Home & Design | The Art of Domesticity

The article explores the concept of transforming a mere house into a personal home, drawing insights from 12 creative individuals across various fields, including fashion, art, architecture, and culinary arts. Each expert shares a unique perspective on what constitutes the essence of a home, highlighting both tangible objects and intangible relationships. Doris de Pont, director of the New Zealand Fashion Museum, emphasizes the role of a large, enduring kauri library table as the central gathering point for her family, symbolizing connection and shared experiences. Her custom-designed red lacquer wardrobe, which reflects the garden, showcases how personal storage solutions can become artistic and functional elements within a living space. Artist Jade Townsend, from Ngāti Kahungunu, frames home through the lens of Te Ao Māori, emphasizing relationships with all living and non-living things. Her art, created within her domestic space, reflects this belief, making her home a dynamic and evolving expression of her cultural and personal identity. She views home as a place for growth, distinct from the self-discovery experienced while away. Dan Ahwa, fashion director for Canvas, recounts his journey of making his home feel less "juvenile" post-marriage. A vintage, scallop-shaped pink velvet zebra-striped couch became the pivotal piece, defying conventional taste to anchor their eclectic style. Surrounded by plants, books, and a 1930s leadlight drinks cabinet, his home reflects a surprising yet cohesive personal aesthetic. Interior designer Nicola Manning highlights the importance of a luxurious and comfortable bed for creating a sense of security and refuge. She stresses that personal touches, such as inherited antiques, travel souvenirs, art, and photographs, are crucial for imbuing a house with individual character and transforming it into a true home. Ceramic artist Phil Brooks, influenced by his mother's love for bargains, describes his home as an evolving collection of unique finds from charity shops and antique markets. A large beaded panel from Kuala Lumpur, treasured by his mother and now displayed in his daughter's room, exemplifies how objects with rich histories contribute to the narrative and essence of his family home. Architect Christina van Bohemen views home as both a refuge and a gathering place. Her dining table, a simple, narrow Sam Haughton design, acts as an anchor for various activities and fosters intimacy. She also values the strategic placement of furniture to maximize views, enhancing the sense of openness and connection to the outside world. Chef Dariush Lolaiy, co-owner of Cazador, finds his home's heart in a custom-made, bright mustard-colored couch, a symbol of leisure after long workdays. Paintings inherited from his wife's great-uncle further cement their connection to family history, making their apartment feel more like a home. Divya Purushotham, an associate at Warren and Mahoney, describes her 130-year-old railway worker's cottage as a space of ongoing renovation and reflection. A name plaque, "Temuka," above her front door, and antique brass pots from her grandparents in India, serve as irreplaceable links to her heritage, contributing to a deep sense of belonging. Chef Jason Kim's definition of home centers on personal routine and family. His early morning ritual of Korean canned coffee and Iron Maiden, quickly followed by making cheese toasties for his children, illustrates how small, consistent moments of connection and comfort define his domestic life. Interior designer Amanda Neill, a Sagittarius, is drawn to fire and its ambient qualities. Her custom-made Alchemy Firepits, adorned with an evocative quote, represent a deep need for connection and provide a gathering point for loved ones, symbolizing warmth for both body and soul. Glass artist Devon Ormsby curates her home with artworks and art objects, such as Ruth Castle woven baskets and a Walk in the Park wooden bowl. Her personal collection, constantly evolving with her own glass creations and pieces from peers, transforms her living space into a "curated museum" reflecting her interests and life story. Emma Ogilvie, general manager of Bar Celeste, values a functional kitchen with an island bench that allows for social cooking and hosting. Having a well-stocked fridge, despite their busy schedules, is essential for creating a homely atmosphere, counteracting the feeling of always being away. #HomeDesign #InteriorDesign #PersonalStyle #CreativeExperts #DomesticSpaces #FamilyLife #ArtInHome #CulturalHeritage #ComfortAndConnection

