house + dance studio by international royal architecture wraps around open garden in japan

The 'Kusatsu House' in Shiga, Japan, designed by Hearth Architects, is a family home structured in an L-shape to embrace a central, tree-planted courtyard. This architectural decision was driven by the clients' desire for a home with a garden where family members could relax and interact, fostering a sense of togetherness. The L-shaped layout effectively integrates nature into the common living areas, creating a lively and engaging atmosphere within an otherwise understated interior palette. The design thoughtfully connects the indoor and outdoor spaces through extensive floor-to-ceiling openings, allowing abundant natural light to penetrate the home and blurring the lines between the interior and exterior environments. This approach enhances the feeling of openness while maintaining privacy. To balance openness with the need for seclusion, the veranda is enclosed by a concrete wall, offering a more private and introverted outdoor space. The design also incorporates traditional Japanese architectural elements, particularly evident in the courtyard. A wooden strip of flooring extends from the interior, effectively expanding the living area into the garden, providing a dedicated space for relaxation and connection with nature. The interiors are characterized by warm, natural tones, and a deliberate absence of excessive decoration, contributing to a minimalist and serene aesthetic. A notable feature is a small, separate Japanese-style room, which fulfills a specific client request. This room is distinguished by its vibrant colors, traditional tatami flooring, and an opaque opening that allows dim light to enter without compromising privacy. The project details confirm that the Kusatsu House was completed in February 2020. It spans a site area of 160.41 square meters, with a building area of 65.21 square meters and a total floor area of 99.36 square meters. Photography for the project was done by Yuta Yamada. Hearth Architects successfully met the clients' brief by creating a harmonious living environment that celebrates both communal interaction and individual privacy, all while deeply connecting with its natural surroundings through thoughtful design and traditional influences. The house stands as a contemporary example of Japanese residential architecture that prioritizes natural light, spatial fluidity, and a calm, inviting atmosphere. #LShapedHouse #HearthArchitects #KusatsuHouse #JapaneseArchitecture #CourtyardDesign #ResidentialArchitecture #NaturalLight #IndoorOutdoorLiving #MinimalistInterior

This article details the construction and design of a new three-bedroom modern Japanese-style house located in Lennox Head on the NSW north coast, built by video editor Raquel Banks and builder Jack Nyboer of Nobo Build. The project, which took approximately two years from design to completion, features a single-story layout with two courtyards and a self-contained studio, thoughtfully integrated into its natural surroundings overlooking a nature reserve. The house's design centers around maximizing daylight and connecting indoor and outdoor living spaces through dual north-facing courtyard gardens. The central courtyard serves as a communal outdoor space ideal for entertaining, while a more private rear courtyard, adjoining the main bedroom, includes a plunge pool and outdoor shower, creating an adult retreat. This innovative layout ensures that every area of the home enjoys a view of the garden, fulfilling Jack's initial vision for the property. The exterior of the home features charred jarrah-clad walls, utilizing the Japanese shou sugi ban technique for timber preservation, which also provides a raw, maintenance-free aesthetic that contrasts with the brighter interior. The interior palette, selected by Raquel, emphasizes warmth and coziness through materials such as spotted-gum veneer kitchen cabinetry, travertine benchtops and bathroom tiles, and polished concrete flooring. This neutral base allows for personalization through soft furnishings and contemporary artworks by local artists, which introduce summery and playful colors. Collaboration was a key aspect of the project, with long-time friends architect Hayley Pryor and landscape designer/carpenter Rhys Heggie contributing their expertise. Hayley Pryor was instrumental in proposing the two separate courtyards and the detached studio. The construction itself was largely a hands-on effort by Jack and Rhys, involving long days but ultimately resulting in a home that surpassed expectations. Material choices throughout the house were inspired by the landscape, featuring organic and simple finishes selected for their textural and tonal qualities. The kitchen combines spotted gum cabinetry with overhead MDF cabinets in Moss Grey, complemented by a travertine benchtop. In the bathrooms, travertine flooring and custom-made spotted-gum mirrors reflect the natural theme. The landscape design incorporates Australian native plantings such as coastal pigface, kangaroo paw, and banksia and blueberry ash trees, thriving in the local climate. The living zone boasts a soaring raked ceiling and louvered windows that facilitate cooling breezes and cross-ventilation, especially during warmer seasons. Expansive glazing throughout the home frames views of the lush courtyards. Though the couple has since sold the house, they express immense pride in their first joint project, emphasizing the journey from an initial idea to a tangible home and the value of teamwork. #JapaneseStyleHome #CoastalLiving #CourtyardDesign #SustainableDesign #IndoorOutdoorLiving #ArchitecturalInnovation #MaterialPalette #LennoxHead

Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, hosts an eight-acre Japanese garden designed by Hoichi Kurisu, offering visitors a profound connection to nature through traditional Japanese garden practices. Senior Vice President Steve LaWarre highlights the garden's unique ability to transform perception across seasons, even when covered in snow, encouraging introspection and renewal through ancient design principles. The garden, inspired by Frederik Meijer's early 2000s trip to Japan, was a five-year collaborative effort with Kurisu and recently celebrated its tenth anniversary. Winter provides a distinct experience within the garden, characterized by a profound quietness. The tranquil, snow-covered landscape emphasizes the garden's underlying structure, with boulders and rocks painted white, cold-hardy bamboo standing tall, and softly trickling water features. This stripped-back aesthetic embodies 'wabi-sabi,' celebrating imperfection, simplicity, and subtle beauty. In Japanese tradition, winter is seen as a time to appreciate the garden's bones and structure, with snow viewed as another form of blossoming, representing 'mujō' or impermanence, akin to the fleeting beauty of cherry blossoms. As spring arrives, the garden quickly bursts with color. The initial flush of chartreuse green leaves offers a stark and joyful contrast to the dark stems of trees. Conifers form the garden's structural backbone, providing evergreen color year-round and serving as iconic elements shaped through 'niwaki' pruning. This artful technique creates exaggerated, airy, and asymmetrical silhouettes, mimicking natural forces. The garden also features a vast bonsai collection displayed from spring to fall, including acers, pines, and flowering varieties like azaleas, showcasing sculptural pruning on a smaller scale. Spring unfolds with 'ephemeral waves of bloom,' starting with flowering cherry blossoms in late April along the Cherry Tree Promenade, symbolizing transient beauty. This is followed by serviceberry, vibrant azaleas, and water lilies, ensuring continuous floral displays throughout the growing season. In autumn, Japanese maples of various shapes and sizes transform the landscape with fiery hues of orange, red, and yellow, extending the garden's colorful journey. The garden integrates traditional Japanese structures, such as a teahouse, which was constructed in Japan from authentic materials, dismantled, and reassembled in Michigan. The teahouse, with its hand-bent copper roof and traditional tatami mats, offers an accessible space for tea ceremonies ('sadō' or 'chadō'). These ceremonies, deeply rooted in Zen Buddhist philosophy, promote mindful reflection and connection. The garden also includes a 'karesansui' or zen garden, a dry gravel garden where horticulturists create intricate patterns with traditional Japanese rakes, forming a living artwork that changes with the seasons and represents natural elements. Water is a central element, with the main pond's 'kanji' shape symbolizing the spiritual heart. Islands and a network of bridges guide visitors, always keeping the water in sight. A viewing hill provides panoramic views of the garden and pond. The water symbolizes renewal and purification, offering a space for meditation and introspection. Four waterfalls, representing masculine and feminine energies, create sensory sound and movement. The garden's integration of centuries-old tradition with modern art, including permanent sculptures that embody humanity's connection to nature, creates a timeless living masterpiece. Hoichi Kurisu's design intentionally guides visitors through varied spaces, from intimate pathways to expansive views, fostering new discoveries and a deeper appreciation for nature's asymmetrical balance. Visitors can incorporate elements like asymmetry, water features, and embracing the winter garden into their own outdoor spaces to create tranquil moments. #JapaneseGarden #GardenDesign #Horticulture #CulturalHub #ZenGarden #Teahouse #SeasonalBeauty #Bonsai #LandscapeArchitecture

