Sabyasachi for Nilaya furnishing fabrics by Asian Paints is giving us all kinds of design inspiration

Asian Paints has established itself as a leading innovator in design, empowering designers and architects to explore new aesthetic avenues through its diverse range of finishes and textures. The brand's 'Reinvent' initiative showcases how six design studios reimagined products using collections such as Woodtech Insignia, Royale Play International Designer Collection, and Nilaya. The Woodtech Insignia Collection, a collaboration with internationally renowned wood-coating brand Renner, introduces India to a range of “effects” for wooden surfaces. The Silver Micaceous effect, utilized by Objectry for its wooden products, captures the sparkle of a starry night. The Stringy effect, seen in creations by Paul Matter and Objectry, adds fluid grace and a sense of dramatic movement. The Craqulet effect provides a tactile, layered texture with visible cracks, mimicking nature’s imperfect beauty, as demonstrated by Objectry’s products and a candle holder by Various at Dhobi Talao. The Marble effect, inspired by natural limestone, adds a luxurious and weighty feel to surfaces, while the Patina effect lends an old-world charm, celebrated by a curved brass chair by Various at Dhobi Talao that accentuates the wood grain and brass elements. The Royale Play International Designer Collection draws inspiration from Italy’s rich artistic heritage, including neo-classical paintings, sculptures, and avant-garde fashion. The Archi Concrete finish, a versatile combination of concrete and plaster, was used by Lekha Washington for modular walls and Material Immaterial for a wooden stool, showcasing how even a stoic material can achieve high design. The Royale Play Midas finish, inspired by traditional gold leafing, transforms everyday objects into elegant collectibles, as exemplified by Material Immaterial’s door knob and hanging lamp, and Various at Dhobi Talao’s lamps. The Dune effect, with its interplay of color and metal, adds drama to surfaces, as seen in Material Immaterial’s floor lamp with its warm Dune Ombre texture. The Nilaya Collection combines Indian aesthetics, high design, premium materials, and flawless technique to offer an exquisite range of wallpapers, wall coverings, decals, borders, and paintable wallpapers. This collection also serves as a platform for artists and designers, featuring collaborations with talents like Kelly Hoppen, Ronald Redding, Candice Olson, and Sabyasachi Mukherjee. Sabyasachi Mukherjee’s Chittor Jaipur Blue wall covering, one of his five collections, provided a perfect colonial backdrop in the House of Mahendra Doshi. The in-house Nilaya Signature Series, drawing inspiration from nature, architecture, art, and history, is showcased by the 'Moods of Monsoon' wallpaper in the House of Mahendra Doshi, which harmonizes with the surrounding greenery and brings the essence of rain indoors. #AsianPaints #WoodtechInsignia #RoyalePlay #Nilaya #InteriorDesign #SurfaceFinishes #HomeDecor #SabyasachiMukherjee #DesignInnovation

This article explores a 4,105-square-foot, two-storeyed home in Surat, India, designed by Metropolitan Architectural Practices (MAP - Surat). The design narrative is deeply influenced by the homeowner's extensive knowledge and love for Indian handicrafts and handlooms, with textile motifs integrated throughout the interiors. The architectural brief involved expanding the existing built structure to accommodate two couples, their children, and an elderly parent, upgrading it to include four bedrooms, a home theatre, living and dining spaces, a kitchen, a courtyard, and a terrace. The architects, Miten Patel, Parth Patel, and Aparna Patel, retained only the original columns and beams, carving out new spaces to create a spacious dwelling while adhering to Vastu compliance. The design emphasized the use of materials like concrete, brick, and terracotta in their purest forms. The living room features a brick wall adorned with a Raza-inspired fabric artwork, and a sliding-folding door that allows the space to extend into a balcony. A custom motif on the Kota stone flooring is mirrored by a specially designed chandelier, creating a cohesive aesthetic. The staircase railing incorporates circular inserts with handmade artistry, showcasing patchwork designs and botanical patterns. The internal courtyard serves as the home's 'lung,' facilitating fresh air circulation and passive cooling. This area, housing the dining set, is enriched with various textile-inspired designs, including a hand-painted mural with Jaipuri motifs, patterned tabletops, and Jaisalmer stone flooring. The kitchen's chevron flooring pattern, reminiscent of Ikat textiles, extends into the dining area. The children's room, with its pastel hues and a hand-painted mural instead of wallpaper, extends into an activity area. The furniture is painted white to maintain a contemporary feel, moving away from conventional blue and pink palettes. In the primary bedroom, the flooring, designed to mimic a rug, is crafted from three different stones: Jaisalmer, Kota, and Mandana. African art from the homeowner's collection decorates a wall, while simple wooden furniture retains a natural charm. This bedroom also includes a balcony where stone, exposed concrete, and brick are prominent, with subtle patterns replicated on the door. The other bedrooms continue the theme of pattern play through fabrics, headboards, floors, and walls. The design team highlighted their focus on materiality while paying homage to the beauty and versatility of Indian textiles throughout the home. The terrace features a cozy seated area under a concrete pergola, enhanced by greenery and white terrazzo flooring with a plant pattern. A perforated brick 'jaali' provides privacy from neighboring homes. This meticulous attention to detail and integration of Indian textile heritage makes the Surat home a distinctive example of thoughtful and culturally rich interior design, where traditional patterns are reinterpreted in various architectural and decorative elements. #HomeDecor #SuratHomes #IndianTextiles #ArchitecturalDesign #InteriorDesign #VastuCompliant #TextileMotifs #CustomFurniture #PatternPlay

