A German house appears as a monolithic stone structure

This article highlights eight unique houses that utilize earth-toned plaster and render finishes to create distinct architectural forms and integrate with their natural surroundings. The selected projects demonstrate a variety of applications for these materials, showcasing their ability to provide both aesthetic appeal and functional benefits such as weatherproofing and insulation. The featured homes span diverse geographical locations, from India to Greece, and vary in scale and purpose, including micro homes and holiday residences. Each project exemplifies how plaster and render can be modified with additives like brick dust or hemp to achieve specific colors and insulating properties. One featured project is the House in Pyrgos, Greece, by Kapsimalis Architects. Unlike the typical whitewashed homes of Santorini, this fortress-style holiday residence is clad in an earth-toned render. Constructed from reinforced concrete, its angular design draws inspiration from rocky outcrops and the island's ancient fortifications. Another example is the Zenith House in Spain by Nomo Studio, a single-storey holiday home in Menorca. Its walls and roofs are covered in a terracotta-pigmented render, chosen to harmonize with the arid landscape and accentuate the building's modular geometry. The design comprises eight interconnected square modules with alternating flat green roofs and pitched roofs. The Tiny House in India, designed by Harshit Singh Kothari and Tanvi Jain, serves as a prototype for affordable housing. Its brick walls are externally coated in earth-colored plaster, while the interior features materials like marble flooring and teak window frames, aiming for an aspirational feel. Casa Plaj in Portugal, by Extrastudio, showcases a simple gabled form coated in a rough layer of earth-toned lime plaster. This holiday home is elevated on a platform supported by concrete walls, allowing its terraces to extend over the landscape. UA House in Kenya, by Studio Mehta Architecture, uses lime plaster mixed with quarry dust on its limestone-block walls, resulting in a pink hue that complements the environment. The house incorporates landscaped courtyards to facilitate year-round ventilation. Casa Magarola in Spain, by Raúl Sánchez Architects, is perched on a steep slope near Barcelona. Its concrete structure is disguised with a burnt orange-toned render. The design creates a sense of discovery, transitioning from a modest single-storey facade facing the street to a two-storey facade overlooking a valley. Proclamation House in Australia, by State of Kin, is a sculptural concrete house wrapped in olive-toned hemp render. This finish not only provides an earthy aesthetic but also enhances insulation. Designed for an intergenerational family, it includes a landscaped courtyard with a small pool. Finally, Mayalogili in India, by Nowhere, involves the renovation of an existing house. The exterior was covered in a rough red-brown plaster made from brick and marble dust generated during the project, aiming to introduce a tactile quality and connect residents with nature. These projects collectively illustrate the versatility and aesthetic potential of plaster and render in contemporary residential architecture. #MonolithicHouses #EarthTonedPlaster #ArchitecturalRender #SustainableMaterials #ResidentialArchitecture #GlobalDesign #HolidayHomes #AffordableHousing #ArchitecturalFinishes

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

K-Studio has designed Southwand House, a holiday home located in the Navarino Dunes resort area of Costa Navarino, Messinia, Greece. This architectural project integrates vertical stone walls with horizontal concrete planes, creating a dwelling that blends modernist aesthetics with traditional regional influences. The stone, sourced from local quarries, is prominently featured both on the exterior and interior, providing a textured contrast to the smooth concrete roof slabs. The design of Southwand House draws inspiration from the stone "tower houses" prevalent in the Messinia region, known for their monumental stone structures. The architects sought to create an interplay between these rough-hewn vertical elements and the sleek horizontal concrete, fostering a sense of seamless transition between indoor and outdoor spaces. This combination blurs boundaries and allows for a feeling of outdoor lightness within the interior, while offering a sense of protection when outdoors. The house occupies a linear plot with significant natural surroundings, including a sea view to the southwest, an olive grove to the north, and a golf course to the southeast. At the core of the design is a central courtyard featuring an established olive tree, which serves to divide the floor plan into two distinct halves. The east side of the house accommodates communal living areas, while four bedrooms are situated on the west side and the first floor. K-Studio’s design philosophy for Southwand House emphasizes a fluid living experience, enabling various daily activities such as cooking, showering, lounging, and exercising to occur in both indoor and outdoor settings. The studio aimed to reflect the organic complexity of Messinian folk architecture, which often features irregularly-shaped stone volumes, courtyards, and passages. To achieve this, they developed a system of orthogonal modules that, when juxtaposed, generate intricate relationships through negative spaces, courtyards, and pathways. The southern end of the building is designed to open up, with the living and dining rooms, as well as an adjacent bedroom, leading out to terraces. A swimming pool extends from these outdoor spaces, wrapping around them and offering views towards the sea. The pool's stepped base provides varying depths, catering to diverse preferences. Southwand House is part of a series of projects by K-Studio, founded by brothers Dimitris and Konstantinos Karampatakis, in scenic Greek locations. Previous works include Villa Mandra in Mykonos, the Manna hotel in Arcadia, and the Liknon visitor centre in Samos. The name "Southwand" is derived from the practice of seeking warmth by resting against a south-facing wall on a sunny day, symbolizing a comfortable and active model of living that harmonizes with its natural environment and promotes social interaction. #HolidayHomes #GreekArchitecture #StoneConstruction #ConcreteDesign #KStudio #Messinia #IndoorOutdoorLiving #ArchitecturalDesign #CoastalLiving

