An Australian Architect Builds a Rammed Earth-and-Steel Home For His Family

Rammed-earth construction, a technique thousands of years old with origins in China and the Iberian Peninsula, offers numerous benefits for contemporary home building. Examples such as the original rammed-earth sections of the Great Wall and the Alhambra palace in Spain demonstrate its historical durability. This method is favored by Terrell Wong, principal of Stone’s Throw Design, due to its low embodied energy, recyclability, high thermal mass, low energy loads, and non-toxicity. Wong highlights its longevity, stating that a rammed-earth house can last 500 years or more, requiring no painting. These walls function as the structure, insulation, finish, and thermal mass of a building. The construction process involves creating panels approximately 11.5 feet long from a mixture of 20% to 30% clay and sand, with 5% to 10% cement. In colder, wetter climates, a silicate-based waterproofing agent is often incorporated. Walls are built in layers, or lifts, where one foot of material is placed into formwork and compressed to six inches using a pneumatic tamper. The forms, typically made of HDO plywood and lumber, are about 20 inches wide and 4 feet tall. When constructing walls longer than a single panel, a recess on one end of the first panel allows the subsequent panel to interlock, ensuring structural integrity. Conduit for plumbing and electrical wiring must be planned precisely, as these cannot be altered once the wall is erected. Rammed-earth walls are typically dry and load-bearing within 24 hours, exhibiting compressive strength comparable to concrete, usually between 1600 psi and 1800 psi for 2-foot-thick walls. Rammed earth is particularly effective as a thermal mass, absorbing and storing solar radiation during the day and re-radiating it at night. This property helps maintain consistent indoor temperatures and humidity levels, reducing reliance on mechanical heating and cooling systems. Many modern rammed-earth homes are hybrids, combining rammed earth with other construction methods like stick or timber-frame walls, or even straw-bale construction for upper floors. Cross-laminated timber (CLT) panels can also be used for roofs. Wong frequently integrates rammed earth for interior partition walls as well. A case study highlights a single-family home designed by Wong in a rural, woodland setting. This home incorporates Passive House strategies, maximizing the thermal mass of rammed earth, harnessing southern light, and utilizing cross breezes for passive ventilation. The effective natural cooling eliminates the need for mechanical air conditioning, and the house consumes only about 20 kW of heat annually. The exterior walls, composed of 530 tons of material with two 6-inch wythes of rammed earth sandwiching 6 inches of insulation, benefit from locally sourced materials, resulting in exceptionally low embodied energy. Recycled wooden formwork was also repurposed for interior use. Beyond energy efficiency, rammed-earth walls offer soundproofing qualities due to their thickness. The absence of organic matter in the material prevents mold growth, contributing to superior indoor air quality. Sylvia Cook, principal of Aerecura Rammed Earth Builders, emphasizes that the thermal mass benefits are equally significant in both hot and cold climates, stabilizing internal temperatures. The technique remains a fringe method in many regions, including Canada, primarily due to a lack of awareness and specific building codes in North America. While other countries like Australia and New Zealand have formalized codes, in Canada, practitioners demonstrate compliance by showing rammed earth's similarity to concrete or concrete block, often incorporating rebar in colder, wetter climates and recycled polyiso insulation to minimize thermal bridging. The aesthetic appeal of rammed-earth walls is characterized by earth-toned striations, created by adding pigment to the cement and allowing the ramming process to push colors to the visible outermost layer. The amount of material in each layer can be varied to enhance these natural color patterns. While complex designs with curved or angled walls can increase costs due to the labor-intensive nature of the method, Wong has successfully applied rammed earth to affordable housing projects by simplifying the design and formwork. Test cylinders filled with rammed earth are used to measure psi before and during construction to ensure engineering code compliance. #RammedEarthConstruction #SustainableBuilding #GreenBuilding #ThermalMass #EnergyEfficiency #DurableHomes #EcoFriendlyMaterials #ArchitecturalDesign #PassiveHouse

