An Oxford, MS Cottage That’s Been Carefully Restored

Jamie and Tim Forsyth, along with their daughter Sienna, reside in an English country manor house in North Wales, Montgomery County, which was built in 1880. The property, originally part of a 200-acre horse farm, later became a riding academy before being subdivided in the 1970s. The Forsyths acquired the seven-bedroom manor house and a caretaker's cottage on two acres in 2016 after the price was reduced. Both Jamie, a nurse, and Tim, a project superintendent for a commercial contractor, were drawn to the house's historic charm and “good bones,” despite its considerable size. Upon moving in, the house featured 11-foot ceilings on the first and second floors and nine-foot ceilings on the third. The interior had been recently painted with cream walls and a deeper buff for carved doors and trim. The parlor showcased sky-blue walls and ceiling, complemented by Dutch tiles around the fireplace. Brass and crystal chandeliers adorned the parlor, foyer, and family room, hanging from elaborate plaster medallions. The original random-width oak flooring was well-maintained, contributing to the home's historic appeal. Despite the well-preserved interior, the Forsyths undertook several renovation projects. They installed a new roof and trimmed large ash and evergreen trees, while removing smaller trees from the pool area. Tim, with the help of friends, repainted the stucco exterior an antique white. The columns of the wrap-around porch and window trim were painted a brighter white, with shutters and column brackets in black. Tim also collaborated with a plumber friend to remodel the first-floor powder room. Future plans include installing a ductless heating and air conditioning system and creating a master bedroom suite with modern closets. They also intend to renovate the 20-year-old kitchen, merging it with Sienna’s current playroom, and add French doors that open to the patio, enhancing its suitability for entertaining. Jamie furnished the living areas with existing carpets and sofas from her previous home, alongside vintage pieces. Notable items include a grandfather clock built by her great-grandfather as an engagement gift and a mahogany drum table inherited from her grandmother. A metal-lined bar in the dining room belonged to an uncle. Seasonal decorations are a significant aspect of their home life; a spring bouquet of tulips, candle holders spelling “Spring,” stuffed bunnies, and bunny-embossed pillows adorned the parlor for Easter, with baskets of colored eggs completing the theme. The Norristown Garden Club decorated the house for Christmas, including it in their annual holiday tour, featuring floral arrangements and pine cone ornaments crafted for two Christmas trees. The Forsyths welcomed local carolers and hosted a family holiday party. For Easter, they organized an egg hunt on their lawn for Sienna and neighborhood children, reflecting the strong community ties that have developed with other young families living in homes built on the former horse farm. The Forsyths acknowledge the continuous work involved in maintaining such a large property but express that the effort is worthwhile. #EnglishCountryManor #HistoricHome #HomeRenovation #InteriorDesign #VintageDecor #FamilyLife #MontgomeryCounty #NorthWales #HomeRestoration

Fairview, a Georgian-style home built in 1773 by Revolutionary War officer Maj. James Moore, has undergone a loving rehabilitation by the MacMillan family over 18 years. Situated near Odessa, the property's surrounding land has transformed from a wheat farm to a suburban area, yet the house itself has remained remarkably constant, even retaining its original front door key. Katie and Col. Douglas Reed MacMillan have dedicated themselves to restoring Fairview, ensuring its preservation for their daughter, Mary, who views it as a home rather than a museum. Reed MacMillan's interest in 18th-century architecture was sparked during a 1988 visit to Williamsburg, Virginia, where he and Katie celebrated their first wedding anniversary. Both had grown up in modern homes, but the symmetry and red brick of Georgian buildings captivated Reed, leading to his goal of owning and living in an 18th-century home. Six years later, Katie discovered Fairview with a 'for sale' sign while stuck in traffic. Although an initial sale fell through, the MacMillans eventually acquired the property, which had been vacant for over five years and required extensive work due to neglect. Despite the initial daunting state, Katie quickly developed an affection for the house. Upon acquiring the property, the MacMillans faced significant challenges. The fields were severely overgrown, and the interior suffered from water damage, including a dilapidated second-floor bathroom. Prioritizing their tasks, they first installed a second-floor laundry room, as the house lacked essential modern amenities. To guide their rehabilitation efforts, they consulted the "Secretary of the Interior’s Guidelines for the Treatment of Historic Properties," focusing on rehabilitation, which allows for repair and replacement of deteriorated historic materials. In the pre-internet era, they relied on books to learn skills such as wiring, plumbing, and plastering, emphasizing the importance of safety