Rever & Drage, a Norwegian architectural practice, has designed "Folly at Fair Hill," a structure situated within an elongated garden in Solliveien, Norway, directly adjacent to a prominent oak tree. This architectural folly serves as a transitional element, bridging the residential area located at the eastern end of the property with the expansive, open garden landscape to the west. A key feature of its design is an integrated gate within its eastern wall, which functionally and symbolically marks the passage from the built environment into the natural setting. This project explores the interplay between functional design and conceptual elements, drawing inspiration from historical follies and the nostalgic concept of secret hideaways. The structure is composed of two distinct volumes, each serving specific purposes while contributing to the overall aesthetic and spatial organization. The main volume is comprehensively equipped, housing a dining area, a kitchen, and a bathroom. The bathroom itself is designed for both utility and relaxation, featuring a sauna, a bathtub, and convenient access to an outdoor shower. This integration of amenities highlights a focus on comfort and a connection to the natural surroundings. In contrast, the secondary, smaller volume is a leaning structure dedicated to a lounge space. This lounge is notable for its fixed glass roof, which allows for expansive overhead views and abundant natural light, creating an immersive experience with the sky and the canopy of the oak tree. For ventilation and emergency access, a wooden hatch is incorporated into this smaller unit. Similarly, the bathroom is fitted with high windows and a wooden hatch, ensuring privacy while still allowing natural light to filter in. The kitchen area is particularly designed to enhance the connection with the outdoors; its southern facade can be fully opened, providing direct visual and physical access to the garden. To address environmental considerations and enhance interior comfort, the dining space features an exposed cast-in-place concrete wall, strategically positioned to absorb and store solar gain during the colder winter months. From a structural perspective, Rever & Drage’s design for the Folly at Fair Hill employs a blend of contemporary and traditional construction techniques. Both primary volumes are built using standard 2x6-inch spruce framing, which is then clad in oak panels, providing a refined and modern exterior finish. The integrated gate, however, is constructed using traditional log construction methods with 6-inch pine logs, offering a tactile and historically resonant contrast to the smoother oak cladding. The leaning lounge structure is ingeniously stabilized by 25mm round stainless steel rods. These rods are anchored to the foundation of the main structure, allowing for slight natural movement while rigorously maintaining the structural integrity of the cantilevered form. The thoughtful selection and application of materials create significant contrasts throughout the design. The sleekness of the oak cladding stands in opposition to the rugged, inherent texture of the pine logs, emphasizing the different functional and symbolic roles of each element. Spatially, the two volumes converge at the gate when viewed from the east, creating a unified entry point. From the western perspective, however, they extend outwards, subtly shaping a recessed garden space that frames and centers around the venerable oak tree. This careful configuration supports a clear functional and spatial zoning within the property, delineating public, private, and transitional areas. By referencing historical and vernacular construction techniques within a contemporary layout, the Folly at Fair Hill achieves a balance between innovative design and a deep respect for its context and heritage. #ArchitecturalFolly #NorwegianArchitecture #ReverAndDrage #OakCladding #CantileverDesign #SustainableArchitecture #TraditionalConstruction #GardenDesign

