This neglected West Sussex house has been transformed into a study in understated elegance

This article details the transformation of a neglected Federal-style schoolhouse in the Catskills into a glamorous and chic home, dubbed "Monkey Cottage," by lifestyle editor Jason Oliver Nixon and decorator John Loecke. The duo discovered the 900-square-foot former schoolhouse, built around 1840, listed for $30,000. Despite its dilapidated state—featuring no closets, low second-floor ceilings, and multiple layers of wallpaper and paint—they saw its potential. After purchasing the property, a pipe burst and the ceiling caved in a week later, leading to a complete gut renovation. Much of the work was undertaken by John and Jason themselves, with assistance from Jason's uncle Lary and father, Jary. A year of renovation resulted in a vibrant weekend retreat characterized by bold colors, playful prints, and a spirit of fun. The homeowners emphasize their commitment to preserving the original architectural style while imbuing the home with their personal touch. The kitchen, which also serves as the dining area due to the absence of a formal dining room, features striking black cabinetry, white marble counters, and a unique display of vintage state plates instead of upper cabinets. A circular window was added, mirroring an existing one on the home's facade. To address the lack of closets, built-in drawers and storage cubbies were incorporated throughout the house. A distinctive railing inspired by a Chinese garden bridge was installed, adding an exotic touch. The bathroom features faux paneling crafted from 4x4s, contributing to the cottage's unique aesthetic. The homeowners' passion for collecting is evident in the flea-market equestrian prints displayed against a chocolate-brown wall and a collection of colored tableware, which John strategically uses to make small spaces appear larger by employing a few substantial furniture pieces. The vibrant master bedroom is a testament to their love for color, with sunny-yellow paint and a lively green-and-white print that energizes the small space. To maximize functionality in the bedroom, a carpenter was hired to convert a three-foot-high gap created by the low-pitched roof into bookshelves on one side and cabinets and storage drawers on the other. John provides design advice on combining patterns, suggesting that a common color scheme prevents clashes and recommending the use of no more than two large-scale prints, with other patterns kept geometric. Collections, such as glassware and antique garden statuary, are meticulously arranged by color, type, and theme on walls and open shelving. The eclectic living room combines furniture of various sizes and heights to maintain visual interest. The design draws inspiration from classic English country interiors but is reinterpreted with unconventional elements like silver scallop sconces, giraffe print pillows, and a tropical-inspired chandelier. Ribbons are utilized throughout the house to embellish curtains, lampshades, and pillows, offering an inexpensive and versatile decorating solution. John's book, "John Loecke's Grosgrain Style," provides creative ribbon-based DIY projects, including a layered ribbon square that can be created with a hot-glue gun. The article highlights the transformation from a neglected building to a personalized and stylish home, emphasizing creative problem-solving and the thoughtful integration of personal style and collections. #SchoolhouseRenovation #CatskillsHome #HomeTransformation #InteriorDesign #EclecticDecor #DIYRenovation #SmallSpaceLiving #VintageFinds #ColorSchemes

