Molteni&C furnishes penthouse at Viñoly's 432 Park Avenue

The Beverly Hills Penthouse, perched 39 floors above Los Angeles, offers spectacular views of the local country club and the Pacific Ocean. Designed by The Scale Collective, this project prioritizes sanctuary over spectacle through deliberate material choices, moving away from the typical high-rise aesthetic towards a more grounded and tactile experience. The initial inspiration came from beauty entrepreneur Darya Pishevar, who referenced Pierre Paulin’s Pumpkin Chair, setting the tone for a design focused on warmth and comfort. Sara Alexander of The Scale Collective anchored the design around two vintage pieces sourced from Los Angeles showrooms: the Little Petra Chair in shearling and the Marenco Sofa. These foundational elements guided the selection of subsequent materials and textures. Unlike conventional glass towers that emphasize verticality with reflective surfaces and cool tones, this penthouse interior adopts an opposing approach. It incorporates materials such as shearling, hair-on-hide, boucle, and mohair, which absorb light and sound, thereby softening the sharp edges often found in modern high-rise environments. The use of walnut and oak for joinery adds a structural warmth without the visual heaviness commonly associated with traditional paneling. This layering of diverse textures and natural wood tones contributes to an ethereal quality within the space. The design's ethereal effect is not primarily due to airiness but rather to how these carefully chosen materials modulate the intense California sunlight streaming through the floor-to-ceiling windows. Farrow & Ball's nuanced neutral paint tones further complement these textural elements, creating a cohesive and inviting atmosphere. Custom collaborations with Los Angeles showrooms, including The Future Perfect, Stahl & Band, and Garde, enabled Alexander to precisely calibrate furniture proportions to suit the expansive volume of the penthouse. An example of this meticulous approach is the HAOS 20.01 armchair, one of only three produced globally in leather, selected for its unique stance and upholstery texture that seamlessly integrates into the overall composition. Furthermore, a bespoke Apparatus chandelier was designed to overcome the apartment's limited electrical infrastructure while maintaining the project's refined and restrained aesthetic. This custom piece underscores the attention to detail and thoughtful problem-solving employed throughout the design process. The combination of luxurious tactile materials, custom-designed elements, and a muted color palette results in a sophisticated yet comfortable living space that serves as a serene retreat high above the city. The project successfully redefines luxury in a high-rise setting by emphasizing sensory experience and a connection to natural elements rather than overt opulence. #BeverlyHillsPenthouse #InteriorDesign #LuxuryLiving #TactileMaterials #TheScaleCollective #ModernDesign #CustomFurniture #NeutralPalette #HighRiseInterior

This article details the transformation of a penthouse suite at The Carlyle, an art deco-inspired condominium building in Minneapolis' Mill District. The owners, a couple, opted to move from their Orono family home to the city, seeking a lively atmosphere and proximity to urban amenities. They purchased a top-floor unit in The Carlyle, drawn by the expansive views and the potential for more entertaining space. Initially, the nearly 3,000-square-foot unit had a confined and choppy layout, with heavy moldings, dark trim, and dropped soffits that obstructed views and divided the space. The primary goal of the remodel, led by architect Bob Le Moine of PKA Architecture and senior project manager Ian Alderman of Streeter Custom Builder, was to capitalize on the panoramic three-sided views of the Mississippi River and the Minneapolis cityscape, including landmarks like the Stone Arch Bridge and Gold Medal Park. The renovation involved a complete gutting of the interior, removing most non-load-bearing walls and reconfiguring the ductwork to achieve higher, continuous ceiling planes in the main living areas. Concrete shear walls, which could not be removed, were cleverly integrated into the new kitchen design, serving as an anchor for the condominium's layout. The kitchen was specifically designed as an entertainment hub, featuring a prominent 17-foot white quartz island. Behind this main island, a 'true' galley-style kitchen was created to manage clutter and food preparation discreetly during social gatherings. This dual kitchen setup was highlighted as a favorite feature by the design team and owners alike. Interior designer Brooke Voss aimed for a modern yet comfortable aesthetic. White walls, light wood floors, and strategically placed mirrors contribute to a bright and airy ambiance, while sleek black window frames and elegant light fixtures introduce dramatic accents. A floating wall near the entryway, which could not be removed, was transformed into an artistic feature with authentic Venetian plaster by local artist Darril Otto, providing a sophisticated backdrop for the owners' art collection. The furniture selection combines contemporary pieces with classic elements to create a timeless modernity. For instance, the sitting room features sculptural B&B Italia chairs juxtaposed with a concrete table, a wool rug, and hand-blown sconces, balancing modern design with warmth and texture. The U-shaped floor plan was reconfigured to ensure maximum privacy for the bedroom areas, positioning them at opposite ends of the unit. The main bedroom suite was specifically oriented to offer views of the Guthrie Theater and U.S. Bank Stadium. Two guest bedrooms and bathrooms were located adjacent to a spacious home office, accommodating work-from-home needs. The owners' extensive collection of paintings and sculptures was meticulously integrated throughout the condominium, adding personalized finishing touches. The clients were deeply involved in every detail of the planning and execution, from the placement of light switches to the precise alignment of wood grains, resulting in a home that precisely met their vision and expectations. #CarlyleCondos #PenthouseDesign #LuxuryCondominium #MinneapolisRealEstate #HomeRenovation #InteriorDesign #ModernLiving #CityViews #PKAArchitecture #StreeterCustomBuilder #BrookeVossDesign

