Bones House | Lachlan Shepherd Architects

FT Architects, led by Katsuya Fukushima and Hiroko Tominaga, completed a residential project in Tokyo, Japan, named "Column and Slab." This three-story house is situated on a narrow urban plot, measuring only 5 by 14 meters, and is surrounded by other properties on three sides, with only its narrow frontage open to the street. The architects' previous projects, "e-house" and "s-house," also located in densely populated areas of Tokyo, explored methods to mitigate urban density, such as using free-form, cranked screens. However, for the Column and Slab house, the approach shifted to address the oppressive feeling of tight surroundings by evoking historical dwelling forms and challenging the urban environment directly. The structural design of the house incorporates a grid frame of concrete columns and beams. Eight concrete columns, each 300mm square, are integrated within the interior, positioned on a 2.6m x 3.0m grid. These columns support two 100mm-thick raised floors, which cantilever out at the sides to maximize the building's width within the constrained site. The need for ground improvement necessitated the use of this column-and-beam system, confining groundwork to the areas beneath the columns. The architects noted that during construction, the site resembled an archaeological excavation of ancient Japanese columns, highlighting the integration of traditional structural elements. The third story of the house is constructed from timber and is described as a "timber box" sitting atop the concrete structure, akin to a penthouse. This combination of concrete and timber structures forms a simple yet logical solution to the client's desire for maximum space while adhering to urban regulations and environmental limitations. The architects emphasized the client's cooperative attitude, even joking about the rough concrete columns becoming part of the family, indicating a positive engagement with the unconventional design elements. The interior layout is designed to offer a unique spatial experience. The ground floor, referred to as the "doma" (earthen floor room), features the grid of columns delineating three distinct spaces, each approximately 4.5 tatami-mats in size, complemented by 0.95m wide aisles on either side. This "doma" concept is intended to blend the outside urban environment with the interior. The first floor has a slightly lowered ceiling height, creating a sense of both tension and intimacy. Mobile storage units and a light well loosely partition the bedrooms from the bathroom on this level. The second floor houses the main domestic hub, featuring an open, box-form space with generous openings and a relaxed atmosphere, suitable for dining. The eight concrete columns on this floor serve not only a structural purpose but also act as flexible elements, removing the need for fixed partitions and allowing the space to adapt to future changes in family life. This adaptability is seen as a crucial functional aspect of the columns, extending beyond their primary structural role. The architects aimed to create a house that, in the chaotic urban landscape of modern Tokyo, stands out like a museum. They sought to integrate traditional forms into contemporary living without being nostalgic, thereby establishing links to architectural tradition and generating spatial tension. The design merges modernist grid frames with traditional Japanese elements like columns and raised floors. This approach represents an effort to develop an architectural language that utilizes established forms in a vivid, contemporary setting, avoiding purely nostalgic or traditionalist interpretations. The house has a total floor area of 105.6m2 and is primarily made of reinforced concrete, with a partial wood structure for the third story. #FTArchitects #TokyoArchitecture #JapaneseHouses #ColumnAndSlab #NarrowLotDesign #ConcreteArchitecture #UrbanHousing #ModernistJapanese #ResidentialDesign

Maison Colbert, a bohemian-inspired art house in Aldgate, London, is the result of a collaborative design effort between husband and wife pop artists Philip and Charlotte Colbert, Buchanan Studio, and Chris Dyson Architects. The project involved transforming a 6,000-square-foot five-story Victorian terraced house into a vibrant and eclectic residence, drawing inspiration from the whimsical and eccentric aesthetic often seen in filmmaker Wes Anderson's works. The exterior features re-imagined facades resembling set-designed shop fronts, such as a fancy goods store and a lobster monger, hinting at the unique interiors within. Upon entering, divisions within the original structure were removed to create expansive open spaces that fluidly transition between an art gallery, creative studio, and living areas. The ground floor houses an underground art gallery, meticulously curated with a blend of antique and custom-designed pieces. Highlights include a salvaged wood coffee table by the French House, antique chairs, a unique pendant light, and a trompe l'oeil painting designed by Buchanan Studio with artist Ian Harper. Charlotte Colbert’s sculpture, 'Vegetable Motherhood,' displayed on a faux marble plinth, further enhances the artistic ambiance of the space. A central feature on the ground floor is the Concierge and Bar area, which distinctly references Wes Anderson’s Grand Budapest Hotel. This space is designed with a marble counter, specific arrangements for a bellboy, and holds brass room keys with tassels, creating an immersive and playful atmosphere. Adjacent to this, an exterior terrace provides views of trompe l'oeil walls, furnished with wall lights, a day bed, and reclaimed terracotta tiles. The terrace also showcases sculptures by Philip Colbert and a marble bust set within a wall niche, extending the artistic narrative to the outdoor areas. The second floor of Maison Colbert features a double-height ceiling and an open-plan living space seamlessly integrated with a kitchen constructed from reclaimed Iroko wood. This area is adorned with significant artworks, including 'Vietnam Diptych' by Jeff Keen and 'Black Strap (Red Fly)' by Rose Wylie, which hang above a hand-carved, double-sided fireplace. The furniture in this living area includes an eye-shaped marble coffee table, marble side tables designed in collaboration by Buchanan Studio and Charlotte Colbert, and plush sofas and armchairs placed on a large, hand-dyed vintage rug, complemented by strategically placed plants. Throughout the residence, multiple bedrooms, bathrooms, and additional entertaining spaces are characterized by vibrant colors and kaleidoscope-hued fixtures. Each bedroom is uniquely themed to reflect the playful characters and artistic motifs prevalent in the homeowners' works, such as lobsters and uteruses. The design fluctuates between neutral and flamboyant aesthetics, creating a dynamic and engaging environment. Maison Colbert functions as a living art house, conceived to be a wonderland for artists and creatives, showcasing a blend of architectural transformation, interior design, and personal artistic expression by the owners and the design team. #MaisonColbert #BuchananStudio #ChrisDysonArchitects #ResidentialArchitecture #InteriorDesign #WesAndersonInspired #ArtHouse #LondonArchitecture #EclecticDesign

