquely employed for custom bath and basin benches, engineered from solid blocks to achieve a dense, textural finish. An emotive quality is introduced through BE Architecture's manipulation of chiaroscuro. Generously proportioned doorways cast angular shadows, while a central oculus above the stairwell channels pure light, creating a crushed velvet-like appearance on the polished grey cement render of its curved walls. These sculpted planes stand out as the only non-linear elements in an otherwise linear construction, providing a striking visual contrast within the home's design. The granite facade itself is laid in a random brick bond pattern, incorporating three different-sized block profiles, a technique that references older brick-laying styles. This meticulous attention to detail extends to custom furnishings, such as the stainless steel kitchen benchtop, the elm dining table, and the Perspex ceiling light, all custom-designed by BE Architecture to integrate seamlessly with the architectural vision. The Armadale Residence exemplifies a sophisticated blend of natural materials, thoughtful spatial planning, and a nuanced interplay of light and shadow, resulting in a cohesive and thoughtfully designed family home. #ResidentialArchitecture #AustralianHome #GraniteFacade #MelbourneDesign #BEArchitecture #LuxuryLiving #CustomDesign #Materiality #DownsizingHome

The Canterbury Road Residence, located in Victoria, Australia, is a modern home designed by b.e architecture. The design concept draws inspiration from naturally stacked boulders, manifesting as three interconnected structures that create the illusion of boulders resting against each other, with a discernible passageway between them. The exterior of the residence is characterized by a monochromatic lava stone cladding, which features rough surfaces that introduce diverse tonal textures to the structure. This material choice contributes to a rugged yet sophisticated aesthetic, echoing natural geological formations. A notable feature of the exterior design is the strategic placement of mirrored windows. These windows are set slightly back from the rough stone facade, achieving a flush appearance that enhances the solid, monolithic impression of the stone cladding. Despite the property's close proximity to the street and neighboring residences, the mirrored glass effectively ensures privacy for the occupants, reflecting the surroundings while obscuring the interior. The architects also incorporated trees along the walkway, demonstrating an effort to integrate natural elements into a potentially constrained urban lot. The interior design continues the theme of warm textures, particularly evident in the kitchen area. This space features dark wooden cabinets complemented by dark gray marble countertops, which collectively create a rich and inviting atmosphere. The material palette within the kitchen harmonizes with the exterior's earthy tones, establishing a consistent design language throughout the home. Another striking interior element is the curved staircase, designed to be a dramatic focal point. Its organic shape is further accentuated by a circular skylight positioned directly above, which not only provides natural illumination but also visually echoes the curvilinear form of the staircase, enhancing the architectural flow and aesthetic coherence of the space. Throughout the residence, the design prioritizes a balance between robustness and refined detailing. The use of rough lava stone for the exterior provides a strong, grounding presence, while the careful selection of interior materials and design features such as the mirrored windows and curved staircase ensures a contemporary and comfortable living environment. The Canterbury Road Residence exemplifies a thoughtful approach to modern architectural design, where natural inspiration, privacy considerations, and material harmony are seamlessly integrated. #Architecture #ModernHome #LavaStone #AustralianArchitecture #ResidentialDesign #InteriorDesign #Materiality #PrivacyDesign

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

The Salmon House, located atop Northcote’s Ruckers Hill in Melbourne, Australia, is a multi-level residential project designed by the Australian studio True Story, led by Dan Gayfer and Lewis Marash. This architectural work combines sculptural design with detailed interiors, creating a living space that is deeply integrated with its urban environment. Situated on a prominent corner lot in Brunswick East, the Salmon House presents a striking facade composed of diverse materials including cast-in-situ concrete, reeded glass, rich timber cladding, and custom brickwork. This material palette provides a bold presence while maintaining an elegant aesthetic that balances privacy, openness, and connectivity to its site. The residence's architectural design thoughtfully responds to the sloping terrain, allowing its three levels to cascade from front to back. This layout incorporates strategic cutaways and sightlines that facilitate an intuitive flow throughout the home, guiding occupants between shared and private spaces. The design philosophy, as articulated by True Story, aims to create a sensory experience akin to a "salmon swimming upstream," where ascending through levels involves encountering diverse spaces and materials that evoke both activity and tranquility, leading to moments of family