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

The spring season marks a peak period for the local housing market, where first impressions significantly influence home sales. Home staging, which encompasses redecorating, furniture rearrangement, decluttering, and other aesthetic strategies, is crucial for presenting a home in its most appealing light. Susan Klaich, owner of Pittsburgh-based Nest Style and Staging Co., drawing from 25 years in design, emphasizes the importance of making a home attractive to buyers. For homes that are already furnished, Klaich implements a 'light staging' approach, working with existing decor to enhance its appeal. This can involve repositioning furniture for better flow and introducing accent pieces such as decorative pillows, wall art, area rugs, or coffee tables to elevate the interior's aesthetic. Once the home is sold, these temporary staging items are removed. For those aiming to stage their home on a budget, Klaich advocates for repurposing and restoring existing decor through DIY projects, like crafting benches or headboards from available materials. She also highlights the availability of inexpensive interior design finds from online retailers such as Amazon or Wayfair, suggesting that a high-end 'Restoration Hardware look' can be achieved more affordably with careful sourcing. Mirrors, faux plants, and flowers are cited as classic, accessible items that can instantly enhance a home's decor, and she recommends exploring stores like HomeGoods for budget-friendly alternatives to pricier establishments. Keller Williams real estate agent Jean Ou supports Klaich’s recommendations, pointing to national retailers like TJ Maxx, At Home, and IKEA as excellent sources for stylish, affordable pieces that improve a home’s overall aesthetic. Ou also mentions occasional purchases from Target for smaller items, particularly when staging more expensive homes that require modern styles. The primary goal of staging is to create an inviting environment that appeals to a wide range of potential buyers. To achieve this, Ou prefers neutral colors for both paint and furniture, as these allow the home’s inherent qualities to shine through and enable prospective buyers to more easily envision themselves living in the space. Lighter colors are frequently used to make rooms appear cleaner and brighter. While virtual staging technology is increasingly used in online listings to attract initial interest, Ou stresses the continued importance of physical staging for in-person viewings. She notes that while virtual staging can draw eyes to a listing, an empty home upon physical visit can be disappointing. Investing in professional staging offers significant benefits to sellers, as staged homes tend to sell more quickly and at higher prices. Ou estimates that effective staging can lead to a 3 to 5 percent increase in home sales prices, underscoring the financial advantage of presenting a home in its best possible condition. #HomeStaging #BudgetDecor #RealEstate #HomeSales #InteriorDesign #DIYHomeDecor #HomeRenovation #Decluttering #MarketTrends

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

This article explores 22 home design trends that, despite their popularity, are often perceived as impractical, aesthetically questionable, or outright problematic by many individuals. The piece compiles insights from various people who shared their least favorite design choices, highlighting the subjective nature of home aesthetics. One significant point of contention revolves around the absence of doors in certain areas of the home, particularly doorless bathrooms, especially when located within bedrooms. Critics argue that this design choice compromises privacy, contributes to hygiene concerns due to the potential spread of moisture and odors, and necessitates inconvenient arrangements for occupants. Similarly, doorless showers are criticized for causing the entire bathroom to become wet after each use, leading to additional cleaning and potential slip hazards. The use of faux materials is another trend that draws significant disapproval. Specifically, the application of faux wood beams made of materials like foam is cited as a cheap imitation that fails to achieve the desired rustic or modern farmhouse aesthetic and can even be considered an eyesore. This reflects a broader distaste for design elements that lack authenticity and are implemented purely for superficial appeal. Paint choices also come under scrutiny, with 'agreeable gray' being singled out for its perceived blandness and unsuitability in certain lighting conditions. Many individuals find this color to appear dull or lifeless, contrasting with its widespread promotion as a versatile neutral, and note that it can be difficult to cover up with subsequent paint applications. Architectural and spatial planning issues are frequently mentioned. The practice of building large houses on small lots, resulting in minimal outdoor space and close proximity to neighbors, is criticized for sacrificing functionality and privacy for the sake of interior square footage. An imbalance in room sizing is also highlighted, particularly the trend of oversized master bedrooms and bathrooms that come at the expense of other necessary rooms or overall living space. Critics argue that such large private spaces are often underutilized for social gatherings, making their extensive size unnecessary. Kitchen design trends are a major source of frustration. Two-toned kitchen cabinetry is seen as a fleeting fad that can quickly become dated, potentially requiring future homeowners to undertake costly renovations to achieve a more cohesive look. The placement of kitchen sinks in center islands is deemed impractical, as it leaves dirty dishes and drying items constantly on display, detracting from the kitchen's aesthetic and cleanliness. Furthermore, pot fillers are questioned for their utility and the potential for stagnant water in their pipes. Safety and accessibility concerns also emerge as key criticisms. The absence of stair banisters is identified as a significant safety hazard and a potential liability. Similarly, the design of homes requiring occupants to walk through a bathroom to access a closet is viewed as inconvenient and unhygienic. Above-ground sinks, or bowl sinks set on top of vanities, are often seen as bulky and difficult to clean around. Functionality and practicality are central themes in the critiques. The lack of mudrooms or small entryways in favor of larger living spaces is problematic, especially in regions with varying weather, as it leads to dirt and wetness being tracked directly into main living areas. Kitchen cabinets that extend to the ceiling are deemed wasteful, as the top shelves are often out of reach for most people, making them purely decorative or storage for seldom-used items. Fake balconies, which consist of sliding glass doors leading to nowhere, are described as a pointless architectural feature. Finally, decorative trends like excessive pillows on beds are considered impractical due to the constant need for rearrangement. The increasing use of DIY paneling to mimic period properties is seen as an inauthentic attempt at historical design. Barn doors, despite their popularity, are often associated with a tacky aesthetic, even in luxurious homes. The placement of bathrooms near kitchens or dining areas is also widely disliked due to its perceived lack of hygiene and comfort. #HomeDesignTrends #InteriorDecor #ArchitecturalCriticism #ResidentialDesign #HomeAesthetics #KitchenDesign #BathroomDesign #HomeImprovement

