Take a tour of this gorgeous Victorian home...

This blog post offers a virtual tour of a unique five-bedroom Victorian home located in Canonbury, London, distinguished by its quirky octagonal tower. The property, currently on the market for £5.5 million through Savills, combines a detached house built around 1855 with a two-storey 16th-century tower, originally a garden room for Canonbury House. The interior showcases original period features meticulously restored by the current owners. The exterior of the property reveals a harmonious blend of the Victorian structure and the historical octagonal tower, creating an intriguing architectural presence. Upon entering, the galley kitchen, while compact for the house's overall size, is presented as a stylish and functional space. It features an all-white design accented by a vibrant blue paint application on shelves, offering a splash of color without overwhelming the clean aesthetic. The living room is highlighted for its preserved period details, including an elegant marble fireplace and intricate ceiling cornices, which underscore the home's historical charm. The dining room, uniquely situated within the octagonal tower, provides a distinctive dining experience. Its neutral decor allows the architectural uniqueness of the tower to be the focal point. The bedroom presented in the tour features a calming pink color scheme and innovative use of a 'zoning wall' for storage. This design choice helps define distinct areas within the large bedroom, separating sleeping quarters from other living spaces. The property also includes a garden room, a conservatory located off the kitchen at the rear of the house. This space is designed for relaxation, offering views of nature and a tranquil environment. Completing the tour is a glimpse of the garden, which complements the grandeur of the home. The current sale of the property is being managed by the daughter of its late owner, Evan Hercules, a renowned television and film production designer and art director known for his work on productions like 'Midnight Express'. The article concludes by inviting readers to consider the advantages and challenges of owning a home with such unusual architectural dimensions, particularly concerning furniture placement. #VictorianHome #LondonProperty #OctagonalTower #PeriodFeatures #HomeTour #InteriorDesign #RealEstate #Canonbury #ArchitecturalUniqueness

Tom Cox, co-founder of HÁM Interiors, offers a tour of his London home, showcasing the design principles that define his family-run studio. HÁM Interiors, established in 2011 by Nick, Pamela, and Tom Cox, is recognized for its blend of timeless and contemporary design, focusing on creating comfortable and high-quality spaces for busy family lives. This article provides insights into Cox's personal design choices and the renovation process of his Victorian mansion block apartment. The property, a Victorian mansion block, was chosen for its location between two parks and its strong architecture, offering great views and abundant natural light. Despite being run down, it possessed salvageable features. The renovation involved a complete makeover, with a key modification being the introduction of a large, glazed partition between the kitchen and living room to open up the space. The apartment now includes two bathrooms and two bedrooms, with one bedroom repurposed as a dressing room, maximizing functionality within the existing structure. Cox's design approach emphasizes a bold color palette, leveraging the apartment's ample natural light. The living room features Farrow & Ball's 'Pigeon,' while the bedroom adopts a lighter but similarly toned 'Hardwick White.' The kitchen uses Dulux's 'Brilliant White' for walls, complemented by darker greens like Farrow & Ball's 'Card Room Green' for cabinetry, and an antique dresser to unify the aesthetic. This strategic use of color creates a distinct atmosphere in each area while maintaining a cohesive flow throughout the apartment. The kitchen, a central element of HÁM Interiors' business, was personally designed and installed by Cox's in-house team. A notable feature is the antique drapers table serving as an island, customized with antique castors for added height and a custom unlacquered brass sheet inlay for practicality and an edgy look. Lighting above the island was sourced from an antiques fair, and the tiles have a simple matte glazed finish. Cox expresses a preference for Liebherr fridges for their utilitarian design, Lacanche cookers for their colors and metal finishes, and Waterworks for kitchen taps, specifically the RW Atlas range. For china, Miranda Berrow mugs and Laguiole cutlery are highlighted. Artwork plays a significant role in Cox's home. He is an avid collector, sourcing pieces during his travels and through his design work, often frequenting antique shops and flea markets. HÁM Interiors also launched an online store for curated artwork. Sidney Teodoruk's early work is a personal favorite. Cox emphasizes the importance of framing, using a mix of antique and contemporary styles to create an eclectic feel. Picture lights and ceiling-mounted directional spotlights are strategically used to illuminate and enhance the details and colors of the paintings. The living room's design incorporates reclaimed glazed panels from a shop front, adapted and hand-painted in a distressed finish to preserve their character and create a sense of expanded space. The ceiling light is from Circa Lighting, available through HÁM Interiors' online store. The dining table combines a custom-made, painted base with an old farmhouse top. Furnishings include an antique armoire, serving as a bookcase and whisky cabinet, and an antique chest of drawers from Brownrigg. Fabric choices for the sofa are William Yeoward, while the window seat uses Christopher Farr fabric, and Fermoie cushions add varied textures and patterns. The bedroom and en suite bathroom are designed as a cool, calm, and connected space. High ceilings allowed for a three-quarter height wall between the two areas, incorporating an open archway instead of a door. This design choice maximizes light and space in the small bathroom and allows views of the reclaimed vanity and antique mirror from the bedroom. Tongue and groove detailing adds subtle texture in the bathroom, with a striking contrast between the shower tiles and the marble sink with reclaimed vanity. The bed from Soho Home features ticking fabric, reflecting a core element of HÁM Interiors' aesthetic. Lighting includes two globe lanterns from JAMB. Artworks in the bedroom include a large painting by British artist Maurice Cockerill, a trumpet piece by David Shrigley, and a reclaimed sign from Somerset. In the dressing room, joinery extends to the ceiling with integrated skirting details, painted in the same color as the walls, windows, and ceiling to create a unified and spacious feel. This room also serves as a display area for Cox's growing art collection, reflecting the studio's philosophy of incorporating art seamlessly into interior design. The article concludes by inviting readers to explore Studio HÁM's online shop and HÁM Interiors' studio for further design inspiration and services. #InteriorDesign #HomeTour #VictorianArchitecture #ColorPalette #KitchenDesign #ArtCollection #LivingRoom #BedroomDesign #BathroomDesign #HÁMInteriors