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

In an era characterized by rapid production and technological advancement, a burgeoning movement within Indian design emphasizes the enduring value of craftsmanship. This approach views craft not merely as a relic of the past but as a cornerstone for contemporary luxury, transforming traditional techniques into innovative designs for modern interiors. The movement prioritizes tactility, patience, and the unique story embedded within each handcrafted object, fostering a connection between material, memory, and emotion. Several pioneering Indian brands are redefining craftsmanship by integrating classical idioms with modern materials and sensibilities. These brands demonstrate a commitment to preserving traditional skills while adapting them to suit current aesthetic preferences and functional needs. Their creations range from repoussé metal furniture and hand-illustrated, embroidered wallpapers to jacquard textiles and sculptural woodwork. This thoughtful adaptation ensures that heritage techniques remain relevant and desirable in contemporary homes, setting new standards for traditional heirlooms. Among these brands, KalakaariHaath stands out for its unique blend of illustration and embroidery. Each piece originates from a hand-drawn sketch, which is then meticulously translated into intricate threadwork, sequins, and beads. This process results in tactile wall art, framed textiles, and bespoke wallpapers that blur the lines between fine art and functional decor. KalakaariHaath’s work often draws inspiration from nature, folklore, and personal memories, embodying a narrative depth that champions intimacy and careful observation. A recent collaboration with the Welfare of Stray Dogs, which transformed portraits of street animals into textile tributes, exemplifies the brand's empathetic approach to design. Magicsimsim similarly uses embroidery as a medium for storytelling, crafting tapestries rich in myth and cultural memory. The studio's raw silk panels are adorned with heritage techniques such as Aari, Zardozi, Marori, and Pitta, executed by generations of skilled artisans. Collections like 'Akshayvata,' which depicts the immortal banyan tree with ornate needlework and semi-precious stones, and 'Mayura on Ghat,' which renders the peacock in shimmering Zardozi, showcase a delicate fusion of textile and jewelry. Magicsimsim also incorporates Japanese beads and Austrian crystals to create painterly effects, repositioning embroidered art as both a cherished heirloom and a contemporary collectible. Karu, a multidisciplinary design studio, approaches craftsmanship through the lens of sacred geometry, temple architecture, and folk symbolism. Their creations, including sculptural wall panels and shrine-like forms, are contemplative by design, often finished with burnished gold leaf. Karu’s process is guided by intuition, resisting repetition to ensure that each object possesses a unique, quiet presence. The brand focuses on creating enduring presences that invite stillness and anchor emotions within the home, offering a sense of permanence in a rapidly changing world. KVAR Design, under Kunal Mehta, transforms textiles into immersive narratives inspired by nature. Installations like 'The Secret Garden' feature meticulously stitched birds, blooms, and insects, celebrating intricate detail and expressive freedom. The 'Tadoba' collection, a collaboration with National Geographic’s Sudhir Shivaram, weaves wildlife photography into jacquard fabrics, offering richly textured surfaces for cushions and wall coverings. KVAR’s work aims to create lasting pieces grounded in material richness and narrative intent, as seen in 'Vrindavan,' which reimagines the sacred hues of the Banke Bihari Temple in vibrant silk Dupion. Scarlet Splendour infuses glamour into generational craft, where furniture becomes a theatrical statement. The brand utilizes repoussé, an ancient metal-shaping technique, to create striking pieces such as Sacha Walckhoff's 'The Land of Legends' panel, adorned with semi-precious stones. Their 'Forest Bar' evokes old-world opulence, while the 'Orbit Bar' features geological orbs and custom lighting, embodying a blend of spectacle and deep technical craftsmanship passed down through generations. Each piece reflects a commitment to transforming raw material into functional, timeless art. Chester's embodies a legacy of craftsmanship centered on carved wood. Renowned for its Chesterfields, the studio honors 19th-century forms through deep buttoning, rich detailing, and robust construction. Artisans utilize time-tested techniques with solid beech and pine framing, hand-polished teak, and leathers finished in their Tamil Nadu tanneries. Their carved floral panels, headboards, and sideboards demonstrate traditional chiseling techniques adapted for modern design. Chester's commitment to quality ensures longevity, producing furniture that ages beautifully and becomes a cherished heirloom. These brands collectively represent a shared ethic of intentional making, valuing process, and celebrating craftsmanship, offering collectible objects that bring story and soul to contemporary homes. #IndianCraftsmanship #HomeDecor #ArtisanalDesign #LuxuryInteriors #TextileArt #SculpturalFurniture #TraditionalTechniques #ModernInteriors #CulturalHeritage

British-Nigerian multidisciplinary artist and designer Yinka Ilori has partnered with Momentum Textiles & Wallcoverings to launch his inaugural collection of commercial textiles and wallcoverings. This collaboration, Yinka Ilori x Momentum, aims to inject positivity and joy into commercial spaces, drawing inspiration from Ilori's dual heritage and his belief in the power of community and affirmation. The collection is designed to transform commercial environments into vibrant, creative hubs that uplift and inspire. Ilori emphasizes that the collaboration underscores the happiness derived from strong community bonds and storytelling, bringing a fresh, optimistic approach to commercial design. The collection features five distinct patterns available as textiles. "Shower Me With Flowers" reimagines floral motifs with geometric shapes, offering a contemporary take on traditional prints. "Dream Catchers" explores perception through its unique and shapely patterns. "Eyes in Reflection" presents a grid-like design interspersed with subtle rounded elements, providing a structured yet softened aesthetic. "Blossoms Time" focuses on woven textures and is available in a variety of solid colors, adding depth and tactile appeal to the collection. The most dynamic textile pattern, "Rhythms Surround You," layers colors, shapes, and patterns to create a complex and visually engaging design. In addition to its textile form, "Rhythms Surround You WC" is also offered as a wallcovering, expanding its application possibilities within commercial settings. The wallcovering collection further includes "Moving Mountains," a playful geometric pattern that adds a sense of movement and fun to walls, and "Shifting Motions," which delivers a kaleidoscopic explosion of color, creating a dynamic and energetic atmosphere. These wallcoverings are intended to bring Ilori's signature vibrant and fresh perspective to a broader range of commercial interior applications. The Yinka Ilori x Momentum collection is rooted in themes of cultural heritage, community, and the positive influence of joy in everyday life. Ilori's work consistently leverages bold colors and geometric patterns to create spaces that evoke happiness and well-being. This new venture into commercial textiles and wallcoverings allows his distinctive artistic vision to be integrated into larger-scale projects, making his cheerful and thoughtful designs accessible for offices, hospitality venues, and other public spaces. The collection aims to not only enhance aesthetics but also contribute to an atmosphere that encourages creativity and healing, reflecting Ilori's philosophy of design as a tool for positive impact. This collaboration marks a significant step for Ilori in extending his artistic reach into the commercial design sector, promising to bring his characteristic cheerfulness and thoughtful design to a wider audience. #YinkaIlori #CommercialDesign #Textiles #Wallcoverings #MomentumTextiles #InteriorDesign #GeometricPatterns #VibrantColors #CreativeSpaces

