Ceramicist Laetitia Rouget Talks Style, Inspiration & More

Léa Zana, a former fashion designer, transitioned into ceramics during the lockdown, establishing her homeware brand, Vaisselle. The brand's products are now available in department stores globally. Zana's design philosophy is characterized by an eclectic and authentic style, influenced significantly by her lifelong fascination with color and artistic expression. This interest in color dates back to her childhood, where she recalls a distinct vision for color palettes compared to her peers, a trait that continues to define her work today. Her early exposure to design came from flipping through La Redoute catalogues and designing clothes for Barbie dolls at age nine, demonstrating a nascent passion for creation. She pursued fine art before moving into fashion design, eventually working for luxury brands in Paris and then in footwear design for companies like Mellow Yellow, Zara, Topshop, and ASOS. A pivotal inspiration in her fashion career was Tom Ford's AW99 collection for Gucci, particularly its jewel-tone color palette and use of velvet, which instilled in her the importance of a coherent color scheme in design. Zana's creative inspirations are primarily drawn from nature, such as flowers, and Roman architecture. Each Vaisselle collection incorporates a floral element, and her French upbringing near Roman ruins has deeply influenced her aesthetic. The unexpected move from fashion to ceramics was prompted by a pre-Covid redundancy, which she viewed as an opportunity to pursue her long-standing passion for tableware and ceramics. This led to the creation of Vaisselle, built on principles of sustainability and fair trade. All Vaisselle products are handmade and hand-painted in Spain by local artisans, emphasizing craftsmanship and ethical production. Her personal style and inspirations extend to her home and hobbies. She spends her summers in Mallorca, admiring its antique cement tiles with their raw, matte finishes contrasting with floral designs. Zana is also a keen collector of various items, including elephant figurines from her childhood in Sri Lanka, glassware, and antique French crockery and linens, which evoke nostalgic memories of her grandmother. Literature and cinema also play a significant role in shaping her artistic vision. Françoise Sagan’s 'Bonjour Tristesse' is a favorite book, admired for its unique heroines and their pursuit of freedom. She anticipates new works by Leïla Slimani. Filmmakers Sofia Coppola and Pedro Almodóvar are major influences, particularly for their use of color palettes, artistic direction, and cultural references, with 'Lost In Translation,' 'Marie-Antoinette,' and 'All About My Mother' being notable examples. 'All About My Mother' particularly inspired her to incorporate Iberian culture into her life and art, contributing to her move to Spain before settling in London. Music is an integral part of her daily life, starting with Ethiopian jazz and moving to artists like Leonard Cohen, Bob Dylan, and Serge Gainsbourg. Hosting is a cherished activity, where she enjoys serving sparkling cocktails like Hugo spritzes and decorating her table with pieces from her St-Germain x Vaisselle Apéritif Edit and fresh flowers. French cuisine, particularly Louie in London, is a favorite. She admires glass artist Helle Mardahl and dreams of owning Chanel, reflecting her continued appreciation for high fashion and design. #LéaZana #Vaisselle #Ceramics #Homeware #FashionDesign #ArtisticInspiration #Sustainability #Handmade #InteriorDesign #EclecticStyle #ColorTheory