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

Home design is a dynamic field where personal preferences frequently clash with prevailing trends. While individual expression is paramount in decorating a home, the aesthetic choices of one person might not resonate with another, leading to a wide array of opinions on popular decor. This article compiles a list of 22 contemporary home design trends that many individuals find objectionable or impractical, based on public feedback. Among the most criticized trends are doorless bathrooms and showers, which raise concerns about privacy, hygiene, and water spillage. The absence of a door in a bathroom, especially when directly connected to a bedroom, can lead to issues such as odor and humidity affecting the sleeping area, and a general lack of personal space for occupants. Similarly, doorless showers often result in water splashing throughout the bathroom, requiring constant cleanup. Another point of contention is the use of faux materials, particularly fake wood beams. While authentic exposed beams are appreciated for their historical and aesthetic value, artificial versions made from foam or other synthetic materials are often perceived as cheap and tacky, undermining the intended rustic or modern farmhouse look. The trend of built-in appliances also draws criticism due to the difficulties it presents for maintenance and replacement. When appliances are integrated seamlessly into cabinetry, repairing or substituting them can become a costly and complicated endeavor, often requiring significant structural modifications to the kitchen. Color choices, specifically the widespread use of "agreeable gray," are frequently disliked. Many find this neutral shade to be uninspiring or even depressing, comparing it to "wet cardboard" and noting its difficulty to cover when repainting. This highlights a broader aversion to overly bland or generic color schemes that lack warmth and character. Urban planning and house construction trends also receive negative feedback. The practice of building excessively large houses on small lots is seen as detrimental, leading to minimal yard space, a lack of privacy due to close proximity to neighbors, and limited outdoor usability. Similarly, the design of homes where garages are the dominant visual feature at the front is criticized for its unappealing aesthetic, diminishing the overall curb appeal of residential areas. Interior layout choices are also under scrutiny. Large master bedrooms and bathrooms that disproportionately reduce the number of other rooms are deemed impractical for most households. Additionally, layouts that require walking through a bathroom to access a closet are considered inconvenient and lacking in privacy, especially when multiple people share the space. Two-tone kitchen cabinetry, particularly mismatched islands or upper and lower cabinets, is often viewed as a fleeting trend that will quickly become dated and necessitate expensive renovations. Functional aspects of design, such as vessel sinks (often referred to as "above-ground sinks") and freestanding bathtubs, are criticized for their impracticality. Vessel sinks can be awkward to use and clean, while freestanding bathtubs create hard-to-reach spaces that accumulate dirt and dust. The absence of mudrooms or functional entryways in new builds is also a concern, particularly in regions with varying climates where designated spaces for shedding outdoor gear are essential to keep main living areas clean. Kitchen island sinks are disliked for placing dirty dishes on prominent display, and pot fillers are questioned regarding water freshness and overall necessity. Lastly, the absence of stair banisters is deemed a significant safety hazard, and the widespread use of DIY paneling to mimic period properties is seen as an artificial and often poorly executed design choice. The popularity of barn doors is also criticized for their impracticality, lack of soundproofing, and tendency to appear tacky. Finally, the placement of bathrooms directly adjacent to kitchens or dining areas in new constructions raises hygiene and aesthetic concerns for many. #HomeDesign #InteriorDecorating #HomeTrends #ArchitecturalDesign #Renovation #ResidentialLiving #PersonalAesthetics #HouseholdEfficiency