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

This blog post details a significant renovation of a 1970s South County residence, focusing on how lighting fixtures from Metro Lighting, in collaboration with KH Interiors, transformed the home. The project was led by interior designer Krista Howard of KH Interiors and Heidi Sanders of Metro Lighting, aiming to create a practical yet elevated space for a busy family of five. The renovation extended beyond a simple kitchen update, evolving into a two-story expansion that now includes a spacious cooking and dining area, along with a covered outdoor porch. Each design element was meticulously chosen to accommodate the family's active lifestyle, encompassing sports schedules, entertaining needs, and daily functionality. The team involved architect William Cover, Lurk’s Custom Cabinets, and photographer Anne Mathias, with Metro Lighting playing a crucial role in curating the home's lighting. In the reimagined kitchen, two large orb pendants are prominently featured above dual islands, one dedicated to storage and the other to function. These orbs are complemented by onyx stone cylinder fixtures that not only echo the kitchen's stone details but also cast a soft, sculptural glow. Above the breakfast table, a sleek gold fixture introduces a contrasting element, its simplicity providing a calm balance to the kitchen's more dynamic design features, creating a cohesive and visually appealing central gathering space. The lighting design extends thoughtfully into other areas of the home, transforming even transitional spaces. A hallway adjacent to the kitchen, referred to as the “kitchen hall,” connects bedrooms to public areas. Here, lighting is strategically used to gently illuminate stone accents, turning a functional corridor into a refined and welcoming passage. This attention to detail ensures that lighting serves both an aesthetic and practical purpose throughout the residence. The powder room and the adjacent lower-level pool changing area draw inspiration from the past, featuring brass vertical sconces reminiscent of 1940s design. These fixtures are paired with playful wallpaper to create an inviting retro-modern ambiance. The lighting in these areas is described as “quiet and classic,” designed to support the functionality of the space without becoming the dominant focal point, allowing other design elements to shine while providing adequate illumination. Beyond its aesthetic contributions, the home incorporates smart lighting and automated window treatments, enhancing both convenience and energy efficiency. These modern features allow the family to easily adjust their living environment, whether for hosting guests, relaxing in the evening, or quickly departing the house, all without compromising the home's timeless design integrity. Lurk’s Custom Cabinets further anchored the space with exceptional craftsmanship, coordinating finishes and cabinetry details with the overall lighting plan to ensure a harmonious visual flow between the kitchen and adjoining rooms. Ultimately, this South County residence represents more than just a renovation; it is a testament to thoughtful design, sustained collaboration, and the transformative power of architectural lighting. The project effectively elevates not only the home’s structure and aesthetics but also significantly enhances the family’s daily living experience. Through the combined expertise of Metro Lighting and KH Interiors, a once-dated kitchen has been revitalized into a radiant and central hub for connection and comfort within the home. #HomeRenovation #InteriorDesign #LightingDesign #KitchenRemodel #SmartHome #ArchitecturalLighting #KHInteriors #MetroLighting

Interior designer Nicole Fisher of BNR Interiors transformed a four-bedroom, builder-grade row house in Hudson, Upstate New York, into a vibrant home with British charm. The initial state of the house, purchased by a developer, lacked character with generic hardware store moldings and fixtures. Fisher's primary goal was to infuse personality and warmth into the space, moving away from the common 'white on white' aesthetic prevalent in the region. The design process began with selecting a cohesive color palette, largely inspired by House of Hackney’s Avalon wallpaper, a striped and floral pattern used in the dining room. This wallpaper dictated the selection of 14 different paint colors applied throughout the house, aiming to create a distinctly British, rather than farmhouse, atmosphere. The homeowners, being British themselves, were receptive to a bold and layered approach to interior design, having previously embraced unconventional choices like a lime green kitchen in their London home. Fisher embraced the British tendency for playful interiors, characterized by multiple patterns and layers, creating spaces that feel timeless rather than confined to a specific era. The philosophy was to choose elements that the homeowners loved, ensuring they would work together harmoniously if executed correctly. A significant feature of the renovation included the incorporation of two hidden doors—one leading to a pantry and another in the TV room. These hidden spaces serve both functional and aesthetic purposes, providing privacy in a house where the entire length is visible from the front door, and offering practical solutions for entertaining by concealing clutter or creating a 'speakeasy' feel. Attention to detail extends to specific rooms, such as the primary bedroom, where multiple patterns are successfully integrated. The key to this success lies in a common color thread, specifically a cranberry hue, which is consistently pulled through various elements like the bed, wallpaper, and chair tassels. Additionally, Fisher employed variations in scale, combining small and large patterns, such as a chunky floral fabric from Liberty (which held sentimental value for the homeowner as her wedding dress designer) for the headboard. This approach creates a collected, aged feel, reminiscent of a modern grandmother's country house, avoiding a 'too new' or 'too precious' ambiance. The kitchen also showcases unique finds, including a faux marble island sourced from 1stDibs. This island, with its colors complementing the chosen wallpaper, became a central element that set the tone for the rest of the kitchen, contributing to the overall layered and inviting aesthetic Fisher aimed for. Other notable design choices include Sanderson’s Stapleton Park Wallpaper in the dressing room, Farrow & Ball’s Potted Shrimp for the den walls, Phillip Jeffries’s Island Raffia in the living room, Cole & Son’s Frutta e Geometrico in the bar area, Soane’s Scrolling Acanthus in Bloom in the primary bedroom, John Derian wallpaper in another bedroom, and Scalamandre’s Magnus in Indigo Blue in the laundry room. These selections highlight a rich interplay of patterns, textures, and colors, successfully transforming a generic space into a home filled with character and warmth, deeply influenced by British design sensibilities. #InteriorDesign #HomeRenovation #BritishCharm #PatternMixing #WallpaperDesign #ColorPalette #HiddenDoors #HudsonHome #BNRInteriors