interaction, gentle reflection, and ultimate solitude. Local heritage guidelines played a significant role in shaping the home’s visual language and spatial organization, especially given its public-facing plot. Rather than creating a sharp contrast, the design team opted for narrow, textured glass to seamlessly bridge contemporary and traditional architectural elements. This subtle integration respects the historical context while introducing modern forms, thereby achieving both architectural relevance and contextual harmony. Inside, the Salmon House features distinct yet cohesive living areas. Communal spaces, such as a sunken lounge that extends to an outdoor terrace, are designed to foster connection. In contrast, private zones like a library and a rooftop terrace offer spaces for quiet retreat and contemplation. Large, floor-to-ceiling windows throughout the home frame panoramic views of Melbourne's skyline, firmly embedding the residence within its broader urban setting. The interior material selection reinforces the layered narrative of the house, incorporating finishes such as Grey Ironbark flooring, sculpted concrete island benches, and custom cabinetry made from warm, natural veneers. The sunken lounge features burnished concrete flooring that extends outdoors, effectively blurring the distinction between the interior and the exterior landscape. The primary goal behind Salmon House's conception was to create a space that strengthens family bonds by providing both communal living areas and opportunities for individual solace. An expansive outdoor terrace and an adjacent pool house are designed to encourage year-round social gatherings, while dedicated study and library spaces offer refuge and a focus on personal activities. The swimming pool itself serves as a unifying element, connecting the home and its outdoor environment into a single, cohesive experience. Adding to the unique indoor-outdoor integration are the glass-topped showers, which are open to the sky yet ensure complete privacy. These secluded bathing areas are bathed in natural light, offering a tranquil experience that further blurs the boundary between indoor comfort and the surrounding natural elements. The complexity of the Salmon House project necessitated extensive coordination among True Story, the structural engineer, the builder, and pool specialists. This collaborative effort ensured the seamless integration of various components, from the subterranean basement to the elevated rooftop terrace. The culmination of these efforts is a unified, warm, and inviting living environment that exemplifies modern family dwelling. #SalmonHouse #MelbourneArchitecture #TrueStoryStudio #LayeredDesign #UrbanWarmth #SculpturalArchitecture #ModernInteriors #ResidentialDesign #IndoorOutdoorLiving #SustainableDesign

Melbourne homeowners are known for their sophisticated style, and this preference is strongly reflected in their interior design and decor choices. Robert Nguyen, Lead Designer at Boutique Homes, a prominent Melbourne-based builder, notes that good design is a key consideration for consumers across all their purchases, especially when it comes to their homes. Melbourne buyers are keen on adopting fresh design trends in the coming year, whether these trends lean towards historical influences or embrace natural elements. Six key interior design trends are predicted to gain popularity in Melbourne for 2025 and beyond. The first trend is the rise of multifunctional spaces. As urban living spaces tend to shrink and housing costs increase, maximizing every square foot becomes crucial. Traditionally, Australian homes featured distinct rooms for various activities. However, contemporary designs are shifting towards flexible layouts that offer both comfort and practicality in smaller footprints. Implementing elements like sliding doors allows spaces to transform, for instance, from an open gathering area to a private children’s play zone, catering to evolving family needs without the necessity of relocation. The second trend focuses on indoor-outdoor living. This concept is highly valued by Melbourne buyers, and properties that successfully integrate indoor and outdoor areas often command higher prices. Modern architectural approaches are enhancing this connection through features such as living spaces built around open courtyards and double-height areas with expansive windows. Robert Nguyen explains that this integration not only elevates the aesthetic appeal of a home but also its lifestyle value, making the living area feel more expansive and connected to nature. The Portofino range, with its courtyard floorplans, and the Pasadena double-storey homes, known for their light-filled open spaces, exemplify this trend. The third trend is the embrace of bolder colors. While neutral palettes remain a classic choice, Kat Moore, also a lead designer at Boutique Homes, observes a growing inclination among Melbourne buyers towards more vibrant hues. Greens and blues are particularly popular, with cherry red and rich brown tones also seeing a surge in demand. This shift towards bolder colors, especially cherry, aligns with broader lifestyle forecasts, indicating a move away from purely monochromatic schemes. The fourth trend involves vintage and retro influences, specifically mid-century modern styles. This trend blends diverse materials with an emphasis on functionality. Mocha, designated