Liz and Daniel Farrar, after living in Charlotte for over a decade and residing in several rental homes, finally found their ideal property on Carmel Road in South Charlotte. While the existing house itself held no appeal, the 3.6-acre lot, adorned with five 100-year-old magnolia trees, captivated them. Initially, the couple planned a renovation to accommodate their four children, aged 4 to 13. However, their architect and contractor advised against salvaging the old structure due to previous improper renovations, making a complete rebuild the more practical option. Having lived in numerous houses and with Liz's parents having built custom homes, the Farrars aimed to integrate their favorite elements into their 'forever home'. They enlisted Benham Builders, architect Scott Fleming, and designer Crystal Nagel to bring their vision to life, resulting in a new 7,600-square-foot residence. Their wish list was extensive and specific: Daniel desired a wraparound porch and large wood-burning fireplaces, while Liz sought an art deco style and 'dueling offices' off the foyer. The children wanted a pool, and the entire family prioritized ample space for entertaining and a kitchen capable of accommodating many people. Crystal Nagel emphasized designing a home that would serve the family for the long term, incorporating all their needs from the outset. Groundbreaking occurred in January 2022, and Crystal collaborated closely with Liz on every design decision, noting Liz's strong communication skills and clarity in identifying priorities. They opted for a light-colored, knotty floor for a casual feel, complemented by stained kitchen cabinets. While Liz favored bold colors, Crystal expertly moderated this preference to translate her vibrant personality into the home's aesthetic without overwhelming it. The exterior was designed in a classic Cape Cod style to blend seamlessly with the existing magnolias. As a mother of four herself, Crystal understood the need for functionality, designing what she termed a 'workhorse of a house' with durable furniture and fixtures. The interior boasts six bedrooms, seven full bathrooms, and two half-baths. The outdoor living space spans 2,500 square feet, featuring a covered patio, grill, and fireplace. A bright-yellow 'friend entrance' door on the side of the house, symbolic of friendship and happiness for Liz, adds a welcoming touch. The kitchen is equipped with two dishwashers, three sinks, a 60-inch Wolf range, and two oversized islands, designed for both dining and prep space, facilitating large gatherings. The islands are painted in Sherwin-Williams’ Underseas, with white oak cabinets featuring a matte finish. Durable quartz countertops and wipeable leather bar stools were selected. A glass mosaic tile backsplash serves as an accent wall, and brass hardware complements the custom vent hood. A retractable window above the sink opens to the patio, functioning as a snack bar for the pool area. The scullery includes a refrigerator, sink, and dishwasher, with a modern art deco marble backsplash featuring a brass inset, contrasting with the kitchen's more functional design. For the butler’s pantry, a fishtail tile backsplash with glittery marble adds an art deco touch. The cabinets are painted in Benjamin Moore's Montpelier and feature reeded glass doors. The spacious mudroom, designated the 'command center,' has porcelain brick floor tiles for dirt concealment and a large island for laundry. Each family member has a dedicated locker with shoe storage beneath, crafted from natural stained wood for durability. The primary bathroom features stained white oak cabinets, white porcelain plank flooring, and a makeup station with abundant natural light. Custom-made large mirrors from Frame Warehouse and polished nickel light fixtures from Visual Comfort were installed. The cabinet hardware incorporates reeded pulls, and the sinks have a scalloped texture, subtly echoing the art deco theme. Liz's 'dueling offices' flank the foyer, which opens into a family room with 10-foot ceilings and a grand fireplace for Daniel. A fluted console table with a Josh Jensen painting and sconces occupies a nook beside the fireplace, connecting to the primary bedroom. The sofa was custom-made, with accent chairs and tables sourced from Slate Interiors, lamps from Black Lion, and an area rug from The Loom and Co., reflecting Liz's 'eclectic and collected' style. Since moving in last July, the house has been a hub of activity, fulfilling the family's desire for a welcoming and functional home for entertaining and everyday life. #HomeDesign #CustomHome #InteriorDesign #CharlotteRealEstate #FamilyHome #ArtDecoInfluence #KitchenDesign #FunctionalLiving #TeardownRebuild