Great Manson Hall, a Grade II listed barn near Monmouth, Wales, has been transformed from a medieval agricultural building into a luxurious modern home, seamlessly blending historic character with contemporary design. The barn, part of the historic Great Manson Farm, boasts origins dating back to around 1450, indicated by features such as opposed Gothic doorways. Its listing in 2002 by Cadw recognized its significance as a vernacular barn with possible medieval origins, as well as its group value with the farmhouse and Old Cider House. The conversion, completed in 2004, meticulously preserved and integrated the barn's historical elements. Exposed stone walls and beams are central to the design, complemented by new additions crafted from natural materials and simple aesthetics. While honoring its past, the home provides comfortable, modern living with substantial broken-plan, connected rooms alongside intimate, cozy spaces. The design incorporates innovative features such as a glass roof in the garden room and internal windows, maximizing light penetration and offering continuous views of the surrounding landscape. Situated along a quiet country lane, the barn offers a peaceful rural setting just a few miles from Monmouth. The property is encompassed by an acre of meticulously maintained grounds, featuring a cottage garden with mature shrubs, a rose-covered pergola, and pristine lawns. Multiple alfresco dining areas provide opportunities to enjoy the mesmerizing views that surround the property. Practical amenities include ample parking, a double garage, and an outbuilding with potential for conversion into an annexe or home office, subject to planning permission. The interior layout includes a captivating central inner hallway that showcases original exposed features like chunky stone walls, juxtaposed with a modern glass and metal staircase. Large windows strategically placed throughout the home frame the absorbing views. The main living area features a broken-plan layout, combining dining and lounge spaces that are subtly zoned by the building's structure, varying ceiling heights, and flooring. The lounge area, with its double-height ceiling and exposed roof beams, also highlights a clever internal window on the first floor. The connected dining and living space flows into a separate sitting room, accessible via glass double doors, maintaining the theme of shared light and views. The garden room is a particular highlight, bathed in natural light from its glass roof and full wall of doors, facilitating a seamless transition between indoor and outdoor living. The kitchen, while modern, is designed with units integrated into the walls and natural materials to enhance the barn's inherent character. A prominent inglenook fireplace, specially lit, serves as a focal point in this character-filled space. The upper level comprises four double bedrooms, each with an en-suite bathroom. These rooms are accessed from a central galleried area overlooking the lounge-diner below, offering charming spaces that blend historical features with contemporary decor and views. One en-suite bedroom features an internal window for enjoying views from the bed, a ladder leading to a mezzanine level, and a spiral staircase providing secondary access from the garden room. Two of the bedrooms also include walk-in wardrobes or dressing spaces. Great Manson Hall is currently listed for sale at £1.25 million. #AmazingHomes #BarnConversion #MedievalArchitecture #HistoricProperty #LuxuryRealEstate #WelshHomes #Monmouthshire #InteriorDesign #RuralLiving