Whitney Brown and Carlos Naude, founders of Working Holiday Studio, envisioned their 1960s home's exterior as a vibrant space for leisure, complementing its serene interior post-renovation. Carlos Naude, driven by a desire for multifaceted activities, aimed to incorporate various elements like a hot tub and a treehouse into their extensive hillside backyard. The renovation focused on maximizing fun and utility while preserving the original landscape. The couple opted for a jet-black facade for their home, maintaining consistency across the design. The primary challenge was to transform the expansive hillside into an oasis without overhauling the entire existing yard. A significant feature of the backyard renovation was the installation of an 8-foot-wide preassembled cedar-clad hot tub. This decision was a budget-friendly alternative to a costly in-ground swimming pool, which was beyond the couple's financial scope. The installation process presented several logistical hurdles, including the delivery vehicle sinking into the front yard and difficulty fitting the tub through the side yard. Despite these challenges, which resulted in a cracked driveway, Naude found the effort worthwhile, particularly for the convenience of transitioning between the soaking tub and a nearby firepit for s'mores. The article highlights the emphasis on creating a space for enjoyment and relaxation, even in the face of unexpected complications during construction. A childhood dream of Naude's was to build a treehouse, a vision he held since growing up in Mexico with limited outdoor space. Thirty years later, he finally actualized this dream for his 3-year-old son, designing a structure that was both safe for children and aesthetically pleasing for adults. The 'treehouse' frame, painted to match the house, features robust railings to prevent accidents, making it a secure play area. It also serves as a tranquil spot for Naude to unwind with a cocktail while overlooking the hills. The presence of a net swing further enhances its appeal as a playful yet relaxing haven. Naude specifically bought the property because of the tree, recognizing its potential for his long-held treehouse aspiration. The couple preferred a minimalist approach to landscaping, opting for a streamlined look rather than elaborate English-style wildflower gardens, which are currently popular. They undertook significant cleanup, removing all vegetation except for the existing trees. This choice was driven by a desire for low maintenance and to allow the natural beauty of the rolling hills to be the focal point, without the distraction of dense bushes and flowers. The backyard's design allows Naude to observe his son playing freely from the hot tub's built-in bench. The narrative concludes with Naude expressing optimism about the future memories to be created in their newly transformed backyard, emphasizing its potential as a cherished family space. #HomeRenovation #BackyardDesign #TreehouseConstruction #HotTubInstallation #LandscapeDesign #OutdoorLiving #DIYProjects #FamilySpace #MinimalistLandscaping

The Roscommon House, located in a 1960s 'garden suburb' five miles west of Perth, Western Australia, draws significant inspiration from the area's modernist and brutalist architectural heritage. Neil Cownie Architects undertook extensive research into the local modernist buildings, identifying seventy still standing, after witnessing the demolition of a Brutalist concrete shell roof structure and a threat to demolish a beloved concrete kiosk. This spurred the architect to design a home that respects and converses with the local architectural ethos without merely replicating past styles. The suburb's history, characterized by wide blocks and substantial parklands, also influenced the design, particularly in the integration of landscaping. At 5,900 square feet, much of Roscommon House is single-story, occupying a significant portion of its lot. To compensate, the design cleverly incorporates 'pocket' courtyards and roof terrace gardens, blurring the lines between indoor and outdoor spaces. This spatial arrangement is also driven by environmental concerns, designed to maximize winter solar penetration and capture cooling breezes. The exterior features a strong, street-facing facade made from board-formed concrete, with a solar array discreetly tucked on the roof. The custom front door is crafted from textured wood and accented with un-lacquered brass, encouraging a natural patina over time. Inside, the design maintains material consistency, extending the exterior concrete finish into the interiors. This is complemented by timber cabinetry and walls, as well as bespoke lighting and furnishings created by the architectural firm. The master bedroom suite is located upstairs, offering access to a roof terrace, while the main living spaces and other bedrooms are situated on the ground level. A basement provides additional space. Throughout the house, wall cladding and cabinetry utilize engineered timber from ABODO's Elements range, and the engineered wood floors are by Mafi. The living room features a steel stair railing and a window wall with a Mondrian pattern in its glazing, adding an artistic touch. Custom-designed pendant lights over the stairs echo the undulating recesses found in the concrete ceiling, a sinuous motif that reappears in various forms throughout the project. The kitchen island's shape is a direct reference to the local iconic beachside concrete kiosk, a building saved by community efforts. Curved ceilings gently hover above the stricter lines of wall paneling and inset shelves, creating a dynamic visual contrast. A rounded skylight above the stairs introduces natural light. Outside, the undulating lines are continued in the pool's shape and its overhead awning, further integrating the architectural theme with the landscape. Through this project and community engagement, Neil Cownie Architects aim to foster appreciation and awareness of the area's unique architecture, ensuring Roscommon House possesses a strong sense of belonging to its site and history. #BrutalistArchitecture #ModernistDesign #ConcreteHomes #AustralianArchitecture #SustainableDesign #IndoorOutdoorLiving #CustomInteriors #ArchitecturalHeritage #LandscapeIntegration

