Design Talk With Architect And Interior Designer Maria MacVeigh

Architect and interior designer Maria MacVeigh delivered a Design Talk during Design Week Dublin, providing insights into her professional journey and design philosophy. Facilitated by architect Amanda Bone, the session began with MacVeigh recounting her upbringing in a creatively stimulating household. Her father, an architect from Belfast, and her Spanish mother, a dressmaker, instilled in her an early appreciation for creativity, design, and making. MacVeigh vividly recalled the floor plan of her childhood home and annual family trips across Europe focused on architectural and art tours, fostering her belief that building interiors offered a "world of possibilities." After completing her interior design education, MacVeigh gained extensive international experience working in London, Barcelona, and Chile. She established MMV Design in Dublin in 2004, leveraging her diverse background in both architectural and interior design. Subsequently, she became a registered architect. She highlighted Barcelona's profound influence on her work, noting the city's strong design culture where even young clients demonstrated a keen appreciation for design, materiality, finishes, and form. Her time working for Ricardo Bofil's practice and living in one of his designed apartments in Barcelona solidified the impact of Mediterranean style on her aesthetic. MacVeigh's approach integrates her deep understanding of construction, manufacturing, and landscape, which is reflected in her award-winning projects. She explained how her dual professions as an architect and interior designer complement each other, informing her methodology for reconfiguring layouts, optimizing spatial sequences, and meticulously detailing finishes, furniture, and lighting. A central tenet of her design philosophy is the creation of connectivity and continuity between various spaces within her projects. Her presentation showcased the serene and refined quality of her interiors, achieved through a rigorous design process, precise construction detailing, and thoughtfully selected materials and finishes. She presented a range of projects, including her work on the Michelin-starred Chapter One restaurant and her sister's residence, which incorporates elements referencing their shared childhood memories. MacVeigh emphasized the collaborative nature of her work, frequently crediting skilled craftspeople such as David Coyne for joinery and Bernard Hickie for landscaping. She summarized her design philosophy as ensuring that "Everything has to make sense." Design Week Dublin, partnered with Range Rover, served as the platform for this insightful discussion. The article also included a gallery of attendees, photographed by Conor Healy of Picture It Pix. #DesignWeekDublin #MariaMacVeigh #InteriorDesign #Architecture #DublinDesign #DesignPhilosophy #MMVDesign #ResidentialDesign

Patricia McGinnis, a Belfast-based interior design consultant and co-founder of Maven, an interior and lifestyle boutique, provides five essential tips for making considered design decisions in home décor. Her advice aims to help individuals create spaces they will appreciate for years, avoiding reliance on fleeting trends. McGinnis emphasizes that the most engaging rooms feature a blend of elements that offer continuous visual interest through variations in shape, color, and texture. She encourages experimentation and playfulness in design, suggesting that vintage and contemporary pieces can coexist harmoniously to create a rich and layered aesthetic. An example from her own home illustrates this principle, featuring a mid-century dining table on an antique rug, surrounded by contemporary Scandinavian chairs and lit by a Japanese-inspired pendant lamp, demonstrating how diverse styles can be integrated effectively. A key recommendation from McGinnis is to avoid compromising on personal preferences, especially when it comes to color choices. She advises individuals to trust their instincts and choose colors they genuinely love, asserting that future regret is more likely to stem from not following one's heart than from bold color decisions. She also cautions against allowing tradespeople to dissuade homeowners from their chosen designs, sharing anecdotes of painters initially resistant to certain colors who ultimately grew to admire them. Furthermore, McGinnis stresses the importance of investing in quality pieces, particularly for items such as sofas, dining chairs, and tables, which are used frequently. She suggests saving for desired items rather than settling for less, as quality furniture is more durable and can become cherished heirlooms, a philosophy central to Maven's curated collection. McGinnis strongly advises against being overly influenced by social media trends. She warns that homes designed strictly according to current trends can quickly become dated and feel inauthentic or impersonal. While acknowledging the inevitability of some trend influence, she advocates for a balanced approach where