An 18th-Century Virginian Hotel Boasts an Elegant New Look

The San Francisco Proper, a luxury hotel located in the city's Mid-Market neighborhood, showcases the interior design prowess of Kelly Wearstler, often referred to as "the presiding grande dame of West Coast interior design" by The New Yorker. Wearstler was responsible for the interior public areas, restaurants, and guest rooms of the 131-room boutique hotel. The historic building, originally constructed in 1926 by architect Albert Pissis, features a facade of brick, stone, and terracotta. It was recently repurposed by the local firm Hornberger + Worstell into its current hotel iteration. Wearstler's design concept for the hotel revolves around a narrative of a bohemian woman. She envisioned the hotel as the home of this sophisticated individual, creating a series of living rooms that invite guests to linger in an eclectic, artful salon. This imaginative backstory adds a layer of character and intimacy to the hotel's ambiance, suggesting a sense of awaiting its intriguing inhabitant and her black cat, Charmaine. The aesthetic draws from various eras, blending contemporary sensibilities with old-world charm. Wearstler curated a collection of custom furniture, fabrics, lighting, and wallcoverings, complementing them with vintage pieces sourced from Paris, Milan, and San Francisco. This meticulous selection injects historical depth and a vibrant, modern feel into each space. The lobby salon exemplifies this approach, featuring unique artwork and furnishings arranged to evoke a residential setting. Art plays a significant role, with paintings by local artists such as Joe Ferriso and Jonathon Anzalone displayed prominently in the lobby. In the guest rooms, Wearstler’s innovative use of patterns is evident; she combines four different patterns to modernize classic designs, adding depth and dimension. She designed 32 original patterns exclusively for the hotel, drawing inspiration from vintage graphics across Europe. This diverse mix of textures and natural materials harmonizes with the original building's patina, introducing a touch of modern wit and comfort. The intimate dining room further showcases this fusion of styles, furnished with elements from an array of modernist designs. Throughout the hotel, thoughtful details abound. For instance, the bathrooms integrate different colored tiles on floors and walls for visual contrast. The guest rooms are distinguished by rich, warm oak floors, and some even feature stylish bunk beds, catering to families. Wearstler's overarching goal was to create an updated version of a European salon, a hotel that offers a residential atmosphere reminiscent of the comfortable, artful living spaces of the past. The San Francisco Proper stands as a testament to her vision, seamlessly marrying historical grandeur with a distinctly bohemian, contemporary spirit. #HotelDesign #InteriorDesign #BoutiqueHotel #SanFrancisco #KellyWearstler #BohemianStyle #VintageModern #LuxuryTravel #HospitalityDesign

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Langdon Court, a 500-year-old Jacobean building in Down Thomas, has been meticulously restored by fashion designer Donna Ida Thornton and her husband Robert Walton MBE, President of the UK Restaurant Association. The Grade II*-listed property, once facing disrepair and vandalism, has been transformed into a high-end, 16-bedroom country house hotel, aiming to blend historical grandeur with modern luxury and comfort. The restoration project, which spanned two years and included an unexpected legal battle, was driven by the couple's vision to create a hotel that feels like a welcoming home. The house, characterized by Donna as embodying 'understated British elegance,' features sumptuous interiors that juxtapose glamorous elements like chandeliers with cozy furnishings and unique amenities such as a snack room with a popcorn machine. Each room is designed to be a treat, incorporating vintage lights, Soho Home furniture, and artwork by Tracy Emin. The bathrooms are particularly notable for their design, and the overall aesthetic harmonizes with the building's historical features, including Tudor flooring and art deco green tiles in the Palm Court, which is highlighted as a stunning area. The couple's appreciation for the building's history is evident in their careful preservation of details, such as a 19th-century graffiti etching on a windowpane. Langdon Court's rich history includes ownership by the Crown, inheritance by Henry VIII's sixth wife Catherine Parr, and later by the Calmady family in 1555. In the early 20th century, it was frequented by Edward VII during the ownership of the Cory family. After serving as a nursing home post-World War II, the property suffered from neglect, with period features being covered up and the building eventually becoming a target for vandals. Donna and Robert acquired the property in 2021, recognizing its 'incredible bones' despite its dilapidated state. The restoration process involved not only aesthetic and structural repairs but also significant modern updates to ensure comfort and efficiency, with each room's temperature controlled via an app. The couple's commitment to the project