Decorating Houses With Edith Wharton: On Interior Design as Art and Literary Practice

Jane Hall, an architect, author, and curator known for her work in expanding the understanding of design and its societal impact, discusses her new book, "Making Space: Interior Design by Women." Hall is a founding member of Assemble, a London-based collective that received the Turner Prize for its community-focused architectural work. Her academic background includes studies at King's College, Cambridge, the Royal College of Art, and a PhD focusing on modernist architects. In 2013, she was the first recipient of the British Council's Lina Bo Bardi Fellowship. Her publications consistently aim to re-evaluate the role of women in the creative arts. Her 2019 book, "Breaking Ground: Architecture by Women," provided a comprehensive, visually rich overview of hundreds of buildings by women architects, seeking to integrate their contributions into architectural history. Following this, "Woman Made: Great Women Designers" (2021) cataloged over 200 female practitioners across various design fields, including furniture, products, and graphics, reframing design history as a interconnected global narrative rather than a limited canon. Her latest work, "Making Space: Interior Design by Women," focuses specifically on interior design, exploring its evolution through the careers of 250 female designers from the early 20th century to the present. Hall highlights how interior design, despite often being seen as a "feminized" profession, has historically provided a significant arena for women's design influence. She notes that unlike architecture, interior design was less institutionalized and theorized, allowing women an earlier and more artistic role in shaping spaces, particularly domestic ones. Hall emphasizes that while the term "interior designer" is a modern professional title, many women in her book, especially from earlier periods, engaged in what could now be considered interior design without formally identifying as such. She points out the client-centric nature of interior design, contrasting it with product design for mass production. Interior designers, she explains, act more like artists, translating client visions into unique aesthetic statements, thereby influencing broader design trends. She identifies the Second World War as a turning point, noting that before the war, many women in the profession came from affluent backgrounds, enabling them to realize ambitious and extravagant projects. An example is Dorothy Draper's design for the Greenbrier Hotel, characterized by bold colors and patterns, which pushed conventional boundaries of taste. Hall observes a surprising lack of Bauhaus or Modernist interior designers among women, as interior design often operated outside academic and theoretical frameworks, providing an avenue for women to express avant-garde ideas. In the post-war period, designers like Florence Knoll gained prominence, alongside figures like Barbara D’Arcy of Bloomingdale's, who made design accessible to a wider audience by showcasing how to integrate products into home interiors. Hall also cites Eva Jiricna, who introduced high-tech aesthetics and glass staircases into retail environments, influencing contemporary spaces like Apple Stores. Other influential designers include Marion Hall Best, known for her vibrant 1960s color-blocking, demonstrating how individual creativity initiated broader trends in interior environments. Contemporary interior design, while more specialized, still requires significant artistry. Hall notes that while the industry has expanded and designers are highly skilled, the proliferation of platforms like Instagram can sometimes flatten the perceived complexity and excitement of their work. However, modern designers, including those like Alex Dorley, Sophie Ashby, Pamela Shamshiri, Jialun Xiong, Maye Ruiz, and Tekla Evelina Severin, continue to create innovative and influential interiors, often extending their practice to include their own furniture, paint, and fabric lines. Many younger designers, not from traditional wealthy backgrounds, find opportunities in commercial spaces, pushing creative boundaries to stand out in a visually driven world. #InteriorDesign #WomenInDesign #Architecture #DesignHistory #FeministArchitecture #DomesticSpaces #CreativeArts #PhaidonBooks

The article offers a detailed look into the Atlanta home of interior designer Whitney Durham, owner and lead designer of Whitney Durham Interiors, and her husband Nathan Durham. Purchased in 2013, the 1932 cottage-style home, measuring 3,800 square feet with four bedrooms and three bathrooms, has undergone several updates to reflect Whitney's evolving design aesthetic while retaining its original charm. The Durhams initially bought the property with existing additions, such as an owner’s suite, an expanded kitchen, and a screened-in porch, which they later enclosed in 2016 to create a sunroom. In early 2020, a pool and cabana were added to the backyard, enhancing the outdoor living space. Whitney's design philosophy centers on injecting color, mixing old and new, and combining high-end and budget-friendly pieces to create a curated, joyful atmosphere. This is evident throughout the home. For instance, the foyer features an antique Turkish rug and an abstract painting by Michelle Armas, complementing the home's original Gothic blue front door. The living room showcases new sofas from Ellenburg Chair Company alongside antique mirrors and a vintage zebra hide, while an abstract painting by Elaine Burge and a two-tier chandelier by Aerin from Circa Lighting serve as focal points. The formal dining room was converted into a sitting room, furnished with custom swivel tub chairs, a vintage Lucite chandelier, art by Renee Bouchon, and a large abstract painting by Whitney herself. This space also incorporates Schumacher fabric for window treatments and Moroccan ottomans from B.D. Jeffries. The guest suite, which was the original owner’s suite, features bold coral walls with Hale Navy accents, beds from SWOOX Curated Consignment, a vintage dresser, and art by Teil Duncan and Christina Baker. The sunroom, created from the enclosed porch, provides a family gathering space with a custom sectional, swivel chairs, layered rugs, and an open connection to the kitchen. The kitchen itself has been updated with white quartz countertops on the island, a classic white subway tile backsplash, and vintage Turkish runners. Lighting fixtures by Sean Lavin and art by Elaine Burge further enhance the space. The owner’s suite is characterized by high ceilings, a collection of art, an antique canopy bed, and lamps made from vessels passed down from Whitney's grandmother. The children's bedroom features custom headboards, bedding from Serena & Lily and Ballard Designs, and monogrammed pillows, while their shared bathroom includes new mirrors, shiplap, and a whimsical cowboy painting by Elaine Burge. The playroom offers ample seating with a custom sofa and leather club chairs, adorned with their sons' artwork. The article highlights the collaborative effort in the home’s renovation, with landscape architect Graham Pittman working on the backyard. Whitney emphasizes that a home should be a source of happiness, filled with meaningful and carefully chosen pieces, reflecting her consistent approach to interior design. #InteriorDesign #HomeDecor #AtlantaHomes #WhitneyDurhamInteriors #HomeRenovation #CottageStyle #EclecticDesign #ArtCollection #FamilyHome

