This Coastal New Zealand A-Frame Looks Like a Floating Prism

Kimo and Sarah Bertam, after being outbid on traditional homes, discovered a passion for floating homes after renting a houseboat in the Bay Area’s Mission Creek. This experience, fueled by their shared love for water—Kimo as a surfer and Sarah from childhood summers on a sailboat—led them to commission architect Robert Nebolon for their own floating home project. Despite Nebolon’s lack of prior floating home experience, his background in building near and on water made the transition seamless. The 2,100-square-foot, two-bedroom floating house was constructed on land over six months before being moored in Mission Creek. A primary challenge involved maximizing storage within the limited space while ensuring essential functionalities and managing weight, as the home would not move once in place. The resulting structure, inspired by the area's industrial heritage, features a sculptural, loft-like design that integrates seamlessly with its waterfront surroundings. Its distinctive sawtooth roof and expansive windows optimize space and natural light, creating a bright and airy interior. Architectural elements like the door, staircase, and kitchen incorporate an orange hue, referencing the iconic Golden Gate Bridge. The home boasts three decks, enhancing its connection to the water. Oversized warehouse-style windows are strategically placed to allow reflections of the water to ripple across the ceilings, further integrating the aquatic environment into the living space. The exterior is clad in 24-gauge metal siding with a fluorocarbon finish, selected for its durability and resistance to fading and chalking for up to 40 years, eliminating the need for periodic painting. This choice also circumvents the difficulty of painting a floating structure. The warehouse-style windows, made of black anodized aluminum with stainless steel hinges, are designed to withstand corrosion. No wood was used on the exterior, except for the finger pier that provides access to the front door and the couple's boat. From the main deck, residents can enjoy views of downtown San Francisco, including AT&T Park. The first-floor deck is furnished with Amazonia Terra teak chairs and IKEA Runnen teak outdoor floor decking. Inside, the living room features Australian cypress flooring with a tung oil finish, a Solas wall-mounted fireplace by Hearth Innovators, and a unique chair by Putra Salahin from Bali. The kitchen is equipped with a Wolf gas range, a white Carrara marble countertop bar, and Cobb Rise & Fall pendants by Original BTC. A custom wine glass holder, designed by the architect, is also present. The orange staircase, fabricated by Stocklin Iron Works and designed by Nebolon, uses steel railings and IKEA wood butcher blocks for treads, aiming to make the ascent to the second floor an engaging experience. The bathroom includes a teak live-edge countertop and a custom yellow cabinet supporting a Duravit double wash basin. A mirror from Restoration Hardware is paired with custom steampunk-style lights designed by the homeowner. The second-floor master bedroom features a custom captain’s bed, designed by the homeowner, with integrated drawers and storage. Its elevated height provides expansive views through the nearby window, contributing to the home's overall sense of openness and connection to its unique aquatic setting. #FloatingHome #WaterfrontLiving #RobertNebolonArchitects #MissionCreek #BayAreaDesign #ModernArchitecture #CustomHome #SustainableDesign #IndustrialInspiration

This article details the transformation of a circa-1980 Ventura, California, beach house, purchased by an LA-based couple with two young children at the beginning of the pandemic. The homeowners enlisted designer Jess Diab, formerly a project manager for Sarah Sherman Samuel, to redesign the space. The house, which was the only oceanfront property available at the time, presented a unique design challenge due to its irregular shapes, compartmentalized social areas, and a 'clunky' three-floor layout. Diab's design philosophy centered on celebrating the home's existing geometry, particularly inspired by its swooping entry stairwell. The primary goal was to enhance the sense of flow throughout the three-story structure without undertaking major structural changes. The layout includes guest bedrooms on the lower, beach-level floor, living, dining, and cooking areas on the middle floor, and a partially open, lofted main bedroom. Diab aimed to create numerous "moments" and visual movement to counteract the feeling of simply navigating a series of staircases. Key design elements and strategies implemented by Diab included plastering the walls of a funky stairwell niche to create a soothing, textured aesthetic. This area was further adorned with a sculptural side table and a large decorative clamshell, designed to encourage a momentary pause before guests exit the home. In the guest bedrooms on the ground floor, Diab opted for a hotel-suite ambiance, incorporating simple nightstands and pendant lights. A notable design choice in these rooms involved custom cushioned panels framing the headboard, inspired by Drop It Modern fabric. A black side table, originally an inexpensive find, was spray-painted to elevate its appearance and complement the graphic patterns in the room. The lofted main bedroom initially suffered from a long, narrow configuration, resembling a 'bowling alley' where the bed could only be placed on one wall. To mitigate this awkward orientation, Diab introduced a custom channel-tufted headboard to visually expand the room with horizontal lines. In the kitchen, a new marble countertop and backsplash featuring dark green and gray veining were selected to evoke the Pacific Ocean. The slab yard meticulously book-matched the visible edges of shelves to create a continuous, swirling, watery effect. An upper shelf was strategically placed to keep essentials like coffee and mugs accessible for guests. Addressing storage concerns, Diab collaborated with professional organizer Julianna Strickland of Space Camp Organizing. Beyond stocking the house with the family's preferred snacks, the project involved building custom cabinets to accommodate surplus kitchen items. Given the homeowners' need to host up to 15 people, Strickland designed extra storage around the dining nook for pantry items and dishes. The curved theme was extended to these cupboards, which were finished with Park Studio hardware, a detail replicated in the bedroom closets. The collaboration with Strickland reportedly brought a sense of calm and order to the home's functional aspects. #HomeRenovation #BeachHouseDesign #InteriorDesign #CoastalLiving #SpacePlanning #CurvedArchitecture #VenturaCalifornia #JessDiabStudio #StorageSolutions