as Pantone's Colour of the Year 2025, is a prominent shade within this aesthetic. Moore suggests incorporating vintage materials or upcycled decor with personal significance as subtle ways to adopt this trend, adding character and history to living spaces. Minimalism constitutes the fifth trend. For minimalist buyers, the focus is on creating simple, organized, and serene living environments. This trend in Melbourne is characterized by stylish simplicity and urban sophistication, featuring elements such as closed-door storage solutions and monochromatic color schemes that create visual focal points while maintaining a sense of calm. The sixth and final trend highlights artisanal and handcrafted elements. In contrast to strict minimalism, many stylish Melbourne homes are integrating unique, handmade items and custom-made furniture to infuse individual personality and self-expression. Moore points to feature-wall tiles with organic edges, chalky textures, and subtle color variations that evoke a handcrafted feel. Natural materials like timber are increasingly used for flooring and cabinetry, while wool carpets add a touch of nostalgic luxury. Decorative items such as clay and ceramic vases, along with woven rugs, further contribute to this artisanal aesthetic, encouraging homeowners to experiment with scale and create spaces that tell a story. #InteriorDesignTrends #MelbourneHomes #HomeDecorating #MultifunctionalSpaces #IndoorOutdoorLiving #BoldColors #VintageInfluences #Minimalism #ArtisanalElements

The Roscommon House, located in a 1960s 'garden suburb' five miles west of Perth, Western Australia, draws significant inspiration from the area's modernist and brutalist architectural heritage. Neil Cownie Architects undertook extensive research into the local modernist buildings, identifying seventy still standing, after witnessing the demolition of a Brutalist concrete shell roof structure and a threat to demolish a beloved concrete kiosk. This spurred the architect to design a home that respects and converses with the local architectural ethos without merely replicating past styles. The suburb's history, characterized by wide blocks and substantial parklands, also influenced the design, particularly in the integration of landscaping. At 5,900 square feet, much of Roscommon House is single-story, occupying a significant portion of its lot. To compensate, the design cleverly incorporates 'pocket' courtyards and roof terrace gardens, blurring the lines between indoor and outdoor spaces. This spatial arrangement is also driven by environmental concerns, designed to maximize winter solar penetration and capture cooling breezes. The exterior features a strong, street-facing facade made from board-formed concrete, with a solar array discreetly tucked on the roof. The custom front door is crafted from textured wood and accented with un-lacquered brass, encouraging a natural patina over time. Inside, the design maintains material consistency, extending the exterior concrete finish into the interiors. This is complemented by timber cabinetry and walls, as well as bespoke lighting and furnishings created by the architectural firm. The master bedroom suite is located upstairs, offering access to a roof terrace, while the main living spaces and other bedrooms are situated on the ground level. A basement provides additional space. Throughout the house, wall cladding and cabinetry utilize engineered timber from ABODO's Elements range, and the engineered wood floors are by Mafi. The living room features a steel stair railing and a window wall with a Mondrian pattern in its glazing, adding an artistic touch. Custom-designed pendant lights over the stairs echo the undulating recesses found in the concrete ceiling, a sinuous motif that reappears in various forms throughout the project. The kitchen island's shape is a direct reference to the local iconic beachside concrete kiosk, a building saved by community efforts. Curved ceilings gently hover above the stricter lines of wall paneling and inset shelves, creating a dynamic visual contrast. A rounded skylight above the stairs introduces natural light. Outside, the undulating lines are continued in the pool's shape and its overhead awning, further integrating the architectural theme with the landscape. Through this project and community engagement, Neil Cownie Architects aim to foster appreciation and awareness of the area's unique architecture, ensuring Roscommon House possesses a strong sense of belonging to its site and history. #BrutalistArchitecture #ModernistDesign #ConcreteHomes #AustralianArchitecture #SustainableDesign #IndoorOutdoorLiving #CustomInteriors #ArchitecturalHeritage #LandscapeIntegration

