Shishi San’s Vibrant Tufted Sculptures Celebrate the Colorful Motifs of Chinese Vases

Drag And Drop, a Romanian design and manufacturing studio co-founded by Madalin Gheorghe and Dragos Sabareanu in 2019, is known for its innovative approach to design, merging advanced technology with artisanal techniques. The studio's ceramic collection showcases this philosophy by reimagining the function and aesthetics of everyday objects, specifically vases. The creation process leverages a large 3D-ceramic printer to produce intricate patterns, which are developed using sophisticated algorithmic modeling software. Throughout the design and manufacturing process, a strong emphasis is placed on sustainability, aesthetic appeal, and overall quality. The collection features five distinct vase designs, each drawing inspiration from natural patterns and traditional craftsmanship. The 'Intertwined' vase, for instance, is characterized by its organic, interwoven geometric pattern, reminiscent of growth structures found in tree bark and root systems. This unique design is achieved through 3D printing using 100% natural clay. While the interior of the Intertwined vase is hand-glazed, its exterior maintains a matte finish, a consistent characteristic across the entire ceramic collection. This contrast highlights the intricate textures created by the 3D printing process. Another design, 'Bulky,' is offered in three different sizes. This vase features a textile-like pattern that interacts with light throughout the day, creating varying visual effects. The design encourages tactile engagement, inviting individuals to explore its geometric forms and textures through touch. This interactive element adds another dimension to the appreciation of the piece, allowing for a more intimate connection with its design and material. The 'Ripple' vase demonstrates the studio's ability to translate complex mathematical formulae into aesthetically pleasing natural patterns. Its design mimics the visual effect of rippling liquid, such as the concentric circles formed when a stone is dropped into water. This piece exemplifies how technology can be used to replicate and enhance natural phenomena, creating objects that are both visually striking and conceptually rich. The wave-like pattern provides a sense of movement and fluidity, despite the static nature of the ceramic material. The 'Kilim' vase pays homage to the traditional tapestry-weaving methods employed in regions historically part of the Persian Empire. This design represents a contemporary reinterpretation of an ancient craft, demonstrating a harmonious blend of traditional artistry and modern industrial design. By translating the intricate patterns of kilim carpets into a 3D-printed ceramic form, the studio bridges the gap between historical techniques and cutting-edge manufacturing, creating a piece that is culturally resonant and technologically advanced. Finally, the 'Melting' vase directly incorporates its manufacturing process into its aesthetic. The design plays on the suppleness of wet clay during the layering process of 3D printing, creating the illusion of a soft object that appears to be melting. This visual effect is achieved despite the hard, finished ceramic product, creating an intriguing juxtaposition. The Melting vase challenges perceptions of material properties, making a rigid object appear fluid and malleable, highlighting the transformative potential of 3D printing in ceramic art. #3DPrinting #CeramicVases #NatureInspiredDesign #AlgorithmicModeling #SustainableDesign #HomeDecor #ModernCraftsmanship #DragAndDropDesign #InteriorDesign

Pani Jurek's BARVA VASES collection redefines the traditional vase by transforming it into a three-dimensional artistic expression. This collection, rooted in the Polish word "barwa" meaning color, celebrates color not merely as a physical property but as a conduit for subjective emotions, much like a painter's brushstrokes. The vases are characterized by their vibrant color spots, wavy lines, and tactile textures that mimic the direct application of paint. The BARVA VASES distinguish themselves through their innovative design, featuring four distinct flat geometric shapes that allow for endless arrangement possibilities. This modularity empowers users to engage in a creative process, crafting abstract compositions that can evolve based on personal preference or the surrounding environment. The design deliberately merges the structured world of geometric forms with the organic, fluid beauty of botanical elements, creating a harmonious interplay between manufactured design and nature. The collection emphasizes the visual impact of color, offering a limited series that serves as a captivating focal point in any setting. Each vase is conceived as a piece of art in its own right, capable of enhancing a space even without floral arrangements. When grouped, they form dynamic and eye-catching abstract installations, inviting viewers to explore the interplay of shapes and colors. The versatility extends to their display options, as the vases come equipped with designated hangers, enabling them to be mounted on walls. This feature allows for the creation of unique decorative reliefs, transforming a two-dimensional surface into a three-dimensional art display. Magda Jurek, the designer behind Pani Jurek, showcases a philosophy that blurs the lines between functional design and fine art. The BARVA VASES exemplify this approach by being both practical containers for flowers and standalone sculptural pieces. The entire collection reflects a modern aesthetic that values experimentation, personal expression, and the integration of art into daily living spaces. The photographic documentation, primarily by Ernest Winczyk and Macie J Miloch, captures the essence of these vases, highlighting their vibrant colors, intricate textures, and the diverse ways they can be styled and displayed to create visually stimulating environments. #PaniJurek #BARVAVases #GeometricDesign #VibrantColors #HomeDecor #CeramicArt #InteriorDesign #AbstractForms #ModularDesign