This article details the transformation of a circa-1980 beachside home in Ventura, California, which was purchased by a Los Angeles-based couple with two young children at the beginning of the pandemic. The homeowners enlisted designer Jess Diab to revitalize the property, which was initially described as "clunky" with irregular shapes and compartmentalized social areas. Diab's primary goal was to celebrate the existing geometry of the space while introducing a sense of flow and movement, despite the house's three-story layout and numerous stairs, which often made it feel disjointed. The design strategy focused on enhancing the home's inherent curves and improving its functionality without undertaking major structural changes. The house features guest bedrooms on the lower level, living, dining, and kitchen areas on the middle floor, and a partially open, lofted main bedroom. Diab addressed the 'clunky' feel by creating design 'moments' throughout the house, aiming to give the illusion of seamless movement. For instance, a funky stairwell niche was transformed into a calming focal point using textured plaster walls, a sculptural side table, and a decorative clamshell, encouraging occupants to pause and appreciate the space. In the guest bedrooms, located on the beach level, Diab aimed to create a hotel-suite ambiance. This was achieved by incorporating simple nightstands and pendant lights. A custom-cushioned panel, sourced from Drop It Modern fabric, inspired the design of a three-ball side table. This table, originally an inexpensive piece, was spray-painted to mimic a high-end designer item, demonstrating a resourceful approach to budget-conscious design. The lofted main bedroom, initially narrow and awkward, was made more inviting with a custom channel-tufted headboard that introduced horizontal lines, visually broadening the space. The kitchen's design also incorporated the theme of movement and connection to the surroundings. A new marble countertop and backsplash, featuring dark green and gray veining, were selected to evoke the Pacific Ocean. The visible edges of the shelves were meticulously book-matched to create a swirling, watery effect. An upper shelf was strategically placed to ensure easy access to essentials like coffee and mugs for guests. Storage was a significant consideration, especially since the homeowners needed to accommodate up to 15 people. Diab collaborated with professional organizer Julianna Strickland of Space Camp Organizing to not only stock the home with family favorites but also to design and install custom cabinets. These cabinets, framing the dining nook, provided ample storage for pantry items and dishes, essential for entertaining large groups. The curved theme was extended to the hardware, with Park Studio handles adorning both the kitchen cupboards and bedroom closets, ensuring a cohesive design language throughout the home. #BeachHouse #InteriorDesign #HomeRenovation #CurvedDesign #SpacePlanning #CoastalDecor #StorageSolutions #JessDiabStudio #VenturaHome

This article details the extensive renovation of a 10,000-square-foot home on Lake Minnetonka’s Crystal Bay, transforming it from a convoluted, awkwardly styled residence into a serene, nature-inspired family home. The homeowners, Karyn and Bill Whitely, initially purchased the property in 2001 due to its size, accommodating their large family despite its shortcomings in design and lake views. The house's original style was a peculiar mix of "fake farmhouse" and "overgrown Victorian," with a fragmented layout and an absence of direct lake views. After their children began to move out, the couple contemplated a new custom build in St. Paul, envisioning a modern, organic design by Charlie Simmons of Charlie & Co. Design. However, family sentiment against moving and a challenging real estate market led them to reconsider. Karyn approached Simmons with the unconventional idea of integrating the new design plans into their existing home. Initially skeptical due to the stark contrast between the existing structure and the desired modern aesthetic, Simmons, along with project manager Douglas Tang, eventually embraced the challenge. The renovation focused on simplification, serenity, and a seamless connection to the natural surroundings. The team, including custom home builder Kareem Reda of Anderson Reda, first identified essential structural elements to retain, then proceeded to remove nonessential architectural features like cosmetic walls, partitions, and superfluous doors to create an open, flowing layout. Karyn's vision for the layout was a "river-like" flow, eliminating the previous maze-like navigation. A significant structural brick wall on the main level was cleverly repurposed as a backdrop for art in the new formal entry. The reconfigured main level now features an open kitchen and dining area, separated from the entry by a blackened steel and glass partition. The kitchen, with its dual islands and natural stone backsplash, and the dining room are strategically aligned on an axis leading to the living room, which boasts large, floor-to-ceiling windows to maximize outdoor views. The exterior underwent a similar transformation, shedding unnecessary elements. The roof was replaced, and the old siding was swapped for weathered gray-brown cedar siding, integrated vertically with alternating board widths to create a tree bark-like texture. Karyn’s inspiration for the exterior was to make the house appear as if it "sprung up out of the earth, blending right into nature. The interiors, with landscaping by Topo, LLC, continued the nature-inspired theme, utilizing neutral colors and organic materials. Suzanne Kickhaefer, senior interior designer at MartinPatrick3, emphasized complementing the spectacular lake and tree views rather than competing with them. Karyn prioritized authentic materials, avoiding anything "fake, fussy, or ostentatious." While Benjamin Moore Super White dominated the wall colors, subtle pops of navy, gold, and pumpkin were introduced for character. Exposed wooden beams, ash woodwork, fumed French oak flooring, and carved solid-cedar stools contributed to the natural elegance. Unique elements like a slab behind the range resembling a seascape and oversized solid walnut pulls on kitchen cabinets added warmth without sacrificing minimalism. The design extends upstairs via a floating steel-and-wood staircase to the primary suite, which includes a white-painted brick wall and a cement bathtub echoing the kitchen's design. A meditation room features an A-frame wall with a shou sugi ban charred-wood finish, a beloved detail for the owners. Practical additions like an elevator were incorporated for aging-in-place convenience. The renovation ultimately allowed the family to stay in their cherished location while achieving their dream home, reflecting their collective identity and vision. #HomeRenovation #LakeMinnetonka #NatureInspiredDesign #ModernArchitecture #InteriorDesign #ArchitecturalTransformation #OrganicMaterials #LuxuryHome #FamilyHome

