
This Richmond Makeover Proves Mixing Is Better Than Matching With Color And Pattern
Designer Dana Gibson approaches her decorating projects by first painting everything white, despite her reputation for incorporating vibrant colors and lively patterns into her home accents and wallpapers. This initial whiteout allows her to understand how light interacts with the space and to determine subsequent design needs. For her split-level home in Richmond, Virginia, this process began with extensive renovations alongside her contractor husband, Mark. They removed dark paneling, cabinetry, and carpeting, and rebuilt the front steps. To enhance the home's aesthetic, they added crown molding and a wainscot to highlight the windows and visually elevate the low ceilings.
With the structural work complete, Gibson reintroduced color, favoring bright hues to maximize natural light. She utilized her own cheerful wallpaper designs to establish flexible color palettes, deliberately avoiding exact color coordination when layering accessories over neutral furnishings. Her philosophy is that colors do not need to perfectly match to create a dynamic feel. While some might categorize her style as "Richmond preppy," Gibson describes it as distinctly Southern, influenced by the region's openness. She envisions her home as reflecting a world traveler's sensibilities, drawing inspiration from European architecture, Australian lightness, and Mexican folk art.
The exterior underwent a significant transformation, replacing crumbling brick steps with charming fieldstone and refreshing the brick chimney. The front door was painted in Benjamin Moore's Blueberry Hill, a vibrant color that serves as a welcoming introduction to the home's interior, complemented by a Richmond Outdoor Hanging Lantern from Shades of Light. Inside, the entryway was updated from dark and dated to bright and inviting. Gibson addressed the challenge of eight-foot ceilings by installing new crown molding and a chandelier to draw the eye upward. An antique Virginia huntboard and an ornate heirloom mirror further contribute to the elevated design. The entryway features Dana Gibson for Stroheim's Peregrine in Multi Bright wallpaper and durable linoleum tiles mimicking marble, a tribute to her grandmother's home.
In the living room, Gibson eliminated plain drywall by adding a wainscot, which provides architectural interest reminiscent of European manors and visually lifts the low ceiling. The limited wall space above the wainscot was painted in a bright yellow (Bridget Beari Colors' Bing Bong). To harmonize various patterns, Gibson incorporates tiny prints, known as "ditsy patterns" in the trade, to contrast with larger florals or graphic stripes. Blue throw pillows in Guppy fabric provide a counterpoint to the oversized Suki design on the curtain panels, both from Gibson’s studio collection.
The dining room, initially stalled after wallpaper installation, found its direction when a living room rug was moved into the space, providing color cues. Gibson’s gray-and-red floral Poppy wallpaper complemented reproduction dining chairs, which were adorned with fuchsia striped pillows. A chunky antique table is simply but effectively decorated with five potted plants in mossy terra-cotta pots. The primary bedroom blends international and traditional elements, featuring coordinated bedding and upholstery alongside a Mexican folk art cabinet used as a nightstand. This mix, particularly with a blue-and-white palette, creates an interesting contrast. Gibson frequently sources antiques to ensure unique pieces. Her own fabrics are used for lampshades, chaise upholstery, and curtains.
The primary bathroom was expanded and designed to feel more like a room than a utilitarian space, incorporating plantation shutters, marble tile, and a Ro Sham Beaux beaded chandelier. Shiplap walls provide a relaxed counterpoint to more refined elements like a gilded mirror and a floor-mounted bath fixture. Even small spaces, like the vanity, receive a vibrant touch with raspberry pink wallpaper, specifically Fatima, a hot pink paper printed by Gibson herself, making the bay area appear like a gift-wrapped niche that can be closed off if it becomes untidy. The backyard terrace emphasizes lush foliage with a minimalist design, using a sturdy striped Sunbrella fabric on Ballard Designs cushions for a wrought-iron patio set inherited from her parents. This neutral base allows for rotating colorful pillows, such as turquoise or fuchsia, to add accents to the frequently used outdoor space.
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