Atelier Janda Vanderghote designed a garden house in Wondelgem, Belgium, intended to function as both a workspace and a compact dwelling. The 860-square-foot structure, built by Menno Vanderghote with structural engineering by Pascal De Munck, is characterized by its open and flexible plan, which maximizes a sense of spaciousness. The core of the design is a central concrete column, which branches out like a tree, supporting the building and eliminating the need for numerous interior load-bearing walls. This innovative structural approach allows for expansive glass facades that offer unobstructed views of the surrounding garden and a neighboring park. The project prioritizes integration with nature, transforming the original garden of grass and fir trees into a green extension of the adjacent park. The plot is designed to be permeable, with plans for increased greenery in the future, fostering a harmonious connection between the built environment and its natural surroundings. The architects chose simple, honest, and robust materials to achieve a sense of sober simplicity and tranquility, aligning with the functional and aesthetic goals of the space. Initially conceived as a woodworking studio, the dwelling currently serves as a temporary residence during ongoing construction on the main plot, demonstrating its inherent adaptability. The flexible layout ensures that the garden house can accommodate various future uses, ranging from a dedicated workspace to a guesthouse or even a primary dwelling. The large window overlooking the garden and the clear sightlines through to the park are critical elements in creating the illusion of a much larger space than its actual footprint. The architectural firm, Atelier Janda Vanderghote, emphasizes the simple and clear structural layering, which contributes significantly to the feeling of openness. The concrete support structure, with its splayed arms emanating from the kitchen area, cleverly redistributes the load, allowing the perimeter walls to be almost entirely glass. This design choice not only floods the interior with natural light but also blurs the boundaries between indoor and outdoor spaces, drawing the natural landscape into the living areas. Photographed by Johnny Umans, the project exemplifies a thoughtful approach to small-scale architecture, where structural innovation facilitates an unencumbered floor plan and a strong connection to nature. The selection of durable and unpretentious materials further reinforces the design philosophy, creating a building that is both practical and aesthetically pleasing, offering a versatile space that can evolve with the occupants' needs. #backyardHouse #flexibleSpace #concreteColumn #architecturalDesign #WondelgemBelgium #AtelierJandaVanderghote #minimalistDesign #sustainableArchitecture

Rammed-earth construction, a technique thousands of years old with origins in China and the Iberian Peninsula, offers numerous benefits for contemporary home building. Examples such as the original rammed-earth sections of the Great Wall and the Alhambra palace in Spain demonstrate its historical durability. This method is favored by Terrell Wong, principal of Stone’s Throw Design, due to its low embodied energy, recyclability, high thermal mass, low energy loads, and non-toxicity. Wong highlights its longevity, stating that a rammed-earth house can last 500 years or more, requiring no painting. These walls function as the structure, insulation, finish, and thermal mass of a building. The construction process involves creating panels approximately 11.5 feet long from a mixture of 20% to 30% clay and sand, with 5% to 10% cement. In colder, wetter climates, a silicate-based waterproofing agent is often incorporated. Walls are built in layers, or lifts, where one foot of material is placed into formwork and compressed to six inches using a pneumatic tamper. The forms, typically made of HDO plywood and lumber, are about 20 inches wide and 4 feet tall. When constructing walls longer than a single panel, a recess on one end of the first panel allows the subsequent panel to interlock, ensuring structural integrity. Conduit for plumbing and electrical wiring must be planned precisely, as these cannot be altered once the wall is erected. Rammed-earth walls are typically dry and load-bearing within 24 hours, exhibiting compressive strength comparable to concrete, usually between 1600 psi and 1800 psi for 2-foot-thick walls. Rammed earth is particularly effective as a thermal mass, absorbing and storing solar radiation during the day and re-radiating it at night. This property helps maintain consistent indoor temperatures and humidity levels, reducing reliance on mechanical heating and cooling systems. Many modern rammed-earth homes are hybrids, combining rammed earth with other construction methods like stick or timber-frame walls, or even straw-bale construction for upper floors. Cross-laminated timber (CLT) panels can also be used for roofs. Wong frequently integrates rammed earth for interior partition walls as well. A case study highlights a single-family home designed by Wong in a rural, woodland setting. This home incorporates Passive House strategies, maximizing the thermal mass of rammed earth, harnessing southern light, and utilizing cross breezes for passive ventilation. The effective natural cooling eliminates the need for mechanical air conditioning, and the house consumes only about 20 kW of heat annually. The exterior walls, composed of 530 tons of material with two 6-inch wythes of rammed earth sandwiching 6 inches of insulation, benefit from locally sourced materials, resulting in exceptionally low embodied energy. Recycled wooden formwork was also repurposed for interior use. Beyond energy efficiency, rammed-earth walls offer soundproofing qualities due to their thickness. The absence of organic matter in the material prevents mold growth, contributing to superior indoor air quality. Sylvia Cook, principal of Aerecura Rammed Earth Builders, emphasizes that the thermal mass benefits are equally significant in both hot and cold climates, stabilizing internal temperatures. The technique remains a fringe method in many regions, including Canada, primarily due to a lack of awareness and specific building codes in North America. While other countries like Australia and New Zealand have formalized codes, in Canada, practitioners demonstrate compliance by showing rammed earth's similarity to concrete or concrete block, often incorporating rebar in colder, wetter climates and recycled polyiso insulation to minimize thermal bridging. The aesthetic appeal of rammed-earth walls is characterized by earth-toned striations, created by adding pigment to the cement and allowing the ramming process to push colors to the visible outermost layer. The amount of material in each layer can be varied to enhance these natural color patterns. While complex designs with curved or angled walls can increase costs due to the labor-intensive nature of the method, Wong has successfully applied rammed earth to affordable housing projects by simplifying the design and formwork. Test cylinders filled with rammed earth are used to measure psi before and during construction to ensure engineering code compliance. #RammedEarthConstruction #SustainableBuilding #GreenBuilding #ThermalMass #EnergyEfficiency #DurableHomes #EcoFriendlyMaterials #ArchitecturalDesign #PassiveHouse