This article highlights a newly completed penthouse apartment located in 'The Courtyard,' a residential complex in Milan designed by DFA Partners. The building itself is inspired by the city's traditional cloisters, featuring smart green spaces and a focus on urban forestation. Architect Daniele Fiori, realizing the abundance of abandoned structures in the city center, conceived a design that is entirely inward-facing and private, centered around a large garden. This green space is integral to the project's success, acting as a natural screen and reducing CO2 emissions. The building also incorporates sustainable features like green rooftops, private patios, terraces, geothermal energy from ground water, and built-in photovoltaic cells. The penthouse interiors were crafted by architect Massimiliano Camoletto for Visionnaire Art Director Eleonore Cavalli, embodying a quintessential Milanese aesthetic. The design emphasizes pure volumes, allowing natural light to flood the spaces. The apartment showcases a curated selection of furniture from Visionnaire, alongside collaborations with other notable Italian brands such as Viabizzuno, Alpi, and Ernestomeda. The selection includes designs by Mauro Lipparini, Alessandro La Spada, and younger talents like Zanellato and Bortotto, and Sara Ricciardi, creating a sophisticated blend of minimalist forms and luxurious materials. Custom-built elements, such as a mirrored modular bookcase and a metal and wood staircase, further enhance the living area. A significant feature of the living area is the custom-designed 'bioclimatic greenhouse' by Pratic. This greenhouse is home to Mediterranean plants, including olive and lemon trees, jasmine, roses, wisteria, camphor trees, and maples, strengthening the connection to nature within this urban setting. The kitchen, a collaboration with Ernestomeda, boasts a metallized lacquer finish, smoke gray etched glass, and Grigio Alpi stone. Upstairs, the penthouse includes a minimalist fitness space and two bedrooms, designed as calming sanctuaries with a muted color palette. The overall design of the penthouse celebrates Italian excellence in interior design, furniture, and sustainable architecture, creating a private and green oasis in the heart of Milan. #MilaneseInteriors #UrbanOasis #PenthouseDesign #ItalianDesign #SustainableArchitecture #GreenSpaces #LuxuryInteriors #DFAHPartners #VisionnaireFurniture

Interior designer Vanessa Alexander of Alexander Design has completed a 4,500-square-foot loft conversion in Venice, California, located in a building originally constructed in 1926 for a telephone company. The penthouse-level residence, which also features a roof garden, showcases restored gray concrete floors and zinc windows, establishing a rugged and masculine aesthetic. The three floors below the penthouse are currently being developed by Alexander Design for additional office and gallery spaces. Despite the loft's expansive open layout, Alexander focused on creating a sense of intimacy by incorporating various compartments and separated seating areas to reduce the perceived scale of the interior. The design palette is characterized by dark tones, including blacks and grays, complemented by warm, weathered leathers in saddle and cognac, and organic textural linens. This dark palette works in conjunction with the abundant natural light, maintaining the space's inherent openness while adding depth and sophistication. Industrial influences extend throughout the home, from the living areas to the kitchen. In the kitchen, wall shelving is suspended from the ceiling to emphasize the extreme ceiling heights and to echo the design of the zinc windows. Alexander collaborated with local artisanal furniture brand Stahl + Band and design/build studio PSS Design Cult to construct the kitchen, which features a large island counter with concrete poured on-site. The faucets in the kitchen, made from copper pipe fittings, serve as a nod to the building's historical industrial roots. The dining area incorporates massive custom-made mirrors with metallic frames, strategically placed to provide privacy while also creating dynamic light and shadow effects. The bedroom features a bed platform crafted from reclaimed wood and a custom leather headboard. This bed structure strategically separates the bathroom from the sitting areas and is oriented towards a large picture window that offers views of the Santa Monica Pier and the Malibu Coastline. The bedroom is furnished with bedding by Society Linen, a striped throw by Tenfold from The Line, and vintage embroidered textile pillows. The rooftop garden provides an outdoor sanctuary with an olive tree, a Bocce court, an outdoor kitchen, a yoga platform, and a dining area shaded by a reed and metal pergola structure built by PSS Design Cult. The bathroom includes an oversized, custom-made concrete trough on a bronze base, paired with industrial copper piping and taps. A mirror, suspended from the ceiling by braided leather straps, was manufactured by PSS Design Cult, and the oval bathtub is from NativeStone. A vintage Beni Ourain rug from Mehraban adds a touch of warmth to the bathroom. The interior design thoughtfully integrates Danish antiques, including pieces by Poul Henningsen, Arne Jacobsen, and Ditto Heath, alongside textiles and furniture from Le Corbusier. Alexander also incorporated items from her own custom furniture collection. The project involved collaborations with builders PSS Design Cult, Stahl + Band, and