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

The article discusses the growing trend of using books not just for reading but also as a versatile and stylish element in home decor and interior design. It highlights that books, often considered a status symbol, are gaining popularity as decorative items. The trend of displaying books in online meeting backgrounds, dubbed the “credibility bookcase,” emerged during the pandemic, suggesting both visual appeal and intellectual depth. Major interior design publications like Architectural Digest have noted that books are “back” and being repurposed in creative ways. The article outlines several methods to integrate books into home decor. Firstly, it explores the concept of the “credibility bookcase.” Inspired by digital backgrounds provided by publishers like Penguin Random House, individuals can curate their physical book collections to project specific personas, such as “The Little-Bit-of-Everything Reader” for a colorful display, “The Literary Heavyweight” for intellectual prowess, “The Classics Collector” for refined taste, “The Trend Finder” for media savviness, or “The Adventure Seeker” for a creative side. This approach emphasizes the visual and symbolic power of books. Secondly, the article focuses on traditional bookcases and shelving. It states that an abundance of books instantly enhances any room, whether arranged on custom-built joinery or standalone shelves. Collections of hardcovers are highlighted for their design potential, allowing for bold color schemes, architectural statements, or the incorporation of artwork. Bookshelves provide stylish storage for both books and other cherished items, contributing to the overall aesthetic of a space. Thirdly, the article delves into creative and unconventional uses for books beyond simple shelving. It suggests that while displaying books on shelves is common, there are numerous other ways to make them focal points. One dramatic idea is to use book pages as wallpaper to cover an entire wall, transforming the space with literary texture. Arranging books on tables is another option, or even constructing furniture like tables out of stacked books, as demonstrated by social media examples. Piles of books, whether in baskets or as tall stacks on the floor, can add visual interest and a cozy ambiance. Finally, the article explores innovative ways to decorate staircases with books. Staircase design has become a significant trend, with homeowners incorporating storage or reading nooks. The article proposes giving stairs a makeover by painting each step with the spine designs of favorite books, creating a unique and personalized look. For those seeking a less permanent solution, 3-D book staircase stickers are presented as an alternative to add an interesting touch and “elevate” the staircase’s aesthetic, transforming mundane steps into a creative display. These diverse applications underscore the versatility of books as decorative elements in various home settings. #HomeDecor #InteriorDesign #BookDecor #CredibilityBookcase #Bookshelves #CreativeBookUses #StaircaseDesign #UpcyclingBooks

Nathan Warkentin, founder of his eponymous firm established in 2023, has carved a niche in the interior design world through a refined and strategic approach. His background spans various artistic endeavors, including photography and music, but he found his true calling in interiors, drawn to its immersive and dimensional creative process. Warkentin Associates operates with offices in New York and Los Angeles, allowing Warkentin to infuse the distinct essences of both coasts into his hospitality and residential projects. His design philosophy emphasizes integrating originality with functionality, aiming to create spaces that resonate on a profound level with their occupants. Warkentin draws inspiration from a diverse research library filled with books on subjects ranging from fashion to Japanese design. He continuously expands this collection, often seeking out rare finds in used bookstores during his travels. For Warkentin, life and career are seamlessly intertwined, with all experiences, whether culinary or media consumption, ultimately influencing his creative work. He embraces the constant evolution within the design field, finding excitement in the variety each new project brings, with its unique city, scale, and client requirements. In this Friday Five interview, Warkentin shares several sources of inspiration. The first is Shiro Kuramata's 'Homage to Josef Hoffmann,' a piece he encountered at M+ in Hong Kong. This artwork, which involves a Josef Hoffmann bentwood chair wrapped in steel wire and then burned, leaving only a wire silhouette, captivates Warkentin with its layering of reference, materiality, and transformation, blurring the lines between functional design and art. His second point of inspiration comes from 90s music and fashion magazines, such as Interview and Raygun. He appreciates their raw, chaotic layouts and the glimpses they offer into an underground culture of obscure nightclubs, record shops, and galleries that he feels is largely absent from print media today. The third inspiration is the Museo Tamayo in Mexico City, which he visits frequently. Warkentin admires its architecture, the simplicity of its materials, its impressive volume, and the balanced way it allows the building to be appreciated without overshadowing the art it houses. The fourth inspiration is the dynamic view from his studio window in the Orpheum building in downtown Los Angeles. This provides a constant source of entertainment and distraction, from K-Pop fans to amateur photo shoots and eccentric street performers. Lastly, Warkentin expresses an enduring affinity for the color brown and its various shades, such as sienna, ochre, caramel, amber, and rust. He values these warm neutrals for their depth, versatility, and how beautifully they age in a space, increasingly choosing brown over black for the warmth it imparts. The article also showcases several projects by Warkentin Associates. The Lighthouse Venice, a creative campus located in the historic 1939 Venice Post Office, was reimagined with a Bauhaus spirit, focusing on simplicity, functionality, and honesty to foster both focused work and collaboration. The Echo Park Residence, a hillside home, takes cues from Ray Kappe's Rustic Canyon house, emphasizing light and materiality, while incorporating playful and unexpected colors with vintage pieces and custom designs. Noun Coffee and Wine in Marina del Rey is a cafe and lounge designed for all-day use, blending the comfort of a living room with the charm of an artist’s loft, featuring vintage and postmodern elements. The Eagle Rock Residence, Warkentin's own home, features an open plan that connects with the outdoors, constantly evolving with collected art and furniture. Finally, a Los Angeles Residence in Mt. Washington, a mid-century home, was updated using Japanese and Chinese principles of light and empty space to achieve a warm and calming atmosphere while preserving its original character. #InteriorDesign #NathanWarkentin #DesignInspiration #ArchitecturalProjects #CreativeProcess #WarkentinAssociates #ColorPsychology #BauhausDesign #MidCenturyModern

