A Painter’s Home That Celebrates Hawaii (Published 2022)

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

The article explores the West Hollywood apartment of multidisciplinary artist and designer Hannah Polskin, known for her distinctive black and white diptychs and triptychs. Polskin deliberately chose her current loft for its expansive, 17-foot-high walls, which accommodate her large-scale artistic endeavors. Prior to this, her smaller living space often required her to move furniture into the hallway to create enough room for her ambitious art projects. The current apartment serves as both her living space and a personal gallery, allowing her to immerse herself fully in her work, a concept she refers to as not doing the "work-life balance thing." She believes the home setting is crucial for her creative process, enabling her to constantly interact with her art and understand how it integrates with other objects. Polskin has incorporated her artistic vision into the apartment's permanent fixtures. For instance, she transformed the kitchen's single-wall layout by constructing a Donald Judd-inspired island from Baltic birch plywood. This island features her characteristic undulating lines, coated in a food-safe resin that enhances the natural glow of the exposed wood. A unique challenge arose in finding appropriate barstools, leading her to acquire three Arthur Umanoff seats via OfferUp, which she then customized by using an angle grinder to adjust their heights. This hands-on approach extends to a private garage woodshop, dubbed "scraptopia," where she undertakes larger commissions, intricate carvings, and stores prototype parts, many of which serve as inspiration for future works like amorphous mirrors. Her bedroom's direct view into this workspace ensures she is constantly connected to her craft. Another example of her integrated art and living space is her bedroom's mural, which functions as a headboard. This mural, a challenging project due to its vertical application, extends across adjacent walls, creating a cocoon-like sleeping environment. The wavy, organic shapes prevalent in her work are a consistent motif, deeply ingrained in her artistic identity since childhood. She finds the creation of these free-flowing forms liberating and self-nurturing. Polskin is also expanding her artistic exploration into new materials, such as burl wood, which she considers highly valuable due to its unique knots formed by natural trauma. Inspired by a trip to the Venice Biennale, Polskin plans to experiment with unconventional wood types, intending to use an antique, distressed cheese board as a canvas. She also aims to translate her designs onto stone and metal. Her ingenuity is evident in her custom-built aluminum cabinet designed to conceal her television, though she humorously recounts an ergonomic flaw where the hardware obstructed the remote control signal, requiring her to stand up to change channels. The article also provides a brief shopping guide for pieces inspired by Polskin's home, including her own art mirrors and diptychs, as well as a burl rotating side table and an Isamu Noguchi Akari ceiling lamp. She shares insights into her vintage shopping habits, mentioning @shopNFS and the Santa Monica Airport Flea, and discusses her splurges and saves, emphasizing the personal effort invested in her custom furniture. #ArtistHome #HomeTour #AbstractArt #HannahPolskin #InteriorDesign #CustomFurniture #DIYHome #ArtisticLifestyle #DesignInspiration

