Pod City: Abbi Jacobson Talks to Us About Her Art Podcast A Piece of Work and—Who Knew?!—Love of Interior Design

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Alicia Vikander, the breakout star of 2015 and Oscar winner, discusses her recent projects, personal life, and unexpected passion for interior design. Having achieved significant success with an Oscar for Best Supporting Actress in 'The Danish Girl' and joining major franchises like 'Jason Bourne,' Vikander is also venturing into production with her company, Vikarious. Her latest film, 'The Light Between Oceans,' explores themes of loss, adoption, and the impact of difficult decisions on relationships, particularly the emotional toll of miscarriage. She shares insights into the film's intense emotional landscape and how it reflects societal taboos around infertility. Despite her demanding career, which often keeps her away from home, Vikander has cultivated a deep appreciation for having a personal space. She moved to London years ago, initially finding it challenging to settle in such a large and expensive city, but has since found a sense of belonging in north London. Her personal journey of moving between places and not having a stable home for extended periods fueled her desire to create a sanctuary. This desire manifests in her dedication to interior design; she is currently renovating her home, handling much of the design herself after previously redoing a small one-bedroom flat. Her aesthetic preferences blend British countryside charm with mid-century Scandinavian styles, incorporating antiques from the 1930s to the 1960s. Vikander also touches upon her emotional openness, noting that while she might be pragmatic in tough situations, she is easily moved by kindness and beauty, often tearing up during shows like 'The Great British Bake Off.' She discusses the importance of addressing taboo subjects such as infertility, drawing on her own experience as an IVF baby and highlighting the shame many feel when unable to conceive. She emphasizes the need for open conversations and support for those going through similar struggles. Professionally, Vikander reflects on her collaboration with Michael Fassbender, noting his bravery and willingness to take risks in acting as an inspiration. She also discusses her production company, Vikarious, and her commitment to creating opportunities for women in the film industry, lamenting the scarcity of scenes with other female actors in her previous work. Looking ahead, she expresses excitement for an upcoming trip to Japan and her continued passion for travel, which she enjoys planning meticulously. Her love for interior design is so profound that she considers it a potential alternative career path, with plans to join her mother on an antique course. Vikander’s multifaceted life reveals a driven actress, a compassionate individual, and a burgeoning designer with a keen eye for creating meaningful spaces. #AliciaVikander #CelebrityInterview #FilmIndustry #InteriorDesign #HomeRenovation #InfertilityAwareness #LondonLife #SwedishActress #TheLightBetweenOceans

Interior Design magazine hosted its first ArtbyDesign talk at its new office in PENN1, Manhattan, featuring artist Rebecca Moses and editor-in-chief Cindy Allen. The event, held in collaboration with Garden on the Wall, aimed to provide a platform for emerging designers to network and gain insights from established creatives. Cindy Allen introduced Rebecca Moses, highlighting her significant impact on people's lives through her work. Moses began the discussion by recounting her early ambition to become a fashion designer, which she pursued by graduating from FIT and subsequently working with Pierre Cardin. She emphasized the importance of embracing risks, illustrating this by sharing her experience of moving from New York to Paris to launch her own collection. Moses advocated for confronting fear, asserting that failure can lead to discovery and fuel career progression. Her career path led her to Italy, where she continued to evolve professionally and personally. Moses discussed her fascination with the manufacturing process, stressing that understanding how things are made fuels creative energy. This principle became particularly significant during challenging periods in her life. Following the death of her husband, Giacomo Festa Bianchet, Moses transitioned from fashion design to art, creating illustrations for various magazines. The onset of the COVID-19 pandemic prompted another significant shift in her work. She engaged with communities through social media, offering portrait drawings in exchange for personal insights into people's lives at home. This initiative culminated in “The Stay Home Sisters,” a project dedicated to honoring the contributions of women who worked as nurses during the pandemic. The talk also served as an opportunity for Moses to offer guidance to the young designers in attendance. She encouraged them to tap into their innate creativity and personal resources, advising them to utilize their "mystery inside." The event underscored the value of adaptability, resilience, and continuous creative exploration in the design industry. It provided a platform for networking and inspiration, fostering a sense of community among designers, and offering practical advice on navigating career transitions and challenges. The inaugural ArtbyDesign talk set a precedent for future events aimed at supporting and guiding the next generation of design professionals. #ArtbyDesign #RebeccaMoses #CindyAllen #InteriorDesign #PENN1 #FashionDesign #ArtisticJourney #CreativeProcess #DesignTalk