Spark and Dowel. #PenthouseConversion #IndustrialDesign #VeniceCalifornia #LoftLiving #AlexanderDesign #VintageFurniture #RooftopGarden #HistoricBuildingRenovation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Jim and Colleen Ludington, after nine years in their 8,700-square-foot home in The Peninsula, a waterfront community on Lake Norman, sought to downsize. While initially planning to wait until their youngest son graduated, Colleen learned about the Watermark project and was drawn to its offerings. Recognizing an opportunity for a penthouse unit, they secured one in the Watermark Lake Norman development, a gated resort-style condo community comprising 48 units that broke ground in 2018 and was completed in late 2020. Their specific unit was still under construction, allowing them to collaborate with the builder on architectural modifications prior to their autumn move-in. Colleen, a realtor and children's book author, envisioned a classic, timeless aesthetic for their new home, reminiscent of a pre-war New York City apartment. This vision influenced design choices such as herringbone walnut floors and marble bathrooms. The penthouse provided a strong foundation with its high ceilings and hardwood flooring. The Ludingtons opted for minor structural changes, including modifications to the kitchen layout, the integration of a built-in wine display, and the installation of a custom fireplace in the living room. Jim, a retired technology executive with a passion for gourmet cooking, desired a spacious kitchen equipped with gas appliances and ample storage for his extensive collection of cookware and gadgets. To achieve this, 10-foot cabinets were installed, complemented by a custom-crafted rolling ladder featuring gold rails that matched the kitchen's hardware. An additional kitchen island was incorporated to serve as an informal dining area, accommodating eight people. Its waterfall-edge countertops were fashioned from gray and gold Dolce Vita quartzite sourced from Cutting Edge Stoneworks in Mooresville. Adjacent to the kitchen, a space originally designated as a dining room was repurposed into a wine lounge. The couple aimed to replicate the wine cellar from their previous residence, which housed their significant collection of French and Italian wines. They collaborated with Vine & Branch Woodworks in Mooresville to design a 12-by-10.5-foot wine wall capable of storing up to 600 bottles. This built-in unit also includes a humidor drawer for cigars, side cabinetry for glassware, and pull-out cabinets for liquors and mixers. The area was transformed into a lounge overlooking the pool, a spot where Jim enjoys his morning coffee. The living room's focal point is a custom 7-by-2-foot gas fireplace from Fireside Hearth & Home. The design of the living room was specifically centered around a French painting intended to hang above the fireplace, necessitating extensive research to find a fireplace of appropriate scale. The master suite features a custom-built, boutique-style closet designed to display Colleen's clothing, designer shoes, and a collection of Kentucky Derby hats. In the master bathroom, Vine & Branch installed custom cabinets with a StyleLite Tierra Elm finish, paired with Calacatta Gold Marble countertops. The Ludingtons express that their favorite aspect of penthouse living is the open floor plan, which encourages more interaction within their family. #PenthouseLiving #LuxuryCondo #LakeNorman #HomeDesign #CustomInteriors #KitchenDesign #WineLounge #MasterSuite #CorneliusRealEstate

Designer Wesley Moon's Park Avenue apartment, shared with fashion executive Salvatore Malleo, is a testament to blending classical grandeur with modern sensibilities. The two-bedroom prewar apartment, initially a 'plain white box,' underwent a studs-out renovation to infuse it with a rich sense of history and luxurious detail. Moon drew inspiration from the Vatican's grand architecture and diverse stone work, aiming to create a contemporary interpretation of classical aesthetics. This approach manifests in the lavish use of geological materials throughout the 1,750-square-foot space, such as Byzantine pink onyx doors in the primary bedroom and book-matched opera d’arte marble in the powder room. The apartment’s ‘Carrie Bradshaw moment’ refers to the meticulously designed dressing room, further emphasizing the blend of style and personal expression. The kitchen, once a stark 1977 renovation by I.M. Pei featuring white Formica, has been reimagined with Patagonia granite countertops and coffee-hued cerused oak walls, offering a warm and sophisticated atmosphere for Moon, an espresso martini enthusiast, and Malleo, who enjoys cooking. Despite having lived in the apartment for only a year since its renovation during the pandemic, the space exudes a high degree of collectedness. This is achieved through a profusion of art and objects spanning different styles and eras, all unified by Moon’s personal aesthetic philosophy: buying what he loves and believing that diverse pieces will coalesce harmoniously, a principle inherited from his upbringing on a Georgia farm. The dining room features a custom de Gournay wallpaper, painted on gold leaf with matte pigments, depicting the palatial Palermo church Maria Santissima del Carmelo, significant to Malleo’s family. Illuminated by an Eve Kaplan gilded ceramic chandelier, the scene achieves a remarkable three-dimensional quality. In contrast, the adjacent living area showcases a large-scale watercolor by Kelly Falzone Inouye, depicting a scene from the film '9 to 5,' celebrating Moon's idol, Dolly Parton, whose black-and-white Lego portrait also adorns the library. Moon's design expertise lies in his ability to navigate the subtle boundary between maximalism and almost-maximalism, characterized by unique customizations. He demonstrates this by showcasing the fringy backside of a Holland & Sherry drapery textile instead of its embroidered