Brittany Hakimfar’s refined blend of violet-veined marble, wine-colored velvet and deep purple paint

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

The article explores the enduring appeal of the classic black and white color combination in home design, using Cardi B's entryway as a prime example. While current color trends often advocate for daring and vibrant palettes, the article emphasizes that black and white offer a timeless and effortlessly luxurious aesthetic that celebrities and designers frequently revisit. Cardi B's entryway, predominantly white with a striking structural black staircase railing, illustrates how this monochromatic scheme can create a bright yet perfectly balanced space. This design provides an ideal foundation for incorporating bursts of color through textures and accessories, such as a statement flower arrangement, without overwhelming the area. Lisa Hensby, a designer from Lisa Hensby Design & Build Studio, supports the argument for black and white, noting its longevity and nuanced application. She highlights that while the palette may appear simple, achieving a sophisticated and non-clinical look requires careful thought. Entryways are particularly suited for a black and white scheme due to their transitional nature, allowing for bolder, more graphic choices that introduce drama and contrast, making even small hallways feel intentional and full of character. The main challenge lies in preventing the space from feeling stark or flat. Hensby advises layering textures, finishes, and tones to add depth and warmth to black and white interiors. This involves combining glossy with matte surfaces, and natural materials like wood or stone with metal, ceramic, or glass. Even subtle details, such as the pattern of a floor tile or the weave of a runner, can significantly impact the overall feel of the room, especially in hallways where extensive furniture or decorative elements might be absent. The article suggests that Cardi B's entryway serves as an inspiring reminder of the chic and enduring quality of this color combination, ensuring the first room of a home remains stylish for years to come. The article also provides product recommendations for achieving a similar black and white aesthetic in an entryway, including a white marble vase, a graphic black and white rug, and a luxury scented candle. #CardiB #EntrywayDesign #BlackAndWhite #ClassicDesign #InteriorDesign #HomeDecoration #Monochromatic #LuxuryInteriors #CelebrityHomes

Brittany Hakimfar, the founder of Philadelphia's Far Studio, emphasizes the importance of natural materials and tactile textures in her interior designs, allowing them to take center stage. Her design philosophy centers on the inherent sophistication of organic elements, which she believes always shine through in an arrangement. For her current flat lay, Hakimfar drew inspiration from richly veined marbles, specifically Calacatta Viola with its lavender hues and Nero Marquina with its bold black-and-white patterns. These marble selections guided her choice of fabrics and finishes, resulting in a cohesive and visually captivating scheme. The final palette, as described by Hakimfar, exudes organic refinement with a touch of glamour. She incorporates eye-catching all-natural pieces, such as honey-hued zellige tile and dark brass counter stools, to celebrate nature's raw beauty. Key elements in her design breakdown include vintage black beads, which infuse an eclectic vibe, and Brinjal paint by Farrow & Ball, chosen for its rich, deep purple hue that acts as a statement color and creates a special mood when used in a lacquered finish for cabinetry. Hakimfar frequently uses one-of-a-kind ceramic pieces and found objects, such as vintage ceramic dishes and bud vases, to add unique qualities to spaces. For custom wood furniture, she relies on Faithful Roots, praising their craftsmanship and natural oak finishes, which she notes can be seamlessly mixed with marble. Brizo's Brilliance finish in Luxe Gold is her preferred choice for subtle brass, as it lacks yellow undertones and complements various wood tones and marbles. For custom stools, Thomas Hayes Studio's dark patina brass finish is favored for its ability to blend with her interiors. Fabric selections play a crucial role in adding texture and color. Verellen's Nevada fabric in Emerald mohair is highlighted for its perfect color and texture. Donghia at Kravet's Covet fabric in Bordeaux velvet was used to complement the Calacatta Viola veins of a marble fireplace, offering a luxurious and soft feel. Jiun Ho's Linyati fabric in Lion velvet adds interest and shine, particularly when used for pillows. For tiling, Riad Tile's zellige tiles in Honey and Forest Green are appreciated for their beautiful mustard tones and unique, natural, handmade quality. Marble selections from Stone Tech Fabrication include Calacatta Viola for its dramatic swirling veining and grounded natural materiality, and Nero Marquina for its subtle yet dramatic mix, often used for book-matched applications. Marble Systems' Chester Plaid marble mosaic in Britannia Light, Snow White, and Black Honed is destined for a bathroom project, promising a mix of pattern and neutral colors. François & Co.'s natural limestone in Paris Grey is anticipated to add texture and a timeless feel to upcoming kitchen projects. Wallcoverings include Phillip Jeffries' vinyl plastered wallcovering in Fresca, which mimics a textured plaster look, and vinyl abaca wallcovering in Fern, chosen for its texture and color. Phillip Jeffries' Venetian plaster wallcoverings in Espresso Brown are noted for their moody vibe and realistic resemblance to authentic plaster. Finally, Sacco Carpet's Thisby rug in Ivory offers luxurious texture in a neutral tone, grounding spaces like primary bedrooms, while Stout Textiles' Emory fabric in Toast is used for window treatments due to its sheer texture and neutral colors. Vintage zen stones are also incorporated as simple, sculptural, and tactile styling elements. #InteriorDesign #NaturalMaterials #BrittanyHakimfar #FarStudio #Marble #TextileDesign #HomeDecor #DesignInspiration #LuxuryInteriors