The Bunker House, located in Ciudad Ho Chi Minh (Saigón), Vietnam, is a residential project completed in 2019 by Nha Dan Architects, with a total area of 877 m². The design approach for this house builds upon the architects' previous work, where a system of concrete beams and columns was utilized to create open floor plans, enhance connectivity between spaces, and integrate the outdoors. In the Bunker House, this concrete system is extended beyond its structural function to also serve as spatial partitions and dictate the overall aesthetic of the project. Photographed by Hiroyuki Oki, the Bunker House showcases a distinctive use of concrete, which forms the core of its design philosophy. The concrete elements are not merely supportive but actively shape the living environment, defining rooms and influencing the visual character of the interior and exterior. This integrated use of a primary building material suggests a cohesive and deliberate design strategy where structure, spatial organization, and aesthetics are inextricably linked. The architectural team was led by Nguyen Dinh Gioi, with Tran Minh Phuoc and Luong Hien Phuong as key members of the design team. Engineering aspects were handled by Do Thanh Tuan for structural design and Trinh Van Tam for MEP (Mechanical, Electrical, Plumbing) engineering. Construction management was overseen by Nguyen Khac Dong. Specialized consultants also contributed to the project, with Cara providing lighting consultancy and Tropical Garden Company Limited handling the landscape design. These collaborations indicate a comprehensive design and construction process involving various expert disciplines. Key manufacturers and suppliers involved in the project include AutoDesk, Sika, Cara, Daikin, Ixina, Kohler, Molution, Nha Le Company, Sika Hardener, Trimble, and Vietceramics. The selection of these materials and systems suggests a focus on durability, functionality, and specific aesthetic qualities, particularly with the prominent use of concrete and other modern building components. The integration of various systems like lighting, HVAC (Heating, Ventilation, and Air Conditioning), and specialized finishes points to a detailed consideration of the house's operational aspects and inhabitant comfort. The Bunker House falls under the categories of 'Houses' and 'House Interiors,' highlighting its residential nature and the emphasis on the internal living spaces. The project is situated in Ciudad Ho Chi Minh, a major urban center, which might influence considerations related to site context, privacy, and integration with the surrounding environment, although the provided text does not elaborate on these aspects. The project’s completion in 2019 positions it as a contemporary example of residential architecture in Vietnam, reflecting current trends in material use and spatial concepts within the region. The project's title, "Bunker House," may imply a sense of solidity, protection, or a distinct, robust architectural form, consistent with the extensive use of concrete as both structure and aesthetic element. #BunkerHouse #NhaDanArchitects #ResidentialArchitecture #ConcreteDesign #HoChiMinhCity #VietnamArchitecture #HouseInteriors #ModernDesign #StructuralAesthetics

The Salmon House, located atop Northcote’s Ruckers Hill in Melbourne, Australia, is a multi-level residential project designed by the Australian studio True Story, led by Dan Gayfer and Lewis Marash. This architectural work combines sculptural design with detailed interiors, creating a living space that is deeply integrated with its urban environment. Situated on a prominent corner lot in Brunswick East, the Salmon House presents a striking facade composed of diverse materials including cast-in-situ concrete, reeded glass, rich timber cladding, and custom brickwork. This material palette provides a bold presence while maintaining an elegant aesthetic that balances privacy, openness, and connectivity to its site. The residence's architectural design thoughtfully responds to the sloping terrain, allowing its three levels to cascade from front to back. This layout incorporates strategic cutaways and sightlines that facilitate an intuitive flow throughout the home, guiding occupants between shared and private spaces. The design philosophy, as articulated by True Story, aims to create a sensory experience akin to a "salmon swimming upstream," where ascending through levels involves encountering diverse spaces and materials that evoke both activity and tranquility, leading to moments of family interaction, gentle reflection, and ultimate solitude. Local heritage guidelines played a significant role in shaping the home’s visual language and spatial organization, especially given its public-facing plot. Rather than creating a sharp contrast, the design team opted for narrow, textured glass to seamlessly bridge contemporary and traditional architectural elements. This subtle integration respects the historical context while introducing modern forms, thereby achieving both architectural relevance and contextual harmony. Inside, the Salmon House features distinct yet cohesive living areas. Communal spaces, such as a sunken lounge that extends to an outdoor terrace, are designed to foster connection. In contrast, private zones like a library and a rooftop terrace offer spaces for quiet retreat and contemplation. Large, floor-to-ceiling windows throughout the home frame panoramic views of Melbourne's skyline, firmly embedding the residence within its broader urban setting. The interior material selection reinforces the layered narrative of the house, incorporating finishes such as Grey Ironbark flooring, sculpted concrete island benches, and custom cabinetry made from warm, natural veneers. The sunken lounge features burnished concrete flooring that extends outdoors, effectively blurring the distinction between the interior and the exterior landscape. The primary goal behind Salmon House's conception was to create a space that strengthens family bonds by providing both communal living areas and opportunities for individual solace. An expansive outdoor terrace and an adjacent pool house are designed to encourage year-round social gatherings, while dedicated study and library spaces offer refuge and a focus on personal activities. The swimming pool itself serves as a unifying element, connecting the home and its outdoor environment into a single, cohesive experience. Adding to the unique indoor-outdoor integration are the glass-topped showers, which are open to the sky yet ensure complete privacy. These secluded bathing areas are bathed in natural light, offering a tranquil experience that further blurs the boundary between indoor comfort and the surrounding natural elements. The complexity of the Salmon House project necessitated extensive coordination among True Story, the structural engineer, the builder, and pool specialists. This collaborative effort ensured the seamless integration of various components, from the subterranean basement to the elevated rooftop terrace. The culmination of these efforts is a unified, warm, and inviting living environment that exemplifies modern family dwelling. #SalmonHouse #MelbourneArchitecture #TrueStoryStudio #LayeredDesign #UrbanWarmth #SculpturalArchitecture #ModernInteriors #ResidentialDesign #IndoorOutdoorLiving #SustainableDesign