Tali Roth, a Melbourne-born interior designer, has carved out a unique niche in New York's design scene, bringing a fresh, personal touch to interiors, particularly within the city's prevalent rental market. After moving to New York in 2013 with her husband and limited funds, Roth initially faced challenges in securing a traditional design role. Leveraging her background in psychology and fashion, she found an opportunity with a start-up agency that facilitated freelance designers, allowing her to utilize social media to build her own brand. This ultimately led to the establishment of her independent design business and the launch of 'The Playhouse,' her innovative 'shoppable office.' Roth's design philosophy is significantly shaped by New York's renting culture, which contrasts with Australia's emphasis on home ownership. She believes that living in a rental for decades necessitates making it comfortable and personalized, demonstrating that extensive decoration and even reversible renovations are achievable. For instance, she transformed her own Chelsea loft by applying a faux concrete finish to the walls and adding wainscoting in a previous apartment, all with the understanding that these changes could be reversed without issue. Her approach challenges the conventional limitations of decorating rental properties, emphasizing comfort and personalization over strict adherence to original conditions. Over six years in Manhattan, Roth has refined her signature aesthetic, describing it as 'pretty but not overly feminine, clean-lined but with a warm, mid-century edge.' Her design rule dictates that every interior should incorporate a mix of vintage, custom, and affordable or retro-fitted pieces, creating a harmonious and layered look. For artwork, she often draws inspiration from Australia, featuring pieces from artists like Minnie Pwerle, Adam Pyett, Stephen Baker, and Leila Jeffreys, and introducing clients to Australian brands such as Dinosaur Designs and Contemporary Editions, as well as glass artist Amanda Dziedzic. Currently, Roth is engaged in diverse projects, including the design of a flagship coffee venue for Bluestone Lane in SoHo, the offices for AWAY luggage, a multi-residential development in Brooklyn, and numerous private apartments, including one for a high-profile couple in the entertainment industry. Her material preferences lean towards glass, wood, and marble, favoring natural states and avoiding overly stained timber. While clients seek her distinct style, Roth prioritizes integrating their personalities into the space. She avoids being prescriptive, preferring to incorporate client-provided items, such as a grandmother's vase, even if they don't align with her personal taste, believing that these sentimental pieces bring joy and contribute to the overall balance and unique character of a home. #InteriorDesign #NewYork #RentalDecorating #HomeDecor #DesignPhilosophy #TaliRoth #MidCenturyModern #AustralianDesignInfluences #PersonalizedInteriors

Patricia Urquiola has developed a new collection of ceramic tiles named Cover for the Italian brand Mutina. This collection is one of five new additions to Mutina's product range, and it aims to explore diverse materialities and geometries through unglazed porcelain tiles. The Cover collection is distinguished by three primary textures: Base, Grid, and Nube. These textures can be further customized with a selection of eight distinct patterns, including Bouclé, Daphne, Liberty, Nouveau, Poppy, Rounded, Scarabeo, and Stitch. The designs primarily feature subtle geometric and figurative patterns that are intended to evoke a sense of continuous movement, similar to clouds shifting across the sky. The manufacturing process for the Cover tiles incorporates advanced Continua Plus compaction technology. This method facilitates the application of intricate aesthetic effects on large-format ceramic surfaces, allowing for a broad spectrum of irregular and geometric designs. The technology combines various clays with a micro-grit mixture to establish a foundational pattern, which is then refined using a silk-screen printing technique. This innovative approach enables Mutina to create a virtually limitless array of patterns, characterized by varying intensities and densities of color, even within the limited palette of white, grey, and black. The Cover collection offers tiles in multiple sizes to accommodate diverse design requirements. Large-format tiles, measuring 12 by 240 centimeters, are available in all three textures. Additionally, mid-size tiles (120 by 120 centimeters) and smaller tiles (30 by 120 centimeters) are part of the collection. The color variations within each of the white, grey, and black sets are achieved through differences in the intensity and density of the color application during manufacturing. Urquiola's design philosophy for Cover emphasizes the creation of unique material properties on large slabs, ensuring that the natural grit within the material body serves as a base for subtly contrasting patterns. A significant advantage of the compaction technology used is the enhanced strength and density of the resulting tiles compared to those produced by traditional pressing methods. This increased durability makes the Cover tiles suitable for both floor and wall applications, as well as for both interior and exterior environments. Patricia Urquiola has a long-standing collaboration with Mutina, dating back to 2008 with the launch of her Déchirer range, which Mutina credits with establishing its global reputation. The latest releases also include an extension of the Déchirer range, Déchirer XL, featuring large-format tiles with signature bas-relief decorations designed specifically for wall coverings, available in Gesso, Grafite, and Avana. Alongside Urquiola's collections, Mutina has introduced other new designs, such as Piano by French designers Ronan & Erwan Bouroullec, and Tape and Folded XL by London studio Raw Edges. These product launches coincide with Mutina's opening of a new showroom and a contemporary art exhibition space at its headquarters in Fiorano, Italy. The headquarters building itself was originally designed by architect Angelo Mangiarotti in the 1970s, underscoring Mutina's commitment to design and artistic expression. #PatriciaUrquiola #MutinaTiles #CeramicDesign #InteriorDesign #ProductDesign #ArchitecturalSurfaces #DesignCollaboration