The 90-foot sailing yacht, Acadia, designed for both cruising and racing, features interiors by Baton Rouge interior designer Colleen Waguespack. This vessel, launched in late 2016, balances classic marine style with modern aesthetics, a blend that garnered attention even before its completion. The owners sought a yacht that they could actively sail with minimal crew, and Waguespack, having previously worked with the couple on three land-based design projects, was chosen to lead the interior styling. The design process involved a collaborative effort between naval architects at Hoek Design, yacht designers Ezra Smith, and Claasen Shipyards. A key challenge was the streamlined nature of the yacht, which necessitated built-in elements for every item, eliminating arbitrary decor. Every detail, from furniture to small accessories, required meticulous selection and sizing, maintaining close communication with design and construction teams across different time zones. Pinterest served as a crucial tool for Waguespack and the owners to share ideas, make comments, and finalize selections, down to decanters and votives. The interiors were planned to accommodate specific items, such as Hermes “Bleus d’Ailleurs” china and Christofle flatware, requiring custom-built cabinetry to fit them perfectly. The choice of materials, particularly the balance between varnished wood and painted surfaces, was a significant design decision aimed at achieving a fresh, contemporary feel while honoring traditional woodwork. Three-dimensional models were utilized to visualize each space from all angles. The design extended to minute details, including the stitching on leather trash cans and monograms on guest towels. Waguespack employed a neutral color palette with classic blue accents for the below-deck areas. Above-deck spaces incorporated red accents, inspired by the yacht's distinctive red and white sail and the red hue of its aluminum hull below the waterline. Everyday placemats were sourced from Custom Linens in Baton Rouge. To connect the yacht to the owners' Gulf Coast roots, Waguespack integrated regional art. A silver leaf-motif painting by Slidell artist George Dunbar was placed in the salon, while a commissioned piece by Mobile, Alabama, artist Susan Downing-White, depicting a fisherman casting a net in a marshy landscape, adorns the master stateroom. Both artists' works are also present in the owners' main residence. The Acadia is now managed by a full-time captain and first mate, with the owners actively participating in sailing. A chef plans and prepares meals onboard. The yacht has also proven its racing capabilities, securing second place in the Antigua Superyacht Challenge in February. The yacht's schedule includes dividing its time between Caribbean and European waterways, with annual maintenance in the Netherlands. #YachtDesign #NauticalStyle #InteriorDesign #LuxuryYacht #ColleenWaguespack #CustomInteriors #MarineDecor #SailingYacht #GulfCoastInfluence

The 'Illan' lamp, designed by Hungarian architect and designer Zsuzsanna Horvath for Italian lighting company Luceplan, is a distinctive pendant light crafted from laser-cut birch plywood. This unique fixture utilizes precise laser-cutting technology to create equidistant circular lines from a thin sheet of plywood. These delicate wooden outlines are then suspended together, forming the body of the lamp. The design is characterized by its simplicity, apparent weightlessness, and a harmonious blend of emotion and technological creativity. Horvath's prototype for the 'Illan' lamp first garnered attention at Salone Satellite during a previous Milan Furniture Fair. The name 'Illan', meaning 'something temporary' or 'fleeting' in Hungarian, reflects the designer's intention to celebrate the transient moments of beauty encountered in everyday life. Horvath describes the lamp as emerging from the exploration of laser-cutting various materials, where geometrically cut sheets of paper and wood acquire new characteristics when suspended by gravity. She considers the 'Illan lamp' to exist at the intersection of art and design, balancing functional quality, aesthetic appeal, and a touch of the magical elements desired in daily existence. The fabrication process involves innovative materiality and construction, contributing to the lamp's sculptural integrity. When installed, the thin wood pieces naturally fall into a unique curved form. A golden-hued LED light source is discreetly placed within the upper section of the lampshade. This light permeates the translucent wooden structure, producing a warm, diffused glow that enhances the ambient atmosphere. Horvath emphasizes the lamp's defining attributes as translucency, flexibility, and a subtle undulating movement. The simple, concentric cutting motifs transform the wood into a three-dimensional sculptural object. This structure is designed to react to even the slightest air currents, creating a gentle, dynamic movement. The warm illumination from the LED light reflects off the wooden surfaces, producing a relaxing sensation and a harmonious visual resonance. The 'Illan' lamp stands as a testament to combining advanced fabrication techniques with poetic design philosophy, creating a lighting fixture that is both functional and artful. #PendantLamp #LightingDesign #ZsuzsannaHorvath #Luceplan #BirchPlywood #LaserCut #HomeDecor #ItalianDesign #MilanFurnitureFair