The Desert Wash home, a 6,700-square-foot modern residence in Paradise Valley, Arizona, was designed by architect Brent Kendle of Kendle Design Collaborative for clients Keith and Becky. The initial challenge for the design was a desert wash that bisected the building site, which the owners initially viewed as a hindrance. However, Kendle embraced this natural feature, transforming it into a central element of the home’s design and ethos. The architect's vision was to create a contemporary residence with minimal site impact, integrating the structure harmoniously into its desert surroundings. The home's design is divided into three distinct parts. The southern section houses the entrance, a guest suite, and an office. This compact volume is connected to the main body of the house, situated to the north, by an enclosed bridge. This bridge is elevated above the desert wash, allowing periodic floodwaters and local wildlife to pass underneath undisturbed. This innovative structural solution not only preserves the natural flow of the wash but also provides unique views and experiences from within the home, making the natural landscape an intrinsic part of daily life. To ensure the house blended seamlessly with its environment, Brent Kendle utilized a material palette and design elements that echoed the desert landscape. Rammed earth walls, constructed from soil excavated directly from the site, are a prominent feature, providing a direct physical connection to the land. This choice of material contributes to the home's eco-friendly credentials and offers natural insulation properties. A neutral color palette further enhances the integration, making the structure feel as if it has emerged organically from the desert. Expansive glazing, including Fleetwood sliding pocket-doors, is used throughout the residence to blur the boundaries between indoor and outdoor living. This allows for continuous visual and physical access to the surrounding desert, fostering a deep connection with nature. Outdoor living rooms are strategically integrated into the design, extending the habitable space and providing shaded areas for relaxation and enjoyment of the natural surroundings. Douglas Fir soffits and integral color-synthetic stucco for exterior walls complement the rammed earth, creating a cohesive and visually appealing facade. From various points within the home, such as the open great room and the master suite, sweeping views of the desert wash and the broader landscape are framed. The master bedroom features a corner window specifically designed to capture these views, while a freestanding soaking tub in the master bath is strategically placed beneath another shaded corner window. The interior also features Verano-brushed 12x24 limestone flooring in the great room, which benefits from ample natural light. The kitchen boasts a three-inch Calcutta Prima slab on the range wall and backsplash, adding a touch of elegance to the natural material scheme. Keith, one of the homeowners, noted that the wash, rather than being an obstacle, has become a "freeway" for local wildlife and an endless source of entertainment and educational opportunities for their two young children. The design emphasizes site-sensitivity, respecting the natural topography by nestling into the earth while spanning over the ancient wash, thereby minimizing disruption and maximizing the symbiotic relationship between the built environment and the natural desert ecosystem. #EcoFriendlyHome #RammedEarthWalls #DesertArchitecture #SustainableDesign #ModernResidence #SiteSensitiveDesign #IndoorOutdoorLiving #ArizonaHomes #KendleDesignCollaborative

In the remote Pilbara region of Western Australia, a new architectural project known as “The Great Wall of WA” features a zig-zagging rammed earth structure housing 12 residences. Designed by architect Luigi Rosselli, this 230-meter-long wall is considered the longest rammed earth wall in Australia and potentially the Southern Hemisphere. The design leverages the Earth's natural cooling properties, embedding the homes beneath the rocky red soil to offer protection from the intense heat of the arid climate. This collective housing project, initially conceived as guest houses for a century-old family cattle station, demonstrates the effectiveness and aesthetic appeal of earth-sheltered architecture. It was recognized as a finalist in the Australian Institute of Architects Western Australia architecture awards and won "best housing project" in ArchDaily's Building of the Year contest in 2016. The residences are accented by Cor-Ten steel canopies and are stepped to ensure privacy, with only their verandahs visible from the exterior. These awnings are strategically placed to prevent direct sunlight from entering the interiors through the glass doors. The complex also includes an oval chapel, positioned on an artificial dune overlooking the family cemetery, with its roof matching the Cor-Ten steel canopies of the residences. The back of each guest house leads to a communal meeting area and lounge, featuring a pergola constructed from old drilling pipes. The chapel, drawing inspiration from the Pantheon of Rome, is oriented eastward and includes a glass-covered oculus. Its curved glass windows can be opened to the elements or closed to protect against dust storms. The firm highlights that the 450-mm thick rammed earth facade and the sand dune covering the rear and roofs of the residences provide exceptional thermal mass. This design makes the homes naturally cool in the subtropical environment, offering a significant improvement over traditional corrugated metal shelters commonly found in remote North Western Australia. The construction materials, including rammed earth sourced from local clay pans and pebbles and gravel from the river bed, integrate seamlessly with the natural landscape. The interiors, designed by Sarah Foletta, feature a restrained, natural, and robust selection of materials and furniture, contributing to a comfortable living space naturally cooled by the earth walls and the meter-deep sand hill. The rammed earth construction process involves filling a framework with damp earth and compressing it, resulting in a strong, naturally pigmented, and beautifully striated wall. While rammed earth alone may not offer optimal thermal performance, its combination with earth-sheltering creates a sustainable solution that utilizes abundant local resources and minimizes the need for mechanical heating and cooling systems, showcasing an innovative approach to remote Australian architecture. #RammedEarthArchitecture #EarthShelteredHomes #SustainableDesign #AustralianArchitecture #LuigiRosselli #PilbaraRegion #EcoFriendlyHomes #ThermalMass #CorTenSteel