Mexican designer Stephanie Barba Mendoza and her Austrian husband embarked on a significant renovation of their Victorian home in northwest London seven years after moving in. Although the house was in good structural condition, the family sought to expand and update various spaces. The renovation, which commenced in 2022, involved a rear extension to enlarge the kitchen-dining area, modifications to the children's bathroom, and updates to several bedrooms. The project took eight months to complete, experiencing some delays, including a planning permissions error and construction during winter, which presented logistical challenges. The designer views her home as a "laboratory" for creative expression, allowing her to experiment with bold patterns and vibrant color palettes without creative limitations. A key focus of the renovation was the kitchen, which was designed to be warm and inviting. A custom dining table serves as the central gathering point, enhancing social interaction and practicality for a family with young children. To maintain a connection with nature despite sacrificing some outdoor space for the extension, botanical wallpaper was installed in the dining room, complementing the patio visible through the windows. Large rope beads were incorporated to create an architectural separation between spaces without using solid walls, fostering a continuous indoor-outdoor feel during summer. During winter, lighting in the patio's flower beds allows the family to enjoy the outdoor view from indoors. Green is a prominent color throughout the home, adorning the metal doors, window frames, and the patio ground, creating a calming effect and visually expanding the small outdoor area. The kitchen features whimsical Balineum tiles, hand-painted with artwork by Gergei Erdei depicting the family's astrological signs. In the living room, Barba Mendoza transitioned from a previous blue-green palette to a cozier hue, complementing a hand-painted fireplace with an updated mahogany-toned tortoiseshell effect. The living room, originally two separate rooms, was unified and infused with a peachy warmth, inspired by a Gucci dress pattern. Notable design elements include a plaster oyster shell pendant light, C&C Milano fabric drapery, and a bespoke plaster pedestal by artist Viola Lanari. The powder room, despite its small size, was made to feel expansive with antique mirrored panels, a moon brass and opal glass pendant, and a turquoise marble shelf. Further details include a Pierre Frey valance in the kitchen, a raspberry-pink powder-coated Visual Comfort star wall light, and custom kitchen cupboards designed with British Standard Cupboards, featuring rope trim and unlacquered brass handles. The primary bedroom, a loft conversion, is painted in Farrow & Ball’s Pink Ground, with an antique quilt and a Carlyle headboard from Ensemblier London. The children's bathroom features pale yellow porcelain fixtures from Water Monopoly’s Rockwell Collection, complemented by unlacquered brass faucets, and a citrus-themed shower curtain made from Schumacher’s Le Citron fabric. The eldest son's bedroom benefited from an expanded ceiling, creating a more spacious feel, and is decorated with an Istanbul-sourced rug and a headboard from Ensemblier London. The boys' playroom is designed for comfort and fun, featuring a drum kit, TV, wicker toy containers, and large crocodile decor, embodying the family's playful nature. The designer believes the home’s vibrant colors and patterns reflect classic Victorian and Georgian styles, suggesting a timeless appeal that may endure for many years. #VictorianRenovation #LondonHome #InteriorDesign #PatternAndPalette #KitchenExtension #IndoorOutdoorFlow #ColorfulInteriors #CustomFurniture #FamilyHome

Limewash, a centuries-old paint trend, offers a versatile, environmentally-friendly, and charming wall finish that evokes the aesthetic of Italian villas and French country cottages. While traditionally seen on Greek island homes or modern city lofts, limewashing has recently gained mainstream popularity, with more companies offering a variety of colored options. It provides an "old-style plaster look" at a more budget-friendly price point than actual plaster. Limewash is made from crushed limestone mixed with water, resulting in a thin, milky consistency. Unlike conventional paints, which often contain plastics, biocides, and formaldehyde, limewash, as explained by Bronwyn Riedel of Bauwerk Paints, is VOC-free, making it a more eco-conscious choice. Although most commonly found in neutral tones, pigmented versions are available. Lisa Rickert, CEO of Jolie Paint, suggests using a translucent wash over regular paint for an existing wall, emphasizing that limewash is applied with a brush to create texture and reflect light differently than rolled paint. She cautions against using paint with a sheen, as limewash produces a matte finish. Limewash is adaptable for both exterior and interior walls, though surface material is a crucial consideration. Jamie Davis, cofounder of Portola Paints, notes that traditional lime paints are best suited for raw masonry surfaces like plaster, cement, stucco, and brick. For non-porous interior surfaces, a primer is necessary, and Portola offers a specific primer for this purpose. The article provides examples of limewash applications in various rooms. In a bedroom, a designer used sandy beige limewash to create a tropical, vacation-like atmosphere after a canceled trip. A garage in Joshua Tree was transformed into a guest suite featuring saturated limewash tones in the sleeping nook and broad brushstrokes in the living area. In an industrial Los Angeles loft, white limewash was applied to offset exposed pipes and beams, achieving an airy, ethereal ambiance desired by the homeowner. The application process for limewash involves thin layers to prevent a powdery appearance. Riedel recommends applying each coat in one continuous session, suggesting it can be a communal and enjoyable activity. Davis advises testing the color and pattern on a smaller surface before full commitment. For porous surfaces like brick, one coat may suffice. For interior walls, the process involves first applying a primer coat with a regular paint roller. Subsequently, a 5-inch box brush is used to apply the limewash in a crisscross 'X' pattern, working from the top corner down, without overworking the same spot. It's important to allow the first coat to dry completely, as limewash appears darker when wet. A second coat is then applied using the same 'X' pattern. The article concludes by showcasing various limewash color options from brands like Portola Paint, Kalklitir Paints, and Bauwerk Color, including shades such as El Coyoté, Aqua, Amethyst, Petrolio, Merida, and Squid Ink, encouraging readers to explore the range of available hues for their home design projects. #LimewashPaint #TuscanVillaStyle #EcoFriendlyPaint #InteriorDesign #WallFinishes #HomeRenovation #DIYHomeDecor #PaintTrends #TexturedWalls