The article delves into the domestic life of Kelvin and Liz Fletcher, stars of "Fletchers’ Family Farm," who reside in the Peak District with their four children: Marnie, Milo, and two-year-old twins Mateusz and Maximus. The interview offers a glimpse into their daily routines, home preferences, and even their pet peeves, providing insights into how they manage their busy lives as parents, farmers, and actors. Upon entering their home, Kelvin consistently takes off his shoes and hangs jackets, though he notes the difficulty in reaching hangers due to the previous inhabitants' height. Liz, on the other hand, often finds herself navigating a trail of mess created by their children. The kitchen emerges as Liz's 'happy place,' whether it's a quiet sanctuary for a cup of tea or a bustling hub of family activity. Kelvin reveals a practical addiction to storage solutions, frequently purchasing giant plastic boxes to maintain organization. Liz’s homeware addictions include candles and vases, in addition to a collection of breadboards. A lighthearted conflict arises from Kelvin’s habit of placing plates on top of the dishwasher rather than inside it, a habit Liz wishes he would break. When it comes to homeware shopping, Kelvin favors Arighi Bianchi, a fifth-generation family furniture business known for high-end items, and John Lewis, appreciating its British and classic appeal. Liz recalls her pregnant days when she frequented Housing Units, a department store, primarily for their ham sandwiches but often ending up with home purchases. As hosts, Kelvin ensures guests never pay for takeaway, while Liz finds Sunday roasts the easiest meal to prepare, much to the surprise of their visitors who are often served it exclusively. Despite their demanding schedules, which encompass four full-time jobs, moments of stillness are rare. Kelvin fondly remembers sitting on their decking area by an open fire with Liz, enjoying a glass of wine or hot chocolate after the children were asleep, a simple pleasure now less frequent. The Fletchers also share quick preferences on various home topics: shoes are always off indoors; meals are eaten at the table; lighting is preferred moody over bright. Liz opts for quick showers, while Kelvin enjoys long ones. Liz leans towards neutral and earthy color palettes, embracing "creative chaos," whereas Kelvin admits to being a "neat freak." When the children are in bed, Liz’s ultimate preference is peace and quiet. Season two of "Fletchers Family Farm" is scheduled for late 2024 on ITV and ITVBe. The Fletchers maintain an active presence on Instagram, and Kelvin supports the "Mind Your Head" campaign, which aims to raise awareness about mental health challenges faced by British farmers. #CelebrityHome #FamilyLife #HomeDecor #HomeOrganization #FarmLife #Interview #InteriorDesign #DomesticHabits