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

The article showcases nine unique and artistic vessels that transcend the traditional function of a vase, emphasizing their value as standalone art pieces. It highlights how contemporary designers are pushing boundaries in material use and form, blending age-old craftsmanship with innovative techniques. Each featured vessel demonstrates a distinct approach to design, ranging from intricate glasswork to reinterpreted ceramics and sculpted stone. One example is the "Baba Yaga Kiln-Cast Crystal Vessel" by Carol Milne, which employs a labor-intensive knitted glass technique. This process involves creating a plaster mold, casting glass, and meticulously chipping away the mold to reveal an intricate, unique structure, drawing inspiration from Slavic folklore. Similarly, Jolie Ngo’s "Flatpack in Dazzle Camo Glazed Ceramic Vessel" reimagines ancient ceramics through a modern lens, utilizing 3D printing and a vibrant, undulating ombré pattern. Ngo cites digital landscapes like Minecraft and The Sims as her creative influences, resulting in a vessel that feels both familiar and distinctly contemporary. Heami Lee's "Oval and Round Bud Vases in Silver-Coated Porcelain" demonstrate a transformative process where unglazed porcelain is fired and then coated multiple times in silver to achieve a metallic finish. These pieces are designed to develop a beautiful patina over time, embodying timeless elegance. Rafi Ajl’s "Yellow Slump Slatted Saguaro Glass Vessel" showcases a fresh take on glassware, with cherry wood slats creating a textured, surreal, and slouchy form. Ajl's work aims to challenge conventional perceptions of glass, giving it a unique character. Matthew Fisher's "Elegy Vessel in Calacatta Paonazzo Marble" presents a monumental object sculpted from exquisite Calacatta marble, allowing the stone's inherent shimmering nuances to be fully appreciated at its grand scale. Norman Teague's "Extruded Vessel #23" redefines the use of plastic, transforming this commonly discarded material into a unique vessel. Teague's design, inspired by traditional basket-weaving, encourages a reevaluation of how single-use materials can be repurposed and reimagined. Jeremy Maxwell Wintrebert’s "Spirit Fruit Glass Vessel" exemplifies dramatic glasswork. These pieces are created by blowing glass into a sphere that is then deliberately collapsed, resulting in a distinct “ripped open” aesthetic. This series is a re-edition of Wintrebert's earlier works, now available through Holly Hunt. Another piece from Rafi Ajl's Saguaro collection, the "Burnt Yellow Glass Vessel," embodies its prickly inspiration with ridges, bumps, and an organic, lilting form reminiscent of a gold-encased cactus. Finally, Milne's "Whirlwind Kiln-Cast Crystal Vessel" further explores her glass techniques, specifically "knotted glass," which allows for more fluid and swirling forms compared to her earlier knitted glass pieces. These examples collectively highlight how functional objects can double as striking artistic statements in contemporary home decor. #DesignerVases #HomeDecor #ArtisticVessels #ContemporaryDesign #GlassArt #CeramicArt #MarbleSculpture #SustainableDesign #InteriorAccents

The annual 1000 Vases exhibition in Paris, founded in 2018 by Francesco Pirrello, celebrates the vase not merely as a container for flowers, but as a standalone object of art. Pirrello's vision for the exhibition prioritizes unique pieces from independent and emerging artists, asserting that a truly good vase does not require flowers to demonstrate its aesthetic merit. This perspective was inspired by his friend Roberto Baciocchi, an Italian architect and avid vase collector. Initially conceived to feature a large quantity of works, symbolizing abundance and diversity much like the '1000-sheet' delicacy of mille-feuille or the fables of 1001 Arabian Nights, the exhibition ultimately adopted a 'less is more' approach, showcasing around 100 items. This adjustment aimed to allow visitors to appreciate each piece individually and engage with the artists. Pirrello observes that contemporary vase-making trends show a predominance of women artists and a preference for ceramic materials, noting that vases are accessible, affordable, and easily incorporated into any space, referring to them as "democratic objects." This year's 1000 Vases exhibition, running during Paris Design Week until September 8, highlights the works of eight participating artists, each bringing a distinct perspective and technique to the art of vase creation. Chous Ceramics, a duo from Sparta, Greece, presents hand-built sculptures that explore balance and tension, drawing inspiration from nature and Greek ceramic history. Their predominantly beige vases are characterized by voluminous bases and open, elegant rims. Belgium-based artist Dietmar Michiels, born in 1988, works with ceramic sculpture, employing coiling, plating, and throwing techniques with porcelain and glaze to create imaginative, creature-like pieces often accompanied by conversational titles. His work draws from everyday inner experiences, the mystical, historical art, the occult, and various cultural identities. Hellen Song, an artist from Shanghai now based in Toronto, uses ceramic vessels to delve into themes of the human condition, philosophy, and nature, often influenced by the supernatural and Impressionistic mark-making. Her exhibited stoneware vessel, with its blue and white tones, evokes a seascape, representing a range of emotions through the metaphor of water bodies. The collaboration between French artist Coco Brun and Mexico City-based Sten Studio yields the 'Mistico' vase, a geometric, multi-colored piece made from red travertine, Venetian marble, and pink onyx. This work pays homage to Meso-American culture, with each color carrying symbolic meaning related to rituals, fertility, and the balance of masculine and feminine energies, inspired by Meso-American architecture. Norwegian artist Karin Amdal presents 'Pluss', a pair of smooth, round terracotta pots designed to form a 'plus' sign when combined, showcasing her style of creating simple yet characterful pieces that often incorporate extensions or words. Amdal's inspiration stems from nature and everyday life, with her pieces designed to be open to interpretation and evoke a smile. Magdalena Zarychta, a multidisciplinary Polish artist specializing in decorative and stained glass, showcases her (COM)PRESSION vase. This hot-formed, blown glass object is hand-shaped, embossed, and features botanical markings, symbolizing traces of the past akin to fossils. Istanbul-based artist Sara Montazeri's coral reef-like artwork, crafted from stoneware clay, pays tribute to the 13th-century Sufi poet Rumi, incorporating his words "You are my soul and my world" in gold Farsi script, blending tradition with modern organic design. Finally, New York City-based writer and artist Emily Tate Moreu, inspired by ancient Greek pottery, creates minimalist, thoughtful pieces that explore the philosophies of form and human interaction, including greige vessels, abstract sculptures, and a stoneware candelabra. #VaseExhibition #ArtisticVases #CeramicArt #IndependentArtists #ParisDesignWeek #ContemporaryDesign #HomeDecor #SculpturalVases #DesignTrends