James Mercer, the singer-songwriter for The Shins, and his wife, garden designer Marisa Kula Mercer, enlisted designer Jessica Helgerson to refresh their 130-year-old Queen Anne Victorian home in Portland, Oregon. The Mercers sought to update their home for modern living while preserving its historical integrity and original charm. Their property, a former hazelnut orchard spanning nearly an acre, features 300-year-old Douglas fir trees and gardens designed by Marisa, who draws inspiration from English gardens like Great Dixter House & Gardens. The remodel, which spanned 12 years, focused on incremental changes rather than a complete overhaul. The initial challenge involved redesigning the kitchen. Helgerson's team enlarged the space by absorbing a former screened porch, ensuring it remained proportionally aligned with Victorian-era kitchens. The design incorporated antique light fixtures, cream-colored wall tiles, and a Lacanche range set within a niche, evoking the feel of an old hearth. The kitchen island was designed on legs, resembling a case piece, to maintain appropriate scale. One significant alteration was dividing the voluminous primary suite to create a dedicated dressing room. This new space features a Calacatta Viola marble-topped vanity and recessed paneling with decorative elements, aligning with the Victorian emphasis on ornamentation. The family also sought to improve the home's connection to the outdoors, a feature largely absent in the original layout. Helgerson designed a karaoke room, addressing its previously erratic ceiling structure. She employed an architectural solution by painting a green crown molding in a clean, rectangular shape to define the space and manage the 'wandering' ceiling. A custom built-in sofa with a deep cushion and a tiled window sill serving as a conservatory for houseplants were incorporated into this room, providing both comfort and functionality. James Mercer also contributed personal DIY touches to the home. He used rope to level floorboards in the former horse stable, now a music studio, and constructed Marisa's garden shed based on a vintage Sears catalog image. A distinctive, quirky detail includes plastic spiders hot-glued to ceiling medallions and painted over, creating the illusion of being permanently trapped. The overall design philosophy aimed to blend modern functionality with the inherent character of the historic Queen Anne style, maintaining the home's original nicks and scratches as part of its charm. #HomeRenovation #VictorianArchitecture #InteriorDesign #QueenAnneStyle #HistoricPreservation #GardenDesign #KitchenRemodel #PortlandHomes #CelebrityHomes

Annie Sullivan Cobb discovered Shelter Island, New York, in her early 20s and immediately felt a connection to its lush environment and historic Heights neighborhood. This sentiment was shared by her British husband, Oliver. Over the years, during their visits, they consistently admired a particular Victorian house, especially its sprawling hydrangeas visible from the side garden. This circa-1880 property, which Annie described as enchanted, eventually came on the market, and the couple purchased it in 2012, just before their first daughter's birthday. They continue to reside in Brooklyn full-time. Initially, they rented out the Shelter Island house due to the demands of raising two young children in Brooklyn. Building a local community also took time, a process aided by their children's summer camps on the island. A decade after their purchase, the couple embarked on an extensive renovation. This included installing central air-conditioning, adding a new patio, and constructing a mudroom and breakfast nook adjacent to the galley kitchen. Annie, who had recently co-founded an interior design business, Sullivan Matthews, with Saara Matthews, oversaw the design. She aimed to maintain the home's original gingerbread Victorian details, such as the intricate gable trim and existing floors, while incorporating modern elements and wallpaper in certain areas. The design approach for the house leaned towards an English country aesthetic, influenced by a friend's London home and featuring products from British brands. They integrated classic Shaker cabinetry and unlacquered brass accessories from DeVol. The kitchen floors were painted with Farrow & Ball’s Sardine, a blue hue, color-matched by Kirby’s Paints, a company known for durable marine-grade finishes. The renovation included a playful design decision: a closet between the kitchen and dining room was transformed into a secret bar. This idea originated from a designer friend, Starrett Hoyt Ringbom, during a visit. Annie initially painted the nook blue-green but ultimately chose Farrow & Ball’s Sulking Room Pink, complete with a wine fridge/ice maker and a bow handle from Beata Heuman. Oliver, Annie's husband, took charge of transforming a nearby closet into his own domain, painting it in Farrow & Ball’s Churlish Green. This closet now houses his record collection and a vintage turntable set into a soapstone counter. His passion for hi-fi extends to the living room, where 1960s KLH Model 6 speakers enhance the atmosphere for social gatherings. During the quieter winter months, the family retreats to the island, enjoying stews, fires, and games indoors, now made more comfortable with central air. Addressing the lack of built-in storage typical of 1880s homes, Annie found creative solutions. She repurposed an antique decorative trunk from Cape Cod for linens and customized a basic IKEA headboard by wrapping it in foam and a Moroccan wedding blanket. When their bedside tables were upgraded to sleek Componibili storage units, the old Victorian tables were moved to the porch to serve as pedestals for potted ferns. The family's plant collection grew significantly during COVID-19, becoming a noticeable feature of the home. The dining table was relocated to the new garden patio for privacy, a response to passersby who often mistook their porch-side meals for a restaurant. Despite the public nature of their home, the Sullivans embrace the community feel, often inviting neighbors and their children inside, fostering an old-fashioned sense of hospitality. #HomeTour #VictorianHome #ShelterIsland #InteriorDesign #Renovation #EnglishCountryStyle #DesignInspiration #DIY #FamilyHome