The master bathroom serves as a space where designers leverage color and finishes to cultivate a specific mood, tone, style, and personality. While white and gray palettes continue to be prominent, designers are increasingly incorporating color to create unique and personalized spaces. Roshele Allison, CMKBD, CLIPP, NW Home Designers, notes the continued popularity of white and gray, viewing them as the 'new neutral' that offers a spa-like and tranquil ambiance. Karen King, architectural designer at Transitions Kitchen & Bath, echoes this sentiment, observing that these shades remain a benchmark for timeless and classic aesthetics, particularly in painted cabinetry. Richard Ryder, designer/builder at Clearcut Construction, often bases his projects on warm whites, allowing for strategic 'pops' of color to add interest. His clients frequently present inspiration images featuring warm white walls and low contrast between trim and walls. Chelsea Newton, of Chelsea Lauren Interiors, notes that her Southern California clients often prefer neutral colors inspired by nature, emphasizing natural materials like wood and stone. Michelle Fee, a designer at Change Your Bathroom, also finds her clients drawing inspiration from nature, moving away from purely monochromatic white and gray towards warmer tones and earth-friendly colors. Fee observes a growing interest in wood, particularly walnut and teak for furniture and cabinetry, as well as incorporating greenery, either through actual plants or nature-inspired accents like blues and greens, to evoke a restorative and calm feeling. When clients do opt for color beyond white or gray, blues and greens are frequently chosen. These hues are often introduced as easily changeable accessories, but also as more permanent features in cabinetry, tile, or semi-permanent paint applications. Allison highlights the tranquil quality of softer blues and greens, citing an example of a master bathroom with bamboo cabinetry, a green glass countertop resembling water, and green subway tile. Another project incorporated various shades of blue through a custom mosaic on vanity walls and accent walls, illuminated by LED-backlit niches, allowing the client to display international artifacts. Allison encourages clients to infuse personal elements into their designs, even with specific color preferences, ensuring the chosen hues harmonize with the space without being overwhelming. Newton's projects also feature green and blue, utilizing glossy handmade tiles with crackled detailing in master and children's bathrooms. She emphasizes that color and finishes can act as focal points, elevating a room's aesthetic. King notes that clients willing to be bolder are selecting deeper blues and greens, such as the dark navy cabinetry paired with warm gold hardware in a recent bathroom, providing a strong contrast to softer neutrals. She suggests that bathrooms, being more private and enclosed, allow for more daring color choices compared to open-concept kitchens. Ryder's clients also gravitate towards darker shades like dark blue, green, and black for pops of color, often maintaining a 75/25 neutral base-to-color ratio for balance, as demonstrated by a tall black cabinet against a white backdrop in a recent bathroom design. Beyond color, finish selections significantly influence a space, particularly in monochromatic schemes. Allison used large-format dimensional porcelain tile in a white and gray palette to create a focal wall in a 'bathing room' and a unique plumbing fixture to add interest. The increasing availability of tiles with varied finishes, textures, and dimensionality allows designers to personalize spaces. King points out the evolution of subway tile beyond traditional sizes, with options like 4"x12" or 5"x22" and creative finishes such as crackled or inverted bevels. Glossy finishes remain popular for their light-reflecting qualities. Grout color variations can also alter the look, from subtle gray for a refined trim to dark gray for a rustic farmhouse aesthetic. Contemporary designs often feature large-format tiles like 12"x24" or even 13"x40", laid horizontally and stacked with minimal joints to create a simplified, textural, and often multi-dimensional appearance. Allison and Fee's clients appreciate large-format tiles, especially those mimicking natural stone like travertine or marble, offering durability and easier maintenance while making rooms feel more expansive. Fee frequently combines natural and faux materials, such as marble shower floors with porcelain tile walls and floors, to achieve a nature-inspired theme. Matte finish plumbing fixtures, including matte black, brushed nickel, and brushed gold, are also popular for their aesthetic appeal and ease of cleaning, with Newton's clients favoring matte black and patinaed brass, and Ryder often incorporating mixed metals for a sophisticated, complementary look. #BathroomDesign #InteriorColorTrends #HomeFinishes #TileDesign #ColorPalette #NatureInspiredDesign #ModernBathrooms #LuxuryBathrooms

In 2017, Snarkitecture and Gufram collaborated on the 'Broken' series, which featured mirrors and a bench with frames that appeared stone-like but were actually made of polyurethane and coated in concrete-looking Guflac paint. This innovative use of materials created an ambiguous mix of hard appearance and unexpected softness in their initial collection. Now, the Italian radical design brand Gufram and the experimental New York architecture and design studio Snarkitecture have revisited this collection, introducing a new edition of furniture in a pastel pink shade. The inspiration for this new color came from classic bubblegum, chosen to add a fresh layer of playfulness to the 'Broken' series. This specific shade of pink was meticulously developed over the last year in close collaboration with the Gufram team. The newly colored 'Broken' bench by Snarkitecture for Gufram and the 'Broken' mirror are central to this updated collection. This pink furniture collection was specifically created for a special display at K11 Musea in Hong Kong. K11 Musea, inaugurated in 2019 by Adrian Cheng, serves as both a retail and art venue. For its annual 'Art Karnival' event, Gufram exclusively presented an immersive, all-pink showcase to debut this new color palette for their collaboration with Snarkitecture. The event provided a unique platform to highlight the playful and innovative nature of the revisited collection. Accompanying the full-sized pink furniture pieces, a collection of 'Guframini' was also launched in the same bubblegum pink shade. These 'Guframini' are miniature versions of some of Gufram’s most iconic radical design classics, including the 'Bocca' sofa and the 'Cactus' coat stand. These miniature versions were exclusively created for the K11 Musea event, further expanding the pink theme across their product range. Charley Vezza, Gufram’s global creative orchestrator, explained the choice of pink. He noted that Gufram had never previously released a product in this color. For the 'Broken' series, pink was a significant departure from Snarkitecture's usual black and white palette, signifying a deliberate and well-considered color choice. The decision to use pink was a simple yet bold one, encapsulated by the question, 'Pink… why not?' The collaboration highlights Gufram's legacy of radical design and Snarkitecture's experimental approach, demonstrating how a change in color can recontextualize and inject new life into an established collection. #Snarkitecture #Gufram #FurnitureDesign #PinkFurniture #RadicalDesign #ProductCollaboration #DesignExhibition #K11Musea #InteriorDesign