Milena and Max Schmiz acquired the Dortmannhof, a heritage-listed German farmhouse built in 1791, for their family in Essen. Despite initial challenges such as uneven floors, drafty windows, and stringent historic preservation laws, the couple successfully transformed the 200-year-old property into an art-filled residence. However, the northern side of the home lacked sufficient daylight, prompting them to seek a solution. They enlisted Berlin-based architect Sigurd Larsen, known for his daylight-focused designs, after being impressed by his Roof House in Copenhagen. Larsen faced the challenge of enhancing daylight without altering the historic facade, as monument protection regulations required the preservation of all original walls and ceiling beams. Only two small skylights were permitted on the eastern roof slope. These constraints led Larsen to devise a "house within a house" concept. The architect inserted three new cross-laminated timber volumes into the building's northern half, which previously served as a barn. These additions, described as "oversized inhabitable furniture," were designed for easy installation and removal to comply with local historic preservation rules. The central and largest volume is a 36-foot-tall gabled music room, featuring a north-facing window wall, designed to accommodate the family's musical activities. The musicians desired a spacious area for piano rehearsals and a functional working desk, which this volume provides. A smaller, gabled volume to the east houses a new guest suite with its own entrance, while a flat-roofed volume on the west side contains a large bathroom. The new volumes, totaling 860 square feet, were painted with white chalk inside and out, honoring the historic facade. Larsen noted that the tall and narrow design of the new spaces, particularly the music room and guest house, was influenced by the surrounding crops and optimized for morning light from the new skylights. The original structure's features, such as the stone floors from 1791, were preserved and integrated into the new music room. Large, north-facing windows were incorporated to allow additional daylight to filter through the old, perforated walls, which originally provided ventilation for hay. The historical layout, characterized by multiple entrances and internal connections, was maintained to allow for the simultaneous coexistence of family life, creativity, and work, reflecting the building's original multipurpose spirit. #GermanFarmhouse #HistoricPreservation #ArchitecturalRenovation #DaylightDesign #SigurdLarsen #CrossLaminatedTimber #HouseWithinAHouse #MusicRoom #GuestSuite #HeritageListed

This Stuttgart house, built in 2000, is currently on the market for €3.5 million through Baden-Wûrttemberg Sotheby’s International Realty. The property features a distinctive architectural style that blends elements of Bauhaus, futuristic design, and Zen aesthetics, encompassing a brutalist interior that is amply illuminated by natural light. From the front, the five-bedroom villa presents a warehouse-like appearance with its windowless facade, contributing to its unique character. The interior of the house is characterized by a box-shaped gallery with soaring ceilings. A floor-to-ceiling glass wall, a prominent feature, offers expansive views of the surrounding trees and foliage, simultaneously allowing an abundance of natural light to flood the expansive internal spaces. This design choice creates a seamless connection between the indoor environment and the lush outdoor scenery, which can be enjoyed from most rooms within the property. Spanning three storeys, the home maintains a minimalist aesthetic with clean lines and a consistent material palette. The interiors are defined by buffed, bare concrete walls and grey tiled stone flooring throughout. The master bedroom and a roof terrace also adhere to this design language. The entrance hall introduces an industrial touch with gritty-looking perforated steel plate flooring, complemented by wire cord balustrades on the staircase. In contrast to the predominantly muted and raw material palette, the kitchen features a burnt-orange island, injecting a vibrant and playful pop of color into the space. The overall design emphasizes spaciousness and light, creating a serene atmosphere despite the brutalist influences. The combination of Bauhaus volumes and futuristic elements, alongside the Zen-inspired tranquility, defines this Stuttgart property as a unique architectural offering. The integration of the natural surroundings through extensive glazing enhances the living experience, providing picturesque views and contributing to the home's 'lightbox' quality. #GermanProperty #StuttgartArchitecture #LuxuryRealEstate #ModernDesign #BauhausInfluence #BrutalistInterior #ZenArchitecture #ArchitecturalVilla #OnTheMarket