The 'Window Window Window House' by Panov — Scott, located in Pearl Beach, New South Wales, Australia, is an architectural project that subtly integrates new additions into an existing structure while prioritizing the resident's spatial and sensory experience. Completed in 2023, the design focuses on creating a quiet, atmospheric presence that harmonizes with its coastal environment. The initial encounter with the house is marked by a subtle spatial pressure, achieved through elements like a lowered ceiling, a downward step, and a line of shadow, which collectively create a shift in perception and draw attention inward. This architectural approach, rather than being stylistic, orchestrates a sequence of rooms that seem to slow time. The new section of the house is modest in scale, embedded beneath the original structure and following its footprint. From the exterior, its presence is nearly invisible, characterized by minimal adjustments to light and entry points. Internally, the atmosphere is profoundly shaped by the way windows are utilized as instruments, projecting outward to frame the coastal canopy and tuning the interior to the dynamic patterns of the surrounding landscape. A key design feature is a window that extends into the living space, forming a ledge at the garden's edge. This detail, while minimalist, offers a rich interaction with the environment, providing a space for pause, contemplation, or shared moments. It allows occupants to intimately connect with the textures of nearby foliage or listen for sounds from the ridge, while the expansive view gently bridges the distance between the beach, the trees, and the dwelling. The architects deliberately contrast spaces, moving from contraction to openness, and modulating experiences through thresholds and ceiling angles, echoing the architectural staging found in structures like the Laurentian Library, where compression and release are used to shape the visitor's journey. The project's brief was seemingly simple, requiring three new rooms and a relocated staircase. However, Panov — Scott's execution transcends mere functionality, focusing on how these additions subtly register within the landscape and how lightly the structure interacts with the ground. The house maintains a close relationship with the beach without overtly asserting its presence. The new elements are almost imperceptible from a distance, nestled into the slope beneath the original timber frame, representing an exercise in architectural discretion and minimal gesture. The design emphasizes careful proportion and a quiet alignment with the natural setting, prioritizing atmospheric qualities over formal expression. Strength is derived from the bodily sensations within the space, the interplay of light across surfaces, and the way wind is captured at the edges of window frames. Even the functional new staircase is designed for pause, with light guiding the eye to the upper landing, where material choices soften the transition. White walls above timber, devoid of ornament, allow the windows to become the primary expressive elements. Throughout the 'Window Window Window House,' the meticulous framing of views and the precise calibration of dimensions imbue the space with a calm yet resonant charge, creating an immersive and contemplative living experience. #ArchitecturalDesign #CoastalLiving #AustralianArchitecture #ResidentialArchitecture #WindowDesign #SpatialExperience #MinimalistArchitecture #PanovScott

The article explores the artistic versatility of mosaic tile in luxury swimming pools, focusing on the creation of sophisticated optical illusions. It highlights the work of Ray Corral from Mosaicist, Inc., a Miami-based firm known for designing stunning mosaic tile pool interiors. Corral's expertise lies in collaborating with high-end builders and designers, such as Brian Van Bower and Ryan Hughes, to craft luxury custom pools that feature transcendent designs. He emphasizes that while the complexity of some designs might not always be fully appreciated, the simpler optical illusions often capture significant attention. The article delves into Corral's approach to designing realistic seascapes, particularly popular in South Florida. He describes how his firm caters to clients who wish to transform their pool interiors into tropical lagoons, complete with intricate waves in the sand and detailed ocean scenes. This involves creating visual effects that require a high level of skill, distinguishing his work from many other tile firms. Corral explains that these clients often desire a realistic environment, integrating tropical landscaping, bridges, and even aquatic animals into their pool designs, especially those with an affinity for the ocean or diving. A crucial aspect of Corral's design philosophy is considering the homeowner's perspective. He notes that clients frequently view their pools from various vantage points—the second floor, first floor, and upon entering the pool—rather than solely swimming in them. Therefore, designs are meticulously planned to look appealing from all angles, accounting for the pool's depth and the transition from shallow to deep ends. This comprehensive planning process involves extensive consultation with customers, who often draw inspiration from the firm's Instagram, website, or design books to select elements for their swimming pool. The article underscores the significant time invested in designing elements that will comprise the entire scene. The challenge of creating tropical fantasy scenes in mosaic tile for freeform pools is also addressed. Corral indicates that the irregular shapes of these pools demand a particular level of planning and dexterity for proper execution. Despite the difficulty, his firm undertakes several such projects annually, including all-mosaic tile beach entry pools that seamlessly transition into tropical lagoons. He highlights that designing concepts that closely follow the pool walls requires exceptional attention to detail, contrasting it with simpler circular designs that can be mass-produced elsewhere. Beyond seascape mosaics, Corral's artistic range extends to other impressive creations, such as a mosaic tile aquarium. The article showcases the intricate detail involved in transforming a 3D rendering into a real-world product, demonstrating the extensive individual mosaics required to achieve such optical illusions. This work reflects an old-world artisan skill that Corral has refined over his career in the tile industry. He expresses enthusiasm for clients who seek novel and challenging designs, as these opportunities allow his firm to diversify its portfolio and maintain its leading position in the industry. The piece concludes by crediting Mosaicist, Inc. for the provided photo illustrations and includes a call to listen to an interview with Ray Corral. #MosaicTile #LuxuryPools #PoolDesign #AquaticArt #TileSeascapes #OpticalIllusions #CustomPools #PoolInterior #RayCorral