The South Melbourne House, designed by architect Dominic Pandolfini as his personal residence, showcases a deep appreciation for concrete and modern Italian design. This project allowed Pandolfini to explore innovative ideas that might not have been feasible in client-commissioned work. The unifying element throughout the home is concrete, artfully combined with features reminiscent of Italian architect Carlo Scarpa's work, such as an oval-shaped window and a concrete blade wall, drawing parallels to the Brion Cemetery. The flooring throughout the house, particularly in the kitchen, features black concrete mixed with white stones, creating an effect similar to Italian terrazzo. This unique aesthetic was achieved through a collaborative effort, involving the architect's office and children hand-placing white stones into freshly pumped black concrete. The kitchen is a focal point, featuring the same distinctive concrete floors and walls. A white marble splashback and benchtops provide a striking contrast, while the island is designed with a black concrete base embedded with white stones, topped with white marble. Overhead cupboards are crafted from raw zinc, and the floor-to-ceiling pantry door and under-bench cupboards are finished in a dark blue, contributing to a rich and sophisticated color palette. Charcoal pendant lights further enhance the continuity of the design. Pandolfini emphasizes the importance of a hard-wearing yet comfortable kitchen, acknowledging the inevitable wear and tear. A discreet pantry helps maintain the kitchen's presentable appearance for guests. The ground-floor bathroom, strategically located off the living space, is concealed by a large timber batten door. Inside, it is adorned with multi-coloured terrazzo tiles, and features a curved bench, basin, and mirror, promoting soft transitions within the space. The upstairs ensuite continues the theme of rounded forms, with a curved wall maximizing the utility of a compact area. Marine blue porcelain tiles and a white timber benchtop offer a cohesive aesthetic, complemented by a Flos Glo Ball mini wall light that echoes the circular motifs of the basin and skylight. Despite the extensive use of concrete and stone, the house maintains a sense of warmth and comfort, achieved through the interplay of curved elements and the clean lines of modernist architecture. Key materials and products used in the home include Signorino terrazzo tiles in various colors and porcelain tiles in ‘Marine’ for the bathrooms, along with Carrara benchtops and custom circular mirror cabinets. Lighting in the bathrooms features Easy Kap downlights and Flos Glo Ball Mini wall lights. Rogerseller Tonic mixer and Eccentric tapware in brushed nickel, along with Catalano sanitaryware, complete the bathroom fittings. In the kitchen, exposed concrete walls and polished concrete floors with hand-seeded white stones are prominent. Carrara stone and 991 terrazzo are used for benchtops and slabs. Joinery includes 2PAC in Dulux ‘Rimaldo’ and natural zinc overhead cupboards. Kitchen lighting is provided by Flos UT Pro track and Muuto Ambit Rail Lamps. Abey Piazza Plus sink, Gessi Proton mixer, Miele appliances, and a Fisher and Paykel integrated fridge are also featured. Custom-made steel shelving with a curved front adds a unique touch. The project, known as "Concrete classic," was executed by Pandolfini Architects with Dominic Pandolfini as the project team lead, DuoBuilt as the builder, Meyer Consulting as the engineer, and Ideal Cabinets for joinery. The house is built on the land of the Boon Wurrung people of the Kulin nation. #ResidentialArchitecture #ModernItalianDesign #ConcreteConstruction #TerrazzoFlooring #CurvedForms #KitchenDesign #BathroomDesign #MaterialPalette #MelbourneArchitecture

This article explores the aesthetic and functional versatility of concrete in modern home design, showcasing eleven distinct residential projects from the archives of *Belle* magazine. Concrete, often perceived as a cold, utilitarian material, is presented here as a sophisticated element that can provide an industrial-chic foundation for diverse interior styles and create a sense of timelessness. The featured homes illustrate various applications of concrete. One example highlights a curvaceous concrete facade designed by Samantha McKenzie and executed by Leeton Pointon architects + interiors, emphasizing a sturdy and sensorial architectural approach. Another project, a beach house conceived by Brett Mickan, incorporates oak and polished concrete stairs, with the concrete tinted a taupe shade to harmonize with the surrounding sandstone cliffs. Fiona Lynch's design for a Williamstown home utilizes poured concrete floors with darker 'pebbles,' creating an unexpected texture and character, in combination with solid oak and stone for longevity. Further examples demonstrate concrete's ability to foster warmth and a zen-like atmosphere when paired with materials like American oak, as seen in a home by Ray Demkiw of Schulberg Demkiw Architects. SLAB Architecture’s space-saving home integrates raw concrete and steel with natural finishes, blurring the lines between exterior and interior materials. A penthouse apartment designed by Adam Haddow and BKH features concrete walls and ceilings complemented by American oak flooring, while Pamela Makin's coastal home employs concrete floors and walls in the bathroom to achieve an industrial-chic aesthetic. Matt Gibson's modernist house combines concrete, stone, timber, and steel to form a robust industrial palette. Architects Kerry Phelan and Stephen Javens transformed a military building’s garage into a home, where concrete plays a subtle role, with a hidden courtyard at the entrance. Neil Cownie’s concrete house utilizes matt cement and ribbed timbers to establish a specific mood. Finally, a home by Luigi Rosselli Architects and Alwill incorporates an elliptical concrete staircase, connecting its three levels and basement garage. Across all these examples, the consistent theme is concrete’s capacity to be both a dominant architectural feature and a harmonious backdrop, proving its adaptability and enduring appeal in contemporary residential architecture. #ConcreteHomes #ModernArchitecture #IndustrialChic #InteriorDesign #HomeTours #ArchitecturalDesign #Materiality #ContemporaryHomes #AustralianDesign #RenovationIdeas