Asian Paints has established itself as a leading innovator in design, empowering designers and architects to explore new aesthetic avenues through its diverse range of finishes and textures. The brand's 'Reinvent' initiative showcases how six design studios reimagined products using collections such as Woodtech Insignia, Royale Play International Designer Collection, and Nilaya. The Woodtech Insignia Collection, a collaboration with internationally renowned wood-coating brand Renner, introduces India to a range of “effects” for wooden surfaces. The Silver Micaceous effect, utilized by Objectry for its wooden products, captures the sparkle of a starry night. The Stringy effect, seen in creations by Paul Matter and Objectry, adds fluid grace and a sense of dramatic movement. The Craqulet effect provides a tactile, layered texture with visible cracks, mimicking nature’s imperfect beauty, as demonstrated by Objectry’s products and a candle holder by Various at Dhobi Talao. The Marble effect, inspired by natural limestone, adds a luxurious and weighty feel to surfaces, while the Patina effect lends an old-world charm, celebrated by a curved brass chair by Various at Dhobi Talao that accentuates the wood grain and brass elements. The Royale Play International Designer Collection draws inspiration from Italy’s rich artistic heritage, including neo-classical paintings, sculptures, and avant-garde fashion. The Archi Concrete finish, a versatile combination of concrete and plaster, was used by Lekha Washington for modular walls and Material Immaterial for a wooden stool, showcasing how even a stoic material can achieve high design. The Royale Play Midas finish, inspired by traditional gold leafing, transforms everyday objects into elegant collectibles, as exemplified by Material Immaterial’s door knob and hanging lamp, and Various at Dhobi Talao’s lamps. The Dune effect, with its interplay of color and metal, adds drama to surfaces, as seen in Material Immaterial’s floor lamp with its warm Dune Ombre texture. The Nilaya Collection combines Indian aesthetics, high design, premium materials, and flawless technique to offer an exquisite range of wallpapers, wall coverings, decals, borders, and paintable wallpapers. This collection also serves as a platform for artists and designers, featuring collaborations with talents like Kelly Hoppen, Ronald Redding, Candice Olson, and Sabyasachi Mukherjee. Sabyasachi Mukherjee’s Chittor Jaipur Blue wall covering, one of his five collections, provided a perfect colonial backdrop in the House of Mahendra Doshi. The in-house Nilaya Signature Series, drawing inspiration from nature, architecture, art, and history, is showcased by the 'Moods of Monsoon' wallpaper in the House of Mahendra Doshi, which harmonizes with the surrounding greenery and brings the essence of rain indoors. #AsianPaints #WoodtechInsignia #RoyalePlay #Nilaya #InteriorDesign #SurfaceFinishes #HomeDecor #SabyasachiMukherjee #DesignInnovation

The Poilu Vases represent an innovative venture into material research and 3D printing technology by Paris-based Studio Bold. This project explores the integration of natural fibers into 3D printed structures to create unique textural qualities in decorative objects. The studio's research centered on developing a method to implant what they describe as “hair” into the vases during the additive manufacturing process, aiming to enhance the visual and tactile bulk of the objects. The design philosophy behind the Poilu Vases bridges mathematical logic with natural generative principles. Studio Bold formulated a specialized code that dictates the precise coordinates for the integration of fibrous materials within the 3D printing sequence. This algorithmic approach allowed for a controlled yet organic outcome, resulting in surfaces that mimic the appearance of looped fibers, reminiscent of certain textile textures such as those found in rugs. Crafted from vegetable-based fibers, the vases incorporate materials like bamboo, coconut, and wood. These natural components contribute to the distinctive “hairy” texture and give each vase a unique character. The choice of natural fibers also aligns with contemporary design trends that emphasize sustainability and the incorporation of organic elements into manufactured goods. The collection consists of three distinct vases, each named after a hair color: "Blond," "Brun," and "Roux." This nomenclature further reinforces the concept of implanted "hair" and differentiates the individual pieces within the series. Each vase is produced as part of a limited edition, with specific numbering and artist signatures. This exclusivity positions the Poilu Vases as collectible design pieces rather than mass-produced items. The Poilu Vases are distributed through Aybar Gallery, highlighting their status as art and design objects. The collaboration with a gallery suggests a deliberate effort to present these pieces within a fine art context, appealing to collectors and design enthusiasts interested in the intersection of technology, art, and natural materials. This project showcases the potential of 3D printing to move beyond purely functional applications and into the realm of sculptural and decorative art, pushing the boundaries of what is achievable in contemporary object design through material innovation and advanced manufacturing techniques. #3DPrinting #VaseDesign #StudioBold #MaterialInnovation #HomeDecor #VegetableFibers #LimitedEdition #AybarGallery #ContemporaryDesign

