Join and Mending fabric by Nanimarquina and Designtex

This comprehensive guide explores the best online fabric stores, making it easier for sewers and crafters to find the perfect materials for their projects, especially when physical access to fabric stores is inconvenient or local selections are limited. The article highlights that online shopping for fabric offers a broader range of choices compared to brick-and-mortar stores, and many online retailers also provide sewing notions and supplies, creating a convenient one-stop shopping experience. Before making a purchase, several key factors should be considered, including the specific type of fabric needed for a project (e.g., clothing, upholstery, quilting), paying attention to the fabric's weight, content, and width. The article also advises on understanding how fabric is measured and sold (by yard or meter, with varying minimums). Swatch availability is another crucial consideration, as it allows customers to assess the material's look and feel before committing to a larger order, though swatches may be limited for deadstock or vintage fabrics. The potential for bulk discounts is also discussed, which can be advantageous for large-scale projects. The availability of notions and sewing supplies on the same platform adds to the convenience for many crafters. Furthermore, the article emphasizes checking shipping costs and return policies, as these can significantly impact the overall purchase experience. For environmentally conscious consumers, the guide points out stores offering recycled or deadstock fabric, which promotes sustainability by reducing waste and carbon emissions. Customer reviews are presented as an invaluable resource for gaining insight into a fabric's texture, feel, and any discrepancies between its description and the physical product. The article then presents its top picks for online fabric stores, detailing their unique advantages and considerations. Mood Fabrics is named the best overall for its extensive selection, diverse textile range, search filters by skill level and project, and a fabric quiz, along with live chat support. Amazon is highlighted as the runner-up for its streamlined shopping experience, affordable prices, and 2-day delivery options for Prime members, offering a wide array of fabrics for various uses. Spoonflower is recommended for the best design selection, featuring thousands of unique designs from independent artists and the option to upload custom photos or designs, although prices are generally higher. Queen of Raw is identified as the best for deadstock fabric, providing a marketplace for discontinued materials that minimizes environmental impact, complete with Impact Footprint Reports for each purchase. JOANN is recognized as the best for crafts and quilts due to its wide selection of novelty and themed fabrics, extensive sewing supplies, and in-store pickup option. Etsy is also considered for its unique and vintage fabric offerings from individual sellers, allowing buyers to support small businesses and find one-of-a-kind materials. The article concludes by providing practical advice for navigating online fabric purchases, such as utilizing search functions, reading reviews, ordering samples, and understanding the cost variations based on fabric type and quality. It also addresses frequently asked questions, including how to find the right fabric, where designers source materials, what constitutes high-end fabric, and the rarity of certain textiles, along with information on bulk discounts. #OnlineFabricStores #FabricShopping #TextileIndustry #SewingSupplies #CraftingMaterials #HomeDecorFabric #UpholsteryFabric #SustainableFabric #DIYProjects

Jacquard fabric is renowned for its durability, intricate patterns, and ornate aesthetic, and has maintained its popularity since its inception in the early 1800s. The term 'jacquard' does not refer to a specific material or print, but rather to a weaving method that creates raised motifs directly into the fabric using a specialized loom known as the jacquard loom. Unlike most fabrics where patterns are applied after weaving, jacquard patterns are an integral part of the fabric's construction. This unique process ensures that patterns, such as those in cotton jacquard, are less prone to warping or fading compared to surface-printed designs. Sarah Henry, executive director of La Manufacture Cogolin, highlights that this method results in a fabric of superior quality and distinctiveness, noting its capacity to blend graphic patterns with textures or to function purely as a textured material. Jacquard can be produced from nearly any fiber, ranging from luxurious silks and organic linens to common cottons. Contemporary designers frequently incorporate jacquard into various interior styles, including elegant couches, upholstered banquettes, throw pillows, and metallic placemats. Its textural surfaces and luxurious connotations make it a favored choice. Textile artists and fashion designers like Diane Von Furstenberg and Marc Jacobs often utilize jacquard and damask prints in their creations. Randy Kemper, head of design at Ingrao, Inc., emphasizes that jacquard weaving introduces a rich complexity to fabrics, enriching rooms and upholstery, and that the technique adds texture to solid fabrics, making them suitable for modern interiors. Jonathan Savage, of Savage Interior Design, primarily uses jacquards for upholstery due to their structured nature, which prevents wrinkling and maintains a refined appearance, ideal for clean-lined and formal spaces. He prefers contemporary, organic jacquard patterns over traditional damask, advising against overuse. High-end decor companies and textile brands specialize in jacquard weaving. La Manufacture Cogolin, for example, produces sophisticated jacquard area rugs by combining velvet with thicker yarns to achieve three-dimensional textures. The company's jacquard weaving history in Paris dates back to the 1920s, with current production utilizing 19th-century jacquard handlooms modified to weave patterned rugs more efficiently, a change that helped the company remain viable. The jacquard loom, named after its French inventor Joseph Marie Jacquard, revolutionized textile production by automating the creation of elaborately patterned fabrics. Pre-jacquard, the drawloom, likely originating in China around the second century BC, allowed for pattern creation by manually raising and lowering warp threads. However, this process was labor-intensive, required multiple weavers, and resulted in costly fabrics accessible only to the wealthy. The invention of the power loom by Edmund Cartwright in 1785 facilitated mass production of simple fabrics but lacked the decorative capabilities of handwoven textiles. Jacquard's innovation, patented in 1800 and perfected by 1804, replaced the manual labor of the drawboy with a programmable system using interchangeable punch cards. These cards served as instructions for the loom, controlling which warp threads were raised to create specific patterns, akin to a player piano. This system offered unprecedented design flexibility and allowed for precise replication of intricate patterns. The jacquard loom's punch card system significantly influenced other fields, notably inspiring Charles Babbage's design of the first mechanical computer in the 1820s. Babbage recognized the potential of Jacquard's binary code concept (hole vs. no hole) for mathematical calculations. Ada Lovelace further expanded on this, suggesting that the machine could manipulate various types of data, laying the groundwork for modern computer programming. The profound impact of Jacquard’s invention extends beyond textiles, fundamentally changing how we interact with technology and shaping the digital age. #JacquardFabric #TextileHistory #HomeDecor #InteriorDesign #WeavingTechnology #TextileManufacturing #DesignInnovation #FabricPatterns

