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How to mix different wooden tones like an interior designer – 'It makes spaces feel more collected'
The perception that mixing wood tones in interior design is a challenging endeavor, often going against conventional practices, is a common sentiment among those new to design. Traditional approaches often suggest adhering to a single wood tone throughout a space, such as blonde oak in Scandi-style living rooms or walnut in more classic settings. However, interior designer Gabriela Eisenhart, founder of Silo Studios, advocates for a different approach: strategically mixing wood tones to create a more curated and elevated aesthetic. She emphasizes that this method introduces warmth and additional dimension that cannot be achieved through other decorating means.
Eisenhart argues that wood inherently adds a natural texture and warmth crucial for anchoring designs, especially in clean-lined or minimal spaces. She contends that mixing wood tones is essential for making a home feel intentionally designed rather than simply assembled. This technique helps spaces appear more 'collected,' reflecting a thoughtful and artistic eye rather than strict adherence to design rules. For instance, in a recent bathroom renovation, Eisenhart used white oak for a large vanity. To add depth and character to the otherwise beautiful and calming space, she incorporated a vintage walnut stool, which was weathered and water-stained, instantly making the room feel more cohesive and curated. The key lies in creating a dialogue between different wood elements, where each piece complements the others.
Mixing wood tones can be complex due to the need to manage tonal differences. Eisenhart explains that while contrasting woods like white oak and walnut work well together because of their distinct characteristics, woods that are too similar, such as white oak and weathered oak, might fall flat. The goal is to achieve a varied yet harmonious look. In one of her dining room designs, she utilized woods with similar tones but introduced diverse textures, which brought significant character to an otherwise monochromatic scheme.
When it comes to specific combinations, Eisenhart often relies on instinct but finds that white oak and walnut are particularly effective partners. A crucial aspect of her method is ensuring that no single wood tone stands in isolation; every wood piece should have a 'companion' within the room. For example, in her own home, to integrate a rich walnut piano with oak floors, she added a piano stool in a matching walnut tone to bridge the two elements seamlessly. This prevents any single wood from appearing out of place. Her advice extends to incorporating vintage wood, which often has redder undertones. She suggests pairing vintage pieces with other items in similar or identical wood tones to create a cohesive look. In her bathroom example, framing wall art in walnut wood served to unify the vintage stool with the overall design.
However, Eisenhart draws a clear line at mixing warm and cool-toned woods. She strongly advises against combining warm woods, such as reddish walnuts, cherries, and sunny yellow oaks, with cool, ashy, or gray-tinged woods like ash and maple. She believes these distinct palettes should generally be kept separate to maintain harmony. For spaces with popular oak floors, she recommends incorporating walnut, ensuring it constitutes about 20% of the furniture to create a balanced look. Alternatively, for a minimalist aesthetic with oak floors, varying the texture of the oak—such as combining raw oak with varnished or glossily finished pieces—can introduce subtle yet impactful dimension. Ultimately, mixing woods requires thoughtful consideration and experimentation, but following these guidelines can lead to profoundly rich and elegant interior spaces.
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