The article introduces Cat Earp, an interior designer who, after completing the shepherd huts she rents on her Dorset farm, has launched her own design studio. In addition to expanding her homeware range, Earp has also undertaken the extensive design of her family's 16th-century thatched farmhouse. Earp's background in fashion PR for brands like Gucci, Prada, and Mulberry cultivated her creative passion, which she has now fully channeled into interior design. Her initial foray into interiors began with the shepherd huts at Aller Dorset, a project that, by necessity, pushed her to develop her design confidence. Each hut is uniquely designed, often starting with a specific color or a favored fabric in the kitchen, and building the rest of the scheme from there. The positive reception to Aller Dorset and her design work motivated her to start selling her designs and launch The Aller Studio, offering interior design services for projects of all sizes. Earp draws inspiration from fabrics and pieces she loves, alongside the work of interior designers such as Elizabeth Hay, Lucy Barlow, Laura Stephens, Beata Heuman, Emma Ainsborough, Sarah Southwell, and Sean Symington. Her preferred brands for homeware include Alice Palmer, Bettina Ceramica, Matilda Goad, Beauvamp, Hum London, and Hastshlip. A cherished item in her own home is a bespoke plate from Harlie Brown, displayed prominently in her kitchen. She also highlights a new wavy footstool from Isabelle Baldwin as a perfect addition. For local shopping, Earp recommends Aitta in Sherborne and the curiosity store in Dorchester, while online she favors Glassette for its curated selection of independent homeware brands. She recently discovered Birdie Fortescue for its well-priced lamps and lampshades. The renovation of her own 16th-century thatched farmhouse was a significant undertaking, involving changes to the layout, a new kitchen, and new bathrooms. Due to its listed building status, Earp collaborated closely with an architect to navigate planning permissions and structural considerations, ensuring the preservation of original elements while modernizing the space. Her design process involved creating mood boards, collecting fabric and paint samples, and setting up scheme areas in her sitting room to ensure a cohesive flow throughout the house. A strong advocate for bold colors, Earp believes they never disappoint and emphasizes attention to detail in finishes. Key areas of her renovated home include the hallway, which features Farrow & Ball paint, Beata Heuman pendants, Bettina Ceramica wall lights, and a scalloped built-in bench. The kitchen, a major part of the renovation, involved extending the space to include a utility room, pantry, and dog's room. Designed by The Dorset Kitchen Company, it showcases a blue unit color, Farrow & Ball paint, Beata Heuman and Beauvamp pendants, Otto Tiles, and furniture from Birdie Fortescue and Isabelle Baldwin. The cloakroom boasts Soane wallpaper, The English Panelling Company wall paneling, Mandarin Stone floor tiles, a Soho Home vanity unit, Alice Palmer lampshades, Pooky wall lights, and an Alice Palmer mirror. The pantry, a personal favorite, features Ottoline wallpaper and Mandarin Stone flooring, while the utility room continues the blue theme with Farrow & Ball paint and units from The Dorset Kitchen Company. The main bedroom is designed for timeless tranquility, featuring Soane's scrolling fern fabric for blinds and curtains, Farrow & Ball paint, Vaughan lamps, and furniture from Clockhouse Furniture and The Trove. The en-suite bathroom incorporates checked Mandarin Stone flooring, Otto Tiles zellige tiles, The English Panelling Company paneling, Farrow & Ball paint, Etsy mirrors, Soho Home vanity units, Alice Palmer lampshades, and Pooky wall lights. Her daughter's bedroom is inspired by Schumacher's tiger-palm print wallpaper, complemented by Lewis & Wood linen and a ric-rac trim. Her son's bedroom uses English Panelling Company panelling and Farrow & Ball paint, with cushions from Schumacher and a headboard from The Aller Studio. The son's bathroom features playful wallpaper, a Holly Oak House vanity, and a Hastshlip rattan mirror. Finally, the guest bedroom utilizes Ottoline's little wild tulip print fabric, a headboard and cushions from The Aller Studio, and lampshades from Hum London. The guest bathroom features Alice Palmer striped wallpaper, checked floor tiles, and an Alice Palmer bin. #InteriorDesign #HomeRenovation #AllerDorset #CatEarp #TheAllerStudio #DorsetFarmhouse #DesignInspiration #LuxuryInteriors #ShepherdHuts

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