In an Almaty, Kazakhstan, apartment, interior designer Elina Mussakulova faced the challenge of transforming an initially open space into a functional home with distinct living areas, despite the constraint of having only three large windows located on one side of the apartment. Her clients, Erzhan and Nazym, desired a living room, kitchen, home office, two bedrooms, and two bathrooms. A significant design hurdle was a structural column that Mussakulova proposed to clad in mirrors. The clients were initially hesitant, concerned it might resemble the mirrored pillars often found in Kazakh restaurants, which are typically associated with large event venues. Mussakulova, cofounder of Sdelaemremont.kz Interior Bureau, eventually convinced them, explaining that mirrors could seamlessly integrate objects into the interior. To avoid the restaurant aesthetic, she designed the column with long, rectangular reflective panels, making it appear sculptural rather than an eyesore. The apartment's original layout presented an even greater challenge due to the limited natural light sources. Mussakulova and her team spent weeks contemplating the optimal arrangement to ensure light penetrated all necessary rooms. The solution was to combine the office and cooking zone, creating an enfilade layout where rooms are arranged in a row with aligned doorways. This design allows light to flow through the apartment, maintaining an airy feel, and also provides a degree of separation between the workspace and the living area, preventing disturbances. The designer's attention to detail extended to the doors, where she emphasized maximizing the apartment's ceiling height. She incorporated elaborate crown detailing above doorways, such as the one leading to the kitchen, to visually enhance the room's vertical dimension. For the kitchen, Nazym, despite not being an avid cook, expressed a desire for a beautiful, separate space that would mask noises and odors and inspire her to cook. Mussakulova delivered a kitchen designed for culinary experimentation, emphasizing both aesthetics and functionality. The apartment's color scheme was inspired by an unexpected observation: Mussakulova noticed how striking her husband looked in pale green jeans and a sky-colored shirt against their beige garage. This led to a palette featuring custom sage green kitchen doors, buttery yellow (Sherwin-Williams' Naturel) in the bathrooms, and baby blue (Sherwin-Williams' Niebla Azul) on the ceilings. Spanish Volakas marble on the bathroom floors and shelving niches harmoniously blended these cool and warm tones. The main bedroom offered a slight departure from the overall color scheme, featuring striped wallpaper from Ferm Living. Mussakulova, who admits orange is her favorite color, toned down the patterned walls with white bedding and mustard-tinged curtains discreetly tucked behind classical molding. The bathrooms incorporate curved vanity mirrors and wall tiles by Kerama Marazzi, with vanity hardware from Anthropologie and sinks from Vilbo. The apartment's location in the upper section of Almaty, next to a mountain river, provides a natural, calming soundscape, eliminating the need for artificial white noise. Overall, the project exemplifies a thoughtful approach to interior design, addressing architectural constraints and client preferences to create a harmonious and functional living space. The innovative use of mirrors, the enfilade layout to maximize light, and a personalized color palette contribute to a unique and inviting home environment that blends modern aesthetics with practical considerations, proving that design challenges can be transformed into distinctive features. #InteriorDesign #HomeTour #KazakhstanApartment #StructuralColumn #MirroredDesign #EnfiladeLayout #ColorPalette #ModernLiving #DesignChallenges