This report details observations from the Interwoven fabric show, held from May 7-9 in High Point. The event showcased upcoming trends and designs in fabrics and leathers that are expected to influence the marketplace in the latter half of the year and early next year. Fabric manufacturers and importers presented their latest collections, offering insights into the business and fashion trends poised to appear on upholstery frames and drive retail traffic. Culp introduced new designs featuring a mix of textures, colors, and patterns, aiming to provide unique narratives for retail presentation. Sunbrella also presented a wide array of new offerings, catering to diverse style preferences among consumers with its broad design palette. Richloom's booth attracted visitors like Aamir Thobhani of Innnotex Solutions USA, who explored the new fabric selections. Key industry figures were present, including Bob Meloy of Big House Fabrics, who met with Bob Gorman, vice president of sales and merchandising at PMT Fabrics. R. Sackett Wood, CEO of Moore & Giles, showcased the company's new leather collections. J. Allen Fabric highlighted its Revive performance fabric line, with Miron Yaghoubi, partner and CEO, discussing new additions with Mike Willoughby, senior vice president of sales and marketing. Nice Link unveiled eight new collections, including Waters Edge, totaling 60 patterns and 600 SKUs, demonstrating a wide range of colorways. RM Coco displayed its comprehensive line, encompassing multipurpose solids, prints, wovens, embroideries, silks, performance and outdoor fabrics, sheers, decorative trimmings, and hardware, located in the fifth-floor Pavilion area of Market Square. Nassimi LLC, represented by Executive Vice President Iwan Nassimi, presented new vegan leathers, featuring commercial-grade fabrics designed for both style and durability in residential applications. Z-Wovens showcased a diverse mix of indoor and outdoor fabrics from its core Z-Wovens and Sunbelievable lines, engaging customers with its extensive offerings. Valiant Fabrics also exhibited in the fifth-floor Pavilions of Market Square, where attendees gathered information on their latest fabric introductions. The show provided a platform for participants to observe and understand the evolving landscape of textile design and material innovation within the home furnishings industry. #InterwovenShow #FabricTrends #TextileInnovation #HomeFurnishings #UpholsteryFabrics #LeatherCollections #PerformanceFabrics #RetailTrends #HighPointMarket

This primer delves into the intricate world of textiles, guided by Rachel Doriss, design director at Pollack, who has dedicated 25 years to the industry. The discussion covers various aspects of fabric, from the fundamental properties of different fibers to advanced weaving techniques, printing methods, and performance considerations for both residential and commercial applications. Doriss emphasizes how understanding these elements is crucial for designers to make informed material selections, fulfill client needs, and avoid common textile-related pitfalls. The article begins with an exploration of protein fibers, specifically focusing on wool. It details how wool, derived from sheep and lambs, offers resilience and insulation due to its hollow core and natural lanolin coating, making it flame and soil-resistant. The nuances of wool, such as the fineness of Merino and the smooth finish of worsted wool, are explained, along with its suitability for rugs, upholstery, and drapery. The evolution of commercial fabrics, now relying on synthetic fibers for affordability and easy maintenance, is also touched upon. Other animal fibers like mohair (from angora goats), cashmere (from cashmere goats), alpaca, camel hair, and angora rabbit fur are introduced, each with unique characteristics that contribute to their specific applications, from durable theater seating to soft, luxurious garments. Silk, originating from silkworms, is highlighted for its unique luster and delicate nature, primarily recommended for decorative residential use due to its UV sensitivity. Transitioning to plant fibers, the primer discusses cotton and linen. Cotton, known for its moisture-absorbing properties, is often blended with other fibers for increased durability. Linen, one of the oldest fibers, is celebrated for its strength, luster, and characteristic wrinkling, which Doriss describes as part of its appeal. The processing of flax to produce linen, including retting and the origin of 'towhead,' is detailed. Practical advice for using linen, particularly for drapery, is provided, accounting for its reaction to humidity. The article also covers rayon and its variations (viscose, modal, acetate, bamboo), explaining their cellulosic origin and versatility in mimicking natural fibers like linen or silk. Despite past misconceptions, rayon is presented as a valuable fiber with a beautiful hand and fluid drape, particularly when used strategically to minimize shading. Synthetic fibers, such such as polyester, polyurethane, and acrylic, are examined for their chemical composition and performance benefits. Polyester, once associated with leisure suits, has evolved into a sophisticated material that can emulate natural fibers, offering easy cleaning and durability. Polyurethane forms the base for faux leathers, while acrylic provides fade and moisture resistance, making it ideal for outdoor use and as a wool alternative. The strategic blending of synthetic fibers like polyester and nylon with luxury yarns in warp and weft constructions is discussed as a way to enhance durability and manage costs. The role of yarn in defining a fabric's personality is explored, with a focus on novelty yarns like boucle and chenille. The importance of yarn tightness in relation to strength and appearance is explained using the analogy of braiding hair. Various weave constructions—plain, basket, twill, and satin—are described, clarifying that satin refers to a weave rather than a fiber type. The susceptibility of certain weaves to snagging is noted, and designers are encouraged to physically examine fabric samples. The article also introduces the Martindale and Wyzenbeek scales for measuring abrasion resistance, cautioning that high double rub counts do not always equate to overall durability, necessitating consideration of factors like pilling, seam slippage, and cleanability. Velvet, a popular upholstery fabric, is explained in terms of its construction, differentiating between loop and cut pile variations. The phenomenon of 'crushing' or 'panne' in pile fabrics is discussed, along with how different fibers, like linen, contribute to specific aging effects. The primer then delves into printing and embellishment techniques. Digital printing is highlighted for its ability to achieve painterly effects with numerous colors, while screen printing is described as a more artisanal process involving individual screens for each color. Block printing, an even more labor-intensive method, is celebrated for its authentic, handcrafted variations. Embroidery, both machine-guided and hand-guided, is presented as a way to add texture and intricate designs, including unique examples like space-dyed yarn and water-soluble embroidery. Finally, the article discusses performance fabrics, emphasizing solution dyeing for enhanced fade and bleach resistance in synthetic fibers, crucial for outdoor and high-traffic areas. The importance of finishes, not just for protection but also for achieving specific aesthetic effects like blurred surfaces and exaggerated textures, concludes the comprehensive overview of textiles. #TextilePrimer #FabricFibers #YarnTypes #WeavingTechniques #TextileFinishes #PerformanceFabrics #InteriorDesignMaterials #PollackTextiles #RachelDoriss