In 2015, architect Dan Brunn embarked on a unique residential project in the Hancock Park neighborhood of Los Angeles, transforming an empty quarter-acre lot with a brook into an eco-chic, 4,500-square-foot modern dwelling known as Bridge House. The property, situated in a predominantly traditional area, presented a distinct challenge and opportunity for contemporary design. The construction leveraged a prefabricated building system called Bone Structure, a Canadian kit of parts consisting of columns and beams made from 90 percent recycled steel, likened to an Erector Set for adult home construction. This system, combined with infill made of structurally insulated foam topped with spray-on foam, ensured the house achieved net-zero energy consumption. The exterior of Bridge House is clad in panels of knotty grade cedar, providing a natural and refined aesthetic. Access to the property is gained via a rolling entry gate crafted from weathering steel, leading to a courtyard adorned with custom-made pavers. The interior begins with a striking double-height entry and living room, immediately distinguished by a vibrant green wall installed by Habitat Horticulture. This space also accommodates a baby grand piano, reflecting Brunn's personal passion for music, a path he contemplated before pursuing architecture. The flooring throughout the majority of the house is a terrazzo-like porcelain tile, selected for its permeability and featuring a shiny finish in common areas and a matte finish in bathrooms, a choice inspired by Brunn's visit to CERSAIE in Bologna. The linear layout of the house seamlessly transitions into the kitchen area, which is equipped with Caesarstone countertops and oak cabinetry, including a unique freestanding partition designed like an armoire. Adjacent to the kitchen is the dining section, furnished entirely with pieces from EQ3, including an oak dining table and chairs. This dining area extends to a spacious outdoor deck, complete with a fire pit, providing an ideal setting for al fresco dining and relaxation. A notable design element is the long hallway that connects the front of the house to the private rear quarters, which Brunn ingeniously converted into an art gallery. The intention is to collaborate with local galleries to showcase and sell modern and cutting-edge artworks, such as the custom triptych by Tasya van Ree displayed in the living room. The private wing of the house contains four bedrooms and baths, none of which are designed to be excessively large or overtly luxurious. Even the master bedroom, clad in cozy oak, reflects Brunn’s philosophy that the focus should be on the outdoor environment. The lower level of Bridge House serves as a significant recreational space. It features a sound-proof music room, a haven for Brunn’s musical interests, housing drums and a collection of guitars. Toy replicas of the Beatles oversee the musical sanctuary. Additionally, a secondary lounge and kitchen are located on this level, opening through glass sliders to a patio and offering a connection to the neighborhood. The design of Bridge House, despite its contemporary contrast with the traditional surroundings, demonstrates a sensitive approach to its environment and community. Key collaborators in the construction included MODAA Construction, who were integral to the build process, and Habitat Horticulture for the distinctive green wall. The project highlights the integration of sustainable building practices with modern architectural aesthetics, demonstrating how innovative materials and systems like Bone Structure can create a net-zero home. The emphasis on indoor-outdoor living, as expressed through the expansive deck and the architect’s preference for outdoor engagement, is central to the home’s design philosophy. The incorporation of a dedicated music room and an art gallery in the main hallway also reflects the architect's personal passions and a desire to create a living space that is both functional and enriching. #DanBrunn #BridgeHouse #LosAngelesArchitecture #EcoChicDesign #BoneStructure #NetZeroBuilding #SustainableArchitecture #ModernHome #ResidentialDesign