was fueled by a desire to preserve Langdon Court for future generations, viewing it as a legacy to Devon and England. Robert Walton emphasizes the therapeutic quality of the house and the couple's good fortune in being its custodians. The property is set within 10 acres of gardens and parkland, adding to its appeal. Beyond its architectural and historical significance, Langdon Court functions as a versatile venue, attracting guests for various events such as weddings, shooting parties, foodie gatherings, and corporate retreats. It also hosts unique experiences like the 'ultimate pyjama party,' involving candle making, meals, and movie viewings. The hotel's operational success is supported by a dedicated team, including a gardener and caretaker, who are essential to maintaining its grandeur and daily functions. The transformation of Langdon Court exemplifies a successful blend of historical preservation and contemporary hospitality, creating a unique destination that respects its past while embracing modern needs. #HistoricalProperty #LuxuryHotel #CountryHouse #RestorationProject #InteriorDesign #Devon #JacobeanArchitecture #HeritagePreservation #Hospitality #DonnaIdaThornton

The five-star Palazzo Avino, a hotel housed within a 12th-century private villa on Italy's Amalfi Coast, has undergone a significant redesign of seven of its rooms. Architect Cristina Celestino was tasked with revitalizing these spaces, drawing inspiration from the abundant gardens of Ravello and the mystical tales of the Tyrrhenian Sea. The goal was to infuse the rooms with a sense of place, blending historical elements with a contemporary aesthetic. Celestino's design approach centered on two primary concepts: the "inner garden" and the "mermaid refuge." The inner garden concept is brought to life through the integration of custom-designed terracotta flooring from her Giardino all’Italiana collection for Fornace Brioni. This flooring, which takes inspiration from the famous Boboli and Tivoli gardens, acts as a unifying element across the rooms. It is complemented by patterned onyx and marble accents, reflecting the vibrant flora of the region. The color palette employed by Celestino, featuring aquamarine, sand, and coral, directly references the natural surroundings of the Amalfi Coast. The mermaid refuge concept is expressed through iridescent mother-of-pearl finishes, which evoke the shimmering quality of the sea. Embossed headboards and intricate brass castings further contribute to this theme, adding a touch of aquatic elegance. Celestino emphasized the importance of light, colors, and material selection in her projects, aiming to create a magical atmosphere that resonates with the heritage and natural beauty of the location. She noted that her works often combine historical elements with modern aesthetics and draw forms from nature and art. Prior to Celestino's intervention, the rooms were characterized by a more traditional style, featuring glazed ceramics, white walls, Persian carpets, and antique pieces from the early 1900s. Her vision sought to imbue each room with a distinct personality, establishing a stronger connection between the interior design and the panoramic views of the gardens and the sea. This was achieved not only through the selection of materials and colors but also through the thoughtful placement of furniture. For instance, beds were strategically positioned in the center of the rooms to maximize visual impact and draw attention to the architectural elements. The bedding and the curvature of the bed frames were designed to harmonize with the dramatic arches present in the villa's architecture. Textiles played a crucial role in the renovation, with delicate natural fibers and Dedar fabric curtains featuring oversized patterns, including CC-tapis textiles adorned with large flowers and fruits native to the Italian coast, which are now part of the Avino collection. Celestino faced the challenge of balancing the hotel's existing identity and the expectations of its established clientele with her contemporary design vision. Her objective was to make these historical spaces feel more modern while simultaneously deepening their connection to the coastal landscape. The bathrooms were also updated, incorporating luxurious materials such as Rosa Portogallo marble and Rainbow onyx by Budri, further enhancing the hotel's opulent and nature-inspired aesthetic. The renovation successfully transformed the rooms, creating spaces that are both rooted in tradition and refreshingly contemporary. #AmalfiCoast #CristinaCelestino #PalazzoAvino #HotelRenovation #ItalianDesign #LuxuryTravel #InteriorDesign #HistoricalArchitecture #CoastalDecor

