This Hutker Architects-Designed Home Shows Off a Couple’s Contemporary Art Collection

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

This article presents a curated selection of ten residential interiors, meticulously designed to highlight and integrate significant art collections. It serves as part of the Dezeen Lookbooks series, offering visual inspiration for individuals interested in design. The featured homes range from minimalist, gallery-like spaces that provide a neutral backdrop for art, to more eclectic and busy environments where the art is woven into the overall aesthetic. Each example demonstrates unique approaches to displaying various forms of art, including paintings, sculptures, ceramics, and even bespoke furniture. The Former Artists Studio in the UK, transformed by Rodić Davidson Architects, showcases an eclectic mix of furniture and art within whitewashed brick walls and an open-plan layout, illuminated by a glass sloped roof. Alison Brooks Architects extended a Georgian farmhouse in the UK to create Windward House, featuring a double-height gallery space with niches specifically designed for particular art pieces, and a staircase integrating a mini-gallery of 100 small works. In Canada, Ali Budd Interiors designed Muskoka Cottage with pure white walls, stained wood floors, and wood-lined ceilings to serve as a backdrop for a client's art collection. Noteworthy pieces like Faye Toogood's Roly Poly chair and Paul Rousso's graphic art are strategically placed. John Wardle Architects renovated Kew Residence in Australia, his own home, incorporating Victorian ash on walls, ceilings, and floors to create a neutral setting for his collection of Japanese sculptures, ceramics, and vibrant artworks. Built-in shelving and cabinetry discreetly store collections without detracting from views. i29's Home for the Arts in the Netherlands displays an extensive art collection across two levels of a loft-style apartment. Double-height larch wood and grey HPL shelving conceal a staircase while housing books and sculptures, with grey resin floors providing a blank canvas. The Artery Residence in the US, designed by Hufft, was conceived around its owner's vast art collection, featuring expansive wall spaces for paintings, photography, and sculpture, complemented by specialized lighting and climate control systems akin to those found in art galleries. Stern McCafferty Architects renovated a 20th-century country home in Massachusetts, the Cambridge Residence, to better exhibit art. White matte walls with large baseboards and pale wood floors evoke a gallery aesthetic while maintaining country heritage. Casa Salvatori in Milan, Italy, by Elissa Ossino Studio, is situated in a 200-year-old palazzo and features marble and stone furnishings, sculptures, and artworks set against original rippled terrazzo floors. A green-stained wood-lined ceiling complements the stone palette and green-hued artworks, with woven wicker and brown butterfly chairs offering textural contrast. Magdalena Keck's Four Seasons Residence in Tribeca, Manhattan, is a two-bedroom home characterized by a minimal, monochromatic design. Its pared-back material palette, high ceilings, and large windows create a sophisticated, gallery-like environment for displaying art, softened by herringbone floors and a mix of vintage, contemporary, and custom furnishings. Finally, the Residence for Two Collectors in Chicago, US, by Wheeler Kearns Architects, is a penthouse apartment designed for an art collector couple. The open-plan space with walnut flooring functions both as a welcoming home and an event venue, showcasing a range of artworks, including a George Nakashima bench, Harry Bertoia sculptures, and Paul Evans furniture. #ArtFilledInteriors #HomeDesign #InteriorDecoration #ResidentialArchitecture #ArtCollectionDisplay #GalleryLikeHomes #ModernInteriors #ArchitecturalDesign #DesignInspiration