face. The marble fireplace mantel is transformed into an architectural showpiece with Art Deco-inspired molding embossed in python scales and finished in turquoise, a collaboration with Benjamin Wiener. A replica of a Dutch master’s portrait of Elizabeth I above the hearth is uniquely fragmented by artist Michael Mapes, incorporating an image of Moon's grandmother (also named Elizabeth), symbolizing the designer's distinctive approach to classical disruption. Other notable design elements include gilded wall panels in the living room inspired by Paris’s Restaurant Le Gabriel, ombré drapes by Rosemary Hallgarten in the primary bedroom, and a golden ceiling mural by MJ Atelier in the library. The gallery space features fluted, burnished plaster walls, providing a textured yet neutral backdrop for art, complemented by velvet knot stools by Neta Tesler and a Robert Polidori photograph. The powder room, despite its small size, is a lavish display of geological gems, including book-matched opera d’arte marble and a custom solid-onyx basin. The primary bedroom is upholstered in luxurious textiles from Fortuny, Toyine Sellers, and Jim Thompson, with an 18th-century tapestry headboard embellished with gold paint by Jane Henry. The guest bathroom also boasts a thoughtful mix of materials, such as Ondulare Rosso marble and black Kyoto wall tiles by Artistic Tile, alongside a 1950s Osvaldo Borsani mirror, demonstrating Moon's comprehensive attention to detail and ability to create a harmonious, yet richly layered, living environment. #InteriorDesign #LuxuryApartment #ParkAvenue #WesleyMoon #HomeDecor #ArchitecturalDesign #CustomDesign #NewYorkCity

Jessica Wright, an associate at a law firm, focusing on commercial litigation, antitrust, and international human rights, and a writer of personal and political essays, resides in a 1,190-square-foot Dumbo, Brooklyn, loft. Her home, despite her legal profession, was designed to evoke an artist’s loft, a vision brought to life by interior designer Crystal Sinclair. Wright sought to replicate the European apartment aesthetic she admired during her time living in Berlin, Paris, Delhi, London, and Kabul, with Paris being the most significant influence on her design preferences. The loft is situated in a former warehouse for Kirkman and Son Soap Company, a building that garnered extra attention due to its exterior being featured in a TikTok as a facade in 'Gossip Girl.' Wright secured the highly sought-after space through luck and a personal letter, which highlighted her appreciation for the loft's original character, unlike other similar properties in the neighborhood that had been converted into luxury rentals. Her real-estate agent, Mary Elizabeth Smith of Corcoran, advised her to express her deep connection to the property. Crystal Sinclair collaborated with Michal Cisowski of Smart Interiors on the renovation, aiming to blend the industrial origins of the turn-of-the-century building with romantic design elements. Key modifications included wrapping the large pillars in warm terracotta tile and encasing the washer and dryer within a slatted wood structure. A primary goal was to make the mezzanine, previously lacking permanent access, easily accessible. This area was transformed into a cozy mini library and reading nook, furnished with Wright’s Afghan rugs and low, cloud-like chairs from Pottery Barn Teen. Wright, drawing from her experiences in Afghanistan where sitting on the floor is common, found the low-ceilinged space perfectly comfortable. The kitchen, a central element for hosting, as Wright highlighted in her letter to the previous owner, underwent a significant transformation. Sinclair adorned the walls, backsplash, shelving, and countertops with honed Arabascato marble and replaced the old microwave-vent hood with a sleek oxidized steel shell. Despite initial concerns about storage, the custom island incorporates drawers on its front and sides, proving to be highly functional. In the living room, a 250-pound, 6-foot-wide vintage chandelier serves as a focal point. Another notable feature is the Frame TV, which, positioned on an antique easel, often fools guests into believing it’s a real painting, especially when a screensaver is displayed. The living area is completed with a curved sofa, chosen by Sinclair to optimize the corner setup and create a soft, sensual, light, and airy ambiance. Wright’s bedroom showcases a Nuristani mirror and a Qashqai rug, both acquired in Afghanistan, as her most cherished possessions. Given that she works from home four days a week, a dedicated workspace was essential. Sinclair designed a desk that spans the entire wall, offering ample space for both work and a makeup station, strategically placed by the window to provide an outside view. The overall design harmoniously combines industrial history with personal touches and European-inspired elegance, creating a unique and functional home tailored to Wright's diverse life and preferences. #BrooklynLoft #HomeTour #InteriorDesign #MezzanineNook #IndustrialChic #EuropeanInspired #CustomFurniture #ResidentialDesign #DumboRealEstate