This article details the extensive renovation of a Victorian house in London by Charly and Jonny, a couple with two young children. The house had remained untouched for nearly four decades, presenting a significant challenge that the family embraced with a desire to blend beauty with utility and avoid conventional design trends. They enlisted the help of Smith Brooke Architects and interior designer Emma Ainscough to create a home that is both personal and highly functional. A central aim of the renovation was to ensure that every room was utilized, eschewing the idea of spaces reserved only for special occasions. The couple sought to maintain a sense of playfulness while achieving visual cohesion, exploring various patterns and colors throughout the home. Although they preserved and reinstated many original Victorian features, such as cornices, sash windows, and high ceilings, they also made several bold design decisions. One significant change involved replacing an old, impractical conservatory at the rear of the house. Instead of a ground-floor kitchen extension, a side extension was built to accommodate a new entrance for practical items like bikes and strollers. A lower-ground-floor extension featuring elegant arches was also added, reflecting Charly's preference for rounded architecture and a softer aesthetic, drawing inspiration from English country homes. This design choice was complemented by other subtle elements, such as a curved garden path. Architect Lucy Brooke proposed relocating the kitchen from the new extension to the upper floor, creating a combined kitchen-dining area by knocking through existing spaces. The new extension now houses the sitting room, study, utility room, and playroom, all connected by floor-to-ceiling glass doors. This strategic reallocation of space prompted Emma Ainscough to carefully consider how to integrate the new and old sections of the house harmoniously. She aimed to differentiate the spaces while ensuring they remained visually connected, resulting in a refined color palette in the sitting room alongside vibrant touches, such as powder blue cabinetry in the playroom. The home is filled with thoughtful details that contribute to its warmth and softness. Examples include zellige tiles and antique pendant lights in the kitchen, and a checkerboard countertop in the utility room, a recurring pattern that also appears in the sitting room's rug. The design prioritized functionality but also focused on the desired emotional feel of each room, allowing for creative material choices beyond purely utilitarian finishes. Family-friendly decorative elements are evident throughout, such as a durable, patterned, and striped sofa in the kitchen area, designed to withstand daily family life. The study features subtly patterned wallpaper contrasting with a modern frameless window. In the children’s bedrooms, space under the eaves was cleverly utilized to create storage and whimsical reading nooks. Unique, custom-made Delft tiles around the bathroom entrance depict personal symbols like ice cream cones, bears, and even Queen Elizabeth II, adding a touch of patriotism. A repurposed Neptune library cabinet from their previous home was integrated into the dressing nook for storing bags and shoes. Ultimately, the renovation represents a significant step forward in the family's design journey, reflecting increased confidence and a new stage in their lives. The bold and considered approach to combining old and new elements, along with a focus on both beauty and utility, has resulted in a charming and deeply personal family home. #VictorianHouseRenovation #InteriorDesign #HomeTransformation #FamilyHome #ArchitecturalRenovation #KitchenDesign #PlayroomDesign #CustomTiles #ModernVictorian

This article offers a detailed tour of designer Bailey McCarthy's century-old Victorian farmhouse in Bellville, Texas, showcasing how she infused it with a fresh yet timeless country aesthetic. McCarthy, despite her urban upbringing, drew inspiration from childhood summers on her grandfather's ranch to create a comfortable and inviting retreat for her family and friends. The home features a blend of traditional country elements like buffalo checks, antique quilts, and chintz, alongside modern touches to prevent it from feeling overly thematic. The kitchen, which had been previously restored, received significant cosmetic upgrades. McCarthy painted the walls and varied-height cabinets black to create a cohesive look and replaced granite countertops with butcher-block for a practical, casual, and aging-friendly surface. A farm table functions as an island, complemented by a brass light fixture, floral curtains, and open shelves displaying antique pewter and needlepoint. In the dining room, inspired by the surrounding landscape, McCarthy incorporated rustic wood elements and green accents. An existing antler chandelier was retained, and an antique round table was stripped to raw wood for a weathered appearance. Beech wishbone chairs, lacquered in apple green, provide a lively contrast, while a large antique hutch stores copper Moscow mule mugs and green and white china. A pale pink Oriental rug with subtle blue and chartreuse hues completes the space. The living room is designed for both large gatherings and intimate family game nights. McCarthy combined robust, indestructible furniture, such as a buffalo check sofa and a chintz armchair, with modern elements like a steel-framed coffee table and a graphic longhorn watercolor painting by Mary H. Case. This blend prevents the space from becoming too themed. The primary bedroom, originally the house's parlor, is centered around McCarthy’s company’s Wimberley pattern. A white-painted bed is upholstered in blue-and-white-check fabric, coordinating with whimsical sheets. Wallpaper with a wood-grain pattern provides a warm backdrop, and gauzy eyelet curtains add a country touch. An antique patriotic quilt serves as graphic artwork, highlighting McCarthy's appreciation for craftsmanship. The guest bedroom emphasizes coziness with rich green paint on walls and trim. A four-poster spindle bed, dressed with a striped wool blanket and wood-grain patterned bedding, creates a room-within-a-room feel. Botanical curtains add softness and privacy, while vintage carved wooden lamps and sepia-toned landscape photographs contribute to a collected-over-time aesthetic. Her daughter Grace’s bedroom showcases a vibrant mix of pink and green, with soft pink walls and a bright green cannonball bed. An antique quilt is paired with graphic heart-print bedding, and vintage elements like Murano glass tulip sconces and fair banners personalize the space. The article also highlights a unique dance hall-inspired playhouse for Grace, custom-built by Lilliput Play Homes, based on Gruene Hall, Texas's oldest operating dance hall. #FarmhouseDesign #VictorianHome #CountryDecor #InteriorDesign #HomeTour #KitchenRenovation #BedroomDesign #LivingRoomIdeas #VintageFurniture