This article details the transformation of a 100-year-old, long-abandoned home into a sophisticated and comfortable spec home, spearheaded by designer Joan Enger of J. PATRYCE DESIGN. The renovation project, undertaken with her developer husband, spanned 17 months and aimed to create a custom house appealing to a broad range of tastes through a subtle palette and a restrained aesthetic. The initial state of the house was dire, featuring graffiti on the front door and a car-sized hole in the roof, highlighting the extensive nature of the undertaking. The kitchen, a central focus of the home, features custom cerused oak cabinetry with brass detailing, complemented by natural light. Circular pendant lights from Lambert & Fils provide visual contrast and highlight the black streaks in the marble countertops and backsplash sourced from Marble America. Appliances are by Wolf, and stools are from CB2. A custom oak ladder with brass hardware, a design risk taken by Enger, adds warmth to the cool neutral tones of the kitchen. Ten-foot tall telescoping doors from Marvin contribute to space conservation, and a desk chair originally from Bungalow 5 was reupholstered in Claremont Furnishing Fabrics Company velvet. In the living room, an eleven-foot ceiling allowed for the display of large-scale artworks by Tim Leffens. The console beneath the paintings is from Restoration Hardware, and the overhead light fixture is also from Lambert & Fils. Enger designed a custom limestone mantle and had a vintage coffee table repainted. A speckled gray sofa from CB2 is paired with vintage lounge chairs, reupholstered in Holly Hunt fabric. The parlor windows were restored to their original floor-to-ceiling height. Though Enger initially envisioned a modern aesthetic, the discovery of restorable original stair railings led to a blend of classic and contemporary elements throughout the space. The dining room boasts custom millwork and features lights over the bookcases from Visual Comfort. Vintage chairs were reupholstered in linen from Rogers & Goffigon, while the sisal rug is from AllModern, and a vintage table was refinished. Artwork by Jed Miner is displayed, available through J. PATRYCE DESIGN. A custom banquette with a cushion from Holland & Sherry and pillows from Williams-Sonoma Home creates a cozy nook, with a stool, rug, and sconces from Williams-Sonoma Home, Bungalow 5, and Cedar and Moss, respectively. The powder room showcases ash gray tile from Marble America, a custom rift oak vanity, and hardware from Crosswater London. The mirror is from Restoration Hardware, and the sconce is by Visual Comfort. The entryway is defined by rich black doors and a matching stair railing. The master bedroom incorporates vintage pieces, including an accent table, striped linen-reupholstered chairs, and chenille-reupholstered benches. The cocoa-colored dresser and bed are from AllModern, while the mirror is from Anthropologie. Bedside tables from Bungalow 5 are adorned with vintage lamps and custom lampshades, and a textured rug from AllModern completes the room. The master bath features neutral-toned travertine tile on the floor and walls, a custom-designed cerused oak vanity, and a matte lacquer shelving unit. The tub is by Victoria + Albert, fixtures are by Kallista, and a vintage bench is included. In the guest bedroom, a subtle CB2 bed, AllModern nightstand, and artful AllModern mirror are combined with vintage stools reupholstered in blue linen and a vintage Adrian Pearsall lounge chair in Rogers & Goffigon fabric. The painting is also vintage. The girl's bedroom adopts a playful style with vintage artwork, including cast aluminum antlers, a vintage Milo Baughman side chair reupholstered in Rogers & Goffigon fabric, a CB2 chest, and West Elm accent table and floor pillow. The laundry room features porcelain mosaic tile and Caesarstone counters from Marble America, with custom millwork. Organization is maintained with West Elm baskets, Container Store glass jars and laundry basket, and a woven towel from ABC Carpet & Home. A bathroom features an accent wall of Ann Sacks tile, with other tiles and countertops from Marble America. Medicine cabinets are from Restoration Hardware, a vintage Eero Saarinen stool is reupholstered in Maharam vinyl, sink hardware is from Crosswater London, and the sconce is from Visual Comfort. For the outdoor area, three distinct spaces were created: a firepit and seating area, a turf-covered section, and a semi-covered lounging, dining, and outdoor cooking area near the sliding doors. A modern IPE and cable wire staircase provides access to the outdoor kitchen. The firepit is from Restoration Hardware with a customized IPE base, and chairs are from AllModern. The overall renovation demonstrates how a once dilapidated property can be transformed into a stylish, custom home with an understated yet elegant aesthetic, making it appealing to a broad market. #HomeRenovation #InteriorDesign #UnderstatedElegance #SpecHome #SubtlePalette #CustomCabinetry #VintageFurniture #LuxuryFinishes #ArchitecturalTransformation

This article highlights the listing of a converted stable in London's East Dulwich, priced at £1.25 million. The property, situated on Darrell Road, is a 1,400 sq ft home that originally served as a stable for a local milkman's horse and wagon. The conversion has retained elements of its past, such as painted brickwork and exposed ceiling rafters, which nod to its historical use. A key design feature of the home is its focus on natural light. Various architectural choices have been made to maximize illumination throughout the interiors. For instance, glass brick partitions separate the dining room from the front entrance, allowing light to penetrate deeper into the space. The ground floor rooms benefit from exposed ceiling joists, which contribute to an enhanced sense of height and openness. Further connecting the indoors with the outdoors, timber-framed glass doors open from the living room to a small courtyard on one side and a garden on the other. This arrangement fosters a continuous flow and provides additional sources of natural light and ventilation. The property, listed through The Modern House, showcases a blend of painted and raw exposed brickwork throughout, adding texture and character to its modern aesthetic. The layout includes two bedrooms, with the master bedroom suite thoughtfully positioned beneath the roof. This primary suite offers views overlooking the garden, creating a private and serene retreat. Additionally, a mezzanine level, topped with skylights, plays a crucial role in drawing light down into the living room below, ensuring that even central areas of the home receive ample natural illumination. The property's location in East Dulwich is also a significant aspect, providing a leafy and desirable setting within London. The successful conversion of this historic stable demonstrates how former utilitarian structures can be transformed into contemporary living spaces while preserving their unique heritage. #ConvertedStable #EastDulwich #LondonProperty #PropertyConversion #ArchitecturalRenovation #HistoricHome #InteriorDesign #RealEstate