Thatcher Wine, a renowned bibliophile and collector, has carved a niche by creating bespoke libraries for high-profile clients like Gwyneth Paltrow and New York’s NoMad hotel, with Laura Dern and Shonda Rhimes also among his admirers. Wine's approach, which he details in his book, 'For the Love of Books,' redefines the purpose of a home library. He posits that bookshelves are not merely for displaying read books but serve as a reflection of an individual's past interests and future aspirations. Unlike a single book read at a time, a personal library is a curated collection that embodies one's journey and intellectual curiosities. Juniper Books, Wine's company, gained significant recognition for its custom book jackets. These innovative covers allow clients to integrate their literary collections seamlessly into their interior design schemes, matching specific color palettes or incorporating personalized imagery. Wine emphasizes that since people invest considerably in the aesthetics of their homes—selecting cabinets, carpets, paint, and window treatments—books should similarly contribute to the overall style. He champions the idea that books are not just for reading but are also decorative objects that enhance a room's design. Wine observes current book trends, noting a growing interest in oversized art, design, and architecture books from publishers such as Taschen, Phaidon, and Rizzoli, as people seek alternatives to digital screens. He also highlights a resurgence in popularity for Stoic philosophers and enduring classics by authors like Ernest Hemingway and Jane Austen. For Gwyneth Paltrow's Los Angeles home, Wine curated a collection of five to six hundred books to fill her shelves after a renovation. His process involved examining her existing books, which primarily focused on fashion, art, culture, photography, and architecture. He expanded upon these themes and also included classic titles for her children, anticipating their future literary interests. In the family room, the books were integrated to create a light, inviting, and accessible arrangement. For the dining room, a more structured approach was taken, utilizing a rigid color palette of black, white, and gray, recognizing that this space was less about casual reading and more about aesthetic impact. Wine offers three key pieces of advice for individuals looking to curate their own home libraries. First, he recommends defining the overarching goal, whether it's to tell a story or adhere to a specific color scheme, and considering how this vision aligns with the home's existing space. Second, he advises intentionally acquiring books, either from local bookstores or online, based on the desired style and binding. Third, he suggests arranging the books in a manner that fosters comfort and invitation, acknowledging that achieving the perfect display may require several hours of adjustment. #HomeDecor #BookCuration #ThatcherWine #GwynethPaltrow #InteriorDesign #HomeLibrary #JuniperBooks #LiteraryTrends #BookStyling

This article highlights three new coffee table books focused on design, offering inspiration for home renovations and insights into significant figures and brands in the design world. The books delve into various aspects of design, from the historical reissuing of iconic furniture pieces to the architectural transformation of a luxury flagship store and the eclectic residences of a renowned fashion designer. The first book, "Echoes, Cassina. 50 Years of iMaestri," published by Rizzoli New York, commemorates the 50th anniversary of Cassina's iMaestri Collection. Launched in 1973, this collection aimed to reintroduce and produce works by modernist design leaders, including pieces that were previously out of production, never realized, or continuously manufactured since their inception. The book explores the history and evolution of this collection, profiling 14 influential designers such as Gerrit Thomas Rietveld, Charles Rennie Mackintosh, Charlotte Perriand, and Pierre Jeanneret. It features historical materials like sketches, technical drawings, letters, and period photographs, many of which are previously unpublished. This volume not only celebrates past achievements but also underscores Cassina's ongoing commitment to design innovation, exemplified by its upcoming lighting collection collaboration with Eames Office at Milan Design Week. The second featured book is "Tiffany & Co.: The Landmark" by Assouline, which focuses on the comprehensive multiyear renovation of Tiffany & Co.'s iconic Fifth Avenue Landmark building in New York. The book documents the remodeling process and the design philosophy behind the bright and airy interiors conceived by architect Peter Marino. It showcases how the 10-story redesign, which includes a new three-level exhibition and event space by Shohei Shigematsu of the Office for Metropolitan Architecture, transforms the 1940-opened flagship into more than just a retail space. The interior features an extensive collection of contemporary art by artists such as Daniel Arsham, Sarah Sze, Rashid Johnson, and Julian Schnabel, effectively blurring the distinction between a luxury boutique and an art gallery. The third book, "Karl Lagerfeld: A Life in Houses" from Thames & Hudson, offers an intimate look into the personal spaces of the late fashion designer and Chanel creative director, Karl Lagerfeld. Authored by Patrick Mauriès and former Architectural Digest France editor-in-chief Marie Kalt, this publication is the first to exclusively focus on 13 of Lagerfeld's more than 20 properties, primarily located in Italy and France. The book uses the interiors of these residences to trace Lagerfeld's personal and stylistic journey, presenting numerous images of his meticulously curated spaces. It highlights his diverse collections, including Art Deco furniture, Memphis Group pieces, and his particular passion for 18th-century furnishings and objets d’art. The book reveals a more playful side of Lagerfeld, contrasting with his public persona, through his approach to inhabiting and designing his many homes. #DesignBooks #HomeRemodel #InteriorDesignInspiration #FurnitureDesign #ArchitecturalDesign #LuxuryDesign #DesignHistory #CoffeeTableBooks #ArtCollectibles