This article highlights the top fabric stores in Chicago, catering to a range of needs from apparel to home upholstery and various DIY projects. The selection includes establishments that offer extensive inventories, competitive pricing, and opportunities for skill development through classes. These stores serve a diverse clientele, from fashion students and professional designers to hobbyists and individuals embarking on their first sewing projects. Textile Discount Outlet in Pilsen is presented as a massive discount warehouse with a vast selection of apparel, upholstery, drapery, specialty, and outdoor fabrics at low prices, making it a popular destination for fashion students and designers. The Needle Shop in North Center is noted for its focus on modern fabrics and a variety of classes, including sewing basics, upholstery, and hand embroidery, and also offers wholesale pricing for businesses. Leonard Adler & Company, established in 1903 in Albany Park, specializes in garment construction supplies, offering thousands of buttons, zippers, and threads, alongside a smaller selection of menswear fabrics. This establishment is a preferred provider for local design programs, schools, and universities, indicating its reputable standing in the industry. Fishman's Fabrics in West Loop, with over a century of experience, is recognized for its high-end apparel and interior fabrics, offering a 10,000-square-foot warehouse and showroom. The store provides free samples and custom orders for specialty fabrics. New Rainbow Fabrics in West Loop is a family-owned store favored by design students and sewing enthusiasts for its friendly service and fair prices on apparel fabrics, including lace, cottons, chiffons, and silks, available by the yard or bolt. JoAnn Fabric in Bucktown, a large chain store, offers a wide array of fabrics, machines, patterns, supplies, and classes covering sewing, home decor, jewelry-making, and quilting, known for its low prices and extended hours. Chicago Fabric Yarn & Button, located downtown, provides a convenient option with a large, though sometimes disorganized, selection of fabrics. Supreme Novelty Fabrics in West Lawn, with over 80 years of business, stands out for its unique custom fabric printing services, extensive bridal fabric collection, and intricate beaded laces. The article underscores the accessibility of resources for both novice and experienced sewers, emphasizing the local establishments that foster creativity and skill development in textile arts. #FabricStores #ChicagoShopping #SewingSupplies #DIYProjects #TextileArts #HomeDecor #UpholsteryFabrics #ApparelFabrics #CraftStores

This article serves as a comprehensive guide for individuals seeking to purchase fabric online for various home decor projects. It addresses the common challenge of finding specific furniture pieces, curtains, or pillows, and proposes that buying fabric to create custom designs or update existing ones is an effective solution. The piece highlights the convenience of online fabric shopping, detailing a curated list of 15 online stores that cater to diverse budgets and aesthetic preferences. The featured stores range from well-known platforms to more specialized retailers, offering a wide array of fabric types, patterns, and price points. Spoonflower is presented as an online marketplace utilizing on-demand digital printing, featuring designs from artists globally and allowing users to shop by category, color, and fabric type. Annie Selke, while primarily a home decor and furniture retailer, also offers a selection of fabrics by the yard, including both patterned and solid options. NY Designer Fabrics is highlighted for its extensive collection, encompassing silky and metallic fabrics as well as cotton prints. Rifle Paper Co., known for its stationery, also provides a selection of fabrics by the yard, often adorned with floral and nature prints. Decorator's Best is introduced as a premier destination for designer-favorite fabrics, stocking brands such as Schumacher, Brunschwig & Fils, and Kravet. Marimekko is recognized for its bold floral patterns, offering fabrics by type and pattern, including iconic florals, retro, animal, and abstract prints. Etsy is identified as a valuable resource for both new and vintage fabrics, allowing for specific searches or browsing individual shops. Fabric.com boasts a vast inventory, including options from typically trade-only designers like Fabricut. Minted, primarily known for stationery, also offers home products, including fabrics with designs submitted by independent creators. Bolé Road Textiles specializes in handwoven fabrics from Ethiopia, featuring bright and neutral colors, as well as unique textural patterns, all made from 100 percent hand-dyed cotton. LinenMe is recommended for linen enthusiasts, providing a wide selection of linen fabrics in various colors. JOANN is presented as a go-to destination for fabric at different budget levels, offering a massive online selection. AphroChic is noted for its smaller but distinctive collection of fabrics, featuring unique patterns like subtle silhouettes. Calico Corners offers a broad range of home textiles, with fabric being a central focus, allowing customers to filter by color, type, pattern, and designer collections. Lastly, Loom Decor is highlighted not only for its fabric selection but also for its custom upholstery services, enabling customers to design their own window treatments, pillows, and bedding with chosen fabrics. #FabricShopping #OnlineFabricStores #HomeDecor #DIYProjects #InteriorDesign #Textile #CustomUpholstery #DesignerFabric #CraftSupplies