Justina Blakeney, an acclaimed interior designer, artist, and author known for her maximalist bohemian style, advocates for bolder color choices in home decor. Following a challenging year that included the LA wildfires, Blakeney has found herself drawn to a new color palette, specifically a moody shade of purple-plum she calls 'eggplant' or 'mauve'. She believes this color is universally flattering and ideal for 'color drenching,' a technique where an entire space is painted in one shade to create an enveloping and cozy atmosphere. This shift represents a move towards more sophisticated and grounding hues compared to the brighter shades she typically uses. Blakeney’s influence on interior design trends is significant, having pioneered popular movements such as bohemian living rooms, indoor plants, and rug layering over the past 15 years. Her recent adoption of eggplant suggests it will likely become a major color trend for 2026. She notes that the color brings richness and depth, adding character to a space without making it feel cluttered. The versatility of eggplant makes it suitable for various rooms, from intimate spaces like bathrooms and powder rooms, where its flattering quality is beneficial, to larger rooms, where it can evoke a sense of warmth and embrace. For those considering incorporating this shade, several paint brands offer suitable options. Farrow & Ball's Brinjal, Little Greene's Adventurer (Color of the Year 2026), and Benjamin Moore's Chambourd are highlighted as perfect eggplant paints, each offering slightly different tones of deep red and purple. Beyond paint, Blakeney's Ruggable collection already subtly features deep purple accents, as seen in the Hilma Sunset Rug design, indicating the color's integration into her product lines. Individuals hesitant to commit to painting entire walls in eggplant can introduce the color through decor elements. Suggestions include dark eggplant throw pillows layered with ochre yellows for a trendy fall combination, eggplant-patterned sheets paired with neutrals for a softer look, or other decorative items like lamps and throw blankets. This approach allows for a subtle introduction of the color, enabling individuals to observe its effect and how it interacts with existing decor before making a larger commitment. The article provides specific product recommendations for bedding, lamps, throw pillows, wallpaper, candles, and rugs in eggplant shades, catering to various budgets and preferences for integrating the color. The article emphasizes Blakeney's trendsetting capabilities, suggesting that her embrace of eggplant now predicts its widespread popularity in the coming year. Her personal experience of redecorating after a significant life event has led to this evolution in her color preferences, highlighting how personal circumstances can influence design choices. The shift towards moodier, more sophisticated colors like eggplant reflects a desire for comfort, confidence, and coziness in living spaces. #InteriorDesign #JustinaBlakeney #ColorTrends #EggplantColor #HomeDecor #PaintColors #ColorDrenching #BohemianStyle

Los Angeles designer Jennifer Miller, known for her nuanced approach to neutrals, draws inspiration from the local landscape's soft, earthy palette to create warm and textured interiors. This article features Miller's latest flat lay, developed for a Montecito project where she was tasked with injecting character and personality into a newly remodeled home with white walls and flat finishes. The design scheme is grounded in dusty roses and tawny grays, showcasing a harmonious blend of rich earth tones and light organic accents, aiming to create a haven immersed in natural elements. The mood board details various elements, starting with drapery. The 'Lana Fabric in Ivory' by Natasha Baradaran, a linen-and-mohair blend, adds dimension and tactility. Custom cast bronze finishes by Fisher Weisman Collection, handmade in Mexico, contribute a beautiful patina to the custom table for the client. For the kitchen, the 'Zagora Glossy Zellige Field Tile in Ivoire' by Bedrosians is proposed as a natural-toned mosaic backsplash, and a Lacanche range knob highlights the designer's preference for special, albeit long lead-time, appliances. Textiles play a significant role in Miller’s design. The 'Olives Fabric in Mushroom' from Miller House is a sneak peek of her upcoming fabric line, intended for easy layering with its muted colorway. The 'Fossil Hand-Painted Wallcovering in Beton' by Porter Teleo offers an artisanal and artful wall treatment. 'Zanzibar Fabric in Natural' by Coraggio provides a soft, sheer filter, while 'Jalousies Handwoven Window Shade Panel in Dusk Matte' by Anne Corbiere introduces unique craftsmanship from Thailand. Custom fabric by Soie de Lune, with its subtle variations and neutral palette, adds casual elegance, and 'Bella Vita Fabric in Argento' by Coraggio demonstrates the intentional and timeless use of boucle. Decorative and functional objects include a vintage carved wood piece, repurposed to take on new life, and the 'Ancient Hinoki Candle' by Tatine, chosen to engage the senses. A 'Crystal Dome Magnifier by Longwin at Amazon' is selected for its aesthetic appeal and dual function. Custom hardware by Ornementisme, sourced through Alden LA, is inspired by nature, featuring a hand-forged pull shaped like a tree branch. Additional wallcoverings presented are 'Vines Wallpaper in Cognac' and 'Succulents Wallpaper in Cognac' by Miller House, offering playful yet elegant options for children’s bathrooms and guest bedrooms, respectively. 'Bene Weave Wallcovering in Light Grey' and 'Steel' by Coraggio are chosen for guest suites, providing textured linen walls that impart a soft layer. For surfaces, 'Rosewood Marble with Tumbled Finish' by Castelli Marble reveals burgundy, rose, and blue accents against a muted white background, creating an antique look. Flooring is addressed with 'Manoir Premiere Cognac Clair French Oak Flooring' by Exquisite Surfaces, providing naturally oiled wide-plank floors for a soft and grounding feel. A 'Willow Rug in Cumin' by Armadillo, made of wool and jute, offers a casual, durable, and soft underfoot option for California living. The selection also includes 'Des Stripe #38 Leather in Argilla' by Bordoni Leathers at Alden LA, representing timeless design through traditional craftsmanship. 'Textured Linen Fabric in Meringue' by Rose Uniacke, with its unexpected weave, is perfect for a bedroom throw. 'Multi Glossy Hex Zellige Mosaic' by Country Floors, a glazed terra cotta zellige tile, provides an unexpected scale and shape. Finally, found Palo Santo wood is included for its instant softening scent. #InteriorDesign #NeutralPalette #MontecitoProject #TexturedInteriors #MaterialSelection #HomeDecor #LuxuryFinishes #JenniferMillerStudio