As autumn approaches and temperatures begin to drop, there is a growing appeal in the idea of settling into a comfortable space to explore visually rich books showcasing exceptional interior design. This fall's selection of design books offers an exclusive look into luxurious homes that are typically inaccessible, while also providing valuable insights and expertise directly from the accomplished professionals behind their creation. This article highlights several new titles poised to captivate and inspire enthusiasts of interior design, covering a range of styles and focuses. One featured book is "Hilfiger Homes" by Tommy Hilfiger and Dee Ocleppo Hilfiger, with James Reginato. This book invites readers to tour seven meticulously curated homes owned by Tommy and Dee Hilfiger, situated in diverse locations such as Manhattan, Greenwich, Palm Beach, Miami, and Mustique. Chronicled by *Vanity Fair* writer-at-large James Reginato and photographer Douglas Friedman, the book explores the couple's approach to crafting stylish yet welcoming residences. It also includes intimate family photographs, offering a glimpse into their lifestyle and entertaining in each distinct setting. The foreword is written by Anna Wintour, adding to its prestige. Another significant title is "Making Space: Interior Design by Women" by Jane Hall. This book challenges traditional notions by celebrating the substantial contributions of women to the design of both residential and commercial spaces over the past century. This global survey features 250 female interior designers from more than 50 countries, illustrating the varied ways women have influenced the industry, from maximalist aesthetics to minimalist approaches. The book includes numerous project photographs and highlights both well-known figures like Dorothy Draper, Kelly Wearstler, and Elsie de Wolfe, as well as those whose work might otherwise have been overlooked. Corey Damen Jenkins presents his second book, "Design Reimagined: A Fresh and Colorful Take on Timeless Rooms." Following the success of his first book, "Design Remix," Jenkins’s new work commemorates 10 of his most compelling projects. Encased in a peacock-printed cover with gilded edges, the book showcases properties ranging from Manhattan apartments to countryside estates. These projects exemplify Jenkins's distinctive ability to blend classic architecture with bold color palettes, integrate modern and traditional furnishings, and incorporate striking pattern play. Beyond showcasing beautiful spaces, the book provides room-specific sidebars and Jenkins's personal commentary on his design philosophy. "Interior Design Master Class: 100 Rooms: Lessons from the Finest Designers on the Art of Home" by Carl Dellatore offers direct perspectives from leading interior designers such as Katie Ridder, Miles Redd, Suzanne Kasler, and Bunny Williams. These designers share insights into their projects and creative processes. The book is structured by room type—including living spaces, entries, bedrooms, dining areas, and kitchens—serving as a refined guide to achieving a stylish living environment in every part of the home. Sheldon Harte's work is the subject of "The Refined Home: Sheldon Harte," authored by Mitchell Owens and Hadley Keller. Harte, known for his projects across the West Coast featured in publications like *Architectural Digest* and *Elle Decor*, designs spaces ranging from large estates to intimate apartments. His expertise lies in incorporating diverse styles to create environments uniquely tailored to each client. The book provides an insider's view into Harte’s design process and philosophy through chapters such as "Sensual Surfaces" and "Modernist Masterpiece," accompanied by photographs from Douglas Friedman, Trevor Tondro, Bjorn Wallander, and John Merkl. Finally, "AD at Home," edited by Amy Astley, revisits some of the most celebrated home tours published in *Architectural Digest* over the last decade. This volume invites readers to explore the interiors of television and film stars, musicians, and designers, including Shonda Rhimes, Dakota Johnson, Alicia Keys, and RuPaul. Each project is presented with stunning photography and reflective commentary from Astley and the *AD* editors, emphasizing the unique blend of personal expression and design excellence in each home. #InteriorDesign #CoffeeTableBooks #HomeDecor #LuxuryHomes #DesignInspiration #ArchitecturalDigest #SheldonHarte #CoreyDamenJenkins #TommyHilfiger

Designer Heather Peterson utilized her South Minneapolis family home as a creative laboratory to explore design concepts not yet ready for client projects. What began as a plan for a quick refresh during the pandemic evolved into a comprehensive overhaul involving her entire firm, fostering ideation and innovation among the team. Peterson aimed to showcase a more eclectic, spirited, and modern aesthetic compared to her typical client work, transforming her home into both a personal living space and a design portfolio piece. The main challenge involved designing for her own idiosyncratic tastes and integrating existing high-quality fixtures that she chose not to remove. The home, originally built in 2007, featured a 'modern Scandi' and 'contemporary A-frame' style, providing a strong foundation that Peterson and her team enhanced with rich colors, graphic shapes, and numerous vintage finds to infuse personality. The project also emphasized collaboration with local Minneapolis vendors, highlighting a 'love affair' with the city's talented and unique suppliers. The home spans 2,100 square feet, featuring 3 bedrooms and 3 bathrooms. The living room's layout presented a challenge due to multiple entry points and architectural quirks, including an off-center window and an odd structural element. Peterson addressed this by employing symmetry, leveraging vintage furniture, including a redwood burl coffee table inherited from her parents, to balance the space and add character. Adjacent to the living room is the versatile "Room of Requirement," named after the Harry Potter concept, which has served various functions such as a home office, Lego room, music room, and library. This space is currently a cozy flex area used for work, art, and family game nights. Peterson reinforced its cocoon-like ambiance with a custom brown paint, contrasting white elements, and ample storage to accommodate books, trinkets, and art. The dining room, central to the house with sightlines to several other areas, was designed to anchor the home’s aesthetic through a mix of colors, textures, and silhouettes. To add volume and prevent it from feeling like a mere pass-through, Peterson incorporated a large pendant light, an armoire, and artwork, complemented by cork wallcovering and an embroidered rug. In the kitchen, Peterson opted for a cosmetic facelift rather than an extensive renovation, satisfied with its existing layout and functionality. She transformed the space into a focal point of the first floor by applying a bold, 1970s-inspired green paint to the cabinetry and adding oversized ceramic knobs for a whimsical touch. A countertop lamp contributed to the ambiance, emphasizing Peterson's preference for varied lighting. The powder room was revitalized within its original structure, featuring a fresh coat of Farrow and Ball's Preference Red paint on the washstand-style sink and Sandberg's Raphael wallpaper, a long-loved choice that adds a magical feel to the small space. Theo’s room, for her eldest child, combines bold prints with a sophisticated navy and oxblood palette, using faux-wainscoting and a tall bed system to optimize the room's proportions. The primary bedroom, visible from multiple public areas, was designed for coziness and visual appeal, with paper-backed William Morris fabric on the walls, blending historical and modern elements. The room incorporates three florals and two patchworks, maintaining a dynamic yet cohesive look with a tight color palette. Eleri's room, for her daughter, despite its small size and upholstered goods, achieves visual interest and a calm atmosphere through subtle prints and a palette of dusty blues, greens, and mustard. The primary bathroom retains many original finishes, with strategic updates like Fireclay's rosemary tile, which, with its varied glaze, integrates seamlessly with the marble floor. Wicker accents add warmth, while red faucets introduce a lively element, with textiles completing the cohesive design. Heather Peterson Design is based in Minneapolis, Minnesota, and focuses on translating client tastes into personal, functional, and stylish homes, embracing diverse design styles and blending client preferences into cohesive designs. This home tour serves as a testament to Peterson’s design philosophy and her firm’s creative capabilities. #InteriorDesign #HomeRenovation #EclecticStyle #MinneapolisDesign #HeatherPetersonDesign #VintageDecor #ColorPalette #RoomDecorating #HomeTour