The article discusses the launch of Weft, an innovative online platform aiming to revolutionize the woven fabrics industry. Developed by Brooks Hagan, an associate professor of textiles at RISD, and Steve Marschner, a computer science professor at Cornell, Weft provides direct access to manufacturing for custom woven fabric orders, starting from as low as three yards. This platform distinguishes itself from surface-printed fabric providers by focusing on true woven designs, offering a unique service in the market. The project received research support from the National Science Foundation and a Small Business Innovation Research grant, highlighting its technological and entrepreneurial significance. Weft empowers users to personalize their fabric designs by allowing them to select colors, weave structures, and quality parameters, as well as define repeat sizes. This level of customization is particularly beneficial for independent designers working on smaller-scale projects, enabling them to create unique textiles without the high minimum order quantities typically associated with custom manufacturing. Users of the Weft platform have the flexibility to upload their own designs or photographs, integrating personal artistic vision into their fabric creations. Alternatively, they can customize existing designs available on the site. Beyond custom design, Weft also features a curated selection of limited-edition textile designs created by various artists. The article names Stephanie Pender, Kevin Zucker, Julia Dault, John Caserta, and Julian Kreimer as some of the collaborating artists, emphasizing the platform's commitment to artistic diversity. Hagan explains that the selection of artists from diverse fields was a deliberate choice to demonstrate the software's accessibility and utility to a wide range of creative individuals, regardless of their background. This approach aims to democratize access to custom fabric production, making it available to more designers and artists. In addition to custom orders, Weft operates an online shop offering ready-made woven jacquard fabrics. These fabrics are manufactured in the U.S. and include open-source options, further promoting customization. The versatility of these fabrics makes them suitable for various applications, including upholstery, drapery, and apparel, catering to a broad spectrum of interior design and fashion needs. Weft ensures efficiency by fulfilling custom fabric orders through its network of partner mills, boasting a quick turnaround time of as little as three weeks. This rapid production cycle is a significant advantage for designers and businesses seeking timely delivery of specialized materials. #WovenFabrics #CustomDesign #TextileIndustry #RISDInnovation #DigitalLoom #ManufacturingAccess #IndependentDesigners #ArtisticCollaboration