The Bunkeren House, located in Whitebridge, Australia, is a 450 m² residential project completed in 2022 by James Stockwell Architect. The design concept for the house is deeply integrated with its surrounding landscape, aiming to create a harmonious relationship between the built environment and the natural coastal garden. The house is strategically positioned to bookend the garden, mirroring how headlands frame a beach. Environmental considerations were central to the design, leading to the house being partially buried. This architectural decision provides significant climatic benefits, offering stability in temperature regulation and enhanced protection against bushfires, a common concern in Australian landscapes. Furthermore, the integration with the terrain contributes to increased habitat and biodiversity around the property, making the site more of a landscape than just a residential structure. The primary material used in the construction is concrete, chosen for its robustness and durability, allowing the house to withstand the natural elements and interact seamlessly with its surroundings. The project was led by James Stockwell, with Sue Harper as part of the design team. QMF Concrete served as the general constructor, and PMI Engineers provided structural engineering and consulting services. The project was photographed by Tony Marshall, whose images capture the essence of the house's integration with its landscape, showcasing both interior and exterior views. The interior photography highlights the use of concrete as a prominent material, alongside details of the living room, sofa, and chairs. Exterior shots emphasize the garden, courtyard, and the house's relationship with the natural environment. Additional visual documentation includes a site plan, floor plans (ground and upper levels), and elevations, providing a comprehensive understanding of the architectural layout and design. The Bunkeren House is categorized under lodging and is a notable example of residential architecture that prioritizes environmental integration, climate resilience, and material durability in a coastal Australian setting. #ResidentialArchitecture #SustainableDesign #CoastalLiving #ConcreteArchitecture #AustralianArchitecture #LandscapeIntegration #BushfireProtection #EnvironmentalDesign

The Dallas Architecture Forum hosted an “Inside The Box” Modern Living 365 cocktail reception at the Russell Buchanan-designed Mockingbird house. This particular residence garnered controversy among Highland Park residents due to its angular structure, which stands in stark contrast to the area's traditional brick and stone manors. The event provided an opportunity to delve into the design and creation of this unique property. The architect, Russell Buchanan, provided insights into the home's construction, which he humorously noted was compared to a 'refrigerator box.' The house is characterized by its use of steel beams and pre-fabricated, two-inch foam-insulated aluminum panels, forming a long, rectangular shape. The exterior's angular and minimalist aesthetic deliberately highlights these materials. All components, including the Metl-Span jacket sourced from Lewisville, Texas, were custom-designed, cut, and manufactured specifically for this project. The uniform appearance of the panels on both sides contributes to the home's industrial feel, a theme consistently echoed in its interior finishes and furnishings, which lean towards a more streamlined, commercial aesthetic rather than a conventional residential one. Buchanan detailed that the construction process for the house spanned 11 months. A notable aspect of its construction sequence was that the aluminum cladding was among the final steps, with Buchanan remarking that 'When they’re in, it’s finished.' This approach differs significantly from traditional construction methods where exterior walls are typically completed before interior work commences. The interior boasts an impressive array of natural stone, including golden onyx in the entry vestibule, Syrah granite and Aston White quartz for the kitchen counters, Brazilian Arabescato marble in the master bath, Xango Red quartz on the staircase, and Breccia Imperial leathered granite on a Buchanan-designed dining table, showcasing a bold and diverse material palette. Despite its unconventional construction, the interior provides a unique living experience. It evokes the sensation of a sophisticated shipping container, softened by elements like gorgeous Douglas fir rafters, rich stone surfaces, and a full-length glass wall on the first floor. Buchanan explained that the paneling and glass walls necessitated a thoughtful floorplan to ensure proper access to power and plumbing, as these elements could not be run internally. The downstairs floor-to-ceiling windows are equipped with an exterior camouflage curtain, offering privacy from eastern neighbors who have a direct view into the first floor. This feature enhances the sense of privacy despite the transparent design. Furthermore, the walls also function as sound dampeners, a practical benefit given the home's location on a busy two-lane thoroughfare. The architect emphasized that the design was driven by the homeowners' desires and the constraints of the site, resulting in numerous innovations and making it a truly unconventional structure. #DallasArchitectureForum #ModernLiving #RussellBuchanan #BoxHouse #MockingbirdHouse #ArchitecturalDesign #IndustrialAesthetics #LuxuryHomes #HighlandPark

The "Hug House" by FIGR Architecture & Design, completed in 2025 in Australia, is an architectural project focusing on spatial layering, material richness, and seamless indoor-outdoor integration. The design concept revolves around a central courtyard, which functions as a "green heart" to ensure privacy while allowing natural light and ventilation to permeate the residence. This approach creates a sanctuary-like environment, promoting a deep connection with the natural surroundings. Key design elements and features of the Hug House include a thoughtful arrangement of spaces that interact with the central courtyard. The project emphasizes visual and physical porosity, allowing residents to experience the changing light and air throughout the day. Material selections contribute to the richness of the design, likely incorporating natural textures and a palette that complements the Australian landscape. The integration of indoor and outdoor areas is achieved through large openings and strategic placement of living spaces that extend into the courtyard, blurring the boundaries between built form and nature. The project details indicate a 230 m² area, suggesting a moderately sized single-family dwelling. Collaboration was a significant aspect of its creation, involving industrial designer Corey Baker, JP Building Group PTY LTD for the collaborative build, Fusion Engineering Group for structural engineering, James Wallace as the landscape consultant, and Oliver Smith as the lead carpenter/craftsman. ARCH STYLING, led by Cat Brown, was responsible for the interior styling. These collaborations highlight a multidisciplinary approach to achieving the architectural vision. Photographs by Tom Blachford capture the essence of the Hug House, showcasing its design principles. The imagery typically focuses on how light interacts with the spaces, the quality of materials, and the connection to the outdoors. The project is categorized under 'Houses' and is located in Australia, reflecting a contemporary Australian architectural style that prioritizes environmental responsiveness and comfortable living. In summary, the Hug House exemplifies a modern residential design that prioritizes a harmonious relationship between the built environment and nature. Its central courtyard, material choices, and indoor-outdoor flow are integral to its identity as a light-filled, airy, and deeply connected living space. The project represents a collaborative effort to deliver a dwelling that serves as a private retreat while maintaining an open and engaging atmosphere. #ResidentialArchitecture #Houses #Australia #FIGRArchitectureAndDesign #CourtyardHouse #IndoorOutdoorLiving #SustainableDesign #ModernArchitecture