The contemporary design landscape is increasingly defined by the integration of timeless artistry with modern sensibilities. A new wave of Indian home decor brands is successfully bridging the chasm between historical craftsmanship and present-day aesthetics. These brands are not just preserving centuries-old traditions but are also reinterpreting them to create modern decor pieces that possess both deep cultural roots and refreshing modernity. This movement encompasses a wide range of products, from furniture imbued with traditional woodworking techniques to textiles reflecting generations of expertise, and handcrafted rugs that seamlessly blend heritage with high design, collectively shaping the future of luxury home decor in India. Alankaram exemplifies this fusion by crafting furniture that stands at the intersection of time-honored techniques and modern aesthetics. The brand's commitment to quality is evident in every piece, with skilled artisans employing age-old woodworking methods to produce bespoke furniture that aligns with contemporary tastes. Alankaram's extensive portfolio, featuring over 850 unique designs, ensures that traditional Indian craftsmanship finds a relevant place in modern homes, whether through intricately carved wooden items or sleek, minimalist creations. Beyond visual appeal, the brand prioritizes sustainability, utilizing eco-friendly materials and VOC-free finishes in its manufacturing processes. Drape Story, a co-branded entity with SPACES, specializes in luxury, made-to-order home textiles, recognizing their profound ability to transform a space and tell a unique story. The brand combines traditional craftsmanship with the capabilities of digital-age customization, offering a vast selection of over 2,000 prints and 1,200 colors across various products such as curtains, upholstery, and blinds. This tailored approach allows homeowners, architects, and designers to realize their specific visions, catering to preferences ranging from bold statements to subtle sophistication. Yura Rugs, based in Jaipur, a city renowned for its rug-making legacy, is redefining luxury decor through its masterful integration of traditional art with contemporary color palettes. With a lineage extending back to the late 19th century, the brand creates rugs that serve as both cherished heirlooms and striking design elements. Each rug is a testament to texture, precision, and artistry, providing the perfect complement to handcrafted furniture with its meticulously knotted fibers. Enii Living, drawing inspiration from the Sanskrit word for 'river' or 'Ganga,' symbolizes the fluid transition of traditional craftsmanship into modern design. The brand champions the rich textiles of the Indian subcontinent, producing handmade furniture and decor that function as modern heirlooms—luxurious pieces deeply embedded in cultural authenticity. Through ethically sourced linens, bespoke commissions, and artful home accents, Enii Living injects a fresh, contemporary perspective into ancient weaving and dyeing techniques, ensuring that every space feels thoughtfully curated, considered, and intimately connected to India's artisanal heritage. These brands collectively demonstrate that craftsmanship is far more than mere nostalgia; it is a dynamic force for innovation, sustainability, and the relentless pursuit of excellence. For individuals looking to invest in home decor that harmonizes tradition with modernity, the curated selection of brands by AD List offers an ideal starting point. The future of Indian decor is characterized by its timelessness, drawing profound inspiration from its rich and enduring past. #IndianHomeDecor #TraditionalCraftsmanship #ModernLiving #HandmadeFurniture #ArtisanalTextiles #LuxuryDecor #SustainableDesign #CulturalHeritage #InteriorDesign

Dane Pressner, the design director of D’Aquino Monaco in New York, maintains a compilation of samples, swatches, and inspirational images to constantly fuel his design ideas. His current mood board reflects a "moody and dramatic" aesthetic, characterized by saturated hues and diverse textures that, despite their apparent disparity, cohere harmoniously. Pressner emphasizes the importance of storytelling in design, noting that each element in his palette has a narrative, connected by his appreciation for craft, color, and the making process. He seeks to create a serene foundation, then introduces a contrasting element to add dynamism. Pressner details 20 specific items from his current inspiration. These include the "Victoria" fabric in denim by The Sign, valued for its saturated color and tactile quality, and the whimsical "Argo 2" fabric by Raf Simons for Kvadrat, chosen for its incredible color and playful nature. He incorporates "Anaconda Velvet" fabric in Petrol by House of Hackney, drawn to its symbolism of rebirth and transformation, and describes it as both luxurious and "menacing." Wood samples like "Iced Grey Fir" and "Iced Barn Wood" from Barn in the City are included for their "showstopping" potential. Artisanal elements such as glazed lava stone samples by Ian Felton Studio are highlighted for their sophisticated palette and Felton's understanding of proportion. Joseph Algieri’s "Large Cactus Foam Lamp" samples are noted for sparking joy with their unconventional green color. "Judy Stripe" wallpaper by Voutsa creates an illusion of draped fabric, which Pressner imagines Mame Dennis would have used. The "Series 108 Hardware Suite" by D’Aquino Monaco for SA Baxter, inspired by Francine Monaco and vintage automobiles, is praised for its versatility across modern and traditional interiors. Further inspirations include the "Lapis Glaze" sample by Danny Kaplan Studio, which features archaic yet modern forms and stunning new glazes, and metal finish samples by Alexandr Zhikulin of Lanin Design, whose straw marquetry interpretation in metal showcases boundless talent. Minimalist and sophisticated "Maykume Wood Panel" samples in Gris Noir by May Furniture are chosen for their texture and tone. The "C-Thru 2 lamp" by The Alpha Workshops, hand-cast in plaster with an aluminum-leaf faux bois finish, is appreciated for its beauty and the non-profit's mission. Pressner expresses an obsession with Pierre Frey's "Majestic" fabric in Noir & Or. Élitis's "Panama" wallpaper in Dandy is his go-to for natural textures, particularly the wild ones, envisioning an entire room in this black and natural grass cloth. "Raphia Rosace" wallcovering in Polaire by CMO Paris is described as magical, evoking an island ambiance due to its hand-crafted, 3D raffia. Custom hand-knotted zebra-print flat weave rugs by Tai Ping are valued for showcasing visible craftsmanship, which Pressner finds grounding. "Rialet Rug" samples by La Manufacture Cogolin are a "must-use" for their captivating color combinations. "Strata Linea Stone Plank Tile" by Clé Tile is appreciated for its innovative use of repurposed stone remnants, warmth, and color. "Sheepskin Upholstery" in Shadow by Opuzen is a frequently used fabric for its cozy texture and adaptability. Finally, "Armor Side Table Chain Mail" samples in Satin Nickel by Konekt are admired for their paradoxical ability to be both cold and soft, fitting into any decor scheme. #InteriorDesign #DesignInspiration #MoodBoard #TextileDesign #MaterialSelection #ArtisanCraftsmanship #HomeDecor #ColorPalette #SurfaceDesign