Weaving is a traditional craft that involves interlacing threads or fibers to create textiles and accessories. For individuals interested in learning this craft or establishing a weaving business, sourcing appropriate supplies is a fundamental first step. The textile industry encompasses a broad spectrum of operations, from large-scale manufacturers to independent weavers who market their handmade products directly to consumers. Small businesses in this sector typically distinguish themselves not by competitive pricing, but by offering unique, handcrafted items and personalized customer service. Numerous online and physical retailers offer a comprehensive selection of weaving supplies and kits. Top sources include major online marketplaces such as Amazon and Etsy, which provide a wide array of looms, yarns in various colors, and instructional books and kits suitable for beginners. Amazon is noted for its value and rapid order fulfillment, including two-day free shipping for Prime members on many products. Etsy, conversely, is a hub for distinctive craft materials, featuring hand-dyed and hand-spun yarns, as well as artisanal wooden tools like dowels, combs, and shed sticks. Specialized fiber arts stores like WEBS (America's Yarn Store), The Woolery (focused on fiber crafts), The Weavers Loft (dedicated entirely to weaving supplies with nationwide shipping), Vermont Weaving Supplies (offering products for all skill levels and customer guidance), Pacific Wool and Fiber (specializing in quality yarn and looms with free shipping incentives), and Paradise Fibers (a Washington-based company providing tools, educational content, and a loyalty program) cater specifically to the weaving community. Gist Yarn offers yarns, patterns, tools, and educational resources, while eBay provides a diverse marketplace for various weaving supplies and accessories from multiple sellers, often featuring new options and deals. Essential weaving supplies include a variety of yarns, each with distinct properties. Cotton yarn is a natural, breathable, absorbent, and soft fiber, ideal for lightweight and comfortable fabrics like summer clothing, towels, and bed linens, and is valued for its durability and ease of care. Wool yarn, primarily from sheep, is recognized for its warmth, elasticity, and natural water repellency, making it suitable for winter garments, blankets, and rugs. Silk yarn is a luxurious natural fiber known for its sheen, strength, and smooth texture, frequently used in high-end items such as scarves, shawls, and elegant apparel. Linen yarn, derived from the flax plant, offers exceptional coolness and freshness, making it perfect for table linens, curtains, and summer clothing, and becomes softer with each wash. Bamboo fiber is a regenerated cellulose fiber with a smooth texture and eco-friendly attributes, used for silky, drapey items and noted for its antibacterial and hypoallergenic properties. Synthetic yarns like acrylic and polyester are man-made, providing a wide range of colors and textures, and are favored for durability, low maintenance, and affordability. Alpaca fiber is a soft, durable, and luxurious natural fiber, prized for its warmth, hypoallergenic nature, and lightweight quality, making it ideal for sweaters and blankets. Jute fiber, a long, soft, and shiny vegetable fiber, is used for rustic items like sacks and rugs due to its natural brown hue and eco-friendly characteristics. Tencel fiber, a regenerated cellulose fiber from wood pulp, is known for its smooth texture, strength, and eco-friendly production, utilized for silky, drapey items with moisture-wicking properties. Other crucial supplies include wool roving (for spinning or tapestry work), warp thread (strong fibers for the loom's vertical setup), patterns (for guiding weaving projects), and dowels (for holding finished tapestries). Various tools and equipment are indispensable for weaving. The loom is the central tool, holding warp threads taut, with options ranging from simple frame looms to complex floor looms. A shuttle carries the weft yarn across the loom. A warping board or mill aids in measuring and organizing warp threads, ensuring correct length and tension. A reed or heddle lifts and lowers warp threads to create a shed for the weft. Bobbins hold weft yarn in conjunction with a shuttle. A warping peg assists in direct warping on rigid heddle looms, maintaining even tension. A beater pushes weft yarn into place for a tight fabric. Scissors are fundamental for cutting yarn. A raddle evenly distributes warp threads. A tape measure is necessary for accurate measurements. A threading hook assists in threading yarn through heddles and reeds. Lease sticks keep warp threads organized. A temple stretches weaving widthwise to maintain even selvages. A fringe twister creates neat fringes. A yarn swift holds skeins for winding, while a yarn ball winder creates neat yarn balls. A sley hook helps pull warp threads through reed slots. Warp weights maintain tension in tapestry weaving. Tapestry needles are used for hand-weaving or adding details. A shed stick separates threads for easier needle threading. A loom brush cleans the loom. Optional tools include a spinning wheel for custom yarns and fiber wash for cleaning finished woven items. For beginners, a rigid-heddle loom, approximately 15 to 25 inches wide, is often recommended as a manageable starting point. Common yarns include wool, cotton, and rayon, chosen based on the desired product. Weaving allows for the creation of diverse products, including rugs, tapestries, scarves, bags, jewelry, clothing, blankets, table linens, pillows, wall hangings, kitchen towels, hats, upholstery fabric, baskets, footwear, and standalone art pieces, offering extensive creative possibilities and customization. #WeavingSupplies #HandmadeBusiness #TextileCrafts #YarnTypes #WeavingTools #FiberArts #SmallBusinessResources #CraftingMaterials

Margo Selby, a celebrated designer-weaver, has been at the forefront of innovative textile design for over a decade, distinguishing her work through the creation of colourful, three-dimensional fabrics that form the core of her vibrant cushions, throws, rugs, and various home accessories. Her signature style, characterized by strong graphics and intricate patterns, originates from her Kent studio, where she utilizes a 24-shaft dobby loom to develop her unique hand-woven textiles before they are put into production by specialized mills. Selby's artistic journey is deeply rooted in her family's tradition of textile craftsmanship, with her grandmother, Edith Selby, having taught her crocheting and cross-stitching. This early exposure to textile arts naturally led her to pursue a focus on textiles during her foundation studies at Chelsea College of Arts, where she also explored graphic design, sculpture, and three-dimensional design. Her formal education continued with an MA in woven textiles from the Royal College of Art, followed by a fellowship at The Ann Sutton Foundation. During her fellowship, Selby engaged in projects that included developing products for Shetland wool and designing dobby fabrics for the interiors fabric industry in Yorkshire, establishing her initial connections with industrial mills. It was through these experiences that Selby began to bridge her hand-woven concepts with industrial manufacturing processes, leading to the development of her brand's hallmark silk and Lycra fabrics. The inspiration for her innovative three-dimensional fabric concept stemmed from her fascination with surface and texture, particularly the desire to emulate the tactile quality of bubble wrap packaging using silk. This pursuit involved extensive research into different fibers that would shrink when exposed to heat, which she then wove in combination with silk to achieve the desired three-dimensional surfaces. Selby's design philosophy is intrinsically linked to the art of weaving, which serves as the primary source of inspiration for all her creations. Beyond her personal handloom work, she actively explores global trends in woven textiles, drawing stimulation from highly decorative designs rich in pattern and color. Recent collections reflect an appreciation for indigenous and tribal fabrics, including techniques such as Japanese dyeing and African prints. The design process for her fabrics begins with the careful planning of the warp, which forms the structural backbone of the fabric on the loom, allowing for experimentation with different structures and weft yarns until a satisfactory product is achieved. This methodical and contemplative approach allows the fabric to evolve one row at a time, providing ample opportunity for design refinement. Once a fabric design is perfected through numerous developmental warps, Selby explores its potential for industrial production, collaborating with mills. For her flooring collection, her woven patterns were adapted into carpet constructions, manufactured in the UK. Operating from an open-plan studio in Whitstable, Selby immerses herself in a creative environment filled with materials, yarns, and inspiring imagery. Her daily routine involves addressing emails and collaborating with her team before dedicating the majority of her day to weaving at her loom. Her collaborations extend to companies like Alternative Flooring, for which she developed wool carpet and runner designs inspired by her deflected double-weave hand-woven cloths. Selby sources yarns globally, with Japan and the US being notable for their vibrant hand-weaving communities, and emphasizes selecting the most skilled weavers for specific material types. The business, which began in her bedroom, has expanded significantly to a bustling textile studio employing eight full-time staff and additional piece workers in Whitstable, focusing on bespoke textiles for a diverse range of applications. The handloom and the traditional craft of weaving remain central to all her products. The current re-emergence of carpet and color in fashion presents an exciting opportunity for her designs, particularly the translation of soft silk and wool fabric designs into large-scale, recolored flooring options. Selby's future plans include developing interiors fabrics for sale by the meter and expanding her accessories range to include bedlinen and towels. #TextileDesign #MargoSelby #WovenTextiles #HandloomWeaving #ThreeDimensionalFabrics #InteriorDesign #HomeAccessories #Craftsmanship #IndustrialCollaboration