A couple embarking on a home renovation project in their 108-year-old American Foursquare house made an unexpected and intriguing discovery in their attic. The house, built in 1914, was purchased in probate, and the previous owners, who were hoarders, left behind an extensive collection of belongings. The couple, identified as Reddit user u/_planties and her husband, had to sift through over 3,000 square feet of items left in the house after the former owners’ family only requested a small tote of family photos. Amidst this vast collection, they uncovered a box filled with Victorian-era photographs, dating back to the late 1800s and early 1900s. The initial excitement of finding such historical artifacts soon turned to a chilling realization as they examined the photographs more closely. The couple began to suspect that some of the individuals depicted in the photos might have been deceased when their portraits were taken. This theory stems from the Victorian-era practice of post-mortem photography, also known as “mourning tableaux.” This custom involved photographing the recently deceased in lifelike poses, often with their families or cherished possessions, and sometimes even applying color to their faces to simulate vitality. This practice allowed families to immortalize their loved ones and served as a form of remembrance during a time of high mortality rates. The Redditor shared her findings across various subreddits, including r/Antiques and r/OldSchoolCool, where the discovery quickly gained significant attention, accumulating hundreds of upvotes and comments. Other users expressed their fascination and a touch of envy, acknowledging the historical value and unique nature of the find. Many described the collection as an “incredible find” and “wonderful little pieces of history,” lamenting the common fate of such old photographs being sold off without context or appreciation. The couple has expressed their intention to celebrate these individuals rather than letting their images be forgotten or discarded. The identity of the people in the photographs remains a mystery, but u/_planties plans to connect with the grandson of the house's original builder to see if he can recognize anyone. Until the subjects can be identified, and potentially reunited with their descendants, the couple plans to honor them by displaying the photos within their renovated home. They envision creating a gallery wall along one of their two staircases, utilizing approximately 30 old frames they salvaged from the house during the initial clean-out. This thoughtful approach aims to preserve the legacy of these unknown individuals, ensuring their stories continue to resonate within the walls of the century-old house. #HomeRenovation #VictorianEra #AntiquePhotography #HistoricalFind #OldHouse #FamilyHistory #PostMortemPhotography #RedditDiscovery #HomeDecor

This article highlights the transformation of a former 1800s gatehouse near Winchester, Hampshire, into a beautiful family home by Alison and Simone Coldridge. The property, with its charming brick and flint construction, gabled roof, and period arched windows, initially presented a unique challenge due to its unusual downstairs room configuration, where each room directly leads into the next. This layout deterred many potential buyers, allowing the Coldridges to acquire the property at a favorable price. Alison, a mother with a toddler and a baby, saw the layout as an advantage for family life, enabling her to oversee her children playing in the living room while she cooked. The seamless flow from the entrance hall to the sitting room, then into the kitchen, and finally to an extension with double doors opening to a wraparound patio garden, proved ideal for entertaining. Adults can gather in the kitchen, while children move freely between rooms and outdoors during summer months. The home's interior design is a testament to the couple's love for travel, particularly Morocco and the Middle East, influencing Alison's decor taste. Soft hues, natural textures, and splashes of pattern are integrated with vintage pieces throughout the house. The entrance hall features meticulously painted stripped pine floorboards with a chequerboard design, anchoring the space and complementing the natural tones of the walls and Alison’s collection of ceramic pots and baskets. An original fireplace and dried floral arrangements add to its welcoming ambiance. The sitting room showcases art, ceramics, and books collected from their travels and vintage fairs. Earthy terracotta ceramics on the windowsill provide a striking contrast against pale walls, while vintage artist’s paint palettes pay homage to Alison’s artistic leanings. A key decorating principle, inherited from her artist mother-in-law, was to maintain neutral walls to allow furnishings, rugs, books, and artwork to become focal points. The living room extension, bright and garden-accessible, offers a relaxing family space. It features a comfortable modular sofa in a rich spice shade, adorned with patterned cushions, and complemented by occasional wicker chairs, pouffes, and a weathered vintage cupboard, creating a relaxed bohemian atmosphere. The kitchen incorporates red brick and copper accents, along with a range cooker, to evoke a country feel. Abundant earthenware and terracotta ceramics are used for both storage and display. An antique embroidered textile display adds a unique touch. Upstairs, the main bedroom features a Victorian-style iron bedstead, simple striped linen, and a patchwork quilt, creating a wholesome vintage look. An elegant armoire and floral bedside lamp complete the setting. The guest bedroom exudes simple sophistication with a floral-painted antique cupboard, an elegant four-poster bed, and muted rose pink walls. The daughter's bedroom is adorable with antique twin beds, floral bed linen, and vintage toys. The spacious family bathroom boasts period charm with a freestanding roll-top tub, vintage cupboards, and decorative framed flower pictures, completing the transformation of this unique gatehouse into a charming and functional family home. #HomeDesign #HouseTour #GatehouseConversion #FamilyHome #InteriorDecor #VintageStyle #BohemianDecor #OpenPlanLiving #WinchesterHome