The interior design landscape is currently undergoing a significant shift from the previously dominant minimalist aesthetic of bright white walls, beige accents, and sparse decor. A new trend, dubbed "Dark Glamour" by Benjamin Moore, is emerging, characterized by deep, moody hues, rich jewel tones, dusky neutrals, and metallic accents, often with a gothic undertone. This shift emphasizes creating spaces with more color and emotional depth, moving away from a strictly neutral palette. Local interior designers are embracing this change, offering insights into successfully integrating these richer palettes into home environments. Tammie Ladd, owner of Tammie Ladd Design, highlights the importance of incorporating living elements like plants to prevent dark spaces from feeling too heavy. She also stresses the significance of contrast, drawing parallels to black-and-white photography, where a balance between light and dark elements—such as a dark floor with white walls or dark cabinetry with lighter hardware—creates visual interest and energy. Ladd illustrates this by describing a home study she designed with midnight blue walls contrasted by an untouched warm-toned wood ceiling, noting the complementary energy between blue and orange tones. Kasey Dobbins of Foxwood Design Co. shares a similar perspective, suggesting that for those hesitant to paint entire walls dark, painting the ceiling can be an effective alternative. She advises against an all-black-and-white scheme, preferring rooms within a mid-tone range for a more inviting feel. Dobbins encourages homeowners to select colors they are inherently drawn to, suggesting that personal comfort and preference should guide color choices, allowing homes to reflect individual personalities. Lighting plays a crucial role in these richly colored spaces. Ladd acknowledges the contribution of lighting specialists, emphasizing that strategic lighting can transform a dark room. Dobbins advocates for a layered lighting approach, combining various sources such as can lights, ambient sconces, and table lamps to create depth and warmth. She also provides practical advice for naturally low-light areas like basements, recommending medium-tone colors over very dark or stark white options, as white can make such spaces feel institutional. Beyond color and light, texture is another essential element for enhancing moody interiors. Ladd favors velvet for its calming properties and visual interest, while Dobbins is drawn to nubby bouclé fabric. Other textural elements like woven shades, sisal rugs, and waffle weave blankets can also enrich dark spaces. The article notes that even sheepskin throws, when used judiciously, can contribute to this textural complexity. Grasscloth wall coverings, reinvented with contemporary colors, are also recommended for adding a sophisticated textural layer. For luminous touches, natural stone, mirrored materials, and metals are suggested, particularly to complement candlelight. This trend towards rich colors and textures is seen as a corrective response to the previous monochromatic design extreme, aiming to reintroduce warmth and energy into living spaces, offering numerous options for homeowners to create refreshingly moody and personalized interiors. #InteriorDesign #DarkGlamour #ColorTrends #HomeDecor #TexturalElements #LightingDesign #MoodPalette #DesignTips #SpokaneDesigners

This article explores how incorporating specific fabrics and materials can significantly enhance a home's style and luxurious feel, drawing inspiration from the design principles of the 2023 INFINITI QX60 Crossover SUV. The article emphasizes that attention to detail, even in the smallest characteristics, can create a substantial impact on the overall aesthetic and comfort of a living space. The goal is to make one's home as stylish and indulgent as a high-end vehicle, offering a welcoming retreat after a long day. The article highlights five key materials, each chosen for its unique properties of comfort, effortlessness, and durability. The first material discussed is leather, known for its ability to add warmth and comfort. It notes that INFINITI conducted extensive research to identify the most pleasing material feels, including soft-touch leather, which is integrated into the QX60. Leather is presented as a durable and easy-to-care-for option for home furnishings, such as kitchen stools, to introduce a contrasting texture against hard surfaces. Next, faux fur is introduced as a way to inject coziness and warmth into a room, particularly during colder months. The article advises a minimalist approach, suggesting one or two faux fur pieces per room—like an area rug, a throw blanket, or a pillow—to prevent overwhelming the space while still achieving an inviting ambiance. Velvet is presented as a material that exudes sophistication and luxury due to its sleek and soft texture. It is recommended for various home items, including sofas, throw pillows, dining chairs, and curtains. A key advantage of velvet is its ability to intensify color, allowing for bold design choices with vibrant hues such as royal blue, emerald green, or mustard, thereby adding a significant design statement to any room. This is compared to the INFINITI QX60's availability in distinct exterior colors like Deep Bordeaux and Grand Blue, suggesting parallel design philosophies. Stainless steel is discussed as a material to create visual interest through metal accents. The article suggests using stainless steel wall art, bar carts, cocktail accessories, brushed nickel hardware, and copper cookware to introduce a blend of textures. This juxtaposition with softer elements, like chunky knit throws, can add depth and brightness to a room. The interplay of different materials and finishes is central to achieving a balanced and dynamic interior. Finally, marble is highlighted for its chic, elegant, and highly durable properties, as well as its resistance to high heat. While ideal for countertops, its versatility extends to other areas of the home, such as sturdy coffee tables, decorative bowls and vases, or even a marble fireplace surround. The unique veining of each marble slab ensures a personalized and one-of-a-kind touch, underscoring the material's inherent exclusivity and natural beauty. These material choices collectively contribute to elevating the home's overall style and creating a sophisticated, comfortable environment. #HomeDecor #InteriorDesign #FabricSelection #MaterialTrends #LuxuryInteriors #LeatherFurniture #VelvetDecor #FauxFurAccents #MarbleDesign