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

The Desert Wash home, designed by architect Brent Kendle of Kendle Design Collaborative, integrates with the Arizona desert landscape through its site-specific design and material choices. This 6,700-square-foot residence in Paradise Valley, Arizona, was created for a family of four and is named after the existing desert dry wash on the property, a drainage area susceptible to severe flooding. To address this natural challenge and embrace the environment, the home features an elevated glazed bridge that spans the dry wash, transforming a potential obstacle into a defining architectural element. The residence is thoughtfully designed to immerse its occupants in the natural surroundings while offering modern comforts and ample space for entertaining. The layout positions the majority of the home, including the master suite and three guest bedrooms, to the north of the dry wash. The foyer, an office, and one guest bedroom are situated to the south, connected by the aforementioned glazed bridge. This separation and connection allow for varied experiences within the home, highlighting the desert views from multiple vantage points. The material palette and neutral color scheme are deliberately chosen to harmonize the expansive structure with the desert environment. Rammed earth walls are a prominent feature, extending from the exterior into the interior, visually and texturally linking the dwelling to the earth. These walls, combined with extensive glazing, flat steel, and wood roofs with deep overhangs, define the architectural character. The use of predominantly white interior walls creates a bright and airy ambiance, serving as a neutral backdrop for the family’s art collection. Kendle Design Collaborative emphasizes that the Desert Wash home utilizes indigenous materials to delineate its main living spaces. The rammed earth walls literally bring the earth into the interior, providing a sense of rootedness and unity with nature. The design reflects a profound sensitivity to the site, respecting its natural topography and characteristics by nestling the home into the earth and spanning over the ancient wash. This approach ensures that the residence not only coexists with but celebrates the unique qualities of the Arizona desert. #DesertArchitecture #RammedEarth #SustainableDesign #ArizonaHomes #KendleDesignCollaborative #SiteSpecificDesign #ModernHome #IndoorOutdoorLiving

Eastop Architects has designed ‘Peninsula House,’ a residential property situated on the Mornington Peninsula in Australia. The design prioritizes privacy, a strong connection to the surrounding landscape, and simplified construction techniques, distinguishing it from the typical coastal suburban homes in the area. This family residence features a semi-arid garden and provides dedicated spaces for children's play and exploration, while also ensuring seclusion from nearby streets and neighbors. The architectural concept revolves around a floating dark timber volume that extends parallel to the sloped site. This timber element is harmoniously complemented by a series of light-colored, rendered masonry blade walls. These walls serve a dual purpose: they define and frame a private garden area, and they intricately connect the floating timber structure to the sloped terrain and its natural surroundings. This integration creates new external living spaces within the garden, enhancing the residents' engagement with the outdoors. Inside the ‘Peninsula House,’ the design intentionally manipulates spatial perception, aiming to create unexpected and light-filled areas. This is achieved through the strategic placement of mirrors, which reflect the garden indoors, blurring the lines between interior and exterior. Additionally, light wells are incorporated to act as vertical windows, drawing abundant natural light into the home and illuminating various zones. The circulation path along the northern side of the house is designed to offer private, curated views of the landscape as one moves through the living spaces, further enhancing the dwelling's connection to its environment. The project information details several key collaborators and suppliers. Eastop Architects handled the architecture, interiors, and landscape design, with a project team including Liam Eastop, Lauren Trainor, and Louis O’Connor. Haynes Build was responsible for the construction, and RCL provided engineering services. Lighting solutions were supplied by in-lite. The furniture selection featured pieces from Domo, Studio Gallery, Ross Gardam, and Cassina. Fisher & Paykel Appliances supplied the kitchen equipment, and Abi Interiors provided bathroom fixtures. All photography of the ‘Peninsula House’ was carried out by Rory Gardiner. This comprehensive approach to design and construction underscores the effort to create a cohesive and well-appointed family home. #PeninsulaHouse #EastopArchitects #ResidentialArchitecture #AustralianArchitecture #TimberDesign #MasonryWalls #LandscapeIntegration #ModernHomeDesign

