Vivian Xu: Meet the London-based potter creating one-of-a-kind homewares

Hitomi Hosono's latest solo exhibition, 'Brook Street: An Artist's Eye,' showcases 30 new ceramic pieces within the historic London showroom of Sibyl Colefax & John Fowler. This unexpected pairing brings contemporary botanical ceramics into a space known for its classic English grandeur, a Mayfair townhouse dating back to 1723. The exhibition, held in association with Adrian Sassoon, strategically places Hosono's works among antique furnishings, often near windows overlooking a lush garden, creating a dialogue between crafted and natural beauty. Hosono's work, while deeply rooted in her Japanese upbringing with its delicate leaf and cherry blossom motifs, also draws inspiration from British influences. A significant example is her 'roses and pansies bowls,' which were inspired by a Colefax and Fowler fabric pattern from 1845. This particular series marked a technical and aesthetic departure for Hosono, as these bowls close inward, offering a sturdier, more tactile surface meant to be touched, contrasting with her earlier, more outward-emanating designs. She expresses a desire for people to experience the softness of the porcelain, akin to touching flower petals. The exhibition also features a tropical-themed series, initially created for last year's Jerwood Makers Open, with energetic patterns of hibiscus, coral, mangrove, and banana leaves. The vibrant colors in these pieces are achieved by mixing pigment directly with porcelain powder, a technique Hosono employs to preserve the intricate lines of her designs, as glaze would obscure them. Her use of the term 'delicate' for her work is an understatement, given the extraordinary level of detail and precision involved. Hosono's artistic process is meticulously labor-intensive. It requires months to perfect plaster molds of tiny leaves and flowers. She then uses modified, sharpened dental tools to add intricate detail to each component before individually applying them to a clay surface. Some pieces are so fragile that they cannot be shipped internationally due to the risk of damage. Notably, in her 'dew drop bowls,' each water droplet is individually carved, a detail she acknowledges might not be immediately noticed but is essential for the beauty of the final work. For the first time, Hosono's drawings are also on display, a decision influenced by Philip Hooper, design director of Sibyl Colefax & John Fowler. Hosono initially resisted this, considering drawings part of her creative process rather than finished products. She uses drawing to understand the structure and beauty of plants, viewing it as a form of anatomical study. She emphasizes that her ceramic representations are not exact replicas but are based on her memories and interpretations of botanical forms, leading to fantastical yet authentic results. She embraces the individuality of her artistic vision, as seen in her distinctive banana leaf pieces. The influence of the Perrier-Jouët Arts Salon Prize, which Hosono won in 2013, is evident in grape-patterned vessels that pay homage to the champagne house's Art Nouveau heritage, and in the overall adventurous and free-spirited nature of the collection. As a member of the Arts Salon, Hosono now contributes to selecting new winners, acknowledging the Salon's role in broadening her artistic horizons and providing a source of inspiration through its gatherings of creative influencers. #CeramicArt #HitomiHosono #LondonExhibition #InteriorDesign #BotanicalArt #ContemporaryCeramics #ArtAndInteriors #SibylColefaxAndJohnFowler #AdrianSassoon

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

This article explores the connection between individual personality traits and preferences for various ceramic styles, likening this classification to astrological signs. It delves into seven distinct pottery personalities, each associated with specific ceramic artists or brands and characteristic lifestyle choices. The first personality, described as "calm, cool, and collected," gravitates towards Bombabird ceramics. Individuals fitting this profile are depicted as reserved yet perceptive, valuing organic materials, quiet leisure, and engaging in hobbies like plant propagation. Their ideal retreat involves a secluded cabin, good books, and intricate puzzles, reflecting a desire for tranquility and thoughtful engagement. The "nature lover" personality is identified by an appreciation for Jonathan Yamakami's work. These individuals are characterized by a deep connection to the natural world, often recalling childhood explorations of tide pools. They enjoy outdoor activities like evening walks, prefer savory breakfasts, and show an interest in art forms like Ikebana, suggesting an aesthetic rooted in organic forms and natural beauty. For those who embody the "rebel with a cause," LBP Clay's creations resonate most. This personality type is portrayed as independent and unconventional, marching to their own beat. They are confident in their choices, possess a unique style, and engage in diverse activities ranging from helping a grandmother write her memoir to having synesthesia, all while maintaining a nonchalant attitude about their distinctiveness. The "young at heart" personality finds joy in Whitney Simpkins’s Personal Best Ceramics, which feature bold stripes, iridescent glazes, and pastel hues. These individuals are defined by their playful spirit, love for themed celebrations, and an affinity for vibrant, expressive aesthetics. They are depicted as enthusiastic and joy-seeking, embracing a lively and colorful approach to life. The "It Girl" personality is associated with Analuisa Corrigan’s ceramics and sculptures. This group comprises natural showstoppers who effortlessly excel in various domains, from cooking to mastering multiple languages. They possess an innate charisma, a flawless appearance, and a sophisticated lifestyle, suggesting a preference for ceramics that exude confidence and artistic flair. "Daydream believers" are drawn to Sam Kelly’s creations, often characterized by celestial or whimsical themes. This personality type is described as spiritual, compassionate, and open-minded, with an interest in alternative lifestyles, natural remedies, and existential inquiries. Their artistic preferences reflect a desire for pieces that inspire wonder and reflect a gentle, caring nature. Finally, the "craver of color" personality is perfectly matched with Raawii, a Danish brand known for its vibrant designs. These individuals are vibrant, fierce, and spirited, embracing bold aesthetics and an energetic lifestyle. They are described as design-conscious peacocks who appreciate strong colors, vintage styles, and lively social engagements, embodying a joyful and expressive approach to life and decor. #CeramicArt #PotteryPersonalities #HomeDecor #InteriorDesign #ArtisticExpression #LifestyleChoices #Craftsmanship

This article presents a diverse array of innovative products spanning home decor, personal accessories, and lifestyle items, each chosen for its unique design, functionality, or social impact. In the realm of home decoration, the Studio Cubbe Mini Floating Shelf from Lyon offers whimsical storage solutions with customizable colors and grout options, despite its miniature size. Similarly, Ugly Rugly's Amoeba Coaster Set brings playful, water-resistant designs to dining spaces, while &KLevering;'s Coupe Twirl Mint Set reimagines classic champagne glasses with colorful, retro forms. Lighting solutions include Zanwen Li's Heng Balance Lamp, a minimalist and interactive piece that illuminates through magnetic connection, and Siup Studio's handmade Minty Bubble Lamp, known for its experimental, bulbous ceramic form. For larger home accents, HAY's Flat Works Rug, designed by Ethan Cook, provides a blend of bold and subdued colors inspired by woven wall art, suitable for various decor styles. Storage and organization are addressed with DOIY's 'Mystic' ceramic boxes, which offer playful, magic-inspired vessels for trinkets and jewelry. Beyond home decor, the collection features personal accessories and apparel. The article showcases Piatnik's Takenobu Igarashi Playing Cards, originally commissioned by MoMA, which stand out for their timeless graphic design and use of negative space. For footwear, the FEIT + Oliver Jeffers Indoor Slippers, crafted from single-piece vegetable-tanned calfskin, feature illustrations from Jeffers' art book. Apparel items include the MAAP + The Arrivals Alt_Road Haelo Packable Jacket, a stylish and functional cycling jacket made from water-repellant and recycled materials, and The Fillmore Hoodie in Sunflower Embroidery by Taylor Stitch + Ron Finley, an organic cotton hoodie that supports the Ron Finley Project's guerrilla gardening initiatives. Accessories also include American Trench's Retro Stripes Socks, offering a nostalgic nod to the 1950s with durable, colorful designs, and the Q Timex 1972 Reissue watch, celebrating Timex’s iconic collection with a retro gold-tone stainless steel case and red face. The curated selection also highlights items with social or artistic significance. Heart n Soul Greeting Cards, featuring artwork by co-designers with learning disabilities, contribute 100% of profits to the Heart n Soul non-profit, promoting talent and inclusivity. The Galison “The Sunflower Quilting Bee at Arles” Puzzle transforms Faith Ringgold's powerful artwork, celebrating iconic Black American women, into an interactive piece. For pet owners, Dog Ear's Frankenball offers unique, handmade pet toys made from 100% recycled fabrics, emphasizing sustainability and outdoor enjoyment. Unique food and drink items include the Zojirushi PAC-MAN Stainless Mug, a limited-edition collaboration that combines classic gaming nostalgia with functional insulation, and Asha's Hello Kitty Cup Noodles, providing vegan noodles in playful, low-sodium packaging. Fine jewelry is represented by Lightbox Lab-Grown Diamond Cushion Cut Studs, showcasing technologically replicated diamonds in various colors and settings. Finally, the Rock Plan ChungKing Mansion Keychain pays homage to Hong Kong's ChungKing Mansion and Wong Kar-wai's film 'ChungKing Express', blending cultural reference with functional design. This collection emphasizes craftsmanship, unique aesthetics, and sometimes, a commitment to social responsibility or environmental consciousness, providing a comprehensive overview of products that aim to enhance daily life through design and thoughtful creation. #HomeDecor #InteriorDesign #LifestyleProducts #HandmadeCrafts #SustainableDesign #ArtisticCollaboration #GiftIdeas #UniqueDesigns

Virginia Sin, a renowned clay artist, introduces her August 2025 collection, which translates observations of everyday moments into permanent sculptural forms. Her work consistently explores the balance between fragility and function, and softness and strength, resulting in pieces that are both utilitarian and sculptural. Sin aims for her designs to offer moments of pause, allowing users to appreciate simple, beautiful everyday pleasures. The collection features a range of ceramic creations, each demonstrating a unique interpretation of tension and tenderness. The Gami Lighting Collection, for instance, draws inspiration from the simple act of a pinched paper corner. This concept is further developed in the Mira Wall Mirror, where a ceramic fold securely suspends a 26-inch round mirror, showcasing a delicate yet robust balance of softness and structure. Similarly, the Kahn Wall-Mounted Candle Sconce, an evolution of her earlier Laze Candelabra, reflects the aesthetic of folded paper with its soft curves and clean lines. This sconce can be mounted in two orientations, providing flexibility and a strong sculptural presence. Another highlight is the Noor Pillar Candle Holder, available in tall and short versions. These holders feature pedestals with gentle, upward folds, creating the illusion of paper immortalized in ceramic. They are designed for quiet rituals, holding classic pillar candles to illuminate spaces with a subtle glow. The collection also includes practical yet elegant wall hooks. Building on her existing For-Everything Horizontal and Vertical Coat Racks, Sin presents the For-Everything Solo Wall Hook, a slim and sculptural piece that adds artistic elegance to a functional object, saving floor space while offering both form and utility. The Leggy Curl Wall Hook, a more familiar silhouette, receives Sin's distinctive touch with a single coil of clay looped, pinched, and bent into a double-pronged hook, available in three finishes: Black, Sand, and Pebbled. Lastly, the Lunar pendant light draws inspiration from the moon's various phases. Its ceramic shade drapes over the bulb, creating dynamic shadows reminiscent of lunar cycles. Four hand-built coils at its base symbolize the moon's orbit around the Earth, transforming each illumination into a celestial reminder of nature's rhythms. Sin's August 2025 collection exemplifies her ability to merge sculptural art with everyday objects, transforming subtle observations into tactile and grounding forms. Through her work, she emphasizes that even the most minute details—a crease, a curve, or a shadow—can be carried forward and reimagined in new, enduring designs. #VirginiaSin #CeramicArt #HomeFurnishings #InteriorDesign #SculpturalDesign #LightingDesign #WallDecor #ModernHomeDecor #FunctionalArt

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

The article details the Harlequin x Henry Holland collaboration, which translates ceramic designs into a luxury line of fabrics and wallcoverings. Henry Holland, formerly a fashion designer, discovered ceramics during the pandemic and has since reinterpreted his three-dimensional pottery into two-dimensional textile and wallpaper designs. The collection is notable for its ability to retain the texture, tactility, and rich color characteristic of his original ceramic work, despite the shift in medium. The collaboration features over 50 different papers and textiles, each drawing inspiration from Holland's unique artistic vision. Several specific designs within the collection are highlighted to illustrate its scope and aesthetic. 'Pot Shop' directly references Holland's ceramic art, featuring stylized stacks of plates, bowls, footed chalices, and lamps rendered in a textural crewel embroidery. This design encapsulates the direct transfer of his pottery motifs to fabrics. Another design, 'Ludaix,' is a reinterpretation of a print from Harlequin's archives, showcasing a ruffly, sinuous botanical pattern that appears hand-painted with feathered edges, reminiscent of the ikat dyeing technique. This piece reflects the collection's integration of natural inspirations. The article also presents 'Fellcroft,' a delicate floral pattern that evokes the traditional method of woodblock printing through its slightly imprecise shapes. The organic feel of 'Fellcroft' is enhanced by its linen-cotton blend fabric. 'Connor' playfully manipulates S-curves and dots, incorporating imperfections that echo the natural formations found in Holland’s ceramic pieces. 'Edenfield,' a wallpaper design seen at the top of the article, mimics a cross-section of a tree trunk. This effect is achieved through paint applied to silk paper, allowing it to seep and soften the lines, creating an organic, undulating wood grain pattern. The sofa shown with 'Edenfield' is upholstered in 'Great Hey' in a Matcha shade, further demonstrating the collection's cohesive design approach. The color palette of the collection is directly influenced by the hues used in Holland's pottery studio, featuring rich browns, soft sage greens, and dusky blues. These colors, along with the variations created by glazing techniques in ceramics, are mirrored in the textiles. 'Southborough' fabric exemplifies this with its ombré colorways and embroidered chevrons, which produce subtle shade variations and a soft-edged yet impactful pattern. The entire collection emphasizes the translation of three-dimensional, tactile ceramic artistry into two-dimensional, luxurious interior design elements, offering a unique blend of craftsmanship and contemporary style for home decoration. #HenryHolland #Harlequin #CeramicsToWallpaper #LuxuryInteriors #TextileDesign #WallpaperDesign #HomeDecor #ArtCollaboration #InteriorTextiles

Drag And Drop, a Romanian design and manufacturing studio co-founded by Madalin Gheorghe and Dragos Sabareanu in 2019, is known for its innovative approach to design, merging advanced technology with artisanal techniques. The studio's ceramic collection showcases this philosophy by reimagining the function and aesthetics of everyday objects, specifically vases. The creation process leverages a large 3D-ceramic printer to produce intricate patterns, which are developed using sophisticated algorithmic modeling software. Throughout the design and manufacturing process, a strong emphasis is placed on sustainability, aesthetic appeal, and overall quality. The collection features five distinct vase designs, each drawing inspiration from natural patterns and traditional craftsmanship. The 'Intertwined' vase, for instance, is characterized by its organic, interwoven geometric pattern, reminiscent of growth structures found in tree bark and root systems. This unique design is achieved through 3D printing using 100% natural clay. While the interior of the Intertwined vase is hand-glazed, its exterior maintains a matte finish, a consistent characteristic across the entire ceramic collection. This contrast highlights the intricate textures created by the 3D printing process. Another design, 'Bulky,' is offered in three different sizes. This vase features a textile-like pattern that interacts with light throughout the day, creating varying visual effects. The design encourages tactile engagement, inviting individuals to explore its geometric forms and textures through touch. This interactive element adds another dimension to the appreciation of the piece, allowing for a more intimate connection with its design and material. The 'Ripple' vase demonstrates the studio's ability to translate complex mathematical formulae into aesthetically pleasing natural patterns. Its design mimics the visual effect of rippling liquid, such as the concentric circles formed when a stone is dropped into water. This piece exemplifies how technology can be used to replicate and enhance natural phenomena, creating objects that are both visually striking and conceptually rich. The wave-like pattern provides a sense of movement and fluidity, despite the static nature of the ceramic material. The 'Kilim' vase pays homage to the traditional tapestry-weaving methods employed in regions historically part of the Persian Empire. This design represents a contemporary reinterpretation of an ancient craft, demonstrating a harmonious blend of traditional artistry and modern industrial design. By translating the intricate patterns of kilim carpets into a 3D-printed ceramic form, the studio bridges the gap between historical techniques and cutting-edge manufacturing, creating a piece that is culturally resonant and technologically advanced. Finally, the 'Melting' vase directly incorporates its manufacturing process into its aesthetic. The design plays on the suppleness of wet clay during the layering process of 3D printing, creating the illusion of a soft object that appears to be melting. This visual effect is achieved despite the hard, finished ceramic product, creating an intriguing juxtaposition. The Melting vase challenges perceptions of material properties, making a rigid object appear fluid and malleable, highlighting the transformative potential of 3D printing in ceramic art. #3DPrinting #CeramicVases #NatureInspiredDesign #AlgorithmicModeling #SustainableDesign #HomeDecor #ModernCraftsmanship #DragAndDropDesign #InteriorDesign

This article highlights various innovative design pieces from global makers, showcasing a blend of traditional craftsmanship and contemporary materials. The featured designers and studios, hailing from locations such as Brooklyn, Copenhagen, and Ukraine, emphasize unique artistic visions and sustainable practices in their creations. Each piece is a testament to meticulous design and material exploration, ranging from intricate glass sculptures to furniture made from reclaimed materials. The article begins by introducing Reevein Studios, specifically Sara Rosa Oppermann and Alice Soro Cilliara, who create mouth-blown glass sculptures. Their 'Spora' sculpture, available in amber and electric blue, demonstrates the artistic manipulation of glass into fluid forms. Following this, Djivan Schapira's 'Divergent' foyer and low tables are presented, characterized by resin inlaid with bronze wire, offering a modern aesthetic with intricate detailing. Kateryna Sokolova's 'Flock' chair for Noom, featuring an upholstered injection-molded soft-foam body and stained-ash feet, illustrates a combination of comfort and sculptural form. Faina's Victoria Yakusha contributes the 'Sontsehryv' sculpture, which stands out for its sustainable composition. This piece is crafted from Ztista, a proprietary blend of cellulose, clay, flax fiber, wood chips, and biopolymer, reflecting a commitment to eco-conscious design. Streicher Goods, led by Ethan Streicher, showcases a collection of lamps—Archie, Ping Pong, and Drum—fabricated using various stoneware clays, underglazes, mid-range glazes, and sometimes blown glass or 3D-printing processes. These lamps explore diverse material combinations and manufacturing techniques. Mansi Shah of Manu Nanu presents an interlocking vase made of hand-blown borosilicate glass in amber and cobalt-blue, demonstrating a sophisticated approach to color and form in glasswork. Nathan Litera's side table combines natural rope and grand antique marble, offering a textural and material contrast that evokes both rustic and luxurious sensibilities. Astraeus Clarke, by Chelsie and Jacob Starley, features the 'Lenox Small' three-globe light, available in wall sconce and chandelier formats, constructed from powder-coated steel, brass, and glass, indicating a versatile lighting solution. Eduardo Rivas of ERM Studio contributes the 'Materia Digital' cast-aluminum coffee table with a glass top, showcasing a blend of industrial materials with a refined finish. Kiki Goti's 'Belted and Buttoned Up' wall lights, made from aluminum, polished nickel, and steel, exemplify a contemporary and structured lighting design. Feyza Kemahlioglu of Feyz Studio, through Wexler Gallery, introduces the 'Glowing Sentiments' lighting collection, which incorporates hand-blown Murrine glass, brass chain, and Meerschaum, a hand-carved clay mineral, highlighting intricate details and unique material sourcing. Ciara Jade Dockery’s 'Creature Comforts' collection includes a Flokati wool pouf, a Mohair bench crafted from vintage rugs, and a Ply occasional table made of FSC-certified plywood. These pieces emphasize comfort, sustainability, and the repurposing of materials. Matt McKay presents the 'Jib' shearling and lacquer stool, the 'Ahoo' cashmere-upholstered lounge chair, and the 'Cap' resin and lacquer coffee table, all demonstrating a focus on tactile luxury and modern forms. Finally, Michelle McLaughlin of Calyer Ceramics features the 'Sprig' floor lamp, which features a ceramic stoneware base with a handmade glaze and a linen shade, showcasing a handcrafted approach to lighting. #MaterialInnovation #ProductDesign #SustainableDesign #Handcrafted #Ceramics #GlassArt #FurnitureDesign #LightingDesign #InteriorDecor

Echo Petersen, founder of E Lee Designs, has found a creative outlet for her artistic passion by creating a variety of home decor and kitchen items featuring unique swirled acrylic paint designs. Petersen's work, which includes handblown coasters, trivets, charcuterie boards, and holiday ornaments, will be showcased at the 605 Made Holiday Market in Sioux Falls. Her designs are characterized by their vibrant colors and intricate patterns, achieved through a technique of blowing acrylic paints with drinking straws onto surfaces like ceramic tiles, wooden cutting boards, and canvases. This method allows colors to remain separate and distinct without blending, resulting in visually striking pieces. Petersen's journey into this craft began after she retired from her career as a financial assistant. Inspired by a set of handblown coasters she encountered during a trip to Fort Collins, Colorado, she dedicated herself to learning and mastering the technique. This involved extensive research through online videos and significant experimentation to develop her own proprietary mix of acrylic artist paints. Her husband, Bryce, supports her endeavors by creating custom oak frames for her canvas pieces. Each item crafted by Petersen undergoes a meticulous, multi-stage process that spans approximately one week. After the initial paint application, the piece requires time to dry and for the paint to cure. Following this, Petersen prepares the item by sanding its back and carefully taping it before applying a resin layer, which then takes an additional three days to dry. This commitment to quality ensures the durability and longevity of her handmade products. E Lee Designs offers a range of items, from small porcelain tile coasters to larger six-inch porcelain trivets and various wooden cutting boards. A particularly popular item that frequently sells out is her bamboo charcuterie board, which features pullout drawers and includes small wooden utensils, all adorned with her signature handblown paint designs. Petersen prioritizes using high-quality materials to ensure customer satisfaction and product resilience. In her creative process, Petersen pays close attention to current interior design trends, specifically monitoring popular colors in furniture and granite countertops. This awareness guides her selection of hues, ensuring her designs complement contemporary home aesthetics. She also incorporates micro powder glitter into her paints to add a subtle shimmer to the finished pieces. Popular color palettes in her collection include gray-beige, purple, and various autumn colors, while her personal favorite combination involves navy blue, moss green, and gold. This will be E Lee Designs' first participation in the 605 Made Holiday Market, though Petersen has previously showcased her work at vendor shows across South Dakota in cities such as Brookings, Pierre, Aberdeen, and Yankton. The 605 Made Holiday Market, an event organized by Knotty Gnome Variety & Salvage, Sew Doggy Boutique, and SiouxFalls.Business, and sponsored by The First National Bank in Sioux Falls and Dakota Business Finance, will feature over 40 makers. It is scheduled for Saturday, December 7, from 10 a.m. to 4 p.m. at Cherapa Place in downtown Sioux Falls, with free admission for attendees. #E Lee Designs #HandmadeDecor #AcrylicPouring #HomeDecor #HolidayMarket #Craftsmanship #ArtisanProducts #SmallBusiness #SiouxFallsEvents

Laetitia Rouget, a ceramicist known for her distinctive and playful pieces, shares insights into her artistic journey and creative philosophy. Having transitioned from fashion design after studying at Central Saint Martins, she has since explored various mediums including print, textiles, and paint, before focusing on ceramics. Her work is characterized by a blend of British humor and eccentricity with a touch of French 'je ne sais quoi', infused with the light and sunshine of Lisbon, where she currently resides. Rouget's artistic development began at a young age, with a natural inclination towards drawing and a fascination with bold and vibrant colors. She honed her unique style around the age of 18, particularly through her passion for depicting the human body and creating original characters. Throughout her career, she has found inspiration in various sources, with a significant impact from artist Hylton Nel, whom she met during a trip to South Africa. This encounter directly influenced her decision to delve into ceramics upon her return. Beyond specific artists, Rouget emphasizes that her primary sources of inspiration are the people she encounters daily, the natural world, and the experience of traveling. She believes that visiting countries with diverse cultures opens the mind to unexpected ideas. She highlights that inspiration is fundamentally a state of mind, requiring curiosity, a willingness to step outside one's comfort zone, and an openness to subtle cues. Sometimes, even a minor detail can spark a new project or shift in direction. Her career shift from fashion design to selling her paintings and ceramics was initially a temporary exploration, but it quickly evolved into a full-time pursuit as she realized she could sustain herself through her artistic passion. Rouget cherishes memories and views objects as their vessels. She enjoys collecting pieces that tell a story, whether through interactions with artisans worldwide or by acquiring and refurbishing old furniture and items from second-hand markets. Her most extensive collection is ceramics, reflecting her passion for the medium and her support for fellow ceramicists, with each piece serving as a reminder of a specific period in her life. Rouget's personal preferences also contribute to her creative environment and perspective. She finds solace and motivation in music, particularly genres from South Africa and South America known for their happiness and energy, which she listens to while painting or drawing. She expresses a fondness for the energy and landscape of Menorca, particularly small towns where architectural details and tiles offer unexpected inspiration. Her literary tastes include _The Zebra_ by Alexandre Jardin, valued for its character's freedom and reality-creation, and _Journey to the Centre of the Earth_ by Jules Verne, which she plans to revisit with a fresh perspective. Culinary preferences lean towards French comfort food, such as gratin dauphinois with entrecôte, and a signature passion fruit and mango crumble. She enjoys dining at Mazi, a Greek restaurant in Notting Hill, and appreciates the unique experience of theatre, alongside a broader enjoyment of films and documentaries. Beyond Hylton Nel, she admires David Shrigley for his drawings and Grayson Perry for his tapestries and ceramics. #LaetitiaRouget #Ceramics #ArtisticInspiration #InteriorDesign #CreativeJourney #FashionToArt #ArtistProfile #HomeDecor #CulturalInfluence

Erik Wyckoff, a professional woodcarver operating out of Minneapolis for 28 years, specializes in creating bespoke wooden elements that add unique character and timelessness to homes. His interest in wood carving began in childhood, inspired by the intricate details of historic homes like the James J. Hill House. Wyckoff's parents encouraged his passion for traditional craftsmanship, leading him to pursue formal training. He honed his skills under the tutelage of master carver Konstantinos Papadakis, who passed down artistic, historical, and practical knowledge, including tool handling, carving efficiency, and the fundamental decorative styles. Papadakis's instruction covered various motifs such as birds, flowers, grapes, and the scrolling acanthus leaf, which forms the basis for numerous historical carving styles. This comprehensive training has enabled Wyckoff to undertake a diverse range of projects, from Italian-style wine cellar doors and French mantels to Black Forest-style mantels for rustic cabins. Wyckoff's portfolio includes notable projects such as a Renaissance-Revival-style carved paneled study featuring hidden loons, deer, and beavers, inspired by the Minnesota State Capitol. He also replicated missing wood carvings for the restoration of the Donaldson Mansion in Minneapolis and created a French-style relief carving over a door in Medina, incorporating the owner’s industrial symbols. Wyckoff places significant emphasis on research, drawing inspiration from historic decorative arts ranging from medieval churches to French tapestries, ensuring historical accuracy and a sense of permanence in his creations. Among his favorite projects are the doors and panels for a Maplewood home's wine cellar, which were inspired by France's Château de Chambord, designed to immerse the owner in a French aesthetic. This project also included a unique bar top under glass, carved with mythical beasts and foliage, conceived as a conversation-starting "cabinet of curiosities." Another deeply sentimental piece involved a carved panel with vines and a pair of cardinals for an older couple, symbolizing their lifelong partnership. Wyckoff collaborates frequently with design professionals, integrating his custom carvings, which often feature Old World decorative art motifs like animals, flowers, and scrollwork, seamlessly into the overall architecture and interior design. He ensures historical accuracy and tasteful integration, often being part of a larger design team to achieve the client's vision. Clients like Steve and Susan Rudolph of Orono attest to Wyckoff's ability to create custom pieces that perfectly match existing architectural details, as demonstrated by the eight unique willow corbels he carved for their Spanish Revival home's entry gallery. These corbels not only highlighted the groin vault ceiling but also subtly incorporated the initials of each family member, adding a personal touch while maintaining historical consistency. Wyckoff expresses profound satisfaction in knowing his work brings joy and lasting beauty to clients' homes. #Woodcarving #BespokeDesign #InteriorDesign #CustomCraftsmanship #HomeDecor #ArtisticWoodwork #HistoricalAccuracy #Renovation #ArchitecturalDetails

This blog post, part of the monthly series “In Our Carts,” highlights a curated selection of new product launches in home design and decor. The featured items span various categories, from lighting and textiles to furniture, tiles, ceramics, kitchenware, and rugs, all chosen for their design appeal and functional innovation. The selections aim to provide readers with inspiration and direct access to notable products that have recently caught the attention of design experts. One of the highlighted launches is Augusta Hoffman's debut lighting collection with Hudson Valley Lighting. This collection draws inspiration from renowned artists, featuring minimalist, vintage-inspired designs. Key pieces include the Louise pendant and Elaine sconce, characterized by elements like hand-shirred silk, braided cording, whip-stitch details, rice paper shades, and tactile iron. The Ellsworth's glass-diffused light and the curved arms of the Elaine sconce are specifically noted for their aesthetic appeal. Another significant collaboration is between The Company Store and Heather Taylor Home, resulting in a textile line rooted in cottagecore aesthetics. This collection combines The Company Store’s classic craftsmanship with Heather Taylor Home’s vibrant, cheerful prints. The extensive 50-product assortment includes 100% cotton quilts, plaid duvet covers, floral bedding, flannel pajamas, and holiday-themed table linens, with prices beginning at $12, making it accessible for various budgets. Susan Clark has also introduced a furniture capsule collection with Design Within Reach, showcasing pieces inspired by Nordic rooflines and organic forms. The Contra Sofa system offers modular arrangements, a lounge chair, and an ottoman, featuring a sculptural wood spine paired with curved, upholstered seating. The Pinna Table, designed with negative space in mind, boasts an organically-shaped wooden base topped with a marble round, available in different shades. The collaboration between Moniomi and Concrete Collaborative has yielded a gelato-inspired tile collection. This line includes four colors—Cello (lemon), Tacchio (pistachio), Frago (strawberry), and Stracci (minimalist)—each featuring oversized fragments and monochromatic schemes. These tiles are envisioned for various applications, including powder rooms, entryways, and statement backsplashes. Il Buco Vita and Commune Design have teamed up to create a limited-edition ceramic collection. Crafted by Assisi artisans in Umbria, these pieces, made from black clay, include tea accessories and a trio of canisters. The collection is presented in an autumnal palette of eggplant, turmeric, rhubarb, mushroom, olive, and earth tones. In kitchenware, multihyphenate creative Eric Wareheim has designed a set of steak knives for Made In. These non-serrated knives, forged in France, feature mother-of-pearl handles, adding a touch of enduring chicness to the dining experience. Additionally, Mill, known for its Food Recycler, has expanded its offerings with new colorways—sleek all-black and stainless steel—for its appliance, which converts food scraps into nutrient-rich grounds. Sixpenny has unveiled new seating and sculptural table styles, including the low-profile Yogi sofas and chair, which feature a chunky, boxy form. The Terra tables blend Art Deco sensibilities with organic shapes, while the Tango chair offers whimsical proportions. The Rho table and pedestal maintain a classic form. The collection also introduces new wood finishes and velvet upholstery. Finally, Backdrop has reimagined archival Schumacher wallpapers, offering four 20th-century designs, including architectural panels, a Surrealist trellis pattern, and two horse-inspired motifs, starting at $36 per yard. Boll & Branch has also launched cozy cashmere sheets made from organic Turkish cotton, available in queen and king sizes, known for their softness and featuring options like a tonal merrowed edge or a minimalist plaid. Ernesta has introduced “The Persian Edit,” a collection of Persian rugs made in Turkey, featuring hand-dyed, 100% wool rugs that undergo a multi-step process to achieve an antique character and color, coupled with modern custom sizing and quick delivery. #HomeDecor #ProductLaunches #InteriorDesign #LightingDesign #FurnitureDesign #Textiles #Ceramics #Tiles #Kitchenware #Rugs

Colton Dixon Winger, cofounder and owner of the styling agency Cuniform, has expanded his expertise from personal wardrobe curation to sustainable home design. Winger’s approach, rooted in the philosophy of repurposing existing items and sourcing vintage or pre-owned goods, mirrors his successful strategy in fashion. His venture into interior design began with "rearranging services," where he would reorganize a client's current furniture and decorative items to create more cohesive and intentional spaces. This hands-on method stems from his lifelong interest in architecture and interior arrangement, a passion he cultivated since childhood by constantly reconfiguring his own room. Now, Cuniform Interiors operates with a dedicated head of design, Bethanie Jones, and offers comprehensive services, including 3D renderings, structural modifications, and full kitchen remodels. A significant challenge in this expansion has been adapting the sustainable ethos from clothing to home furnishings, as the logistics of transporting and sourcing larger items differ considerably. However, the core principle remains consistent: prioritize what a client already possesses and, when new items are necessary, seek out sustainable and second-hand options. One notable project involved Mia Malave, a long-standing styling client of Cuniform, who sought Winger’s help when moving into a midcentury modern home in West Seattle. Malave desired an open, interconnected living space where conversations could easily flow between the living room, dining room, and kitchen. Her existing kitchen, however, was enclosed by walls and low-hanging cabinets, obstructing the desired open-plan feel. Winger collaborated with Casual Surveying Co., a local design-build firm, to dismantle these barriers, creating an open-concept kitchen furnished with midcentury-appropriate walnut cabinets and a central oak island. For Malave's guest room, Winger skillfully repurposed her existing rug, table, and other decor, augmenting them with unique finds like a vintage metal ladder from Epic Antique to serve as a blanket holder. The furniture for the ground floor was meticulously sourced, with nearly every piece being vintage or recycled. This commitment to intentional, sustainable sourcing often requires patience, as clients may need to wait longer for the perfect, ethically acquired item rather than settling for readily available new products. For instance, a Parisian desk was acquired from local antique dealer Kassie Keith, and a large bamboo dining table was found on Craigslist for a mere $100, complemented by refurbished German chairs. After several attempts to find a suitable sofa, Bethanie Jones located an investment-quality 1970s Milo Baughman piece from her warehouse, which became a central element in Malave’s living room. Malave, still searching for a coffee table, has embraced the deliberate pace and vintage aesthetic, acknowledging that her preference for timeless, well-preserved older items aligns perfectly with the midcentury character of her home. The process highlights Cuniform's dedication to functional design and conscious consumption, demonstrating that beautiful, meaningful spaces can be created through thoughtful selection and repurposing rather than relying solely on new purchases. #HomeDesign #InteriorDesign #SustainableDesign #VintageFurniture #MidcenturyModern #Repurposing #ConsciousConsumption #WardrobeCurator #SeattleInteriors

The annual 1000 Vases exhibition in Paris, founded in 2018 by Francesco Pirrello, celebrates the vase not merely as a container for flowers, but as a standalone object of art. Pirrello's vision for the exhibition prioritizes unique pieces from independent and emerging artists, asserting that a truly good vase does not require flowers to demonstrate its aesthetic merit. This perspective was inspired by his friend Roberto Baciocchi, an Italian architect and avid vase collector. Initially conceived to feature a large quantity of works, symbolizing abundance and diversity much like the '1000-sheet' delicacy of mille-feuille or the fables of 1001 Arabian Nights, the exhibition ultimately adopted a 'less is more' approach, showcasing around 100 items. This adjustment aimed to allow visitors to appreciate each piece individually and engage with the artists. Pirrello observes that contemporary vase-making trends show a predominance of women artists and a preference for ceramic materials, noting that vases are accessible, affordable, and easily incorporated into any space, referring to them as "democratic objects." This year's 1000 Vases exhibition, running during Paris Design Week until September 8, highlights the works of eight participating artists, each bringing a distinct perspective and technique to the art of vase creation. Chous Ceramics, a duo from Sparta, Greece, presents hand-built sculptures that explore balance and tension, drawing inspiration from nature and Greek ceramic history. Their predominantly beige vases are characterized by voluminous bases and open, elegant rims. Belgium-based artist Dietmar Michiels, born in 1988, works with ceramic sculpture, employing coiling, plating, and throwing techniques with porcelain and glaze to create imaginative, creature-like pieces often accompanied by conversational titles. His work draws from everyday inner experiences, the mystical, historical art, the occult, and various cultural identities. Hellen Song, an artist from Shanghai now based in Toronto, uses ceramic vessels to delve into themes of the human condition, philosophy, and nature, often influenced by the supernatural and Impressionistic mark-making. Her exhibited stoneware vessel, with its blue and white tones, evokes a seascape, representing a range of emotions through the metaphor of water bodies. The collaboration between French artist Coco Brun and Mexico City-based Sten Studio yields the 'Mistico' vase, a geometric, multi-colored piece made from red travertine, Venetian marble, and pink onyx. This work pays homage to Meso-American culture, with each color carrying symbolic meaning related to rituals, fertility, and the balance of masculine and feminine energies, inspired by Meso-American architecture. Norwegian artist Karin Amdal presents 'Pluss', a pair of smooth, round terracotta pots designed to form a 'plus' sign when combined, showcasing her style of creating simple yet characterful pieces that often incorporate extensions or words. Amdal's inspiration stems from nature and everyday life, with her pieces designed to be open to interpretation and evoke a smile. Magdalena Zarychta, a multidisciplinary Polish artist specializing in decorative and stained glass, showcases her (COM)PRESSION vase. This hot-formed, blown glass object is hand-shaped, embossed, and features botanical markings, symbolizing traces of the past akin to fossils. Istanbul-based artist Sara Montazeri's coral reef-like artwork, crafted from stoneware clay, pays tribute to the 13th-century Sufi poet Rumi, incorporating his words "You are my soul and my world" in gold Farsi script, blending tradition with modern organic design. Finally, New York City-based writer and artist Emily Tate Moreu, inspired by ancient Greek pottery, creates minimalist, thoughtful pieces that explore the philosophies of form and human interaction, including greige vessels, abstract sculptures, and a stoneware candelabra. #VaseExhibition #ArtisticVases #CeramicArt #IndependentArtists #ParisDesignWeek #ContemporaryDesign #HomeDecor #SculpturalVases #DesignTrends

The article details a DIY hack for transforming used glass jars and bottles into decorative, ceramic-style vases, offering an eco-friendly and cost-effective approach to home decoration. The hack was shared by an Australian woman in a Facebook group, highlighting the potential for upcycling common household items into elegant home decor. The process begins with thoroughly cleaning the glass items, removing labels and any sticky residue. Following this, the jars are coated with chalk paint. A key detail in this method is the addition of a small amount of wax to the chalk paint mixture, which is said to provide an extra sheen to the finished product. The woman specifically used 'Old Ochre' from Annie Sloan Chalk Paint, noting that no extensive preparation is required other than washing and air drying the jars before painting. For optimal coverage and adhesion, the paint is applied by tapping the brush against the glass, and typically, two to three coats are necessary to achieve full opacity. Once the chalk paint has dried, a clear wax coat is applied to seal the paint, ensuring durability and enhancing the ceramic-like finish. To further elevate the aesthetic, the crafter wrapped twine around the edges of some of the jars and adorned them with homemade tassels, contributing to a refined and custom look. The cost-effectiveness of this project is emphasized, with Annie Sloan chalk paint and wax each costing approximately £5.99. These materials are also reusable for multiple crafting projects, making the endeavor an economical choice for those looking to refresh their home decor. While the featured project used a neutral beige color and natural twine, the article encourages readers to experiment with different color schemes and decorative elements to match their personal home decor. The article also suggests pairing these newly crafted vases with dried flowers, a popular and low-maintenance trend in home styling that does not require watering. The DIY hack gained significant traction online, receiving over 4,000 likes and numerous positive comments from individuals inspired to try the project themselves, particularly for repurposing candle jars they were reluctant to discard. The project serves as an example of how simple materials can be transformed into beautiful and elegant decorative pieces, promoting creativity and sustainability in home design. #DIYHack #Upcycling #HomeDecor #ChalkPaint #VaseCrafting #EcoFriendlyDecor #CreativeReuse #BudgetDecor #InteriorDesign