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

This article explores the connection between individual personality traits and preferences for various ceramic styles, likening this classification to astrological signs. It delves into seven distinct pottery personalities, each associated with specific ceramic artists or brands and characteristic lifestyle choices. The first personality, described as "calm, cool, and collected," gravitates towards Bombabird ceramics. Individuals fitting this profile are depicted as reserved yet perceptive, valuing organic materials, quiet leisure, and engaging in hobbies like plant propagation. Their ideal retreat involves a secluded cabin, good books, and intricate puzzles, reflecting a desire for tranquility and thoughtful engagement. The "nature lover" personality is identified by an appreciation for Jonathan Yamakami's work. These individuals are characterized by a deep connection to the natural world, often recalling childhood explorations of tide pools. They enjoy outdoor activities like evening walks, prefer savory breakfasts, and show an interest in art forms like Ikebana, suggesting an aesthetic rooted in organic forms and natural beauty. For those who embody the "rebel with a cause," LBP Clay's creations resonate most. This personality type is portrayed as independent and unconventional, marching to their own beat. They are confident in their choices, possess a unique style, and engage in diverse activities ranging from helping a grandmother write her memoir to having synesthesia, all while maintaining a nonchalant attitude about their distinctiveness. The "young at heart" personality finds joy in Whitney Simpkins’s Personal Best Ceramics, which feature bold stripes, iridescent glazes, and pastel hues. These individuals are defined by their playful spirit, love for themed celebrations, and an affinity for vibrant, expressive aesthetics. They are depicted as enthusiastic and joy-seeking, embracing a lively and colorful approach to life. The "It Girl" personality is associated with Analuisa Corrigan’s ceramics and sculptures. This group comprises natural showstoppers who effortlessly excel in various domains, from cooking to mastering multiple languages. They possess an innate charisma, a flawless appearance, and a sophisticated lifestyle, suggesting a preference for ceramics that exude confidence and artistic flair. "Daydream believers" are drawn to Sam Kelly’s creations, often characterized by celestial or whimsical themes. This personality type is described as spiritual, compassionate, and open-minded, with an interest in alternative lifestyles, natural remedies, and existential inquiries. Their artistic preferences reflect a desire for pieces that inspire wonder and reflect a gentle, caring nature. Finally, the "craver of color" personality is perfectly matched with Raawii, a Danish brand known for its vibrant designs. These individuals are vibrant, fierce, and spirited, embracing bold aesthetics and an energetic lifestyle. They are described as design-conscious peacocks who appreciate strong colors, vintage styles, and lively social engagements, embodying a joyful and expressive approach to life and decor. #CeramicArt #PotteryPersonalities #HomeDecor #InteriorDesign #ArtisticExpression #LifestyleChoices #Craftsmanship

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The inaugural Dublin Design Week is poised to spotlight the significant contributions of Irish architects and interior designers, who are increasingly influential on both national and international stages. Among these prominent figures is Róisín Lafferty, an architect and interior designer renowned for her innovative and meticulously detailed interior architecture firm, House of Design. Lafferty’s portfolio spans a diverse range of projects, including private residences, hotels, unique work environments, spas, members’ clubs, and restaurants, with commissions extending across Ireland, France, Portugal, New York, Miami, and Saudi Arabia. Her distinctive approach involves creating bold, imaginative, and thought-provoking spaces, often incorporating unusual materials in unexpected ways. Her work has garnered recognition in prestigious publications such as *Architectural Digest*, *Elle Décor*, *Vogue Living*, and *THE GLOSS INTERIORS*. One featured project is the reimagining of a late-Georgian farmhouse. Initially a distinguished country residence that had suffered from unsuitable alterations, it presented an opportunity for comprehensive restoration. Lafferty’s firm undertook a two-year design process to transform the farmhouse, addressing the clients' specific request for an "industrial aesthetic." The project involved accentuating the building's original features while configuring and decorating a newly built extension that was an open shell. The result is an unconventional layout with an interior that seamlessly blends historical elements with contemporary industrial design. Another notable project highlights a new-build home on the coast of Ireland, characterized by its ambitious and contemporary design. Located in an area of Special Conservation, the 30-acre working farm site presented unique topographical challenges. Architect Allister Coyne of Ailtireacht was responsible for the initial architectural vision. Lafferty was brought into the project during the early stages of construction to integrate a forward-thinking interior design with the existing architectural framework. The objective was to create a minimalist yet harmonious living space that resonated with the raw beauty of the surrounding landscape, providing a calm retreat from the bustling activities of the on-site stables. A third project, dubbed the “2-in-1” house, involved transforming two separate semi-detached houses into a single, unified living space. A key aspect of this design was the requirement to maintain the possibility of easily reversing the transformation, allowing the property to revert to two separate homes in the future. Lafferty’s team meticulously designed all systems—including heating, sound, electrics, and mechanical—to function as a unified whole while ensuring they could be readily separated if needed. This innovative approach addressed the challenge of creating a flexible, future-proof home. Róisín Lafferty will further discuss her design process and showcase additional projects at a "Design Talk" event during Dublin Design Week. The event, held at Anantara The Marker Dublin on Tuesday, May 20, from 12 pm to 1:30 pm, will feature Lafferty in conversation with architect and broadcaster Amanda Bone. Tickets for this event are priced at €35, with a discounted rate of €20 for students, and can be booked through the Design Week Dublin website, which also provides the full program for the 2025 Dublin Design Week. #InteriorDesign #RóisínLafferty #DublinDesignWeek #ArchitecturalDesign #HomeRenovation #ContemporaryDesign #GeorgianFarmhouse #CoastalHome #SustainableDesign