trending elements are integrated with timeless pieces. This strategy aims to create an enduring aesthetic that reflects the homeowner's personality rather than merely mimicking popular online aesthetics. The goal is for a home to be a unique reflection of its occupants, rather than a generic replication of another's Instagram feed. Layering is presented as another crucial aspect of effective interior design, likened to a chef adding spices to a dish. McGinnis explains that layering multiple textures, tones, shapes, and colors, along with thoughtful lighting, adds depth and richness to a room. This approach elevates a space beyond its basic components, creating a more sophisticated and inviting atmosphere. Finally, McGinnis highlights the practical importance of meticulous measurement. When investing in significant furniture pieces, she advises measuring not only the intended space but also doorways and awkward corners to ensure the items can be successfully moved into the room. This practical tip helps prevent costly mistakes and ensures that carefully selected pieces can be properly installed and enjoyed in their new environment. #HomeDecor #InteriorDesign #DesignTips #PatriciaMcGinnis #MavenBelfast #TimelessDesign #PersonalStyle #LayeringInDesign #QualityFurniture

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

This article details the initial phases of the 'Home On The Ranch' project, a significant design endeavor featured on the Netflix show 'Dream Home Makeover.' Situated on a expansive farmland property boasting mountain views, the residence is designed to accommodate multiple generations of family and friends. The overall design emphasizes a balance between timeless elegance and practical, livable materials, with the unexpected addition of a regulation-sized basketball court illustrating a blend of sophistication and recreational elements. The project involved collaboration with Hebdon Studios and Everlast Custom Homes to realize the client's vision. The exterior of the home immediately conveys its design philosophy through a thoughtful combination of time-honored elements and diverse materials. Redbrick, white shiplap, and natural wood finishes create a dynamic yet cohesive facade. These materials contribute to a sense of depth and a streamlined aesthetic, extending to the stained wood doors that mark the primary entrance. This initial impression sets the tone for the interior design, which consistently integrates classic and modern sensibilities. Upon entering, a grand two-story-high vaulted entryway greets visitors. This space features stained wood rafters and intricate wall paneling that seamlessly extends into other areas of the home. The entryway is furnished with carefully selected pieces, including a vintage console, a traditional Windsor chair, and a curved settee, which collectively achieve an elevated yet inviting atmosphere. The paint scheme in this area uses Benjamin Moore's Swiss Coffee at 75% strength, applied in different finishes (Eggshell for walls, Satin for trim, and Flat for the ceiling) to add subtle variations and dimension. Adjacent to the entryway, a pair of natural wood doors leads into the family library. This dedicated space serves multiple functions, including a study area, a music room, and storage for an extensive book collection. The library's design incorporates herringbone floors and ceiling beams, contributing to its classic charm. A large central table provides ample workspace, complemented by a rust-colored velvet sofa that adds a touch of warmth and luxury. A rolling ladder, a quintessential library feature, enhances both aesthetics and functionality. A notable personal touch is the client's grandmother's piano, which was repainted in Benjamin Moore's Grey Owl, revitalizing it for the space. The built-in shelves are thoughtfully styled with a mix of old and new decorative objects, further personalizing the room. Task lighting integrated into the built-ins illuminates the displayed items, enhancing the character of the space. Beyond the library, a hallway leads to the mudroom, a highly functional area designed for organization and convenience. The mudroom features meticulously crafted cabinetry that provides locker-style storage, ensuring that personal items are neatly tucked away. A designated landing zone is incorporated for everyday essentials like cellphones and keys. A custom bench with a leather cushion offers comfortable seating and contributes to the room's tailored look. The flooring in the mudroom consists of Bleu Chinois Cobblestone from Exquisite Surfaces, adding a distinctive and durable element to this high-traffic area. The article also provides a practical tip for interior design, advising to order a single piece of hardware for significant areas to visualize the impact before committing to a larger purchase. Finally, the project includes a court area, which, while briefly mentioned, underscores the home's comprehensive design, catering to both aesthetic appeal and practical living requirements. The overall design narrative for this project emphasizes creating spaces that are both beautiful and functional, capable of hosting and serving a family for many years. #HomeDesign #InteriorDesign #DreamHomeMakeover #EntrywayDesign #LibraryDesign #MudroomDesign #CustomCabinetry #TimelessElements #StudioMcGee