Krista Mileva, an MIT Ph.D. student, and Jared Frank, an interior designer based in Los Angeles, have maintained a bicoastal relationship since 2017. Their enduring connection is evident not only in their upcoming two weddings—one on the East Coast and another in Los Angeles—but also in the thoughtfully designed Cambridge apartment that Frank curated for Mileva. This apartment serves as a physical manifestation of their bond, offering Mileva a sense of her fiancé's presence even when they are apart. The apartment, located in a 1922 Georgian Revival building listed on the National Register of Historic Places, offered a unique blend of historical charm and modern updates. The unit had been remodeled in the late 1970s by the original architect's son, incorporating oak built-ins and terracotta tile while eliminating interior hallways to foster an open flow. Mileva and Frank discovered the apartment during a lo-fi FaceTime tour, and despite the technical challenges, recognized its potential. Its advantageous layout, featuring windows that offered views of both a front courtyard and a back garden in every room, was a significant draw for the couple, who value natural light. Frank's design philosophy for Mileva's Cambridge residence contrasted sharply with his own bustling Silver Lake home. He aimed to create a quiet, cozy, and minimalist sanctuary, a space conducive to Mileva's academic pursuits. This vision translated into a light-filled environment, with walls and ceilings painted in a creamy tone and a white rug chosen to enhance the spacious feel. To further amplify the natural light, Frank incorporated sheer curtains and two Isamu Noguchi lanterns, which diffuse a warm, inviting glow throughout the living room. Mileva notes the inspiring presence of these mid-century design elements, particularly relevant to her studies on organic forms in the postwar era. The apartment also reflects Mileva's current doctoral research on the history of grottoes. A framed Giorgio de Chirico lithograph, depicting a Surrealist scene of figures gathering in rocky pools, directly references her studies. Additionally, sculptural lamps on the bookshelves evoke the aesthetic of architect Gae Aulenti's 1970s Amalfi Coast cave home, further intertwining her academic interests with her living space. These details demonstrate Frank's thoughtful approach to creating a home that not only provides comfort but also intellectually stimulates Mileva. The design underscores the idea that a supportive living environment, filled with objects chosen with care and understanding, can be as meaningful as direct interaction in a long-distance relationship. #HomeTour #InteriorDesign #MinimalistStyle #LongDistanceRelationship #CambridgeApartment #GeorgianRevival #MidCenturyModern #DesignInspiration #AcademicHome

This article details the restoration of an Oxford, MS cottage by interior designer Tara Engelberg of Tara Felice Interiors. The project aimed to revitalize the home while preserving its original charm and Southern character, combining vintage elements with modern design. The approach involved using classic decor and materials in innovative ways to create fresh and current living spaces. In the kitchen, a vintage feel was achieved through black-and-white hexagon tile flooring and a subway tile backsplash. The original kitchen island was replaced with a larger butcher block-top island, providing increased storage and a functional space for dining and gathering. Engelberg emphasizes the kitchen as the heart of any home, striving to create a space that promotes relaxed togetherness, high functionality, and aesthetic appeal. A key aspect of the renovation involved maximizing natural light and views. The home's windows, previously obscured by blinds and shutters, were uncovered, and simple curtain panels were installed to highlight the intricate window details and the outdoor scenery. This transformation brightened the interior and enhanced the connection to the surroundings. The living room presented a layout challenge, as the front door opened directly into the space. Engelberg reconfigured the room and furniture arrangement to create an inviting entrance area, providing a welcoming "moment" upon entry while maintaining the cozy ambiance of the living space. Functionality and comfort were central to the design philosophy, guided by Engelberg's motto, "design for life." Each room's design began with an assessment of its intended use and required functions. The bedrooms were personalized, with children's rooms featuring vibrant patterns and art, and the master bedroom serving as a serene retreat with a neutral color palette accented by occasional pops of color. Art from local Tennessee galleries, such as a Lisa Weiss piece from L Ross Gallery in the master bedroom, contributed to the home's calm, neutral, and modern aesthetic. Throughout the home, bold design elements and pops of color were incorporated strategically. Engelberg advises moderation in using exciting elements, suggesting that every room needs a focal point without becoming overly busy or confusing. This principle is exemplified in the dining room, which features bright orange grasscloth wallpaper balanced by oversized black-and-ivory wall art. A wood dining table and chairs upholstered in French ticking stripe fabric ground the room, reinforcing the home's vintage appeal. The overall renovation successfully blends modern updates with the cottage's inherent charm, resulting in a functional, comfortable, and visually striking home that fulfills the homeowners' vision. #HomeRenovation #InteriorDesign #CottageStyle #VintageModern #KitchenDesign #LivingRoomLayout #BedroomDesign #NaturalLight #TaraFeliceInteriors