Tamada & Wakimoto Architects have completed the 'Roof House' in the rural outskirts of Tochigi, Japan, on a former farmstead surrounded by rice fields and small factories. This residence is designed to integrate daily life with its garden surroundings. The project is situated on a 2,000-square-meter plot, which previously held a large farmhouse and was framed by hardwood trees. The client, a young individual relocating from the city, sought a space that could facilitate living, working, and social connection, while also offering adaptability for future needs. The architects responded to this brief by disaggregating the house into several compact buildings, which are then strategically arranged around semi-outdoor courtyards. These intermediate spaces, referred to as 'earthen floor' gardens, are unified beneath a single, thin, and extended roof. This design approach results in a relaxed, low-slung architectural form that encourages fluid movement between indoor rooms and outdoor areas. This integration allows the surrounding landscape, prevailing weather conditions, and local daily rhythms to significantly influence and shape the occupants' interaction with the house. The design of Roof House imbues each side with a distinct character. The main garden is oriented towards the existing trees, and an outdoor kitchen is incorporated for cooking and social gatherings, particularly during the spring cherry blossom season. Near the entrance, a shaded zone beneath the eaves serves as an informal space for sitting, conversing, or receiving visitors. To the north, a walled garden provides a dedicated area for weekend activities such as carpentry or car maintenance, reflecting common rural pursuits. Central to the Roof House's concept is its inherent adaptability. The architectural plan allows for future reconfigurations over time. For instance, the private section of the house, which includes the bedroom and bath, could continue to function as a vacation home. Concurrently, other segments of the structure are designed with the flexibility to be repurposed, potentially serving as a small retail shop or an art gallery. This forward-thinking design ensures the residence can evolve with the client's changing needs and aspirations, maintaining its utility and relevance in the long term. #JapaneseArchitecture #ResidentialDesign #GardenIntegration #AdaptableArchitecture #RuralLiving #CourtyardHouse #ArchitecturalInnovation #TamadaWakimotoArchitects

This article explores a renovated single-storey semi-detached house located in Subang Jaya, Malaysia, which underwent an expansion from 204 sqm to 279 sqm during a 2022 renovation. The design philosophy behind this home emphasizes introversion, minimalism, and introspective living, challenging traditional notions of private and public spaces. A linear garden wall and strategic use of semi-outdoor areas are employed to ensure privacy while fostering a tranquil atmosphere. The incorporation of an inner courtyard serves a dual purpose: facilitating natural ventilation and light penetration throughout the residence, all while maintaining a strong sense of seclusion. The architectural style is defined by its minimalism, aiming to promote simplicity and authenticity. Natural materials are integral to the aesthetic, with polished concrete flooring extending consistently from the interior spaces into the inner garden, creating a seamless transition. The walls are kept whitewashed, serving as a neutral backdrop for a carefully curated collection of artwork. Deliberate splashes of yellow are used to highlight specific areas, introducing subtle color accents without overwhelming the overall serene ambiance of the home. This thoughtful use of color ensures that the minimalist design remains dynamic and engaging. The exterior of the house maintains a modest profile, featuring a newly installed metal roof that lends a contemporary touch to the structure. The design incorporates two distinct entrances, allowing for separate private and guest access, which enhances the functionality and privacy of the living spaces. The kitchen is strategically positioned within the inner garden, establishing a strong connection with the semi-outdoor zones. This layout encourages both private family life and social interaction, blending indoor comfort with outdoor natural elements. Flexibility in dining options is provided through the inclusion of both indoor and outdoor dining areas, accommodating various occasions and preferences. The garden itself is a central feature, drawing inspiration from Zen principles. It is seamlessly integrated into the living environment, offering a peaceful and private sanctuary for relaxation and contemplation. The master bedroom is located adjacent to the central living area, featuring large glass doors that open up to the semi-outdoor spaces, blurring the lines between inside and outside. The master bathroom continues this theme, being integrated into the walled garden with clean lines and natural materials. A custom swimming pool standing shower adds a unique and luxurious element to the minimalist design. Furthermore, the guest room is designed to be versatile, capable of functioning as a study or a playroom. It benefits from abundant natural light and optimal airflow, contributing to the overall comfortable and healthy living environment. The residence as a whole is crafted to encourage a calm and contemplative lifestyle, thereby fostering a deeper connection between its occupants and the surrounding environment. This architectural project is presented as a successful demonstration of alternative living, reflecting a shift towards simplicity, introspection, and enhanced environmental awareness. #HomeDesign #TropicalSanctuary #JapaneseZenGarden #MinimalistDesign #IntrovertedArchitecture #NaturalMaterials #SubangJayaRealEstate #RenovatedHome #SustainableLiving