The author shares their delight in the resurgence of oceanic motifs in home decor, a trend dubbed "seashellcore," which was prominently featured at Paris Design Week. This trend includes not only seashells but also coral, sea glass, and fish accents. The article highlights several instances of this trend, starting with the French design studio Uchronia's "Stolen Objects from the Sea" exhibition at Paris Design Week. This immersive display featured octopus-shaped lamps, seascape sculptures by Antoine Billore covering various surfaces, and furniture pieces adorned with shells, barnacles, and coral, all set to the tune of a French rendition of "Under the Sea." At Maison&Objet;, a major design exposition, Objets de Curiosité showcased shelves filled with backlit bleached white coral, while Klaus Dupont presented sculptural totems made of fish, shells, and stone, crowned with flame-red coral. The article also mentions the launch of the latest Tony Duquette collection by Jim Thompson, which includes a maximalist trompe l'oeil cabinet of curiosities wallpaper featuring seashells and coral. Hutton Wilkinson, Tony Duquette's successor, recreated Duquette's own shelves at his California home, Dawnridge, for this design. Stateside, The Philadelphia Show featured shell-encrusted grandfather clocks by Diana H. Bittel and Earle Vandekar, reminiscent of traditional sailor's valentines. Furthermore, John Derian's 2023 decoupage calendar features a seashell arrangement on its cover. The article delves into the deeper meaning behind this trend, with Uchronia's Julien Sebban explaining that it's not just about aesthetics but also a commentary on the consequences of human actions on marine ecosystems and the potential loss of traditional skills in an increasingly digital world. This conservation-minded approach is echoed by Belgian studio Ostrea, which presented a line of terrazzo made from crushed shells as an eco-friendly alternative to plastic. Dutch manufacturer Zuiver also launched an "Ocean chair" made entirely from ocean-bound plastic waste, following Herman Miller's similar initiative with its Aeron chair. The influence of oceanic themes extends to the art and hospitality sectors. The Louvre's "Les Choses" exhibition, exploring still life, features seashells prominently in its advertisements. In Paris, the bar at the Château Voltaire hotel is named "La Coquille d'Or" (the Golden Shell) in homage to a 16th-century shell motif on the building's façade. The trend is not confined to Paris, with artist Dionysios highlighting Greece as a prime location for sourcing seashells, especially with the emergence of the Athens Design Forum and increased tourism to the Greek islands. The article concludes by suggesting that while the aesthetic appeal of seashell decor is undeniable, the underlying message of environmental awareness and the celebration of natural forms contribute to its widespread appeal. #SeashellDecor #HomeDecor #DesignTrends #ParisDesignWeek #MaisonObjet #Uchronia #SustainableDesign #OceanicMotifs #InteriorDesign

The blog post, "Vibrant Vessels: Editor Favorites for Every Flower Preference," curated by Architectural Digest, presents a selection of unique and aesthetically pleasing vases designed to enhance any floral arrangement or stand alone as decorative pieces. The article emphasizes that the right vessel can be as impactful as the flowers it holds, showcasing a range of styles from hand-blown elegance to playfully eccentric designs. Each featured vase is highlighted for its distinct characteristics, offering diverse options for various home aesthetics and personal tastes. The collection includes the Murano Spring Olla Glass Vase from Abask, priced at $860, which exemplifies hand-blown craftsmanship. Another notable piece is the Konstantin Cache Pot by Carolina Irving & Daughters, available for $176, offering a more rustic or classical appeal. For those seeking a contemporary look, the Speckled Vase from Cabana, at $210, features a distinctive yellow splattered glaze, adding an artistic touch to any space. The article also showcases the Worley Vessel - Rising Dawn from The Future Perfect, which merges Murano glass artistry with a whimsical, "Candyland" aesthetic, creating a polished yet playful decor item. A significant discount is noted for the Soho House Carlotta Murano Vase from Soho Home, originally $1295 and now $645, making a luxurious item more accessible. The Ferm Living Verso Table Vase, available at Lulu and Georgia for $144, presents a versatile option with its unique form and texture. Further selections include the Wheaton Decorative Vase, also from Lulu and Georgia, priced at $414, which offers a more traditional yet sophisticated design. The Louise Roe Sophia Roe Glass Vase from Net-a-Porter, at $805, is presented as another elegant glass option. For minimalist and sculptural preferences, the Accordion Vase from Mociun, costing $135, stands out with its distinctive pleated design. More affordable options are also featured, such as the Hibiscus Bud Vase from Nordstrom for $74 and the Fairfax Vase from Serena & Lily, discounted to $50 from $78. The collection is rounded out with the Three Handled Jug from 1690, priced at $522, and the Delft Vase II from Memor, at $375, both offering classic and artistic styles. Lastly, the Bollenglass Hand-Blown Narrow Glass Vase from Abask, available for $134, is specifically recommended for displaying a single, dramatic flower. This vase, with its three-dimensional motifs and textured swirl, exemplifies the detailed craftsmanship highlighted throughout the article. The overall aim of the article is to guide readers in selecting vessels that not only serve their functional purpose but also significantly contribute to the aesthetic appeal of their living spaces, regardless of floral choice. #VibrantVessels #HomeDecor #VaseCollection #FloralArrangement #InteriorDesign #DecorativeObjects #HandBlownGlass #CeramicVases #LuxuryDecor