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

The McGee Home Refresh details the second phase of design updates made to Shea McGee's family residence in Salt Lake City, Utah, serving as a practical design laboratory. The article outlines various enhancements across different areas of the home, focusing on adding layers, textures, and character to the existing structure. Each section discusses the specific changes and the designer's rationale behind them. For the exterior, the refresh aimed to create a timeless appearance. While the home initially featured classic lime-painted brick and stone, new elements were introduced to enhance its character. These additions included a columned porch with a copper roof, stepped flairs and decorative vents on the brick, custom bifold shutters for upper windows, curved garden walls, a bluestone walkway, an oval window, and gas lanterns. These details were chosen to make the relatively new build blend seamlessly with a neighborhood that features both old and new architecture. In the entryway, functionality and aesthetics were balanced. A vintage chest was incorporated to provide hidden storage for everyday items like socks and toothbrushes. A key aesthetic change involved mirroring the living room's plastered brick technique onto the entryway's brick, adding warmth and texture and creating a cohesive visual flow between the two adjoining spaces. The living room refresh focused on adding architectural interest, deeper tones, and varied textures. Structural modifications included plastering the brick fireplace, adding tongue and groove paneling to the ceiling, and installing a curved opening to separate the living room from the staircase, echoing the exterior's brick elements. This space also served as a testing ground for new McGee & Co. products and allowed for the display of Shea's antique collections. The dining room was enhanced to introduce visual drama and better define its space. Half walls with sidelights were added to provide separation from the open-plan kitchen without completely closing off the flow. This, combined with the existing coffered ceiling, gave the room a more refined and distinct feel. Pierre Frey wallpaper, featuring a growing pattern, was applied to the walls, and the furniture consisted of a mix of new and existing pieces, including the Orville Extension Dining Table from McGee & Co. and affordable cushions from their Target collection. The pantry refresh primarily involved a paint color change to create a moodier, more personalized atmosphere. Green shades from the dining room wallpaper were extended into the pantry, with "Inspiration" by Portola Paints used on all cabinetry to add character to the small, windowless space. In the primary bedroom, the refresh was largely a furniture and styling swap. New McGee & Co. pieces, such as the Walt Bed in praline velvet, the Philippa Settee, and the Tali Burl Wood Dresser, were introduced, allowing Shea to test products in a lived-in environment. Wren's room, belonging to the oldest daughter, received subtle updates to reflect her evolving personality. Key changes included a Roslin Hand-Knotted Wool Rug and new bedding like the Briony Gauze Quilt and Inger Gauze Coverlet. Ottomans were swapped for more mature Channel Ottomans, and a woven bistro chair replaced a vintage chair, paired with a ruffle cushion. Ivy's room, for the younger daughter, focused on incorporating patterns. Willow Boughs wallpaper by Morris & Co. was used, complemented by the Pimpernel Wallpaper in the adjoining bathroom. Furniture remained largely the same, with the addition of the Prudence Chair in mohair velvet and the Mackenna Dresser. Styling elements like the Tess Ceramic Table Lamp and Neutral Swan artwork completed the refresh. Finally, the upstairs nook was restyled to add depth and warmth. A vintage tapestry found at an online auction was paired with the Clemence Chair and Goodrich Side Table from McGee & Co., transforming what was once a simple bench into a cozy and inviting corner. The McGee Home Refresh showcases a thoughtful approach to evolving a home's design over time, emphasizing layering, texture, and personal touches. #HomeRefresh #InteriorDesign #ExteriorDesign #HomeDecor #RoomTransformation #DesignProcess #ArchitecturalInterest #FurnitureStyling #StudioMcGee