The Dutch design studio Scholten & Baijings has collaborated with New York textiles brand Maharam to create a unique collection of interior fabrics, distinguished by a large-scale pattern repeat designed to upholster an entire sofa without visual repetition. This innovative approach addresses a common challenge in textile design for large furniture pieces, where patterns often repeat noticeably. The first two designs in this series are named Blocks and Grid, and they are part of an ongoing partnership between Scholten & Baijings and Maharam Design Studio. The genesis of this project involved a detailed exploration into modern color blocking by Stefan Scholten and Carole Baijings. Their research led them to conceptualize and develop two extensive compositions, specifically scaled to accommodate the typical amount of fabric needed for a full sofa upholstery. Both Blocks and Grid textiles feature an impressive nine-meter pattern repeat, ensuring a seamless and non-repetitive aesthetic across large surfaces. Despite this extensive repeat, the fabrics maintain a standard width of 142 centimeters. A key aspect of the design process was ensuring that the textiles would be equally compelling both as standalone patterns and when applied to furniture. Scholten emphasized the importance of a nine-meter piece of fabric being as visually engaging as a single meter, highlighting the careful consideration given to the overall composition. Baijings drew a parallel to Mondrian paintings, noting that while Mondrian's compositions are contained within the canvas, upholstery fabric design demands a different methodology to maintain interest across an expansive surface. To overcome these design complexities, Scholten & Baijings employed their characteristic method of using multiple scale models during development. This allowed them to meticulously refine the patterns and test their visual impact at various scales. The textiles primarily consist of 92 percent wool and 8 percent nylon, and the design duo focused on how color perception translates when woven into wool. The fabrics are also designed to complement each other, allowing for cohesive integration within interior schemes. Blocks showcases Scholten & Baijings' signature color juxtapositions, creating vibrant and dynamic visual effects. Grid, on the other hand, builds color densities through the interplay of parallel and perpendicular lines. Scholten explained that the density of the grid influences the perception of color, lending a lighter, more ethereal appearance compared to a solid monochromatic plane. This nuanced approach to color and pattern ensures depth and visual interest. Blocks and Grid first premiered in "The Dinner Party," an installation at the V&A museum during the 2013 London Design Festival, and were also featured in the Art Institute of Chicago’s "3 in 1: Contemporary Explorations in Architecture and Design" exhibition. These designs are slated to appear in another exhibition of Scholten & Baijings' work at the Villa Noailles in Hyères, France, over the summer. Furthermore, both textiles have been acquired for the permanent collection of the Cooper-Hewitt National Design Museum, recognizing their significant contribution to textile design. A third textile, Tones, is anticipated to be unveiled at NeoCon 2014 and launched by Maharam in Spring 2015, further expanding this innovative collection. #TextileDesign #FabricInnovation #ScholtenBaijings #Maharam #InteriorDesign #ColorBlocking #UpholsteryFabric #DesignCollaboration #WoolNylonBlend

This article introduces Shadé Akanbi, a Brooklyn-based freelance pattern designer and the Creative Director and Designer behind Printed Pattern People. Akanbi's design philosophy is rooted in her multicultural upbringing, which has instilled in her a passion for creating global fusion lifestyle and brands. Her work involves translating traditional ethnic patterns and textiles into contemporary interpretations suitable for everyday use. Akanbi's creative process often begins with identifying a specific motif or detail from traditional textiles. This chosen element then serves as the central inspiration, around which she constructs new patterns using fresh colors and additional details. She is prolific in her output, creating between one to six prints daily, drawing inspiration from personal collections, client ideas, or a combination of both. Akanbi is known for her collaborations with various brands, in addition to maintaining her extensive collection of global textiles. Her first major collaboration was with Anthropologie in early 2020, where her artwork was featured in an accessories and sleepwear collection. Since then, she has partnered with notable brands such as Intermix, Zuri, S'well, Chasing Paper, Netflix, and Target. Her most recent collaboration at the time of the article's publication was with Bounty Paper Towels, as part of their Inclusive Artists Project initiative. This partnership involved her artwork being featured on the Bounty Prints collection paper towels and her image appearing on the packaging, an experience she described as surreal due to the widespread nature of the household item. The article highlights Akanbi's ambition and future aspirations. As an avid traveler, she expresses a desire to collaborate with airlines and boutique hotel brands, specifically mentioning Delta, Jetblue, Kimpton, and Hyatt, envisioning these as platforms to showcase diverse art mediums. Her interest extends to athletic footwear brands like Nike, Adidas, Puma, and Vans, reflecting her passion as a sneaker collector. Furthermore, her background as a collegiate basketball player and a fan of the NBA/WNBA drives her dream to work with her favorite sports teams. Ultimately, Akanbi seeks to partner with brands with which she shares strong personal connections, aiming to utilize these collaborations as unique avenues for artistic expression. Her personal history significantly influences her artistic vision. Akanbi recounts how her upbringing, from her mother's styling choices to her father's Nigerian cooking, and her early travels, particularly her first trip to Nigeria, profoundly shaped her as an artist. These diverse experiences, encompassing sights, sounds, textures, tastes, and emotions, have cumulatively impacted her design sensibility. Her ability to blend cultural influences and her innovative approach to pattern design underscore her unique position in the design world. The article concludes by encouraging readers to explore more of Shadé Akanbi's work via her Instagram and mentions a past collaboration where she provided a Designer Desktop wallpaper for Design Milk. #PatternDesign #ShadeAkanbi #TextileArt #CulturalFusion #BrandCollaborations #ArtisticProcess #DesignInspiration #GlobalTextiles #CreativeDirector