The 'Double Roof House,' designed by the Japanese firm SUEP. (Hirokazu Suemitsu + Yoko Suemitsu), integrates a distinctive catenary curve feature that serves both aesthetic and functional purposes. Located in a low-rise residential area of Yamaguchi, Japan, the house is specifically designed to mitigate solar gain due to the lack of surrounding shadows on the site. The structure is a single-story building characterized by its two roofs and a composition of five individual box-shaped units, each designated for a specific function within the home. A central element of the design is a dramatic floating 'sudare,' or reed screen, positioned above the main structure. This screen plays a crucial role in passive solar design by effectively reducing solar heat gain into the building by 50%. A deliberate small gap is maintained between the two roof structures, allowing for the diffusion of natural light into the interior spaces while still providing shade. The overall design of the house is harmoniously integrated with its natural surroundings, following the site's topography to sit comfortably within the landscape. The project details indicate a substantial land size of 1,326.1 square meters, with a building area and total floor area both measuring 235.2 square meters. The house is constructed using a wooden bungalow structure, emphasizing a connection with natural materials and possibly contributing to a lighter environmental footprint. The internal layout, though consisting of separate box-shaped units, is visually unified by the overarching double roof system, which also serves to connect the various spaces. Photographs by Kai Nakamura showcase the exterior and interior aspects of the residence. An external view highlights the visual connection provided by the two roofs across the distinct units. Interior shots capture the kitchen and living areas, demonstrating how natural light filters into these spaces despite the sun-shading mechanisms. The entrance, positioned beneath the floating double roof, creates a welcoming and sheltered approach. Another interior view offers a broader perspective of the 'Double Roof House,' emphasizing the thoughtful integration of design elements. A night view of the residence reveals its illuminated presence in the landscape. Supporting illustrations include a rendering of the house, a site plan detailing its placement, and a plan and section drawing that provide technical insights into the building's layout and structural components. These illustrations collectively articulate the architectural vision and the functional considerations behind the 'Double Roof House' project. #SUEP #DoubleRoofHouse #JapaneseArchitecture #SustainableDesign #PassiveSolar #ReedScreen #WoodenBungalow #ResidentialArchitecture

New England coastal style offers a refined and crisp approach to beachside living, distinct from the more casual coastal aesthetic. This design philosophy is deeply rooted in its East Coast heritage, characterized by a strong maritime influence. Key elements include a color palette of deep navy and bright white, often accented with reds and yellows, creating a bold contrast. Nautical motifs are prevalent, ranging from compasses and anchors to ship's wheels and bells, but these are integrated with a sense of sophisticated elegance rather than whimsical charm. The style emphasizes shipshape orderliness, making it suitable for various property types, from beachside condos to urban duplexes. Experts highlight that New England coastal style is heavily influenced by nautical themes, incorporating materials like jute, driftwood, and shiplap to evoke the feeling of a beach or fishing wharf. Even fixtures typically found in naval ships, such as cargo lighting and industrial chairs, are adapted for home interiors. To achieve an authentic look, designers recommend focusing on the fundamental principles. One crucial aspect is the precise use of nautical influences, blending navy blue, sea-foam white, and subtle seafaring motifs. The aesthetic leans towards a preppy vibe, often incorporating antiques and a mix of patterns within a blue and white color scheme, grounded by dark wood and metallic accents like brass and chrome. In kitchens, the style favors lightness and luxury, often drawing inspiration from boat cabin designs for bespoke cabinetry and functional storage. Natural materials, reclaimed marine wood paneling, brass fixtures, and Carrara marble contribute to a sense of discreet luxury. Easy elegance is another cornerstone, achieved by layering soft furnishings, plump cushions, and abundant natural textiles such as slubby linens, crisp cottons, and soft comforters. These elements create a sanctuary-like atmosphere of ease and relaxation, often with subtle patterns and delicate details like ruffles and gathers. Decorative elements include mirrors, strategically placed to mimic portholes and enhance natural light while expanding the sense of space. These can be interspersed with shells or resin coral shapes to reinforce the seashore theme. Outdoor spaces, like decks and front porches, can be transformed with New England coastal style by using aged larch flooring, custom benches, and natural coverings like rush for ceilings, creating an elegant yet breezy feel. Striped patterns, particularly blue and white, are iconic, reminiscent of beach awnings and towels. These can be incorporated through furnishings, drapes, and accessories, mixing broad and narrow, horizontal and vertical stripes for a contemporary touch. Paneling, especially shiplap, wainscoting, or V-groove, is a hallmark of this style, found both inside and outside New England homes. This can be achieved through actual wood panels or panel-effect wallpaper, often painted in white or deeper navy to create an airy yet comforting depth. The overarching color scheme is inspired by coastal hues, utilizing natural materials like wood, stone, and metal for a rustic yet refined look. Neutrals such as whites, grays, and blues create a calming atmosphere, with simple and understated furniture allowing natural elements to take center stage. The integration of antiques and elegant details, blending historical charm with modern touches, creates a livable and approachable environment that connects indoors with the outdoors through color, pattern, and texture. Performance fabrics with varying degrees of stripes, solids, embroidery prints, and customized colorways contribute to a holistic and balanced design. Finally, practical storage solutions like rustic trunks, metal cases, and bespoke cabinetry, often painted in New England colors, complete the look, providing both functionality and aesthetic coherence. #NewEnglandCoastalStyle #InteriorDesign #NauticalDecor #CoastalLiving #HomeDecor #BlueAndWhitePalette #Shiplap #MaritimeThemes #ElegantInteriors