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

This article details the transformation of a 1950s ranch home in Nashville, owned by painter Elizabeth Stern, into a vibrant and personalized living space. The renovation, led by local architecture firm Pfeffer Torode with lead architect Erin Cypress and interior designer Liz Bonesio, focused on enhancing natural light and integrating a distinctive color palette inspired by the homeowner's artistic vision. Initially, the ranch lacked sufficient light and color, presenting a blank canvas for the design team. A primary objective was to open up the internal structure to allow more natural light to penetrate. Cypress achieved this by designing a series of cased openings that connect the private sleeping quarters with the public entertaining areas. These public spaces were conceived to be free-flowing, suitable for parties, pool, and mah-jongg. A significant addition was a sunroom extension off the kitchen, living, and dining rooms, designed with numerous windows and high ceilings to create a seamless connection with the garden and patio, making the outdoors feel like an integral part of the interior. Stern also expressed a preference for minimal recessed lighting. Bonesio addressed this by sourcing various flush-mount fixtures throughout the house, ensuring an even distribution of light without relying heavily on overhead recessed lights, except for a few essential ones in the kitchen. The color scheme played a crucial role in reflecting Stern's artistic sensibility. A recurring earthy, pink-toned terra-cotta, found in the plaster walls of the dining room and reclaimed French _parefeuille_ floors of the sunroom, became a central theme. This warm hue was harmoniously paired with blues, primarily Farrow & Ball Skylight, a pale blue-gray, which served to highlight the warmth of the terra-cotta tones. This deliberate choice of colors created a harmonious and personal atmosphere, aligning with Stern's artistic preferences. The renovation extended to various rooms, each featuring carefully selected details and materials. The living room showcases built-ins painted in a combination of mineral paint and fine paints, flanking an original marble mantel. Custom elements like a Remains Lighting Company flush mount, a Materia's Forchette 24 Chandelier, custom Lee Jofa fabric curtains, and an Erden custom rug contribute to its unique character. The kitchen features an oak island designed without plumbing, along with cabinets painted in Domingue Architectural Finishes' Chapel and Cristallo Azul quartzite countertops. Barber Wilsons & Co. faucets and Balsamo pendants complete the look. The butler's pantry, converted from a storage room, includes a deep Kohler sink for flower arranging, complemented by pendants from Remains Lighting Company and London Silk quartzite countertops. Its cabinets are painted in Benjamin Moore Sandblast and Sherwin-Williams Blustery Sky, with Zak + Fox wallpaper backing Stern’s ceramic collection. The sunroom, referred to as the “catbird seat,” is an idyllic dining area with a Soane pendant, Zak + Fox fabric shades with Bruder trim, and a custom banquette. The dining room, intended for parties, features paneling painted in Farrow & Ball Skylight, allowing for art salon-style displays, and includes a dining table that doubles as a pool table, alongside a piano. The mudroom incorporates a vintage Facebook Marketplace sink with de-plated Chicago Faucets, and walls painted in Benjamin Moore's Seapearl, Pilgrim Haze, and Blue Note, with Currey & Company pendants. The primary bedroom features a Dennis Miller bed upholstered in Rose Tarlow fabric, a Brett Design nightstand, a Soane sconce, and Libeco Home bedding. The guest room uses Peter Fasano wallpaper to inspire a natural palette, with custom beds lacquered in Fine Paints of Europe GC603, Made Goods nightstands, and custom Osborne & Little fabric coverlets. Bathrooms are equally detailed; the primary bathroom includes a gilded papier-mâché Fisher Weisman chandelier, a Victoria + Albert bathtub with Barber Wilsons & Co. tub filler, custom Etamine fabric café curtains, and an Eliko Rugs rug. The guest bathroom, a jack-and-jill style, features a Lacava trough sink, Farrow & Ball De Nimes paint, Tabarka Studio wall tile, a Remains Lighting Company ceiling light, and a Circa Lighting sconce. Lastly, a Hartley Botanic Victorian plant house serves as a greenhouse and potting shed for garden herbs, reflecting Stern's personal touch throughout the entire property. #HomeRenovation #InteriorDesign #NashvilleHomes #ColorPalette #SunroomDesign #KitchenDesign #ArtistHome #HistoricRanch #PfefferTorode

Designer Jana Lam has cultivated a vibrant home studio in Niu Valley, Hawai‘i, mirroring the cheerful and colorful aesthetic of her distinct prints. Her entryway sets the tone with a marigold-yellow front door and a pink-and-green pineapple patterned doormat, leading into a spacious, sun-drenched side room that functions as her primary operational hub. This ranch-style home, built in 1947 and previously owned by her husband's grandparents, became the foundation for Lam's brand expansion when the couple moved in in 2012. The availability of this dedicated space was instrumental in scaling her business and team from a single-person operation struggling with orders. Since then, her line has grown to feature over 30 hand-drawn tropical designs, and her studio now supports a staff of five who manage textile design, production, and e-commerce. Lam describes her studio's overall aesthetic as "light and bright." The space is efficiently organized with rows of fabric bolts lining one wall and a spectrum of notions and zippers neatly stored in clear plastic drawers. Antique Chinese-style furniture has been replaced by large fabric-cutting tables, which are consistently covered with interfacings and various fabric swatches awaiting assembly. The opposing wall displays a dynamic mood board, combining artistic doodles, fabric samples, framed inspirational quotes, and cherished photographs of her children, Lyon and Aili, aged four and one respectively. One of the most significant benefits of having her workspace at home, according to Lam, is the close proximity to her children. She values the unique opportunity for her work and family life to intersect, acknowledging its challenges while emphasizing the deeper bond it has fostered with her kids. The studio also features a shaded screen-printing nook located just outside, where screen printer Kellie Hirata works. Large, sliding French doors open from the studio to a small patio and an expansive beachfront lawn, framed by lush foliage and tall palm trees, creating a picturesque setting. This outdoor area serves as a venue for family Christmas parties and even weddings. Lam's popular Shellini print was directly inspired by her beach walks and treasure hunts with her son, Lyon. Lam’s current projects include a venture into home textiles, such as tea towels, placemats, table runners, and tablecloths, showcasing her classic Sea Flower print and the new Anthurium pattern. She considers the Anthurium print to be her strongest design to date. With a background in interior design, this natural progression into home accents is just the beginning of her aspirations. She aims to expand into other home décor items like bedding, curtains, wallpaper, and upholstery in the future. #HomeStudio #JanaLam #TextileDesign #HawaiianPrints #InteriorDesign #WorkLifeBalance #NiuValley #TropicalDesigns #HomeDecor