The Maker Hotel, a boutique establishment in Hudson, New York, is the creation of Lev Glazman and Alina Roytberg, co-founders of the skincare brand Fresh, and hospitality expert Damien Janowicz. This 11-room hotel is designed to embody an "old-world bohemian glamour" by integrating original decor features and a collection of vintage treasures. The hotel's concept revolves around celebrating craftsmanship and providing guests with inspiring and unique spaces. Glazman emphasized the desire to expand the hospitality experience by offering a dream-like atmosphere, a vision that he believed was perfectly suited for Hudson due to its rich artisan community, history, and design scene. The hotel's design intentionally moves away from standardized aesthetics, instead harmoniously blending various periods and styles to create an eclectic feel. Physically, The Maker Hotel is a complex of three historical buildings: a Georgian mansion, a Greek revival-style property, and a carriage house, all dating back to the early 1800s. Extensive construction was undertaken to connect the different rooms across the 14,000-square-foot (1,300 square meters) property. New structural additions include a central courtyard filled with lush greenery and a 'jewel box'-like conservatory, which now serves as the hotel's main restaurant. The interior design, largely overseen by Glazman, prioritized the preservation of original architectural elements. This involved retaining ornate fireplaces, hand-painted ceilings, stained-glass windows, and tiled mosaic flooring. Over 70% of the decorative items are either antique or custom-made, incorporating salvaged objects, with some artworks even sourced from Glazman's personal collection. This approach contributes to the hotel's distinct aesthetic, characterized by an unexpected fusion of global design influences acquired over decades of travel. The guest accommodations are categorized into five types: The Bedrooms, The Terrace Lofts, The Corner Studio, and The Maker Studios. Each of The Maker Studios is individually themed, drawing inspiration from different creative professions such as an architect, artist, gardener, and writer. For instance, The Artist room features a vintage easel, and The Writer room is adorned with book-lined shelves surrounding an oak fireplace. Beyond their rooms, guests have access to amenities including a pool, a cafe, and an intimate cocktail bar. The Maker Hotel joins a growing trend of getaway destinations outside Manhattan, offering a retreat from the city's fast pace. Another example mentioned is The Hoxton in Williamsburg, Brooklyn. Photography for The Maker Hotel was carried out by Francine Zaslow. #BoutiqueHotel #HotelInteriors #EclecticDesign #VintageDecor #HudsonNewYork #HistoricBuildings #Craftsmanship #HospitalityDesign

The Quoin, a newly opened minimalist boutique hotel in Wilmington, Delaware, represents a collaborative design effort between Method Co and Philadelphia-based Stokes Architecture + Design. This hotel is established within a historic former bank building, showcasing a unique blend of preserved architectural elements and contemporary design. The design philosophy embraces a subdued, earthy color palette and incorporates modern, handmade decor alongside vintage furnishings. Upon entry, guests are greeted by a thoughtfully designed reception area. This space features intricate floral wallpaper, highlighted with metallic gold accents, and is complemented by a custom-made credenza that combines contemporary hues with taupe mulled leather. Adjacent to the reception, a retail area provides a curated selection of boutique brands for guests to explore. To the right, an antique Malayer rug leads into the connected lobby and cafe spaces. The lobby itself is furnished with pieces like Lawson-Fenning sofas, Lina swivel chairs, and an Adnet-inspired Crillon chair crafted from hand-stitched leather. Lighting is provided by a cotton shaded lamp from Santa & Cole. These elements contribute to an atmosphere that balances historical charm with modern comfort and sophistication. The hotel's ground floor also houses a restaurant, accessible from the lobby, which specializes in wood-fired cuisine drawing inspiration from Southern France and Northern Italy, aiming to become a local culinary destination. Further enhancing the guest experience, The Quoin offers a rooftop area, providing a versatile space for various social occasions. This rooftop is designed for happy hours, gatherings, and light dining, offering views and an open-air ambiance. The hotel comprises 24 luxury guest rooms and suites, each meticulously designed to integrate restored original architectural details with the hotel's overarching minimalist and contemporary aesthetic. The design approach focuses on creating serene and functional spaces that honor the building's past while providing modern amenities. The aesthetic throughout The Quoin is characterized by its minimalist tendencies, emphasizing clean lines, understated elegance, and a calming material palette. The selection of furniture and decor reflects a commitment to quality craftsmanship and a sophisticated yet unpretentious style. The blend of vintage finds with newly commissioned pieces ensures that each space possesses a unique character while maintaining a cohesive design language. The lighting choices further enhance the hotel’s ambiance, creating warm and inviting environments. Overall, The Quoin hotel aims to offer a distinctive hospitality experience in Wilmington, Delaware. Its design seamlessly integrates the historical context of its bank building origins with a fresh, contemporary, and minimalist aesthetic. The combination of carefully chosen furnishings, a refined color scheme, and thoughtfully designed common areas and private rooms creates an environment that is both luxurious and welcoming for its guests. #HotelDesign #MinimalistInterior #BoutiqueHotel #HistoricPreservation #AdaptiveReuse #DelawareHospitality #ContemporaryDesign #LuxuryAccommodation #InteriorArchitecture