Toronto offers a diverse range of fabric stores catering to various sewing needs, from quilting cottons to high-end designer textiles and upholstery materials. These establishments provide a wide selection of fabrics, notions, and sometimes even classes, making them valuable resources for hobbyists, fashion students, and professionals alike. The Workroom, located in Parkdale, is highly regarded by sewing enthusiasts for its unique selection of adorable quilting cottons, available by the metre. It is celebrated for its curated collection that distinguishes it from other fabric retailers in the city. King Textiles, a long-standing fixture at Spadina and Queen for over 25 years, presents a vast array of bolts. This store is notable for its substantial inventory and its offering of samples for those interested in wholesale purchases. Fabricland, a well-known home decor chain, has four locations across Toronto, providing a convenient option for a broad range of sewing necessities. They offer a selection of fabrics at competitive prices, making it a go-to for many crafters. Queen Textiles, situated in Queen West, is characterized by its extensive variety of colourful fabrics suitable for numerous occasions. Despite its smaller size, the store's comprehensive selection is a significant draw for customers. Downtown Fabrics, also on Queen West, provides a more organized and relaxed shopping experience. The owner is known for being helpful and engaging, contributing to a pleasant atmosphere for textile browsing. Affordable Textiles, another prominent Queen West establishment, features an almost endless collection of fabric bolts, including unique finds in barrels at the front of the store. Its vast inventory makes it a popular destination, particularly among fashion students who can spend hours exploring its offerings. macFAB Fabrics specializes in high-quality textiles from esteemed suppliers such as Christian Lacroix and Nina Campbell. This veteran fabric purveyor, now located in Leaside, caters to customers seeking premium materials for their projects. Fabric Town, with locations in Danforth East and Markham Road, is a long-established Toronto brand known for its affordable materials. The store offers a membership program for a one-time fee, providing a discount on future purchases. Len's Mill Store on Orfus Road operates as a large warehouse, stocking a wide variety of fabrics, yarns, and upholstery materials. It serves a diverse clientele, from those making clothes to individuals seeking outdoor-compatible fabrics. #TorontoFabricStores #TextileShopping #SewingSupplies #FabricRetailers #HomeDecor #FashionDesign #Crafting #Quilting #Upholstery

The Dutch design studio Scholten & Baijings has collaborated with New York textiles brand Maharam to create a unique collection of interior fabrics, distinguished by a large-scale pattern repeat designed to upholster an entire sofa without visual repetition. This innovative approach addresses a common challenge in textile design for large furniture pieces, where patterns often repeat noticeably. The first two designs in this series are named Blocks and Grid, and they are part of an ongoing partnership between Scholten & Baijings and Maharam Design Studio. The genesis of this project involved a detailed exploration into modern color blocking by Stefan Scholten and Carole Baijings. Their research led them to conceptualize and develop two extensive compositions, specifically scaled to accommodate the typical amount of fabric needed for a full sofa upholstery. Both Blocks and Grid textiles feature an impressive nine-meter pattern repeat, ensuring a seamless and non-repetitive aesthetic across large surfaces. Despite this extensive repeat, the fabrics maintain a standard width of 142 centimeters. A key aspect of the design process was ensuring that the textiles would be equally compelling both as standalone patterns and when applied to furniture. Scholten emphasized the importance of a nine-meter piece of fabric being as visually engaging as a single meter, highlighting the careful consideration given to the overall composition. Baijings drew a parallel to Mondrian paintings, noting that while Mondrian's compositions are contained within the canvas, upholstery fabric design demands a different methodology to maintain interest across an expansive surface. To overcome these design complexities, Scholten & Baijings employed their characteristic method of using multiple scale models during development. This allowed them to meticulously refine the patterns and test their visual impact at various scales. The textiles primarily consist of 92 percent wool and 8 percent nylon, and the design duo focused on how color perception translates when woven into wool. The fabrics are also designed to complement each other, allowing for cohesive integration within interior schemes. Blocks showcases Scholten & Baijings' signature color juxtapositions, creating vibrant and dynamic visual effects. Grid, on the other hand, builds color densities through the interplay of parallel and perpendicular lines. Scholten explained that the density of the grid influences the perception of color, lending a lighter, more ethereal appearance compared to a solid monochromatic plane. This nuanced approach to color and pattern ensures depth and visual interest. Blocks and Grid first premiered in "The Dinner Party," an installation at the V&A museum during the 2013 London Design Festival, and were also featured in the Art Institute of Chicago’s "3 in 1: Contemporary Explorations in Architecture and Design" exhibition. These designs are slated to appear in another exhibition of Scholten & Baijings' work at the Villa Noailles in Hyères, France, over the summer. Furthermore, both textiles have been acquired for the permanent collection of the Cooper-Hewitt National Design Museum, recognizing their significant contribution to textile design. A third textile, Tones, is anticipated to be unveiled at NeoCon 2014 and launched by Maharam in Spring 2015, further expanding this innovative collection. #TextileDesign #FabricInnovation #ScholtenBaijings #Maharam #InteriorDesign #ColorBlocking #UpholsteryFabric #DesignCollaboration #WoolNylonBlend