Meleana Estes, a jewelry designer and author of 'Lei Aloha,' along with her family of three, downsized from a large, renovation-needing home to a 1,000-square-foot turnkey beach bungalow on Honolulu’s south shore. The move necessitated a strategic approach to organization to accommodate Estes' extensive vintage collection. Key elements of her collection, such as an antique Indonesian dresser and original artworks by Allen Akina, were successfully integrated into the smaller space. A significant aspect of the transition was converting a small back cottage into a "muumuu sanctuary," ensuring her fashion collection was preserved. Heirloom furniture, large casegoods, and a collection of surfboards also made the move. Estes' design philosophy is heavily influenced by her Hawaiian heritage, which she describes as an inclination towards adornment, layering, and embracing the "extra." This is evident in the vibrant color palette throughout her home, particularly her fondness for pink, which she integrates in various areas, allowing different elements to complement each other. Her approach suggests that if something brings joy and feels right, it is meant to work together. The 1926 bungalow, already tastefully updated with a light touch, provided an ideal backdrop without requiring additional renovations. The white walls and black double-hung windows establish an elegant foundation, with matching shades offering both light control and architectural definition. Incorporating sufficient storage was a priority for Estes. She implemented open shelving in the kitchen and freestanding cabinetry, including a large glass-front piece in the living room acquired from a friend's shop. Her son's bedroom features a green hutch, offering an organized solution for his monster trucks, books, and trinkets. Estes also collaborated with local design studio Woven to create a blue bar cart for the kitchen, which serves a dual purpose for drinks and storage of books and seashells. Woven also fabricated the coffee table in the living room's sitting area. The home seamlessly blends vintage finds with modern furniture. Inherited pieces form the core of the design, reflecting Hawaii's historical practice of crafting furniture from local materials and passing them through generations. The rattan sofa and chair set in the living room, belonging to Estes’ grandmother, were updated with new upholstery. A pedestal dining table made from Koa wood, indigenous to Hawaii, is another cherished family heirloom. Estes encourages mixing styles and eras, emphasizing trust in one's personal taste, stating that if you love something, there's a reason it belongs. Although the bungalow is not intended as a permanent residence, it currently perfectly suits their lifestyle. The home has become a central hub for social activity, often resembling a "surf club." Estes' husband keeps his boat in the garage, and friends frequently visit to rinse off after surfing. Her son's friends also pass through between beach volleyball games. Their expanding collection of colorful surfboards doubles as decorative elements when not in use. This communal atmosphere, combined with the beautiful water and frequent gatherings with food and drinks, encapsulates what Estes describes as the "best of Honolulu life." #HomeTours #DesignInspiration #HawaiianDesign #SmallSpaceLiving #VintageDecor #MaximalistStyle #InteriorDesign #HonoluluHome