Violino d’Oro, a five-star boutique hotel unveiled by Collezione Em from the Maestrelli family, is situated a short walk from St. Mark's Square in Venice. This property aims to offer an immersive experience into Venetian culture, blending tradition with contemporary design, sustainability, and an authentic Venetian spirit. The hotel reflects the Maestrelli family's over three decades of experience in hospitality, emphasizing respect for cultural heritage and excellence. It has been recognized by The Leading Hotels of the World, signifying its status among exclusive global destinations. The hotel is housed within three meticulously restored 17th-century buildings. The interior design prioritizes silence, texture, and natural light. Every detail, from the materials to the subtle scents, contributes to a unique atmosphere. Sara and Elena Maestrelli have guided the reimagining of Venetian hospitality with a focus on sophistication and human connection. The decor features fabrics by Rubelli, lamps by Venini, artisanal Venetian terrazzo floors, and a curated collection of Italian art and design, all harmoniously integrated. The 32 rooms and suites balance elegance and comfort, showcasing a blend of clean-lined Italian furniture, Oriental pieces, Venetian antiques, and contemporary elements. Canal views, high ceilings, and a soft color palette contribute to a serene and sophisticated ambiance. Sara Maestrelli describes the hotel as an “artisanal Italian project designed like a home,” with everything from glassware to headboards crafted locally in Venice and Tuscany, using noble materials and skilled craftsmanship. Velvets, brocades, and damasks from Rubelli, Carrara marble inlays, and hand-blown Murano glass lamps are prominent features, each with a unique story and tactile quality. Sustainability is a core philosophy at Violino d’Oro, extending beyond a marketing label. This commitment is evident in the use of local materials, support for artisan economies, and mindful resource management, reflecting a dedication to environmental responsibility and the future of luxury travel. The hospitality is characterized by warmth, attentiveness, and personalized service, with staff trained to anticipate guest needs, offering a balance of professionalism and approachability. Breakfasts are served in a sun-drenched dining room, featuring fresh, seasonal, and organic produce, artisanal pastries, and made-to-order coffee, catering to various dietary preferences. The serene atmosphere is designed to promote a sense of well-being. The hotel's culinary highlight is Il Piccolo, an intimate, Michelin-recognized restaurant with nine tables. It offers a contemporary, plant-forward menu based on local and seasonal ingredients, complemented by creative cocktails from head bartender Francesco. The menu evolves with the seasons, combining innovative techniques with traditional respect for ingredients. Violino d’Oro offers unique experiences connecting guests to the soul of Venice. These include Venetian cooking classes, yoga by the canals, mixology workshops, and private visits to artisan ateliers like Rubelli or Micheluzzi. Cultural tours provide access to lesser-known parts of the city, operas, or private palaces. Tailor-made experiences such as sunrise photography walks, guided strolls through Dorsoduro, private lagoon cruises, and food tours through traditional Venetian bacari are also available, aiming to foster a deep connection with the city. Excursions to Murano and Burano are also arranged, offering insights into glassmaking and lace-making traditions, respectively. Murano provides opportunities to observe glass artisans at work and purchase unique pieces, while Burano captivates with its colorful houses and the delicate craft of handmade lace. The hotel aims to provide a new way of experiencing Venice—authentic, sophisticated, and deeply emotional, a sanctuary that makes guests feel at home while offering an exceptional and unique stay. #VenetianLuxuryHotel #BoutiqueHotel #VeniceTravel #ItalianDesign #SustainableHospitality #CulturalImmersion #ArtisanCraftsmanship #MichelinRestaurant #HistoricRenovation

The Russell, a new 23-room boutique hotel in East Nashville, exemplifies adaptive reuse by transforming the historic Edgefield Cumberland Presbyterian Church. Developed by Anchor Investments and designed by Powell Architecture + Building Studio, the project aimed to preserve the building's impressive architectural heritage while infusing it with the vibrant, eclectic character of East Nashville. The hotel also has a philanthropic mission, with proceeds from its "Room for Rooms" program supporting Nashville’s homeless community through free housing, showers, and meals. The design narrative for The Russell is largely inspired by the building's original 1904 Romanesque facade and its two arresting, 16-foot stained-glass rose windows in the lobby. The color schemes throughout the