Nestled in Longueville, a leafy suburb on Sydney's lower north shore, lies a sprawling garden oasis offering breathtaking views of Woodford Bay and the Lane Cove River. This garden, a creation by landscape designer Hugh Main of Spirit Level Designs, is a harmonious blend of sculpted and organic elements, juxtaposing intimacy with expansiveness and ruggedness with softness. It serves as an ideal complement to the crisp, minimalist architecture of the Stanic Harding-designed home it surrounds. The garden's inception in 2011 was a collaborative effort between the homeowner, architect, and landscape designer, aiming to forge a private family sanctuary that resonated with the strong, elegant lines of the residence and the magnificent Sydney landscape. As it matures, the garden showcases a sophisticated interplay of textures and forms. Clipped mounds of westringia, raphiolepsis, and elaeagnus create a structured contrast against the natural screens of bamboo, effectively softening the architectural starkness and defining a tranquil, restorative space away from the city's commotion. Hugh Main expresses his satisfaction in witnessing the garden's evolution, noting that it has grown into the envisioned space, a process that takes years to fully materialize. A striking courtyard, located at the end of the northern pavilion, features an arresting display of crassula and Dracaena draco, framed by clipped hedges of magenta syzygium. The unique, velvety grey spikes of Dracaena draco resemble living sculptures, rising from a vibrant carpet of flowering lime green jade, all leading to an intimate sandstone path. This secluded enclosure transitions seamlessly into an expansive lawn and an elegant pool area, mirroring the building's clean, linear structure. The dark-tiled pool further enriches the landscape, drawing in the sky above and casting dynamic shadows and reflections across its opaque surface. Hugh emphasizes that his design philosophy centers on subtlety and complementarity, ensuring that the garden enhances the architecture rather than competing with it. His goal is to cultivate a sense of calmness, quietude, and serenity, providing a soothing experience for those who traverse his gardens. Among the garden's many features, Hugh holds a special affinity for the 'girl’s courtyard,' a serene space inspired by Japanese Zen gardens and the wabi-sabi philosophy, which celebrates beauty in imperfection. This courtyard incorporates rough-cut Sydney sandstone, echoing the home’s cladding, used as a central bench. It is flanked by a beautiful crackle-glazed Vietnamese water bowl on one side and a solitary Japanese maple tree on the other. No detail is overlooked, including a pebbled rooftop sculpture visible from the main living pavilion, inspired by British land artist Sir Richard Long, and an array of handmade charcoal and copper vessels filled with textured green and grey succulents adorning the terrace doorways. The property's design orchestrates a journey through hidden pockets and sweeping grounds, each alive with mystery and contemplation, reflecting the elegance of the architecture and the designer's skill. The journey through the garden is designed to evoke a rhythmic breathing experience, where one encounters expansive open areas upon 'inhaling' and retreats into intimate, private settings upon 'exhaling,' fostering a profound sense of exploration and tranquility. #JapaneseGarden #GardenDesign #LandscapeArchitecture #SydneyHomes #OutdoorLiving #ModernGarden #ZenGarden #WabiSabi #TranquilSpaces