Jessica Warren, founder of JP Warren Interiors, shares insights into her design philosophy and creative process. Her journey into interior design began in the fall of 2011, driven by a longstanding passion for modern furniture and a penchant for collecting unique pieces from thrift stores. Before establishing her business, Warren amassed a collection of furniture, lighting, and objects, with an initial intention to open an antique store or interior design studio after her daughter left for college. Her personal renovation of a Clinton Hill residence, which garnered significant media attention, further solidified her reputation and provided a practical "classroom" for her design education. This project allowed her to develop a distinctive aesthetic and approach, preparing her for her first professional commission: a 10,000-square-foot new construction project. She views design as a continuous evolution, influenced by curiosity and a constant refinement of personal tastes, echoing Norma Kamali's perspective on taste development. Warren emphasizes a client-centric yet artful approach to interior design. She aims to create spaces that are personal, interesting, and rooted in art, rather than being overly "designery" or pretentious. A key aspect of her work involves educating clients on the relationship between art and interior design, often exposing them to art as the fundamental basis for her design work. She integrates artful forms into all interiors, whether through actual artworks or sculptural elements like lamps, chandeliers, and chairs. This process involves refining taste to identify recurring colors, shapes, and patterns that form a consistent motif. Warren also advocates for creating tension in spaces by juxtaposing opposing elements—soft against hard, organic against geometric, dark against light—to highlight the inherent beauty of each component. Her team develops a clear aesthetic map by assigning characteristics to furniture and materials, such as "organic shape" or specific material types like stone or metal, before sourcing begins. Storytelling is integral to Warren's design philosophy. An interior should narrate a story that begins with the architecture and is enriched by furnishings, art, and objects. These additions should be historically aware, personal, and layered, reflecting an ongoing evolution rather than a static "time capsule." She prefers the term "collected" over "eclectic" to describe spaces that possess a timeless quality, appearing as if pieces were gathered over time from family, travels, and various purchases, creating an authentic and evolving environment. She deliberately avoids using iconic pieces extensively, instead seeking unique, less identifiable items to ensure the space feels personal rather than branded or contrived. For each project, Warren dedicates time to experience each room through different light cycles to understand its natural use and potential. She sometimes draws color palettes directly from the room itself, or from a client's cherished painting or object, using tools like "Color Explorer" to translate emotional responses into a cohesive design scheme. In her own home, a significant decision was to preserve the original architectural envelope while updating elements like the parlor floors, eliminating amber tones in the oak to achieve an elegant palette, and staining dining room woodwork black. Regarding Brooklyn row houses, Warren acknowledges their inherent strengths as substantial, solid structures, alongside challenges such as narrow layouts and limited natural light. She advises designing to enhance the natural light available rather than striving for an impossible "white room" in naturally darker spaces, suggesting instead to create "beautiful rooms." For narrow spaces, scale of furniture is crucial. She recommends respecting the original intention of furniture placement while also being open to re-purposing rooms to better suit modern lifestyles. Her approach balances preservation with contemporary functionality, ensuring that homes remain dynamic and reflective of their inhabitants' lives. #InteriorDesign #HomeRenovation #DesignPhilosophy #BrooklynDesign #ClintonHill #ModernFurniture #ArchitecturalPreservation #SpacePlanning

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

Dublin Design Week, an inaugural event, is set to highlight the contributions of Irish architects and interior designers to both national and international design. The event aims to showcase the significant global influence of Irish designers. One notable figure participating in this event is Maria MacVeigh, an architect and interior designer. After gaining experience in Spain and Chile, MacVeigh established MMV Design in Dublin in 2004. Her design philosophy emphasizes a rigorous process, detailed construction, and the careful selection of materials and finishes, which is reflected in her sophisticated and award-winning interiors. She has a history of collaboration with experienced professionals in the building industry, contributing to her extensive knowledge in the field. Among her distinguished projects is the interior design of Chapter One, a renowned restaurant in Dublin. For this project, MacVeigh meticulously handled every detail, from the specific green-bronze paint on the walls to the various natural stones utilized throughout the space. Chapter One is designed to offer an intimate dining experience, featuring a main area with several