The article showcases Liz Tew's favorite room, highlighting her approach to creating a relaxing and inviting living space. The design centers on a serene color palette, utilizing Benjamin Moore's Pale Oak for the walls, which sets a calming foundation for the room's aesthetic. This choice of wall color contributes significantly to the overall tranquil ambiance of the living area. Several key design elements are incorporated to enhance the room's visual appeal and comfort. Woven raffia wall hangings are prominently featured, adding texture and a natural, organic touch to the space. These hangings are noted as a growing trend in home decor, indicating a contemporary design sensibility. The integration of art pieces is another significant aspect of the room's design, with a collection from artists Annie Howell, Katie Hinshelwood, Grace Pouch, and Whitney Stoddard creating a cohesive and visually stimulating grouping. This curated selection of art reflects a thoughtful approach to personalizing the space. Natural elements are strategically used to introduce warmth and visual interest. A wooden circular mirror serves as a natural texture element, providing a contrast to the cooler tones in the room and adding a sense of organic elegance. Furthermore, a tall fiddle leaf fig tree is positioned in a corner, adding height and bringing a touch of nature indoors, which contributes to the room's freshness and vitality. Textiles play a crucial role in enhancing the comfort and style of the living space. The couch features throw pillows by artist Laura Park, which introduce patterns and colors that complement the overall design. These pillows are paired with thick banded curtains, creating a harmonious and polished look. The attention to detail extends to smaller accents, such as a beaded decoration on a vintage door knob, illustrating how minor elements can contribute to the room's character and charm. A particularly notable art piece in the room is "ÒLarry LlamaÓ" by local artist Marian Pouch. This painting not only serves as a focal point but also connects the interior space to the local art scene, as a larger version of the piece adorns the Camperdown Plaza in downtown Greenville. This inclusion underscores a blend of personal taste with an appreciation for local culture. Overall, Liz Tew's favorite room is characterized by a carefully balanced combination of calming colors, natural textures, curated art, and thoughtful decorative details. The design emphasizes creating an inviting and aesthetically pleasing environment through a harmonious selection of furnishings and decor, reflecting a contemporary yet timeless approach to interior design. #HomeDecor #InteriorDesign #LivingRoom #PaintColors #HomeStyling #ArtCollection #NaturalElements #TextileDesign #GreenvilleHomes

Makani’ Eka, a family compound located on The Big Island, Hawaii, is situated on a hardened lava flow and offers expansive views of the sky, sun, and water. Designed by Walker Warner Architects, the property balances modern aesthetics with traditional Hawaiian influences. The compound comprises four independent structures, including a cedar-clad main living pod, strategically arranged to provide both communal gathering spaces and private retreats. The architectural design and interiors integrate modern elements with traditional materials and concepts, aiming for enduring quality and livability across generations. Greg Warner, the principal architect, describes the arrangement as a “village,” drawing inspiration from the loose clusters characteristic of traditional Hawaiian villages. The 1.5-acre site plan and architectural style reflect this inspiration. Features such as canted steel columns, steep-pitched roofs, and rhomboidal window and door openings are contemporary interpretations of early Hawaiian hale shelters. The property is nestled within a landscape of lava and native grasses. The main living pod is positioned closest to the sea, maximizing ocean views, while supporting structures, housing two guest suites and communal relaxation areas, are set further back. Guest bedrooms open to private, concrete-walled courtyards, ensuring seclusion. Despite approximately 4,800 square feet of interior space, the layout creates a sense of spaciousness within the three-bedroom residence. The design incorporates heavily mortared lava rock, reminiscent of the historic Mokuaikaua Church in nearby Kailua. Windows are framed with stained sapele mahogany, and Western red cedar is used extensively for cladding and roof shingles due to its resistance to heat, moisture, and insects. Inside, stained and lightly polished concrete flooring contributes to a cool interior climate. Interior spaces seamlessly connect with the outdoors through sapele-framed sliders and operable windows that promote cross-ventilation. The living room, for example, can transform into a porch-like area, with consistent floor and ceiling materials bridging indoor and outdoor zones. Marion Philpotts-Miller of Philpotts Interiors curated the interiors, opting for durable, solution-dyed acrylic upholstery for casual furniture to accommodate the open-air design. The living room features Christian Liaigre furnishings, including an oak lamp, sofa, and wenge lounge chairs, complemented by a Lee Kelly oil painting and bleached Douglas fir ceiling slats. The kitchen boasts an island and table topped with honed Carrara marble. The rec room displays custom surfboards, one hand-painted and another crafted from paulownia, mounted above an Eero Saarinen table. Philpotts-Miller aimed to capture the clients' adventurous spirit through playful and dynamic color usage. A koi pond serves as a central feature in the courtyard between the main living and master suite pods. The interior design exhibits a simple, airy, no-frills aesthetic with a midcentury vibe, influenced by Hawaiian modernist Vladimir Ossipoff. The thoughtful architecture and natural textures meant minimal need for excessive interior embellishment. The master bedroom features whitewashed wood paneling, a walnut bench, and accents of sky-blue in the rug and throw pillows. A custom cast-concrete tub in the master bathroom courtyard is enclosed by concrete walls and cedar slats. Throughout the residence, polished, stained concrete is used for flooring. The master suite's study includes a sitting area with a Charles and Ray Eames lounger, offering views of Maui. #HawaiiArchitecture #LuxuryHome #WalkerWarnerArchitects #TropicalDesign #ModernTraditional #SustainableMaterials #InteriorDesign #IslandLiving #ResidentialArchitecture