The article details the thoughtful remodel of Jessica and Scott Nelson's Tudor Revival home in Seattle, originally built in 1929. The house, untouched for around 50 years before the Nelsons purchased it, possessed a fairytale-like charm but suffered from a chaotic layout. Jessica, who runs Jessica Nelson Design with her husband, sought a property that allowed her to implement her own design vision. Key structural changes included removing a wall downstairs to create a combined kitchen and living area, and reorganizing the upstairs to improve functionality. Previously, the upstairs bedrooms were connected via Jack and Jill doors, requiring passage through one to access another. A significant addition was a staircase leading to the attic, transforming this previously unused space into a 500-square-foot family room with bunk beds and a dedicated workspace for Jessica. The design approach moved beyond the initial plain white walls. Jessica embraced a bolder, more dramatic aesthetic, exemplified by painting the hallway a dark green after losing a window during renovations. This decision created a "jewel-box moment," highlighting artwork and setting a moody tone that influenced subsequent color and layering choices throughout the home. Furnishing the home involved a fresh start, with Jessica sourcing many pieces from online platforms like 1stDibs, Chairish, and Etsy. Notable acquisitions included dining room chairs from Poland and a pale green velvet accent chair found on Facebook Marketplace. The children, Gemma and Graham, were actively involved in selecting artwork from estate sales and vintage stores in Seattle. Outdoor living spaces were also enhanced with the addition of a timber deck, equipped with heaters and a firepit to extend its usability throughout the year. The garden features vibrant borders and newly installed raised vegetable beds, where the children participate in planting and harvesting. The remodel successfully transformed a historically charming but functionally challenging house into a personalized and nurturing family home. #TudorRevival #HomeRemodel #InteriorDesign #FamilyHome #SeattleArchitecture #HomeRenovation #DesignProcess

In a picturesque English village, the interior design firm Sims Hilditch undertook the transformation of a historic rectory, originally constructed in 1630 with subsequent additions, into a contemporary cottage-style weekend retreat. The clients, seeking respite from the fast-paced London life, desired a home that respectfully acknowledged its rich history while incorporating modern sensibilities. Emma Sims Hilditch, the lead designer, aimed to unify the building's diverse architectural styles into a cohesive and tranquil design. The renovation focused on creating a restful escape, blending historical charm with updated functionality and aesthetics. The dining room, designed to be both peaceful and elegant, features a palette of blue-toned grays and warm woods. A central oak dining table from Neptune is complemented by matching chairs and a glazed rack dresser. Damask curtains, custom-made by the Sims Hilditch team using GP & J Baker fabric, add a touch of sophistication, while dome wall lights from Original BTC and Havwoods oak fossil flooring complete the space. The kitchen's design prioritizes natural light, showcasing a simple yet refined aesthetic with subtle, unique details. Many fixtures, including the lily-white cabinetry, Perrin & Rowe tap, Villeroy & Boch sink, and willow basket, were sourced from Neptune. Sims Hilditch fabricated the blinds using GP & J Baker fabric. The worktop, from Generix Stone Fabrication Ltd., boasts a rich, textured color, and the floor is adorned with lush limestone paneling by Mandarin Stone. A rack from Neptune, originally a coat hanger, finds new utility in this space, contributing to the cottage-style influence evident through exposed wood and a Garden Trading beech paddle board. The mudroom is both elegant and functional, featuring organizing accessories like willow baskets from Neptune. The sitting room introduces vibrant color through tangerines and cerulean blues, with cushions, a coffee table, a lamp stand, and a sofa from Neptune. Custom curtains made from Lewis & Wood fabric and gray wall sconces from Original BTC framing an India Jane mirror enhance the room's character. The drawing room is distinguished by intricate print curtains designed by Sims Hilditch using Colefax and Fowler fabric, alongside Neptune cushions, armchairs, and sofas. An India Jane coffee table and a Capitol Carpets basket-weave rug, paired with an Eichholtz Roman-inspired floor lamp, add to the room's refined ambiance. A half-bath offers charming simplicity, while the master bedroom showcases Sims Hilditch’s expertise in pattern selection with Knowles & Christou wallpaper providing a beautiful backdrop for Neptune furniture, including a king bed, oak stools, and a bedside table. OKA fabric was used for the bed cushions and Libeco linen for the curtains, with Vaughan ceramic table lamps providing lighting. A small vanity, functioning as both a workspace and vanity, creates an intimate routine space. Neptune designed the desk, mirror, and wall lights, complemented by a Robert Langford chair. One of the home's original five bedrooms was converted into a spacious master bath, featuring a Clearwater Baths sleigh tub as a focal point. Porta Romana wall lights, New England Shutter Company shutters, and a Balineum bathmat contribute to a soft, minimalist style. The children’s bedroom maintains the overall design aesthetic but incorporates playful elements, such as trundle beds from Tasha Beds and bed cushions from Neptune. Dome wall lights from Original BTC and a Jim Lawrence star-printed lampshade are featured, with a Balineum laundry basket offering practical storage. The sparsely furnished hallway includes unique pieces like a custom Sims Hilditch twisted leg center table, Eichholtz box wall lamps, and a nine-arm chandelier by Richard Taylor Designs. Capitol Carpets provided the textured carpeting, and Sims Hilditch crafted the Roman blind using GP & J Baker fabric. The study features Pierre Frey wallpaper, an Eichholtz wood and glass desk, table lamp, and print, alongside a Neptune rolling chair and nickel wall lights. #HistoricRenovation #CottageStyle #InteriorDesign #SimsHilditch #EnglishVillage #LuxuryHome #HomeDecor #NeptuneFurniture