Charlotte and Angus Buchanan, London-based designers and cofounders of Buchanan Studio, have transformed their Edwardian townhouse in Harlesden, northwest London, into a working laboratory for their design experiments. The couple, who are avid bath-takers, designed their primary bathroom around a central antique tub, aiming to recreate a luxurious, hotel-like experience. To maintain this aesthetic, they conceived "sheds" – 8-foot-tall structures clad in dusty pink and white zellige tile – to conceal the shower and toilet from view. These structures, named by their children, feature salvaged wood doors from an old bank, which, when closed, resemble miniature gable-roof houses, adding a romantic and unexpected touch to the bathroom. The experimental approach extends to other areas of the home, notably the kitchen, which features restaurant-grade stainless steel surfaces. Angus Buchanan emphasizes the material's durability and practicality, highlighting its use in commercial kitchens worldwide. The kitchen is further enhanced by overhead skylights and a heated concrete floor, contributing to a warm and inviting atmosphere. The townhouse also serves as an archive for their furniture designs. The dining table on wheels was an early creation, while their popular pillowy Studio Chair, first marketed in 2020, gained significant demand, leading to the development of various fabric options, including the Ticking Rose print found throughout the home, such as on curtains flanking the front door. Even small fabric scraps are put to use, with Angus rerigging a sail for an antique toy boat on the primary bathroom's fireplace mantel using the Ticking Rose material. The renovation process involved navigating London's building permit regulations. The Buchanans initially sought to add a modern extension for their new kitchen and dining area. Their consultant helped them gain approval for the necessary square footage by creatively applying to build multiple small garden sheds, which were subsequently combined into a single extension, illustrating their resourcefulness in overcoming bureaucratic hurdles. The home also includes a tiny powder room under the stairs, a common feature in London houses, which Angus, drawing from his background in set design, personalized with hot-glued fuzzy red trim on the walls and mirror, complementing its pink and red color scheme. Delft tile remnants from the living room threshold were used to frame the small sink in this powder room. The formal living area features a Studio Sofa, Studio Ottoman, and Studio Chair from Buchanan Studio, complemented by a vintage Murano glass chandelier sourced after an extensive online search. The challenge of finding an uncolored Murano fixture led to a cautious installation process. A new bathroom for the children, created as part of the garden extension, showcases a playful design. Inspired by a vintage pink toilet and sink from the 1960s, the space features a whimsical checkered tile layout. Charlotte notes her daughter's involvement in the design and her affection for her "princess bathroom," underscoring the aim to create an energetic and entertaining space for bath time, providing a source of joy even after a long day. Beyond their design endeavors, the Buchanans maintain a small library, offering a convenient source for captivating reads during their frequent baths. This collection also serves as a last-minute gift resource for friends, with unique titles chosen to match individual interests. The London townhouse, therefore, embodies a blend of innovative design, practical solutions, and personal touches, serving as both a residence and a dynamic creative space for the design duo. #LondonHome #EdwardianTownhouse #InteriorDesign #BathroomDesign #KitchenDesign #CustomFurniture #Renovation #BuchananStudio #TileDesign