This article serves as a comprehensive guide to 12 prominent fabric brands, specifically curated for individuals looking to incorporate custom upholstery and textiles into their home interiors. The author, an expert in interior design, acknowledges that moving beyond off-the-shelf furnishings to bespoke options can be an overwhelming yet rewarding step in one's interior design journey. The selection presented leans towards modern styles but also includes brands that offer a blend of traditional and contemporary designs, ensuring a wide appeal. The guide begins with Casamance, a Parisian brand known for its romantic and painterly textiles, offering a soft approach to geometric patterns and a diverse range of materials from wools to silks, suitable for curtains, upholstery, and even outdoor furniture. Jane Churchill follows, an interior brand with traditional British roots, featuring structured florals, heritage stripes, and East Asian-inspired patterns that bring sophistication to both classic and modern spaces. Dedar, an Italian fabric brand, is highlighted for its innovative, sleek, and glamorous designs, with a global footprint and a reputation for luxury boucles, tapestry-like linens, and its iconic 'Tiger Mountain' jacquard velvet. GP & J Baker Group, though more traditional with a Royal Warrant, is presented as a brand offering classic quality plains and charmingly creative patterns through collaborations, such as with Kit Kemp, bridging traditional and contemporary design. House of Hackney is identified for its mainstream crossover appeal, known for creative, maximalist patterns in textiles and wallpapers, offering edgy palettes and dramatic florals suitable for clashing or pattern-drenching effects. ILIV, a rapidly growing UK brand, caters to a wide range of styles from luxurious velvets to country-chic, and retro to modern, with all designs created in-house. Liberty, an iconic brand, is celebrated for its intricately detailed patterns rooted in British art and design history, offering romantic florals and Art Deco flourishes in velvets, weaves, and linens for interiors. Kvadrat, a Scandinavian design brand, stands out as a modern choice favored by contemporary interior designers and architects for its clean lines, futuristic aesthetics, and minimalist textures, with separate collections for upholstery and lighter curtain fabrics. MINDTHEGAP, a Transylvanian brand, offers a unique aesthetic with folk-like inspirations and bohemian qualities, featuring intricate patterns that range from whimsical illustrations to historical frescoes. Prestigious Textiles is recommended as a go-to for interior designers seeking mid-range price points without compromising on quality, offering a large selection of in-house designed fabrics and wallpapers with a classic, timeless style. The Romo Group is presented as a collection of diverse fabric brands, each with its distinct identity: Romo for timeless patterns, Zinc Textiles for edgy luxury, Black Edition for contemporary elegance, Kirkby Design for graphic patterns with retro flair, Villa Nova for earthy organic qualities, and Mark Alexander for sophisticated, couture-like textiles. Finally, the Sanderson Group rounds out the list, encompassing Sanderson for traditional country-chic styles, Harlequin for modern and playful designs, Morris & Co for heritage prints, Clarke & Clarke for accessible yet stylish options, Zoffany for rich and opulent textures, and Scion for playful, Scandinavian-inspired graphic prints. Each brand offers a unique approach to textile design, enabling homeowners to curate a personalized mood and tell their home's story through custom fabrics. #FabricBrands #CustomUpholstery #TextileDesign #InteriorDesign #HomeDecor #BespokeFurnishings #ModernInteriors #TraditionalFabrics #DesignTrends