nooks, including a secluded demi-salle. A chef’s table is also part of the design, where diners can observe the culinary process from a semi-circular banquette. A central, sculptural marble-topped piece with an integrated induction hob serves as a focal point in the dining room, housing the Gaggenau Experience, which allows guests to witness fine dining preparations up close. The kitchen itself is a display of aesthetic design, featuring stainless steel, deep brown walls, a basalt table, oxblood floor, and green marble worktops. Chapter One undergoes an annual refresh, during which MacVeigh's focus extends to transforming areas like the cloakrooms. Maria MacVeigh's design approach is characterized by a commitment to timelessness, understated elegance, and personalization, moving away from transient trends. This philosophy was evident in a renovated 1950s home project, where she collaborated with her sister. The design aimed to encapsulate the essence of their family home, with a plan that maximized natural light. The project drew inspiration from mid-century modern aesthetics, not only as a homage to their upbringing but also to complement the architectural character of the surrounding neighborhood. Another significant undertaking involved the restoration of a Victorian redbrick property. This project presented the dual challenge of historical preservation and the integration of a contemporary extension and a new kitchen. For this, MacVeigh partnered with Eoin Lyons of LyonsKelly. Lyons, whose expertise lies in finishes, complemented MacVeigh's strengths in architecture, interiors, and fine detailing. Maria MacVeigh is scheduled to participate in a Design Talk at Anantara The Marker Dublin on Thursday, May 22, from 12 pm to 1:30 pm. During this event, she will engage in a conversation with architect and broadcaster Amanda Bone, where she will discuss how her dual professional background provides her with a distinctive perspective on design. Tickets for this event are priced at €35, with a reduced rate of €20 for students. #MariaMacVeigh #InteriorDesign #Architecture #DublinDesignWeek #ChapterOneRestaurant #HomeRenovation #VictorianRedbrick #DesignPhilosophy #AmandaBone

Adriana Jacir, founder of 2112 Design Studio, details her journey as an architectural interior designer, emphasizing the motivations behind starting her own business and the challenges she overcame. Her decision to launch her own venture was driven by a desire for flexibility as a parent of two young children without local family support, and a dissatisfaction with the traditional architectural firm environment in the U.S. Having emigrated from another country, she found the architectural landscape in the U.S. significantly different, necessitating a new perspective and learning curve. Her path to entrepreneurship was marked by significant personal and professional hurdles. As an immigrant, the process of obtaining U.S. citizenship was demanding and required considerable resilience. She pursued her Master’s Degree in Advanced Architectural Design at Columbia University in New York City, a long-held dream. However, her husband’s career and immigration status led them to relocate to Detroit, a city where she faced cultural differences and her first experiences with discrimination as a highly educated professional not born in the U.S. Despite these difficulties, she gained valuable experience in an architectural office. A subsequent visa requirement necessitated a move to an underserved area of the U.S. for three years, leading them to Yakima, Washington. Unlike Detroit, Yakima offered a more welcoming environment for foreigners. There, she briefly worked for an architectural firm but quickly recognized the need for greater flexibility, both as a mother and as a designer committed to creating functional, well-designed homes. This led her to co-found her first Design + Build firm in Yakima with a like-minded colleague. They obtained a General Contractor license, assembled a team, and successfully designed and remodeled homes, gaining hands-on experience in managing construction projects. After six years in Washington, her husband’s job offer prompted another move to Miami, where she again started afresh. In Florida, she established 2112 Design Studio, an interior design firm specializing in residential design. The studio focuses on creating thoughtful, functional, and aesthetically pleasing living spaces by seamlessly blending architectural principles with interior design. Jacir emphasizes that her unique approach involves considering flow, function, and structure from an architectural perspective, while also integrating the detailed elements that make a house a home. Adriana Jacir attributes her success to resilience, adaptability, and the cultivation of strong relationships. She aims for her story to inspire others, demonstrating that passion and perseverance can unlock significant opportunities even when faced with uncertainty. She credits her husband, Dr. Alberto Jacir, for his unwavering support and belief in her vision, which enabled her to pursue entrepreneurship while managing family life. Her mentor, Cheryl Clendenon, also played a crucial role in shaping her business and design approach. Above all, her children serve as her primary motivation, pushing her to be a better mother and inspiring her to build a meaningful legacy through hard work and passion. #ArchitecturalDesign #InteriorDesign #Entrepreneurship #ImmigrantJourney #BusinessOwner #ResidentialDesign #Miami #DesignStudio #CareerDevelopment