The article details the design of Andree Caldwell's Manhattan penthouse by Hutton Wilkinson, showcasing a maximalist aesthetic inspired by Venetian palazzos. Caldwell, a lecturer on 17th-century Old Master paintings, first encountered Wilkinson's work at a design weekend in the Lyford Cay Club, Bahamas, where he spoke about his mentor, Tony Duquette. Impressed by Duquette's aesthetic, which she felt resonated with her experiences in Venice, Caldwell commissioned Wilkinson to design her New York penthouse. The collaboration between Caldwell and Wilkinson is described as a "date with destiny," revealing a prior connection to the apartment. Years before, Wilkinson had found the same apartment for a client, who ultimately did not purchase it. He then intended to buy it himself but was pre-empted by Caldwell, a long-time family friend of the previous owners. Caldwell provided Wilkinson with a budget and complete creative freedom, allowing him to fully express his unique design philosophy. Wilkinson's design approach, similar to Duquette's, emphasizes elevating the ordinary and disregarding conventional rules. This is evident in the choice of materials and finishes throughout the 1,000-square-foot space. Velvet is used to cover walls, while malachite-patterned cotton adorns ceiling beams. Antique chairs are painted green and their silk upholstery is marked with felt-tip pens, which Wilkinson describes as "chic." The decor further includes bed curtains edged with pearls and citrines, golden brocade on baseboards and moldings, and marble tabletops painted to resemble tortoiseshell. Caldwell expressed delight with the results, despite some initial surprises. The penthouse's design aims to create an atmosphere conducive to sophisticated entertaining, reminiscent of the glamorous salons depicted in Woody Allen’s film, *Midnight in Paris*. Mirrors strategically placed on ceilings and walls enhance the perception of space and amplify light from the three terraces, contributing to an opulent and expansive feel. The interior is divided into distinct zones, including a drawing room, living room and bar, and a primary bedroom, each meticulously designed with intricate details. The drawing room, drenched in emerald hues, features Roman shades made from Tony Duquette cotton for Jim Thompson Fabrics and art by Joseph Heintz the Younger. Natural motifs, such as coral and leopard spots, are incorporated to add visual interest. A custom banquette, antique table, and a 19th-century Chinese Coromandel screen further enrich the space. For dining, a deep velvet-covered sofa is positioned alongside an antique table, adorned with tablecloths made from Tony Duquette cottons and complemented by 18th-century English chairs. The living room and bar area continue the theme of graphic patterns with coral and leopard spots. A custom banquette, an antique table, a 19th-century Chinese Coromandel screen, and art by Henri Cartier-Bresson define this space. A Venetian secretary is repurposed as a bar, furnished with Tony Duquette dinnerware for Mottahedeh. The primary bedroom is enveloped in golden brocade and lace, creating an opulent and luminous sanctuary. It features a vintage mirror, an Italian chest, an antique lamp from the Tony Duquette collection, and a custom bed with a canopy, dressed in linens from E. Braun & Co. For entertaining, the article highlights the presentation of Champagne and caviar hors d’oeuvres on a malachite-painted table, accompanied by Georgian candlesticks and Tony Duquette dinnerware for Mottahedeh. The article concludes by noting its original publication in the November/December 2014 issue, with interior design credited to Hutton Wilkinson, photography by Francesco Lagnese, production by Carolyn Englefield, and writing by Frances Schultz. #InteriorDesign #MaximalistDecor #ManhattanPenthouse #HuttonWilkinson #VenetianPalazzo #LuxuryInteriors #HomeDecor #TonyDuquette #HouseTour

Refugium Amoris, a hideaway apartment located on the top floor of a Venetian palazzina in Venice’s Cannaregio district, has undergone a restoration led by architect Francesco Pugliese. This project aimed to preserve and reinterpret the building's historical elements, offering a unique opportunity to experience Venetian architectural heritage from within its urban fabric. The apartment faces the Strada Nuova and features a rooftop terrace overlooking the Ponte delle Guglie, strategically placing it at an intersection of public and private life in Venice. The restoration process focused on revealing and restoring original Venetian features, notably exposed wooden beam ceilings and terrazzo floors. The terrazzo, crafted from marble and local stone chips, connects the interior aesthetically and materially to the lagoon environment. The exposed timber ceilings contribute to the spatial volume, transforming structural elements into architectural statements. Interior furnishings from Boselli, a Venetian design house, were selected to blend traditional substance with contemporary design, maintaining a dialogue between historical context and modern refinement. These pieces emphasize natural materials like leather, solid wood, and metal, treated to highlight their raw textures. A significant design element is the use of Fortuny textiles as wall coverings. These fabrics, produced on the island of Giudecca using traditional looms and printing techniques, add a layer of sensory depth. Their hand-pressed pigments and subtle reliefs interact with light and shadow, creating dynamic chromatic shifts throughout the day. The rooftop terrace is furnished with Fermob outdoor pieces, extending the living space and offering views of the city's rooftops and the Ponte delle Guglie. The durable, weather-resistant materials of the Fermob furniture align with the apartment’s refined and minimal aesthetic. Art is an integral part of the interior design, with works by Sicilian artist Elisa Anfuso providing a subtle contrast to the historic setting. Anfuso's surreal figuration prompts contemplation on the relationship between figuration and abstraction, and between history and contemporary elements within the space. Refugium Amoris eschews traditional hotel amenities, positioning itself as a private retreat focused on spatial quality, craftsmanship, and locally sourced design. Digital interfaces are minimized to promote engagement with the physical space and its materials. Natural light is prioritized, managed through Venetian shutters, while artificial lighting is warm and indirect, designed to accentuate materials and art. This deliberate layering of historical components with contemporary design elements establishes a continuum, inviting guests to inhabit a space that is deeply connected to Venice's history. The apartment offers a sanctuary within the dense urban environment of Venice, encouraging a slower pace of experience where details such as the texture of the floor, the weave of a Fortuny textile, or the city silhouette become focal points. The design emphasizes analog living, free from the distractions of conventional digital interfaces, providing a retreat that values authenticity and quiet reflection. #VenetianArchitecture #HistoricRestoration #InteriorDesign #LuxuryApartment #RefugiumAmoris #FrancescoPugliese #FortunyTextiles #Venice #HideawayApartment