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

The Kitchen and Bath Industry Show (KBIS) in Las Vegas featured a discussion with Interior Design Hall of Famer Lauren Rottet, founder of Rottet Studio, hosted by Interior Design Editor in Chief Cindy Allen. Allen introduced Rottet as a hero for women and designers, highlighting her extensive career and the impactful work of her studio, which employs 75 staff members. Rottet emphasized that her studio's design philosophy is rooted in understanding the 'why' behind design choices through thorough research, rather than adhering to a singular aesthetic. This approach applies to all their projects, from quirky hotels in Texas to high-end luxury developments. Mentorship and accessibility in design were key themes in the conversation. Rottet identified Charles and Ray Eames as design heroes for their focus on making design accessible to everyone, and she also acknowledged figures like Finnish architect Alvar Aalto and fellow Interior Design Hall of Famer Shigeru Ban, who uses his expertise for disaster relief. Rottet believes that design is an accumulation of life's memories, sharing a personal anecdote about being inspired by a friend's house bridging a stream in Waco, Texas, at age five. This early exposure sparked her interest in design, leading to her prolific career. Rottet Studio's portfolio spans various sectors, including hospitality, residential, and office spaces. Rottet observed a growing trend of incorporating full kitchens and sophisticated bathrooms into office environments, driven by increasing demand for such amenities. In residential design, she noted that kitchens are increasingly integrated into the main living areas, citing a multi-million dollar penthouse project in Houston where the kitchen seamlessly blends with the living space. She also mentioned the rising popularity of 'back kitchens' in larger, luxury homes, providing a secondary, more functional space for heavy-duty cooking. Looking ahead to 2025 kitchen design trends, Rottet highlighted several key elements. She predicted a shift towards light-filled kitchens that showcase individuality and personality. Indoor-outdoor kitchen concepts are also gaining traction, allowing for a seamless transition between interior and exterior spaces. High-tech appliances continue to be a significant trend, offering convenience and advanced functionality. Decorative elements such as interesting ceiling designs and a widespread use of wallpaper in kitchens were also emphasized, moving away from standard, utilitarian designs. Furthermore, Rottet stated that 2025 would be 'the year of round,' with rounded furniture, curved corners, and circular cabinets becoming prominent features in kitchen design, adding a softer, more organic aesthetic. #KBIS #KitchenDesignTrends #LaurenRottet #InteriorDesign #RottetStudio #ResidentialDesign #CommercialDesign #DesignPhilosophy #ArchitecturalTrends