The Parisian design fair Maison & Objet and the off-site exhibition Deco Off were postponed due to a COVID surge in France. In response, several textile brands collaborated to present a smaller version of the show in New York. These presentations, held at the New York Design Center in Nomad and the D&D Building on the Upper East Side, offered a sneak peek of upcoming trends in fabrics, wallpapers, murals, and trim to industry professionals and the press. The event highlighted five key themes anticipated to influence interior design throughout the year. One prominent trend is the re-emergence of pink, moving beyond the 'millennial pink' of previous seasons. This updated palette spans various shades, from nude and blush to dusty rose, with hints of coral to add vibrancy. Designers such as Lori Weitzner, with her Uplift fabric collection, describe the current pink as soft, romantic, and nurturing. British wallpaper brand Fromental introduced Deco Arches in Delano Pink, a large-scale paper that evokes the delicate sophistication of 1930s chalk pinks and nude tones. Sarah von Dreele also presented her interpretation with 'Brian,' a linen-cotton upholstery fabric in Heather, which she describes as a 'pink for those who love gray,' suggesting a more muted, versatile approach to the color. The art of marble patterns is another significant trend. Originally an ancient Japanese technique known as suminagashi, marble motifs evolved in Turkey before reaching Europe in the 18th century. Today, these fluid designs are considered timeless and classic, appearing on wallpapers and fabrics in diverse color combinations. Modern iterations include Harlequin's 'Marble' wallpaper, which integrates metallics in three colors, and Zoffany’s 'French Marble' velvet, suitable for upholstery. Pollack’s After Hours Collection features 'Ebru,' a fabric inspired by the Turkish craft, available in seven colorways, highlighting the adaptability and enduring appeal of marble patterns. Scribbles and scrawls are also gaining traction, offering versatile and easily layerable black-on-white patterns. This trend features bold drawings and deconstructed animal prints. Christiane Lemieux, a New York-based interior and product designer, channels this aesthetic in her work. Pierre Frey's 'Le Orchestra' reproduces sketches inspired by Erik Satie’s music, while Clarence House introduced 'Bérard,' a fabric from its 20th Century Collection, inspired by the Ballet Russe and French artist Christian Bérard. These designs offer a fresh, artistic touch to textiles, making them evergreen in their appeal. Ombré, the French term for colors that gradually fade from light to dark, is another key fabric trend. While traditionally used as a background element, contemporary ombré patterns are vibrant and bold enough to stand on their own. Unlike tie-dye, which is a resist-dyeing method, modern ombré focuses on smooth color transitions. Harlequin’s 'Re-wilded' collection utilizes digital printing to create psychedelic ombré effects in four shades, while Christiane Lemieux's 'Montrouge' for Fabricut offers a subtler watercolor stripe in neutral tones, catering to different aesthetic preferences. Finally, ancient Egypt serves as a significant source of inspiration. Following the silver-screen reboot of Agatha Christie’s _Death on the Nile_, decorative flourishes and fabrics based on Egyptian art are becoming prevalent. Maison Pierre Frey’s 'Merveilles d’Égypte' collection, created in collaboration with illustrator Louis Barthélemy, showcases the history of the pharaohs with a fresh perspective. Frey’s design studio also delved into the Louvre’s Egyptian archives, producing eight reproductions of fabrics, wallcoverings, and rugs for an exhibition. Similarly, Christiane Lemieux’s line for Fabricut, inspired by a visit to the Grand Egyptian Museum, incorporates the ancient resist printing process to create 'Montauban,' a hand-painted medallion print reminiscent of Egyptian tiles, emphasizing the timeless human expression through textile art. #FabricTrends #InteriorDesign #TextileBrands #DesignFair #PinkPalette #MarblePatterns #OmbreFabrics #AncientEgyptDesign #HomeDecor