Brook Gesser, her husband Avi, their two teenage daughters, and two cats reside in a vibrant Brooklyn apartment that reflects their desire for a colorful and adventurous home, rather than a serene one. Having never hired an interior designer before, Gesser sought someone who could provide guidance while maintaining a relaxed and enjoyable collaborative experience. She found this in Danielle Fennoy of Brooklyn-based Revamp Interior Design, who enthusiastically embraced Gesser's vision for a "whimsical but not insane" aesthetic. The 2,850-square-foot, four-bedroom, four-and-a-half-bath apartment is located in a redeveloped 1897 French Renaissance limestone building, originally known as a "skyscraper hospital." Despite the initial emphasis on whimsy, the resulting design of the apartment is better characterized by its colorful, sophisticated, smart, textural, and light-filled qualities. The living room, featuring impressive 14-foot ceilings and restored original window beams and millwork, is designed with a harmonious interplay of curves. Notable pieces include a Cassina chaise, a Bensen swivel chair, a circular cocktail table by Yield Design, and a custom area rug that defines the space and integrates the room's color palette. Gesser points to the John Brauer acrylic Grand Illusion side table, resembling a table draped with a tablecloth, as one of the more whimsical elements. The kitchen, though largely untouched structurally by Fennoy, was significantly updated with a rich emerald green Heath ceramics Half Hex Stack tile backsplash, replacing the original white subway tile. The developer-installed lighting was replaced with custom solid brass pendants and a striking chandelier by Rich Brilliant Willing, creating a balance of farmhouse elements, high design, and modern lighting that is visible and captivating from the street. The design process actively involved both daughters, who collaborated with Fennoy in selecting fabrics and furniture for their rooms, leading to personalized spaces. One daughter's room is eclectic, featuring Flat Vernacular’s Fruit Doves wallpaper, a space-age hanging chair, and a doll collection. The other daughter's room is more traditional, decorated in sophisticated pink shades, with floral Anthropologie wallpaper and draperies made from Dedar fabric. This blend of readily available items and carefully selected splurges exemplifies Fennoy's design approach for the project. The main bedroom is adorned in deep aubergine tones, utilizing Farrow & Ball’s Brinjal paint on the walls, a custom bed with a Romo-printed headboard, and Dedar fabric throw pillows. Three art pieces by the late family friend Stan Brodsky, known for their exuberant color and motion, complement the apartment's desired atmosphere. While Gesser generally found the design choices straightforward, the selection of wallpaper for the foyer presented a significant challenge. Despite this, she expressed immense satisfaction with the final outcome, deeming it spectacular. Fennoy acknowledges that the design works without necessarily adhering to conventional logic, stating that her goal is not always to make logical sense, as that would limit creativity and accessibility for other designers. The overall effect is a uniquely curated and vibrant family home. #InteriorDesign #BrooklynApartment #ColorfulHome #FamilyResidence #DanielleFennoy #RevampInteriorDesign #EclecticDecor #HighCeilings #JewelTones

The penthouse residence within a 37-story Neo-Romanesque luxury condominium tower in downtown Brooklyn underwent an extensive renovation, spearheaded by Jaklitsch/Gardner Architects. This landmark building, originally constructed in the 1920s as the Williamsburgh Savings Bank Tower, now houses 179 apartments. The transformation of the 3,000-square-foot penthouse proved to be a protracted endeavor, lasting seven to eight years, in stark contrast to the building's initial two-year construction period. The extended timeline was largely due to the client's demanding schedule, which frequently caused project pauses, and also to unforeseen obstacles, including Hurricane Irene in 2011, which caused flooding in 40 units and significantly delayed work for months. Despite these challenges, the client's adventurous spirit in design collaboration pushed the architects to create a unique living space. The renovation unfolded in two primary phases: an architectural gut renovation followed by interior design. During the architectural phase, significant structural changes were implemented. The apartment's front door was relocated to open into the living area instead of the kitchen, creating a new vestibule and enhancing the sense of arrival and spaciousness. Two existing bedrooms were combined to form a primary bedroom and an adjacent sitting area, separated by three curved, telescoping wood walls. This innovative design allows for both connection and privacy within the expanded space. Throughout the apartment, ebony-stained white oak flooring was installed to provide a consistent and cohesive aesthetic. The interior design phase focused on creating a fluid landscape, where many custom-designed pieces serve as metaphorical representations of nature. Notable examples include a 'fountain' coat rack with looping brass arcs, a 'cumulus' chandelier featuring spheres of cast glass, and a record cabinet adorned with incised white flowers—all conceptualized and designed by Jaklitsch/Gardner