Japanese-style gardens are gaining popularity in the United States, with an increasing number of homeowners seeking to incorporate their calming aesthetic into their properties. Drawing inspiration from ancient Buddhist and Taoist philosophies, these gardens emphasize harmony, restraint, and a carefully curated sensory experience. Despite their origins in temperate climates and centuries-old cultural practices, the principles of Japanese gardens can be successfully adapted to diverse environments, from humid southern regions to the lush Pacific Northwest. Landscape designers are reinterpreting traditional elements to suit various climatic conditions and client preferences. Designing a Japanese garden involves considering it as a sacred space, a sanctuary intended to provide a moment of calm amidst the stresses of daily life. The aesthetic often prioritizes unity, connecting the garden to the adjacent home, its human occupants, and the surrounding natural environment. Color is used sparingly, especially in smaller gardens where it can be distracting, with larger gardens potentially featuring a single seasonal changing tree as a focal point. Restraint in design and palette is crucial, utilizing layered textures, sculptural planting, and the interplay of form and void. The choice of local materials, such as specific types of stone, significantly influences the overall aesthetic. Beyond a checklist of specific plants and boulders, the design of a Japanese garden is deeply rooted in Zen philosophy, initially serving as spaces for meditation in medieval Japan. This means that every element, from stones to steps to leaves, contributes to a deliberate “Zen choreography.” While common characteristics include asymmetry, spatial hierarchy, and material clarity, specific styles like Japanese stroll gardens incorporate elements such as still or moving water, aged trees, various rock formations, gravel planes, and walking paths designed to connect individual visual scenes. These gardens are not meant to mimic nature directly but rather to imply it through symbolic arrangements, offering emotional power regardless of their size or context. Achieving an all-weather design is possible across various climates, including deserts. This adaptation relies on using local materials and native plant species appropriate for the specific climatic conditions. Designers emphasize “translation” rather than replication, reinterpreting the spatial language with climate-adapted plants and regionally appropriate materials to echo the philosophy of the tradition. For instance, in tropical settings, gardens may be shaded by architecture or fragrant trees, with local species chosen for their resonance and ability to thrive. Ultimately, while a garden in California may never be a traditional Japanese garden, it can be a successful interpretation that embraces the cultural heritage and principles of the style. #JapaneseGardenDesign #LandscapeArchitecture #ZenGardens #OutdoorLiving #GardenInspiration #HomeDesign #ArchitecturalDigest #MindfulSpaces

The Tokyo-based architecture firm matsuokasatoshitamurayuki, led by Satoshi Matsuoka and Yuki Tamura, has completed a courtyard house in a commuter town near Tokyo. This residential project features a distinctive pleated radial floor plan and integrates a small garden and outdoor living spaces around its perimeter. The design aims to strike a balance between interior privacy and connection to the surrounding environment, drawing inspiration from traditional Japanese house designs, particularly the 'geya' architectural element. The design strategy involved lowering a small roof attached to the main house to align with the site's borders, following the natural contours of a berm. This approach, combined with the pleated plan, creates varied depths within the structure. The architects aimed to preserve the appearance of the area's characteristic 'geya' house design while fostering the community culture associated with small gardens and berms. The pleated internal spaces are designed with initial specific functions but are intended to adapt to evolving uses over time. The house is configured to accommodate two families within a limited floor space, meaning individual rooms are not designed to be self-sufficient but rather part of a larger interconnected whole. Key interior elements, such as counters and tables, are positioned to extend beyond their designated areas, promoting a fluid transition between spaces. Abundant natural sunlight is a central feature, filtering through windows to illuminate every corner of the home. The 'geya' section, located beneath the small roof, provides a comfortable, sunlit area near a window, suitable for family gatherings or individual relaxation. This space is envisioned to be versatile, functioning as a communal hub while also allowing for separate activities. A central room, measuring 4.5 x 5.5 meters with a ceiling height of 4 meters, forms the core of the house. This area offers a private, bright space for the family, flexible enough to adapt to future needs and changes. The design consciously integrates the concept of a courtyard house, where internal spaces are protected while maintaining a connection to the outside. Unlike typical courtyard houses that are often closed off from the exterior, this residence opens sensitively towards the surrounding berm, ensuring privacy for the residents while remaining approachable to neighbors. The architects describe it as a "closed home" that allows the family to live in peace. The exterior of the main house features a tower-like central room, which serves as a symbolic icon for the family. By adopting and adapting the characteristic appearance of vernacular homes in the area, the architects hope the house will become an enduring and integrated part of the local community. The project details include a wooden structure, with wood and steel as major materials. The site area is 166.58 square meters, with a building area of 82.40 square meters and a total floor area of 101.72 square meters. The structural consultant was ASA – Akira Suzuki, and the general contractor was Yasumatsu Tekken. #Architecture #ResidentialDesign #CourtyardHouse #PleatedFloorPlan #JapaneseArchitecture #Tokyo #GeyaConcept #FamilyHome #ArchitecturalInnovation