The "Zigzag House," designed by Dan Gayfer Design, is a residential project located in Thornbury, Australia, completed in 2023. The architectural design of the 178 square meter house emphasizes natural light and incorporates custom-designed elements. The project description highlights a deliberate approach to create unique and highly detailed components throughout the home, resulting in a functional and adaptable living space. The design utilizes a distinctive material palette, contributing to the engaging experience as one navigates the single-fronted family residence. The project features an array of bespoke design elements, ranging from custom joinery to specific material selections, all integrated to enhance both aesthetics and practicality. The exterior photography reveals a brick facade and a garden, while interior shots showcase various spaces such as the kitchen, dining room, and bathrooms. Materials used in the construction include Artedomus, Brodware, Fibonacci Stone, and products from Joel Elliot Furniture, Made Measure, Nook Collection, Phoenix Tapware, and Volker Haug. The lead architects for the project were Dan Gayfer and Lewis Marash, with Blueprint Constructions serving as the builder and Kitchen Domain handling the cabinetry work. Key design features visible in the illustrations include large windows that allow ample natural light, a recurring theme of brickwork that extends from the exterior to select interior spaces, and a consistent use of wooden and stone finishes. The kitchen area displays a modern aesthetic with functional countertops and integrated shelving, while the dining room presents a well-lit space with a distinct table and chairs. Bathrooms are characterized by clean lines, quality fixtures such as bathtubs and sinks, and thoughtful shelving solutions. The overall design suggests a focus on craftsmanship and a harmonious blend of natural materials with modern architectural forms. The strategic placement of windows and the consideration of light in the design are central to the home's character, creating bright and inviting interiors. The choice of materials not only adds to the aesthetic appeal but also contributes to the tactile and visual texture of the spaces. The project aims to provide a residence that is not only visually appealing but also highly livable and responsive to the needs of a modern family, achieved through careful planning and execution of bespoke details. The inclusion of a garden space further integrates the home with its surroundings, offering a connection to nature. The 'Zigzag House' represents a contemporary approach to residential architecture, where the interplay of light, bespoke design, and a curated material palette culminates in a unique and functional family home. The architects' commitment to detailed craftsmanship and the use of quality manufacturers underscore the project's emphasis on creating a distinctive and enduring living environment in Thornbury, Australia. The final outcome is a testament to the collaborative effort between the design team, builder, and various suppliers. #ResidentialArchitecture #HouseDesign #AustralianArchitecture #BespokeDesign #NaturalLight #MaterialPalette #InteriorDesign #ExteriorFacade #CustomCraftsmanship

The "Inside Her Home" series offers a glimpse into the residences of everyday women, detailing their renting or homeownership experiences. This installment features Lauren Li, a 45-year-old interior designer residing in Ivanhoe East, Melbourne. She lives with her husband and three children in a three-bedroom, two-storey home with an additional granny flat, which they rent for $3,910 per month. Lauren describes her home as a mid-century modern dwelling, built in 1961, retaining much of its original architecture. She emphasizes a deep connection to the house, feeling it "chose her" and that she and her family are deeply content living there. Lauren’s home is situated approximately 10km north-east of Melbourne's Central Business District. She highlights the fair price for the rental and expresses a strong belief that renters invest significant care and effort into making their houses feel like home. She and her family have occupied the property for three years, and her appreciation for the space has only grown. The house holds historical significance, having been the former residence of Victoria's first female Supreme Court judge, the Honourable Rosemary Balmford, who lived there since 1963. Lauren attributes the home's positive atmosphere and abundant built-in bookshelves to its previous owner, noting Balmford’s pioneering role as the first female lecturer in the University of Melbourne’s law faculty. The layout of the home is particularly appealing to Lauren, featuring a spacious living room with a fireplace, which provides ample room for the family while maintaining a sense of togetherness. The property also offers lovely views of trees, a beneficial feature for Lauren and her husband, who both work from home. The kitchen retains its original 1960s charm, which Lauren appreciates. The house includes an elevated deck that has been the setting for numerous family gatherings and summer dinners, contributing to its cherished feel. Their 12-year-old daughter enjoys a room with an impressive view of the Yarra River, while her 11-year-old sister and three-year-old brother share the other bedroom. Lauren explains that their move to this particular house was almost serendipitous. When their previous apartment was put up for sale, they needed to find new accommodation swiftly. A friend connected them with a real estate agent, and upon seeing the Ivanhoe East property, Lauren immediately felt a strong desire to live there. Her attachment to the house is so profound that she declares she is "never going to leave," underscoring her long-term commitment to the home. The article concludes with an invitation for other individuals to submit their homes for inclusion in the "Inside Her Home" series, encouraging [email protected] to be contacted for submissions. #HomeDecor #InteriorDesign #MidCenturyModern #RentalProperty #MelbourneHomes #FamilyLiving #RealLifeStories #HomeTour

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

Adam Kane Architects undertook the renovation and extension of a dilapidated cottage in Barwon Heads, Victoria, Australia, transforming it into a contemporary, minimalist residence for a young couple. The project, known as 'Barwon Heads House,' sought to revitalize the heritage cottage while embracing the relaxed, coastal lifestyle prevalent in the area. A key design element on the exterior is the striking deep black paint applied to the entire existing cottage facade and roof, which creates a strong contrast with the natural textures of the surrounding landscape. Inside the home, the main living space is defined by a double-height, American oak-lined raked ceiling, which introduces a sense of openness and airiness. This feature is complemented by burnished concrete floors and hand-scratched solid plaster walls, which contribute to a muted color palette and textural richness. Pops of black are integrated throughout the interior, echoing the exterior's dramatic finish. The design carefully maintains heritage features, such as the original restored lining board ceilings and period skirting and architraves, seamlessly blending them with contemporary architectural elements. The choice of natural materials and a subtle color scheme aims to create a lightweight and relaxing atmosphere. A glazed link connects the original cottage to the new extension, offering views of the garden from both sides and ensuring a smooth transition between the old and new sections of the house. Access to the extension involves an enclosed corridor, clad with black mottled joinery panels on the walls and ceilings, which ingeniously conceals doorways leading to the rumpus room, laundry, and storage areas. Above this darkened corridor, a master bedroom mezzanine is positioned. This deliberate design creates a sense of compression in the corridor, followed by a dramatic release upon entering the main living area, characterized by its soaring ceiling. The architects consciously utilized the interplay of compression and release to craft a unique and unexpected spatial experience as one moves through the home. The timber lining and cladding are instrumental in blurring the boundaries between indoor and outdoor spaces, delineating various zones, and enhancing the perception of generosity within the rooms, all contributing to the relaxed ambiance of the residence. The material palette includes silver travertine slabs and burnished concrete floors, which harmonize with the desaturated timber ceilings and joinery. Hand-scratched solid plaster walls, finished in a soft, warm 'bone' color, further enhance the tactile qualities of the interior. Linen sheer curtains introduce a soft balance, adding comfort and an inviting feel to the living spaces. In the main room, a large island bench, clad in travertine, serves as a central feature. This versatile element transitions smoothly from a kitchen bench to a dining table through a subtle change in floor level within the kitchen area. The back-bench joinery extends into the living area, effectively connecting the two zones. The mezzanine bedroom, overlooking the living space below, is wrapped in the same black cladding used in the corridor, maintaining design consistency. The project successfully integrates the relaxed coastal lifestyle of Barwon Heads by thoughtfully reinterpreting the original structure with modern interventions. #Architecture #HomeRenovation #MinimalistDesign #CoastalLiving #AustralianArchitecture #HeritageRestoration #InteriorDesign #AdamKaneArchitects

Mid-Century Modern architecture, characterized by its effortless cool and quintessentially Australian aesthetic, is experiencing a significant resurgence in popularity. This design style, prevalent from the 1930s to the 1970s, defines Australian homes through its distinctive flat or raked rooflines, expansive floor-to-ceiling windows, open-plan layouts, and seamless integration of indoor and outdoor spaces. Key materials commonly used include brick, concrete, and timber, contributing to a robust yet elegant appearance. Notable architects who shaped Australia's Modernist movement, such as Harry Seidler, Robin Boyd, Iwan Iwanoff, and Hugh Buhrich, developed groundbreaking designs in the 1950s and 1960s. Many of these historically significant structures now hold heritage-listed status, reflecting their enduring architectural value. The renewed interest in these homes has led many owners to prioritize restoration over extensive renovation, preserving the original character and integrity of these sought-after properties for contemporary enjoyment and future generations. The article showcases 19 exemplary Mid-Century Modern homes across Australia, ranging from faithfully restored original builds to new constructions inspired by the style. One such example is 'The Quarterdeck,' designed by Glynn Nicholls in 1959. Its recent restoration meticulously updated the interiors while adding two new wings, ensuring consistency with the original design. This project involved careful preservation of features like the butterfly roof, exposed structural steel beams, shiplap paneling, bagged brick interior walls, and original 1950s windows. Another featured property is a character-rich 1890s terrace in Paddington, where interior designer Madeleine Wood blended existing architectural elements with a Mid-Century aesthetic, enhancing its north-facing courtyard, high ceilings, and distinctive arches. In Torquay, a new build, conceived by Melbourne architecture firm Kennedy Nolan, draws heavily from 1950s Mid-Century design, incorporating a carefully curated palette of colors, materials, and textures based on the owners' detailed vision board. Photographer Kara Rosenlund's late 1960s Brisbane home underwent a sensitive renovation that honored its originality, preserving its wood, finishes, and tones to maintain its spirit. A once featureless 1970s brick house on the NSW South Coast was transformed by Madeleine Blanchfield Architects into a laidback, understated, and honest Mid-Century Modern home, using materials resilient to coastal conditions and bushfires. Sally McGarry's Byron Bay Hinterland home, 'Las Palmas,' captures the essence of her grandparents' Robin Boyd-designed 'The Fenner House' with its elongated roofline, extensive glazing, modernist lines, and passive orientation. A two-bedroom beach shack in Flinders, previously coated in brown paint and carpet, received a thoughtful revamp. Owners Bec and Marcus opted to work within the existing footprint, creating a spacious, open-plan family home without extending the original structure. An Adelaide Hills stone cottage, built in 1962, was updated in 2018 by architect Paul Cooksey and interior architect Bek Burchnall to improve insulation and refresh its interior palette while respecting its original design intent. M House on the Northern Beaches, designed by Rama Architects, presents a Brazilian modernist oasis that seamlessly blends indoor and outdoor spaces, reflecting a tranquil and private living environment. In Beaumaris, Victoria, an untouched 1960s brick and weatherboard house served as a canvas for a sensitive renovation, preserving and restoring original features while introducing new elements inspired by the home's heritage. A modernist-inspired contemporary holiday home demonstrates how classic Mid-Century design principles, such as steel and glass structures, brickwork, and timber paneling, continue to influence modern constructions. A 1960s bush retreat in outer Melbourne underwent a sensitive refurbishment, maintaining its original timber paneling and dark terracotta brick floors. A Mid-Century Modern home in Moorooka, Queensland, designed by Robin Spencer, remains a remarkably preserved 1960s masterpiece, with its original bathroom and kitchen still intact. A renovated 1950s home in Sydney’s North Shore features a "raw and earthy" palette and a "Palm Springs flavor," highlighted by a custom mosaic tiled island bench and amber-colored glass doors. Georges Antoni's contemporized 1960s bungalow in Sydney’s Garigal National Park showcases a monochromatic palette of render, stone, travertine, linen, and timber, creating a calming family home that embraces its Mid-Century origins. A Mid-Century marvel in Mosman, originally an 'Australian House & Garden' cover star in 1959, has been carefully renovated to retain its original timber paneling and crazy paving. A Palm Springs-style home by Sunshine Beach embodies modernist design with sleek lines, playful use of color, and spaciousness. Finally, a "funky and functional" family home in Adelaide draws on Mid-Century Palm Springs architecture, featuring curves, a Californian desert-inspired color palette, white painted brick, and a relaxed ambiance. A 1960s modernist home in Melbourne’s St Kilda received a "perky facelift" by Bower Architecture & Interiors and LBA Construction Group, extending over the former driveway to create more space and light while honoring the home’s historical context. #MidCenturyModern #AustralianArchitecture #HomeDesign #ArchitecturalRestoration #InteriorDesign #ModernistHomes #SustainableDesign #Renovation #HistoricHomes