Asian Paints, a prominent brand in the paints industry, has expanded its focus to home decor and interiors, launching a collaboration with celebrated Indian designer Sabyasachi. This partnership introduces 'Sabyasachi for Nilaya', an exclusive collection of furnishing fabrics designed to enhance home spaces. The collection, named 'The Heartland Collection', encompasses a diverse range of soft furnishings, including fabrics for curtains, drapes, and upholstery. Sabyasachi has infused his distinctive fashion aesthetic into this interiors line, drawing inspiration from a rich tapestry of experiences, memories, and stories. He emphasizes that every home tells the story of its inhabitants, and the collection aims to help people layer their living spaces with cherished elements and distinct styles. 'The Heartland Collection' is structured into six distinct ranges, each offering unique design characteristics. The 'Soofah' collection focuses on a tranquil neutral palette, ideal for creating a peaceful atmosphere. It features rich linen embroideries, delicate sheers, silk, and wool silk jacquards, suitable for drapes, blinds, and upholstered furniture. The 'Thar' range is characterized by its earthy and artful appeal, combining the versatility of pure linen with various weaves. This collection is designed to bring comfort to homes through its use in drapery and upholstery, offering an aesthetic that is gentle on both the eyes and the heart. 'Makhmal' is presented as a gem within the Sabyasachi collection, bringing together coveted velvets, jacquards, and silks to transform any home into an epitome of elegance. The 'Chowk' collection offers a minimalist yet enchanting approach, featuring curated plains and two varieties of checks in diverse color stories. These fabrics are intended for drapes, blinds, and upholstered furniture, providing subtle sophistication. The 'Hazaribagh Linen' collection extends the exquisite wallpaper motifs from the Sabyasachi Heartland range onto two types of linen. This range comprises prints on linen, perfect for drapes, blinds, and upholstered furniture, adding a touch of artistic detail. Lastly, the 'Hazaribagh Velvet' collection adapts selected wallpaper motifs from the Sabyasachi Heartland range to premium velvets. This range is a rich assortment of intricate prints on velvet, exploring a wide array of color and design themes. Overall, the collaboration between Asian Paints and Sabyasachi aims to provide consumers with high-quality, aesthetically rich furnishing options that allow for personalized and elegant home interiors, reflecting individual stories and styles. #Sabyasachi #AsianPaints #HomeDecor #FurnishingFabrics #InteriorDesign #TextileCollection #IndianDesign #Upholstery #CurtainsAndDrapes

Chef, restaurateur, and food influencer Eeshaan Kashyap has launched a new tableware collection, 'Tablescape by Eeshaan,' which is characterized by its bold, artful, and unusual designs. The concept for these functional objects emerged during the lockdown period, leading to a limited-edition collection that includes plates, bowls, mugs, vases, candle stands, tablecloths, decorative objects, and small tables. Kashyap, who has a background as a trained chef and extensive experience in the restaurant industry, has always been intrigued by food presentation. He explains that during the lockdowns, the daily ritual of setting the table with his accumulated tableware became a nourishing activity, inspiring him to create his own line of functional pieces. This venture began as a personal creative experiment, driven by a desire to design tableware for his own use and to share a part of his culinary world with others, and has since evolved into a growing business. The collection showcases a diverse range of materials, reflecting Kashyap’s preference for the unconventional. While pottery forms a significant part of the collection, it also features resin bowls and candle stands, woven metal baskets, Shibori bowls made from paper, hand-painted tablecloths, and side tables constructed from glass. Many of these tableware pieces were designed in close collaboration with various studios specializing in different materials, while others were sourced from these studios. The emphasis on diverse materiality results in a collection where each piece offers a distinct aesthetic and tactile experience. A key aspect of the 'Tablescape by Eeshaan' collection is its focus on unique forms and finishes. The objects are handmade, with deliberate imperfections in form that contribute to the inimitable quality of each piece. While many items retain conventional shapes, 'The Modern Matka' stands out as a particularly inventive concept. This piece reinterprets the traditional Indian matka by placing its circular form on a square base, seamlessly blending the two geometries. This design not only updates the traditional object but also provides a stable foundation. Some versions of 'The Modern Matka' are coated in a vibrant ultramarine blue, enhancing their visual impact. Kashyap expresses a particular fondness for 'The Modern Matka,' indicating a desire to further explore this concept in different materials and sizes. The collection also features a variety of finishes, incorporating bold colors, patterns, and textures. For example, some woven metal baskets exhibit a patina finish, while the glass tables incorporate either color or silver mirroring on their undersides. Extensive experimentation with different glazes and colors on ceramic pieces has resulted in several striking designs. Notable highlights from the collection, in addition to 'The Modern Matka,' include 'The Spike Bowl,' inspired by sand casting; 'The Moon Vase,' a one-off piece fired using the Anagama technique for a unique finish; and the 'Blue Crackled Under-liner,' designed as a charger plate with broken glass pieces, a glaze, and a reflective surface. The contemporary terracotta vases and bottles are distinguished by a stunning marbling effect. Kashyap encourages creativity in styling these pieces, suggesting that while they can be used as a set, they are also designed to be mixed and matched with existing tableware. He proposes imaginative combinations, such as pairing a monochromatic vase with antique silver on a hand-painted tablecloth. The collection was exhibited at a pop-up and preview at Bikaner House and Vayu – Design for Living, and will be available through Kashyap's upcoming website or via his Instagram handle, @tablescapebyee. #TablewareDesign #HandmadeObjects #DiningDecorating #EeshaanKashyap #HomeDecor #ArtfulTableware #MaterialExperimentation #ModernMatka #UniqueFinishes