Art serves as a transformative element in home décor, offering a means to refresh living spaces and reflect personal tastes without extensive redecoration, particularly beneficial for renters. Experts suggest that a strategic selection and display of artworks can revitalize a home's ambiance, evoking emotions or establishing specific moods. For instance, abstract art with loose, expressionistic marks can create a romantic atmosphere, while a more graphic style can impart a modern, urban feel. The flexibility of art allows for periodic reconfigurations, mirroring how public galleries re-hang their collections, providing a renewed perspective within a home. Practical considerations for hanging art include using small nails for easy patching in rental properties or opting for leaning art against ledges, book stacks, mantelpieces, or consoles for a casual display. When integrating new art, it should complement existing furniture and homeware rather than compete with them. This can be achieved by placing art alongside items with similar aesthetic qualities, such as echoing patterns in a rug or the curves of ceramics, or by creating juxtapositions with personal ephemera like postcards or family photos. Wall-hung art can also provide a visual counterpoint to bulky furniture, acting as a focal point that balances the weight of larger pieces like sofas. Furthermore, carefully chosen art can unify a room by linking disparate design elements, such as contrasting materials or colors, ensuring a cohesive look. Artworks can reflect or complement tones present in fabrics or wood, thereby integrating the room's overall design. Beyond traditional wall art, incorporating usable art, such as art-themed coasters and placemats, can make art acquisition and display more approachable and enjoyable. Artists like Selina Snow demonstrate how personal art collections, including works by family members, travel souvenirs, and her own creations, can be curated against a neutral backdrop to create a unique and personal environment. Snow emphasizes the importance of linking colors and motifs in a way that enhances individual pieces without causing them to blend indistinguishably. She advocates for professional framing for original artworks to ensure their preservation and suggests installing UV protective window film in bright areas. Sculpture also has a place in home interiors, extending beyond gallery settings. Instead of relying solely on tables or plinths, sculptures can be displayed on affordable free-floating shelves at varying heights to create engaging domestic arrangements. For those looking to start an art collection, visiting art exhibitions, auctions, and open-studio events is recommended to discover art that resonates personally. Many galleries offer a 'try before you buy' service, allowing potential buyers to see how art integrates into their home environment at different times of day and in various locations. Before making permanent hanging decisions, it is advisable to experiment with configurations by laying pieces out on the floor. Ultimately, the selection of art should be deeply personal, reflecting what truly speaks to the individual, whether adhering to a specific theme or simply choosing pieces based on intuition, as there is no right or wrong approach to art selection. #HomeDecor #ArtDisplay #InteriorDesign #ArtCollection #LivingSpace #HomeStyling #ArtConsultancy #RoomTransformation #PersonalExpression