Shannyn Weiler, a Utah-based interior designer, initiated a debate on TikTok regarding the display of family photos in homes. She contends that an excessive display of personal photos, which she terms a "shrine," can appear tacky and narcissistic. Weiler illustrates her point with a personal anecdote about her first apartment being filled with only wedding photos, leading to a "shrine"-like feeling. She extends this concept to rooms dominated by baby photos or pictures of a single grandchild, suggesting that such displays lack variety and design sophistication. Weiler advocates for a more balanced approach to home decor, recommending the integration of diverse artwork, mirrors, or other art prints alongside family photos. She emphasizes the importance of mixing different visual elements to avoid the monotonous and self-absorbed impression created by an abundance of personal images. Her perspective suggests that a home's aesthetic should extend beyond personal memorabilia to include broader artistic expression, creating a more refined and less insular environment. The designer's views sparked considerable discussion among the public, with many social media users expressing disagreement. A significant portion of commenters argued that a home should primarily reflect the tastes and preferences of its occupants rather than being designed to impress visitors. Many asserted their preference for displaying family photos, viewing them as integral to personalizing their living spaces and celebrating their lives and loved ones. Some commenters specifically stated they would rather have pictures of their children and family moments than generic art prints, highlighting a prioritization of emotional connection over conventional design principles. Conversely, some individuals concurred with Weiler's professional opinion, admitting that an overwhelming number of personal photos, especially in public areas of the home, could indeed appear narcissistic or lacking in taste. Examples included houses solely decorated with wedding photos, which some found to suggest a narrow range of interests. This group often advocated for a more curated approach, where family photos are either limited in number, confined to private spaces like bedrooms, or thoughtfully integrated with other decorative elements. The article also references broader design discourse, noting that Weiler's opinion aligns with views expressed by other design experts, such as Sarah Han of Apartment Therapy. Han compares an excessive display of self-portraits to having a tattoo of oneself, reinforcing the idea that it can be perceived as vain. Joanna Goddard, a lifestyle blogger, found similar divided opinions among her readers when she posed the question of whether family photos in the living room were tacky. The responses consistently showed a clear split between those who embrace such displays as personal expressions and those who adhere to a more formal, less personal decorating philosophy for public areas of their homes. Following the viral reaction to her initial video, Weiler posted a follow-up, reflecting on how design ideas can be initially resisted but eventually adopted. She suggested that while some design advice might not resonate immediately, experimenting with new approaches can sometimes lead to unexpected aesthetic appreciation. This response acknowledged the varied reactions and encouraged an open-minded approach to interior design principles, regardless of personal initial biases regarding family photo displays. #InteriorDesign #FamilyPhotos #HomeDecor #DesignTrends #SocialMediaDebate #Aesthetics #PersonalStyle #WallArt #TastefulDecor

The article explores a curated selection of online home decor brands, emphasizing the importance of finding unique pieces to create a distinct aesthetic. It highlights the perspective that home spaces are an extension of personal identity, making the process of decorating a significant endeavor. The author acknowledges that while major retailers are well-known, the true enjoyment of decorating comes from discovering lesser-known brands with strong visions and styles that offer both trendy and timeless items. Several brands are introduced, starting with Casa Zuma, praised for its earthy and organic aesthetic, offering ceramics, serving dishes, and furniture from global artisans. Fourth St. Home is noted for its sophisticated selection of home accessories and antique pieces that focus on diverse materials and textures. Saffron + Poe, a California-based brand, is featured for its commitment to sustainable and ethically handcrafted homewares, including furniture, rugs, and textiles, supporting maker communities worldwide. The Citizenry is recommended for bedding, rugs, pillows, and decorative items, known for blending modern style with traditional artisan techniques. Food52, initially a kitchen and food site, has expanded into a home retailer offering beautiful and functional products built to last. Beam Brooklyn is celebrated for its eclectic and creative range of furniture, lighting, art, and home goods, characterized by a unique fusion of mid-century, rock-and-roll, Cali-Brooklyn, vintage, and modern styles. Hay Design, a Danish brand, is recognized for its distinctive and fashionable aesthetic within a classic Scandinavian style. Slowdown Studio, founded in 2015, focuses on celebrating individuality and creativity through its functional and beautiful modern lifestyle products, encouraging appreciation for life's slower moments. Jungalow is highlighted for its vibrant, bold style and its dedication to sustainability through a partnership with Trees for the Future, an organization that helps communities establish Forest Gardens. Areaware is presented as a source for quirky yet non-kitschy items, collaborating with independent designers to offer unique and exclusive home decor. Coming Soon NY, with a background in fine art and high-end design, offers cool and authentic urban-style products. Article is noted for its commitment to providing stylish, affordable, and high-quality furniture and decor by working directly with manufacturers. Anthropologie Home is praised for its highly coveted pieces that combine practicality with a modern yet vintage flair. CB2, the more accessible counterpart to Crate & Barrel, offers a modern selection of furniture and home accessories and is committed to featuring Black businesses, artists, and designers. Target is recognized for its accessible and stylish home decor through collaborations with designers like Hilton Carter and Studio McGee. Urban Outfitters, once primarily for college students, has evolved into a significant design force with its home collection, featuring items with interesting shapes, colors, and designs. World Market is a staple for affordable, original, and handmade items from across the globe, while Hawkins New York is lauded for its thoughtful and unexpected homewares. Lastly, H&M Home and Block Shop are mentioned for their affordable yet elegant offerings and commitment to ethical production, respectively. Block Shop, in particular, invests 5% of its profits in community health camps in Jaipur, where the company was founded. #HomeDecor #InteriorDesign #OnlineShopping #DesignTrends #Furniture #Homewares #SustainableDesign #ArtisanCrafts #EclecticStyle