The ancient game of chess, with its rich history spanning thousands of years, has provided the inspiration for the Kish o Mat ceramics collection by British-Iranian artist Sara Khamisi. As co-founder and art director of Sandro Lopez Milano, Khamisi draws upon the Persian origins of the term "checkmate" ("Kish o Mat") to create a series of handmade ceramics that celebrate the game's evolving nature and its distinct pieces. The collection delves into the narrative aspect of chess through abstracted forms, further enhanced by an accompanying black and white film in the French Nouvelle Vague style, featuring two protagonists engaging in a chess match with the ceramics as central elements. Each ceramic piece in the Kish o Mat collection is designed to reflect a specific chess piece, translating its essence and movement into a unique sculptural form. The "King" vase, for instance, is a testament to abstraction, featuring hand-built forms that culminate in a three-pointed crown motif. Its extruded design and distinct planes interact with light, creating varied tones. Available in traditional Matte White and Matte Black, it also offers a Pink version for those seeking a more unconventional aesthetic. Similarly, the "Queen" vase embodies elegance and power with its cylindrical shape intersected by a flat panel, creating a bold, geometric presence, and is offered in the same color palette as the King. The "Pawn" ceramic adopts a low profile, characterized by a simple yet elegant departure from a traditional circular form. It serves as a versatile piece, suitable for holding fruit, small items, or a squat candle, elevating the aesthetic of any entryway or tablescape. The "Knight" vase is represented by a stylized, number-four-like shape, featuring strong planes that ascend, mimicking the unique L-shaped movement of the knight on the chessboard. This design is ideal for framing large blooms or branches and, when combined with other pieces and colors from the collection, fosters a dynamic visual dialogue on any surface. The "Bishop" vase, available in Turquoise, Matte White, and Matte Black, symbolizes the diagonal movement of its chess counterpart through a divided and translated circular motif that cradles plant life. The "Rook" ceramic is defined by an angular form, combining a square base with intersecting planes, an artistic representation of the rook's ability to move forward, backward, and sideways across the board. Sara Khamisi, with her background in sculpture, industrial design, and art direction, co-founded Sandro Lopez Milano in 2020. Her expertise is evident in the Kish o Mat collection, which exemplifies art-inspired furnishings designed to invigorate home environments with delightful and thoughtful design. The Kish o Mat collection transcends mere decorative items; it offers a deeper connection to the historical and strategic nuances of chess, reinterpreting them through contemporary ceramic art. The meticulous craftsmanship and conceptual depth behind each piece invite contemplation of form, function, and narrative. Through these ceramics, Khamisi demonstrates how ancient games can continue to inspire modern design, bridging millennia of human ingenuity and artistic expression to create objects that are both visually striking and intellectually engaging. #CeramicArt #HomeDecor #ChessInspiredDesign #SandroLopezMilano #SaraKhamisi #HandmadeCeramics #VaseCollection #InteriorDesign #AbstractForms

Vivian Xu, a London-based potter, specializes in crafting unique ceramic homewares designed to provide comfort and aesthetic appeal. Her collection ranges from elegant vases to distinctive kitchen accessories, catering to individuals seeking original pieces for their homes. Xu's journey with pottery began at the tender age of six, when she first experienced throwing clay on a wheel. This early encounter fostered a lifelong passion, with a vase she created at that age still proudly displayed in her parents' home. She finds the process of pottery inherently soothing and therapeutic, captivated by the transformation of raw clay into functional and beautiful objects. Xu focuses on creating functional pottery and original art for the home, with some pieces being tailor-made for specific requests or designed as anniversary gifts. The experience of lockdown profoundly influenced her perspective, highlighting how well-chosen home accessories can significantly uplift one's mood. This insight drives her mission to infuse her work with a sense of comfort for others, particularly during challenging times. As the festive season approaches, a typically busy period for small businesses, Xu admits that a recent house move has impacted her preparedness. Despite this, she is actively fulfilling custom orders for personalized gifts and prioritizing the creation of more mugs, recognizing the seasonal appeal of a warm beverage. For the festive season, Xu describes her home preparations as encompassing Christmas trees, aromatic scents, candles, rugs, board games, and moments of cuddling. She views this period as a time for celebration, reunion, rest, and indulging in good food. To support her small business, Xu encourages potential customers to follow her work on Instagram and reach out with unique gifting ideas for their loved ones. She expresses genuine joy in crafting pottery that serves a purpose for others. Looking ahead, Xu plans to host an exhibition next year to showcase her more unconventional and experimental ceramic creations. The article also highlights several of her popular items available for purchase, including the Relaxed Bowl, Mixed Olive Green set, Balloon Vase, and Rimless Plate, detailing their prices and providing links to her online shop. The piece concludes by emphasizing the importance of supporting small businesses, especially during the holiday season. #VivianXu #Pottery #Ceramics #Homewares #SmallBusiness #LondonDesigner #HandmadeDecor #FestiveSeason #HomeAccessories

