Ten landscape architecture projects by students at University of Southern California

This article showcases ten architectural and design projects developed by students at My ArchiSchool as part of a Dezeen school show. My ArchiSchool, based in Hong Kong, provides architectural education and digital design skills to young people aged six to eighteen, preparing them for future careers in architecture and urban planning. The curriculum ranges from beginner levels to advanced stages, covering 3D modeling, writing, and portfolio development, culminating in an exhibition of student work for the most comprehensive packages. Among the featured projects, Albus Oscar Chung's "The Rage" is a painting inspired by childhood dreams, depicting a landscape with large trees to symbolize the importance of harmony among all living forms. Abigail Shih's "Escape" project, part of her book "Runaway to the Forest," addresses the impact of pollution and advocates for sustainable design, integrating buildings with natural environments like woodlands. Quinten Fan's "Designing a Green Resort" proposes a mountain-based eco-resort with simple geometric structures and transparent glass walls, allowing guests to experience panoramic views while ensuring easy transport and assembly of components in remote areas. The resort features tent-like buildings centered around a communal courtyard. Sean Lee's "Designing my Animal Hotel" envisions a hotel surrounded by wildlife, designed to facilitate learning about animals while providing protection for guests within a tall, reinforced structure. The hotel includes an observation deck, guest accommodations, and a ground floor for management and as a physical buffer. Aidan Chan's "Designing my Futuristic House" presents a modular, pyramidal structure designed for desert environments, built to withstand extreme weather and unstable foundations through a roof's hanging system. Terrance Sun's "Designing my Future House" combines a mobile home with a food truck, reflecting his passion for travel and community engagement through food sharing, aiming to contribute to global food security. Chua Chung Hei's "Designing my Future House" conceptualizes a forest dwelling inspired by lightweight tents, featuring a self-supporting, curved structure that minimizes environmental impact by avoiding deep foundation construction. The design incorporates indirect lighting to prevent disturbance to forest animals. Valerie Zhang's "Designing my Winter Resort" draws inspiration from snowflakes, creating a warm, cozy atmosphere with wooden structures and locally sourced timber to offer guests dramatic views of nature and promote environmental friendliness by reducing transportation of materials. Vivian Tam's "Designing a Green Airport" applies the 15-minute city concept to an airport layout, separating arrival and departure halls with a landscaped waiting area and a glass roof system with shading devices to control natural light and heat. David Ma's "Designing my Winter Resort" utilizes parametric design to create a resort on a snowy, mountainous site. The design features an undulating roof supported by a triangular truss system made of steel and timber, designed to withstand fluctuating temperatures and echo the organic forms of mountains. These projects collectively demonstrate the students' innovative approaches to architectural challenges, their engagement with environmental and social issues, and their development of practical design skills through My ArchiSchool's programs. #MyArchiSchool #ArchitecturalDesign #StudentProjects #SustainableArchitecture #EcoResort #DesertArchitecture #GreenAirport #MobileHome #ForestDwelling #WinterResort

This blog post showcases ten architectural and design projects by students from My ArchiSchool, featured as part of Dezeen's School Shows. My ArchiSchool, based in Hong Kong, provides architectural education and digital design training for young individuals aged six to 18, aiming to develop their 3D modelling skills for future careers in architecture and urban planning. The program offers both in-person and online courses, ranging from beginner levels to advanced, covering various tools, interfaces, and outputs. Students learn to build and manipulate 3D digital models of cities using platforms like Dassault Systèmes' 3DExperience. The most comprehensive package includes an exhibition of student work after an eight-month study period. Among the featured projects is Alanna Mak's "Designing My Butterfly House," which features a facade system inspired by butterfly wing patterns and an open-plan structure designed as a breeding ground for local butterfly species. The architecture reflects the motion of butterfly wings and incorporates a vibrant color scheme. Oscar Chung's "Designing My Raindrop Tower" is a Natural History Museum inspired by rainforest botanical species, with a tower and rooftop shaped like tree branches and leaves. It is envisioned as a community space offering scenic views of snowy mountains and exhibits that evoke an indoor forest environment. Abigail Shih's "Designing My Natural History Museum" presents a tent-like glass structure for a café within a Natural History Museum, emphasizing community and cultural significance. The design draws inspiration from camping experiences, with exhibits displayed within the glass structure to create an engaging visitor journey. Na Kyung (Arlene) Lee's "Designing My Butterfly House" is inspired by the movement of 'dancing' butterflies, with its skeleton-like structure stretched across a river to create a natural habitat for raising young butterflies, including a central breeding ground for caterpillars. Annecy Hui's "Designing My Boathouse" features a twin-boathouse for a family, dividing private living space from communal areas. The design's form is inspired by mountains, utilizing a laminated timber structure to demonstrate sustainable building materials. Antonia Villet's "Designing My Teahouse" is a vibrant teahouse located in Hong Kong, aiming to establish architecture as 'living art' by surrounding city dwellers with diverse aesthetics. The design process involved reviewing various facade color schemes and experimenting with different building materials for transparency and texture. Heidi Liang's "Redefining Residential Tower for Big Families" addresses Hong Kong's housing challenges by proposing experimental options for city living, focusing on the importance of community wellbeing. Her project includes a mid-rise tower designed for extended families, combining small, fragmented spaces into shared, spacious areas like a communal dining floor. This design aims to increase space efficiency and encourage family interaction. Natalie Lau's "Designing My Natural History Museum" features an open exhibition area with a curved facade that blends into the local environment. A simple, earth-toned color scheme highlights the earth's materiality and history, while living room settings throughout the museum facilitate family time. Serafina Luk's "Designing My Church" incorporates nature by placing the altar on an open side of the church, leading to a woodland path. The church's wooden structure advocates for the use of natural materials to connect people with nature. Finally, Alice Ippolito's "Designing My Exhibition Area" tackles the challenge of designing a spacious digital exhibition within a small area. She proposed an LED display wall against an existing partition and carefully articulated lighting to highlight exhibits and reduce glare on glass panels, ensuring a flexible design through on-site measurements of headroom and electrical systems. #MyArchiSchool #ArchitecturalDesign #StudentProjects #DigitalDesign #ButterflyHouse #NaturalHistoryMuseum #TeahouseDesign #ResidentialTower #SustainableArchitecture #ExhibitionDesign