In 2013, artist Jesse Bransford acquired a historic octagonal home in Catskill, New York, an acquisition he believes was destined due to its unique characteristics and his evolving artistic path. The 1860 brick house, set on two and a half landscaped acres, features an intricate design centered around a three-story spiral staircase leading to a domed cupola. This cupola offers panoramic views and is painted to evoke celestial imagery, which Bransford believes is central to the home's original purpose. The initial inspection of the 3,000-square-foot property revealed it to be in surprisingly good condition, despite its age. The home's layout includes a rambling first floor with a library, dining area, and sitting room, and four bedrooms on the second floor, each with unique, irregularly shaped nooks. Bransford's friend, initially brought along for a reality check, was also captivated by the house, affirming its profound appeal. Bransford's personal journey, from his upbringing in the New South to his art education at Parsons School of Design and Columbia's MFA program in New York City, led him to the Hudson Valley. His artistic focus on surrealism, psychology, symbolism, and alchemy gradually drew him away from the commercial art scene of Manhattan. He also developed a deep interest in the Hudson River School of art, realizing the region's significance to its history. The octagonal house, a serendipitous discovery that aligned with an inheritance, became a new anchor for his life and work, offering a sense of peace he hadn't found in the city. The home's design was inspired by Orson Squire Fowler’s 1853 book, "The Octagon House: A Home for All," which advocated for the octagonal shape to maximize light, space, and air circulation, believing it prevented "miasma." The original owner, David Van Gelder, a local farmer and bridge builder, constructed the house on Cherry Hill, incorporating an orchard and extensive gardens as per Fowler's designs. Beyond practical considerations, Fowler's philosophy was deeply rooted in the spiritualist movement, suggesting that octagonal structures encouraged visitations from spirits. Bransford elaborates on this spiritual aspect, describing the house as a "lighthouse for wayward spirits." The eight sides of the house, facing the cardinal directions, and the central stairwell are believed to act as a conduit for spirits to pass through. Though he acknowledges the home is "pretty haunted," Bransford clarifies that the presence is not malevolent. After Van Gelder, the house passed through several owners, eventually being abandoned before Mark Phillips stabilized it and listed it on the National Register in 1997. Subsequent owners maintained the property, allowing Bransford to focus on its preservation and historical exploration. Over nearly a decade of living in the home, Bransford has come to understand its unique atmosphere, likening the spiritual presences to "spiritual squirrels in the attic." He describes them as "concrescences of energies that are attracted to other energies." While respecting varied belief systems, he embraces the narrative and the house's powerful history, channeling its ambiance into his creative practice and research into the esoteric. He has also learned to manage these spiritual interactions, occasionally directing the entities to the stairwell when their presence becomes overwhelming, a method he humorously notes "seems to work." The article also highlights Bransford's interior design choices, which blend old and new elements, such as a handmade Thai wood canopy bed paired with antique 1940s school chairs. His study houses an extensive library on alternative historical movements, spiritualism, and art, reflecting his intellectual pursuits. A fireplace mantel serves as an altar, adorned with an alchemical print and found objects, emphasizing the home's deep connection to his work and beliefs. Bransford's expertise in color theory, which he teaches at NYU, also informs his artistic and interior design sensibilities, connecting the history of color to that of magic, creating a "mind-blowing" synthesis. The house not only serves as his residence but also as a venue for events like sound baths and seances, which he believes the house "really seems to enjoy." #ArtistHome #Catskill #OctagonalHouse #HistoricHome #Spiritualism #JesseBransford #HudsonValley #ArtAndArchitecture #HomeDesign

The Courtyard House, designed by Leckie Studio Architecture + Design Inc., offers a compelling model for biophilic and passive solar architecture. The project emphasizes a deep, enduring connection between its inhabitants and the natural environment, contrasting with a common local architectural trend in Vancouver that prioritizes maximizing built square footage for resale value over enhancing the lived experience. This design philosophy champions quality over mere quantity, presenting a holistic approach to residential living. Located in Vancouver, Canada, the 2500 square foot house was completed in 2021, with photographs by Ema Peter. Key contributors to the project include Adisa Homes Ltd. as the General Contractor, Chalten Engineering for structural engineering, and Terran Geotechnical Group for geotechnical engineering. The design team from Leckie Studio Architecture + Design Inc. was led by Michael Leckie as Project Architect, with James Eidse and Emily Dovbniak as Project Lead Design, and Denise Liu and Charlotte Kennedy handling Project Interiors. Additional support was provided by Andrea Zittlau, Irena Jenei, and Holden Korbin. This residential project highlights several design principles. Biophilic design, which integrates natural elements and processes into architecture, is central to the Courtyard House. This approach is intended to foster a sense of well-being and connection to nature for residents. Coupled with this is passive solar architecture, a design strategy that aims to heat and cool a building naturally by strategically using sunlight and ventilation. This not only reduces energy consumption but also enhances the comfort and environmental performance of the home. The project's commitment to "less but better" reflects a deliberate choice to prioritize thoughtful design and sustainable practices. Instead of expanding the building's footprint, the focus was on creating well-crafted spaces that offer a rich, integrated natural experience. This challenges conventional development models that often lead to larger, less efficient homes that may not fully cater to the residents' long-term quality of life. The Courtyard House serves as an example of how architectural design can blend environmental responsibility with a high quality of life. #ResidentialArchitecture #CourtyardHouse #BiophilicDesign #PassiveSolar #SustainableDesign #VancouverArchitecture #CanadianArchitecture

Local House, completed in 2022, is a contemporary and sustainable residence situated within the historically significant Mount Eagle Estate in Eaglemont, Australia. Designed by Zen Architects, the project reinterprets the architectural character of the suburb while integrating seamlessly with its meticulously landscaped environment. The Mount Eagle Estate, originally planned and designed by Marion Mahoney and Walter Burley Griffin in 1915, is known for its winding roads and community parklands that follow the natural topography, with dwellings designed to be secondary to the natural landscape. The Griffins, proponents of modern architecture, advocated for designs free from stylistic precedents. This historical context informed the architectural approach for Local House, adhering to the estate's guidelines which encourage modern designs while complying with heritage, landscape, and vegetation protection overlays. The residence spans 214 square meters and was constructed by CBD Contracting Group. Key materials used in its construction include wood, concrete, and brick, contributing to its sustainable and contextual design. The architectural team was led by Ric Zen as the Design Architect, with Luke Rhodes as the Project Architect, and Madeleiene Ingham and Sanderson Bell serving as Architectural Assistants. OPS Engineers provided the engineering expertise for the project. The design prioritizes harmony with the natural surroundings, a core principle of the Mount Eagle Estate. This is evident in the integration of the house with its garden and facade, featuring numerous windows that allow for ample natural light and views of the landscape. The interior spaces are designed with a focus on natural materials, incorporating wooden elements, exposed beams, and thoughtful layouts that enhance functionality and aesthetic appeal. The presence of large windows throughout the house, including in living areas, bedrooms, and bathrooms, highlights the connection between indoor and outdoor environments. Courtyards and patio areas further extend the living space into the garden, providing opportunities for outdoor enjoyment and interaction with the natural setting. Interior photography showcases various rooms, including living areas with wooden tables and chairs, a kitchen with contemporary countertops and shelving, and bedrooms designed for comfort and natural light. The bathroom features modern fixtures and large windows, reinforcing the bright and open aesthetic. The overall design emphasizes a minimalist yet warm ambiance, achieved through the careful selection of materials and the strategic use of natural light. The project successfully balances modern architectural principles with the historical and environmental sensitivities of the Mount Eagle Estate, creating a dwelling that is both innovative and respectful of its unique context. #ResidentialArchitecture #SustainableDesign #ModernArchitecture #MountEagleEstate #ZenArchitects #Melbourne #Australia #ContemporaryHouse #EnvironmentalIntegration