The David Gill Gallery is currently hosting an exhibition titled 'Vases and Vessels', showcasing approximately 50 contemporary vases and vessels crafted by both established and emerging glass and ceramics artists. Most of the pieces were specially commissioned for the exhibition within the last six months, offering a fresh and diverse look at the current state of contemporary decorative arts. The exhibition, curated by journalist Gianluca Longo, highlights the evolving role of vases beyond mere functionality, positioning them as sculptural and versatile art forms capable of transforming an interior space. Gianluca Longo, known for his work with *W* and *Cabana* magazines, expresses a long-standing fascination with vases, particularly decorative ones, appreciating their dual capacity for aesthetic appeal and practical use. He notes their sculptural qualities and their ability to adapt significantly depending on the floral arrangements chosen. Longo's curation emphasizes 'craftsmanship and the handmade,' reflecting an instinctive selection process guided by a desire for strong decorative elements and a diversity of artistic styles. The exhibition features a wide array of influences, materials, and styles from various artists across the globe. Among the featured artists are Domitilla Harding, whose translucent glass vessels evoke deep-sea creatures, and Cody Hoyt, known for his intricate geometric vases made from inlaid hand-colored clay. Other notable artists include Kate Malone, Beth Katleman, Tommaso Corvi-Mora, Tancredi di Carcaci, Tino Seubert, Felicity Aylieff, Lena Peters, and Marcantonio Brandolini d’Adda. Longo specifically commissioned several pieces, such as Kate Malone’s ‘Monumental Fennel’, Tino Seubert’s terrazzo ‘Heptagon Rosa Perlino’, and Lena Peter’s ‘Owl’, the latter discovered by Longo at Central Saint Martins’ final degree show. The curator highlights emerging talents like Tancredi di Carcaci, a student from Edinburgh whose work reflects southern European baroque influences. Beth Katleman’s 'Vase with Cherubs' is described as adding a 'cheeky moment' to the exhibition and is expected to be a surprise for many, given her relatively lower recognition in the UK compared to New York. Longo expresses his belief in a growing interest in decorative arts, hoping the exhibition will underscore this trend through the unique vases and vessels on display. Francis Sultana, CEO of David Gill Gallery, prior to the opening, anticipated the exhibition would be a vibrant showcase, given Longo’s particular interest in glass and Venetian majolica vases. Sultana believed the exhibition would bring renewed attention to this ancient art form through the works of highly talented contemporary artists. This exhibition follows Longo’s previous success with ‘Young Bright Things’, an exhibition that spotlighted rising stars in fashion, art, and design. 'Vases and Vessels' is open for public viewing until 5 December at the David Gill Gallery, located at 2-4 King Street, London SW1Y 6QP. #VasesAndVessels #ContemporaryArt #DavidGillGallery #DecorativeArts #GlassDesign #Ceramics #GianlucaLongo #Craftsmanship #LondonExhibition

Japanese design studio Nendo, founded by Oki Sato, has collaborated with the historic Danish silversmith Georg Jensen to produce a limited-edition collection of three sterling silver vases. This collaboration draws profound inspiration from natural forms, particularly the organic shapes found in the environment, combining Nendo's minimalist aesthetic with Georg Jensen's rich heritage of nature-inspired design. The project, entitled 'Mizuki,' which translates to 'water tree' or 'beautiful moon' in Japanese, reflects a deep cultural connection to nature, a theme central to both Japanese tradition and Georg Jensen's artistic expression. Oki Sato, a visionary designer and a participant in Wallpaper's 25th-anniversary '5x5' project, highlights the shared reverence for nature between Japanese culture and Georg Jensen's design philosophy. He notes that many of Georg Jensen's iconic designs, much like elements in Japanese aesthetics, are rooted in natural motifs such as flowers, plants, or abstract organic forms. The concept of "water" holds particular significance for the Japanese, being an island nation with a strong connection to the ocean and agriculture, further solidifying its role as a fundamental inspiration for the 'Mizuki' collection. The creation of each 'Mizuki' vase is a testament to meticulous craftsmanship and takes approximately 400 hours for Georg Jensen's silversmiths in Copenhagen to complete. This labor-intensive process involves expertly hammering precious silver into its intended organic shape, followed by repeated high-temperature melting cycles to achieve the final, refined form. The vases then undergo multiple rounds of expert polishing to achieve their characteristic lustrous finish, showcasing the silversmiths' exceptional skill and dedication to detail. Beyond their aesthetic appeal, the vases are designed with multifunctionality in mind, a hallmark of Nendo's inventive approach. While they can serve their traditional purpose of holding flowers, allowing them to appear as if floating on water, or function as elegant jugs, Sato emphasizes that their utility is not confined to these roles. He encourages users to interpret and engage with the design in their own way, allowing for a personalized and evolving relationship with the objects. This philosophy underscores the belief that design should stimulate interaction and adapt to individual needs and creativity, rather than imposing strict limitations on use. The 'Mizuki' collection represents a harmonious blend of Japanese minimalism and Danish craftsmanship, manifesting in objects that are both sculptural and functional. The collaboration not only celebrates the beauty of natural forms but also the enduring power of traditional silversmithing techniques, reimagined through a contemporary design lens. These vases are more than mere decorative items; they are pieces of art that invite contemplation, interaction, and a renewed appreciation for the subtle elegance of nature and the artistry of human hands. #NendoDesign #GeorgJensen #SilverVases #ProductDesign #JapaneseMinimalism #DanishCraftsmanship #NatureInspiredDesign #LuxuryHomeware #InteriorAccessories