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

Róisín Lafferty, founder and creative director of Kingston Lafferty Design (KLD), spearheaded a nearly five-year restoration, renovation, and redecoration project to transform a landmarked Georgian-style schoolhouse in coastal Galway, Ireland, into a five-bedroom, four-bath residence. The initial structure, while charming and historic, presented several challenges, including outdated electrical systems, a lack of central air, and inadequate bathing facilities for a family of seven. Furthermore, a series of mismatched rear extensions and small service buildings obstructed garden views and natural light penetration into the interior. KLD collaborated with Helena McElmeel Architects, a local firm that assisted in navigating the municipality’s strict conservation board regulations and managed the structural modifications. Significant changes were concentrated at the rear of the property, where a new, window-wrapped, skylight-capped modern addition now houses an orangerie-style dining room, replacing a damp lean-to. This space is seamlessly connected to the updated kitchen. An existing conservatory was also enhanced with new glazing to create a breakfast room, accessed through portals in the kitchen's thick stone walls, which are clad with green marble tile to emphasize the transition between the old and new structures. The interior design philosophy prioritized repurposing and integrating existing elements with new, vintage, and custom pieces. For instance, an old kitchen table was reconfigured with a stone slab to serve as the cooking island, and pendant fixtures from the house's corridors were repurposed for lighting. Antique cabinets left by previous owners were skillfully integrated into new millwork, such as the main bathroom's armoire, which was transformed into a vanity with a marble countertop and antiqued brass legs. Mismatched Michael Thonet chairs, inherited from family, were grouped around a custom dark-stained oak dining table, contributing to a curated aesthetic. A particularly distinctive feature is the conversation pit in the rear lounge, recessed into the concrete floor to maintain garden sightlines. This element, along with a moss-green velvet Mah Jong sofa, evokes a 1970s sensibility. The original pass-through hatch between the kitchen and the reading room was reframed with bronze-tinted mirrored panels, adding a unique, moody atmosphere to the latter space. Although a beautifully hued stair runner was too worn to salvage, its color palette of sky blue, burgundy, terra-cotta, and mustard was incorporated throughout the home. Upstairs, the sleeping quarters blend traditional and modern design with whimsical touches. The main suite, occupying most of the second story, features a bedroom, a walk-in dressing room, and a bathroom with a fireplace and soaking tub. Period-appropriate paneling and a curvilinear velvet headboard were introduced to make the large main bedroom feel more intimate. The children's zone on the third floor was designed to maximize space; for example, a hanging rattan chair on the adjacent stair landing serves as a lounge area for the youngest daughter. The two boys' shared room benefits from high ceilings, allowing for tall loft beds that create ample floor space for hangout and work areas. This comprehensive renovation and redecoration effort successfully transformed a historic schoolhouse into a functional, aesthetically rich, and personalized family home. #KingstonLaffertyDesign #HistoricRenovation #SchoolhouseConversion #GalwayIreland #ResidentialDesign #InteriorTransformation #SustainableDesign #RepurposedFurniture #GeorgianArchitecture