Art Deco, a style characterized by geometric patterns, animal prints, and glitz, continues to captivate over a century after its inception. While genuine Art Deco residences from the 1920s and '30s are rare, many individuals seek to infuse this historic style into modern homes. This article showcases seven distinctive homes that either preserve original Art Deco elements or are inspired by its opulent aesthetic. One featured residence is designer Wesley Moon's Park Avenue apartment, where gilded wall panels, reminiscent of Paris’s Restaurant Le Gabriel, utilize customized wallpaper to create a delicate and neutral backdrop for salon-style art. Moon’s approach involves reinterpreting classical elements for contemporary times, as seen in a marble fireplace mantel embossed with python scales and turquoise molding, a collaboration with Cocobolo gallery director Benjamin Wiener. The apartment blends Old World grandeur with modern sensibilities. In Melbourne, interior designer Greg Natale transformed a 4,000-square-foot penthouse into a lavish space inspired by the owners' luxury watch and jewelry business. Natale infused the formerly minimalist apartment with jewel tones, particularly pink and maroon, creating a grand entrance with mirrored panels and arches. Sculptural Kelly Wearstler lights and a postmodern Art Deco rug further enhance the glamorous and sultry ambiance, reflecting both the owners' and Natale's love for luxury. Washington, D.C.-based interior designer Lorna Gross reimagined an 1870 row house in Georgetown, drawing inspiration from the golden age of travel and the Orient Express. The client, a writer and historian, desired a home that evoked the feel of a bespoke train car. Gross installed antique furnishings and lighting from the 1930s on the first level, creating an Art Deco-period atmosphere in the long and narrow space. Antique chandeliers were re-envisioned, and wall coverings provided a warm setting for a mix of antique and contemporary pieces. In a New York City high-rise, designer Alexander Doherty and architect Danielle Albert undertook a dramatic renovation of a top-floor unit. To achieve a unique and refined interior, they reworked the layout, extended the living space, and increased ceiling height by relocating ductwork. A lake-like depression in the ceiling, covered in 24-carat gold leaf, adds glimmer and enlarges the room. Doherty selected Art Deco and modernist pieces from Paris galleries and international auction houses to furnish the space, creating a style that complements the contemporary glass structure. A Dublin home, designed by LyonsKelly, transforms an unassuming 1930s semi-detached house into a spacious, arching gallery. The design firm created a unified architectural and interior vision, resulting in a three-story house with a basement. The procession of rooms on the ground floor, with formal areas at the front and family spaces overlooking the garden, embodies an Art Deco spirit while maintaining a timeless appeal. Celebrity chef turned interior designer Travis London found his ideal home in a 1940 Miami town house. The property featured pristine original Art Deco details, including a fireplace, travertine floors, and interior arches. London embraced the home's character, using it as a canvas for self-expression and a showcase for his design business, Studio London Co. The dining area, for instance, features Jonathan Adler chairs in pink velvet around a brass Boca do Lobo table, exemplifying a chic and grown-up aesthetic. Finally, a Chicago co-op in a prestigious 1920s building underwent a significant transformation by Jessica LaGrange. Moving away from its dated decor, LaGrange guided the design with the building's history, creating a high-contrast home. A custom terrazzo-and-bronze circular design, inlaid in the foyer, serves as a focal point, radiating like a sunburst and setting an Art Deco-inspired yet exceedingly modern tone for the art-collecting couple's pied-à-terre. #ArtDeco #InteriorDesign #HomeDecor #LuxuryHomes #ArchitecturalRenovation #DesignInspiration #ModernArtDeco #HistoricHomes #GlamorousInteriors