property, including the bright tile arrangements and the herringbone wood floor pattern in the lobby, mirror the hues illuminated by these windows. The lobby itself is an airy space featuring a 40-foot ceiling, gold chenille curtains that create "confessional" alcoves, and a wall adorned with "church banners" hand-sewn and painted by Chicago-based artist Shelby Rodeffer of Finer Things. One notable banner, _Queens of Country_, pays tribute to Dolly Parton, Loretta Lynn, and Tammy Wynette, drawing inspiration from masonic regalia and local culture. During construction, a significant discovery was made: the church's attic possessed substantial unused volume and potential. This led Powell Architecture + Building Studio to swiftly revise their plans, incorporating the space into the design. The unexpected addition of a third floor resulted in five extra guest rooms, including a bi-level suite that creatively integrates the church’s imposing bell tower into a meditative sleeping area. The guest rooms, largely converted from former auditorium and classroom spaces, welcome guests with illuminated door markers crafted by New York lighting studio Rich Brilliant Willing, which are formatted like Biblical verses. The rooms feature exposed brick walls and headboards fashioned from vintage church pews, blending historical elements with contemporary design. A collective of over a dozen local artists and makers contributed to the modern touches, such as the arched wooden bathroom mirrors by Maple Built and powder-coated sconces by Southern Light Electric. Color-blocked walls, echoing the lobby’s stained-glass window hues, further tie the rooms to the building’s past. Efficient wardrobes designed by Holler Design integrate amenities like a built-in fridge, safe, coffeemaker, and desk. This thoughtful integration of old and new creates a welcoming and uniquely characterful experience for guests, all while contributing to a meaningful cause. #HotelConversion #AdaptiveReuse #ChurchRenovation #BoutiqueHotel #NashvilleDesign #HistoricPreservation #CommunityImpact #InteriorDesign #ArchitecturalHeritage

The NoMad Hotel, located in Manhattan, offers a unique blend of Old World charm and modern-day influences, making it a distinctive destination for travelers. The hotel opened in a fully restored, turn-of-the-century Beaux-Arts building, with interiors designed by French designer Jacques Garcia. Garcia is renowned for his ability to integrate 17th- and 18th-century European aesthetics with contemporary design elements, a style evident throughout the hotel. Upon entering the guest rooms, visitors find reclaimed maple hardwood floors adorned with handmade vintage Heriz rugs, complementing French mahogany writing desks. The emphasis on luxurious comfort is further highlighted by linens, bedding, and bathrobes supplied by Sferra and Frette, along with Argan bath amenities. Many rooms elevate the bathing experience with the inclusion of freestanding, clawfoot bathtubs, offering a touch of classic indulgence. Art plays a significant role in the hotel's ambiance, with each room featuring pieces from a carefully curated art program. This collection includes vintage correspondence, antique travel collectibles, and original sketches and photography by contemporary artists, designed to immerse guests in a journey of discovery and intimacy. The aesthetic extends to common areas, where opulent textiles provide a rich and inviting atmosphere, and the staff's uniforms, designed by Bespoken, a New York-based menswear collective, reflect English tailoring traditions. A notable feature of The NoMad Hotel is its two-level library, which is connected by an original spiral staircase imported from the South of France and includes a mezzanine catwalk. This space provides a tranquil retreat for guests. Culinary excellence is a cornerstone of the hotel experience, with the restaurant managed by Chef Daniel Humm and Restaurateur Will Guidara, both acclaimed for their work at the three-Michelin-star-rated Eleven Madison Park. The stately dining room is characterized by dark oak furnishings and richly textured fabrics, creating an elegant setting. An original fireplace, sourced from a French château, adds historical grandeur to the common areas. The bar area features a dramatic 24-foot-long mahogany bar, and guests can enjoy a unique beer crafted exclusively for The NoMad by brewmaster Garrett Oliver of Brooklyn Brewery. A sunlit atrium dining space is created by natural light filtering through a glass roof, offering a bright and airy environment. The architectural firm Stonehill & Taylor played a crucial role in the historical renovation and conversion of the 1903 Johnston building into The NoMad Hotel. Beyond its design, the hotel is praised for its prime location at 1170 Broadway & 28th Street in New York City and its exceptionally friendly staff. The hotel's design highlights include European-style bathrooms with free-standing tubs and the distinctive curated artwork, all contributing to a memorable stay that blends historical elegance with modern comfort. #HotelDesign #InteriorDesign #LuxuryTravel #NewYorkCity #HistoricRenovation #BeauxArtsArchitecture #FrenchDesign #BoutiqueHotel #ManhattanHotels