This article highlights the efficient and stylish 650-square-foot bungalow of Kate Carter, a former architect who now works in construction. Located in Manchester, New Hampshire, the home, built in 1946, is shared with her dogs, Duke and Bash. Despite its small size, Carter emphasizes that the bungalow feels much larger due to intelligent layout choices and key design elements such as a breakfast bar and a generously sized bedroom. She mentions her real estate agent initially couldn't comprehend her affection for what was described as the smallest house in Manchester, yet Carter has cherished the home for two years, appreciating its blend of efficiency, style, and historical character. Carter's favorite room in the bungalow is her kitchen. She initially disliked the southern yellow pine cabinets but successfully transformed their appearance with a dark blue, almost black paint color, a choice she was advised against but never regretted. She highlights the kitchen's exceptional efficiency, noting that she has experienced larger apartment kitchens that were far less functional. The interview delves into a hypothetical change Carter would make to her home. While she embraces the concept of "living small," she expresses a desire to provide guests with a proper bedroom rather than a pull-out couch, acknowledging that while comfortable, it is not an ideal long-term solution for visitors. Describing her home's aesthetic, Carter categorizes it as a "Sunny mid-century bungalow." She shares her most recent acquisition for the home: an arc lamp from West Elm in an oil rubbed bronze finish, a color she notes is seemingly discontinued. This lamp was purchased to augment the natural northern light in the living room, providing a diffuse and effective light source that complements the specific characteristics of the space. The article also provides insight into Carter's philosophy on creating a beloved home. She advises buying a home that is below one's financial means, if possible. She asserts that purchasing a smaller, more affordable house has enabled her to pursue other meaningful aspects of her life, and her home organically reflects these choices. Her overarching advice is to surround oneself with cherished items, invest in personal growth, and allow one's unique style to develop organically. #SmallSpaceLiving #BungalowLife #HomeTour #EfficientDesign #InteriorDesign #MidCenturyStyle #KitchenRenovation

This article details the comprehensive renovation of a 1927 Tudor-style house in Riverdale, New York, transforming its traditional interior into an avant-garde space. Purchased by Fritz and Lee Michel, the house initially featured a dated aesthetic with floral-print wallpaper and an abundance of brown tones. Designer Molly Luetkemeyer, founder of M. Design Interiors, spearheaded the project, drawing inspiration from the Wiener Werkstätte movement, contemporary to the house's original construction. This movement, known for its black and white geometric shapes and vibrant accents, became the guiding principle for the new interior. The renovation involved extensive structural changes to open up the cramped original layout. Thaddeus Briner of Architecture Outfit collaborated with Riccoboni Contracting to create a light-filled, open-plan living space. The entire renovation process spanned two years, allowing meticulous attention to detail, including a custom triangle-patterned carpet for the stairs, reminiscent of 1920s Viennese design. Each area of the house received a thoughtful modern update. The frequently used basement level, serving as the family’s primary entrance due to the house’s hillside location, was not overlooked. It was revitalized with a colorful paint scheme, bespoke cabinetry, and polished concrete floors. A central, open-concept kitchen was also integrated into the design. A key aspect of the project was the strong collaborative dynamic between the Michels and Luetkemeyer. Lee Michel contributed the idea for an Yves Klein blue dining-room table, while Fritz Michel sourced a unique chain-mail curtain to serve as a room divider from a Canadian armor maker. Even the couple's young daughters participated, requesting neon tubing, which Luetkemeyer translated into personalized nameplates above their beds. The most challenging design decision was the smoky-black color chosen for the living room, which required some persuasion but ultimately became one of the house’s most elegant and memorable features. The article highlights how the design team successfully merged the historical charm of the Tudor exterior with a bold, contemporary interior, creating a family-friendly home that is both personal and stylish, while subtly nodding to the architectural era's modern design movements. #DesignHunting #InteriorRenovation #TudorStyle #AvantGardeDesign #MollyLuetkemeyer #WienerWerkstätte #HomeDesign #RiverdaleRenovation #ModernInterior