The 'Hidden House' in Kozhikode, designed by AslamSham Architects, presents a unique architectural narrative that conceals its true scale. Despite its name, the house is designed to stand out, captivating passers-by with its distinctive form, as desired by the clients—a 30-something entrepreneur couple. The dwelling, a three-level structure, creates the optical illusion of being a smaller, two-storey home when viewed from the street. The design process was shaped significantly by the site's challenging topography, which started three meters below the road level and continued to slope downwards. This contour influenced the building's distinctive form. The facade features two inclined, turfed expanses of varying heights, separated by an interstitial space defined by massive granite walls that enhance the sense of scale and mark the main entrance. Two concrete cuboids, abstracting a patio and a formal living room, emerge from the sloping green landscape. This interplay of solid stone against vibrant greenery and rooted walls versus buoyant cuboids creates an intriguing and atypical elevation. A subtle traditional nuance is introduced through the incorporation of old Mangalore tiles in one section, contrasting the modern composition of straight forms and regimented lines, and demonstrating how vernacular elements can integrate with contemporary design. The interior layout is strategically zoned based on its proximity to the road. The public zone, offering views of the street, encompasses the front sit-out and formal living space. The semi-public section, considered the heart of the home, revolves around a skylighted koi pond and includes the family living area, dining room, and kitchen. This open-plan approach is maintained by using different flooring materials—black leather-finish granite for primary functions and leather-finish Kota stone for other areas—to delineate spaces without resorting to walls. The private zone, located at the rear, houses the bedrooms, a home theatre, and a swimming pool, ensuring seclusion. To accommodate the clients' spatial requirements without extensive site alterations, the house is split into six to seven levels. The primary entry to the public zone involves only a few steps, while a secondary family entrance to the semi-public area is just one step down. From there, residents access the private zone, with bedrooms distributed across half-levels and the primary bedroom on the highest floor. Varying ceiling heights throughout the home contribute to a dynamic spatial experience, communicating different degrees of intimacy and scale. The material and color palette prioritize simplicity and sophistication. Whites, natural textures such as random rubble masonry, cement-finish plaster, wood, leather-finish granite and Kota stone, and deck wood are employed to give each space a distinct personality. The use of these materials helps to visually differentiate areas while maintaining an open feel. Green accents from plants are strategically placed to introduce warmth and coziness. The architects emphasized leveraging the inherent character of materials, with exterior rough textures transitioning to more polished finishes indoors. The project benefited from a strong collaboration between the architects and the accommodating clients, resulting in a cohesive and satisfying design. #KozhikodeHome #ArchitecturalDesign #ContouredSite #ModernArchitecture #VernacularElements #MaterialPalette #SpatialPlanning #CustomDesign #KeralaHomes

The Canterbury Road Residence, located in Victoria, Australia, is a modern home designed by b.e architecture. The design concept draws inspiration from naturally stacked boulders, manifesting as three interconnected structures that create the illusion of boulders resting against each other, with a discernible passageway between them. The exterior of the residence is characterized by a monochromatic lava stone cladding, which features rough surfaces that introduce diverse tonal textures to the structure. This material choice contributes to a rugged yet sophisticated aesthetic, echoing natural geological formations. A notable feature of the exterior design is the strategic placement of mirrored windows. These windows are set slightly back from the rough stone facade, achieving a flush appearance that enhances the solid, monolithic impression of the stone cladding. Despite the property's close proximity to the street and neighboring residences, the mirrored glass effectively ensures privacy for the occupants, reflecting the surroundings while obscuring the interior. The architects also incorporated trees along the walkway, demonstrating an effort to integrate natural elements into a potentially constrained urban lot. The interior design continues the theme of warm textures, particularly evident in the kitchen area. This space features dark wooden cabinets complemented by dark gray marble countertops, which collectively create a rich and inviting atmosphere. The material palette within the kitchen harmonizes with the exterior's earthy tones, establishing a consistent design language throughout the home. Another striking interior element is the curved staircase, designed to be a dramatic focal point. Its organic shape is further accentuated by a circular skylight positioned directly above, which not only provides natural illumination but also visually echoes the curvilinear form of the staircase, enhancing the architectural flow and aesthetic coherence of the space. Throughout the residence, the design prioritizes a balance between robustness and refined detailing. The use of rough lava stone for the exterior provides a strong, grounding presence, while the careful selection of interior materials and design features such as the mirrored windows and curved staircase ensures a contemporary and comfortable living environment. The Canterbury Road Residence exemplifies a thoughtful approach to modern architectural design, where natural inspiration, privacy considerations, and material harmony are seamlessly integrated. #Architecture #ModernHome #LavaStone #AustralianArchitecture #ResidentialDesign #InteriorDesign #Materiality #PrivacyDesign