Julia Sobrepeña King, the designer behind Studio Roene in San Francisco and Los Angeles, is known for her ability to blend contrasting prints and colors, balancing bold hues with neutral tones and a mix of small- and large-scale patterns. Her current mood board is inspired by a recent trip to the Cabanon de Le Corbusier, a colorful seaside vacation home on the French Riviera, aiming to evoke a playful spirit with bright tones and natural woods. The resulting scheme highlights a balance of opposites, combining vibrant finishes and textiles with earthy, organic materials. King also incorporates hand-crafted pieces collected from her travels to add a personal touch, making the overall aesthetic adventurous and exciting. King details several elements that contribute to this unique mood board. These include one-of-a-kind colorful plastic cord baskets from Antiga Oaxaca, discovered during a trip to Oaxaca, which are woven by prisoners trained in traditional basket weaving. A custom Temples rug by Mark Nelson Designs is featured for its graphic nature, depth, and texture. The Alpi Quadra Noce Veneer by Patricia Urquiola at Alpi, with its modernist grid pattern, is envisioned for custom cabinetry or tables. Hard Maple with an oil finish by Sawkille is chosen as a less common yet refined and durable hardwood alternative to oak. The Seaside Bronze metal finish by Urban Electric Co. is appreciated for its worn copper or bronze verdigris appearance, offering a fresh, minty color and aged character. The mood board also incorporates a hand-glazed mustard tile called Thin Brick Tile in Pumpkin Field Gloss by Country Floors, a unique and saturated color ideal for a backsplash or bathroom. A custom woven fabric from Narda’s Handwoven Arts & Crafts, a famous weaving shop in the mountains of Baguio in the Philippines, is included, reflecting King's passion for collecting one-of-a-kind fabrics during her travels. Gotland Shearling in Natural Gray by Howe at 36 Bourne Street provides heavy texture, transforming gray from potentially dull to balanced when paired with fun colors and textures. A custom woven rug from Stark Carpet in a bright green spring color with a subtle geometric square pattern adds dimension and interest. Additional selections include Solana Honed Concrete Tile in Mocha by Concrete Collaborative, valued for its muted, earthy tone that pairs well with bold marble or ceramic tile. Unlacquered polished copper is chosen as a classic material that ages beautifully, ideal for combining with natural rustic woods and moody colors for a touch of shine. A vintage necklace made by her architect grandmother, featuring rare amber cylindrical beads and a unique gold medallion, adds a personal and inspiring element. The Primavera fabric in Claret by Lauren Hwang, with its hand-crafted feel and deep eggplant polka-dot pattern, offers elegance. Douglas Plank Flooring with a light oil finish by Dinesen is selected for its light color and contrasting grain. Orange Zellige Tile by Otto Tiles & Design, described as a shocking dull neon orange, is proposed as a surprising element for a powder room. The Ria fabric in 0741 by Raf Simons for Kvadrat, with its embroidered feel and subtle floral pattern in pastel colors, contributes a cheerful note. The Cambridge Strie Braid Tape in Heather by Samuel & Sons, a moody purple tone, is suggested as an accent for drapery or upholstery. Finally, the Saru fabric in No. ZFSU-02 by Zak+Fox, a playful tapestry with metallic yarns and rich blue tones, is deemed perfect for a pillow, alongside a hand-made ceramic bowl, which brings a personal, imperfect, and storytelling quality to the curation. #DesignInspiration #InteriorDesign #MaterialSelection #ColorPalette #GlobalCrafts #SustainableMaterials #TextileDesign #HomeDecor #ArtisticCuration

The "Crafting Topographies" exhibition showcases hand-embroidered wall art created by Brinda Dudhat of Morii Design, celebrating traditional Indian weaving techniques and the significant role of women artisans. Curated by designer Suchi Reddy and hosted at Salon Design, the exhibition highlights the historical and cultural richness embedded in these fiber art pieces, which utilize dyeing, weaving, stitching, and embroidery to create intricate, story-telling topographies. Brinda Dudhat's Morii Design operates on principles of collaboration, sustainability, and community engagement. The studio works with over 80 artisans across India, ensuring ethical practices and fair, living wages for their skilled work. Morii Design is committed to local sourcing and preserving authentic traditional techniques, making each piece respectful of its heritage and the labor involved. The inherent slowness and meditative nature of hand-embroidery infuse each artwork with care, love, and attention, reflecting the energy of its creation. Suchi Reddy, the exhibition's curator, emphasizes Morii Design's transformative approach to Indian craftsmanship. Reddy notes that the studio's dedication to showcasing age-old techniques, particularly those rooted in the wisdom and artistry of Indian women, fosters a powerful dialogue between the past and present. She views the exhibition as more than just textiles; it is a celebration of the stories, skills, and soul embedded within every thread, offering a contemporary lens through which to appreciate Indian craftsmanship. Reddy's own design philosophy, evident in her studio Reddymade, focuses on neuroaesthetics—the study of how environmental design impacts the brain. Her guiding principle, "form follows feeling," underscores the deep connection between human experience and the built environment. This perspective aligns with the ethos of "Crafting Topographies," which seeks to expose the profound, often overlooked, work of women artisans throughout centuries. The continuous, meditative movements of artisans' hands over the fabric imbue the pieces with an inherent energy and history. Salon Design, a contemporary art gallery in New York City's Tribeca, provides an elegant setting for the exhibition. The gallery, founded by designer and art advisor Amanda Pratt, frames the works in salon-style vignettes, allowing viewers to experience the art in an intimate and familiar manner, akin to walking through a brownstone. This presentation elevates the contemporary pieces, making them both accessible and highly collectible. The exhibition thus not only displays beautiful art but also draws attention to the cultural significance and meticulous process behind each creation. #HandEmbroideredArt #IndianCraftsmanship #MoriiDesign #SuchiReddy #SalonDesign #FiberArt #TextileArt #EthicalDesign #CulturalHeritage