Fluting, an ancient architectural technique characterized by shallow grooves across a surface, is experiencing a significant resurgence in interior design. This trend is valued for its ability to add texture, character, and a touch of Art Deco glamour to modern homes, moving beyond its traditional use in columns to become a key feature in various interior applications. The article highlights nine ways interior designers are incorporating fluting into their projects, emphasizing its versatility and aesthetic appeal. One prominent application of fluting is in kitchen islands, transforming them into chic focal points. Design experts like Laura Butler-Madden favor fluting for its textural quality, often using it in gloss finishes to create a contrast with matte cabinetry and allow other design elements, such as wooden flooring, to stand out. Australian Maek Residences demonstrate how fluted kitchen islands can beautifully juxtapose with darker elements and serve as a backdrop for smooth, pale wood furniture. Fluted wall dividers and glass paneling offer an effective solution for maintaining light while ensuring privacy. Interior design studio Day True utilizes fluted glass in cabinet doors and bespoke feature elements like room dividers and shower screens. This application adds texture and a play of light, drawing inspiration from classical architecture to create dramatic backdrops or conceal joins and doors. Kitchen cabinetry also benefits from fluting, allowing for bold and serene statements. Victoria Spencer-Eves of VEVES interior design emphasizes fluting as a way to add texture and depth without relying on obvious patterns that might quickly date a design. She notes the tactile nature of fluting, which invites interaction and appeals to human senses, aligning with a minimalist yet architectural design approach. Bathrooms incorporate fluting in vanity units, adding elegance and texture. Ham Interiors showcases blush pink fluted vanity units, highlighting how fluted pieces can integrate into both contemporary and traditional schemes. Michelle Gerson Interiors further demonstrates fluting’s potential in bathroom design with wide vanity units featuring integrated drawers and cabinetry. Beyond large surfaces, fluting is used as a subtle detail in furnishings, such as banquette seating in dining areas. California-based Dart Studio illustrates how fluted seating can create an inviting and sophisticated atmosphere, reminiscent of smart restaurant interiors. Fluting is also making its way into bedrooms through hotel-style headboards. Russian interior design agency Quadro Room uses fluting both vertically for grandeur and horizontally for a luxurious feel, often as a fixed installation behind the bed. Art Deco-inspired fluted lighting fixtures are currently popular. Emily Bizley of Studio Bizley notes that this trend, while nodding to 1930s elegance, is made more accessible by modern manufacturing techniques like CNC cutting. Fluted lighting, along with reeded glass in cabinets, adds fine lines and texture, creating balance and harmony, especially when paired with monolithic elements like ceramic baths or swirly marble surfaces. Finally, fluting serves as a wall material, offering intriguing design possibilities. Day True's dining room design uses fluted walls to define open-plan spaces, providing an architectural counterpoint to large windows and potentially offering acoustic insulation. London-based Studio Clement demonstrates open fluting for dividing galleried open-plan areas, allowing light to filter through and adding architectural interest, warmth, and texture to hallways. #FlutingTrend #InteriorDesign #TextureInDesign #ArtDecoGlamour #KitchenDesign #BathroomDesign #ArchitecturalDetails #HomeDecor #DesignVersatility

This article highlights various innovative design pieces from global makers, showcasing a blend of traditional craftsmanship and contemporary materials. The featured designers and studios, hailing from locations such as Brooklyn, Copenhagen, and Ukraine, emphasize unique artistic visions and sustainable practices in their creations. Each piece is a testament to meticulous design and material exploration, ranging from intricate glass sculptures to furniture made from reclaimed materials. The article begins by introducing Reevein Studios, specifically Sara Rosa Oppermann and Alice Soro Cilliara, who create mouth-blown glass sculptures. Their 'Spora' sculpture, available in amber and electric blue, demonstrates the artistic manipulation of glass into fluid forms. Following this, Djivan Schapira's 'Divergent' foyer and low tables are presented, characterized by resin inlaid with bronze wire, offering a modern aesthetic with intricate detailing. Kateryna Sokolova's 'Flock' chair for Noom, featuring an upholstered injection-molded soft-foam body and stained-ash feet, illustrates a combination of comfort and sculptural form. Faina's Victoria Yakusha contributes the 'Sontsehryv' sculpture, which stands out for its sustainable composition. This piece is crafted from Ztista, a proprietary blend of cellulose, clay, flax fiber, wood chips, and biopolymer, reflecting a commitment to eco-conscious design. Streicher Goods, led by Ethan Streicher, showcases a collection of lamps—Archie, Ping Pong, and Drum—fabricated using various stoneware clays, underglazes, mid-range glazes, and sometimes blown glass or 3D-printing processes. These lamps explore diverse material combinations and manufacturing techniques. Mansi Shah of Manu Nanu presents an interlocking vase made of hand-blown borosilicate glass in amber and cobalt-blue, demonstrating a sophisticated approach to color and form in glasswork. Nathan Litera's side table combines natural rope and grand antique marble, offering a textural and material contrast that evokes both rustic and luxurious sensibilities. Astraeus Clarke, by Chelsie and Jacob Starley, features the 'Lenox Small' three-globe light, available in wall sconce and chandelier formats, constructed from powder-coated steel, brass, and glass, indicating a versatile lighting solution. Eduardo Rivas of ERM Studio contributes the 'Materia Digital' cast-aluminum coffee table with a glass top, showcasing a blend of industrial materials with a refined finish. Kiki Goti's 'Belted and Buttoned Up' wall lights, made from aluminum, polished nickel, and steel, exemplify a contemporary and structured lighting design. Feyza Kemahlioglu of Feyz Studio, through Wexler Gallery, introduces the 'Glowing Sentiments' lighting collection, which incorporates hand-blown Murrine glass, brass chain, and Meerschaum, a hand-carved clay mineral, highlighting intricate details and unique material sourcing. Ciara Jade Dockery’s 'Creature Comforts' collection includes a Flokati wool pouf, a Mohair bench crafted from vintage rugs, and a Ply occasional table made of FSC-certified plywood. These pieces emphasize comfort, sustainability, and the repurposing of materials. Matt McKay presents the 'Jib' shearling and lacquer stool, the 'Ahoo' cashmere-upholstered lounge chair, and the 'Cap' resin and lacquer coffee table, all demonstrating a focus on tactile luxury and modern forms. Finally, Michelle McLaughlin of Calyer Ceramics features the 'Sprig' floor lamp, which features a ceramic stoneware base with a handmade glaze and a linen shade, showcasing a handcrafted approach to lighting. #MaterialInnovation #ProductDesign #SustainableDesign #Handcrafted #Ceramics #GlassArt #FurnitureDesign #LightingDesign #InteriorDecor