The world is home to an incredible array of diverse buildings, with some standing out for their vibrant hues. This article explores 38 of the most colourful homes across the globe, showcasing how cultural, architectural, and social circumstances contribute to their striking appearances. From candy-striped huts in Portugal to hillside neighbourhoods in Mexico transformed with murals, these properties demonstrate that personality can be expressed boldly on the exterior of a home, not just within its interiors. Key examples include Zhengbin Fishing Port in Keelung, Taiwan, where 16 vibrantly-hued houses line the river bank, and Rainbow Row in Oklahoma City, USA, featuring six three-storey, candy-coloured homes designed by architect Sam Day. Indonesia's Kalisari Rainbow Village, or Kampung Pelangi, received a government-funded glow-up in 2017 to attract tourists, transforming buildings and bridges into multi-coloured murals. In New York, USA, artist Katwise and her partner transformed a rundown farm into a psychedelic wonderland with every colour imaginable, funding their renovations by making patchwork coats from old sweaters. The Bo-Kaap neighbourhood in Cape Town, South Africa, is known for its brightly painted houses, a tradition that began when freed enslaved people painted their homes in celebration after being allowed to purchase them. Jodhpur, India, is nicknamed the 'Blue City' due to its many blue homes, a colour believed to help keep interiors cool and deter termites. Italy’s Cinque Terre region features vividly decorated houses cascading down steep hillsides, where fishermen reportedly painted their homes in bright tones to spot them from sea. Las Palmitas in Pachuca, Mexico, saw a community project by the 'German Crew' transform a downtrodden area into a living art mural with rainbow-hued homes. Yves Saint Laurent’s Villa Oasis in Marrakesh, Morocco, is a vivid celebration of colour, Art Deco, and Moorish design. Poznań, Poland’s Old Market Square boasts Renaissance-style merchant houses, each unique with mismatched colours and patterns, rebuilt after World War II. Venezuela features old, traditional houses resembling abstract paintings, with strong colour pairings and bold lines. In Pattaya, Thailand, the Xanadu Beach Resort showcases elaborately painted accommodations. Burano, Italy, one of Venice's islands, is known for its rainbow-painted homes, a tradition thought to help fishermen locate their houses in the fog. Valparaíso, Chile, has houses painted with leftover ship paints, creating a vibrant, colourful town. Vienna, Austria, features the Hundertwasserhaus, an unusual apartment building designed by artist Friedensreich Hundertwasser, with an art-like quality and colourful exterior. Portland, Oregon’s Nob Hill neighbourhood is filled with historic Victorian and Craftsman homes painted in pretty hues. Singapore's Little India district is home to many bold structures, including a multicoloured, century-old Chinese villa. Ilulissat, Greenland, features brightly painted buildings where colours historically indicated function, and now serve as decoration. Guatapé, Colombia, is dubbed the world's most colourful town, with everything from doorways to balconies painted in eye-catching colours. London’s Primrose Hill and Notting Hill boast pastel-hued and brightly coloured terraced houses, respectively, with trends starting in the 1960s. Muizenberg, South Africa, has colourful bathing boxes along its beach. Caminito in Buenos Aires, Argentina, is a street museum revitalized by artist Benito Quinquela Martín, featuring brightly hued houses. Varanasi, India, has chaotically structured, radiant houses on the Ganges, with colours reflecting Hindu symbolism. Tenerife, Spain, shows coastal houses painted in bold colours, likely to help fishermen see them from afar. Bristol, UK, is known for its vibrant buildings, with theories ranging from sailors' navigation aids to a mayor's influence. Innsbruck, Austria, features buildings painted in every imaginable shade against its mountain scenery. Stockholm, Sweden’s Stortorget public square showcases Renaissance-style buildings with uniquely painted façades. Getsemani in Cartagena, Colombia, highlights colourful colonial homes, reflecting its diverse cultural history. Diessenhofen, Switzerland, has adorable painted houses in its main street, thought to welcome visitors. Stykkisholmur, Iceland, and St. John's, Canada, feature unique, bright structures, with traditions rooted in individual expression and making homes visible in fog, respectively. Lüderitz, Namibia, displays colourful Art Nouveau buildings in a Bavarian style, a relic of its German colonial past. Finally, Istanbul, Turkey’s Balat district is recognized for its vibrant, historic wooden homes, and Costa Nova, Portugal, is famous for its candy-striped huts, originally built to shelter fishermen and later painted to attract tourists. #ColorfulHomes #Architecture #GlobalDesign #HomeExterior #TravelInspiration #CulturalHeritage #UrbanArt #VibrantCities #CoastalHomes

Colorado-born painter Sierra Montoya Barela transforms the ordinary scenes of home life into vibrant, surreal artworks. Her artistic approach elevates mundane objects such as houseplants, pancakes, and slices of birthday cake into subjects of profound interest. Barela’s background in product design for homeware, specifically with Urban Outfitters Home and West Elm Kids, significantly influences her paintings. This professional experience is evident in her keen eye for depicting various domestic items like mirrors, shelves, vases, chairs, and tables, which frequently appear in her compositions. She employs a curatorial sensibility in arranging these elements, utilizing exaggerated colors and intricate, often clashing, patterns to create a dynamic visual experience. The artist’s work is characterized by a heightened sense of reality, blurring the lines between a painted image and a tangible scene. For instance, a blue sky with fluffy clouds might be rendered in a way that makes it ambiguous whether it is a window revealing an outdoor view or a painting hanging on an interior wall. Barela explains that her fascination stems from the diverse ways individuals create comfort and personalize their living spaces. She aims to imbue everyday objects with significance, highlighting their role in our lives. In some of her pieces, Barela intentionally disrupts the tranquility of domestic scenes through the use of flattened perspectives or by incorporating visual 'windows' that open into entirely different worlds. Plants often take center stage in her paintings, functioning not merely as decorative elements but as symbolic representations of life, akin to human figures in a portrait. Barela notes that the care and placement of plants in homes, along with the choice of vessels for them, reflect human desires for well-being and aesthetic pleasure. Furthermore, her use of certain plants, ornate tile work, clay objects, and specific interior designs serves as an homage to her Mexican heritage and Catholic upbringing, enriching the cultural narrative embedded within her art. Ultimately, Barela’s paintings do more than just illustrate the environments where plants and people coexist. Through her distinctive artistic vision, she constructs new realms for these subjects to inhabit, using paint as her medium. Her visually engaging artworks transcend mere aesthetic appeal, evolving into a multifaceted tribute to the human inclination to adorn and personalize our surroundings, underscoring the fundamental need to represent life and culture in our personal spaces. The blend of surrealism and mundanity, coupled with her unique perspective on domesticity and cultural roots, creates a compelling body of work that invites viewers to reconsider the beauty and significance hidden within the everyday. #Painting #InteriorDesign #Art #Surrealism #HomeDecor #MexicanHeritage #ContemporaryArt #PaulMoore