Architect Mariam Issoufou discusses her design philosophy and recent projects, including the Rolex Pavilion at the Venice Architecture Biennale and the upcoming Bët-bi museum in Senegal. Issoufou, founder of Mariam Issoufou Architecture and a professor of architecture heritage and sustainability at ETH Zurich, emphasizes a research-led approach that prioritizes local contexts, craftsmanship, and sustainable practices. Her work spans various regions, with a notable focus on projects within the African continent and Europe. The Rolex Pavilion, commissioned for the Venice Architecture Biennale, was designed to reflect Rolex's identity while addressing Carlo Ratti's 2025 theme of adaptation to climate change. Issoufou's design for the pavilion showcases a commitment to local materials and artisan collaboration. The facade is constructed from recycled wooden beams sourced locally, and the interior features a translucent colored ceiling crafted by Murano glassmakers, which creates dynamic light effects. The terrazzo flooring incorporates recycled Cottisso crushed glass. Issoufou aimed to honor Venice's heritage of making and to demonstrate how recycled and local materials can be used effectively in high-profile projects, similar to her work in Africa where materials like recycled metal, earth, and cement are commonly employed. Her design process for the Rolex Pavilion began by considering the unique shape of Venice, a city divided by the Grand Canal, which inspired the form and exhibition spaces of the structure. The project also focused on collaboration across different intelligences and showcased resource efficiency. Issoufou expressed pride in seeing the pavilion come together through the work of local glass, metal, and woodworkers, highlighting the successful integration of traditional Venetian artistry with contemporary sustainable design principles. Issoufou’s practice is characterized by a consistent research-led methodology across all her projects. Instead of imposing a design, she first investigates the architectural history, climate, and vulnerabilities of a specific location. Following this, she identifies and engages with local makers and their existing knowledge and skills. This collaborative and context-driven research then informs the design process, ensuring that each project is uniquely tailored to its environment and community. This approach allows the questions she asks in her projects to remain consistent, while the solutions and outcomes vary based on the specific research findings. Sustainability, for Issoufou, is an intersectional concept that extends beyond mere ecological considerations. She integrates green standards with social, cultural, and economic upliftment for the communities involved in her projects. This holistic view ensures that her architectural interventions contribute positively to the broader well-being of people and places, preserving cultural heritage and fostering economic opportunities. Beyond the Rolex Pavilion, Issoufou is currently focused on the construction phases of two significant projects: the Bët-bi museum in Senegal and the Ellen Johnson Sirleaf Presidential Center in Monrovia, Liberia. The Bët-bi museum, commissioned by the Josef and Anni Albers Foundation and Le Korsa, will be a 1,000-square-meter center for contemporary and historic African art, also serving as a temporary home for repatriated objects. Its triangular form is inspired by the Indigenous Serer people's belief system, symbolizing the relationship between elements, the living, and the dead. The museum will be built into the landscape using sustainable, traditional materials with the help of local artisans, reflecting Issoufou’s commitment to culturally resonant and environmentally responsible design. The Ellen Johnson Sirleaf Presidential Center, where Issoufou is the lead architect, involves collaborations with Sumayya Vally and Karen Richards Barnes, further exemplifying her collaborative and community-focused design ethos. These ongoing projects underscore her dedication to creating spaces that are deeply rooted in their cultural and environmental contexts while promoting sustainability and community engagement. #Architecture #SustainableDesign #VeniceArchitectureBiennale #RolexPavilion #MariamIssoufou #CulturalHeritage #CommunityEngagement #AfricanArchitecture #LocalCraftsmanship

Mimi Shin, a UCLA-trained architect and interior designer, brings a unique perspective to her work, deeply influenced by her decade-long career as a fashion editor at prestigious magazines like Harper’s Bazaar and Vogue. Shin’s design philosophy emphasizes a foundational approach to space, prioritizing timeless, handcrafted materials, and graceful proportions, similar to how a fashion editor would focus on the silhouette of an outfit. She integrates carefully curated accessories to elevate the overall design, treating them as analogous to the finishing touches in fashion. This methodology is evident in her personal Venice bungalow remodel, which serves as a prime example of her ability to blend new construction with existing character. Shin's journey into interior design was sparked by a realization that her passion lay in the broader aspects of design rather than solely clothing. After a transformative dream, she pursued architecture at UCLA, attracted by its innovative 3D modeling program. Her architectural education provided her with a comprehensive understanding of construction, zoning laws, building codes, and materials, which she