Omer Arbel, a Canada-based artist and designer, has completed his first large-scale architectural design project, dubbed 75.9, a family home situated on a hayfield in the Canadian Pacific Northwest. The genesis of this architectural endeavor began with Arbel's experimental method of pouring concrete into a fabric stretched between lightweight plywood ribs. This innovative technique resulted in the creation of distinctive lily pad-shaped columns, which subsequently became the central design element for the entire residence. The clients, impressed by this experimental outcome, commissioned Arbel to integrate this unique column design throughout the home. The finished structure is designed to seamlessly extend from its natural surroundings. Pathways connecting different volumes of the house are covered with lush grass, effectively embedding the dwelling into a green landscape. Curved walls are strategically incorporated to create openings, providing access to the interior spaces and facilitating fluid movement between the various sections of the home. According to the design team, these fabric-formed columns evoke the appearance of archaeological ruins, serving as focal points around which the contemporary house is meticulously constructed. The living areas are comprised of four double-height volumes, predominantly featuring glass and cedar wood, which further blurs the lines between indoor and outdoor environments. A unique botanical feature of the design involves planting magnolia trees atop the hollows of the columns on the roof, contributing to the home's organic integration with nature. Furthermore, the surrounding hayfield has been purposefully elevated to envelop the connecting pathways, ensuring the architecture harmonizes with the natural landscape. Inside, Arbel has cultivated a domestic narrative where the varying heights and positions of the concrete columns define distinct areas and offer diverse experiences within the residence. The living room, dining space, and kitchen are unified under one of these columns, creating a striking contrast between the raw texture of the columns and the smooth, polished concrete floors. The interior aesthetic is further enhanced by the inclusion of warm timber fixtures, an indoor garden inspired by Japanese design principles, and lighting fixtures supplied by Bocci, a company co-founded by Arbel. Project 75.9 represents a culmination of Arbel's decade-long material experimentation and serves as a significant milestone in his process-driven design philosophy. The house exemplifies his approach to employing ancient construction materials in a contemporary context, resulting in a home that is deeply integrated with its environment. Arbel notes that this project allowed him to apply his method of working with materials at the scale of an object to architecture, treating the concrete artifacts as if they were 'found form' or archaeological ruins. This approach involved a two-phase decision-making process: first, creating specific objects, and then, at a later stage, weaving them into the domestic space. #OmerArbel #FamilyHome #CanadianPacificNorthwest #ArchitecturalDesign #ConcreteColumns #FabricFormedConcrete #SustainableArchitecture #BiophilicDesign #ResidentialArchitecture

This article features the 'Fale Maker House' designed by RTA Studio, a 1,200-square-foot off-grid holiday bach situated on Great Barrier Island, New Zealand. The architectural concept draws inspiration from traditional Pacific 'fale' (thatched hut) or Māori 'whare' (house) forms, characterized by a simple pitched roof sheltering an open living pavilion. From the water or beach, the structure presents a silhouette reminiscent of a harbor marker, designed to guide its seafaring owners home. The clients requested a modestly scaled holiday home with three bedrooms and a communal family gathering space. The challenging waterfront site at Midland’s Beach presented an obstruction of ocean views by a foredune. RTA Studio addressed this by designing living spaces to connect with the land, while sleeping areas were elevated to connect with the sky. This design choice positioned the bedrooms in the 'attic,' offering distinct views of either the ocean's horizon or the surrounding bush, thereby liberating the entire ground floor for flexible, communal living activities. The site's descending topography ingeniously allowed for a boat to be stored discreetly beneath the floorboards, maximizing the use of space. To manage privacy and sun exposure, particularly given the home's public and immediate proximity to the road, screens were incorporated at both levels. The lower-level screens are designed to slide away, offering flexibility, while the upper screens pivot forward, resembling the wings of a bird or kites. These screens contribute to both the aesthetic appeal and functional performance of the house. Sustainability was a primary consideration, starting with the small footprint of the 1,200-square-foot home. Although the sandy substrate necessitated concrete foundations and some steel framing to withstand the region's seismic activity, the majority of the house is timber-driven to minimize embodied carbon. The 'Fale Maker House' operates entirely off-grid, integrating solar power for electricity, a rainwater collection system for water supply, and an on-site stormwater disposal system. Furthermore, passive solar control and natural ventilation are incorporated into the design to ensure energy efficiency and occupant comfort. #NewZealandArchitecture #AFrameHouse #OffGridLiving #SustainableDesign #CoastalHome #HolidayBach #RTAStudio #ModernDesign #TimberConstruction