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

The article explores the growing trend of rich and saturated colors in interior design, marking a significant departure from the minimalist and monochromatic palettes that have dominated since the early 2000s. This shift is characterized by a desire for depth, warmth, and character in living spaces, moving away from neutral grey gradients towards bold colors such as jewel tones, deep greens, blues, reds, and citrus hues. Sophie Alberry-King, an interior designer at City & Country, highlights that this trend allows for greater self-expression and personality in home design. She notes that experimenting with diverse shades and contrasts can enhance the living experience, both mentally and physically, through the psychological impact of vibrant colors. The resurgence in popularity of feature walls and sophisticated, bright accents is presented as a forward-thinking approach to design, diverging from any perception of these bold elements as aggressive or brash. The article emphasizes that the interior design world has observed a definite shift, with highly pigmented, eye-catching shades, ranging from bright to more muted yet rich tones like deeper wine, olive, and mustard variations, becoming increasingly prevalent. The rise of "bold chic" interiors on platforms like TikTok is cited as evidence of this trend, encouraging designers and homeowners to experiment with design conventions. Alberry-King points out the psychological benefits of vibrant colors, suggesting that people are turning to more saturated tones as a form of visual therapy within their homes. For those new to incorporating bold colors, a gradual approach is recommended, starting with smaller applications such as colorful tiles or brightly painted cabinets in bathrooms or entryways, or even introducing colorful dishes and utensils to build up a palette without overwhelming the entire home. To prevent over-stimulation while using vibrant colors, the article advises strategic application and the maintenance of balance. This involves pairing bold hues with contrasting neutral tones such as wood, creamy whites, and complementary shades on accent walls or trimmings. Statement furniture and curated décor pieces are suggested as effective ways to introduce color incrementally, preventing a room from becoming overpowering. Examples provided include using deep green vases, wine-red hardback books, and royal blue cushions or curtains as accent pieces. City & Country’s in-house design team, for instance, incorporates rich shades through plush armchairs and decorative cushions in show homes, aiming for a timeless aesthetic with pops of color. The trend also advocates for layering various textures and patterns alongside bolder colors to add depth and interest. Combining materials like wood, metal, and textured wallpaper can create a visually dynamic yet cohesive space. The article stresses the importance of maintaining a consistent style and theme throughout the home, blending vibrant features with neutral elements to achieve a surprisingly calming balance. Darker shades like rich browns, earthy moss greens, and deep burgundies are noted to complement natural materials such as wood, linen, and boucle, fostering a cozy atmosphere against a neutral backdrop. Color psychology, a long-standing element in interior design, is undergoing a reinvention with the bold and bright colors of 2025. This creates vibrant yet harmonious settings, promoting a new sense of serenity and self-expression through an optimal ratio of color and neutrals. The saturated colors trend is not just a passing fad but a reflection of a societal desire for personalized sanctuaries and vibrant self-expression, pointing towards a future where living spaces are more dynamically and richly colored. #InteriorDesign #ColorTrends #HomeDecor #SaturatedColors #JewelTones #BoldInteriors #DesignPsychology #AccentPieces #TextureLayering

The article presents room design ideas from maximalist expert Abigail Ahern, focusing on creating personalized and character-filled homes. Ahern, known for her 'more is more' philosophy, encourages bold color palettes, luxurious textiles, diverse patterns, and embellishments, contrasting with minimalist aesthetics. Her new book, *Everything*, serves as a guide for individuals to express their personalities through home design, especially relevant given the increased time spent indoors. Ahern emphasizes the importance of incorporating tactile textures to add depth and interest to a space. She suggests mixing various textures, such as shaggy rugs, metallic accents, woolly cushions, and fluffy throws, to create friction and visual richness. A key principle highlighted is the 'golden rule' of repetition, where any single texture should be used at least three times within a space to ensure cohesion and harmony. This approach helps prevent a room from feeling disjointed and contributes to a well-integrated maximalist design. Regarding color, Ahern advocates for intuition over apprehension, particularly when considering dark hues for smaller rooms. She advises against seeking external opinions, as color choices often provoke fear in others, and encourages designers to trust their own instincts. To inject vitality into predictable spaces, she recommends introducing a few colors that seemingly deviate from the main palette, thereby infusing the room with unexpected life and energy. For furniture arrangement, Ahern prioritizes traffic flow but advises against overthinking it. The primary goal is to ensure ease of movement without obstruction. A distinctive tip from Ahern is to float furniture in the middle of a room, even in compact spaces, to foster intimate conversation areas. She argues that pushing furniture against walls can make a room feel institutional, akin to a waiting room, and encourages regular rearrangement to revitalize the home's ambiance. Lighting plays a crucial role in transforming a dull space into a cozy retreat. While acknowledging the vast array of styles, Ahern prefers lighting fixtures that complement existing decor rather than overtly standing out. She specifically recommends investing in table lamps, which can either blend with the room's style or serve as an interesting focal point. Mixing two different table lamps with similar colors or geometric shapes can introduce visual symmetry. For dramatic effect and definition, pendants are suggested. Layering materials is another essential technique for creating depth. Ahern advises against matching materials too closely, such as a grey ceramic coffee table with a grey concrete floor, instead suggesting a marble alternative. Incorporating rustic elements like rattan or cane and blending shiny with matte finishes adds complexity. For a cozy atmosphere, the article highlights the warmth of wood, with finer grains offering formality and larger grains providing a casual feel, or a combination of both for a richer effect. To avoid a monotonous, catalogue-like appearance, Ahern stresses the importance of varying heights and scales within a room. She suggests combining tall and short, thin and plump items, such as placing a small chair next to a larger table. Oversized lamps or sculptures can serve as captivating focal points, creating visual interest without clutter. The article emphasizes that grand gestures often yield the most mesmerizing results. Finally, the article underscores the need to inject personality through pattern. Homes should reflect their occupants' individuality. Creating a gallery wall with beloved prints, or clustering patterned cushions on a solid-colored sofa, are immediate ways to add dimension. For those feeling more adventurous, mixing patterns through rugs and wallpapered walls is encouraged, combining graphic with organic elements or leopard print with florals. Incorporating diverse cultural influences can also create a fascinating design. To maintain an eclectic yet cohesive look, linking motifs, scales, and colors is crucial. #AbigailAhern #MaximalistDesign #InteriorDesign #HomeDecor #RoomDesign #TexturalElements #ColorTheory #FurnitureArrangement #LightingDesign #PatternMixing