D’Decor introduces its 'Curated Concepts' series, a collection of meticulously designed fabrics aimed at the modern, global homeowner. This series features a blend of contemporary themes, designs, and materials, designed to add character to minimalist, urban living spaces. The article highlights four distinct collections: The Fragments Collection, The Impressions Collection, The Fusion Collection, and The Ethnic Collection I and II. The Fragments Collection is characterized by geometric patterns and a sophisticated color palette, including mustard with navy, chartreuse with silver, and gold with grey. It incorporates Jacquard curtains and velvets, alongside plain fabrics. Key features include a satin jacquard with a tessellated 3D design, printed sheers with colorful patterns, and bright printed velvets and velvet jacquards featuring maze patterns, all complemented by coordinating curtain plains. The Impressions Collection draws inspiration from brush strokes, presenting vivid colors on vibrant designs. This collection utilizes 100% cotton printed fabric with impressionist stripes and geometric motifs. A stippled ombre stripe, printed on sheer and textured satin, adds depth. The collection also includes jacquard upholstery with distressed chevron and abstract textures, along with curtain jacquard that showcases an interplay of satin weave and fancy yarn, creating rich textures. The Fusion Collection translates earthy, handcrafted designs into diverse fabric substrates, offering a global ethnic aesthetic. It features curtain jacquard with a floral shibori design, distressed block-print-looking chevron, and stripes. Jacquard sheers with an 'ikat' dot and digitally printed sheers with Shibori patterns complement the main curtains. Upholstery options include printed velvet with a contemporary batik pattern and jacquard fabric with a floral block print. Plain fabrics, such as a raw-silk-look curtain plain and a chenille upholstery solid with a chevron texture, further enhance the collection. The Ethnic Collection I and II celebrate the art and craftsmanship of the Indian sub-continent. It reinterprets classical, stylized motifs through various techniques like digital print, jacquard, embroidery, velvets, and plains. The regal and vintage patterns are invigorated by a vibrant, contemporary color palette, offered in two volumes, each with three color stories. Highlights include a delicate Jacobean floral print contrasting with a monotonal jacquard upholstery, satin jacquards with stylized stripes and damasks, embroidered trellises, and Mughal scroll patterns for decorative accents. A broad, multi-colored panel stripe on cotton satin serves as a showstopper, supported by plains with distinctive characters, a handsome velvet stripe, and a delicate wide satin pinstripe. Beyond these showcased collections, D’Decor offers the ‘Flowing Jacquards Collection Two’ with botanical and geometric jacquards, and the ‘Reflections Collection Two’ focusing on sheers and solids. The brand also promotes eco-friendliness with ‘Nova’ bedlinen, introduces ‘Evita’ premium bed covers, and an easy-care range with anti-wrinkle and stain-resistant properties. ‘Bedsuites’ offers curated top-of-bed ensembles, premium dohars, jacquard collections, and kids' bed linen. D’Decor maintains a significant retail presence across the country, with 20 stores currently open and a 21st location planned for Hyderabad. These experience centers offer over 10,000 home fabric options, mood board creation tools, and an intuitive furnishing journey facilitated by the D’Decor app. The stores provide inspiration boards, a welcoming shopping atmosphere, and dedicated services for interior decor professionals, including relationship managers, swatch services, fabric customization, and special previews. #DDecor #HomeMakeover #FabricCollections #InteriorDesign #CuratedConcepts #ContemporaryHome #EthnicDecor #LuxuryFabrics #HomeFurnishing

In a post-Independence India, Delhi's barsatis, which are small rooftop spaces transformed into dwellings, became a popular and affordable housing solution. These homes, characterized by large terraces, are now gradually disappearing due to the gentrification of neighborhoods and the rise of high-rise construction. Interior designer Shivani Dogra took on the challenge of reviving the distinctive charm of one such barsati when an expat friend decided to make it his home. Dogra aimed to transform the 1,000-square-foot space into a modern dwelling that honored its heritage, seeking to amplify its existing natural light and charm while making minimal structural changes. To maximize the space, prudent design interventions were implemented. Original features like wall lights, the ceiling, and Kota stone flooring were retained. The wrought iron grills covering the living room windows were removed to provide an unobstructed view of the 700-square-foot terrace, which overlooks a park and gulmohar trees. To enhance natural light, two large windows were installed near the doorway of the main bedroom. An additional bedroom was created by partitioning a section of the open-plan living and dining area, and a utility area was converted into another room using bamboo fencing, demonstrating an efficient use of every available inch. The barsati was painted white to create a sense of coolness, airiness, and openness. The decor was curated over a year to reflect the personality of the American client, a scholar and Indophile who had lived and worked in India for over a decade, with extensive involvement in women's rights and tribal regions. Dogra infused the client's love and deep understanding of India into the design, making the home a tribute to Indian craftsmanship. Much of the clean-lined wooden furniture, contributing to a timeless Indian aesthetic, was acquired by the client during his travels across the country. The home features abundant natural textures, including bamboo blinds, traditional cane stools, and wicker baskets, with handwoven cane baskets forming an accent wall in the living area. A cozy two-seater dining table with jute-wrapped chairs is framed by Warli paintings, which also serve to delineate the space. A Gond artwork in yellow and green adorns the main bedroom. While neutral tones dominate the interior to reflect nature, splashes of color were introduced through handloom furnishings sourced from local bazaars and handicraft fairs. These furnishings were designed to be seasonally interchangeable, allowing for a dynamic decor despite space constraints. Cotton, khadi, and linen in cool colors were chosen for summer, while quilted cotton, silk, and wool in warmer hues were reserved for Delhi's winters. The final result is an urban home that beautifully blends modernity with a gentle appreciation for its Indian heritage and the city it inhabits. #DelhiBarsati #IndianHandicrafts #InteriorDesign #SpaceMaximization #HeritageRevival #NaturalMaterials #CulturalIntegration #SeasonalDecor #ShivaniDogra

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

The article highlights the resurgence of Indian block printing in modern home decor, a craft with over 4,000 years of history. Initially associated with traditional design, this technique is now gaining popularity in contemporary and millennial spaces, as evidenced by new launches from brands like Seabird Society and Schumacher's Jacaranda collection. Elizabeth Dresie-Arnold, a textile expert from John Rosselli & Associates, attributes this renewed interest to the unique, one-of-a-kind results achieved through block printing. She explains that block prints often feature bolder designs and a distinct ink texture, setting them apart from modern manufacturing techniques. Dresie-Arnold emphasizes that Indian block printing is a generational craft, with artisans passing down their skills and leaving a legacy with each hand-carved block. This aspect of worldly connection and heritage makes the technique particularly appealing in times when travel might be limited. The article encourages mixing and matching block-printed items with existing decor to create eclectic and personalized spaces. It suggests that these versatile patterns can elevate various settings, from everyday home styling to special occasions like Friendsgiving. The piece then showcases a curated selection of home decor items featuring Indian block prints, categorized into cushions, blankets, and table linens. For cushions, options include the Dot Cross Block Print Pillow, Printed Cushion Cover, Juby Umber Decorative Pillow, Amaya Reversible Pillow Cover, and Vienna Mustard Baby Pillow, ranging in price from $33 to $175. The blankets section features items like the Shark Tooth Portable Blanket ($149), Artichoke Quilt ($378), Tresham Throw ($225), Jemina Duvet Cover ($178), Woodgrain Bed Throw With Fringe ($266), and Navy And Creme Hash Stripe Quilt ($495). In the table linens category, the article presents the Jewel Blossom Tablecloth ($148), Pandora Tablecloth ($65), Block Print Coaster Set ($15), Pink Flower Napkin ($20), Scalloped Block Printed Napkin ($8), and Chevron Tablecloth ($130). These product recommendations serve to illustrate the diverse applications and aesthetic appeal of block-printed textiles across different areas of the home, promoting the trend of integrating this ancient craft into modern living spaces for a layered and unique look. #IndianBlockPrinting #HomeDecorTrends #TextileDesign #PatternMixing #HandmadeCrafts #InteriorDesign #GlobalInspiredDecor #TableLinens #CushionsAndBlankets

Shibori, an ancient Japanese method of pressing, twisting, and coloring textiles with indigo, has been a prominent trend in home decor, appearing on headboards, dinner napkins, and wall art. While shibori-dyed items remain popular in California-cool homes, designers are exploring new patterns to follow this bohemian style. This article consults four designers to predict the next significant pattern trends. Christina Bryant, founder of St. Frank, suggests Kuba cloth as the new neutral. Originating from the Congo, Kuba cloth is handwoven from raffia palm leaves, featuring earthy tones and a modern, elevated, and masculine feel. Bryant has incorporated its large winding lines into lumbar pillows, pouches, and even wallpaper, while still appreciating shibori fabric, as evidenced by a large shibori-covered surfboard in her living room. Rebecca Atwood, a textile designer and author, highlights Suminagashi, a Japanese marbling technique. Initially experimenting on paper with India ink and water, Atwood transferred these dreamy, hypnotic swirls to cotton duvets and pillow covers. She notes that Suminagashi shares the irregular and painterly quality that resonated with people in shibori, lending itself to a coastal and bohemian aesthetic. Caitlin Murray, principal at Black Lacquer Design, anticipates prints that are both exotic and suitable for everyday use. She is drawn to sophisticated geometrics with a softer, organic touch. Her top choices include Kelly Wearstler’s District fabric, a heavy linen with Cubist influences, and Clarence House’s Aimee print, which has been featured on a Memphis-style ottoman. Heather Taylor, owner of Heather Taylor Home, looks to channel the aesthetic of Amanda Brooks’s Cotswolds boutique by layering gingham and stripes. She proposes a maximalist approach, suggesting pairing a checkered duvet with matching window treatments. By adding beautiful florals, this combination can evoke the charm of the English countryside. These designers offer fresh perspectives on textile patterns, signaling a shift in popular home decor trends beyond the prevalent shibori style. #InteriorDesignTrends #TextilePatterns #Shibori #KubaCloth #Suminagashi #GeometricPrints #LayeredPatterns #HomeDecor

In this installment of the "What I Love" series, San Francisco–based designer Noz Nozawa shares the inspirations behind her vibrant interiors, which she describes as an “earth-toned rainbow” of brick reds, burnt oranges, and turquoise blues, infused with bold graphic prints. Nozawa's design philosophy is heavily influenced by jewelry, particularly statement-making shapes and earthy gemstone hues. This inspiration is evident not only in her general design work but also specifically in her debut lighting line for Corbett Lighting, where gold chains and antique jewelry styles played a significant role in her flat lay and product designs. Nozawa emphasizes a palette that feels both "buzzy and electrically cheerful" yet "mellow and vibrationally chill," driven by a high density of earth-toned colors. She details 14 specific items that embody her current aesthetic and creative process. These include the improvisational color combinations of Dirk Van Der Kooij's Meltingpot table, a piece she personally owns as a dining table. Her selection of ceramic tiles from Fireclay Tile in Vintage Leather, Bryce Canyon, and Huckleberry demonstrates her appreciation for saturated yet grounded color palettes. She is drawn to textiles like Métaphores' Hamac fabric in Epice, a "sexy see-through gingham" that she admires for its contradictory nature and wishes to incorporate into clothing. For material depth, Nozawa highlights Nakamoto Forestry's Suyaki Wood with black tung oil, admiring the natural pest and fire resistance achieved through the traditional Japanese Yakisugi (shou sugi ban) process, along with its aesthetic appeal. Her sensory preferences extend to fragrances, with Flamingo Estate's Roma Heirloom Tomato candle being a favorite for its unique, non-floral, and non-cloying scent. Jewelry remains a core inspiration, exemplified by Marla Aaron's Turquoise Rondelle Strand and Stoned Chubbylock with Turquoise, reflecting her childhood love for turquoise and appreciation for mechanical yet luxurious jewelry. She also finds inspiration in rug samples, such as the Busra rug from Safar Rugs, particularly admiring its neutral base complemented by earthy brick-red tassels. Her own creative process is represented by sketches of the Bezel and Daith sconces for Corbett Lighting, which are directly inspired by her cherished antique Victorian flush-set ring and a coveted Georgian-era stick pin. Textile choices further illustrate her eclectic taste, with Voutsa's Tartan Sea wool fabric offering a refreshing take on plaid with its unique color palette and 100 percent wool composition. Ralph Lauren's Sartorial fabric in Loden at Designers Guild, a houndstooth pattern with a hunter green tweed character, appeals to her husband's aesthetic and adds a cozy, handsome element. The Riviere chandelier sample for Corbett Lighting, featuring gold-leaf oversize mariner links, reflects her favorite chain style. Wallpaper selections like Kate Capone at Supply's Nookshelf wallpaper in Sail Away present a delightful riff on checkerboard patterns in colors she envisions for a powder room. Her collection of vintage items, such as a Japanese tin Daruma toy found in Paris, speaks to her consistent habit of acquiring Japanese antiques in Paris and French antiques in Tokyo, highlighting an idiosyncratic approach to sourcing. Finally, Gastón y Daniela's Santa Fe fabric in Rojo/Azul, with its folk pattern mixed with checkerboard and high-contrast colorways, perfectly encapsulates her "earthy play on primary colors" vibe, rounding out her "earth-toned rainbow" aesthetic. #InteriorDesign #DesignInspiration #ColorPalette #TextileDesign #LightingDesign #JewelryInfluence #HomeDecor #NozNozawa #MaterialSelection