Interiors studio Design Theory has undertaken a renovation of a 1960s house located in the City Beach suburb of Perth, Western Australia. The project aimed to update the residence while preserving the original design's rich palette of natural materials. The client sought a home suitable for entertaining friends and living with dogs, requiring durable, easy-to-clean, and pet-proof finishes. The reworked floor plan needed to accommodate three bedrooms and two bathrooms. The initial assessment revealed significant structural issues, including widespread rot and termite damage, necessitating extensive restoration work on the base-building elements. Design Theory's approach involved restoring these foundational components in alignment with the original architecture and interior style. New joinery, finishes, and furniture were introduced, all inspired by mid-century design principles. This strategy allowed the home to evolve with contemporary functionality and sustainability while respecting its heritage. Beyond the structural repairs, the house required sensitive restoration and minimal updates, owing to its original design's forward-thinking emphasis on natural light, fresh air, and unpretentious living. The design cues were drawn from the era of the house's construction, characterized by humble and honest materials and restrained detailing. Existing cabinetry was sensitively restored and updated, always with a nod to the home's original aesthetic. The material palette predominantly features warm, earthy tones. Exposed brick in terracotta hues, native Blackbutt timber, and a cork-like Forbo Marmoleum flooring were extensively used. In the sunken lounge area, carpet tiles were installed to add comfort and a distinctive gridded visual texture. The robust use of timber and brick is counterbalanced by painted white wall sections, grid-patterned window frames, and low-hanging pendant lighting, creating a harmonious balance within the interiors. For the kitchen counters and bathrooms, simple mosaic tiles were chosen to continue the textural theme and to subtly reference the home's early 1960s origins. The studio adopted a palette inspired by the Western Australian landscape, incorporating Eucalyptus greens, warm timbers, and sunset oranges. The kitchen cabinetry features subtle detailing, such as full-width handles, providing visual interest without being overly dominant. An orange range cooker adds a retro accent. Several vintage furniture pieces acquired with the house were retained and meticulously restored. To soften the architectural lines and prevent the interiors from feeling like a rigid period piece, contemporary furniture with gently curving forms was introduced. Key original hardware, including door furniture and pendant lighting, was refurbished and reinstalled, contributing to the home's authentic refreshed character. #Perth #Renovation #MidCenturyModern #InteriorDesign #DesignTheory #CoastalHome #HouseRenovation #SustainableDesign #NaturalMaterials

Architect Sarah Henry, cofounder of Australian design firm studiofour, designed a house for her family in Melbourne with specific goals: privacy, family-orientation, unpretentiousness, health-focus, and sustainability. Drawing on expertise in architecture, interiors, landscape, art, and fashion design, studiofour developed a holistic plan. The design took inspiration from the Beaumaris neighborhood's classic midcentury modern homes, incorporating simple architectural lines and an integrated landscape. The natural slope of the land dictated the home's exterior, which appears bunker-like with concrete and gray-washed surfaces, creating a sense of privacy and seclusion. Narrow front steps lead to a discreet entrance, fostering a feeling of safety within. Internally, the land's slope is transformed into a single step that visually separates living and sitting rooms, and the kitchen and dining room, maintaining fluid and open spaces. The central feature of the home is an airy courtyard, accessible from every room and protected by a thick concrete fascia that blocks neighboring views while allowing sightlines to surrounding cedar trees. This courtyard is crucial to the open-concept design, facilitating a sense of togetherness among living areas and serving as a natural filter for light and shadow. Henry considers the courtyard a significant success, utilized for light, fresh air, and as an additional living space. The extensive use of concrete for the basic structure extends to the interior with exposed concrete brick walls, floors, and benchtops, establishing a serene backdrop. In the bathrooms, tadelakt, a waterproof Moroccan plaster, provides a polished concrete aesthetic. An existing Oregon wood coffee table, with its warm vibrancy, became a design pivot point. This wood element is reiterated in the dining room and kitchen through a long, combined-use table and Hans Wegner Elbow chairs, providing textural contrast and warmth against the grey concrete. Other low-sitting furniture, such as a plush navy sofa and beds, echo the coffee table's form, contributing to the room's spaciousness. Butterfly chairs in the living room and garden, with their slender wire frames, offer a lightweight contrast. This delicate contrast is mirrored by the olive trees' branches and the sheer white drapes. The house incorporates passive design principles to promote personal and environmental health. Careful wiring minimizes electromagnetic fields, and a comprehensive water filtration system provides purified water for all household uses. The selection of natural materials and maximization of light and ventilation ensure near-zero VOC emissions. For the Henry family, the home functions as an unobtrusive setting for shared moments, embodying the belief that simplicity fosters idleness, leading to a healthier state of mind. #ModernArchitecture #SustainableDesign #ConcreteHouse #CourtyardLiving #MelbourneHome #Studiofour #PassiveDesign #MidcenturyModernInfluence #IndoorOutdoorLiving