This article details the transformation of a 1915 San Francisco home by designer Kevin Sawyers, who aimed to imbue it with the vibrant personal style of its owner. Although the house was in good structural condition, it lacked personality and cohesive color. Sawyers addressed this by developing a “lip-smacking and playful, but certainly sophisticated” color palette that directly reflects the homeowner's wardrobe choices. The design strategy involved a tight edit of recurring colors to create cohesion and whimsy. For instance, the deep red from the dining room wallpaper reappears on the kitchen backsplash, family room rug, and as the guest bathroom’s wall paint. Similarly, a peachy orange from the kitchen island is echoed in the primary suite. This intentional repetition of strong colors ensures a unified yet dynamic aesthetic throughout the home. Beyond color, the project emphasized custom woodworking, which serves as a grounding element for the bold palette. Built-in case goods and white oak murals cover many walls, providing functional storage and integrated furniture. These custom pieces also feature unique decorative elements, such as mountain range murals inspired by the family’s vacation to Switzerland, adding a personalized touch. Despite minimal structural changes, primarily limited to the children’s bathroom, the three-bedroom, three-and-a-half-bathroom home underwent a complete aesthetic overhaul. Virtually every surface was altered, updated, or replaced, making it unrecognizable from its initial state. The extensive design efforts ensured that the house not only became a reflection of its owner but also achieved a joyful, stylish, and clean atmosphere. Key areas of the home showcase this design philosophy. The entryway features a graphic 3D wall mural depicting Swiss mountains and practical storage solutions with circular wall knobs. The living room introduces the home’s ethos with a fireplace framed in Heath Ceramics tile, a nod to the client’s collection, and playful elements like an arch painted on the wall. The family room and playroom embody a flexible, family-friendly style, with wood slats providing subtle separation and a nocturnal Swiss mountain mural in the stairwell. The kitchen features updated cabinetry painted in bold colors like Snowy Shadow and Mysterious Blue, complemented by light fixtures and tiles that match the vibrant hues. A tucked-away pantry adds a playful touch with neon green floating shelves. The breakfast nook, designed for versatility, includes a custom banquette and fluted details that echo design elements found elsewhere in the house. The dining room offers a sleek space for entertaining, with Lee Jofa wallpaper over wainscoting and Benjamin Moore Magenta paint. The primary bedroom provides a tranquil retreat with softer tones like Daytona Peach, while the primary and guest bathrooms incorporate punchy hues, durable materials, and retro-inspired elements like terrazzo-style concrete countertops, maintaining the home's overall vibrant theme. #HomeDesign #InteriorDesign #ColorPalette #CustomWoodwork #SanFranciscoHome #PersonalStyle #ResidentialDesign #VibrantInteriors #HomeRenovation

The Worcester Art Museum's exhibition, "Radiance Rediscovered: Stained Glass by Tiffany and La Farge," explores the works of two prominent Gilded Age artists, Louis Comfort Tiffany and John La Farge, focusing on their contributions to stained glass. The exhibition prominently features several windows commissioned for the Mount Vernon Congregational Church in Boston, which moved to a new location in the Back Bay in the 1890s. The church engaged Tiffany Glass and Decoration Company for its Byzantine-style interior and John La Farge for several stained glass windows. La Farge had previously established his reputation with his interior design for Trinity Church in the 1870s. The featured windows from the Mount Vernon Congregational Church were acquired by the museum after the church closed in 1975. They remained in storage for decades until conservation efforts began in 2017, taking over a year to meticulously restore them. Curated by T. Amanda Lett, a PhD candidate, the exhibition showcases these newly conserved pieces, presenting them in their original brilliance. The show highlights the rivalry between Tiffany and La Farge, both of whom independently patented the use of opalescent glass between 1879 and 1881, a material that became highly fashionable in stained glass design. The exhibition contrasts Tiffany Company's "Angel of the Resurrection" windows, which are attributed to Louis Comfort Tiffany but likely designed by Frederick Wilson, with La Farge's "The Pool at Bethesda" windows. Tiffany's works are characterized by a sweet, lambent quality, depicting an angel in opalescent robes emerging from lilies, framed by Corinthian columns. In contrast, La Farge's "The Pool at Bethesda" windows, illustrating a scene from the Gospel of Saint John, captivate with their dynamic composition and narrative depth. La Farge uses various types of glass to tell the story of an ailing woman and a man awaiting healing, with an angel disturbing the water. He employs irregular shards of colored glass for garments and opalescent glass to give solidity to architectural elements. The artist also ingeniously uses a green canopy to connect the two panels, with the angel's slightly awkward, human-like pose adding to the piece's character. The mirror-like quality of the water below the angel serves as a metaphor for self and spirit, and the depiction of the scene at a critical narrative moment before healing imbues the work with hope, possibly reflecting La Farge's own experiences with ill health. The exhibition further includes additional works to provide a broader context, such as watercolors and a smaller, highly detailed window by La Farge depicting a peacock, created after his trip to Japan and inspired by Asian aesthetics. This particular piece, a technical marvel, incorporates layered plates, unfired paint, colored putties, fused glass, and mosaic elements. The conservation of this peacock window involved distinguishing between intentional cracks and natural degradations over time. While the exhibition is limited in its scope for a comprehensive comparison, especially given that Tiffany himself didn't design the featured "Angel of the Resurrection" windows, it effectively reasserts John La Farge's artistic brilliance and his significant, albeit sometimes overshadowed, contributions to stained glass art. #ArtReview #StainedGlass #TiffanyGlass #JohnLaFarge #WorcesterArtMuseum #GildedAgeArt #ArtConservation #ReligiousArt #OpalescentGlass