The Sumi fabric collection by Camira has been expanded to include 21 new color finishes. Originally launched in 2020 with six neutral shades, the updated collection now features a broader spectrum of bright hues, pastels, and dark tones. These new additions are inspired by natural dyes derived from plants and minerals, aligning with the collection's organic aesthetic. The textiles are crafted from worsted wool, known for its minimal and natural appearance. Designed to be versatile, the Sumi fabrics are suitable for a range of applications. They can be used for upholstery on furniture, covering vertical surfaces, and creating curtains and drapery. Additionally, the collection is also recommended for acoustic panels, suggesting its potential to contribute to sound management in various settings. This expansion aims to increase the product's adaptability across different interior design and architectural contexts. The development and manufacturing process of the Sumi textiles occur at Camira's facility in Yorkshire, England. The dyeing process for these fabrics utilizes water sourced from the Pennine hills, emphasizing a connection to natural resources. Lynn Kingdon, Camira's head of creative, noted the popularity of the Sumi collection since its initial launch and expressed that the timing was right to introduce the new color offerings. The intention behind these new shades was to replicate colors achievable through natural dyes, further enhancing the collection's organic appeal. The expanded Sumi collection became available for purchase starting September 20. This release signifies Camira's continuous effort to innovate and diversify its product lines, catering to evolving design preferences while maintaining a focus on natural inspirations and manufacturing integrity. The inclusion of a wider array of colors allows designers and consumers more options to integrate these woollen fabrics into their projects, whether for residential or commercial spaces, where both aesthetics and functionality, such as acoustic properties, are important considerations. #SumiFabric #Camira #TextileDesign #NaturalDyes #WoolFabrics #Upholstery #InteriorDesign #AcousticPanels

Hella Jongerius, a renowned designer, has consistently explored color and textiles throughout her extensive career, applying her innovative approach to diverse projects ranging from KLM airline interiors to custom upholsteries for Maharam. As design director of rugs at Danskina and art director of Vitra’s Colour and Material Library, she developed systems for matching colors and materials within their vast collections. Jongerius's work extends beyond industrial demands, driven by a critical perspective on the design industry's limitations and a strong social and political agenda. She advocates for integrating craft and the human touch into industrialized processes, celebrating imperfections, and promoting a diverse, light-reactive color palette. Collaborating with design critic Louise Schouwenberg, she co-authored the manifesto “Beyond the New,” urging designers to prioritize experimentation over hyper-consumerism and the industry's relentless pursuit of market share. Her recent focus has shifted towards exhibitions to share her research, following "Breathing Colour" with "Interlace" and "Woven Cosmos," which delve into the potential of weaving, particularly 3D weaving. Jongerius explains her choice to focus on weaving over knitting by highlighting knitting's already advanced state and ease of programming, unlike weaving, where software often remains outdated. She took a sabbatical year to immerse herself in the entire weaving process, aiming to understand its full potential beyond industrial efficiency demands. Jongerius critiques how automation, particularly the Jacquard loom, while initiating mass production, has simultaneously diminished the creative aspect of weaving, reducing the versatile hand loom to a mere robot. She laments the textile market's shallow state, blaming globalization and fast fashion for accelerated production cycles and increased pollution. She notes that complex weaving constructions have been replaced by simpler plain weaves, and material options have become standardized, limiting warp choices to black or white and restricting weft options to fast-running yarns. To challenge this, Jongerius and her team began building their own 'human looms' to create 3D weaving structures and explore possibilities unattainable in industrial settings. These efforts culminated in the "Interlace" exhibition at Lafayette Anticipations, where the entire building was transformed into a gigantic loom, serving as a workshop for weavers, designers, and artists to experiment with various weaving and braiding techniques. Upon receiving an invitation from the Gropius Bau in Berlin, Jongerius expanded her research to investigate the cultural and spiritual meanings of weaving and explore the future of 3D weaving, asking what new constructions could emerge and how they might benefit textiles, design, and other disciplines. Her studio is a hub of innovation, where a team of textile engineers and programmers combine digital programming with manual work on a digital Jacquard machine. They utilize the TC2 loom for experimentation rather than just sampling, allowing for on-the-fly changes in weft, diverse yarns, and varying thicknesses. Jongerius discusses the evolution of her "Seamless Loom" from Paris, which aimed to develop the skin of a three-dimensional object, to a rebuilt version in Berlin. In Berlin, they developed new know-how, including hacking their four-part loom to return to a flat loom, enabling multi-axial weaves and creating woven windows as a personal research project. This same loom allows for spatial work, where instead of weaving around a structure, they build spatial structures from the ground up by shifting the warp in multiple layers. This method creates "sandwiches" of double-faced or layered fabric, which can be cut open to unfold into three-dimensional structures, similar to pop-up cards. This innovative approach involves deconstructing traditional weaving hierarchies, questioning the conventional roles of warp and weft. Jongerius sees potential applications for her research in various fields, including the biomedical field for morphing membranes and vascular prostheses, and in carbon fibers for the automotive and aerospace industries. She envisions a future of "pliable architecture" made from 3D-woven architectural structures that are strong, lightweight, and offer a reduced carbon footprint. Such textile architecture could integrate insulation, regulate climate, and allow for personalized colors, creating pleasant and adaptable environments, all within a single "brick" material. #HellaJongerius #WeavingArchitecture #TextileInnovation #3DWeaving #DesignCritique #SustainableDesign #Craftsmanship #ArchitecturalTextiles #JongeriusLab