considers crucial for establishing credibility in a male-dominated field. She notes the importance for women in the industry to be highly qualified and knowledgeable, enabling them to confidently engage with other architects. In her professional practice, Shin has cultivated a loyal client base among Los Angeles's creative and executive communities, including Hollywood writers, producers, and Snapchat executives. Her clients value her design expertise and her distinctive fashion background. Her own home, a Spanish colonial beach shack in Venice, showcases her design principles. Facing the need for more space, Shin opted for a thoughtful expansion rather than a complete demolition, adding a second story to the main house and constructing a discrete two-story back house. This expansion respects the original character of the bungalow while addressing modern needs, including additional bathrooms and a media room. The outdoor space of her Venice home further exemplifies her innovative approach, featuring a rectangular pool, an outdoor dining area, and a wooden sauna nestled within an ORCA-designed urban garden. The design cleverly integrates these elements without making the lot feel crowded, maintaining a sense of openness and surprise for visitors. Shin consciously preserved the original footprint and scale of her bungalow, contrasting with the “raze and rebuild” philosophy sometimes taught in architecture school. She implemented design choices such as limewashed plaster walls to create a lived-in, authentic feel, preferring this over the sterile appearance of new drywall. Shin's fashion background is particularly evident in her approach to accessories and finishes. She integrates vintage furniture pieces, like a Charlotte Perriand chaise lounge, which add character and a sense of history, much like a stylist would use a worn item to add authenticity to an outfit. Her bathrooms feature an artful mix of tiles by Nathalie du Pasquier for Mutina, custom stained-glass windows, and fixtures chosen for their aesthetic appeal, often resembling jewelry. She actively seeks wall sconces that evoke earrings, highlighting her continuous thought process regarding lighting as a form of adornment. Her work demonstrates a cohesive integration of fashion-forward detailing with solid architectural principles, resulting in effortlessly beautiful and deeply personalized spaces. #MimiShin #InteriorDesign #FashionEditor #HomeTours #VeniceBungalow #ArchitecturalDesign #Remodeling #DesignPhilosophy #CreativeSpaces

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This blog post features an interview with Dana Romeis, the managing principal at Castle Design, who brings over 25 years of experience to the design industry. The interview delves into various aspects of her work, offering insights into her design philosophy, challenges, and preferences. Romeis emphasizes that client input is highly valued in her design process, stating that the best outcomes result from collaborative relationships between the client, designer, and contractor. She highlights the importance of open communication and mutual understanding in achieving successful design projects. When asked about local artists, Romeis expresses her admiration for Charley Blood of Charles Blood Artistic, particularly for his trompe l’oeil work. She praises his willingness to tackle any artistic challenge, noting that he has never refused a request, no matter how complex. This appreciation for skilled craftsmanship and creative problem-solving underscores her professional values. Regarding overlooked spaces in a home, Romeis identifies the guest bedroom as the most frequently under-decorated room, sometimes including the powder room. She sees the powder room as an opportunity for creative expression and urges clients to pay attention to details in guest bedrooms, such as providing comfortable seating, reliable Wi-Fi, and convenient luggage storage. Her advice extends beyond aesthetics, focusing on practical functionality and guest comfort. Romeis discusses the diverse challenges encountered in her career, stating that every project offers a new learning experience. These challenges can range from integrating home automation systems into overall designs and resolving construction issues to navigating interpersonal dynamics with clients. She highlights the importance of understanding client patience levels and interpreting body language to ensure their wishes are met. This adaptability and continuous learning are central to her professional development. Finally, Romeis shares her preference for alternating between designing new builds and renovating historic homes. She finds that variety keeps her creativity and energy levels high, preventing her from falling into "cookie-cutter solutions." This desire for diverse projects reflects her commitment to innovative and unique design solutions, ensuring each project remains fresh and engaging. The interview concludes by referencing the St. Louis At Home November/December 2017 issue, suggesting that this discussion provides a glimpse into the broader trends and insights within the local design community. #InteriorDesign #HomeDesign #DesignInterview #ClientCollaboration #DesignChallenges #DanaRomeis #CastleDesign #StLouisDesign #CreativeProcess