Areal Architecten, a Belgian studio, has designed and implemented 'Town house EM,' a contemporary brick and concrete townhouse situated within a residential streetscape in Mechelen, a city located near Antwerp. The project aims to seamlessly integrate the modern structure into its traditional surroundings while maintaining a distinct architectural identity. The exterior features a brick facade that is subtly sliced and faceted, enabling the otherwise minimalist volume to relate to and harmonize with the existing neighboring buildings. This design approach seeks a balance between blending in and standing out within the urban fabric. Upon entering the house, visitors are greeted by a porte-cochère rather than a direct front door onto the street, offering a unique transition space. Internally, the three floors of the townhouse are visually connected by a significant void that extends from the ground floor upwards, crowned by a skylight. This architectural feature serves to flood the stairwell and lower levels with natural light, creating a bright and airy atmosphere throughout the dwelling. This central void acts as an internal 'canyon,' effectively separating the open-plan living areas from the more private bedrooms. Thomas Cols of Areal Architecten describes the residence as a single-family row house that, despite its urban setting, offers remarkable views and expansive voids. He emphasizes the thoughtful combination of raw and refined materials used throughout the project, contributing to its distinctive character. The interior material palette is intentionally restrained, contributing to a modern and sophisticated aesthetic. It features ribbed concrete soffits, exposed brick walls, and a combination of timber and concrete flooring. Large internal single-pane windows further enhance the sense of openness and connectivity between spaces. The staircase is a notable design element, crafted from white-painted steel with blade-like treads, adding a sculptural quality to the interior. Functional spaces are thoughtfully distributed across the floors. The living quarters and kitchen are equipped with fitted timber-fronted storage units, providing both practicality and a consistent aesthetic. The open-plan first floor hosts a living room that extends onto a terrace, blurring the boundaries between indoor and outdoor spaces. The kitchen is located on the ground floor, facilitating easy access and functionality. A difference in level on the ground floor manages the transition between the street and the rear of the house, which leads to a longitudinal garden. This design detail creates a smooth progression from the public street environment to the private outdoor space. The architects highlight that the traditional spaces of a house are synthesized into a single organic space, characterized by raw finishes such as the concrete grid on the ceiling and the prominent interior brick wall. Through precise openings and the living room terrace, the integration of inside and outside environments is a key design principle, fostering a continuous and expansive living experience within this urban dwelling. #Townhouse #ArealArchitecten #MechelenArchitecture #BrickFacade #ConcreteConstruction #ModernResidential #InternalVoid #SkylightDesign #OpenPlanLiving

Architect David Hicks designed Woodend house, located in the Macedon Ranges of Victoria, Australia, drawing inspiration from European vernacular architecture, particularly villas found in the French, Tuscan, and Puglian countryside. The house features a deliberate windowless facade, a design choice Hicks frequently employs to create intrigue and privacy. This approach ensures that the dwelling's interior experience is revealed only upon entry, rather than from the exterior. The single-story home was created for an older couple seeking to downsize, who had previously owned another windowless property designed by Hicks. Access to the Woodend house is gained through a wrought-iron arched gate situated on the side of the building, leading to a portico and then into an entrance vestibule. The interior walls throughout the house are rendered in micro cement and finished with limewash, imparting a stone-like texture. A vintage chandelier, made from ruched Murano glass, is a focal point in the vestibule, suspended from a circular recess in the ceiling. A central corridor extends from the vestibule, providing access to all the other rooms within the residence. Among the rooms is a 'retreat' area, functioning as a relaxed study and sitting room. This space is furnished with an Eames lounge chair, a multi-armed light fixture by French designer Serge Mouille, and a fireplace framed by a Ceppo marble surround. The same Ceppo marble is utilized for shelves within two arched display niches, adding a cohesive aesthetic element. Double doors connect the retreat to the principal bedroom, which is appointed with luxurious touches including a velvet rug, a satiny headboard, and fluted glass wall sconces. Storage solutions in the bedroom are subtly integrated behind white lacquered panels. The principal bedroom also features an en-suite bathroom where surfaces are covered in pale Calacatta marble. Large sliding glazed doors at the rear of the bathroom offer views of a small brick courtyard, which is adorned with a miniature maple tree. The main living area, a more formal space, contains white armchairs and a curved baby pink sofa, with sheer linen curtains covering French doors that open to the garden. The kitchen, integrated into this area, includes simple white cabinetry and a breakfast island topped with Calacatta marble. The home's powder room showcases extensive use of Ceppo marble, covering the walls, floor, and washbasin with its distinctive pattern. The photography for Woodend house was captured by Shannon McGrath. The project exemplifies a trend in Australian architecture for homes with striking, often unconventional, facades. Other notable examples include the Birdwood house by Peter Besley, which features a perforated screen of terracotta brick and metal mesh, and the Bangalow Road House by Son Studio, characterized by a wall of timber louvres that echo traditional wooden beach shacks. These designs collectively demonstrate a focus on unique exterior treatments that often contrast with rich and private interior spaces. #AustralianArchitecture #DavidHicks #WoodendHouse #VictoriaAustralia #WindowlessFacade #InteriorDesign #LuxuryInteriors #Marble #ResidentialArchitecture