Architect Michael K. Chen's latest project is a 600-square-foot luxury residence named Pied-à-Mer, located on the world's largest private cruise ship. The design draws inspiration from nautical-inspired midcentury modernist influences, specifically Le Corbusier’s 1952 Unite D’Habitation, which was likened to an ocean liner. This holiday apartment is designed to be highly adaptable, transforming from a spacious one-bedroom for a couple to a two-bedroom unit suitable for visits from their adult children. The apartment maximizes space efficiency by incorporating two bedrooms, two bathrooms, a kitchen, a dressing room, a sitting area, a trunk room, an entry hall, and additional storage. The core of the design relies on a series of prefabricated, pod-like volumes that serve to organize the apartment's layout and conceal various functional elements. These hidden features include fold-up cantilevered beds and integrated appliances, contributing to the apartment's shape-shifting capability. Much of the apartment’s components were prefabricated off-site, with some elements manufactured in Austria and installed in Spain during the ship's dry-dock maintenance period. Chen collaborated with yacht builders for custom architectural elements, including ribbed cladding, pods, cabinetry, and functional items like beds. A custom bronze-and-aluminum dining table, co-designed with Rush Design, folds down from the wall, and integrated LEDs are used throughout to minimize the need for additional lighting fixtures. Echoing Le Corbusier’s concept of a "machine for living," the custom-fabricated pieces feature a cool blue and gray-toned ribbed aluminum finish, providing a distinct machine aesthetic. To introduce warmth and contrast within this aesthetic, the interior is outfitted with tactile materials such as lacquered millwork, stone surfaces, and soft fabrics like mohair, velvet, and suede. Chen emphasized the importance of rounded forms, tough yet elegant materials, translucency, reflectivity, and tactility in the design. The furnishings were carefully selected to subtly convey the seafaring context through materiality, soft forms, crisp edges, and a balance of heft and lightness. Designing within the confined 600-square-foot space presented challenges, especially given the enhanced safety requirements for a vessel in constant motion. The architects had to ensure that all transforming elements operated smoothly, effortlessly, and precisely, a task made more complex by the ship’s inherent movement. They relied heavily on contractors and fabricators to achieve extreme precision in construction and had to design with greater tolerance in mind for a moving vessel. To create a sense of spaciousness, the apartment's orientation maximizes sea views, and visual clutter is reduced through concealed LEDs and continuous aluminum ribs that hide divisions, doors, and appliances. The principal bath is adorned with hammered quartzite, white glass, and a custom marble tile floor, while the guest bath features Artistic Tile stone mosaic flooring and various field tiles. This project offered valuable lessons in complex installations and rapid construction, which Chen anticipates will inform future land-based and seafaring designs. #PrefabHomes #FloatingArchitecture #LuxuryApartment #MichaelKChenArchitecture #ModularDesign #NauticalInspired #SpaceSavingSolutions #ResidentialYacht #CompactLiving