Vancouver-based interior designer Sophie Burke, founder of Sophie Burke Design, has carved a niche for her understated yet sophisticated approach to both residential and commercial projects. Her distinctive style and client-centric methodology have earned her national recognition within Canada. Burke's design philosophy emphasizes creating spaces that authentically reflect the personalities and lifestyles of their inhabitants, eschewing generic trends in favor of bespoke, intimate environments. Burke's design journey began in Vancouver, where she studied art history at the University of British Columbia, followed by interior design studies in London, England. This international experience, particularly her initial role with Sir Terence Conran at Conran and Partners, exposed her to a rich tapestry of design influences, including European aesthetics and Scandinavian styles, alongside a blend of modern and historical architecture. This diverse background significantly shaped her approach, enabling her to draw from a broad spectrum of design elements. Upon returning to Vancouver, Burke established her own studio, concurrently managing her burgeoning career with raising three children. A hallmark of her work is the profound attention she dedicates to understanding her clients. She views each project as a collaborative journey, often spanning two to four years, during which she delves deeply into clients' hobbies, passions, daily routines, and functional needs. This meticulous process ensures that the resulting interiors are not only aesthetically pleasing but also highly functional and deeply personal, avoiding repetitive or formulaic designs. Burke notes that the year 2020 saw a significant shift in interior design priorities, partly due to global circumstances that encouraged more time spent at home. This led to an increased investment in home renovations and a heightened demand for spaces that offer comfort and appeal. Key areas of focus for clients included dedicated home offices, serene bedrooms, and personal wellness spaces, such as areas for practicing yoga, indicating a move towards creating functional and calming environments within the home. A prominent trend observed by Burke is the growing preference for natural materials, textures, and organic elements. This trend reflects a desire to foster a connection with the natural world, especially as individuals spend more time indoors. She anticipates a rise in the use of green hues, specifically mossy, forest-like tones, in 2021, further emphasizing this connection to nature. Additionally, disruptions in global supply chains have inadvertently spurred a positive development: a greater emphasis on sourcing local design and products. Burke highlights several Canadian companies and florists, such as Provide Home, Barter Design, Lock and Mortice, Marmalade, The Wild Bunch, and Quince, as exemplary local businesses contributing thoughtful and beautiful products to the design landscape. #InteriorDesign #HomeDecor #SophieBurkeDesign #VancouverDesigner #DesignTrends #PersonalizedInteriors #NaturalMaterials #LocalDesign #PostPandemicDesign

Kirstin DiMartile, an interior design consultant at Habitat Design Consulting, assists homeowners in making informed decisions about their home improvement projects, ranging from new constructions and renovations to cosmetic upgrades. Her services provide a valuable 'second opinion' that helps clarify large-scale choices like layout and space planning, as well as smaller details concerning finishes, fixtures, and furniture, ultimately ensuring a cohesive and personalized living space. DiMartile emphasizes prioritizing funds to maximize impact and avoid costly mistakes, guiding clients toward a high-end look and optimal functionality that reflects their individual style and needs. DiMartile's client base includes homeowners undertaking projects of varying scales, whether independently or in collaboration with architects and builders. Even those who haven't hired a full-time interior designer can benefit from her expertise. She focuses on three main client types. The first group comprises homeowners aiming to enhance their existing spaces by utilizing current belongings, performing basic renovations, and incorporating affordable upgrades such as new furniture, paint, and lighting. DiMartile offers guidance on how to best integrate existing items, what new pieces to acquire, and suggestions for upgrades and detailing. The second type of client is involved in significant renovations. These individuals, often already working with a builder or architect, seek greater assurance regarding project specifics before construction begins. For them, DiMartile reviews architectural drawings, identifying opportunities to modify floor plans for improved lifestyle accommodation and ensuring that chosen