Field Architecture has completed a coastal home in Big Sur, California, characterized by chiseled stone walls and extensive glass, designed to immerse residents in nature. Situated on a rugged peninsula along the Pacific Ocean, the house's layout follows the natural topography, aligning with the cliff face and forming sheltered garden courtyards that provide protection from the elements. The site features existing cypress trees and a ravine, which the house integrates into its design. The residence is conceptually divided into two main sections by the ravine. One side hosts a traditional Japanese entrance pavilion, known as a genkan, while the other contains the primary living spaces of the main house. These two parts are connected by a glass-enclosed bridge that spans the ravine, creating a dynamic transition and offering framed views of the surrounding landscape, thus enhancing the connection between the inhabitants and their natural environment. The design emphasizes orchestrated movement through the house to continually present residents with views of nature. Rising two levels, the home is oriented to the west to maximize panoramic views of the ocean. In contrast, the eastern portion of the structure is partially embedded into the site, housing more private and sheltered rooms. A central kitchen features a sculptural island with organic forms, complementing the natural aesthetic of the home, and adjoins a terrace and an infinity pool, further blurring the lines between indoor and outdoor living. The material palette primarily consists of wood and stone, chosen for their complementary textures and qualities that echo the local landscape. Facades are clad in quarried limestone, laid in thin courses to mimic the striations found in the region's cliffs. The walls are faceted, resembling chiseled rocky outcrops, which further integrates the architecture with its rugged surroundings. A thin roof plane extends beyond the building's footprint, offering protection from the sun and wind while large expanses of glass allow for expansive views and ample natural light. Clerestory windows, positioned between the walls and roof, ensure continuous natural light throughout the day and across seasons, illuminating the interior spaces. Inside, wide-plank flooring made from reclaimed teak provides a calm and cohesive foundation. Teak is also utilized for the exterior deck and an engawa—a wooden or bamboo ledge typically found in Japanese architecture—which runs along the northern elevation of the main house, facing the ravine. This element further reinforces the architectural dialogue with nature and Japanese design principles. Field Architecture, a firm led by Stan and Jess Field, has a portfolio of California projects including a copper-clad Sonoma Valley house and a synagogue in Palo Alto with a salvaged wood lattice. #FieldArchitecture #BigSurHouse #CaliforniaArchitecture #CoastalHomeDesign #SustainableMaterials #ModernArchitecture #NatureIntegration #LuxuryHomes #ResidentialDesign