This article highlights an extensive collection of over 70 coffee table books, carefully curated for design enthusiasts and a broad range of readers. These books offer a blend of visual appeal, engaging content, and informative insights into various aspects of design, travel, architecture, and lifestyle. The selection aims to cater to diverse tastes, from minimalists to maximalists, and includes options for fashionistas and globe-trotters alike. The featured books cover a wide spectrum of themes and styles. For instance, 'John Pawson: Making Life Simpler' delves into the work of a celebrated minimalist architect, showcasing his projects for prominent clients and personal anecdotes. 'The Color of Roses: A Curated Spectrum of 300 Blooms' presents a visual feast of rose varieties, drawing from a legendary nursery. Travel-inspired volumes like 'Secret Houses: Living in Menorca' and 'Haute Bohemians: Greece' transport readers to picturesque destinations, offering glimpses into exquisite homes and idyllic settings. The collection also includes books that celebrate influential figures in design and architecture. 'Gaetano Pesce: The Complete Incoherence' explores the vibrant career of the Italian architect and designer, highlighting his innovative and unconventional creations. 'Jed Johnson: Opulent Restraint Interiors' revisits the significant interior design projects of the acclaimed decorator, including his work for Andy Warhol. Similarly, 'Suzanne Rheinstein: A Welcoming Elegance' commemorates the legacy of the late decorator, providing a tour of her Montecito home and other memorable projects. Practical design advice is offered in titles such as 'Uncommon Kitchens: A Revolutionary Approach to the Most Popular Room in the House,' which provides guidance on renovating and updating kitchens with insights from industry experts. 'Creative Interior Solutions' by ELLE DECOR A-List Titan Vicente Wolfe serves as a handbook for addressing common design challenges with elegant solutions. 'Think Like a Decorator' offers tips for creating comfortable, original, and stylish homes, featuring interviews with leading designers. Beyond specific design disciplines, some books explore broader cultural and artistic themes. 'Brand Joie: A Parisian’s Guide to Celebrating the Good Life' shares insights into French living and entertaining. 'The New Antiquarians: At Home with Young Collectors' showcases the homes of a new generation of design champions and collectors. 'Lodge: An Indoorsy Tour of America’s National Parks' highlights the architecture and design of historic national park lodges across the U.S. 'Alchemy: The Material World of David Adjaye' examines the material palettes used by one of the defining architects of our time. Additional titles include 'Casa Santa Fe: Design, Style, Arts, and Tradition,' which explores the vernacular architecture and craft traditions of the region, emphasizing Native American and Hispanic influences. 'The World at Your Table: Inspiring Tabletop Designs' offers creative ideas for tablescapes inspired by global travel. 'Ateliers of Europe: An Atlas of Decorative Arts Workshops' opens the doors to renowned European ateliers, showcasing their craftsmanship. Finally, 'An Entertaining Life: Designing Town and Country' shares wisdom on elegant living and entertaining from Paolo Moschino and Philip Vergeylen, while 'Language of Home: The Interiors of Foley & Cox' displays serene interiors, often leaning into neutral aesthetics. The comprehensive list aims to provide diverse options for enhancing any coffee table with aesthetically pleasing and intellectually stimulating content. #CoffeeTableBooks #InteriorDesign #HomeDecor #Architecture #Lifestyle #DesignInspiration #TravelDesign #BookRecommendations #ArtBooks

This article features an interview with Tobi Tobin, a Los Angeles-based interior designer known for her work gracing the pages of prominent magazines such as *Architectural Digest* and *House Beautiful*. Tobin owns an eponymous store on Sunset Boulevard, which reflects her signature aesthetic characterized by a blend of black, white, and wood tones. The store offers a diverse range of items, including furniture from her collection, candles, chocolates, vintage jewelry, and dresses. The interview delves into various aspects of Tobin's daily life, personal philosophies, and professional insights. She begins by describing her morning routine, which typically involves being woken by her 110-pound Swiss Mountain Dog, Theo, at 6 AM. Her mornings include feeding Theo, preparing fresh orange juice, and making a fruit smoothie, followed by returning to bed to check emails and read. Her nighttime routine involves showering, gathering magazines, her computer, and a sketchbook, often working for several hours in bed before sleep. Tobin shares her thoughts on various topics, including her perception of a "well-dressed man" as someone confident and her advice