Emma Beryl Kemper, founder of Emma Beryl Interiors, shares her unique design philosophy focused on creating quietly layered, deeply livable, and timeless spaces. A graduate of the New York School of Interior Design, Kemper's approach emphasizes combining vintage finds, new items, and bespoke pieces to achieve a personalized and collected aesthetic. She intentionally avoids designing rooms that look 'fresh out of the box,' instead preferring elements with a sense of history that seamlessly integrate into the overall design. This method not only adds character but also helps manage project budgets. While not adhering to a specific vintage era, Kemper draws inspiration from her travels, focusing on patterns, color usage, and spatial details encountered in places like Portugal. Key to her design process is the incorporation of what she calls "emotional resonance." Kemper aims for spaces that feel uplifting and intriguing, with a goal that clients feel embraced by their homes. She encourages layering textures on walls and incorporating sensory elements like scented candles to enhance this emotional connection. Her portfolio frequently features natural materials such as stone and antique textiles, and she appreciates materials that age gracefully, avoiding anything that doesn't develop a rich patina over time. Sculptural lighting and unexpected art pieces are also staples in her designs, chosen for their delicate appearance and ability to add visual interest without being easily damaged. For lighting, she often selects sculptural glass, placing it out of reach to maintain its fragile beauty. Kemper's design journey has recently led her to embrace red as a surprising neutral, particularly terracotta or brick tones like Farrow & Ball's Red Earth. This color, which she once disliked in her childhood home, now offers warmth and comfort in her projects, used for painting walls or as a statement piece like a red velvet sofa. When discussing the most crucial detail for a house to feel like a home, she highlights comfortable furniture that allows for true relaxation, coupled with a sense of personal belonging. She stresses that a home should reflect its inhabitants, making it uniquely theirs. Her subtle yet impactful design trick, inspired by designer Beata Heuman, involves leaving room for future evolution. Kemper believes that a well-designed home should serve as a canvas, allowing inhabitants to continuously add new items and personal touches over time. This ensures the space remains dynamic and reflective of its occupants' evolving tastes and lives, rather than appearing rigidly 'finished.' Her approach centers on creating environments that are both functional and deeply personal, fostering a sense of warmth, curiosity, and comfort. In essence, Emma Beryl Kemper's design philosophy blends practicality with artistic intuition, ensuring that every space she creates is not only aesthetically pleasing but also resonates deeply with the individuals who inhabit it. Her emphasis on collected items, natural materials, thoughtful color choices, and adaptable designs contributes to homes that feel genuinely lived-in and cherished. #InteriorDesign #EmmaBerylKemper #DesignPhilosophy #HomeDecor #VintageFurniture #NaturalMaterials #ColorPalette #EmotionalDesign #TimelessDesign

Emily Van Hoff, an artist renowned for her textile work, explores the potential of quilts beyond traditional two-dimensional forms, creating pieces that possess significant visual weight and object-like qualities. Her work encompasses a variety of textile forms, including geometric tapestries, faceted weavings, and sculptural constructions. Van Hoff emphasizes her preference for quilts that feel substantial and robust, distinguishing them from flat, decorative pieces. She achieves this by continuously experimenting with different methods to infuse her creations with a chunky, three-dimensional presence. Van Hoff's artistic process frequently involves revisiting and reinterpreting her initial sketches and repurposing offcuts from previous projects. This approach allows her to construct new works by meticulously combining diverse textures, colors, and arrangements. A notable example of her recent experimental endeavors is a piece composed of three interlocking chain links. This particular artwork offers versatility in display, as its components can be rearranged to reveal various orientations, showcasing a dynamic interplay of angles and color combinations. She views this chain link design as an evolution of her existing wall hangings, which often feature overlapping and interwoven elements, further pushing the boundaries of textile art. In addition to her sculptural works, Van Hoff has ventured into commercial design with a new line of quilting fabric named 'Groove,' developed for Moda Fabrics. This collection, set to be released in May of the following year, embodies her characteristic vibrant color palette and incorporates playful, sinuous motifs. Van Hoff reflects on her background in graphic design and her long-standing passion for textile design, highlighting her prior experience working in a fabric shop during high school. She describes the opportunity to design her own fabric line as a dream realized, underscoring her deep connection to the medium. The article showcases several of Van Hoff's creations, including a geometric wall hanging with woven fabric panels and colorful facets, a square quilt with a bright orange and pink circle at its center framed by geometric borders, and a sculptural chain link piece perched on a wooden base. Other illustrations feature a quilted wall hanging in orange and yellow with curving geometry, a loosely tied knot-like quilted wall-hanging with bright color facets, and an array of small, colorful quilted swatches adhered to paper. The collection also includes soft, quilted shapes stacked on a wooden table, a display rack with multiple geometric quilted wall hangings, and a series of colorful, geometric fabric designs presented in strips. These images collectively demonstrate her innovative use of textiles to create visually engaging and structurally complex art. #EmilyVanHoff #Quilts #TextileArt #SculpturalQuilts #DimensionalArt #FabricDesign #Craft #GeometricDesigns #ModernQuilting