Russell Loughlan, a budding British designer and illustrator, deliberately designed his 19th-century Georgian-style rowhouse on Kent, England’s oceanfront with social media in mind. Loughlan's journey to this dream home involved moving four times over a decade, each time getting closer to the water. The renovation itself presented numerous challenges; Loughlan acquired the property through a bank auction, discovering that it had served as a vacation home for 96 years and was in significant disrepair. Issues included a lack of heating, eroded steel supports, widespread mold across its five floors, and even unexpected features like fake doors and smuggler's tunnels to the beach. The original layout was also top-heavy, with cramped living spaces downstairs and larger bedrooms upstairs. Complicating matters further, the home is a preservation site, meaning Loughlan faced strict regulations. He needed approval for every paint swatch and piece of hardware, with local counselors meticulously documenting changes, from repainting the exterior a distinctive Tiffany blue to replacing radiators. Rather than altering the constrictive floor plan, Loughlan embraced it, using bold color schemes to define and differentiate each room. The entryway features a burnt orange, while the enclosed stairwell is painted teal. For the kitchen, inspired by a tapas bar in Seville, he opted for a monochrome palette reflecting the English Channel outside, incorporating turquoise backsplash tiles, navy lower cabinets, and half-painted walls, extending the two-tone concept even to the kitchen door. Upstairs, Loughlan implemented creative color combinations in the form of hand-painted stripes. He eschewed wallpaper, preferring the visible imperfections of a hand-painted finish. This painstaking process, which took four days to complete just one wall, resulted in a guest bedroom adorned with sage and white stripes and a bathroom featuring emerald green stripes. The seemingly tight layout ultimately proved beneficial for creating Instagram-worthy vignettes. Loughlan views each corner of his home as a mini, yet fully livable, set, meticulously curating scenes to draw viewers into the home's narrative. His social media feed frequently showcases original wood-burning fireplaces with styled mantels and color-blocked doorways that reveal transitions between striped and solid walls or shades of burgundy and blue. The fixer-upper, now affectionately known as the House on Dolphin Street, has garnered over 10,000 Instagram followers. Loughlan's behind-the-scenes content, particularly his approach to the bedroom walls and art collection, has been especially popular, leading to new design commissions. He initially aimed to create a home he loved and hoped others would appreciate, a goal he has successfully achieved, and then some, transforming his personal design project into a professional springboard. #HomeTour #InteriorDesign #SocialMediaInfluence #RenovationProject #ColorPalette #GeorgianArchitecture #HandPainted #DesignInspiration #CoastalHome

