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Interior Designer Ruthie Sommers on Newport's Famed Summer Escapes
This article delves into the unique charm and inherent lessons found within the historic summer houses of Newport, as observed by interior designer Ruthie Sommers. Sommers recounts her initial experiences upon arriving in Newport approximately two decades ago, expecting to find the modern, pristine interiors typical of her Los Angeles-based design work. Instead, she encountered homes that defied contemporary design trends, showcasing features like rosebud-colored five-by-five tiles and pegboards laden with cast-iron pots, in stark contrast to the shiny bathrooms and cavernous walk-in closets she was accustomed to designing. The article highlights the absence of newly designed, polished spaces, replaced by a sense of history and individuality.
Sommers was struck by the authentic and unapologetic expression of personality embedded within these homes. She describes finding old Oscar de la Renta and Bill Blass gowns hanging from doors and sconces, alongside burnt-edge Fortuny shades that were askew. A particularly vivid detail is the ombré curtains, whose deep purple had faded to periwinkle over years of sun exposure, which Sommers viewed as masterpieces that no fabric house could intentionally replicate. These elements, combined with the presence of multiple generations filling the homes during summers, created an atmosphere she likens to a Pissarro painting, emphasizing an unpolished, lived-in beauty rather than a 'photo-ready' interior.
The core revelation for Sommers was the profound sense of self-acceptance these homes embodied. They did not attempt to mask their owners' stories but rather narrated them through their decor and architecture. This approach presented a novel and liberating perspective to Sommers as a designer, leading her to question the contemporary cycle of perpetual change in architecture and decor. She posits that if our physical environments are constantly being updated and replaced, our inner selves might mirror this superficiality. The article suggests that these Newport houses communicate a timeless lesson: that true beauty and character come from embracing age and authenticity, rather than constantly pursuing newness.
Sommers concludes by expressing her indebtedness to this lesson, advocating for a pause in the relentless pursuit of the new. She suggests that the aged and the ageless can coexist harmoniously, and that understanding the beauty in elements like the periwinkle curtains or the sight of an elderly gardener tending to his weeds reveals a shared secret: that innovation and freshness are not external acquisitions but intrinsic qualities that reside within us. The article also mentions the release of Ruthie Sommers and Nick Mele's book, 'A Newport Summer,' in May 2022, further emphasizing the designer's connection to and insights from the Newport aesthetic. The piece implicitly encourages readers to find value in enduring style and personal history within their own living spaces.
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