
Home design: Moving from an all-beige condo to full color
The owners of a three-story brownstone in Boston's Rutland Square, having recently moved from an all-beige condominium, sought to infuse their new family room with vibrancy and playfulness. Recognizing their own hesitancy in selecting colors and patterns, they enlisted the expertise of Cara Fineman, founder of DAG Design. Fineman's approach began with a bold design choice: an oversized, stylized leaf-patterned wallpaper in chartreuse by Katie Ridder. This wallpaper, despite its large pattern, successfully wraps the room without overwhelming it, a testament to the space's generous proportions which include a connection to a hallway and staircases. The design effectively allows the pattern ample room to breathe and maintain visual balance within the environment.
Central to the family room's functionality and aesthetic is a round natural white oak coffee table by Oyoy. This piece serves as a grounding element for the otherwise exuberant design, providing a practical surface for activities such as board games, a favorite pastime for the family. To address the limited space on either side of the sofa, Fineman introduced a purple acrylic C-shaped table sourced from HomeGoods. This clever addition fits neatly over the arm of the sofa, offering a convenient surface without consuming valuable floor space.
The decor incorporates a calming oil painting by South Shore artist Wendy Callahan. This artwork was chosen specifically because its subdued nature does not compete with the bold wallpaper. Furthermore, its visual qualities complement the ombre effect present in the Dash & Albert wool rug, creating a cohesive and harmonious look. For seating beyond the sofa, a chair was acquired from Target and subsequently reupholstered in a soft, washable linen. This strategic choice was driven by the expectation of infrequent use, allowing for a cost-effective solution. The chair's smaller scale is well-suited to the room, and its black frame thoughtfully echoes other black accents within a nearby bar area, demonstrating an attention to detail and continuity in the design.
Storage and media integration are handled by a Made Goods rattan console, which firmly anchors a Samsung The Frame television positioned above it. Fineman emphasized the importance of incorporating natural warmth and texture into the room to balance the abundant color, a role the rattan console fulfills perfectly. Additional seating and comfort are provided by custom ottomans, upholstered in a crinkly violet-checked Belgian linen from Isobel. These ottomans not only offer flexible seating arrangements but also serve as comfortable footrests. Their striated linear pattern introduces another layer of visual interest, subtly complementing the watercolor-like floral pillows by Imogen Heath, which are arranged on the opposing sofa, tying together the various design elements into a unified and inviting family space.
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