Architect Paul O’Reilly, founder of Archterra, designed and built Bush House as his family home in Margaret River, Western Australia. The 1,808-square-foot residence is situated within a clearing surrounded by jarrah bushland and eucalyptus trees on his family’s cattle farm. O’Reilly's design concept for Bush House was heavily influenced by his lifelong love of camping, particularly the simple shelter provided by a canvas tarpaulin over a four-wheel drive. This inspiration led to the primary design element of a large, single roof, offering protection from the sun, wind, and rain. The house takes cues from California’s iconic Case Study houses of the 1940s to 1960s. O’Reilly implemented a 12-foot structural grid, allowing for a prefabricated steel frame support structure to be erected rapidly. This steel structure, combined with the single-plane roof, created a protected environment that facilitated the subsequent infill timber framing, regardless of weather conditions. The roof plane ascends towards the north, incorporating cedar-framed clerestory windows that offer views of the sky and treetops, providing a warm and tactile contrast to the clear anodized sliding door frames. The floor plan of Bush House is simple and rectilinear. Living areas are located to the east, while sleeping quarters are positioned to the west. A change in floor level and a substantial rammed-earth wall delineate these shared and private zones. This rammed-earth wall extends from the interior to the outdoors, also serving to define the entry approach from the detached carport and workshop. The two guest bedrooms are oriented north to maximize winter sunlight, while the master bedroom faces southwest, capturing views of the sunset through the surrounding tree canopy. A unique feature is the southwest-facing bathroom, which includes a glass door that opens to the bushland, creating an outdoor shower experience. The property features two outdoor decks: one sheltered beneath the roof's overhang and another more exposed area for sun lounging or stargazing. Material selection prioritized durability and low maintenance, with raw galvanized steel, Zincalume metal for external finishes, and rammed earth used for the exterior, all requiring no ongoing upkeep. The interiors incorporate tactile, natural materials such as rammed earth and plywood, chosen to contrast with the more 'synthetic' elements like concrete floors, exposed galvanized steel structure, and white painted plasterboard walls. O'Reilly’s design philosophy for Bush House embraces a 'less is more' approach and the Japanese aesthetic of 'wabi-sabi,' valuing the imperfect and unfinished. Building this home for his family was a deeply personal endeavor, offering him unique insights into the architectural process, particularly in distilling and integrating diverse ideas into a cohesive design. The design also includes practical and aesthetic elements such as light bouncing off the rammed earth wall at sunrise, creating a warm orange glow in the kitchen, and a half-pipe in the backyard for his son. #BushHouse #AustralianArchitecture #RammedEarth #SteelConstruction #PaulOReilly #Archterra #CaseStudyHouses #SustainableDesign #WabiSabi

The 'B House,' designed by Kit Design Architect, is a three-story residential building located on the outskirts of Bangkok, Thailand. The house occupies a 320 square meter land plot and is intended for a married couple and their children. The architectural design integrates principles of Feng Shui while maintaining a modernist aesthetic. The house’s exterior is characterized by simple box-like geometries, which are softened by the incorporation of sliding timber screens on the second-floor balcony. These timber screens serve a dual purpose: they provide effective sun shading and enhance privacy for the residents, adapting to the tropical climate of Bangkok. The interior layout and overall design concept are rooted in Feng Shui principles, guiding the arrangement of spaces to promote harmony and positive energy flow. Despite this traditional influence, the house presents a contemporary architectural statement, blending modern forms with functional elements. The total area of the house is 650 square meters, completed in 2019. Kit Design Architect was responsible for the architecture, landscape design, and consulting services for the project. The selection of materials and manufacturers for the B House reflects a commitment to quality and contemporary design. Key manufacturers involved include AGC for glass products, AutoCAD and Trimble Navigation for design and modeling, Dulux for paints, Medici Wood for timber elements, Thaisoung, and Tile-it for various building components. Beersingnoi captured the architectural photographs, documenting both the exterior and interior spaces, including staircases, handrails, facades, windows, dining areas, kitchens, and other detailed views. The design team at Kit Design Architect, led by clients Ekkapol Chatmongkolchai and Mr. Ekkapol Chatmongkolchai, collaborated with Penang Isara for engineering aspects. The project's location in Bangkok, known for its warm climate and vibrant urban context, influenced design decisions related to passive cooling and privacy. The sliding timber screens are a prime example of how the design responds to environmental conditions, allowing for control over natural light and ventilation while offering aesthetic appeal. Various illustrations, including exterior and interior photographs, floor plans (ground, second, and third floors), sections (A, B, C, D), and elevations (1, 2, 3, 4), provide a comprehensive overview of the B House. These visuals highlight the interplay of geometric forms, material textures, and the thoughtful integration of natural light throughout the residence. The house exemplifies a modern approach to residential architecture in Thailand, where cultural traditions and contemporary design converge to create functional and aesthetically pleasing living spaces. The emphasis on both privacy and environmental responsiveness through design elements like the timber screens underscores a holistic architectural approach. #ResidentialArchitecture #Modernism #BangkokArchitecture #Thailand #FengShuiDesign #TimberScreens #SustainableDesign #ContemporaryHousing #KitDesignArchitect