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

The Holms, a couple living in Odense, Denmark, initially envisioned a simple wooden farmhouse for their new home. However, architect Jan Henrik Jansen, known for offering multiple solutions for his projects, presented them with a radically different concept: a round house. To his surprise, the Holms immediately embraced this unconventional design. Jansen, a German architect who established Jan Henrik Jansen Arkitekter in Denmark, attributes the couple's adventurous spirit partly to the Danish national character, which he describes as having a fundamental interest in design, not limited to an upper-class clientele. The unique round shape of the house was strategically chosen due to its location, flanked by other residences. By orienting the house to face a green meadow, Jansen aimed to create a sense of living in open countryside, providing privacy and a connection to nature. The architect opted for brick as the primary building material, rather than the initially requested wood, to ensure the house blended harmoniously with the existing neighborhood. He also noted that the curved structure inherently called for a solid material like brick. Despite their enthusiasm for the design, the initial cost was a concern for the Holms. Finn Holm, who owns a corporate cleaning business, took on the role of general contractor to manage the project, a decision he later described as a two-year ordeal he would not repeat. A significant part of this arduous process involved Finn hand-cutting thousands of bricks from a demolished Carlsberg brewery in Copenhagen, a task that alone took six months and required enduring various weather conditions. The house, spanning 2,400 square feet, accommodates a blended family of six children from previous marriages, with three still living at home, along with a cocker spaniel. To manage the bustling household, Jansen designed the layout as a C-shape. The master suite is situated at one end, while the children's three bedrooms and a shared bathroom are at the opposite end. The living rooms, dining area, and kitchen are centrally located. Jansen explained that the curved design creates a sense of openness without feeling excessively exposed. Materially, the house primarily utilizes wood and brick. The interior curve of the C-shape features a triple-glazed thermal glass curtain wall. Even the radiant-heated floors are made of brick, sealed for easy maintenance. Jansen highlighted that the use of these traditional materials gives the house a timeless quality, suggesting it “could have been built 100 years ago.” Janni Holm, a doctor with a keen interest in design, took charge of the interiors, furnishing the space with her collection of Danish 1950s and 1960s furniture, which seamlessly integrates with the house’s curved architecture. Finn Holm particularly appreciates the constant connection to the outdoors, facilitated by the floor-to-ceiling glass, which offers views of a circular, cobblestone-paved courtyard featuring an outdoor fireplace for entertaining. Despite their neighbors' admiration, Janni noted with a smile that most couldn't imagine living in such an unconventional home. #Architecture #ResidentialDesign #UnconventionalHome #DanishDesign #BrickArchitecture #FamilyHome #InteriorDesign #SustainableMaterials

Pezo Von Ellrichshausen has completed the 'Loba House,' a concrete structure nestled into the terrain of coastal Chile, overlooking a sea lion reserve on the Pacific Ocean. Described by the architects as "more than a hut but less than a house," the design strategically manipulates perceptions of proportion to achieve a monolithic appearance with an ambiguous scale. The opaque dwelling is situated in the Coliumo peninsula, Tome, VIII region, Chile, covering a built surface of 70 square meters (753 square feet) within a 1,000 square meter (10,764 square feet) plot. The design and construction phases took place in 2016 and 2017, respectively. The architectural concept interprets the building as an "inhabited wall" that runs perpendicular to the natural topography. Its narrow and tall proportion contributes to this perception. The height of this wall is defined by two primary elements: a continuous horizon line provided by the expansive ocean view and a series of six descending platforms that step down towards the sea. This terraced internal structure allows for varying ceiling heights and programmatic divisions within a single, open space. The roof of the 'Loba House' functions as an accessible terrace, serving as an extension of the natural landscape. From this vantage point, a stepped geometric structure offers a dedicated area for observing sunsets, providing an elevated perspective of the surrounding environment. Internally, the dwelling features a single, expansive room, which is strategically punctuated by three substantial concrete columns and two connecting bridges. This layout defines zones without rigid partitioning. Bedrooms are positioned on the higher of the six internal platforms, characterized by lower ceilings, creating a more intimate and enclosed sleeping environment. Conversely, areas designated for communal activities, such as living spaces or dining areas with sofas and tables, are located on the lower levels, benefiting from the greater height and openness. The interior illumination is carefully managed through precisely placed openings on both sides of the elongated volume, complemented by overhead skylights that ensure specific areas within the house receive natural light. A notable design detail is a corner aperture, framed by a round pillar, which features unframed glass flush with the exterior concrete surface, providing an unobstructed view. The construction was undertaken by Carvajal & Cabrer, with structural engineering by Peter Dechent and consultancy by Marcelo Valenzuela and Daniel Garrido. The project exemplifies a harmonious integration with its dramatic coastal setting, blurring the lines between architecture and landscape through its material palette and formal strategy. #ChileanArchitecture #CoastalDesign #ConcreteArchitecture #EmbeddedArchitecture #MonolithicDesign #PezoVonEllrichshausen #InhabitedWall #TerracedHouse #SkylightDesign