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

This article highlights the collaboration between interior designer Kristina Petit and AP Dodson Home Builders, specifically focusing on the personal residence of the firm's owners, Brandon and Ronyell Dodson. Having previously worked with Petit as a design consultant for their custom homes, the Dodsons enlisted her expertise to enhance key areas of their own home: the open kitchen, keeping room, and dining areas. The home, designed by Donald “De” Hunt of D. Hunt Studios, had been built for a few years but lacked a finished feel and optimal functionality for their family of six. Petit's approach involved addressing furniture choices and placement to improve the practicality and infuse the spaces with the family's personality. The initial focus was on the dining area and keeping room. The dining area, which already featured a custom table, was updated by replacing a backless bench with a high-back, upholstered, and tufted bench, alongside cane-back chairs and upholstered end chairs. This selection aimed to create an elegant contrast with the table's rustic appearance. A recurring theme throughout the design process was Ronyell's preference for the color blue, which Petit strategically incorporated to connect the rooms without overwhelming the aesthetic. She balanced rustic elements like chandeliers, beams, and brick with sophisticated details to achieve a refined yet comfortable look. In the keeping room, Petit prioritized durability and functionality for an active family with young children. All upholstery was selected in performance fabrics, and a leather ottoman was chosen for easy cleaning. Warmth was introduced through antique wood furnishings and rich leather accents, with subtle pops of color in upholstery and rugs preventing an overly bold scheme. Following the success of these initial rooms, Petit was engaged to redesign the living room, which had been underutilized due to a large, L-shaped sectional sofa that obstructed traffic flow. Petit replaced the oversized sectional with two matching slipcovered sofas in a soft blue, complemented by a pair of chairs and two upholstered ottomans near the fireplace. This arrangement significantly opened up the room, providing ample, comfortable seating and improving the flow of the space. A custom coffee table with a durable quartz top was chosen for its practicality in a family environment. The final area Petit tackled was the primary bedroom suite, where she continued her focus on functionality and aesthetics. Durable marble-topped nightstands and adjustable wall sconces were incorporated to maximize surface area and provide practical lighting. A striking focal point was created by painting a single wall behind the bed in a deep gray-green shade, Sherwin Williams’ “Homburg Gray,” which highlighted the trim work and subtly referenced the lake views outside. Petit expressed a particular fondness for the primary bedroom suite, praising its beautiful and calming atmosphere, which avoids being monotonous and draws attention to the natural surroundings. Overall, Petit's design philosophy for the Dodson home centered on combining rustic charm with refined sophistication, ensuring practicality for a family with young children, and incorporating subtle personal touches like the consistent use of blue. Her room-by-room approach allowed for a thoughtful transformation of the residence into a more functional, personalized, and aesthetically pleasing home. #InteriorDesign #HomeRenovation #ResidentialDesign #KristinaPetit #DodsonHome #CustomHome #DesignConsulting #FamilyHome #PerformanceFabrics