The article details the meticulous restoration and redecoration of a late-17th and early-18th-century manor house in Wiltshire, England, owned by Esther Cayzer-Colvin and her husband, Jamie. Cayzer-Colvin, whose family includes influential figures in design and aristocracy like Nancy Lancaster and Deborah, Duchess of Devonshire, has imbued the historic home with a unique blend of classic and contemporary, colorful, and comfortable aesthetics. Despite her modest claims of 'plagiarizing' ideas, her approach to decorating is described as highly personal and creative, drawing inspiration from her heritage while asserting her own distinct style. Upon acquiring the Grade II listed redbrick manor in 2005, the house was in disrepair, necessitating extensive renovations including reroofing, replastering, replumbing, and rewiring. A new drawing room wing was also added. The interiors are a curated collection of art, paintings, and furniture, much of which is either custom-made by creative friends or inherited, reflecting a life lived and memories collected. The few pieces from Jamie's family survived a fire at his childhood home, Tangley House, adding sentimental value to the new collection. Cayzer-Colvin's decision to personally oversee the decoration, rather than hiring a professional, ensures a cohesive and personal signature throughout the house. Her attention to detail is evident in various bespoke elements: manganese tiles from Delft were commissioned for the kitchen fireplace to complement an antique porcelain duck; a specific 'cooking-apple' green hue was achieved for the sitting room walls through careful mixing with a specialist decorative painter; and de Gournay chinoiserie wallpaper in the entrance hall was chosen for its silver tones and lack of man-made objects or blue, creating an uplifting, airy feel. The four-acre garden also reflects Cayzer-Colvin's design philosophy, developed with friend Frances Rasch. Lacking distant views, she created a series of intimate 'rooms' using yew and beech hedges, effectively turning the garden inward to form its own microcosm. This design seamlessly integrates the indoors and outdoors. Influenced by her grandmother Nancy Lancaster's Virginia roots, Cayzer-Colvin incorporated American colonial elements, such as two white clapboard pavilions near the swimming pool, inspired by a garden building at Colonial Williamsburg. The ogee shape of their cedar-shingled roofs is echoed in the green-oak fruit cages in the kitchen garden, reflecting a preference for simplicity over grand statements. The article showcases various rooms including the entry, drawing room, sitting room, dining room, kitchen, pantry, and multiple bedrooms, detailing specific design choices and furnishings, many with personal histories or notable designers. #WiltshireEstate #HistoricHome #EnglishCountryStyle #InteriorDesign #GardenDesign #NancyLancasterInfluence #EstherCayzerColvin #CustomDecor #RenovationProject

This article details the restoration of a historic Victorian-era homestead located in the Western District of Victoria, a region known for its scenic views and dairy farms. The project, led by interior designer Adelaide Bragg, focused on seamlessly blending the original character of the home with modern functionality, ensuring it serves both as a working rural property and a family hub for generations to come. The design brief emphasized practicality, warmth, and a welcoming atmosphere, steering away from anything overly delicate, given that the property is a working farm and frequently hosts family and grandchildren. The homestead's interior now features a calming palette of creams and clay reds, complemented by natural textures. Key elements include sturdy oak floorboards, antique furniture, and a significant art collection from the client. A primary challenge during the renovation was the house's dated configuration, which was not suitable for a modern family, and the lack of sufficient natural light. The renovation addressed these issues by undertaking extensive structural changes. The original back of the house was transformed into a light-filled, spacious front entrance, adorned with botanical fern prints and wool baskets. A large kitchen and family room extension was added, complete with a fireplace and an Aga stove, alongside a generous verandah to facilitate outdoor dining. Designing for a rural home involved specific considerations to honor its historical integrity while making it adaptable for contemporary living. The renovations maintain high ceilings, large-scale rooms, and simple joinery, ensuring a sympathetic approach to the existing structure. The completed home is characterized by an effortless elegance and timelessness, with design elements chosen to enhance functionality and aesthetic appeal. The dining area, for instance, features a large table and 16 chairs, which serve as a room divider and add textural depth. Kravet fabric on the chairs, referencing horse saddle blankets, and large-scale rooster paintings introduce playful touches. Old olive baskets repurposed as kitchen pendants create a unique focal point, while Monoleath benchtops offer a practical yet concrete-like finish. Oak floorboards, sisal rugs, and cow skins contribute to layering and a casual, inviting ambiance. The homestead's design also integrates with its rural surroundings, offering magnificent views of rolling hills, red gum trees, and the Grampians. The selection of fittings and finishes was guided by the need to be sympathetic to the home's heritage. For example, Sandberg ‘Waldemar’ wallpaper from Ascraft in the powder room was chosen to reflect the oak trees in the garden, and a guest bedroom features a cane bench covered in Lisa Fine ‘Jaisalmer’ fabric from Ascraft. The owners expressed satisfaction with the outcome, confirming that the entire house is now utilized as intended, embodying a successful blend of old-world charm and modern family living. #HomesteadRestoration #InteriorDesign #RuralLiving #VictorianArchitecture #FamilyHome #AdelaideBragg #HomeRenovation #VictorianHomestead