Meredith Rothman, a manager at Anonymous Content, initially envisioned a Spanish Revival home but was drawn to a modern, boxy house in Beverly Hills due to its floor-to-ceiling windows, natural light, and canyon location, which evoked childhood memories. She sought the advice of interior designer Lauren Waters, who convinced her of the property's potential as a "wonderful blank canvas for intriguing furniture and great art." This affirmation led Rothman to purchase the 2,500-square-foot spec house and commission Waters to transform it into a personal retreat suitable for entertaining and showcasing her art collection, which includes works by Analia Saban, John Baldessari, and a charcoal drawing by her grandmother, Luddie Waters. Rothman emphasizes the importance of collecting art by artists she connects with. The primary bedroom, located on the top floor, is designed as a serene space, featuring a custom wall-to-wall upholstered headboard and large windows offering views of the lush hillside and a 200-year-old oak tree, creating a treehouse-like ambiance. Waters initially advocated for a neutral palette, a decision Rothman now credits for improved sleep quality, with a rust velvet bench from Lulu and Georgia providing the only prominent color accent. A second bedroom on this floor has been converted into a gym. On the main level, a previously clunky electric fireplace with crystals was replaced by an open bookcase. This new feature serves to divide the dining and living areas while also providing a display space for Rothman's dishes, books, and art objects, such as a sculpture by Lauren Tsai and ceramics by Cody Hoyt. The kitchen underwent updates including brass hardware from Rejuvenation and cabinets painted in Farrow & Ball’s Railings, a soft black with blue undertones, to inspire Rothman's culinary pursuits. The living room is furnished with a custom sofa, inspired by Adrian Pearsall's cloud design, upholstered in cream bouclé and adorned with ball pillows made from vintage silks. Complementary pieces include a vintage French standing lamp and a Charlotte Perriand stool. John Baldessari’s screenprint, _Two Sunsets (One With Square Blue Moon)_, hangs above a vintage woodworking table from Amsterdam Modern, which functions as a credenza. Sliding doors connect the living room to an outdoor area featuring a vintage André Dubreuil wrought iron Spine chair. Notably, Rothman opted against placing a television in the living room, desiring a more meditative space conducive to conversation, while a custom sectional in Erica Shamrock rust velvet in the home's ADU is dedicated to movie and series watching with her husband, Jamie Iovine, co-founder of NTWRK. Vintage Benny Linden teak chairs, reupholstered in Zack & Fox fabric, surround a concrete table from Restoration Hardware, creating an inviting workspace. Rothman, who once preferred Spanish Revival, now finds her modern home perfectly suited to her lifestyle. #HomeDesign #InteriorDesign #HollywoodHomes #SpecHomeRenovation #ModernHome #ArtCollection #LuxuryLifestyle #BeverlyHills

The article offers a detailed look into the Atlanta home of interior designer Whitney Durham, owner and lead designer of Whitney Durham Interiors, and her husband Nathan Durham. Purchased in 2013, the 1932 cottage-style home, measuring 3,800 square feet with four bedrooms and three bathrooms, has undergone several updates to reflect Whitney's evolving design aesthetic while retaining its original charm. The Durhams initially bought the property with existing additions, such as an owner’s suite, an expanded kitchen, and a screened-in porch, which they later enclosed in 2016 to create a sunroom. In early 2020, a pool and cabana were added to the backyard, enhancing the outdoor living space. Whitney's design philosophy centers on injecting color, mixing old and new, and combining high-end and budget-friendly pieces to create a curated, joyful atmosphere. This is evident throughout the home. For instance, the foyer features an antique Turkish rug and an abstract painting by Michelle Armas, complementing the home's original Gothic blue front door. The living room showcases new sofas from Ellenburg Chair Company alongside antique mirrors and a vintage zebra hide, while an abstract painting by Elaine Burge and a two-tier chandelier by Aerin from Circa Lighting serve as focal points. The formal dining room was converted into a sitting room, furnished with custom swivel tub chairs, a vintage Lucite chandelier, art by Renee Bouchon, and a large abstract painting by Whitney herself. This space also incorporates Schumacher fabric for window treatments and Moroccan ottomans from B.D. Jeffries. The guest suite, which was the original owner’s suite, features bold coral walls with Hale Navy accents, beds from SWOOX Curated Consignment, a vintage dresser, and art by Teil Duncan and Christina Baker. The sunroom, created from the enclosed porch, provides a family gathering space with a custom sectional, swivel chairs, layered rugs, and an open connection to the kitchen. The kitchen itself has been updated with white quartz countertops on the island, a classic white subway tile backsplash, and vintage Turkish runners. Lighting fixtures by Sean Lavin and art by Elaine Burge further enhance the space. The owner’s suite is characterized by high ceilings, a collection of art, an antique canopy bed, and lamps made from vessels passed down from Whitney's grandmother. The children's bedroom features custom headboards, bedding from Serena & Lily and Ballard Designs, and monogrammed pillows, while their shared bathroom includes new mirrors, shiplap, and a whimsical cowboy painting by Elaine Burge. The playroom offers ample seating with a custom sofa and leather club chairs, adorned with their sons' artwork. The article highlights the collaborative effort in the home’s renovation, with landscape architect Graham Pittman working on the backyard. Whitney emphasizes that a home should be a source of happiness, filled with meaningful and carefully chosen pieces, reflecting her consistent approach to interior design. #InteriorDesign #HomeDecor #AtlantaHomes #WhitneyDurhamInteriors #HomeRenovation #CottageStyle #EclecticDesign #ArtCollection #FamilyHome

Art serves as a transformative element in home décor, offering a means to refresh living spaces and reflect personal tastes without extensive redecoration, particularly beneficial for renters. Experts suggest that a strategic selection and display of artworks can revitalize a home's ambiance, evoking emotions or establishing specific moods. For instance, abstract art with loose, expressionistic marks can create a romantic atmosphere, while a more graphic style can impart a modern, urban feel. The flexibility of art allows for periodic reconfigurations, mirroring how public galleries re-hang their collections, providing a renewed perspective within a home. Practical considerations for hanging art include using small nails for easy patching in rental properties or opting for leaning art against ledges, book stacks, mantelpieces, or consoles for a casual display. When integrating new art, it should complement existing furniture and homeware rather than compete with them. This can be achieved by placing art alongside items with similar aesthetic qualities, such as echoing patterns in a rug or the curves of ceramics, or by creating juxtapositions with personal ephemera like postcards or family photos. Wall-hung art can also provide a visual counterpoint to bulky furniture, acting as a focal point that balances the weight of larger pieces like sofas. Furthermore, carefully chosen art can unify a room by linking disparate design elements, such as contrasting materials or colors, ensuring a cohesive look. Artworks can reflect or complement tones present in fabrics or wood, thereby integrating the room's overall design. Beyond traditional wall art, incorporating usable art, such as art-themed coasters and placemats, can make art acquisition and display more approachable and enjoyable. Artists like Selina Snow demonstrate how personal art collections, including works by family members, travel souvenirs, and her own creations, can be curated against a neutral backdrop to create a unique and personal environment. Snow emphasizes the importance of linking colors and motifs in a way that enhances individual pieces without causing them to blend indistinguishably. She advocates for professional framing for original artworks to ensure their preservation and suggests installing UV protective window film in bright areas. Sculpture also has a place in home interiors, extending beyond gallery settings. Instead of relying solely on tables or plinths, sculptures can be displayed on affordable free-floating shelves at varying heights to create engaging domestic arrangements. For those looking to start an art collection, visiting art exhibitions, auctions, and open-studio events is recommended to discover art that resonates personally. Many galleries offer a 'try before you buy' service, allowing potential buyers to see how art integrates into their home environment at different times of day and in various locations. Before making permanent hanging decisions, it is advisable to experiment with configurations by laying pieces out on the floor. Ultimately, the selection of art should be deeply personal, reflecting what truly speaks to the individual, whether adhering to a specific theme or simply choosing pieces based on intuition, as there is no right or wrong approach to art selection. #HomeDecor #ArtDisplay #InteriorDesign #ArtCollection #LivingSpace #HomeStyling #ArtConsultancy #RoomTransformation #PersonalExpression

This article offers a glimpse into the Melbourne home of photographer and author Robyn Lea, showcasing her unique approach to interior design. The residence is a two-storey Victorian home with five bedrooms located in Melbourne's inner-eastern suburbs, where Robyn resides with her husband Tim Hunt, their two children, Isabella and Freddie, and their Beagalier puppy, Magnolia. The family undertook an extensive renovation of the home approximately 12 years prior to the publication of this article, subsequently enlisting Penelope Scott Interiors for window furnishings. Robyn Lea's office is highlighted as her favorite room, described as an evolving space filled with inspiring books, artworks, and various objects. This includes Italian-made plates by La DoubleJ, artworks by Charles Pollock, Nathalie Lété, and John Benn, and four distinct wallpapers, reflecting a constantly changing installation. The sitting room features a mural by Russian artist Ekaterina Panikanova, complemented by chairs from Early Settler and a table from Family Love Tree. The home's collection also includes numerous paintings by artist John Benn, a family friend. The neighborhood where the home is situated is characterized as small, with local cafes, shops, and a family-friendly atmosphere. Robyn expresses her ongoing intention to continuously evolve the interior homescape, viewing it as a natural extension of her visual storytelling through photography and writing about artists. Her advice for decorating is to personalize the space, stating, "Decorate to please yourself – it’s your nest, after all. If you love it, it will love you right back." A significant detail mentioned is Robyn's initial attraction to the home, which was influenced by a majestic magnolia tree in the back garden, reminding her of 'The Magic Faraway Tree.' #EclecticHome #InteriorDesign #MelbourneHomes #PhotographersHome #VictorianArchitecture #ArtisticInteriors #HomeRenovation #PersonalizedDecor

Architectural and interior design duo Arya and Michael Martin, founders of Studio OSKLO, have spent three years meticulously crafting their biophilic home in the Hollywood Hills. Their design philosophy focuses on integrating nature and minimalist aesthetics, blurring the lines between indoor and outdoor living. The property, located in the exclusive Doheny Estates, features an earthy color palette and natural materials, harmonizing with the surrounding granite hillside. The home incorporates elements typical of 1960s and 1970s Los Angeles architecture, such as architectural columns that conceal a series of interconnecting terraces accessible from every living space. A central atrium with a second-floor overlook brings greenery into the heart of the home, complemented by walls of rift oak and matte plaster detailing. Large retracting glass panels and expansive corridors create an open atmosphere, offering views of black olive trees, grasses, and aged stepping stones. The exterior uses white and cream tones to soften the columns, which are exposed to direct sunlight. Hinoki-inspired wooden paneling wraps the second-floor terraces to provide privacy. A limestone promenade leads to a zero-edge pool, a private dining garden with a fireplace, and a granite rock formation inspired by the luxury hotel Amangiri in Utah. Inside, the plasterwork is predominantly white, with exceptions in the taupe cloakroom and the oak-paneled TV room. The sitting room features a fireplace carved from a two-ton block of Paloma limestone, assembled on-site by 16 men. The kitchen boasts Calacatta Paonazzo marble, lending a vintage feel to the contemporary space, while a Calacatta gold marble bar adds warmth. Each bedroom is designed with a unique palette to enhance personality. The interiors are furnished with a rich mix of textures, including boucle, velvet, mohair, and linen. Irani carpets, inherited from Arya’s family, blend seamlessly with pieces by notable designers like Vladimir Kagan, Gio Ponti, and Rick Owens. The couple also incorporated collectibles from their travels to Madrid, São Paulo, and Marrakech, creating a curated global aesthetic. Many furniture pieces were custom-made by Studio OSKLO, characterized by gentle abstract shapes and textures. Accessories from Tokyo, sourced during their trips to Japan in 2021 and 2022, contribute an Eastern influence to the Los Angeles views. Pottery, 19th-century bronzes, and clay objects are artfully displayed on built-ins, shelving, and tabletops. The dining room features a Tamara de Lempicka artwork, and a 1960s-era bronze bust adorns the second-floor hallway, reflecting the Martins’ personal tastes and careful attention to every detail in their home. #BiophilicDesign #HollywoodHills #StudioOSKLO #MinimalistInteriors #NaturalMaterials #EarthyPalette #LuxuryHomes #CustomFurniture #ArchitecturalDesign #InteriorDesigners

The Waccabuc residence of Myron and June Goldfinger is a 2,500-square-foot modern home, characterized by an extensive and eclectic collection of artwork, artifacts, and furnishings spanning various eras, styles, and mediums. Upon entering, guests are immediately greeted by unique pieces such as a pig-cycle coatrack, fanciful African masks, giant wooden snakes, a glamour photograph of Jackie O, and a vintage barber chair. The collection extends to a shelf of birdhouses, handmade straw brooms from Anguilla, and a three-by-four-foot folk-art circus from Rio de Janeiro, which animates with clapping audiences and swinging monkeys when wound. June Goldfinger emphasizes that nothing in her home is too precious, encouraging a lived-in and enjoyed environment. The house features three additional floors, all accessible via spiral staircases, and continues to showcase diverse collections. These include June’s collection of Navajo silver belts, Myron’s vintage train sets from the 1930s, and black-and-white photographs by David Michael Kennedy featuring musicians like Bob Dylan and Muddy Waters, alongside a portrait of Myron. Other rooms house large African puppets, paintings by Greek artist George Constant, a Dogon mask from Africa, wooden porcupines by Santa Fe carver Miguel Rodriguez, a barber pole from Brooklyn, a cheetah-cycle, and an 1896 sign from a Katonah building owned by the Goldfingers. The couple’s extensive holdings even include a Picasso, though its current location remains elusive among their five properties and boutique resort designs in the Caribbean. Each item in the Goldfingers’ home holds a story, often acquired during their travels, and is accompanied by humorous anecdotes, such as June transporting a two-foot-tall Ferris wheel under her skirt from Chicago to New York. The 42-year-old home, designed by Myron and approved by June sight unseen, sits on 10 wooded acres and exhibits a Cubist aesthetic amidst rock outcroppings and trees. Its numerous windows, skylights, and glass walls integrate nature into the living spaces, allowing natural light to highlight the interior. The architectural layout of the house is atypical, featuring a kitchen on the second floor and bedrooms on the third and fourth. The structure includes four floors on one side and three on the other, with a glassed-in, second-floor dining room that suspends in the middle, described by Myron as a “greenhouse bridge.” This dining room connects the “main house” to “the studio,” where June’s office is located, and is noted for its spaceship-like appearance at night. The home lacks a traditional front door, utilizing a large sliding-glass partition instead. A guest house, inhabited by one of their daughters, and two large ponds are also part of the property. Despite friends referring to it as a “museum residence,” June prefers the term “serious fun house.” The home contains valuable museum pieces by artists whose works are displayed in prominent institutions like the Met, the Museum of International Folk Art in Santa Fe, the Louvre, and the Smithsonian. However, these pieces are openly displayed on various surfaces, encouraging interaction, and are not hidden behind elaborate barriers. The couple’s 8-year-old granddaughter, Eva, has full access to the home, with her plastic toys sometimes placed alongside valuable items like a Buccellati sterling chameleon. June, who is co-authoring a cookbook with Eva, emphasizes that the house is designed for comfort and enjoyment, resisting the concept of a show house where guests are hesitant to relax and make themselves at home. The Goldfinger home is a vibrant testament to living surrounded by art and personal history. #InteriorDesign #WaccabucHome #ArtCollection #EclecticDecor #ModernArchitecture #FolkArt #DesignerHome #TravelInspired #UniqueHomes

This article offers a virtual tour of 14 spectacular homes belonging to renowned artists and architects around the world. These residences, usually open to the public but now virtually accessible, provide a glimpse into the personal spaces and creative environments that shaped these influential figures. The article highlights unique architectural styles, interior designs, and personal touches that reflect each artist's personality and work. The tour begins with Frederic Church's Olana in New York's Hudson Valley, a 19th-century landscape painter's home that blends Victorian and Middle Eastern motifs. Oscar Niemeyer's Casas das Canoas in Rio de Janeiro showcases his signature curves and reinforced concrete, with organically positioned boulders integrated into the design. Frank Lloyd Wright’s Taliesin in rural Wisconsin is described as his architectural autobiography, an 800-acre estate that is now a UNESCO World Heritage site. Philip Johnson’s Glass House in New Canaan, Connecticut, features wraparound windows designed to integrate with the surrounding landscape, a meticulously sculpted environment inspired by a 17th-century painting. Duncan Grant and Vanessa Bell’s Charleston House in Sussex, United Kingdom, embodies bohemian charm with hand-painted cupboard doors, patchwork chintz curtains, and stenciled paisley walls, complemented by a vibrant garden. Frida Kahlo’s Casa Azul in Mexico City, the site of her birth, death, and many years of her life, is a cobalt-washed residence with chartreuse floors and bright white walls, showcasing local folk art, handmade ceramics, and pre-Columbian sculptures. Auguste Rodin’s La Villa des Brillants in Meudon, France, served as his workshop, business place, and home, filled with dazzling white sculptures. Jackson Pollock and Lee Krasner’s East Hampton home has remained untouched since Krasner’s death, featuring paint-splashed floors in the studio and an eclectic interior with a broken anchor and Krasner’s seashell collection. Georgia O’Keeffe’s home and studio in Abiquiu, New Mexico, radiates natural light and includes surprises like a rattlesnake skeleton, along with an extensive potager garden. Clementine Hunter’s modest cabin at Melrose Plantation in Louisiana showcases her prolific artistry, with thousands of paintings depicting daily life. Frederic Church's Olana, a Persian-inspired fortress, is rich with hues of mustard, cherry, and clay, lavishly draped in Turkish rugs and ornate frames. Jim Thompson’s teak Thai-style home in Bangkok, though not an artist's own work, houses an extraordinary collection of traditional Thai art. Sam Maloof’s 1952 California ranch-style home, relocated to Pomona, features treehouse vibes with redwood walls, a hand-carved spiral staircase, and whimsical stained-glass windows. Irma Stern’s The Firs in Cape Town, South Africa, is a colorful collage of portraits and tribal artifacts, painted in mint green, sunny yellow, and and vivid corals. Finally, Claude Monet’s home in Giverny, France, is famous for its poetic interior with a stream of copper pots in the kitchen and lemony yellow dining room, alongside his collection of Japanese art. #ArtistHomes #ArchitecturalDesign #InteriorDesign #CulturalTourism #VirtualTours #ArtHistory #HistoricHomes #TravelInspiration #GlobalArt

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

This article delves into the holiday home of prominent gallerists Kadee Robbins, director of the Michael Werner Gallery in London, and Stefan Ratibor, director of the Gagosian in London. Their residence is a 17th-century baroque manor in the Danube valley, about half an hour from Vienna, Austria. The property, initially found and purchased by Ratibor in 2005, became a shared project and a labor of love after he and Robbins began their relationship. The manor was once owned by an "aged and reclusive opera singer" and had fallen into disrepair, described as being hidden in a forest and overrun with flora. With the assistance of architect Annabelle Selldorf, a friend of the couple known for her work on projects like the Frick Collection extension in New York, the manor underwent a comprehensive restoration. The renovation focused on removing clutter both inside and outside the structure and simplifying its layout to create a more relaxed and airy living space. The goal was to transform the historical property into a comfortable family home, suitable for the couple and their three young children. The family typically uses the home for holidays during Christmas, Easter, and a summer period. A central feature of the home is its extensive collection of contemporary art, carefully curated by Robbins and Ratibor. The collection includes pieces by artists they have collaborated with, befriended, or admired, such as Ed Ruscha, Peter Doig, Franz West, and Jeff Koons. Robbins emphasizes that this collection was assembled organically over time, rather than through a predefined grand plan. Despite the high value of the artworks, she maintains a pragmatic approach, acknowledging that the house is a living space for children. She notes that while the pieces are lovingly cared for, the family remains philosophical about potential wear and tear, joking about a Carsten Höller yellow rhino sculpture in the upstairs hall that has likely been sat upon by the children. The article highlights several specific artworks and design elements within the home. For instance, the master bedroom features a picture by American artist Aaron Young, created from motorcyclists driving across primed panels, leaving skid marks. This room also contains 1960s Italian chairs and a carpet from Azerbaijan. A photograph by Douglas Gordon is flanked by baroque chairs inherited from Ratibor’s great-aunt, with a 1960s French lamp. A neon artwork by Tracey Emin is displayed above a 19th-century sofa, which is a Ratibor family heirloom. The guest bedroom showcases works by Glenn Brown and Ed Ruscha, with an Iranian carpet and a chocolate velvet chaise longue from Robbins's previous life in New York. The first-floor sitting room includes sofas by 20th-century Italian designer Guglielmo Ulrich, a mirror by Jeff Koons, a sculpture by Franz West, and a painting by Adam McEwen, all set against an original mantelpiece. In the garden, there is a sculpture by the late Franz West, an Austrian artist and close friend of the owners. These details illustrate the blend of historical architecture, contemporary art, and personal touches that define the couple's unique holiday home. #HolidayHome #BaroqueManor #ContemporaryArt #InteriorDesign #AustrianArchitecture #ArtCollection #GalleristHome #AnnabelleSelldorf #FamilyHome

The Cochran family, including parents Sheryl and David, and sons Luke and Matt (with wife Courtney), shares a distinct interior design aesthetic characterized by a blend of modern, vintage, and quirky elements. This aesthetic has evolved through their shared love for music, art, and eclectic pieces, with the parents' curated home inspiring their sons' living spaces. David Cochran, an artist, contributes significantly to their art collections, and family painting sessions further enrich their homes' decor. The siblings' individual design choices also influence each other, with new finds by one often sparking ideas for the other. Courtney and Matt Cochran’s historic home in the Fan District, built in 1909, exemplifies this shared style. They meticulously preserved the home's original charm, refinishing floors and retaining existing chandeliers to maintain its inherent grandeur. Their approach to furnishing involved a slow and deliberate process of acquiring pieces from estate sales, antique markets, and local stores like Class and Trash. The entryway features an original crystal chandelier juxtaposed with an industrial console table and an African elephant mask, showcasing their ability to blend diverse styles. The dining and living area combines a West Elm dining table with midcentury modern chairs and a velvet sofa, illuminated by vintage stained-glass panels. The use of subtle color notes and carefully chosen art and decor creates a harmonious space that seamlessly merges new and old. Luke Cochran's South Side Richmond home also reflects the family's aesthetic, with his mother, Sheryl, providing design guidance. Renovations in Luke's home were minimal, primarily focusing on removing walls to create a more open layout, thereby preserving its original character. His design philosophy centers around unique pieces, such as an antique carved wooden cabinet sourced from Circa in Charlottesville, which is contrasted with contemporary gold lamps. The dining room features deep blue walls and modern cabinets, softened by a wooden pantry door from Caravati’s in Ashland. A retrofuturistic Sputnik-inspired light fixture bridges modern features with warm wooden elements, resulting in a refined yet comfortable atmosphere. Across both homes, a consistent theme emerges: the juxtaposition of furniture with eclectic art collections and luxurious mirrors. This common stylistic thread connects the generations, illustrating how a shared passion for design can manifest uniquely in different living spaces while still retaining a familial signature. Each home, while reflecting the individual tastes and travel experiences of its occupants, maintains an inviting ambiance where art, music, and creativity are central to the living experience. This intergenerational influence and the conscious curation of diverse elements define the Cochran family's interior design approach. #homes #interiorDesign #homeDecor #families #antiques #vintageStyle #artCollections #eclecticDecor