finishes and fixtures create a unified aesthetic consistent with the client's preferences. She acts as a trained professional to help clients visualize their space beyond just floor plans, facilitating confident decision-making. Finally, DiMartile provides crucial support for clients with ongoing renovation or new construction projects. She offers advice on adapting plans due to budgetary constraints or unforeseen site conditions and lends guidance during on-site meetings where quick decisions are often necessary, such as the placement of light switches. Her focus on functionality ensures that choices made contribute to the smooth daily operation of the home. With two decades of experience in design and space planning, encompassing high-end business offices, custom homes, and apartment towers, Kirstin DiMartile has honed her skills in customer service, custom furnishings, and top-tier interior design. Holding a National Council of Interior Design Qualification certification since 2015, she initially founded Habitat Design Studio offering full interior design services and has recently transitioned to specialized consulting with Habitat Design Consulting. Her objective is to transform lives by transforming habitats, believing that a beautiful and highly functional home empowers people to thrive. Homeowners can initiate the process with a free introductory Zoom conversation, followed by an in-person meeting that includes a space tour and a discussion of needs and dilemmas, allowing clients to share their design materials and ask questions. DiMartile then works with them to explore solutions, sketch ideas, and find concept imagery, leaving homeowners with notes and sketches for implementation. She also provides a follow-up call to address any evolving project queries. #InteriorDesign #HomeConsulting #SpacePlanning #HomeRenovation #DesignAdvice #KirstinDiMartile #HabitatDesignConsulting #HomeImprovement

This article features an interview with Vance Burke, a prominent interior designer known for his modern aesthetic that occasionally incorporates equestrian themes. Burke, who divides his time between Santa Monica and Palm Springs, has a rich background in design, having studied in New York and Paris and worked for notable firms like Donghia Associates and Parish-Hadley. He also worked for Jed Johnson, where he gained experience with high-profile clients like Mick Jagger and Richard Gere. Burke emphasizes a collaborative approach to design, working closely with both architects and clients to ensure a fun and stress-free process. The designer shares insights into his philosophy, stating that design is a continuous collaboration. He believes in creating a consistent experience, from the landscaping and architecture to the interior upholstery, rugs, and art, ensuring everything feels cohesive and unique. Burke highlights the importance of understanding and prioritizing client happiness, acknowledging that there isn't a single 'right' solution in design but rather multiple valid approaches. When it comes to integrating equestrian elements into modern interiors, Burke suggests starting with foundational elements that possess an earthy, organic integrity, such as reclaimed-wood floors or rough-cut stone. He advocates for juxtaposing these natural textures with sleek modern walls and a high-contrast, dressage-inspired color palette, perhaps using saddle leather, off-white linen, or dark navy and black accents, along with lacquered surfaces. For accessories, his mantra is "fewer, bigger, better," recommending select pieces like a Deborah Butterfield sculpture, a Susan Rothenberg drawing, minimalist black and white photography, or a Tang dynasty horse to continue the equestrian narrative. Burke also notes that equestrian clients are often passionate about their horses, sometimes prioritizing barn aesthetics over their own homes. Burke discusses the influence of fashion on interior design, particularly in color trends. He cites the 1980s equestrian style with its dark, jewel-toned colors like burgundy and emerald, and patterns such as paisley and plaid. He sees both fashion and interior decorating as a process of reinterpreting the past to create something new, combining classic and modern elements. He praises brands like Hermès for their ability to blend these aspects seamlessly. He also recounts a personal, albeit challenging, horse-riding experience during a ride-a-thon in India, where he rode Marwari horses, which ultimately deterred him from further riding. Looking ahead, Burke is venturing into furniture and fabric design, with plans for a new fabric line currently in its preliminary stages. He also humorously shares his "retirement plan." The interview was conducted by Carol Cohen Hodess, editor at large for Equestrian Living magazine, who has worked with Burke on her own homes. The full article originally appeared in "Equestrian Living June/July 2017." #InteriorDesign #EquestrianDesign #VanceBurke #ModernInteriors #DesignPhilosophy #HomeDecor #CollaborativeDesign #FashionInfluence #LuxuryLiving