Fanny Ward, a London-based interior designer and stylist, shares insights from her extensive career, which spans collaborations with major brands like Fortnum & Mason and Harrods, as well as designing interiors for homes, hotels in locations such as Marrakesh, St Lucia, Geneva, and even super yachts in the Mediterranean. Now in her 70s, Ward reflects on her journey into the design world, which she describes as serendipitous. Her career began after her marriage ended, working at The Dining Room Shop where she discovered a passion for visual merchandising and decorating. An unexpected feature of her home in the Sunday Express by editor Eve Pollard led to a portfolio development through collaborations with renowned photographers like Fritz von der Schulenberg and Simon Upton. Her first significant professional role was with Dulux paint, where she was responsible for promoting their color schemes. This experience, along with her innate 'eye' for design—a trait she attributes to her mother—allowed her to learn on the job and develop a practical approach to interior design. Ward emphasizes that an inherent aesthetic sensibility is crucial and cannot be taught in a classroom setting. Throughout her career, she has worked with a diverse range of clients, but a pivotal moment was her collaboration with Volga Linen and Theresa Tollemache, which led to her taking on a full-time interior design role after decorating a large estate in Scotland. Ward recounts memorable projects, including transforming television presenter Jim Davidson's house into a Moroccan casbah. This project involved extensive customisation using Arabic fabrics, unique chair coverings, abundant cushions, and MDF mouldings to create an authentic atmosphere. She highlights her unwavering passion for good lighting, advocating for 'borrowed light' techniques, as practiced by Georgians, to brighten dark spaces and uplift the mood. She strongly advises against overhead lighting in most rooms, preferring floor or table lamps, with exceptions for bathrooms, kitchens, and strategically hung chandeliers. Her design philosophy also includes tailoring her color palettes to the project's location, incorporating natural elements like lichen yellows and various greens for Scottish projects, and emphasizing textures such as tweeds and chintz to blend the indoors with the outdoors. Ward provides practical advice on furniture placement, suggesting that sofas and chairs should be moved slightly away from walls to create a more inviting space. She also champions the preservation of a building's original character, emphasizing sustainability and the importance of allowing a home's personality to evolve with its inhabitants through quality furnishings. Despite having access to high-end suppliers like Howe London, Love Your Home, George Smith, Little Greene, Annie Sloan, Lewis & Wood, and Nina Campbell, Ward also champions affordable options from Ikea and Dunelm for transforming spaces on a budget. She encourages painting old furniture to give it new life, showcasing her belief that good design is accessible regardless of financial constraints. Currently engaged in a barn conversion in Scotland, Ward expresses her love for working on projects from the ground up, meticulously drawing everything to scale to immerse herself in the design process. She finds immense joy and engagement in her work, which allows her to meet fascinating people and their stories, while also maintaining a healthy work-life balance by setting boundaries for her working hours and taking time for personal life and travel with friends and family. Her advice to aspiring designers is to gain experience by working for others and to be brave in pursuing their passions and building connections. #InteriorDesign #FannyWard #CareerHighlights #DesignPhilosophy #HomeDecor #LightingDesign #ClientProjects #Entrepreneurship #CreativeProcess

This article highlights ten interior design books selected for their ability to inspire and educate on various aspects of home aesthetics, catering to both design enthusiasts and those looking to enhance their living spaces. The author, while not a professional interior designer, expresses a deep appreciation for beautiful environments, drawing from an internship at Steelcase focused on environmental psychology and a lifelong fascination with architectural masters like Luis Barragán, Frank Lloyd Wright, and Zaha Hadid. The curated list aims to offer diverse perspectives on interior design, from historical grandeur to contemporary trends, and to serve as both an inspirational resource and a sophisticated addition to any coffee table. Among the recommendations is "Versailles: From Louis XIV to Jeff Koons," which chronicles the opulence of the French palace and its connections to modern art, demonstrating the enduring appeal of lavish design. "Designing Hollywood Homes" provides an exclusive look into the private residences of film icons, showcasing their luxurious and often theatrical decorating styles, encouraging readers to adopt a cinematic approach to their own interiors. "Be My Guest: At Home with the Tastemakers" offers glimpses into the authentic and personally curated homes of influential creatives, emphasizing the fusion of individual history with effortless style. Alberto Pinto’s "World Interiors" is presented as a definitive guide for those who appreciate bold, culturally rich designs, spanning various global locations from Paris to Riyadh. The list also includes "Soul of the Home: Designing with Antiques," which champions the integration of vintage pieces to add character and a sense of history to contemporary spaces, appealing to those who value patina and provenance. Athena Calderone’s "Live Beautiful" is described as a modern classic, offering both inspiration and practical advice on infusing spaces with soul and storytelling, drawing from her popular social media presence. For nature lovers, "Wild Interiors: Beautiful Plants in Beautiful Spaces" explores biophilic design, illustrating how plants can transform any interior, from urban apartments to rustic homes. "Bohemian Modern by Emily Henson" is recommended for its vibrant blend of bohemian aesthetics with modern sensibilities, encouraging the use of color, texture, and personality in decor. "The Kinfolk Home" represents the concept of quiet luxury, featuring international homes characterized by minimalism and intentional living, providing a tranquil counterpoint to more elaborate design narratives. Finally, "Remix: Decorating with Culture, Objects and Soul by Jeanine Hays & Bryan Mason" is celebrated for its focus on Afro-modernism and diasporic heritage, showcasing how design can be a powerful medium for cultural storytelling. The article concludes by emphasizing that interior design transcends mere aesthetics; it is about crafting narratives and emotions within a space. The selected books are intended to spark creative inspiration or subtly communicate an appreciation for refined living. #InteriorDesign #HomeDecor #DesignBooks #AestheticObsessive #LuxuryInteriors #ArchitecturalInspiration #BohoModern #BiophilicDesign #CulturalDesign