Matthew Carter, a Lexington, Kentucky-based decorator, undertook his first project in Maine, transforming a quintessential Colonial Revival summer house for clients from Kentucky. The clients, who possessed traditional taste but also a high tolerance for color and pattern, desired to elevate the home's aesthetic beyond its original "simple and lovely" state, which characterized many coastal Maine cottages. These homes often exude an undecorated feel, a blend of Yankee ingenuity and Puritanical vestiges, emphasizing functionality over ornamentation. Carter's approach was to infuse the home with personality and vibrancy while respecting its heritage and location. He began in the entry hall, choosing a bold, all-over dark brown and ivory Miro wallpaper by Albert Hadley. This choice was not only striking but also meaningful, subtly acknowledging Sister Parish, co-founder of Parish Hadley and a long-time summer resident of Dark Harbor, a nearby locale. This bold decorative move set the tone for the rest of the house, demonstrating that daring design choices could be harmonious with the Maine setting. The decorator emphasized that each bold design decision was carefully considered and connected to the home's context, rather than being a generic design that could exist anywhere. The design elements paid homage to both Northeast Harbor, where the owner spent his youth, and Lexington, his current home. Carter's design philosophy aimed for a "studied looseness," arranging items in a way that felt natural and un-curated, akin to the historical decorative displays in New England sea captains' homes, which often featured an eclectic mix of global artifacts. This deliberate lack of rigid order allowed Carter to introduce strong design elements without them appearing overly deliberate or "try-hard." An example of this is the study, where emerald lacquered paneling and bookcases, combined with custom deep green on ivory wallpaper, could have been overpowering but instead offered depth and definition. Carter explained that this provided a necessary punch and dimension, allowing furniture and art to stand out against a rich, jewel-toned backdrop. A similar effect was achieved in the central living room, which was painted a deep chocolate brown. Carter noted that dark colors cause walls to recede, drawing attention to the exterior views and creating a cool, grounding atmosphere in the core of the house, contrasting with the lighter perimeter rooms. This technique, also employed in his own home's dark brown library, is a classic summer house strategy effective in various climates. Challenges arose, such as integrating a family heirloom—an antique pencil-post double bed—into a guest bedroom. To blend its "very Kentucky" aesthetic with the coastal summer house style, Carter draped the bed in fifty yards of ivory linen, transforming it into an airy, coastal-appropriate piece. This humorous and inventive solution highlighted the project's overarching theme: reinterpreting the classic summer house concept through playful and sophisticated design. The project, featured in Veranda magazine's July/August 2023 issue, showcased Matthew Carter's ability to blend traditional tastes with vibrant colors and graphic patterns, creating a distinctive and personal summer retreat. #ColonialRevival #MatthewCarter #MaineSummerHouse #InteriorDesign #EmeraldLacquer #GraphicPatterns #Wallpaper #CoastalDecor #TraditionalInteriors

Life House, a tech-driven hotel brand, distinguishes itself through a core philosophy of celebrating neighborhood heritage and identity through design, a strategy evident in its new Denver Lower Highlands (LoHi) property. This marks Life House's first expansion outside the eastern seaboard, following locations in Miami and Nantucket. The company’s in-house studio manages all creative aspects, from interior design to branding and digital content, ensuring a cohesive and thoughtful narrative. VP of Design Jenny Bukovec outlines their three-part approach: developing a locally rooted architectural story, creating a local character as a protagonist, and incorporating spirited cultural references to define the property’s personality. For the Life House Lower Highlands, the design draws inspiration from a 19th-century pioneer’s dwelling, juxtaposing Victorian-era opulence with contemporary industrial elements, mirroring LoHi's historic character. The hotel's exterior, a five-story building, leads into an interior that exudes a homey ambiance. The color palette features muted dusty grays, mustards, rusty reds, and saturated bluebell hues. To further evoke the homestead theme, the design incorporates honey-hued leathers and cowhides, parquet flooring, textured amber glass, and subtle nods to Colorado wildflowers. Throughout the hotel, vintage objects add whimsical touches. A notable piece is a Victorian three-panel leather screen from the late 1890s, hand-painted with motifs of the American Wild West frontier. Bukovec emphasizes the effort to infuse soul into the space, noting that some millwork and furniture, such as banquettes and bed frames, are custom-produced in Colombia. Walls are adorned with illustrative textiles, including wallpapers and murals hand-drawn