for women to always move forward, leaving the past behind. For men, she suggests seizing opportunities to meet special people by confidently introducing themselves with a phrase like, "Hello, aren't you fabulous!" She recounts the *Los Angeles Times* dubbing her the "Rock n' Roll Martha Stewart," a label she acknowledges while clarifying that she is simply Tobi Tobin. If she weren't pursuing her current career, Tobin believes she would "go crazy." She envisions her legacy as building a significant architectural church in a town currently lacking one. A core philosophy she emphasizes is never abandoning a great idea but continuously pushing it forward. When asked about Botox, she expresses a preference for natural beauty, stating that women are amazing, beautiful, and sexy at every age, and believes Botox can actually age a person by altering their "soul." She describes her mother as "fabulous" and finds it impossible to select a single soundtrack for her life. Looking to the future, Tobin plans for the global expansion of her brand, with upcoming ventures into fragrance, candles, body care, and chocolate. She defines happiness as her faith and asserts that there is always a time and place for cocktails. Tobin also expresses concern about the prevalence of negative and exploitative news, advocating for a greater focus on solutions and the people, places, and organizations making a positive difference. In her concluding remarks, Tobin reflects on a life filled with amazing friends and family, extensive travel, love for her pets, abundant laughter, occasional tears, and an unwavering refusal to accept "no" for an answer. She cherishes the great loves of her life, holding them perpetually in her heart. The article is accompanied by photos, including a portrait by Michelle Peerali, all provided with permission from Tobi Tobin. #InteriorDesign #TobiTobin #HomeDecor #DesignerInterview #LosAngelesDesigner #LuxuryLiving #ArchitecturalDigest #HouseBeautiful

British artist Sophie Smallhorn, whose work explores the relationships between color, volume, and proportion, grew up immersed in a creative environment. Her parents were industrial and textile designers, and her Montessori education, with its use of brightly colored, precisely shaped wooden objects, fostered an early understanding of color, form, and dimension. This upbringing shaped her artistic approach, which is characterized by sophisticated geometric solids and a focus on color dynamics. Initially, Smallhorn pursued a degree in Wood, Metal, Ceramics, and Plastics at the University of Brighton, where she crafted sculptural furniture pieces that, despite their limited functionality, were primarily driven by color. She began creating assemblages from leftover materials for personal enjoyment, eventually selling them informally. Her acceptance of her work as fine art came only after a gallery explicitly presented it as sculpture, reflecting her background in design and making. Early career milestones included significant commissions from the avant-garde fashion brand Comme des Garçons, which provided opportunities for large-scale installations at its Tokyo flagship. These projects broadened her scope, leading to collaborations such as developing a 56-color palette for the London 2012 Olympic Stadium with Populous Architects, where exterior canvas banners in various hues marked spectator entrances. More recently, Smallhorn has ventured into textile design with Designtex, creating an upholstery pattern named Ribbon. This marks her first formal foray into textiles, a field her mother worked in, and one Smallhorn initially resisted due to her discomfort with digital design processes and the overwhelming possibilities of digital printing. However, a clear vision from Designtex's executive design director, Sara Balderi, during their renewed collaboration post-COVID, made the digital process manageable and even a revelation. The inspiration for the Ribbon motif originated from an enameled snuff box with an undulating ribbon, which Smallhorn encountered at the Victoria and Albert Museum. She developed the idea by physically manipulating collage and colored acetates, twisting and folding them, before translating these physical experiments into a digital layout for pattern repeat, palette, and scale. The initial design, which started smaller, evolved into a bold, graphic, and dynamic pattern with a theatrical quality, largely influenced by Designtex. The ribbon on the fabric is not solid but composed of parallel lines, a deliberate choice by Smallhorn to achieve an effect similar to screen printing, where overlapping transparent colors create a third hue, adding a playful and energizing graphic element. A solid version of this pattern, called Flat Ribbon, is available as a customizable wallcovering through Designtex’s Digital Studio website. Smallhorn notes a significant crossover between her two-dimensional prints and her three-dimensional sculptures and installations, as both involve compositions of hard-edged formal shapes. Screen printing serves as a rapid and playful method for developing ideas, allowing for serendipitous color scenarios that often inform her sculptural pieces. While her three-dimensional work does not allow