The Pier is a forthcoming mixed-use development by Asia Green Group, strategically located in Bayan Mutiara, Penang. Situated along the Tun Dr. Lim Chong Eu Expressway, the property is a short distance from the Penang Bridge's Bayan Lepas exit, offering convenient access to the island. This project, previously identified as Zen 9, is adjacent to The Zen development, indicating a continuity in the developer's presence in the area. This development is designed to incorporate both residential and commercial components. It features a 37-story serviced residence, which is divided into two distinct residential towers. Tower A is planned to accommodate 496 units, while Tower B will comprise 438 units, resulting in a total of 934 residential units within the complex. The residential units are designed with built-up sizes ranging from 775 sq. ft. to 1,227 sq. ft., catering to various living requirements. The facilities for residents are located on level 8, with a seven-level car parking podium situated below to accommodate vehicles. In addition to the residential offerings, The Pier will also include 64 shop offices positioned at ground level. These commercial units are expected to enhance the vibrancy and convenience of the development, providing retail and service options for both residents and the surrounding community. The property is freehold, offering permanent ownership to buyers, and is being developed by Asia Green Construction Sdn. Bhd., a subsidiary of Asia Green Group. The developer is inviting interested parties to register their interest for the project, indicating that further details, including the indicative price, are yet to be officially confirmed. This approach allows potential buyers to receive updates and information directly from the developer as the project progresses. The article includes various illustrations such as floor plans (Type A, A1, B, C, D) and renderings of amenities like the entrance, pool, gym, and wave pool, offering a visual preview of the development's design and facilities. Regular updates on the site's construction progress are also provided, with a specific mention of a site progress report from December 2025. This commitment to transparency regarding construction timelines can be beneficial for potential investors and homeowners. The strategic location, comprehensive mixed-use design, and established developer presence are key aspects of The Pier development, aiming to attract a diverse range of buyers seeking residential and commercial opportunities in Bayan Mutiara, Penang. #PenangProperty #MixedDevelopment #BayanMutiara #ServicedResidence #AsiaGreenGroup #FreeholdProperty #PropertyInvestment #RealEstateMalaysia

Tantalus Estate, located in Onetangi Valley, has recently opened its doors after a three-year transformation led by Cheshire Architects. Originally a dilapidated property purchased by Carrie Mendell and Campbell Aitken in 2013 with an initial vision for a craft brewery, the project evolved into a comprehensive estate featuring a winery, brewery, restaurant, and event space capable of seating 200 guests. The architectural design by Nat Cheshire focused on integrating the site's history and existing structures with a new, more functional layout. The redesign involved a significant reorientation of the building, shifting the main entrance and front-of-house areas to the rear to capitalize on sunlight and vineyard views, moving them away from the original shaded, car park-facing front. While retaining elements like the bell tower and some internal arches, major modifications were made to enhance both aesthetics and functionality. The restaurant space, designed to accommodate up to 200 people, is highly adaptable, featuring movable bars, retractable curtains, and bi-fold doors that allow for the creation of smaller, intimate dining areas or a large open space. It extends onto a spacious deck overlooking a pollinator garden, with additional covered seating in a pavilion. The interior design emphasizes warmth and natural materials, utilizing straw-imbedded plaster walls, recycled Kauri ceilings, and local stone. A distinctive feature is the lighting, crafted from vines removed during the estate's development. Mendell and Aitken's philosophy embraced materials chosen for longevity and graceful aging, valuing natural wear and tear as part of the aesthetic. The Alibi brewery, a core component of the original vision, is situated in a circular opening in the restaurant floor, allowing visitors to observe the brewing process. Below ground, the Alibi bar offers a contrasting, masculine ambiance with leather, brass, and a vaulted brick ceiling, designed as a speakeasy-style complement to the brighter restaurant above. The decision to rebuild the bell tower, despite the original being constructed from polystyrene, highlights the architects' commitment to preserving the building's character. Cheshire explains that the goal was to transform existing, challenging elements into delightful features rather than imposing an entirely new vision. The estate's eclectic mix of Dutch, East, and Spanish influences, described as a blend of 'milking shed meets romantic French terroir,' informed the design choices. The original bell was retained and integrated into the redesigned tower, symbolizing a rehabilitation of the site's history. The subterranean areas of Tantalus Estate are equally noteworthy, featuring a private dining room and a wine library. The private dining room, formerly a loading dock, is opulent, with walls adorned with hand-painted tiles by a local artist and a glass-topped table resembling an antique book. It also showcases a collection of antique tantaluses—lockable liquor cases—and opens onto a checkerboard-tiled courtyard, creating an "Alice in Wonderland"-like atmosphere. A secret door from this room, or direct access from the corridor, leads to the brick-lined wine library, a space dedicated to wine, illuminated by a light fixture crafted from Manuka roots. The overall design philosophy of Tantalus Estate, as articulated by Nat Cheshire, evolved organically from the initial craft brewery concept to a full-fledged winery, brewery, and restaurant. The architecture sought to dignify existing idiosyncratic features, such as the bell tower and original curves, by cloaking the building in a sun-bleached plaster, rebuilding key elements, and extending its gables with filigree steel and glass. The design aimed for a gentler, less formal experience, integrating romanticism with pragmatism, and old-world charm with new techniques. This is evident in the progression of spaces, from the basement Alibi bar to the intense banquet room and the serene wine library, and upstairs to the light-filled tasting room and expansive dining area. A strong commitment to organic, bespoke, and handmade elements is central to the design, with features like vine-branch lights, straw-plastered walls, local stone, and handcrafted furniture contributing to a cohesive spatial experience that complements the quality of the beer, wine, and food offered. #TantalusEstate #CheshireArchitects #WineryDesign #BreweryDesign #RestaurantDesign #HospitalityInteriors #AdaptiveReuse #ArchitecturalRenovation #WaihekeIsland