The Pratt Institute's Graduate Architecture, Landscape Architecture, and Urban Design (GA/LA/UD) programs offer a comprehensive suite of master's degrees designed for individuals seeking to deepen their understanding and practice in the built and living environments. The core mission of these programs is to foster design inquiry across complex and evolving fields, encouraging students to ask challenging questions that enhance their grasp of architectural and environmental concepts. The curriculum emphasizes an interdisciplinary approach, bridging various design practices, professions, and academic disciplines to address contemporary challenges and opportunities. Specifically, the programs include the Master of Architecture (M.Arch/First Professional), Master of Landscape Architecture (MLA), Master of Science in Architecture (Post Professional), and Master of Science in Urban Design (Post Professional). Each program is tailored to different academic and professional goals, from foundational professional degrees to specialized post-professional studies. The M.Arch and MLA programs prepare students for professional licensure, offering rigorous training in design principles, technology, history, and theory. The MS in Architecture and MS in Urban Design cater to those with prior architectural or related degrees, providing advanced specialization and research opportunities in areas such as computational design, sustainable practices, and urban development strategies. These graduate programs are characterized by their integration of architectural, landscape, and urban design practices. The faculty and curriculum encourage a holistic perspective on environmental design, recognizing the interconnectedness of buildings, natural systems, and urban fabrics. Students are trained to engage with critical issues such as climate change, urbanization, social equity, and technological innovation, developing solutions that are both aesthetically compelling and functionally sustainable. The institute provides a vibrant academic environment that supports experimentation and critical thinking, with access to state-of-the-art facilities and a strong community of practitioners and scholars. Beyond formal coursework, the GA/LA/UD programs offer a rich array of extracurricular activities and opportunities for engagement. These include lectures, events, exhibitions, and workshops that bring leading professionals and academics to campus, fostering dialogue and collaboration. The "Critic At Large" program and various collaborations, such as "Wast[ED]: Working with Waste" with SOM and AIA Center for Architecture, and "Real Estates" with FX Collaborative, provide students with practical experience and exposure to real-world projects. The institute also highlights faculty expertise, with profiles of key personnel like Andrew Holder (Chairperson of Graduate Architecture), Hart Marlow (Interim Assistant Chairperson of GALAUD), Elliott Maltby (Interim Academic Director, Landscape Architecture Program), and Alexandra Barker (Academic Coordinator of MS Arch Program), demonstrating the depth of knowledge and mentorship available to students. Prospective students are offered various resources, including information sessions, open houses, and detailed application guidelines, to facilitate their enrollment process. The virtual information sessions, scheduled for October and November 2025, and the Fall Open House, are designed to provide comprehensive insights into program offerings, faculty, and student life. These initiatives underscore Pratt Institute's commitment to nurturing future leaders and innovators in architecture, landscape architecture, and urban design, preparing them to address the complex challenges of the 21st century. #GraduateArchitecture #LandscapeArchitecture #UrbanDesign #PrattInstitute #DesignEducation #EnvironmentalDesign #ArchitecturalPrograms #UrbanPlanning

Kimley-Horn, a consulting firm, organized the Kimley-Horn/FIU Design Collab, an all-day landscape architecture design workshop for students at Florida International University (FIU). The initiative aimed to provide students with practical experience that simulates real-world industry processes and parameters. The event was orchestrated by five Kimley-Horn employees: Gregory González, PLA; Michelle Latte, PLA; Sami Trinchetto; George Puig, PLA; and Maggie Giraldo, PE. To further enhance the realism of the workshop, representatives from various governmental entities were invited, including two members from the City of Miami Environmental Resources group, one member from the Miami-Dade County Planning Department, and one member from the Miami-Dade County Transportation Department. This multidisciplinary collaboration allowed students to engage with diverse experts, mirroring the complexities of actual professional projects. The workshop commenced with a detailed presentation outlining the project, which was based on an authentic design criteria package developed by the Kimley-Horn team in 2022. This initial phase established the project's scope, expectations, and deadlines for the student participants. A notable aspect of the workshop was a hand-drawing session, where the team instructed students on the use of bases, overlays, and paper for manual design creation. This was a unique learning opportunity for the students, as their academic training predominantly involved digital design tools. Following the introductory and instructional segments, the twelve participating students were divided into three groups to begin developing their designs. Throughout this design phase, Kimley-Horn's landscape architects and other invited design experts circulated among the groups, offering personalized guidance and insights. These one-on-one discussions emphasized critical considerations such as civil engineering, environmental impact assessments, and urban planning issues. The experts provided practical tools and tips, helping students integrate these diverse elements into their designs. This mentorship aimed to broaden the students' understanding beyond purely aesthetic landscape design to include the practical and regulatory aspects of the profession. The culmination of the workshop involved each student team presenting their designs to the panel of multidisciplinary experts. During these presentations, the judges posed questions and highlighted potential challenges associated with the proposed designs. This required students to articulate and defend their creative and technical decisions, an experience that directly mirrored the real-world review processes for landscape architecture projects. The objective was to prepare students for the rigorous scrutiny and collaborative problem-solving inherent in professional practice. At the conclusion of the presentations, an $800 prize was awarded to the winning team, recognizing their exemplary design and presentation skills. The event concluded with a networking dinner, allowing all participating students to interact informally with the judges and other industry professionals. Gregory González, PLA, commented on the workshop's efficacy, stating that it provided students with a comprehensive understanding of what it means to be a landscape architect in professional practice, moving beyond theoretical knowledge. The initiative represented a significant investment in the professional development of aspiring landscape architects, offering them invaluable hands-on experience, direct connections with professionals, and the opportunity to work on a relevant, real-world project. #LandscapeArchitecture #StudentWorkshop #RealWorldDesign #FIUStudents #KimleyHorn #DesignCollaboration #ProfessionalDevelopment #EnvironmentalPlanning

This article explores various innovative landscape architecture and garden design projects from around the globe, showcasing diverse approaches to integrating nature and design. It begins with the Granby Winter Garden in Liverpool, a community hub created by Granby Workshop and Assemble from derelict Victorian terraced houses. This indoor garden features triple-height interiors designed to accommodate full-height trees, reinterpreting outdoor spaces for the British climate and hosting artist residences and community events. The article then highlights Piet Oudolf, a key figure in the ‘New Perennial’ movement, known for his naturalistic approach to garden design. Oudolf focuses on the lifecycle and structural characteristics of plants to create year-round wildflower meadows, taking inspiration from architectural sensibilities. His work includes projects such as the herbal Rotterdam haven and a private garden in Haamstede, demonstrating his philosophy of prioritising plant longevity and form over fleeting aesthetic trends. Alex Hanazaki's garden in East Berlin is presented as a reflection of Brazil's multicultural urban life and rich flora. Hanazaki deliberately moves away from stereotypes, aiming to provide a deeper understanding of Brazil's diverse cultural influences on landscape design, a legacy initiated by Roberto Burle Marx. Artist Gabriel Orozco, in collaboration with 6a architects and horticulturists from the Royal Botanic Gardens of Kew, designed a geometric garden as a permanent artwork for the South London Gallery. This project expands Orozco's artistic repertoire into horticulture, creating a unique blend of art and nature. Roberto Burle Marx's mineral roof garden at the Banco Safra headquarters in São Paulo, designed in 1983, is also featured, acknowledging his significant contributions as one of the 20th century’s most prominent landscape architects. Enzo Enea, founder and CEO of Enea Landscape Architecture, discusses his work on Miami's waterfront, emphasizing the creation of lush green spaces that balance showmanship with intimacy. His projects often involve careful study to create micro-climates, connecting indoor and outdoor spaces while preserving important views, particularly to the water. Nendo’s CoFuFun station plaza at Tenri Station in Japan is introduced as an upbeat urban intervention and community hub. Designed with a sense of humor, resembling an oversized crazy golf range, it features white circular structures for various community activities and references ancient Japanese burial structures. SWA Group's landscaping project in Fuzhou, China, demonstrates a response to the site's topography, integrating residential, leisure, retail, and hospitality elements within a 45-hectare area bordered by hills and a river. The project showcases how landscape architecture can harmonise with natural surroundings. Taylor Cullity Lethlean's National Arboretum in Canberra, Australia, a sprawling 250-hectare site with 100 single-species forests and gardens, is highlighted for its approach to tree diversity protection and human exploration. The firm's work balances sustainability and aesthetics across various scales. AGi Architects' garden house in Kuwait addresses the challenge of outdoor living in extreme heat by integrating three distinct gardens for different activities and seasons. These include a 'wet garden' at the core, a winter garden on the roof, and a summer garden below street level, each designed to provide comfort and connection to nature. David Chipperfield Architects' Xixi Wetland Estate in Hangzhou, China, is presented as a residential project sensitively integrated into the region's historical and botanical landscape of wetlands, willow trees, and marshland. This project respects the area's natural beauty and ancient waterways. Finally, the Stavros Niarchos Foundation Cultural Centre in Athens, designed by Renzo Piano Building Workshop with Deborah Nevins and H Pangalou & Associates, transforms a former car park into a fully accessible park with gridded gardens and connecting pathways. This project revitalizes the coastal landscape, emphasizing community space and nature. #LandscapeArchitecture #GardenDesign #UrbanPlanning #SustainableDesign #CommunitySpaces #ArchitecturalInnovation #PublicGardens #ResidentialDesign #EnvironmentalDesign

West Dean College, specifically its KLC School of Design, showcases ten interior design student projects covering various real-world issues and creative concepts. The institution emphasizes developing industry-focused knowledge and skills, working closely with employers and design professionals, and integrating design development, technical knowledge, and visual communication. The KLC School of Design operates from a London campus in Bloomsbury, part of the Knowledge Quarter, and a rural Grade II listed campus in the South Downs, offering a diverse educational experience. One featured project is "Offbeat" by Iszi Kelly, a bar designed for youth culture. This multi-functional space reimagines traditional bar features, providing an environment for young adults to exchange ideas. Its design allows for dynamic transformation, with tables and seating that can be rearranged for dancing, and a spherical DJ booth contrasting with the rectilinear layout. A relaxed basement area with conversation pits is included for intimate gatherings. Alexandra Hunt-Dallison's "Radiate Liminally From Department Store to Women's Shelter" addresses social challenges through adaptive reuse. This project transforms a historic department store into a shelter for women and children escaping domestic violence. It incorporates trauma-informed design principles to create a transitional space that supports residents' therapeutic needs, aiming to empower them and break the cycle of violence by offering a safe urban environment without outdoor space to prioritize safety. Mary-Jane Vaughan's "The Courtauld Social Club" is a cultural hub inspired by similar arts projects that revitalized post-industrial areas. Located in Coventry, the design reflects the city's heritage and resilience, drawing on its urban setting through material choices, textures, and a color palette that represents its evolving fortunes. The space includes public gathering areas, exhibition rooms, an open archive, a private members' bar, a library, and workshops, along with essential facilities to meet world-class standards. Natalya Traill's "Vivienne Westwood Bar" pays homage to the designer's legacy, creating a space for connection, creativity, and community. The adaptive reuse strategy ensures the design honors the historic site while incorporating contrasting colors, vivid patterns, and dynamic elements like a moving stained-glass installation and an extruding mezzanine cut-out to create an invigorating environment that encapsulates Vivienne Westwood's essence. "Flux" by Alexandra Buckley explores residential design for "ageing in place" through a modular approach. The design uses 900x900mm modules linked to swiveling base units anchored to the floor structure, offering flexibility and easy reconfiguration of open-plan spaces. This allows for various configurations depending on occasion or season, maintaining structure while enabling continuous evolution and adding interest to daily life. Andrée Cooke's "Chemistry" is a cocktail bar for over 21s, inspired by chemical processes. The theatrical and immersive space features unique areas like the "LAB," an amphitheater-style communal space, and a floating glass bar where staff prepare cocktails. The styling combines solid and fluid-looking sustainable materials, with a focus on locally sourced and recycled elements such as oak, steel, glass, perspex, and sustainable flooring. Camilla Phillips's "The Metropole" is a two-story bar and speakeasy in an English seaside town, designed to evoke the theatrical escapism of the golden age of cinema. The bar positions the bartender as a performer, with the bar as their stage. An illuminated sign and tiled façade greet guests, capturing attention and paying homage to historic theater signs. Kim Kirchner's "M+I+X" cocktail bar blends innovative design with practicality for a Gen Z target market. The striking centerpiece features overlapping M, I, and X forms made of ribbed dichroic acrylic sheets that glow and guide guests through the space, which incorporates mixed secondary colors and textures for a visually impactful experience. Emily Garth's "Kudu Community Restaurant" transforms the historic Asylum Chapel into a restaurant and community kitchen. This adaptive reuse project aims to mitigate food insecurity in Southwark by providing nutritious meals, fostering social inclusion, and combating loneliness. The design balances inclusivity and exclusivity, demonstrating that community kitchens and traditional restaurants can coexist and thrive, shifting away from traditional charitable food access models. Aleksandra Cummings's "Kip Hideaways Asylum Chapel" preserves the Grade II listed Asylum Chapel in Peckham, creating a boutique hotel with a café and bar. The project blends the existing distressed aesthetic with the client's signature style. It engages local artists and makers to create a collaborative interior, promoting local talent and community support, and balancing historical preservation with modern use to create new memories within the space. #InteriorDesign #StudentProjects #WestDeanCollege #AdaptiveReuse #SustainableDesign #HospitalityDesign #ResidentialDesign #CommunitySpace #TraumaInformedDesign

This compilation showcases ten architectural projects by students from the City College of New York's Bernard and Anne Spitzer School of Architecture. The Spitzer School emphasizes social and sustainable concerns in design, aiming to provide a diverse student body with a top-tier education in architecture, landscape architecture, and urban design. The featured projects address a range of contemporary urban challenges and design concepts. One project, "Growing Little Caribbean" by Ornella Bonhomme, Evelyn Krutoy, and Nicole Girdo, focuses on revitalizing a Brooklyn neighborhood, particularly the intersection of Church and Bedford Avenue and the Flatbush African Burial Ground. This urban design proposal includes accessible cultural spaces for youth, food vendors, art displays, and a community center, honoring ancestral histories while fostering new generations of creativity. "Thermodynamic City" by Carlos Rueda, Zhenhao Huang, and Sara Abousaid explores urban ecology and the mitigation of urban heat islands. This project integrates technological and ecological protocols to combat heat island effects, enhance biodiversity, and improve urban health. Strategies involve sun and wind analysis, creation of green spaces, and recycling excess heat for urban power. Tyler Hernton's "The Crux" is a design for a climbing gym in Harlem, Manhattan. The project emphasizes verticality, typical of climbing gyms, to create soaring interior spaces that extend beyond climbing to community engagement. Situated on 125th Street, it bridges a public housing project and a new laboratory building. Valeska Abarca and Lorraine Colbert's "In Heritage Heights: Urban Infilling Strategies for Dense Living" proposes mixed-use developments for New York Police Department parking lots and housing prototypes for Jackson Heights, NYC. These "mini towers" are designed for co-living and intergenerational arrangements, integrating into existing urban fabric while ensuring adequate ventilation, natural light, and vertical circulation. The urban proposal also includes a ground-floor marketplace to foster community. "Capturing the skyline: Re-Envisioning the Garment District" by Noor Muzahid, Jaydin Parker, and Taseen Rahman investigates the transformation of Manhattan's office real estate into residential communities with amenities. This project addresses the evolving needs of modern workers and urban demands, focusing on architectural reinvention, sustainable integration, and dynamic city rhythms. Kingsley Chong and Philip Lee's "Tree House 128" is a community project in Manhattanville, New York City, aiming to address generational challenges such as educational opportunities and financial constraints. It includes a public library, skill training facilities, and a daycare center. The design is inspired by the elements of a forest, specifically the Japanese concept of Komorebi (scattered light filtering through trees), influencing light well placement and facade design. "Blurred Edges" by Christopher Martinovic and George McCracken proposes to soften the boundary between land and sea in the Flushing Bay estuary by establishing a tidal marsh. The vision is for a new way of life where coastlines become dynamic coast zones, fusing soft estuarine landscapes with urban structures through strategic breakwater installation and tidal gate removal. The "Mach Spāß" project by a large group of students from the Bachelor of Architecture Advanced Studio involved designing and constructing an experiential learning space within an existing campus building. This space was intended for students from various programs to collaborate and participate in conversations, resulting in a design approved by the Dean of Humanities and Arts. Anthony Thayer and William Moffett's "Gem Cool House" is an accessory dwelling unit (ADU) in Portland, Maine, designed as a transitional home for a college student studying astronomy and geology, later converting to his parents' home. The open ground floor plan offers flexibility, with large skylights and clever openings balancing daylighting and thermal comfort. The material palette emphasizes low environmental impact and durability, using wood, earth, stone, cork, and plaster against matte stainless steel. Finally, "P.A.T.H.S" by Shiva Abbaszadeh, Leora Santoriello, and Nily Baratian is a building designed to provide holistic assistance in Hunts Point, Bronx. Based on demographic research, the project offers supportive programming for career, health, general guidance, and housing, catering to residents from birth to retirement and addressing identified community needs. #ArchitectureProjects #UrbanDesign #SustainableArchitecture #CommunityDevelopment #NewYorkCity #StudentWork #ArchitecturalEducation #MixedUseDevelopment #ClimateResilientCities

This article details a successful backyard transformation project in Toronto, where the initial challenge of a century-old willow tree was turned into a central design element. The project, led by John Kenyon, a sales manager and design consultant at Gib-San Pool and Landscape Creations, involved creating a contemporary outdoor oasis featuring a pool and backyard spa. Initially, the homeowners desired to remove the large willow tree, viewing it as a nuisance and anticipating an in-ground pool as the primary focal point. However, Kenyon recognized the tree's potential as a natural sculpture and an anchor for the overall design. He successfully convinced the clients that the tree was an asset, not an obstacle, noting that its removal would incur significant costs and potential fines due to local bylaws protecting mature trees. Inspired by the willow's proximity to the planned pool and the natural feel of the backyard, Kenyon developed a free-form pool shape, diverging from conventional rectangular designs. This organic shape was envisioned to mimic natural ponds, creating a harmonious blend of natural and man-made elements. The design incorporated contemporary and clean materials, including acid-etched architectural concrete and glass pool tiles, to add visual dynamics. As the project progressed and the clients' trust in Kenyon's vision grew, additional features were integrated into the design. These included a custom fire pit carved into the pool's concrete deck, maintaining the fluid lines of the pool, and a koi pond that served as an extension of the free-form design, complete with a natural waterfall and strategically placed stonework to enhance the natural aesthetic. A significant cultural element was incorporated through the design of the cabana. Kenyon hand-sketched a modern cabana with frosted glass panels, resembling rice paper, to honor the clients' Asian heritage. This structure, constructed from natural cedar, features skylights for natural daytime illumination and seamlessly integrates with the surrounding landscape. The project's success is attributed to continuous communication and collaboration between Kenyon and the clients. While some adjustments were made based on client requests, such as widening the pool for lap swimming, the core design remained true to Kenyon's initial vision. Two years post-completion, the property maintains its pristine condition, demonstrating the durability and thoughtful execution of the design. Kenyon emphasizes that the best designs often emerge not from a blank slate, but from addressing the unique challenges and opportunities presented by a site, effectively transforming a perceived 'mess' into a compelling and meaningful space. #backyardDesign #landscapeArchitecture #poolDesign #hardscapeProjects #treePreservation #outdoorLiving #culturalIntegration #sustainableDesign

The article highlights 11 influential female landscape designers and architects who are transforming outdoor spaces globally. These professionals are recognized for their imaginative, functional, and healing green spaces, catering to both private and public enjoyment. Their work emphasizes the growing importance of green spaces as refuges, especially for urban dwellers seeking verdant landscapes and safe outdoor areas for various activities. Among the featured designers is Jinny Blom, a U.K.-based garden designer who transitioned from psychotherapy to landscape design in 2000. Her award-winning projects include contributions to five Chelsea Flower Shows, one for HRH the Prince of Wales, and another for Prince Harry. Blom is also an Artist in Residence for Chelsea & Westminster Hospital and a board member of the Therapeutic Landscapes Network in the U.S. Her book, "The Thoughtful Gardener: An Intelligent Approach to Garden Design," and her column for the Times further showcase her expertise. Nahal Sohbati, cofounder of Topophyla, is another notable figure. Based in Tehran and serving California, Sohbati's background in interior architecture led her to pursue landscape architecture with a focus on public open spaces and social impact. Her award-winning community service project, Ridge Lane, exemplifies her belief in design as a tool for advocacy to improve social well-being and connect communities to their environment. Martha Schwartz is introduced as a landscape architect, urbanist, and climate activist, heading Martha Schwartz Partners with offices in London, New York, and Shanghai. She is also a tenured professor at Harvard University Graduate School of Design and a member of its Climate Change Working Group. Schwartz's career is dedicated to urban public realm landscapes and developing "climate-ready" cities. She has received numerous international accolades, including the 2020 ASLA Design Medal, and founded Mayday.Earth, a non-profit focusing on global solutions for landscape architecture to protect the planet. Janice Parker, a world-renowned landscape architect, established her firm in 1984, undertaking projects worldwide from the Hamptons to Russia. Her work, which combines creativity with technical expertise, earned her a VERANDA's 2020 Outdoor Living Award for "Magnificent Farm Rescue." Parker's contributions extend to public initiatives like New York City's Million Trees Project and the Cherry Tree Project for the Harlem River Esplanade. She also serves on the Board of Trustees for Bette Midler's New York Restoration Project, advocating for greener urban neighborhoods. Edwina von Gal, a New York-based landscape designer and environmentalist, is celebrated for her chemical-free ecological landscapes that support wildlife. She founded Edwina von Gal + Co. and later the Perfect Earth Project in 2013, a non-profit promoting chemical-free landscapes for the health of people, pets, and the planet. Her accolades include the Institute of Classical Architecture and Art’s Arthur Ross Award and the Quogue Wildlife Refuge Conservator Award. Grace Fuller Marroquín, founder of Grace Fuller Design, brings a romantic and wild approach to garden and landscape designs in New York. Influenced by her artist mother and a protégé of Edwina von Gal, Marroquín emphasizes sustainability in her work. Her background includes a career in fashion and jewelry before she pursued horticulture at the New York Botanical Garden’s School of Horticulture. Wambui Ippolito, a New York-based landscape designer, draws inspiration from her upbringing on a Kenyan farm and her diplomat parents' global travels. She champions the power of plants to convey heritage and place, creating native gardens for clients such as Martha Stewart. Ippolito also works with international organizations to develop horticultural programming and teaches at institutions like Brooklyn Botanical Garden. Andrea Cochran, a San Francisco-based landscape architect, is renowned for her minimalist and sustainable designs. A Harvard Graduate School of Design alumna, her firm handles projects from Napa wineries to residential properties in Hawaii. Cochran is a fellow of ASLA and has received prestigious awards, including the Smithsonian’s Cooper-Hewitt National Design Award for Landscape Architecture. She is committed to creating well-designed spaces for all, balancing high-end and affordable housing projects. Margie Grace, a Southern California-based landscape and garden designer, has managed over 350 global projects. Her expertise in life and earth sciences, combined with her appreciation for California's natural beauty and ecosystems, has garnered her multiple Landscape Designer of the Year awards. Grace's firm, Grace Design Associates, is widely recognized, and she authored "Private Gardens of Santa Barbara: The Art of Outdoor Living." Pamela Burton, founder and principal of Pamela Burton & Company, boasts over 40 years of experience. Her work uniquely blends plants, architecture, and art, reflecting her studies at UCLA and her involvement with earth-work art. Burton's designs focus on creating functional and aesthetically pleasing outdoor spaces that enhance the natural environment, with projects spanning from Idaho to Japan. She is also an ASLA fellow and author of two landscape design books. Finally, Blythe Yost, a Cornell graduate in Landscape Architecture, has 15 years of experience. She is the founder of two New York-based high-end landscape companies and recently launched Tilly, an online platform providing affordable access to diverse landscape design talent across the U.S. Tilly has revolutionized the industry by designing various landscapes, from English-inspired gardens to desert-like environments, in nearly all 50 states. #LandscapeDesign #FemaleArchitects #GardenDesign #Sustainability #OutdoorSpaces #Horticulture #EnvironmentalDesign #UrbanPlanning #AwardWinningDesigners

This article highlights a remarkable California indoor-outdoor house, dubbed 'Hidden House' and 'Hidden Canyon,' situated in Los Angeles's Mount Washington neighborhood. The residence, which seamlessly blends with its natural surroundings, embodies a timeless L.A. aesthetic, reminiscent of the functional minimalism of the Case Study program and notable for its integration of indoor and outdoor spaces. Originally an unremarkable midcentury post-and-beam structure, the house underwent a significant remodel and expansion by Standard Architecture, a firm known for its minimalist designs, under the ownership of filmmaker Laura Gabbert. The design philosophy emphasizes Californian architecture, drawing inspiration from iconic structures like the Schindler house and the Case Study Houses, utilizing readily available materials like stucco, redwood, standard timbers, and concrete. A key feature is the extensive use of enormous sliding glass doors that blur the lines between indoor living areas and various outdoor 'rooms.' These outdoor spaces include a dining patio adjacent to a large kitchen, an upper patio for Gabbert’s daughter, a lounge area with a firepit off the living room, and a private lounge with an outdoor shower connected to the primary bedroom, leading to a two-person perch with canyon views. The property also features a pool, designed and built by Johnston Vidal Projects, lined with Heath Ceramics tiles and surrounded by an ipe wood deck, offering panoramic city views. The landscape design, a collaborative and iterative project spanning over a decade, was led by Fi Campbell, a landscape designer and long-time friend of Gabbert. Initially, budget constraints prevented a grand, pre-designed landscape plan, leading to a phased approach. Campbell, who became familiar with the family's lifestyle and how they utilized the spaces, created a garden that was adaptable and responsive to the site, its inhabitants, and nature's requirements. The garden includes fast-growing sycamores for shade, an extended hardscape with local flagstone and boulders, and a palette of native plants such as bunch grasses and various sages. The design evolved over time, transforming from a sun garden to a shade garden as trees matured, and gravel paths were added to accommodate social activities. The garden also features a fountain surrounded by local boulders, a favored organic design element by Campbell. Campbell's design philosophy is rooted in functionalism, economic, and ecological sustainability, prioritizing the use of natural materials like stone and wood that blend seamlessly with the environment and age gracefully. The landscape also incorporates a productive garden for LA Homefarm, run by Lauri Kranz, which supplies bouquets and vegetables. The collaboration between Gabbert and Campbell underscores a friendship that influenced the garden's evolution, with Campbell providing ongoing care and adaptations. The house represents a harmonious fusion of architectural design and responsive landscaping, creating a home deeply connected to its natural California setting. #CaliforniaArchitecture #IndoorOutdoorLiving #LandscapeDesign #HomeTours #MidCenturyModern #SustainableDesign #FunctionalistArchitecture #OutdoorLivingSpaces #NativePlants

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

This article showcases nine design projects from students at The New School's Parsons School of Design, covering a range of disciplines including architectural design, interior design, industrial design, and lighting design. The projects demonstrate innovative approaches to addressing contemporary societal and environmental challenges, as well as creative explorations of design principles. Mohamad Ali Ezzeddine's "The Gallery Hotel" is an interior design project for a hotel located in Chelsea, New York, adjacent to the High Line. The design integrates an art gallery on the main floor to display local artists' work, alongside a reception area, bar, and lounge. The second floor features a restaurant with outdoor dining access to the High Line, and the hotel includes 24 guest rooms across three floors, complemented by a rooftop lounge offering panoramic views of Chelsea. This project emphasizes creating a dynamic cultural experience while providing comfortable and functional spaces for guests. Carmen Cordova's "Resistance" addresses issues of self-sacrifice and exploitative care relationships, particularly for women in El Salvador. This interior design capstone project aims to build solidarity among Salvadoran women and highlight the challenges they face. By providing tools and spaces that promote resistance against traditional roles, the project seeks to foster community unity and greater equality, advocating for a restructuring of societal expectations regarding women's roles and labor. Jenna Koss's "Why They Stay" is a real-life proposal for the Helpmate Domestic Violence Shelter in Asheville, North Carolina. This ongoing project investigates how a purpose-built shelter on a sloped site can be designed to enhance safety from illness and abuse while promoting healing for survivors. The design explores layering interior spaces to empower survivors, facilitate connections, help them reclaim agency, and build resilience over time, focusing on the psychological and physical well-being of the inhabitants. Jiuying Li's "A Tale: Heading to the Tent of Tomorrow" is an architectural thesis project that transforms an abandoned artifact into an imaginary utopia. The project is occupied and renovated by individuals who have experienced gender inequality and discrimination. It manifests the urgency of eliminating gender bias embedded in American history and depicts an alternative future for architectural relics through storytelling, offering a vision of an equitable and inclusive society. "Flood Points: Redesigning Ekistics with time" by Nalin Chahal, Eric Hu, and Anthony Vesprini re-evaluates the science of human settlements in the context of climate change. The project proposes drastic alterations to a site, focusing on adapting to rising sea levels rather than merely constructing sea walls. The first phase reintroduces natural habitats and reimagines the site as an engaging park, educational space, market, and community center, with a shift towards circular, sustainable energy generation. Subsequent phases account for the flooding of the site, dedicating more land to changing flora and fauna, maintaining programmatic elements, and eventually returning the land to natural processes, with only a research center remaining operational. Zihao Fang's "Aquastor" introduces desertification remediation vessels produced from mixed desert resources. These vessels are designed to promote soil growth in desert areas and slow the advance of desertification. Placed in a triangular arrangement on the edge of the desert, they create a barrier. The temperature difference between the inside and outside of the vessels allows external water vapor to enter the desert and reduces evaporation. Eventually, the Aquastor vessels degrade, transforming into nutrients for the land, thus providing a sustainable solution to desertification. Daniela Solovey's "The CroChair" investigates crochet as a novel form of production using upcycled materials. This project involves designing made-to-order furniture that blends traditional furniture design with an analogue craft. The CroChair aims to legitimize often-overlooked art forms by creating highly functional products with a unique aesthetic, benefiting the design community through its innovative use of materials and techniques. Jo Li's "Bio Loose Sense" explores biomimetic design with light to separate functional zones within homes, especially relevant during periods like pandemics where living, working, and relaxing occur in the same space. The design learns from natural phenomena like bioluminescent tides and organisms, applying the potential of bioluminescence to change human relationships with lighting and interiors. This project encourages a connection between humans and nature while keeping senses activated through temporal changes in lighting. Carmen Iris Ruiz Cruz's "Healing Structures" examines how architecture and lighting are integral to healing trauma, particularly in post-disaster contexts like the 6.4 magnitude earthquake in Puerto Rico. The project highlights that post-disaster response often overlooks mental well-being and invisible injuries. It proposes that built spaces should not only serve as meeting points but also as environments where people can share stories and heal through communal interaction, emphasizing the need for thoughtful assessment and consideration of space quality in healing processes. #ParsonsSchoolOfDesign #ArchitecturalDesign #InteriorDesign #IndustrialDesign #LightingDesign #StudentProjects #SustainableDesign #SocialImpactDesign #BiomimeticDesign

The article explores the multifaceted role of landscape architecture in the Coachella Valley, emphasizing its importance in complementing a home's architecture, connecting with its inhabitants, and respecting the desert environment. It highlights that successful landscaping goes beyond mere plant selection, encompassing driveways, walkways, pools, fire pits, water features, barbecues, walls, and gates, all contributing to a cohesive living space. The piece draws a parallel to Frank Sinatra's appreciation for desert landscaping, noting his choice to integrate his home with the natural habitat rather than imposing a foreign aesthetic. This approach aligns with the growing trend among architects and landscape architects in the region to favor native or adapted plant life. The historical evolution of landscaping in the Coachella Valley is discussed, noting a shift from traditional lush lawns, prevalent after World War II, to more water-conscious and desert-appropriate designs. Early residential landscaping often featured natural desert elements in the front and an 'oasis' of turf and citrus in the back. However, increasing population and droughts in the 1970s and '80s led to conservation efforts. Modern landscape design, as articulated by experts like Lance O’Donnell, emphasizes sensory engagement, guiding the eye with color, contrast, and massing of elements. James Burnett's work at Sunnylands exemplifies this, orchestrating sun, views, and sounds to create an immersive garden experience. Ron Radziner's concept of 'enhanced nature' further illustrates this, aiming to make the native desert more hospitable and beautiful for residents. Several landscape architects, including Sean Lockyer, Steve Gierke, Julie deLeon, Anne Attinger, and Ryan Steer, share their insights and challenges. Lockyer advocates for designs that encourage interaction with the entire site, incorporating features like fire pits or pools. The concept of 'native' plantings is examined, with Gierke noting its subjectivity and expressing a preference for plants indigenous to the broader American Southwest. Designers often face client requests for non-native aesthetics, which Attinger addresses by rephrasing their desires into desert-adaptable forms. Steer highlights the unexpected diversity of plant material available in the desert, allowing for unique landscape creations. The article also delves into the critical environmental considerations for desert landscaping: water, wind, and heat. Drip irrigation and careful time-clock management are essential for water conservation. Wind, particularly in areas like Desert Hot Springs, dictates plant selection and placement, with tall, fragile plants being unsuitable. The intense desert sun requires careful plant orientation and initial shade protection for some species. Certain non-native plants, like the queen palm and invasive Pennisetum, are discouraged due to their unsuitability or environmental impact, while alternatives like Muhlandbergia are recommended. Conversely, the African sumac tree is noted for its allergenic pollen. Finally, the piece lists popular and adaptable desert plants, including fan palms, desert willows, sycamores, mesquites, and designer favorites like aloes, agaves, and yuccas. Architects like Lockyer and Gierke praise plants such as yucca, Mexican olive trees, and palo verde for their aesthetic and adaptive qualities. The importance of texture and contrast in design is emphasized by deLeon, using examples like Lomandra grass and agave. The entire process is conceptualized as a 'play in three acts': design, installation, and ongoing maintenance. This continuous care ensures the landscape evolves gracefully and addresses changing client needs, reflecting the dynamic and often subtle beauty of desert life that smart designers strive to showcase. #LandscapeArchitecture #PalmSprings #DesertLandscaping #NativePlants #SustainableDesign #ArchitecturalIntegration #WaterConservation #EnvironmentalDesign #HomeDesign

Troy Rhone, a distinguished landscape architect based in Alabama, has garnered over two decades of experience in designing breathtaking gardens both domestically and internationally. His work is characterized by a deep appreciation for traditional design principles, focusing on quality, aesthetics, functionality, and purpose. Rhone's unique approach involves understanding each client's individual personality and lifestyle, ensuring that every garden he creates seamlessly extends the interior living space of the home. This client-centric methodology allows him to craft landscapes that are not only visually stunning but also deeply personal and reflective of their owners. Rhone's passion for landscape design originated during his childhood, where he enjoyed outdoor activities, building, and creative endeavors. He began designing residential landscapes while pursuing horticulture studies at Auburn University, even before formal design classes. This early immersion in the field provided him with a foundational understanding of plants and their environmental needs. His inspiration largely stems from Alabama's diverse and beautiful terrain, which he strives to integrate harmoniously into his designs. He emphasizes thoughtful planning to ensure each landscape feels intrinsically connected to its surrounding environment. When it comes to selecting flora for his projects, Rhone's priority is the plant's suitability to its specific environment rather than strictly adhering to native species, especially in suburban settings. He considers various factors such as water requirements, drainage, sunlight exposure, wind, pollution, and even salt spray. The individual plant selection is typically the final step in his design process, underscoring his holistic approach to creating resilient and enduring landscapes that can thrive for generations. This meticulous attention to detail helps mitigate common plant problems, many of which are water-related, ensuring the long-term health and beauty of the gardens. The Southern climate significantly influences Rhone's design choices, particularly regarding rainfall patterns and soil composition. He accounts for the timing and volume of rain, recognizing that both excessive and insufficient water can stress plants, making them vulnerable to diseases. To address these challenges, he carefully selects plants that can withstand local environmental conditions and integrates irrigation and drainage systems as protective measures for both rainy and dry seasons. This practical consideration ensures the sustainability and vitality of his garden creations in a variable climate. Rhone's extensive experience working across the United States and internationally has broadened his design sensibilities. Traveling has exposed him to unique ideas and architectural styles, which he adapts to fit the specific conditions and climates of his projects. A significant impact of his travels has been a deeper understanding of how classical architecture relates to landscape design, enriching his capacity to create sophisticated and cohesive outdoor spaces. For Rhone, the balance between functionality and aesthetics is not a compromise but a fundamental requirement. He believes that every design must be both functional and beautiful, meticulously selecting natural materials and arranging them to achieve an attractive and practical outcome for his clients. #LandscapeArchitecture #GardenDesign #TroyRhone #AlabamaLandscapes #Horticulture #AuburnUniversity #EnvironmentalDesign #SouthernClimate #OutdoorSpaces

The Australian House & Garden's annual 'Top 50 Rooms' competition highlights exceptional room designs from across Australia, chosen by an expert panel from newly-designed homes by leading architects and interior designers. This year's focus on outdoor rooms showcases how these spaces are evolving to become integral parts of home living, blending functionality with aesthetic appeal. One featured design is a Zen outdoor room by Wrightson Stewart, located on expansive farmland in south-east Queensland. The homeowners aimed to maximize their enjoyment of the scenic views, requesting a flexible and comfortable space suitable for both large gatherings and intimate settings. The design incorporates a Sydney blue-gum decking and door, Ecoply structural plywood wall cladding, and manual pull-down screens, stained in Resene Woodsman 'Crows Head.' The new tiled entrance seamlessly connects with an extended timber deck, and some walls have been replaced with insect screens, creating an inviting social space that frames the view and acts as a beacon at night. The design successfully merges practicality with a strong visual impact, offering diverse seating options and an enhanced indoor-outdoor flow. Another innovative design is a rooftop terrace by Robert Griffith and Peter Reeve of CRD for a Sydney apartment. Given the rarity of a balcony of this size, the designers created a series of distinct outdoor 'rooms' dedicated to various activities such as sunbathing, relaxing in a spa, lounging, barbecuing, and dining. Key design elements include hardwood decking, paving, a greenwall, pots with hardy coastal plants, and integrated lighting. A notable feature is the powder-coated, laser-cut steel screen in a ‘Dapple’ pattern by Aludean, which serves as a crucial shade structure, transforming intense sunlight into pleasant dappled light. The space is further enhanced by a Garsy greenwall, a ‘Designer Bowl’ tree pot from Quatro Design, and outdoor furniture with Sunbrella fabric from Harbour Outdoor, creating a versatile and comfortable urban retreat. The article also presents a contemporary courtyard by Dalecki Design in a Perth home, where a striking contrast card is used to great effect. The courtyard, featuring a blend of perforated metal, bricks, and concrete, forms a monochromatic shell. Since the compact home occupies most of its block, a landscaped roof garden above the courtyard was ingeniously integrated to introduce greenery. The barbecue area, while not overly complicated in its core design, is elevated by the selection of high-quality outdoor furniture and fittings, making it a desirable destination for various occasions. Concrete breeze blocks by Brikmakers, custom concrete benchtops, and exposed steelwork painted in Dulux Satin Black, along with a Vitra ‘Belleville’ outdoor dining setting from Living Edge, contribute to the space's modern appeal. Finally, Marina Hirst Interiors designed a coastal pergola that capitalizes on a north-facing verandah and Brisbane's warm climate. The space is furnished with laidback pieces, featuring airy woven frames and deeply cushioned seating in a muted palette, inviting relaxation. The design provides intimacy while being spacious enough for entertaining, with each armchair accommodating two people. A visually engaging element is the repetition of vertical and horizontal lines, seen in the corrugated roofing and floor tiles. The surrounding landscape's bright green foliage creates a living frieze between the railing and ceiling trim. Practicality is maintained with all-weather upholstery fabrics and a rug made from recycled PET, ensuring minimal maintenance. Neil Cownie Architect's modernist-inspired outdoor oasis in Perth, carved out of the house's mass, serves multiple functions: drawing winter sun, promoting cross-ventilation, and offering pleasing views from surrounding rooms. The ribbon-like roofline is a distinctive feature, and the earthy material palette, including hand-pressed cement wall tiles from Eco Outdoor and Casalgrande Padana ‘Porfido’ porcelain floor tiles, enhances the sense of calm. A deciduous honey locust tree provides dappled shade for summer diners, aligning with the architect's goal of creating an outdoor room with a strong sense of belonging. #OutdoorRooms #HomeDesign #InteriorDesign #RooftopTerrace #CourtyardDesign #PergolaDesign #ArchitecturalDesign #LandscapeDesign

The 2025 Sunset Western Home & Design Awards celebrate exceptional landscape design and architecture across the West, highlighting a diverse range of styles from minimalist to maximalist, and from native plant specialists to edible garden enthusiasts. The awards recognize designers and firms that integrate architecture with natural surroundings, focusing on authenticity, sustainability, and innovative outdoor living spaces. This year's featured winners showcase a blend of artistic vision and practical functionality, transforming outdoor areas into extensions of the home. Among the distinguished winners, Lucas & Lucas, based in Northern California, received recognition for "Best Wine Country Wild." This dynamic design duo is celebrated for seamlessly uniting architecture and landscape, creating integrated indoor-outdoor environments. Their projects, which range from contemporary estates to intimate gardens, demonstrate a profound connection to the land and a commitment to regional authenticity, ultimately crafting spaces that epitomize the essence of California living. Inner Gardens, under the leadership of Stephen Block, was awarded for "Best Gold-Standard Garden." Block's visionary approach brings the philosophy of wabi-sabi to life, designing landscapes that embrace natural beauty and deliberate imperfection. His firm is distinguished by its integration of vintage vessels and striking container plantings, merging antique charm with a relaxed West Coast aesthetic. Each garden by Inner Gardens is conceived as a meticulously curated retreat, where timeless design principles meet a deep appreciation for nature, evolving into living works of art that mature gracefully over time. Pine House Edible Gardens, led by Leslie Bennett, earned the title of "Best Kitchen Garden." This firm specializes in converting outdoor areas into verdant, productive landscapes that highlight the aesthetic appeal of edible gardening. Their designs expertly combine visual appeal with practical utility, emphasizing sustainability and community engagement. Pine House Edible Gardens develops spaces that foster both physical and spiritual nourishment, embodying the quintessential California garden-to-table lifestyle. Christian Douglas Design was honored for "Best Lush, Layered Landscapes." The firm excels in reimagining outdoor living by thoughtfully incorporating edible gardens into elegant landscape designs. Their "food-forward" methodology marries classical design principles with regenerative agriculture, yielding spaces that are both visually stunning and highly productive. From expansive estates to compact urban courtyards, each project cultivates a profound connection to nature and promotes the pleasure of harvesting homegrown produce, transforming typical gardens into remarkable, sustainable havens. Finally, Appleton Partners, under the creative direction of Marc Appleton, Andrew Scott, and Ken Mineau, received the award for "Best Outdoor Living Room." This firm is renowned for transforming outdoor areas into enduring retreats that meld historical inspiration with contemporary elegance. Their designs feature sun-dappled courtyards and fluid indoor-outdoor transitions, celebrating nature and fashioning deeply personal, comfortable landscapes. Known for their meticulous attention to detail and a client-focused approach, Appleton Partners crafts spaces that are both artistic and inviting, perfectly capturing the West's characteristic casual sophistication. #LandscapeDesign #Architecture #SunsetAwards #CaliforniaLiving #EdibleGardens #SustainableDesign #OutdoorLiving #GardenDesign #HomeDesignAwards