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Just Wait Until You See the Stunning Octagonal Library In this Country House
The article delves into the unconventional design philosophy of Los Angeles–based and Manhattan-bred designer David Netto, highlighting his ability to persuade clients to embrace audacious design choices. Netto's career trajectory, marked by dropping out of Harvard's graduate architecture program, launching a midcentury children's furniture line, and establishing a cross-country residential design studio, showcases his adventurous spirit and a willingness to challenge norms. This ethos is exemplified in his work on a weekend house in Millbrook, New York, for a couple who had previously collaborated with him on their Manhattan apartment.
The couple, consisting of a health-care CEO and a policy analyst, acquired their upstate house, a 1980s Colonial-era estate on over 200 acres, in 2016. Initially, the house served as a casual retreat, retaining many of its previous owner's furnishings, including chintz and period-appropriate accoutrements. However, the pandemic necessitated a reevaluation, prompting the couple to seek Netto's expertise to transform the property into a more refined yet still casual "real home." Their primary objectives included introducing more sunlight and a sense of expansiveness into the existing structure.
Netto's proposed solution was far from conventional. Instead of a typical Colonial-style wing or a rectangular "great room," he envisioned a vast octagonal room linked to the main house by a hallway-like orangerie. This idea, initially a hard sell, ultimately captivated the CEO, who was drawn to Netto's inspiration: the octagonal library of Edgewater, a neo-Palladian estate in upstate New York built in 1824. The Edgewater octagon, an 1854 addition by architect Alexander Jackson Davis, stands in stark contrast to the original classical proportions, a daring juxtaposition that Netto aimed to replicate.
The newly added octagon, measuring 28 feet across with a 13-foot-high ceiling, significantly alters the house's dimension. Designed with horizontal pine paneling to evoke a "rec-room feeling" rather than a grand, Jeffersonian aesthetic, this space serves as the family's primary entertaining area, particularly during holidays. The orangerie surrounding it integrates the outdoors, bringing natural elements inside through zinc-planted trees. Netto's design approach throughout the house involves a thoughtful blend of classical furnishings, such as 1790s Queen Anne–style chairs and a chintz-filled guest room, with contemporary elements that inject whimsy. Examples include powder-coated French hanging lanterns, a natural rattan amphora on a pedestal, a mirror framed with porcupine quills, and a spherical stoneware lamp by Jennifer Nocon. Netto describes his method as interpreting traditional pieces like a sketch, preserving their essence while loosening their form to create a style that is both unfinished and forward-looking, aiming for a youthful and contemporary feel.
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