Architects. The dining table, another bespoke piece from the firm, is composed of three configurable parts, allowing for flexible arrangements and evoking the appearance of a large tree stump when joined. The designers noted that the themes of 'celestial and landscape' symbolize the apartment's unique position between ground and sky. Stephan Jaklitsch, who founded the firm in 1998, highlighted the intention behind the movable elements, which aim to provide tactility, psychological warmth, and a human scale to the residence. He also pointed out that the building's conversion from offices to residences in 2007 resulted in generic layouts and nondescript interiors, which the firm sought to overcome. The renovation capitalized on the penthouse's prime location, just three floors below the building's gilded, four-sided clock, offering panoramic views of New York City and infusing the interior with a distinctive character. The project ultimately created a sophisticated and unique living environment, harmonizing with the building's historic essence while incorporating modern, nature-inspired design elements. #PenthouseRenovation #BrooklynArchitecture #HistoricBuilding #LuxuryDesign #JaklitschGardnerArchitects #CustomFurniture #InteriorDesign #ArchitecturalRenovation #NewYorkRealEstate

The Sky House is a Bali-inspired penthouse located in Miami, within what was formerly a hospital building that has been adaptively reused to become The Ritz Carlton Miami Beach Residences. Designed by Catalina Echavarria of CEU Studio, this penthouse spans nearly 9,000 square feet, with a significant 6,000 square feet dedicated to outdoor living spaces, offering 360-degree views of the ocean and the Miami skyline. The design ethos behind Sky House focuses on creating a luxurious tropical modern environment that also imparts a sense of relaxation and healing, a concept specifically requested by the owner in the wake of the pandemic. The outdoor areas are a central feature of the Sky House, designed for dining, lounging, and entertaining. A notable aspect of these spaces is the collection of Balinese-inspired furnishings, all of which are handcrafted by designer Catalina Echavarria and her team of Indonesian artisans. These pieces, made from natural wood, are intended as heirloom items, emphasizing durability and timeless appeal. White cushions are strategically used to introduce comfort and provide a visual contrast against the natural wood. For example, a custom Latitude Dining Table is priced at $34,000, and individual Nero Dining Chairs are valued at $1,600 each, highlighting the bespoke and high-end nature of the outdoor decor. The interior of the Sky House mirrors the tranquil and luxurious atmosphere established outdoors. It features white sofas, wooden furniture, and various natural elements, contributing to an oasis-like feel throughout the residence. The modern kitchen adheres to a neutral color palette, incorporating simple beige cabinet doors and darker stone for the countertops and backsplash, maintaining a cohesive aesthetic with the rest of the penthouse. This minimalist approach in the kitchen design further emphasizes the overall serene and sophisticated character of the home. In the main bedroom, an open bathroom concept is integrated, and floor-to-ceiling sliding glass doors extend the living space directly onto the outdoor terrace, enhancing the connection between indoor and outdoor environments. The bedroom features a woven bed frame, complemented by MENU’s Hashira Pendant Lights. These pendant lights are strategically placed to flank the bed, serving as functional lighting without occupying valuable space on bedside tables. Other areas within the penthouse, including additional bathrooms and living spaces, continue the theme of natural tones, modern minimalist design, and an emphasis on comfort and luxury, all contributing to the Bali-inspired aesthetic. Overall, the Sky House project represents a comprehensive transformation, merging the historical context of a former hospital with contemporary luxury living. The design successfully incorporates elements of Bali's serene aesthetic into a Miami penthouse, creating a private retreat that offers both panoramic views and a healing environment through its thoughtful selection of materials, handcrafted furnishings, and a harmonious balance between indoor and outdoor spaces. #MiamiPenthouse #BaliInspiredDesign #LuxuryInteriors #OutdoorLivingSpaces #CEUStudio #CatalinaEchavarria #AdaptiveReuse #ModernDesign #HandcraftedFurniture

The article details the design of a maximalist Manhattan penthouse, owned by Andree Caldwell and designed by Hutton Wilkinson, which evokes the opulence of a Venetian palazzo. The collaboration between Caldwell and Wilkinson began serendipitously at a design weekend in the Bahamas in January 2013, where Wilkinson was speaking about his mentor, Tony Duquette. Caldwell, a lecturer on 17th-century Old Master paintings, was deeply inspired by Wilkinson's aesthetic, which she likened to the dreamlike quality of Venice. She envisioned a space where every object was a work of art, with layers of materials, such as coral and candelabra, gold silks, white lace, velvet walls, and black candles that made flames appear to float. Wilkinson's connection to the penthouse predated his meeting with Caldwell; he had previously discovered the apartment for a client who ultimately didn't purchase it, and he himself was outbid by Caldwell. He views this as a fated encounter, adhering to the "tao of design" principle that the teacher appears when the pupil is ready. Caldwell granted Wilkinson a budget and complete creative freedom, allowing him to implement his distinctive design philosophy. This approach, similar to Duquette's, prioritizes exalting the humble, eschewing the overly precious, and disregarding conventional design rules. The penthouse features bold and unconventional design elements, including velvet-covered