The FabriSPAN® Wide Width Fabric System, developed by FabriTRAK®, offers a versatile and aesthetically pleasing solution for interior wall and ceiling finishes. This system utilizes wide width fabrics (10’) and ultra-wide width fabrics (16’) to enable seamless installations in various interior spaces, eliminating visible seams that often detract from the visual appeal of large surfaces. The system is designed for a broad range of applications, including commercial settings, hospitality venues, cultural and religious buildings, educational institutions, sports facilities, and high-end residential projects. A key feature of FabriSPAN® fabrics is their exceptional acoustic performance, contributing to improved sound quality and reduced reverberation within a space. Beyond their functional acoustic benefits, these fabrics serve as a refined interior finish. They are also fire retardant, enhancing safety in public and private environments. A significant advantage is the availability of custom colors, allowing designers to match specific Pantone or paint chip colors for bespoke interior schemes. This customization is particularly useful for achieving unique design visions. FabriSPAN® fabrics are offered in base colors such as white, ivory, or off-white, providing a neutral foundation that can mimic the look of traditional drywall or plaster. For more specific color requirements, many FabriSPAN® fabrics can be custom-dyed in widths up to 10 feet. The system's design ensures compatibility with various building components, allowing for seamless integration with lighting applications, HVAC systems, and fire sprinkler systems without compromising aesthetics or functionality. FabriTRAK® has also specifically engineered three square edge ceiling trak profiles to accommodate these ultra-wide width ceiling fabrics. This specialized tracking system ensures a taut, smooth, and professional finish for ceiling applications, further emphasizing the seamless appearance. The FabriSPAN® Premium fabrics and Glow fabrics have received the Declare label, signifying their compliance with stringent environmental and health standards. This certification contributes to projects aiming for LEED v4 interiors, highlighting the product's commitment to sustainability and healthy indoor environments. The Declare label provides transparency regarding the product's ingredients, empowering architects and designers to make informed choices about materials. The FabriSPAN® STRETCH fabric line is specifically engineered for creating perfectly seamless acoustical wall and ceiling solutions. Its ultra-wide widths, custom dyeing capabilities, and interchangeability offer architects and designers extensive creative freedom. The STRETCH variant is also printable in wide widths up to 10 feet, opening possibilities for custom graphic integration and artistic expression on large surfaces. Typical applications for FabriSPAN® STRETCH include professional offices, restaurants, educational and sports facilities, retail spaces, places of worship, theaters, and residential interiors, where both aesthetics and acoustic control are paramount. For additional technical information, including details on acoustical and fire testing, FabriTRAK® provides comprehensive resources on its website. The product is categorized under Construction Materials for Acoustic applications, specifically for interior walls and ceilings. Its characteristics include acoustic performance, fire retardancy, and customizable colors in ultra-wide widths, making it a versatile and high-performance option for modern interior design. #FabriSPAN #FabriTRAK #AcousticFabric #WideWidthFabric #InteriorDesign #ArchitecturalFinishes #SeamlessSurfaces #LEEDv4 #SustainableMaterials

The 'Hive' collection, developed by atelier oï for B&B Italia, explores an innovative approach to upholstery using small leather patches, termed "leaves," to construct a three-dimensional textile. This deconstruction process details the extensive trial and error involved in perfecting this complex material, which ultimately informed the design of hexagonal ottomans and complementary low tables. The initial phase of development focused on material exploration, specifically forming studies with leather patches in various colors and configurations. This involved examining both the front and back of these patch arrangements, noting how individual leather pieces connected to form a cohesive textile, even before full attachment. Following these material studies, the design team moved into conceptualizing how this unique leather textile could be applied to furniture. Early sketches focused on adapting the connected leather structures for an ottoman. This led to the creation of numerous ottoman models, varying in size, form, and leather color, to test the aesthetic and structural possibilities. A significant challenge addressed during development was how to effectively wrap the ottoman legs with the patch textile, requiring dedicated studies to perfect the technique. Further refinement involved developing methods to finish the corners and sides of the ottoman, especially given the irregular edges of the leather patches, ensuring a seamless and polished appearance. In parallel with the ottoman design, the concept evolved to include complementary furniture pieces. Initial sketches were created for a similarly shaped table to be paired with the ottomans. This integration aimed to create a cohesive collection where both the ottomans and tables shared a unified design language, inspired by the distinctive beehive-like texture of the leather. The culmination of this design process resulted in a finished product showcasing three-color ottomans paired with the metal tables. The 'Hive' collection was notably featured in an installation at the B&B Italia Store during the Milan Furniture Fair in April 2013, highlighting the successful application of this innovative textile in a contemporary furniture context. #LeatherUpholstery #3DTextiles #FurnitureDesign #AtelierOi #BBItalia #ProductDevelopment #OttomanDesign #TableDesign #MilanFurnitureFair

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends