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R5 Inside the Waccabuc Home of Interior Designer June Goldfinger
The Waccabuc residence of Myron and June Goldfinger is a 2,500-square-foot modern home, characterized by an extensive and eclectic collection of artwork, artifacts, and furnishings spanning various eras, styles, and mediums. Upon entering, guests are immediately greeted by unique pieces such as a pig-cycle coatrack, fanciful African masks, giant wooden snakes, a glamour photograph of Jackie O, and a vintage barber chair. The collection extends to a shelf of birdhouses, handmade straw brooms from Anguilla, and a three-by-four-foot folk-art circus from Rio de Janeiro, which animates with clapping audiences and swinging monkeys when wound. June Goldfinger emphasizes that nothing in her home is too precious, encouraging a lived-in and enjoyed environment.
The house features three additional floors, all accessible via spiral staircases, and continues to showcase diverse collections. These include June’s collection of Navajo silver belts, Myron’s vintage train sets from the 1930s, and black-and-white photographs by David Michael Kennedy featuring musicians like Bob Dylan and Muddy Waters, alongside a portrait of Myron. Other rooms house large African puppets, paintings by Greek artist George Constant, a Dogon mask from Africa, wooden porcupines by Santa Fe carver Miguel Rodriguez, a barber pole from Brooklyn, a cheetah-cycle, and an 1896 sign from a Katonah building owned by the Goldfingers. The couple’s extensive holdings even include a Picasso, though its current location remains elusive among their five properties and boutique resort designs in the Caribbean.
Each item in the Goldfingers’ home holds a story, often acquired during their travels, and is accompanied by humorous anecdotes, such as June transporting a two-foot-tall Ferris wheel under her skirt from Chicago to New York. The 42-year-old home, designed by Myron and approved by June sight unseen, sits on 10 wooded acres and exhibits a Cubist aesthetic amidst rock outcroppings and trees. Its numerous windows, skylights, and glass walls integrate nature into the living spaces, allowing natural light to highlight the interior.
The architectural layout of the house is atypical, featuring a kitchen on the second floor and bedrooms on the third and fourth. The structure includes four floors on one side and three on the other, with a glassed-in, second-floor dining room that suspends in the middle, described by Myron as a “greenhouse bridge.” This dining room connects the “main house” to “the studio,” where June’s office is located, and is noted for its spaceship-like appearance at night. The home lacks a traditional front door, utilizing a large sliding-glass partition instead. A guest house, inhabited by one of their daughters, and two large ponds are also part of the property.
Despite friends referring to it as a “museum residence,” June prefers the term “serious fun house.” The home contains valuable museum pieces by artists whose works are displayed in prominent institutions like the Met, the Museum of International Folk Art in Santa Fe, the Louvre, and the Smithsonian. However, these pieces are openly displayed on various surfaces, encouraging interaction, and are not hidden behind elaborate barriers. The couple’s 8-year-old granddaughter, Eva, has full access to the home, with her plastic toys sometimes placed alongside valuable items like a Buccellati sterling chameleon. June, who is co-authoring a cookbook with Eva, emphasizes that the house is designed for comfort and enjoyment, resisting the concept of a show house where guests are hesitant to relax and make themselves at home. The Goldfinger home is a vibrant testament to living surrounded by art and personal history.
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