for layering transparent colors, the print table mimics sketching, providing inspiration for new color combinations. She uses the same acrylic paint for both prints and assemblages, viewing the latter as vehicles for exploring and holding a palette. Smallhorn emphasizes the intuitive nature of her color decisions, often repainting pieces multiple times to achieve a desired equilibrium among what she describes as 'easy' and 'less easy' or 'awkward' and 'less awkward' colors, without relying on a predefined system. Her collaborations with brands like Comme des Garçons and COS exemplify her ability to bridge fine art and commercial design. For COS, she created window displays for five global stores, featuring large, overgrown stacks of shapes designed to complement product displays. This dual engagement with both artistic and commercial realms is a comfortable space for Smallhorn, who appreciates working with brands that share a similar sensibility toward color and design. Her career demonstrates a consistent exploration of color, form, and proportion across various mediums, continually seeking synergistic relationships in her chromatic work. #SophieSmallhorn #ArtistInterview #ColorDesign #Sculpture #TextileDesign #InteriorArt #DesigntexCollaboration #GeometricForms #CreativeProcess

Jane Hall, an architect, author, and curator known for her work in expanding the understanding of design and its societal impact, discusses her new book, "Making Space: Interior Design by Women." Hall is a founding member of Assemble, a London-based collective that received the Turner Prize for its community-focused architectural work. Her academic background includes studies at King's College, Cambridge, the Royal College of Art, and a PhD focusing on modernist architects. In 2013, she was the first recipient of the British Council's Lina Bo Bardi Fellowship. Her publications consistently aim to re-evaluate the role of women in the creative arts. Her 2019 book, "Breaking Ground: Architecture by Women," provided a comprehensive, visually rich overview of hundreds of buildings by women architects, seeking to integrate their contributions into architectural history. Following this, "Woman Made: Great Women Designers" (2021) cataloged over 200 female practitioners across various design fields, including furniture, products, and graphics, reframing design history as a interconnected global narrative rather than a limited canon. Her latest work, "Making Space: Interior Design by Women," focuses specifically on interior design, exploring its evolution through the careers of 250 female designers from the early 20th century to the present. Hall highlights how interior design, despite often being seen as a "feminized" profession, has historically provided a significant arena for women's design influence. She notes that unlike architecture, interior design was less institutionalized and theorized, allowing women an earlier and more artistic role in shaping spaces, particularly domestic ones. Hall emphasizes that while the term "interior designer" is a modern professional title, many women in her book, especially from earlier periods, engaged in what could now be considered interior design without formally identifying as such. She points out the client-centric nature of interior design, contrasting it with product design for mass production. Interior designers, she explains, act more like artists, translating client visions into unique aesthetic statements, thereby influencing broader design trends. She identifies the Second World War as a turning point, noting that before the war, many women in the profession came from affluent backgrounds, enabling them to realize ambitious and extravagant projects. An example is Dorothy Draper's design for the Greenbrier Hotel, characterized by bold colors and patterns, which pushed conventional boundaries of taste. Hall observes a surprising lack of Bauhaus or Modernist interior designers among women, as interior design often operated outside academic and theoretical frameworks, providing an avenue for women to express avant-garde ideas. In the post-war period, designers like Florence Knoll gained prominence, alongside figures like Barbara D’Arcy of Bloomingdale's, who made design accessible to a wider audience by showcasing how to integrate products into home interiors. Hall also cites Eva Jiricna, who introduced high-tech aesthetics and glass staircases into retail environments, influencing contemporary spaces like Apple Stores. Other influential designers include Marion Hall Best, known for her vibrant 1960s color-blocking, demonstrating how individual creativity initiated broader trends in interior environments. Contemporary interior design, while more specialized, still requires significant artistry. Hall notes that while the industry has expanded and designers are highly skilled, the proliferation of platforms like Instagram can sometimes flatten the perceived complexity and excitement of their work. However, modern designers, including those like Alex Dorley, Sophie Ashby, Pamela Shamshiri, Jialun Xiong, Maye Ruiz, and Tekla Evelina Severin, continue to create innovative and influential interiors, often extending their practice to include their own furniture, paint, and fabric lines. Many younger designers, not from traditional wealthy backgrounds, find opportunities in commercial spaces, pushing creative boundaries to stand out in a visually driven world. #InteriorDesign #WomenInDesign #Architecture #DesignHistory #FeministArchitecture #DomesticSpaces #CreativeArts #PhaidonBooks