Yoselin Alonso, the associate interior designer at METHOD & CONCEPT, approaches interior design as more than just surface aesthetics, seeing it as a holistic discipline that encompasses functionality and architecture. Her upbringing provided a foundational understanding of construction, with her father, a builder, teaching her practical skills like door installation and stair construction from a young age. Her mother, a seamstress, further cultivated Alonso's inclination towards working with her hands and fostering creativity. At METHOD & CONCEPT, Alonso collaborates with Chad Jensen, extending beyond traditional design tasks to integrate art and architecture. The firm, which is a sister company to the Thomas Riley Artisans’ Guild, functions as both a design studio and an art gallery, emphasizing the fusion of design and art. This approach ensures that artisanship is central to all projects, with spaces meticulously planned to highlight artworks. The team often commissions custom furnishings or millwork from Thomas Riley to realize specific visions or functional requirements, or they design entire rooms around a client's beloved art pieces. Alonso stresses that artists are considered integral to the design process itself. Alonso's role is comprehensive, involving her in every stage of a project. Her responsibilities range from conceptualizing designs and attending client meetings to conducting site visits, ordering materials, and developing project plans. She excels in creating 3D renderings, a skill Jensen notes was a valuable addition to the team. Additionally, Alonso is actively involved in developing METHOD & CONCEPT’s proprietary line of soft goods, which is scheduled for release in an upcoming season. Chad Jensen sought specific qualities when hiring for the associate interior designer position, describing his ideal candidate as a 'unicorn.' He was particularly drawn to Alonso's dualities: her polished and articulate presentation contrasted with her willingness to engage in hands-on tasks, such as driving a pickup truck and getting her hands dirty. Jensen observed that he and Alonso share a common design philosophy, prioritizing intentionality in their projects. This involves carefully considering how individuals will experience each space, its practical usage, and how the ambiance of a room transforms throughout the day. Jensen also values Alonso's genuine passion for her craft and her eagerness to learn, noting that she often dedicates weekends to the studio to learn from him, as he is also a practicing artist and maker of furniture and functional art objects. Alonso's personal creative inspirations often stem from her parents' native Mexico, drawing from places like Las Pozas, a surrealist garden in Xilitla. This sense of discovery fuels her desire to create unique and meaningful designs. At 27, she is rapidly refining her unique style, influenced by her work with Jensen and the METHOD & CONCEPT team, as well as her desire to remain close to her family in Bonita Springs. She expresses contentment with her current professional and personal environment, affirming that she has found her ideal place. Her initial attraction to the company was solidified by observing Chad Jensen's office, which showcased materials, sketches, and renderings that illustrated a detailed and considered design process, aligning with her preference for thoroughness in design. #InteriorDesign #HomeDesign #ArtIntegration #ArchitecturalDesign #CustomFurnishings #DesignProcess #CreativeInspiration #LuxuryInteriors

This article explores the concept of 'iconic' homes and interiors, drawing insights from Dominic Bradbury's book 'The Iconic Interior' and the Vitra Design Museum's exhibition 'Home Stories: 100 Years, 20 Visionary Interiors.' The discussion begins by questioning the definition of 'iconic' in design, noting that true iconic status is often achieved organically over time, influencing design beyond a project's initial ambition. The book and exhibition collectively span 20th and 21st-century domestic interiors, featuring approximately 600 images of remarkable houses. The article highlights various notable designers and architectural styles. It introduces Brazilian architect Lina Bo Bardi's 1951 Casa de Vidro and Danish architect Finn Juhl's 1941 interior, both celebrated for their modern aesthetics. A significant aspect explored is the historical gender bias in design, where interior decoration was often relegated to women as an amateur pursuit, contrasting with architecture as a male-dominated profession. Figures like US interior designer Elsie de Wolfe, known for her uncluttered style, and British cousins Rhoda and Agnes Garrett, recognized for their elegant and utilitarian interiors, are presented as examples of influential women in the field. Beyond individual homes, the article examines the impact of social and technological changes on interior design. It discusses the 'New Frankfurt' social housing project from 1926, which addressed housing shortages through efficient design principles. Austrian architect Margarete Schütte-Lihotsky's contribution of the prototype for a built-in kitchen, based on Taylorist principles for labor efficiency, is particularly emphasized. This innovative design led to the installation of around 10,000 'Frankfurt kitchens' in working-class apartments. In parallel to functional and affordable designs, the article also delves into flamboyant and fantastical interiors. Cecil Beaton's Georgian manor house, Ashcombe, and Tony Duquette's Dawnridge in Los Angeles are cited as examples of highly individualistic spaces that blurred the lines between living areas and theatrical sets. The discussion extends to the rebellious spirit of the 1960s, exemplified by Andy Warhol's Silver Factory, a pioneer of loft-living that profoundly influenced industrial aesthetics. French architect Claude Parent's 'anti-rationalist' apartment, with its eccentric sloping floors challenging traditional Modernist cube-like interiors, is also featured. The role of publicity in achieving iconic status is noted, with examples such as Lina Bo Bardi's Casa de Vidro, Cecil Beaton's Ashcombe, and Alison and Peter Smithson's House of the Future benefiting from media exposure. The article also touches upon homes designed by high-profile architects for themselves or adventurous clients, and those inhabited by artists who treated their spaces as canvases for creative expression, such as the Bloomsbury Group's Charleston farmhouse. Early examples like Henry van de Velde's Art Nouveau Villa Esche and Adolf Loos's Modernist Steiner House illustrate interiors that were radically unorthodox and ahead of their time, challenging conventional ornamentation. The evolution of Modernism into a softer, more organic approach in the 1930s is represented by Berthold Lubetkin’s penthouse and Russell Wright's proto-eco house, Dragon Rock, which harmonized with its natural surroundings. The article concludes by discussing the emergence of Postmodernism in the 1960s and 1970s, spearheaded by architects Roberto Venturi and Denise Scott Brown, who questioned Modernist principles and embraced historicism and ornamentation. Their Venturi House exemplifies an eclectic, kitsch, and ironic interior that combined diverse artistic elements, contrasting with earlier minimalist trends. The ultimate impact of books like 'The Iconic Interior' in conferring and solidifying the iconic status of these homes is acknowledged, highlighting how even private spaces can attain mythical recognition through documentation and imagery. #InteriorDesign #Architecture #IconicHomes #Modernism #Postmodernism #DesignHistory #SocialHousing #ArtNouveau #GenderInDesign