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

Vivian Xu, a London-based potter, specializes in crafting unique ceramic homewares designed to provide comfort and aesthetic appeal. Her collection ranges from elegant vases to distinctive kitchen accessories, catering to individuals seeking original pieces for their homes. Xu's journey with pottery began at the tender age of six, when she first experienced throwing clay on a wheel. This early encounter fostered a lifelong passion, with a vase she created at that age still proudly displayed in her parents' home. She finds the process of pottery inherently soothing and therapeutic, captivated by the transformation of raw clay into functional and beautiful objects. Xu focuses on creating functional pottery and original art for the home, with some pieces being tailor-made for specific requests or designed as anniversary gifts. The experience of lockdown profoundly influenced her perspective, highlighting how well-chosen home accessories can significantly uplift one's mood. This insight drives her mission to infuse her work with a sense of comfort for others, particularly during challenging times. As the festive season approaches, a typically busy period for small businesses, Xu admits that a recent house move has impacted her preparedness. Despite this, she is actively fulfilling custom orders for personalized gifts and prioritizing the creation of more mugs, recognizing the seasonal appeal of a warm beverage. For the festive season, Xu describes her home preparations as encompassing Christmas trees, aromatic scents, candles, rugs, board games, and moments of cuddling. She views this period as a time for celebration, reunion, rest, and indulging in good food. To support her small business, Xu encourages potential customers to follow her work on Instagram and reach out with unique gifting ideas for their loved ones. She expresses genuine joy in crafting pottery that serves a purpose for others. Looking ahead, Xu plans to host an exhibition next year to showcase her more unconventional and experimental ceramic creations. The article also highlights several of her popular items available for purchase, including the Relaxed Bowl, Mixed Olive Green set, Balloon Vase, and Rimless Plate, detailing their prices and providing links to her online shop. The piece concludes by emphasizing the importance of supporting small businesses, especially during the holiday season. #VivianXu #Pottery #Ceramics #Homewares #SmallBusiness #LondonDesigner #HandmadeDecor #FestiveSeason #HomeAccessories