by Lei Xing, an artist within the Life House team. A salvaged Victorian-era walnut armoire in the lobby features a curated selection of goods from Colorado vendors and candles with the hotel’s signature scent. The bespoke fragrance, a blend of bergamot, fig, vetiver, and cedar, permeates from the lobby and bar to the guest rooms. The 17-key hotel offers various room configurations, many specifically designed for group stays. Options include full-sized bunk chambers, king suites, and combined rooms accommodating up to eight guests. This innovative bunk layout, unique to Life House, provides privacy curtains and staircases instead of ladders, catering to adult travelers seeking communal yet personal spaces. Wildflower, the on-site restaurant and cocktail bar on the ground floor, offers a seasonal, vegetable-forward menu that blends Italian and Mexican flavors in tapas-style dishes, reflecting LoHi's history as an immigrant enclave. Desserts are presented on Victorian trolleys, accompanied by homemade lavender limoncello, amaro, and Colorado meads. Although indoor dining was restricted at the time of publication, Wildflower provided delivery, takeout, and in-room service. In response to the COVID-19 pandemic, the hotel implemented safety protocols, including temperature checks for guests and staff, mandatory masks in public areas, and socially distanced seating, aiming to enhance Lower Highlands' hospitality scene. #HotelDesign #BoutiqueHotel #DenverTravel #InteriorDesign #Hospitality #ArchitecturalNarrative #VictorianEra #ColoradoCulture #GroupTravelAccommodation

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

The Quoin, a new hotel and restaurant located in Wilmington, Delaware, offers a compelling design destination, positioned just a short distance from New York City. Housed within an 1885 Victorian-Romanesque brownstone, the property was designed by Philadelphia-based firms Method Co. and Stokes Architecture + Design. The hotel's name, 'Quoin,' is an old French architectural term for 'corner' or 'angle,' reflecting its historical context. The design approach for the Quoin focuses on authenticity and a seamless integration of diverse styles. The creative team, led by Daniel Olsovsky of Method Co., aimed to keep the interiors simple and straightforward while counterbalancing the Victorian architecture. This was achieved through a thoughtful combination of Shaker-influenced furniture, traditional floral-print wallpapers from Farrow & Ball and Little Greene, and contemporary pieces from Gubi and Lawson-Fenning. Randall Cook, cofounder and CEO of Method Co., further emphasized local craftsmanship, commissioning Joseph and Benjamin Johnson of Workerman Studios to create key focal points, such as a haberdashery-inspired cabinet in the lobby. A crucial element in establishing the hotel's ambiance is its lighting. Richard Stokes, founder of Stokes Architecture + Design, highlighted the importance of warm lighting (specifically 2,400k) to create an inviting environment that illuminates both the space and guests' faces effectively. The hotel boasts a cozy lobby, Wilmington's first rooftop bar, and an underground cocktail lounge named Simmer Down. The latter is a hidden space featuring a low barrel-vaulted ceiling and a whimsical mural by local artist Michael Alan, depicting Wilmington's history. The hotel's 24 guest rooms are uniquely designed, ensuring no two stays are identical. Beyond the hotel itself, the article provides a guide to dining and shopping in Wilmington. Recommended dining spots include De Co, a contemporary food hall in the Art Deco DuPont Building; Le Cavalier, which offers North African and Provençal flavors in the Hotel DuPont; Wilma’s, known for Southern-inspired dishes and duckpin bowling; and Bardea, a James Beard–nominated Italian restaurant. For shopping, suggestions include Trolley Square Market for homewares and local art; Girard Craft and Cork for specialty wines; and Delaware Estate Sale Warehouse for vintage decor and antique furniture. For those inspired by the Quoin's aesthetic, the article also suggests products to achieve a similar look, including Ringwold Wallpaper from Farrow & Ball, the Tung Side Table by &Tradition, the Miller Table Lamp, and the Moreno Sofa from Lawson-Fenning. The overall design narrative emphasizes a blend of historical charm with modern sensibilities, creating a distinctive and inviting experience for visitors. #HotelDesign #InteriorDesign #WilmingtonDelaware #ArchitecturalRenovation #BoutiqueHotel #LocalCraftsmanship #HospitalityDesign #DesignInspiration #TravelDestination

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