This article explores the interior design trend of using vases shaped like heads and faces to add personality and character to home decor. Unlike traditional vases that merely hold flowers, these unique ceramic pieces become an integral part of the arrangement, often appearing as though flowers and plants are floral headdresses on the ceramic visages. This trend offers a departure from minimalist, wonky-shaped, or historically-inspired vases by transforming the vessels into human forms, thereby imbuing them with deeper meaning and individual charm. The article highlights nine specific head and face-shaped vases available for purchase, each possessing distinct characteristics and inspirations. The 'Paper flower vase Janus' from Octaevo draws inspiration from Roman mythology, crafted from waterproof paper to pay homage to ancient ceramics. H&M; Home's 'Stoneware vase' features a minimalist, pensive head design with a gleaming finish, proving popular among customers for its stylish appearance. For those with a penchant for history, Anthropology offers a 'Large Grecian bust pot,' handmade and hand-painted from cement, suitable for both indoor and outdoor use. Jungalow's 'Nap Time ceramic planter set' stands out with its earthy colors and unique character, presented as a set of face ceramic planters. H&M; Home also presents a 'Ceramic vase' with a playful, unfinished, and bumpy texture, offering an authentic look that can serve as an interesting design feature with or without plants. The 'Human face ceramic flower pot' from Wish encourages creativity, inviting users to adorn it with bright blooms to create a "flower crown" effect. The 'Kore head vase' by Sophia-Enjoy Thinking is a handmade piece from Athens, Greece, inspired by Greek mythology and representing Kore, the goddess of grain and agriculture. Swealthy's 'Ceramic doodle woman's face vase' offers a cute and playful option for decorating shelves or dressers, suggested for pairing with plants like Chinese money plant or aloe vera. Lastly, the 'Frida Kahlo ceramic vase' from Trouva is a large, vibrant statement piece made from gloss-glazed ceramic, ideally suited for artificial flowers due to its non-waterproof nature. This trend allows for a personalized and artistic approach to home decoration, where the vessel itself is a key decorative element. #InteriorDesign #HomeDecor #VaseTrends #CeramicArt #CharacterfulDecor #HomeAccessories #UniqueHomeware #DecorativeVases

Sandra Apperloo, a Dutch ceramic artist operating under the name The Pottery Parade, creates distinctive ceramic pieces from her studio in Utrecht, the Netherlands. Her work is characterized by its playful and endearing nature, incorporating quirky faces and various patterns. Apperloo's ceramics are crafted entirely by hand, making each piece unique and imbued with its own personality. The artist has a particular fondness for colors and patterns, with a notable preference for pastel shades. She integrates tiny sculpted eyes and unique painted freckles into her designs. A key aspect of Apperloo's creative process involves continuous experimentation and trying out new techniques, which she views as vital for the evolution of her artistic expression. Apperloo's approach to creation is largely spontaneous, as she typically begins working on a piece without a preconceived plan or design. The shape of the ceramic object is often determined during the making process, as she allows her intuition to guide her in shaping, sculpting, selecting colors, and applying patterns. This method helps her maintain an open-minded perspective and encourages her to explore new artistic possibilities. Her creations are designed to evoke positive emotions in viewers, aiming to bring laughter and inspire daydreaming. Apperloo hopes her work provides a pleasant distraction from daily routines, leaving observers with warm feelings and stimulating their imagination. She finds immense satisfaction in the outcome of her work, particularly when unloading her ceramics from the kiln and observing how each character develops. Currently, Apperloo's product range includes various items such as pots, bud vases, bowls, and dishes, with ongoing exploration into new ideas and forms. She emphasizes that handmade ceramics inherently possess imperfections, which she considers an integral part of their character. This perspective is communicated to potential buyers, advising them to carefully review product descriptions due to the unique nature of each handcrafted item. Her work can be further explored and purchased via her website and Instagram presence. #Ceramics #FloralArt #CeramicArtist #HandmadeDecor #DutchArt #HomeDecor #ArtisanCrafts #UniqueVases #ThePotteryParade