This blog post offers an exclusive tour of Dallas-based interior designer Erin Sander's custom-built home in University Park, highlighting her unique design philosophy of 'relaxed, refined luxury' and 'Belgian farmhouse' aesthetic. The 5,000-square-foot estate, featuring four bedrooms and five baths, was constructed from the ground up on a quarter-acre lot, with Sander herself drawing the floor and architectural plans. The design emphasizes natural light and understated yet impactful details, drawing inspiration from her travels and other design projects. The home’s architectural features include a long hallway terminating in a window, with steps leading to the second floor, designed to create visually appealing focal points. Custom light fixtures and detailed wood flooring were also designed by Sander. The living room, a space optimized for practicality for her young children, features performance fabrics, a custom grasscloth-covered coffee table, and artwork by Katrine Hildebrandt. An annex, originally Sander's home office, now serves as a family study. This vaulted, story-and-a-half space offers ample storage and privacy. The kitchen is a central highlight, showcasing rift-sawn white oak flooring and hand-hewn Douglas fir beams. A striking pale blue Lacanche oven range, chosen early in the design process due to its year-long procurement time, sets the tone for other blue accents in the space. Other notable kitchen elements include an unlacquered brass faucet by Waterstone and a backsplash by Clé Tile. Over the eye-catching island, custom-made fixtures from Urban Electric Company in a hand-hewn brass finish are suspended. Scandinavian-designed stools provide practical seating, and decorative bowls, including a vintage piece from Sander’s grandmother and ceramics by Sara Kersten, add personal touches. The honed marble countertops were intentionally chosen to observe their wear and tear over time, informing her client recommendations. Café curtains made from hand-blocked fabric by Galbraith & Paul add another layer of detail. The dining room combines vintage McGuire chairs, re-covered in Peter Dunham fabric, with contemporary art by Addie Chapin. Exposed brick and a light fixture from Currey & Company contribute to a modern yet cozy atmosphere. A collection of pewter dishes, including pieces from her mother and finds from the vendor Unrefined, adds dark contrast and personal history to the dining area. A custom coffee station, a testament to the family’s love for coffee, features a La Spaziale espresso machine with walnut panels, open shelving, and an Ann Sacks’ Savoy series backsplash. This functional space is equipped with refrigerator drawers for coffee essentials. The primary bedroom boasts a whimsical Oly Studio light fixture depicting a flock of birds, vintage cabinets from Juxtaposition Home, custom lamps, and quadrille bedding. The master bathroom includes custom white oak vanities and hand-cut limestone floors laid in a unique pattern, accented with tiny blue celeste marble mosaics. The home's exterior features a mix of materials like lime-washed brick and cedar shake, surrounded by live oaks and potted olive trees, creating an approachable street view. A custom wood bench from David Sutherland is nestled among Savannah holly trees in the backyard. The article provides a comprehensive look into an interior designer's personal residence, showcasing a blend of functionality, luxury, and personal style. #InteriorDesign #CustomHome #DallasHomes #HomeFeatures #LuxuryInteriors #BelgianFarmhouse #DesignerHome #HomeDecor #ErinSanderDesign

This article provides a detailed tour of a Victorian semi-detached house located in south-east London, showcasing various decorating ideas and design choices implemented throughout its update. The property features a hallway, living room, open-plan kitchen-diner, cloakroom, four bedrooms, a bathroom, and a shower room. The exterior of the house maintains its traditional brick wall and black slate roof. Inside, the living room is designed with a serene ambiance, characterized by a large monochrome rug and vibrant pink accents that add a pop of color against white walls. The furniture selection blends mid-century modern pieces with vintage items, creating a utilitarian feel. Key items in the living room include a rug from Ikea and a floor lamp from Sainsbury's. The living space was expanded by combining two smaller living rooms into one open-plan area, with furniture strategically arranged to define natural zones. Lighting is provided by a lamp from Lights 4 Living, and several pieces of furniture, including a lamp, chairs, and a table, were upcycled by Imperfect Interiors. The kitchen features painted cabinetry, marble counters, and pale-colored metro tiles, contributing to a clean and simple aesthetic. The kitchen units were sanded down and repainted, and customized tongue-and-groove end panels were added. A practical built-in banquette with seat pads and floral fabric is also present. The tiles used in the kitchen are from Fired Earth. Adjoining the kitchen is the dining area, where built-in banquette seating maximizes space efficiency. A rectangular dining table is chosen to accommodate multiple people without encroaching too much on the floor area. The dining space is adorned with pretty bench and scatter cushions, along with a patchwork rug, which introduce patterns in subtle shades. The dining chair is from The Conran Shop, and a box wall light is from Heal's. Moving to the bedrooms, the guest bedroom offers a relaxed, modern-country atmosphere. It features a floral bedspread, a vintage sofa, and an eclectic assortment of accessories. Neutral walls allow unique, design-led pieces and curios to stand out. An Ikea rug is also found in this room. The main bedroom employs a subtle palette of pale greys and off-whites to foster a peaceful environment. A feature fireplace with a stylish overmantel mirror serves as a focal point. The bed is sourced from Sofa.com, and a floor lamp is from Habitat. Finally, the bathroom is designed with tongue-and-groove panelling and geometric tiling, which complement the traditional fittings. Glazed cabinets are incorporated to add a decorative element. The tiles are from Topps Tiles, and the bath is from Victoria Plumb. The article aims to inspire readers with practical and aesthetic home decoration and design choices demonstrated in this updated London home. #PeriodHouse #LondonHome #VictorianRenovation #InteriorDesign #HomeDecor #KitchenDesign #LivingRoomIdeas #BedroomDecor #BathroomDesign