This article highlights 35 notable coffee table books released in 2024, focusing on design, architecture, and gardening, offering a curated selection for enriching one's home library. The compilation aims to simplify the process of choosing from the numerous new releases, catering to diverse interests within the design world. The featured books cover a spectrum of topics, from landscapes and gardens to architectural marvels and interior design philosophies. For enthusiasts of landscape architecture and horticulture, the article recommends monographs by Walter Hood, Thomas Woltz, and Ed Hollander. These books delve into the designers' innovative approaches to gardens, parks, and historical landscapes, while also exploring the future trends in their respective fields. Travelers and those with an appreciation for global aesthetics will find selections from Timothy Corrigan and Veere Grenney particularly appealing. These authors provide intimate glimpses into their own residences across various international locations, sharing the inspirations and beauty embedded in their personal spaces. Renowned architects such as Gil Schafer, Peter Marino, and Shigeru Ban are also featured, with books showcasing their influential and critically acclaimed works. These publications offer insights into their design processes and the impact of their creations on the built environment. Additionally, several ELLE DECOR A-List designers, including Mark D. Sikes, Alyssa Kapito, Oliver Furth, Nicole Hollis, and Michael S. Smith, have contributed new books. These works invite readers into the designers' aesthetic realms, presenting their distinctive styles and design philosophies through various projects. The article provides brief descriptions for each of the 35 books, often including direct quotes from the authors that encapsulate their core design principles or personal motivations. For instance, Gil Schafer's "Home at Last" emphasizes that a house should primarily serve its inhabitants, not just its architect. "Designed for Life" by Kelsey Keith and Phaidon presents a comprehensive overview of 100 influential product designers, offering a contemporary perspective on the state of design. Bunny Williams's "Life in the Garden" is highlighted for its personal narrative and stunning photography, detailing her four decades of garden design at her Connecticut property. Ben Pentreath’s "An English Vision" brings his traditional aesthetic to life through his own photographs, stressing the importance of combining established design principles with personal inspiration. Architectural history is represented by "Rosario Candela & the New York Apartment," which explores Candela's significant influence on the New York City skyline in the 1920s, featuring floor plans and interiors of famous residents. "Crafted Kinship" by Malene Barnett celebrates the art and design of the Black Caribbean diaspora, introducing 60 artists and their studios. Michael S. Smith's "Classic by Design" showcases his elegant approach through projects like George Lucas's château. Mieke ten Have's "Interiors: Styled" offers her guidelines for styling rooms, emphasizing storytelling through arrangement. "Cuban Mid-Century Design" reveals previously unexhibited works from post-revolutionary Cuban artists, designers, and architects, providing a unique cultural narrative. Ashe Leandro's "Architecture + Interiors" documents the strong client relationships that define their work. "Blenheim: 300 Years of Life in a Palace" offers a historical tour of the Churchill family's ancestral home. Jean Lin’s "What We Keep" explores personal connections to objects, while Peter Marino’s "Ten Modern Houses" focuses on his residential projects. "The African Decor Edit" by Nasozi Kakembo delves into African design traditions, advocating for ethical sourcing and aesthetic appreciation. Alyssa Kapito’s "Interiors" highlights her calming and sophisticated design approach. Mark D. Sikes’s "Beautiful" series showcases his all-American decorating style across different seasonal projects. Finally, "Op! Optimistic Interiors" by Oliver M. Furth presents eclectic interiors and a focus on collecting, and "Veere Grenney: Seeking Beauty" offers an intimate look into his three homes. "Inside the Homes of Artists" by Tiqui Atenico Demirdjian provides a glimpse into the diverse and creative living spaces of renowned artists. Each entry includes details such as the author, publishing house, and, where applicable, notable features or unique contributions to the design discourse. The collection as a whole offers a broad and engaging look into contemporary and historical design practices, making it a valuable resource for anyone interested in enhancing their understanding of interior design, architecture, and landscape artistry. #CoffeeTableBooks #InteriorDesign #Architecture #LandscapeDesign #HomeDecor #DesignTrends #ArtBooks #FallReading #Designers