Filmmaker Gregory Caruso's 727-square-foot Craftsman cottage in Laguna Beach, a registered historical structure dating back to 1917, was recently transformed into a Zen-inspired weekend retreat. Husband-and-wife design duo Scott Jarrell and Kristan Cunningham of Hammer and Spear were tasked with the renovation. Having worked with Caruso on previous projects, the designers were given significant creative freedom after an initial concept presentation. Caruso's primary design inspiration was the Esalen Institute in Big Sur, interpreted through the lens of the 'Mad Men' series finale, which depicted a tranquil California retreat. While initial ideas for tapestries and tie-dye were toned down, the designers incorporated an "overdose of saturated color" to compensate and root the home in the region's artistic culture. The guiding touchstone for the design became the warm, woody California abode of sculptor J.B. Blunk, known for his Japanese-inspired aesthetic. Jarrell and Cunningham incorporated this ethos through elements like a vintage Noguchi lantern, a tatami mat in the sleeping nook, and antique Japanese wood boxes, all contributing to a sense of zen. The renovation emphasized tactful restraint, aiming to maintain original features and salvage existing materials. Swing doors in the hallway were refashioned into pocket doors, and the 105-year-old redwood walls were meticulously restored. The original Douglas fir flooring underwent sanding, staining, and sealing to bring it back to its new condition. The designers chose to keep material new finishes minimal to allow the redwood to dominate the visual narrative. Copper was introduced for new countertops, the kitchen sink and backsplash, and the bathroom countertop and tub deck, all hand-patinated by collaborator Derek Albeck of DDA Projects. The fireplace was adorned with teal handmade tiles, inspired by a puffed-edge Batchelder design. The cottage's classification as "Exceptional" by the Laguna Beach Historical Society presented unique challenges, particularly regarding exterior modifications. Gregory opted to defer exterior overhauls, meaning certain elements, such as the original windows and 1980s or 90s leaded glass panes flanking the fireplace, could not be made more efficient or removed. To address this, Jarrell and Cunningham ingeniously used paper shoji shutters as a workaround. Laguna Construction & Builder served as the contractor for the project. For Caruso, the cottage serves as a welcome escape from city life, suitable for small gatherings or hosting occasional overnight guests. The designers meticulously outfitted the entire home, from linens and bathroom essentials to kitchen gadgets and a vacuum, ensuring it was fully functional and ready for immediate use upon his first visit. This comprehensive approach aimed to provide a complete and seamless experience, ensuring the retreat had everything necessary for a quick weekend getaway, free from any lingering signs of its past, such as the vintage can of Coke found during the remodel. #LagunaBeach #CraftsmanCottage #HomeRenovation #ZenDesign #HistoricalPreservation #InteriorDesign #HammerAndSpear #CaliforniaDesign #WeekendRetreat #FilmmakerHome

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

Designer and interior stylist Carrie Charest Valentine, along with her husband Travis Stearns, transitioned from their 1903 brownstone condo in St. Paul’s Cathedral Hill to a rural township near Mora, seeking a picturesque country life. The move, prompted by their growing family, led them to build a Georgian-inspired home during the pandemic, which Valentine meticulously furnished and designed. The exterior of the house features a black colonial style, a fresh approach that allows Valentine creative freedom with the interior design, avoiding a specific period aesthetic. Her design philosophy emphasizes symmetry and proportion, drawing inspiration from historical references. Inside, the living room is anchored by a limestone mantel, the first item purchased for the home after acquiring the property. This choice reflects Valentine’s inspiration from Belgian homes and her priority of creating a sense of history using natural materials. A pheasant, a trophy belonging to her great-grandfather from the early 1900s, is prominently displayed, holding sentimental value. The kitchen design integrates inspiration from the fireplace mantel, particularly evident in the range hood. Valentine opted for a worktable instead of a traditional island, aiming for a furniture-like piece that adds character to the space. Copper pots and pans are also a prominent feature, a nod to a family tradition of collecting copper. Leo’s bedroom, designed for her son, was conceived as a storybook-like space, cozy and creative. The walls are painted in Benjamin Moore’s Palm Leaf, and a whimsical reproduction of a 1700s Dutch painting, acquired at an online auction, adds to the room’s charm. This artistic approach aims to create lasting fond memories for her child. The main bedroom features walls painted in Sherwin-Williams’ Alabaster, with trim in Farrow and Ball’s Shadow White, chosen to complement the lighter Italian ceramic tile in the adjoining bathroom. A 1960s Italian gilt headboard from Timelines Antiques serves as a unique focal point, reflecting Valentine's preference for imaginative and one-of-a-kind pieces. The article highlights various personal touches throughout the home, including a marble plinth with a bust brought from Paris by a designer friend, Jacqueline Fortier. Stacks of art and design books are present in almost every room, indicating a deep appreciation for culture and aesthetics. The dining room features a farmhouse table from Loft Antiques and a childhood chair belonging to Valentine’s great-grandmother, further integrating family history into the home. Practical yet aesthetically pleasing elements include a Portland cement sink in the primary bath, handmade by Atmosphyre, a Vermont-based business. Valentine prioritized form over function in this instance, accepting less storage for a unique design. A copper bathtub, a splurge made possible by saving on materials in other areas of the house, exemplifies the balance between practicality and luxury in her design choices. The outdoor surroundings, including the prairie hugging Snake River and plans for an heirloom vegetable patch, underscore the family’s connection to their rural environment. #InteriorDesign #HomeDecor #RuralLiving #GeorgianArchitecture #PersonalStyle #FamilyHome #DesignInspiration #CarrieCharestValentine