Hilton Hotels & Resorts, the flagship brand of Hilton's 22 brands with over 600 hotels across six continents, is continuously innovating to meet the evolving needs of travelers. This involves significant investments from Hilton Owners in refreshing and renovating properties with inspiring designs and innovative amenities. The brand's commitment to delivering exceptional stays is evident in recent global renovations that showcase captivating decor, award-winning dining experiences, and state-of-the-art meeting and event spaces. One such example is the Hilton Columbus Downtown in Ohio, which underwent a $265 million expansion completed in late 2022. This expansion added a new tower, making it the only hotel in Ohio with 1,000 guest rooms and over 75,000 square feet of meeting space. The new tower features a soothing color palette and a circular lobby that connects to public spaces and the Greater Columbus Convention Center. Guests can access enhanced accommodations, some with floor-to-ceiling windows offering city views, and enjoy five distinct food and beverage concepts, including Spark, FYR, and the rooftop bar Stories on High, all within walking distance of the Short North Arts and Arena Districts. TheWit Chicago, a Hilton Hotel, has also seen significant upgrades with newly appointed guest rooms and suites, a refreshed lobby, and enhanced amenities. The hotel’s design emphasizes creativity and art, featuring bright interiors with muted tones that highlight artwork, sculptures, and architectural light fixtures. Located in Chicago’s downtown Loop, it offers 310 guest rooms, a full-service spa, extensive meeting spaces, and dining options like the State and Lake restaurant and ROOF on theWit, a premier rooftop destination with panoramic city views and a retractable roof for year-round access. In London, the Hilton London Metropole, the largest Hilton hotel outside the U.S., completed a multi-million-pound renovation inspired by London's rich cityscape. This transformation enhanced its 1,100 guest rooms and 35 event spaces, including ballrooms and a hybrid meeting facility, along with a state-of-the-art fitness studio. The hotel introduced four new dining options: Tyburn Kitchen for sustainable, locally sourced dishes, Tyburn Market for grab-and-go meals, Tyburn Kitchen Bar for a casual family atmosphere, and Bow Bar, which offers an eclectic East London vibe with live DJs and signature cocktails. The Hilton Richmond Downtown in Virginia, housed in a historic former department store, underwent a multi-million-dollar renovation that preserved its unique character while modernizing its facilities. Additions include a new lobby bar and lounge, Gather & Hem, and a 1,400-square-foot hybrid meeting space, Ensemble, designed for collaboration. The hotel also features an authentic Italian restaurant, La Grotta, and the 1885 Café & Market, alongside an upgraded fitness center and an enhanced indoor pool area. Guest rooms and suites offer high ceilings, oversized windows, and renovated bathrooms with contemporary fixtures. The Hilton Fort Lauderdale Marina in Florida is undergoing phased renovations that began in 2020. Guest rooms were initially transformed with a navy blue, white, and natural wood palette, which extends into the rejuvenated lobby. The hotel's lagoon-style pool and pool deck provide a serene oasis next to its 33-slip marina. A new two-story waterfront expansion has increased the event space to over 30,000 square feet, including the 4,875-square-foot Intracoastal Ballroom with water views. This expansion also includes Olive & Sea, an upscale rooftop restaurant, complementing existing dining options like poolside dining and Dockside Provisions. In Indonesia, the Hilton Bali Resort's newly renovated lobby offers an elevated arrival experience with new furnishings, lighting, and decorative elements. Completed in May 2023, the design incorporates local materials, colors, and textures to create a contemporary Balinese aesthetic that reflects the island’s beauty and supports the local community. Situated along Sawangan Beach, the resort features multiple pools, a sand lagoon, a waterslide, oceanfront event spaces, four dining options, and eight semi-open villa spas. The Hilton Los Angeles Culver City in California completed a $35-million renovation, transforming it into a modern and refined space for both work and leisure. All 375 guest rooms and bathrooms received updates, including new furnishings, lighting, and décor. The property’s 25,000 square feet of meeting space now boasts state-of-the-art technology. The overhaul also included the exterior façade, landscaping, public spaces, swimming pool, and fitness center, with the addition of Peloton bikes and "5 Feet to Fitness with Fitness Zones Rooms." The hotel introduced West & Co., a new destination for craft cocktails and coastal fare, featuring a restaurant, bar, and grab-and-go market. Finally, the Hilton Vienna Danube Waterfront in Austria is completing a phased renovation by the end of 2023, encompassing guest rooms, conference facilities, the executive lounge, terrace, wellness area, restaurant, and bar. Drawing inspiration from the building's history and Viennese charm, the redesign by THDP features a fresh blue waterfront design in guest rooms, with premium rooms and suites offering a modern rustic industrial aesthetic and new dining bar and terrace options for a relaxed social atmosphere. These renovations across multiple global locations highlight Hilton Hotels & Resorts' continuous effort to enhance guest experiences through thoughtful design, innovative amenities, and localized influences. #HotelRenovations #HiltonHotels #HotelDesign #HospitalityInnovation #LuxuryTravel #InteriorDesign #GuestExperience #DiningExperiences #MeetingSpaces