The Adagio tile project, designed by Ronan Bouroullec for Mutina, revolutionizes the use of ceramics by transforming individual modules into large-scale, fabric-like wall installations. The term "Adagio," Italian for "slowly," reflects the unhurried and intentional process behind creating these intricate designs. Each ceramic module, simple on its own, interlocks to form complex reticular structures, echoing the texture and visual depth of woven textiles. This innovative application showcases Mutina's manufacturing capabilities and Bouroullec's design ingenuity. The core of Adagio's design lies in its single ceramic module, which measures 2.7 x 30 centimeters. This minimalist form transcends traditional functional constraints of tiles, offering an architectural sleekness. The modules are double-fired as white paste ceramic and then hand-finished to achieve an ultra-glossy surface. This meticulous process ensures a lustrous sheen and a sculptural effect, with all vertical sides of the module fully covered by the glaze. The precise notch on the back of each element is key to their interlocking mechanism, allowing for diverse configurations. Adagio is available in five glossy glazes: Bianco (white), Grigio (gray), Rosso (red), Blu (blue), and Verde (green). To simplify design choices, Mutina also offers five pre-defined color combination sets: Grigio + Blue, Grigio + Bianco, Grigio + Verde, Rosso + Blu, and Rosso + Verde. These combinations ensure harmonious integration within installations, making it straightforward for users to transform ordinary wall spaces into extraordinary artistic statements. The versatility of Adagio allows for endless arrangements, ranging from highly structured and enclosed patterns to more fluid, organic compositions that appear to expand naturally across surfaces. Beyond its aesthetic appeal and innovative design, Adagio embodies Mutina's commitment to environmental responsibility. The base tile body is formulated without Volatile Organic Compounds (V.O.C.) and other hazardous substances, adhering to stringent environmental standards. Furthermore, the product's packaging is designed to be fully recyclable, ensuring that the project's ecological footprint is minimized throughout its lifecycle, from production to eventual installation. The project debuted at the Résonance exhibition earlier this year at the Centre Pompidou in Paris. This exhibition celebrated Ronan Bouroullec's significant contributions to contemporary international design. Adagio was prominently featured as an entire wall installation, serving as a backdrop for other works by Bouroullec for Mutina Editions. This display not only demonstrated the modular system's adaptability but also its capacity to integrate various color palettes and configurations seamlessly. Adagio's inclusion in this prestigious exhibition solidified its impact and led to its acquisition for the Centre Pompidou's permanent collection, underscoring its lasting value in modern design. #RonanBouroullec #Mutina #CeramicTiles #ArchitecturalDesign #WallInstallations #ModularDesign #HomeFurnishings #SustainableDesign #ContemporaryArt

Brooklyn-based designer Lauren Manoogian, known for her slow fashion approach, has partnered with Paris-based maker Lætitia Jacquetton to create a distinctive series of vases. These unique vessels are crafted from glass blown directly around carefully selected rocks. The collaboration is currently featured in Manoogian's Manhattan showroom and is also available for viewing and purchase online. Manoogian's decision to showcase Jacquetton's work aligns with her broader intention to provide a platform for other artists and craftspeople whose work she admires and finds inspiring. This initiative, dubbed 'Object,' began organically through Manoogian's travels to Peru, where she discovered compelling ceramic traditions. She emphasizes the importance of fostering a sense of wonder and emotional connection to physical objects, especially in an increasingly digital world. Lætitia Jacquetton's artistic practice seamlessly blends traditional glass-blowing expertise with a profound respect for the natural environment. She acquired her glass-blowing skills in Murano, Italy, and Nancy, France. Each of her sculptural pieces is created by blowing glass around rocks that she personally forages from nature, taking care not to disrupt the surrounding ecosystem. This process imbues her works with a sense of both rarity and reverence, effectively capturing a moment in time within a solid, poetic form. When discussing the parallels between their artistic approaches, Manoogian notes the seemingly simple yet transformative use of materials in both their works. She highlights that both their creations are sculptural and feature well-defined proportions, yet possess a mutable quality that arises from an intuitive process. This makes the pieces approachable and capable of enhancing daily life. Manoogian further elaborates that both their works are deeply intimate, both in their final use and in their creation process, emphasizing a shared tactility and an experimental drive to discover the ideal tension point within materials, which ultimately shapes the final form. The deliberate connection to nature embedded within Jacquetton's vessels is a central element that captivates the imagination. Manoogian expresses her appreciation for the artist's intention and the inherent uncontrollable elements within the creation process. She acknowledges the element of risk involved in making each piece, as Jacquetton works quickly, harnessing gravity and fire. The resulting forms are highly gestural, encapsulating the precise moment when all elements converge. This dynamic process is what imbues each vase with its unique aliveness and individuality, making every piece a singular creation. #Glassware #ArtCollaboration #HomeDecor #SustainableDesign #Craftsmanship #LaurenManoogian #LaetitiaJacquetton #InteriorDesign #NaturalMaterials