Displaying art in a home, whether it's a house or a condo, is an artistic endeavor that requires careful consideration of various factors to create impact and harmony within the space. While there are no strict rules in design, according to Ben Leavitt of PlaidFox Studio, there are optimal approaches to showcasing artwork. The size of the living space significantly influences art placement, with larger homes offering more opportunities than smaller condos. Despite size constraints, art is considered essential for bringing life to any space. Happy Home Design, for example, specializes in optimizing art display in small spaces like modern condos, which often have abundant windows, limiting wall space. In such environments, art pieces become more impactful as they face less competition from other artworks. The density of windows in new condo builds necessitates a strategic approach to identifying feature walls and determining appropriate artwork sizes. Artwork chosen for display should allow for "breathing room," meaning individual pieces should have enough surrounding space to be appreciated. For collectors with numerous pieces, the challenge lies in curating these items to provide each piece with adequate space and to thoughtfully juxtapose them to foster a dialogue between artworks. When assisting clients in selecting art, designers consider the homeowners' interests, desired mood for the room, and color schemes. The physical dimensions and scale of the artwork must be proportionate to the furniture and the overall balance of the room. Creating visually engaging vignettes as one moves through a space is also important; blank walls that disrupt the room's balance are opportunities for artwork. In prominent areas like a foyer, a larger artwork can create a significant visual impact compared to a smaller piece on a grand wall. Different rooms call for different artistic considerations. Leavitt suggests that the choice of art for a bedroom versus a living room depends on the desired atmosphere. Calming artwork would suit a serene room, for instance. Practical aspects, such as reflections, are also important; rooms with ample natural light may benefit from art without glass or with non-glare, matte-finish glass to prevent distracting reflections. Family artwork is often preferred in more personal areas, such as bedrooms or hallways leading to private spaces, rather than in public living rooms. Thematic art, like a beach scene, might be appropriate for a bathroom, especially if it relates to family photos or interests. Another approach to displaying art is creating a gallery wall, space permitting. For those who haven't accumulated art over a long period, the goal is to create a curated look that suggests a long-standing collection. This involves selecting diverse pieces that represent stylistic contrasts, ranging from minimalist to vibrant and colorful. A well-designed gallery wall incorporates a variety of frames, including wood, gilded, vintage, and contemporary, as well as pictures on stretched canvas. The inclusion of three-dimensional pieces, such as artifacts from travels, is also recommended to add depth and interest. A common strategy is to start with a primary piece in the center and expand outwards, leaving small sections to be filled with personal items. This method allows for the collection to evolve and grow with the homeowner over time. #HomeArt #InteriorDesign #ArtCuration #GalleryWall #HomeDecorating #SmallSpaceDesign #ArtworkPlacement

This article delves into various home features that, despite their popularity or perceived luxury, are often advised against by interior designers due to their impracticality, high cost, or short-lived appeal. The discussion begins with soaking tubs, which designers like Michelle Murphy note take up significant space and water while rarely being used. Similarly, pot fillers, though seemingly convenient, are deemed unnecessary by designers such as Nancy Davilman and Cathleen Gruver, who highlight their interference with backsplashes and minimal utility. Open floor plans are critiqued by Hillary Cohen for sacrificing privacy and function for a massive, unpartitioned space. Formal entertaining rooms, including dining and living rooms, are identified as frequently underutilized and expensive to decorate, often becoming 'museum spaces' that gather dust, as pointed out by Nancy Davilman and Olivia Botrie. Complicated smart home technology is another feature designers warn against, with Patti Woods and Seth Ballard citing their high cost, difficulty of use, and constant need for upgrades and maintenance. Doorless showers are criticized by Lauren Saab for heat loss and water splashing, with a fully enclosed wet room suggested as a superior alternative. Walk-in closets are seen as a waste of square footage by some, including Elana Tenenbaum Cline, who argues they can be more glamorous than practical. Home theaters, according to Galey Grimes, often become novelties rather than integral parts of daily living, being bypassed for cozier, multi-functional areas. Double kitchen islands, while appearing luxurious, are said by Christopher Boutlier to disrupt kitchen flow and create congestion. Other features to avoid include backlit mirrors in bathrooms, which Jennifer Press finds provide harsh, unhelpful lighting for tasks like makeup application. Fireplaces in primary bedrooms are considered costly and underused, serving more as ornamental pieces than functional heating, especially in milder climates. At-home saunas and steam showers, though popular for wellness, are often installed with good intentions but rarely used consistently, and steam showers present specific issues with plumbing, sealing, and material compatibility, as explained by Nicole Hirsch. Finally, small balconies off bedrooms are frequently unused, and oversized butler's pantries often become secondary storage areas rather than functional spaces for entertaining, as observed by Christopher Boutlier and Sarah Snouffer respectively. Designers collectively suggest focusing on practicality, true utility, and features that genuinely enhance daily life rather than just aesthetic appeal or fleeting trends. #HomeDesign #InteriorDesign #HomeFeatures #DesignTrends #PracticalLiving #KitchenDesign #BathroomDesign #SpaceUtilization