precautions for such projects. Over nearly two decades, the MacMillans meticulously restored plaster walls, upgraded plumbing, installed a picket fence, and undertook numerous other tasks. One significant project involved stabilizing the foundation of a two-story addition that had shifted over time. They opted for traditional-feeling furniture rather than period antiques, ensuring the home remained livable and inviting. Despite its past neglect, Fairview retained its grandeur with features like opulent dentil moldings, solid wood and louvered shutters, and many original wavy glass window panes. Historical elements such as a three-seater outhouse and a smokehouse remain on the property. Inside, the massive original lockbox on the front door and 10-foot ceilings with elaborate moldings reflect the prosperity of Maj. James Moore, the original owner. Built-in raised-panel cupboards, originally used for storage, now house electronics and toys. The master bedroom includes a dressing room, and bedrooms feature large closets, uncommon for the period. A small, spare room with a low ceiling, believed to be for a manservant, highlights historical living conditions. The original kitchen, once separate, is now connected to the main house and serves as a casual dining area. The MacMillans faced a dilemma during the kitchen renovation—whether to expand it or maintain its original footprint. They ultimately chose to preserve the house's integrity, installing a kitchen in keeping with its historic style and age. Fairview's status on the National Register of Historic Places protected it from development, leaving 3.5 acres for gardens, a playhouse, and a barn housing horses. The land has yielded numerous artifacts from previous residents, including pottery, bottles, and a stirrup iron. The MacMillans' approach to renovation involved respecting the original architecture, prioritizing practical needs like a laundry room, learning DIY skills, and maintaining a connection to the property's agricultural past by keeping horses. #GeorgianArchitecture #HistoricHomeRehabilitation #18thCenturyHome #OdessaDelaware #HomeRestoration #ArchitecturalPreservation #DIYHomeRenovation #FairviewHome #NationalRegisterOfHistoricPlaces

Maggie Griffin, an interior designer, found her charming 1940s cottage in Gainesville, Georgia, and immediately fell in love with its historic appeal. The house, with its original features, small rooms, and quirky ceilings, perfectly fit her design philosophy of mixing old and new. Maggie's passion for items with history is evident throughout her home, which is filled with inherited pieces like an antique secretary and settee, alongside modern elements such as lucite and parsons tables. Her approach creates a warm and welcoming environment that reflects her personal style. Upon moving into the Gainesville cottage, Maggie and her husband, David, made minimal cosmetic changes. They focused on refreshing the space with new paint, countertops, and a few faucets, maintaining the integrity of the home's original character. The previous homeowner, who shares a friendship with Maggie, had impeccable taste, which facilitated a smooth transition. The cottage's curb appeal, characterized by painted brick, a charming side addition, a gable roof over the front door, and single-pane windows, embodies the quintessential cottage style that Maggie admires. Inside, the original floors and slanted ceilings on the second floor further enhance the cozy, historic atmosphere. Maggie's keeping room, located off the kitchen and breakfast area, serves as the central hub of her home. This multi-purpose space is designed for family gatherings and features a mix of antique market finds and contemporary pieces. The Thibaut wallpaper adds a touch of happiness, and layered rugs provide depth. The breakfast table and server were sourced from Scott’s Antiques, while the chairs are from Serena & Lily. A settee, inherited from her maternal grandmother, has been re-covered in velvet, adding a layer of family history to the room. An acrylic coffee table from Amazon.com offers a practical, easy-to-clean surface, ideal for a home with a young child. The kitchen, though previously remodeled, received Maggie's personal touch. She painted the cabinets and island, incorporating a wooden countertop for warmth and swapping perimeter counters for granite. This blend of finishes and the natural light from a large window over the sink contribute to the kitchen's inviting ambiance. The exterior also received attention, with shutters painted in Benjamin Moore’s “Herbal Escape,” complementing the vibrant spring blooms of her ten bright pink peony bushes, which bring Maggie joy each summer. Outdoor living is a significant part of the Griffins' lifestyle. From April to October, all meals are enjoyed on their back porch, which is furnished with a comfortable sectional for watching football games and a farm table from Scott’s, paired with easy-to-clean metal chairs. This space is designed for entertaining, accommodating both adult dinner parties and neighborhood playdates, and even hosted over 150 guests for a Halloween gathering. The master bedroom showcases Maggie's affinity for blue and white, with the design originating from a remnant bolt of "La Grenade" fabric by Bailey & Griffin, used for the bed skirt. Nightstands, acquired from a friend’s mother, were painted in Benjamin Moore’s “Half Moon Crest.” A custom upholstered headboard, inspired by Bunny Williams, and a bench from Scott’s with a leopard-print cushion from Lewis & Sheron further personalize the space. The bedding combines elements from Pine Cone Hill and Serena & Lily, alongside a custom bolster. An upstairs sitting room features original pine paneling and flooring, creating a charming den for guests. A camelback sofa, inherited from her paternal grandmother, is recovered in navy velvet. A hand-me-down ottoman and bobbin chairs from Pier 1, re-covered in fabric from Scott’s, complete the seating arrangement. The room also includes an IKEA jute rug layered with an antique store find, and a gallery wall displaying a mix of collected art, personal creations, and pieces from artist friends. Her son Henry’s room, located off the breakfast room, features a sophisticated look with Schumacher linen on the headboard and elephant art by Erika Lackey. A dark-blue chest from Scott’s Antique Market, framed alphabet book pages, and discarded turtle shells decorate the space, reflecting a blend of whimsy and personal history. Henry's bathroom includes Schumacher wallpaper, gray-painted trim and vanity, a Target turtle shell, and antique silver canapé dishes with the New Orleans crest. Maggie's background in furnishings and interiors, influenced by her chic grandmothers and mother, led her to a career in design. Her early experiences at Heery’s Too!, a high-end home furnishings gift shop, allowed her to transition from assisting shoppers with small decorative tasks to managing larger design projects, establishing her career as an interior designer who cherishes history and mixes it with modern sensibilities to create unique, inviting homes. #HomeFeatures #InteriorDesign #CottageStyle #AntiqueDecor #HomeDecoration #GainesvilleGeorgia #MaggieGriffinDesign #OldMeetsNew #FamilyHome

This article highlights the interior design and garden renovation of a historic Tudor Revival home in Westhampton, owned by Christine and David Cottrell. The 8,000-square-foot house, built in 1924 and designed by architect William C. Noland, is situated on prime real estate overlooking the 18th green of the Country Club of Virginia. The Cottrells, who are the third owners since 1997, sought to preserve the home's historical integrity while updating its interiors and gardens to suit their lifestyle and entertaining needs. Interior designer Todd Yoggy was tasked with respecting the home's architecture, which features a combination of brick and half-timbering, a slate roof, and massive chimneys. Before the Cottrells moved in, a kitchen renovation was undertaken, removing walls from the old servant's quarters to create a more open space. Artist Philippe Faraut redesigned the kitchen and also created two hand-carved mantels for the living and dining rooms. Yoggy collaborated closely with the Cottrells to design interiors that complemented the historic structure, ensuring that the spaces were livable and reflective of the owners' personalities rather than appearing as museum exhibits. The Cottrells frequently host parties, a factor that influenced the design of the elegant living and dining rooms. The sunroom was transformed into a family room for their teenage daughter, Leah. The home's two-level entry maintains its original sconces, woodwork, beamed ceiling, and a hand-carved newel post. A custom-made rug from Woodward Grosvenor in England, inspired by carpets from the Rockefeller estate Kykuit, extends through the landings and stair runner, harmonizing with the existing colors of the house. The living room is anchored by a custom back-to-back sofa by George Smith furniture and features multiple seating areas. A large 1849 Persian carpet serves as the color inspiration for the room's rich, jewel-tone palette, having been a housewarming gift from the previous owner. The antique Steinway grand piano is a central feature for entertainment. The dining room, with its warm red color scheme, includes claret drapery panels and a custom Regency rug in a medallion pattern with red and plum shades. Custom George Smith, Regency-style chairs upholstered in rich red leather surround an antique table. Christine Cottrell's porcelain and silver collection is displayed in the breakfront, while a late-18th-century Irish cut-crystal chandelier hangs from a ceiling adorned with hand-molded plaster medallions in a Gothic tracery pattern. David's office on the upper level resembles an exclusive men's club, with camel hair walls and drapery, a pony-skin sofa, and Conley leather chairs. Dragon light fixtures from Christie's and an ocelot-print rug add a unique touch, complemented by military photographs, sportscar memorabilia, and images of Steve McQueen reflecting David's interests. The master bedroom continues the traditional aesthetic with Ralph Lauren's "1,000 Roses" wallpaper, featuring 10 shades of blue echoed in the velvet draperies and rugs, tempered by white bedding. The home's exterior also received significant attention. Although Charles Gillette designed the landscape plan in the 1920s, it was only executed after the Cottrells purchased the property. These plans are now the