Tandem Design Studio, a local Melbourne firm, has completed the True North House, a distinctive residential project situated on a tapering triangular plot in Kensington. The site previously housed a 1950s cottage and an 1880s stables building. The project involved renovating the stable block into a one-bedroom townhouse and constructing a new three-bedroom house on the irregular remaining space. The new house adopts a triangular form, strategically designed to maximize the usable area on the challenging plot. The exterior of the True North House is characterized by its curving corrugated-metal cladding, which forms a continuous and undulating surface. This unique facade comes together in a sharp pleat above the front door, creating a visually striking architectural element. The architects cited diverse inspirations for this form, including the fluidity of a 'billowing dress' and the organic structure of a 'coral bommie.' The design incorporates small, north-facing pocket gardens and a vegetable patch within the recessed areas of the curvaceous shape, ensuring adequate daylight for both the new residence and its neighboring garden. At the narrower end of the building, the facade extends outwards to create a protective porch over the back door, providing a sheltered entry point to the garden. The steel cladding, custom-folded to achieve a deep pleated surface, contributes to the structural stability of the curving form. These triangular profiles also serve a practical purpose by trapping a layer of air, which enhances the cladding's insulating properties and generates dynamic, constantly shifting shadows that animate the building's exterior throughout the day. Window frames, made from pre-weathered steel, punctuate the ribbed cladding on the upper level. These frames project outwards, offering specific views of the surroundings while simultaneously limiting overlooking from external vantage points, thus maintaining privacy for the residents. Reclaimed bricks from the demolition of the original cottage are used to construct low-level walls, which extend across the surfaces flanking the entrance. This material choice provides a tangible connection to the heritage-listed stables and the traditional architectural materials prevalent in the area. Internally, the open-plan ground floor features a sunken living room, a kitchen, a dining area, and a double-height atrium. Full-height glazing connects these interior spaces with the adjacent gardens, fostering a sense of openness and light. The use of brick extends to the interior, notably in the curved kitchen island, maintaining material continuity. On the upper storey, three suspended pods, accessible via a staircase and bridge, house the bedrooms and bathrooms. Wooden cladding is extensively used on the first floor, with vertical boards covering the walls of the corridor and a bedroom, and built-in storage in the master suite wrapped in veneer. The True North House was recognized for its innovative design by being shortlisted for the annual Victorian Architecture Awards, an accolade that celebrates exceptional architectural projects across Victoria, Australia. #ResidentialArchitecture #AustralianHouses #AdaptiveReuse #CorrugatedMetal #WeatheringSteel #MelbourneArchitecture #TandemDesignStudio #Renovations #ArchitectureDesign

This article features the "Bike House," a project by fmd Architects in Melbourne, designed for an active family with a passion for cycling. The architectural approach addresses the constraints of a tight budget and limited urban space by employing a stacked structure to minimize the building's footprint and maximize garden area. This structural choice influenced the façade's arrangement, incorporating shading devices and privacy screens to create a private and sheltered environment for the occupants. The exterior of the house, constructed from cement and steel, features elements that fold outwards to function as privacy screens. A perforated aluminum fence extends from the building towards the street, a material chosen to deter graffiti. In contrast, a recycled brick wall serves as a designated canvas for street art, blending urban aesthetics with functional design. The design prioritizes flexibility in the interior spaces, anticipating the evolving needs of the family as their children grow. A significant influence on the design, and the source of the project's name, was the family's active lifestyle, particularly the father's dedication to cycling. This necessitated creative solutions for storing multiple bicycles, impacting both the layout and specific details of the house. Inside, the design adopts a more dynamic and vivid aesthetic, featuring angular geometries that convey a sense of activity. Contrasting materials such as concrete and timber are used, with recycled brick introducing a textured element alongside smoother surfaces in the kitchen. An oblique section of Vic Ash timber is integrated into the ceiling, extending downwards into the cabinetry, mirroring the folding patterns observed on the façade. Large windows and sliding glass doors in the dining room extend the living space into the enclosed garden, enhancing natural light within the home. The perforated aluminum material, also used for the exterior fence, is repurposed as a privacy screen in the bedroom, allowing light to filter through its openings. The children's bathroom features clean white tiles, arranged to echo the twisting and folding architectural motifs seen on the exterior. Beyond the primary living areas and bedrooms, the house incorporates three additional "flexible zones" to accommodate the family's active lifestyle. These spaces can adapt to various functions, such as a playroom, study, home office, lounge, or an extra bedroom, demonstrating a thoughtful use of every millimeter of space. The design ensures these spaces are adaptable to changes in family dynamics over time. The backyard includes a rich wood deck, built by the family, which provides a warm visual counterpoint to the concrete and steel structure of the house. A cleverly concealed shed on the south side offers storage for bicycles and tools. #ModernArchitecture #UrbanDesign #FamilyHome #FlexibleSpaces #SustainableMaterials #CyclingLifestyle #AustralianDesign #PrivacyScreens #CompactLiving