Designer Joe Ireland embarked on a transformative project for an 1840s Federal-style home in Alexandria, Virginia, moving away from his firm's usual understated aesthetic to introduce vibrant color and botanical motifs. The homeowners, a couple with a teenager, acquired the three-bedroom, three-and-a-half-bathroom residence in the early 2000s, which had previously undergone renovation. The initial interiors, characterized by navy and merlot walls and a star-spangled rug, did not align with the family's lively disposition, prompting the need for a brighter, more personalized design. The design process began with the wife's vision for the entryway: a Designers Guild wallcovering featuring painterly white peonies and foliage. To emphasize its unique quality, Ireland applied the wallcovering only up the stairs to the second-floor landing. A faux finisher meticulously blended the pattern, creating a seamless transition as it trailed off, allowing the background color to continue upwards, all framed by Ireland’s signature pin-striped trim. Existing furniture and art were thoughtfully repurposed, reupholstered, or curated, with new additions predominantly comprising antiques, such as a Vienna Secession chandelier sourced from 1stDibs. This approach underscores the firm's philosophy of incorporating clients' personal belongings to foster a sense of inherited history within the home. The botanical theme further blossomed throughout the residence. The dining room features a mural wallcovering by Andrew Martin and Kit Kemp, depicting a whimsical scene of creatures dancing among tall trees bearing giant pears. The intricate pattern was even hand-painted over a built-in speaker, ensuring visual continuity. The primary bedroom embraces this theme with botanical wallcovering and coordinating drapery by Jessica Zoob. In the living room, Ireland selected a bright coral fabric for a Bernhardt sofa, creating a striking contrast against lavender walls painted with Benjamin Moore's French Lilac, contributing to a cheerful atmosphere. The entryway's Designers Guild Zinc Floreale wallcovering is complemented by an S. Harris bench fabric and a vintage chandelier. The living room's coral sofa is paired with patterned chairs in Ferrick Mason fabric. The custom carpet by Georgetown Carpet and an Artisan Lighting chandelier enhance the space, alongside a vintage bench upholstered in Thibaut fabric. In the dining room, a handmade tissue wallcovering by Twin Diamond Studios in the niches serves as an elegant backdrop for decorative plates, while the mural wallcovering defines the room. A Stark rug, Villa Nova curtain fabric, vintage Royal Doulton mantel vases, and an 18th-century wall art piece contribute to the room's sophistication. The primary bedroom, in addition to its Jessica Zoob wallcovering and curtains, features a Circa Lighting table lamp, a Made Goods nightstand, a Bernhardt bed, James Malone Fabrics bedding, Kevin O’Brien Studio pillows, and a Pierre Frey bolster pillow. The bathroom showcases Phillip Jeffries wallpaper and Urban Electric Co. sconces. #HomeDesign #InteriorArchitecture #BotanicalInspired #FederalStyleHome #VirginiaHome #Wallcoverings #AntiqueFurniture #ColorPalettes #DesignRenovation

This article details the annual holiday decorating tradition of Nashville interior designer Christopher Todd Hall and his team at a client's equestrian estate in Lexington, Kentucky. Every year, the team transforms the home with extensive holiday decor, evolving the themes and styles over their twelve-year working relationship. The client family typically travels for Thanksgiving, returning to a fully decorated home. The process takes four days, with the team meticulously decorating nearly every room, from the entryway to individual children's bedrooms. The article highlights how Christopher Todd Hall and his team adapt the decor to keep up with trends, changing the look every few years. For instance, the living room's most recent holiday iteration features a towering flocked tree that beautifully complements the room's permanent cool-toned color palette of grays and blues. In contrast, the family room, a central gathering space for Christmas morning, is adorned with a nostalgic, colorful tree featuring vibrant lights and Christopher Radko ornaments, evoking a sense of past holidays. The dining room's decoration emphasizes functionality, with Christopher carefully selecting decor that does not impede meal service or conversation. He prefers smaller, easily movable items, such as glass Christmas trees, over long garlands that might need constant rearrangement. The children's rooms are decorated according to their current interests, which have recently shifted to soccer. Christopher creatively addresses the challenge of decorating three different soccer-themed trees by making one a general FIFA-themed tree with international flags and the other two dedicated to specific teams, such as France and Bayern Munich, showcasing how personalized themes are incorporated. The article concludes with Christopher Todd Hall's seven essential tips for holiday decorating, aimed at helping readers recreate a similar magical experience in their own homes. His first tip encourages individuals to embrace their personal style, whether whimsical, traditional, or elegant, and to commit to it wholeheartedly. The second tip advises maintaining the tree's natural shape even when heavily ornamented, ensuring it still looks like a tree. Thirdly, Christopher advocates for the use of high-quality faux greenery for its realism and durability, especially for decor that will be displayed for over a month. He also emphasizes the importance of selecting warm, glowy LED lights around 2700K for all greenery. The fourth tip suggests replacing ornament strings with more substantial hooks or green pipe cleaners for a cleaner look and better placement control. The fifth tip focuses on prioritizing ornaments: sentimental pieces should be front and center, followed by color-scheme-complementing ornaments, and then filler ornaments to conceal gaps. A key piece of advice here is to decorate abundantly: "When you think you have enough, get more." The sixth tip details careful ornament placement, ensuring that dangly or icicle-shaped ornaments hang straight and do not touch each other. Finally, the seventh tip stresses the importance of an organized take-down process, recommending that ornaments be separated into labeled boxes by category (sentimental, filler) to simplify future decorating efforts. This professional service extends beyond setup, as Christopher and his team return after the holidays to meticulously pack away all decorations, ensuring a seamless transition for the client. #HolidayDecor #HomeTour #InteriorDesign #ChristmasDecorations #DecoratingTips #EquestrianEstate #SeasonalDecor #LuxuryHomes #DesignTrends