Balmoral House, designed by architects Clinton Murray and Polly Harbison, is situated in Sydney's Balmoral, a location renowned for its scenic views of beaches, bay waters, and the bush-covered headlands that define the entry to Middle Harbour, with Grotto Point Lighthouse visible in the distance. Unlike typical houses in this area that prioritize capturing views for their occupants, often presenting a closed facade to the street, Balmoral House adopts a different approach. Its main living spaces are strategically designed to span over a central outdoor garden and sculpture courtyard, allowing passers-by to see through the site to the lighthouse and the harbour beyond. This intentional design choice signifies that the house is more than just a private residence; it also serves as a point of connection to the broader community and natural environment. The house demonstrates a dual intention: to protect and contain its inhabitants while simultaneously extending an invitation to guests and neighbors through a carefully orchestrated procession of spaces. For instance, there is no conventional front wall; instead, a modest setback and an open fence create an accessible entry, offering a full view of a civic-like outdoor space adorned with sculptures. A secondary street entry leads through this courtyard to an undercroft, which functions as an outdoor foyer for a hall where concerts are held, with music audible from the street. Similarly, the rear garden edges are ceded to the surrounding bushland reserve, conveying a sense of generosity and shared space. Art plays a fundamental role in the design of Balmoral House, envisioned as an integral component of the living environment. A piece by Antony Gormley, a prone figure with outstretched arms, is placed in the undercroft to spark curiosity. Inspired by artist Isamu Noguchi's philosophy of shaping space so that art integrates seamlessly with its surroundings, the architects collaborated with the owners, who are avid art collectors. The building's form, setting, landscape, and the extensive art collection are conceived as a fluid and interconnected system. Art is deliberately positioned throughout the house, including pieces at the entry that challenge traditional views of the water, and a central stairwell designed to showcase selected artworks. Natural light is meticulously utilized to highlight different spaces at various times of the day, further enhancing the artistic experience. The influence of Noguchi is evident in both the interior and exterior spaces, which feature box-like sculptural forms crafted from precisely cast concrete. These forms create diverse spatial experiences, from the human-scaled intimacy of the living room and library/study to the dramatic soaring height of the kitchen and the fluid circulation around the main bedroom. A unique feature is the powder room, a round, dusty red space with circular fittings and furniture, featuring an exaggerated high ceiling that evokes a whimsical, Alice in Wonderland-like effect. Ultimately, Balmoral House reflects the owners' inquisitive and open perspective on the world. It is a mature architectural work resulting from a collaborative effort between the architects and owners, creating a personal sanctuary that also facilitates shared enjoyment and challenges conventional expectations. Through thoughtful and skilled design, the architects have allowed their art to "disappear" into the richness of light, ideas, place, and community, crafting a home that is both a private retreat and a communal asset. #BalmoralHouse #ResidentialArchitecture #SculpturalDesign #ArtIntegration #CommunityConnection #ConcreteConstruction #LandscapeIntegration #SydneyArchitecture #PollyHarbison

The article introduces FHB House 2021, a custom-home build project in Nebraska undertaken by builder Jason Mollak for his family of seven. The finished home will span 4700 sq. ft., feature a story-and-a-half design with six bedrooms, and include a dedicated shop space for Jason's business operations and equipment storage. This project is a deeply personal endeavor for Mollak, whose extensive experience in finish carpentry began at age 18 in production homes, eventually leading him to establish his own company, JPM Construction. He and his wife have previously built three other homes, with the last two being entirely self-built. The primary objectives for this new home are to provide ample space for their large family and to serve as a comfortable retreat with both indoor and outdoor living areas. The proximity of the shop space to the main residence is a deliberate design choice, allowing Jason to manage his work while remaining readily available for his young family. The construction process involves a hybrid approach, with the main structure and rough-in work being subcontracted, while Jason and his team, including friends and family, will complete the majority of the subsequent phases, starting from drywall installation. A significant aspect of this project is the involvement of Jason's children. They are encouraged to participate in various ways, from helping with construction tasks and selecting features for their own rooms to simply observing the daily progress. This hands-on experience offers them a unique educational opportunity to understand the intricacies of home construction from the ground up, teaching them about the time, planning, and budgetary considerations involved in bringing such a project to fruition. The project aims to instill a sense of pride and accomplishment in the children, allowing them to look back and say, 'Look what we built!' The article also highlights that readers can follow the progress of the build on Instagram via the account @livingonskyline. The article concludes by listing several recommended products from Fine Homebuilding and inviting readers to sign up for e-newsletters for more home building tips and offers. #FHBHOUSE #CustomHome #HomeBuilding #FamilyHome #JasonMollak #NebraskaBuild #ConstructionProject #DIYHome #JPMConstruction