oldest Gillette plans held by the Virginia Historical Society. A salvaged reflecting pool from the Virginia Governor’s Mansion serves as a focal point in the side garden, featuring a bronze sculpture of the Cottrells' daughter by artist Faraut. The original wooden deck at the back of the house was replaced with bluestone terraces atop reclaimed granite blocks with limestone balustrades, providing a more fitting and elegant outdoor entertaining space with views of the 18th fairway and Huguenot Bridge. This project, representing the fourth home Yoggy designed for the Cottrells, emphasizes a long-term approach to design, focusing on custom-made, antique, and original pieces to create timeless interiors that complement the home's architecture. #TudorRevival #HistoricHome #InteriorDesign #GardenRenovation #WesthamptonEstate #ToddYoggy #CustomFurniture #ArchitecturalPreservation

Jay Deputy embarked on a journey to update his late parents' home in Seaford, Delaware, transforming it into a personal retreat while preserving its inherent character. The single-story, red brick Colonial-style house, built in 1968, held significant sentimental value, having been purchased by his parents, John and Lillian, in 1970. Deputy, who describes himself as a lifelong collector of homes and furnishings, ranging from a 13,000-square-foot mansion in St. Paul, Minnesota, to a New York City loft and a centuries-old farmhouse in North Wilmington, viewed the Seaford property as an ideal downstate getaway. He appreciated its "human-scaled" rooms, conducive to intimate gatherings of six to eight people. Upon inheriting the house after his mother's passing in 2009, Deputy's initial focus was on structural stability. This involved addressing termite damage, installing a new heating and air conditioning system, and restoring the front porch columns. He then furnished the porch with rockers and casual seating, allowing for enjoyment of the hydrangeas. Simultaneously, he simplified the yard and garden to better suit a second home, acknowledging it as an ongoing project despite removing several trees. Inside, Deputy concentrated his decorative efforts on the entertaining areas: the formal living room, library, dining room, and sunroom, along with the master and guest bedrooms. Notably, he left the kitchen largely untouched, preserving its original Corian countertops, plank cabinets, and wrought-iron hinges, deeming it "still a very serviceable kitchen." The library, which served as a family room during his childhood, underwent a significant transformation. Deputy removed dark paneling, painting the walls and fireplace a soft celadon green, a color inspired by a floral needlepoint rug inherited from his grandmother. He sourced matching Baker settees, reupholstering them in a claret-and-ivory toile fabric by Brunschwig & Fils, featuring pheasants, hunting dogs, and woodland flora. Accents of black, including a painted tole tray, silk chandelier shades, and a cocktail table, complement the room's color scheme. A 19th-century Empire-inspired mahogany bookcase displays antique volumes and Chinese porcelains, subtly reflecting the room's palette, flanked by 18th-century Chippendale chairs. Deputy's decorating style, while more formal, shares a common appreciation for Chippendale furniture with his mother, who preferred a country aesthetic. He describes the mahogany sideboard in the dining room as an artful reproduction, adorned with vintage Waterford crystal and heirloom decanters holding a collection of rare Scotches. The full restoration of his St. Paul mansion, which took a decade, provided him with valuable hands-on experience in plastering and carpentry. For the Seaford project, he hired out much of the work but personally handled tasks he enjoyed, such as painting, often accompanied by Bach on his iPod. The formal dining room features a bold blue-and-white Brunschwig & Fils wallpaper depicting birds and vines. Chippendale-style dining chairs by Maison Jansen and mid-century reproductions of a dining table and breakfront by Henredon, inherited from his aunt, complete the space. An antique Chinese rug from his grandmother and 18th-century gilt-wood sconces with their original mirrors add historical depth. In the sunroom, Deputy refreshed his mother's whitewashed wicker furniture with black paint and claret-and-cream toile cushions. Unmatched Asian-influenced chandeliers were unified with a glossy crimson enamel, and lemon trees and leafy plants contribute to a tropical atmosphere. The formal living room showcases his grandmother’s camelback sofa, upholstered in its original shimmering gold silk, complemented by cream walls, coral wing chairs, and an Oriental carpet. The room also features a 1740 partner's desk, a mahogany desk with flame finials crafted in Delaware, and 18th-century commodes serving as end tables. A magnificent, thinly cut stone screen from China behind the sofa underscores his passion for collecting. Deputy emphasizes the sentiment behind these items, stating, "Things we find, things that have age, things we collect have a certain weightedness," and cherishes the stories embedded within them. #HomeRenovation #InheritedHome #InteriorDesign #SeafordDelaware #FamilyHeirlooms #ChippendaleStyle #HistoricHomes #HomeDecor #PersonalizedSpace