Designer and interior stylist Carrie Charest Valentine, along with her husband Travis Stearns, transitioned from their 1903 brownstone condo in St. Paul’s Cathedral Hill to a rural township near Mora, seeking a picturesque country life. The move, prompted by their growing family, led them to build a Georgian-inspired home during the pandemic, which Valentine meticulously furnished and designed. The exterior of the house features a black colonial style, a fresh approach that allows Valentine creative freedom with the interior design, avoiding a specific period aesthetic. Her design philosophy emphasizes symmetry and proportion, drawing inspiration from historical references. Inside, the living room is anchored by a limestone mantel, the first item purchased for the home after acquiring the property. This choice reflects Valentine’s inspiration from Belgian homes and her priority of creating a sense of history using natural materials. A pheasant, a trophy belonging to her great-grandfather from the early 1900s, is prominently displayed, holding sentimental value. The kitchen design integrates inspiration from the fireplace mantel, particularly evident in the range hood. Valentine opted for a worktable instead of a traditional island, aiming for a furniture-like piece that adds character to the space. Copper pots and pans are also a prominent feature, a nod to a family tradition of collecting copper. Leo’s bedroom, designed for her son, was conceived as a storybook-like space, cozy and creative. The walls are painted in Benjamin Moore’s Palm Leaf, and a whimsical reproduction of a 1700s Dutch painting, acquired at an online auction, adds to the room’s charm. This artistic approach aims to create lasting fond memories for her child. The main bedroom features walls painted in Sherwin-Williams’ Alabaster, with trim in Farrow and Ball’s Shadow White, chosen to complement the lighter Italian ceramic tile in the adjoining bathroom. A 1960s Italian gilt headboard from Timelines Antiques serves as a unique focal point, reflecting Valentine's preference for imaginative and one-of-a-kind pieces. The article highlights various personal touches throughout the home, including a marble plinth with a bust brought from Paris by a designer friend, Jacqueline Fortier. Stacks of art and design books are present in almost every room, indicating a deep appreciation for culture and aesthetics. The dining room features a farmhouse table from Loft Antiques and a childhood chair belonging to Valentine’s great-grandmother, further integrating family history into the home. Practical yet aesthetically pleasing elements include a Portland cement sink in the primary bath, handmade by Atmosphyre, a Vermont-based business. Valentine prioritized form over function in this instance, accepting less storage for a unique design. A copper bathtub, a splurge made possible by saving on materials in other areas of the house, exemplifies the balance between practicality and luxury in her design choices. The outdoor surroundings, including the prairie hugging Snake River and plans for an heirloom vegetable patch, underscore the family’s connection to their rural environment. #InteriorDesign #HomeDecor #RuralLiving #GeorgianArchitecture #PersonalStyle #FamilyHome #DesignInspiration #CarrieCharestValentine

Kathryn M. Ireland, a renowned interior designer, discusses her unique approach to design, her career trajectory, and her philosophy on living. Raised in London and Scotland, Ireland accidentally entered the design world after people admired the aesthetic of her home. Her initial foray into interior design involved working with high-profile clients like Steve Martin and Caroline Kennedy, who were drawn to her "undecorated look." This style prioritizes comfort, family, and practicality over formal, traditional design elements, a philosophy exemplified by her decision not to design foyers and her appreciation for a living space that accommodates real life, such as children's building blocks in a living room. Ireland emphasizes the importance of functionality in design, particularly in smaller spaces like city apartments. She suggests innovative solutions such as "equipment garages" for exercise machines, transforming built-ins into discreet storage areas for items like Pelotons. The recent period of increased time spent at home has highlighted the need for deliberate contemplation of living spaces. Ireland recounts how this newfound stillness led her to reassess and enhance the functionality of her own guesthouse, identifying overlooked needs for storage. This introspection encourages individuals to thoughtfully consider their surroundings and identify areas for improvement. Her collaborative platform, The Perfect Room, reflects her vision for democratizing design. This website allows individuals to purchase curated rooms by their favorite designers or upload images for sourcing specific design elements. The platform aims to provide designers with royalties for their work and foster a collaborative environment in the design industry. Ireland's global lifestyle influences her work, as she divides her time between California and France, where she has transformed a farmhouse into a large guest retreat. This international perspective also informs her retreat business, which offers immersive experiences in locations like Marrakesh, the Cotswolds, and the Nile, focusing on camaraderie and personal reflection rather than just leisure. Ireland advocates for a relaxed and spontaneous approach to life and entertaining, contrasting it with the often-over-stylized portrayals of perfect living. She believes that real life is not a photo shoot and encourages simplicity in hosting, favoring casual meals and genuine connection over elaborate preparations. This extends to her personal preferences, as she often prefers cooking at home with friends over dining out, viewing her home as a sanctuary. She highlights the concept of "retreating at home," suggesting that individuals can create a getaway within their primary residence, reducing the need for additional properties and minimizing their carbon footprint. Her advice is to embrace the present space and make it feel like a cherished escape, reflecting her broader philosophy of living easily and authentically within one's surroundings. #InteriorDesign #KathrynMIreland #HomeDecor #UndecoratedStyle #ThePerfectRoom #DesignPhilosophy #HomeRetreat #FunctionalDesign