Echo Petersen, founder of E Lee Designs, has found a creative outlet for her artistic passion by creating a variety of home decor and kitchen items featuring unique swirled acrylic paint designs. Petersen's work, which includes handblown coasters, trivets, charcuterie boards, and holiday ornaments, will be showcased at the 605 Made Holiday Market in Sioux Falls. Her designs are characterized by their vibrant colors and intricate patterns, achieved through a technique of blowing acrylic paints with drinking straws onto surfaces like ceramic tiles, wooden cutting boards, and canvases. This method allows colors to remain separate and distinct without blending, resulting in visually striking pieces. Petersen's journey into this craft began after she retired from her career as a financial assistant. Inspired by a set of handblown coasters she encountered during a trip to Fort Collins, Colorado, she dedicated herself to learning and mastering the technique. This involved extensive research through online videos and significant experimentation to develop her own proprietary mix of acrylic artist paints. Her husband, Bryce, supports her endeavors by creating custom oak frames for her canvas pieces. Each item crafted by Petersen undergoes a meticulous, multi-stage process that spans approximately one week. After the initial paint application, the piece requires time to dry and for the paint to cure. Following this, Petersen prepares the item by sanding its back and carefully taping it before applying a resin layer, which then takes an additional three days to dry. This commitment to quality ensures the durability and longevity of her handmade products. E Lee Designs offers a range of items, from small porcelain tile coasters to larger six-inch porcelain trivets and various wooden cutting boards. A particularly popular item that frequently sells out is her bamboo charcuterie board, which features pullout drawers and includes small wooden utensils, all adorned with her signature handblown paint designs. Petersen prioritizes using high-quality materials to ensure customer satisfaction and product resilience. In her creative process, Petersen pays close attention to current interior design trends, specifically monitoring popular colors in furniture and granite countertops. This awareness guides her selection of hues, ensuring her designs complement contemporary home aesthetics. She also incorporates micro powder glitter into her paints to add a subtle shimmer to the finished pieces. Popular color palettes in her collection include gray-beige, purple, and various autumn colors, while her personal favorite combination involves navy blue, moss green, and gold. This will be E Lee Designs' first participation in the 605 Made Holiday Market, though Petersen has previously showcased her work at vendor shows across South Dakota in cities such as Brookings, Pierre, Aberdeen, and Yankton. The 605 Made Holiday Market, an event organized by Knotty Gnome Variety & Salvage, Sew Doggy Boutique, and SiouxFalls.Business, and sponsored by The First National Bank in Sioux Falls and Dakota Business Finance, will feature over 40 makers. It is scheduled for Saturday, December 7, from 10 a.m. to 4 p.m. at Cherapa Place in downtown Sioux Falls, with free admission for attendees. #E Lee Designs #HandmadeDecor #AcrylicPouring #HomeDecor #HolidayMarket #Craftsmanship #ArtisanProducts #SmallBusiness #SiouxFallsEvents

This article explores how three Westchester homeowners master the art of chic collecting, blending formidable treasures and flawless taste to create truly livable homes rather than museum-like spaces. Each homeowner or couple showcases a unique approach to integrating extensive and diverse art collections into their personal residences. Karen Schlansky's Chappaqua home, which also functions as a gallery for her business, Rose Court Asian Antiques, exemplifies how Asian art can be seamlessly integrated into various decors. Her 1987-built "country barn" style home, characterized by wide-planked pine floors and exposed-beam ceilings, eclectic furnishings, and diverse collections. Schlansky's collection includes Tang Dynasty pottery sculptures, a third-century pottery lokapala, and Ming Dynasty musicians, which she skillfully mixes with contemporary furniture and art from other cultures like African masks and Southwestern paper collages. Her journey into antique dealing began with a passion for Chinese history and culture during her travels, leading her to establish Rose Court Asian Antiques in 1997. Initially, her gallery was in the lower level of her home, but she later moved it to the first floor to better demonstrate how the pieces would look in a living space. While most of her pieces are for sale, a cherished Qing Dynasty lacquered leather box, representing her family's leather business, remains a permanent fixture, symbolizing her past, present, and future. Dr. Lewis Shapiro and Linda Swanson, after downsizing from a rustic Briarcliff Manor home to a two-bedroom condominium in Trump Tower at City Center, faced the challenge of displaying their extensive global art collection. Their collection, which began in 1985 after Swanson acquired African art from Sotheby's, includes 20th-century wooden masks from Western Africa, thousand-year-old Casas Grandes pottery from Mexico, and antique Chinese snuff bottles. They enlisted Scarsdale interior designer Linda Blair of Blair Interiors Group, Ltd., who, as a collector herself, understood their desire to integrate art into their living space rather than merely displaying it. Blair designed the apartment with a neutral color palette of cream, beige, and caramel to highlight the art and used traditional yet comfortable furniture. Custom cabinetry in the living room showcases a range of their prized pieces, such as a painted gold Ashanti staff finial, a Kuba cub, and a Dan chimpanzee mask. A concrete pillar was transformed into a display for intricately carved Yoruba twins, and an illuminated niche in the entry foyer highlights ancient Roman artifacts, flanked by 16th-century French church columns. The entrance also features framed illuminated miniatures from Les Très Riches Heures du Duc de Berry, holding both artistic and sentimental value for Swanson. Blair's goal was to unify and organize their diverse collection, creating a livable space that avoided feeling like a museum. Marc and Denyse Ginzberg, homeowners in Rye, have transitioned from collecting African art to focusing on Ethiopian crosses. Their sleek, modern home, designed by Charles Forberg in 1993, offers spectacular water views and features custom-made shelves, antique armoires, and chests to display their collections. Initially, their collection included world-class African art such as ceremonial combs, hairpins, hats, sword handles, spoons, clubs, and whistles. After collecting for over 35 years and amassing an impressive collection of authentic African masks and sculptures, the Ginzbergs decided to sell their figurative works due to rising prices. They then shifted their focus to non-figural, abstract objects of use, known as "forms," which were featured in Marc's book, African Forms. After auctioning off a significant portion of this collection at Sotheby's Paris, breaking records for non-figurative African art, the Ginzbergs have now turned their attention to intricately designed Ethiopian crosses from the 12th to 19th centuries, composed of bronze, iron, wood, and silver. This new passion reflects their continuous engagement with collecting and their ability to identify emerging areas of interest in the art world, often ahead of museums and other collectors. #ArtCollection #HomeDesign #InteriorDesign #AsianAntiques #AfricanArt #EthiopianCrosses #ArtCollecting #DecorativeArts #HomeDecor