walls and malachite-patterned cotton on ceiling beams. Wilkinson playfully painted antique chairs green with felt-tip markers and similarly marked their silk upholstery, which he described as "so chic." The bedroom is adorned with bed-curtains edged in pearls and citrines, while golden brocade is applied to baseboards and moldings. Marble tabletops are painted to resemble tortoiseshell. Despite the surprising nature of some of these choices, Caldwell was reportedly pleased with the outcome. The 1,000-square-foot space is made to feel larger and brighter through the strategic use of mirrors on ceilings and walls, reflecting light from its three terraces. Caldwell's desire for the space was to create an environment reminiscent of a fashionable salon, like those depicted in Woody Allen's "Midnight in Paris," where friends could gather for dinner, music, and conversation, feeling as though they were in a warm, sophisticated haven. Wilkinson achieved this vision, effectively creating a "whole new life" for Caldwell through his design. The article then provides a detailed tour of specific rooms within the penthouse, including the drawing room, living room and bar, primary bedroom, and entertaining areas, highlighting key design features and furnishings. The drawing room showcases an emerald-green motif, Roman shades in Tony Duquette cotton for Jim Thompson Fabrics, and art by Joseph Heintz the Younger. The living room and bar area feature natural motifs like coral and leopard spots, a custom banquette, an antique table, a 19th-century Chinese Coromandel screen, art by Henri Cartier-Bresson, and a Venetian secretary repurposed as a bar with Tony Duquette dinnerware for Mottahedeh. The primary bedroom is described as an opulent aerie with golden brocade and lace, featuring a vintage mirror, Italian chest, antique lamp from the Tony Duquette collection, and custom bed and canopy with linens from E. Braun & Co. Entertaining moments are illustrated with Champagne flutes and caviar hors d'oeuvres on a malachite-painted table, Georgian candlesticks, and Tony Duquette dinnerware. #InteriorDesign #MaximalistDecor #ManhattanPenthouse #VenetianPalazzo #HuttonWilkinson #LuxuryLiving #HomeDecor #TonyDuquette #DesignInspiration

Perched on the 44th floor of a new-build high-rise in Carnegie Hill, a Manhattan penthouse offers a cinematic sweep of the city's skyline. The owners, a young couple with three small children, previously resided in a similar high-rise during the pandemic and grew tired of its monochromatic palette and minimal furnishings. Seeking a departure from this aesthetic, they approached Heide Hendricks, co-founder of architecture and interior design studio Hendricks Churchill, to infuse character, color, and a sense of story into their new home. Heide and her husband, Rafe Churchill, are renowned for their ability to craft soulful, richly layered interiors that artfully combine color, pattern, and antiques. This particular project presented a unique challenge as the new-build apartment lacked the inherent narrative often found in historic buildings. Heide recognized the need to create a story for the space, beginning with the walls, which would serve as the foundational element for the entire design. The transformation began in the kitchen, where Heide introduced a vibrant strawberry-motif wallpaper by Jennifer Shorto. This bold choice was a deliberate move to challenge the existing all-white, sleek Italian cabinetry and marble surfaces. The coral tones of the wallpaper subsequently informed the apartment's overall color scheme, with soft, enveloping pinks flowing into the adjoining sitting room and dining area. The kitchen island was painted a shell pink, and the walls in the sitting room and dining space were finished in a gentle blush tone. Heide implemented a design principle of carrying over at least one color between interconnected rooms to ensure visual cohesion and prevent a disjointed feel. To visually lower the high ceilings, she wrapped them in the same warm tone and painted the baseboards in a deeper, dusky rose to provide grounding. The apartment's horseshoe-shaped layout features a central, windowless entryway, accessed directly by two elevators. Heide embraced the intimacy of this space, selecting a saturated pink with a velvety quality for the walls and lacquering the elevator doors in a high-gloss burgundy. This creates a moody, theatrical entry experience before transitioning into the bright, light-filled living areas. Vintage finds, a hallmark of Hendricks Churchill's style, are seamlessly integrated throughout the penthouse. A midcentury Danish sofa anchors the breakfast nook, a rosewood shelving unit adds gravitas to the study, and a whimsical painted cabinet brings a touch of joy to the dining room. These pieces, chosen for their lived-in feel and inherent stories, are balanced with contemporary designs, such as a black walnut dining table selected for its ability to age gracefully. In the sitting room, 1950s Italian wing chairs upholstered in floral linen echo the botanical motifs found elsewhere in the apartment. The twin daughters’ bedroom features walls paneled with a lively Josef Frank floral fabric, which enlivens the space while tempering the drama of the large windows. The main bedroom offers a tranquil retreat, combining exquisite chinoiserie wallpaper with a cloud-like bed that appears to float above the city. Despite its elevated position, the apartment now feels grounded and infused with the warmth of family life. The expansive skyline views are softened by the thoughtful integration of color, character, and texture, creating a space that captures both the city's energy and the rhythms of daily living, achieving a balance of casual, lived-in comfort with sophisticated design elements. #ManhattanPenthouse #InteriorDesign #HendricksChurchill #ColorPalette #VintageFurniture #ModernLiving #LuxuryApartment #NewBuildDesign #TextileDecor