In Arizona's San Rafael Valley, the architectural firm DUST has completed "Casa Caldera," an off-grid dwelling designed to harmonize with the unique historical and environmental context of the region. This area, located 15 miles north of the U.S.-Mexico border, is characterized by its volcanic origins, which have resulted in mineral-rich land and a storied history influenced by various cultures and historical events. The design of Casa Caldera directly responds to these influences, emphasizing sustainability and integration with the landscape. The dwelling's construction material, scoria—a porous, lightweight red volcanic aggregate—is integral to its design and performance. This basaltic lava was mixed into a semi-fluid state and pressed into formwork, a technique similar to rammed earth construction, allowing the walls to be self-supporting. This choice of material not only provides excellent thermal insulation due to its 18-inch thickness but also ensures the structure visually blends into its volcanic surroundings. The 880-square-foot home's layout is informed by local architectural typologies, specifically the "zaguan," a central hallway or passage. This design choice addresses the clients' request for both outdoor living and sleeping zones, organizing the interior space efficiently. The house features a rectangular plan divided into three zones: living accommodations and sleeping quarters flank the central zaguan. Large folding metal doors at both ends of the zaguan allow the covered living space to open up to the surrounding landscape, promoting natural light and cross-ventilation. When closed, these partitions offer security and protection. This flexible design allows the central volume to serve multiple functions, from lounging and dining to an additional sleeping area. The zaguan functions as a transitional space, allowing occupants to engage with the natural environment, observe the passage of time, and experience the changing climatic conditions. Heating within the dwelling is provided solely by a wood-burning stove and a fireplace, maintaining the off-grid ethos. Cooling relies on the natural thermal mass of the thick scoria walls and passive airflow, which is managed through strategically placed external operable windows. These windows are intentionally small to minimize direct solar heat gain during the hot summer months, reflecting a careful consideration of solar orientation to optimize indoor comfort without reliance on active cooling systems. Casa Caldera is a testament to custom craftsmanship, with DUST undertaking the fabrication and installation of nearly all components, including the walls, windows, hardware, leather pulls, wood siding, millwork, casework, and framing. This comprehensive approach ensures a cohesive and deeply integrated design. For its utility needs, the dwelling is self-sufficient: an existing well provides water, and a small solar electrical system, situated away from the main house, supplies basic electrical power. Cooking, water heating, and refrigeration are powered by propane gas, further reducing the home’s environmental footprint and reliance on external infrastructure. Completed in December 2015, Casa Caldera represents a harmonious blend of traditional building methods, sustainable practices, and a deep respect for its unique desert environment. #OffGridLiving #SustainableArchitecture #VolcanicRock #ArizonaDesign #DUSTArchitects #CustomBuild #PassiveCooling #Zaguan #DesertArchitecture

The Tecture-designed Deans Marsh House is a tranquil, light-filled residence nestled in the Surf Coast's hinterland, specifically designed to offer a sense of anticipation and seclusion. The home is accessed via a meandering one-kilometer driveway, intentionally concealing its full form until visitors are well into the property. The initial view is a rammed earth wall with a single opening, revealing little of the interior beyond. This design choice, according to Tecture director and lead architect Ben Robertson, was a deliberate psychological play to create a powerful sense of discovery. The owners, transitioning from urban Newtown to Deans Marsh, sought a calm, quiet, and isolated space that would feel warm and cozy, deeply connected to its rural environment. A central design element is the extensive use of rammed earth walls, each 400mm thick, prominently featured throughout the main living areas as per the homeowners' request. The design maximizes the internal exposure of this material, which also forms a significant part of the home's exterior. This natural, environmentally friendly material, combined with timber cladding, drives the home's façade, ensuring it blends harmoniously with the surrounding landscape. The material palette was chosen to complement the rammed earth's tone, avoiding bright whites in favor of earthy and natural hues to facilitate a seamless transition from the clients' previous urban lifestyle. Internally, the home showcases a calming blend of dark and earthy tones, with consistent use of complementary and contrasting materials such as timber, laminates, and travertine. The design intentionally limited the number of materials to avoid complexity and maintain a cohesive aesthetic. This minimalist approach allows the natural material palette of the exterior to extend inward, especially given the remote location where privacy concerns are minimal, enabling large openings and an indoor-outdoor connection. The house is divided into two distinct sections. The living, kitchen, dining, and main bedroom areas are oriented northward to optimize sunlight and solar gain. A 'kids' wing' is situated to the south, primarily intended for occasional visitors. While an ideal design would have elongated the property to ensure all bedrooms benefited from northern light, budget constraints necessitated prioritizing the primary living spaces. Robertson expressed pride in the outcome, highlighting the home's profound sense of discovery, stillness, tranquility, and refined material application, all contributing to a successful and cathartic living environment. #RammedEarth #SustainableDesign #ArchitecturalDesign #RuralLiving #CoastalHinterland #NaturalMaterials #HomeDesign #Tecture #DeansMarshHouse