This article explores four Japanese garden ideas designed to create serene and tranquil outdoor spaces, drawing inspiration from recent trends and traditional principles. Japanese gardens have seen a surge in popularity, influenced by events such as the Chelsea Flower Show, which featured Ula Maria’s Shinrin-yoku garden and Kazuyuki Ishihara’s Sanctuary Garden. These gardens emphasize calmness and tranquility, principles that can be adapted for various garden sizes, including front gardens. According to Lee Burkhill of Garden Ninja Garden Design, the core philosophy of Japanese garden design is "less is definitely more." Achieving a true Japanese or Zen garden, despite its seemingly effortless appearance, requires significant maintenance to retain its pristine condition. Simplicity is crucial, focusing on naturalistic elements like trees, wood, and the broader aspects of nature. Historically, Japanese gardens served dual purposes: creating tranquil spaces reflecting Buddhist principles and demonstrating the power, wealth, and status of emperors. The three essential elements of a Japanese garden are stone, water, and plants. Stone provides the garden’s structure and represents the earth, while water symbolizes the life-giving force of nature. Plants are used to highlight seasonal changes. Notably, traditional Japanese gardens do not prioritize flowers, as they are often considered a distraction from the desired calming influence. Common plant choices include bamboo, Japanese Maples (Acers), evergreen conifers, and box. While not historically authentic, Acers are now recognized as key elements. Some flowers, such as fragrant star jasmine and spring azaleas in various hues, are permissible. Japanese gardens are designed to mirror wilder landscapes, whether through scaled-down representations of actual Japanese locations or Zen gravel gardens that use raked gravel to symbolize seas and rocks to represent mountains, sometimes even featuring white-capped mounds to evoke Mount Fuji. The fundamental design principle involves using trees and shrubs to add visual weight, with evergreens being particularly favored to ensure year-round interest. Trees are meticulously pruned to achieve their best appearance, indicating that these gardens are high-maintenance and require continuous care. Materials are exclusively natural, encompassing stone, wood, and metal, used sparingly to let the plants and overall form take precedence. The design dictates that every element must serve a function, devoid of any frivolous additions. Paths and beds should be curved and winding to foster a relaxed atmosphere and a sense of exploration, avoiding hard or rectilinear lines unless they define the garden’s boundaries. The United Kingdom offers several Japanese gardens for public visitation, showcasing traditional and modern interpretations. Notable examples include the Japanese Landscape at Kew Gardens in west London and the Japanese Garden at Tatton Park in Cheshire, both providing inspiration for prospective garden designers. The Japanese Garden Society also serves as a valuable resource for ideas, advice, and visual galleries. Key design ideas for incorporating Japanese elements include cloud pruning, an ancient art of shaping trees and bushes into distinctive forms like clouds or lollipops. This technique emphasizes the plant’s unique characteristics and promotes harmony within the garden, requiring precise pruning with sharp shears. Suitable plants for cloud pruning include box-leaved holly and Japanese privet. Another significant feature is stone lanterns, or tōrō/ishidourou, which Grace Thornton suggests using sparingly to avoid clutter. Traditionally, these lanterns illuminated paths to temples or shrines and are available in various styles, such as tall Oribe lanterns for plant arrangements and three-legged Yukimi lamps for pond edges. Water features, including ponds, streams, or trickling fountains, are integral to Japanese garden design, contributing to a sense of peace. These are typically integrated into the landscape with water lilies, Koi Carp, reeds, grasses, and moss-covered stones. For smaller spaces or practical limitations, a Zen gravel garden with raked patterns, large rocks, and stone ornaments can effectively symbolize water and natural landscapes, with odd-numbered groupings of elements often preferred. Finally, scaling features appropriately is important; Lee advises against clichés like small stone temples in favor of one or two larger, impactful elements to prevent a cluttered appearance. For instance, a Japanese tea house can be picturesque but necessitates adequate space for both detail and functionality. #JapaneseGardens #GardenDesign #TranquilSpaces #LandscapeArchitecture #ZenGardens #ChelseaFlowerShow #Horticulture #OutdoorLiving #GardeningTips

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

In northern Italy's Piedmont region, a distinctive modernist pavilion stands as a contemporary interpretation of a castle, enveloped by its own body of water and accessible via a drawbridge. This architectural marvel, designed by Duilio Damilano of Damilano Studio, sought to create a secluded oasis, blending Italian luxury with the serene aesthetics of a Japanese Zen garden. The client and architect shared a mutual admiration for Japanese design principles, which significantly influenced the project's interior and exterior elements. The exterior of the pavilion features a large garden, conceptualized by landscape gardener Paolo Roagna. This garden draws inspiration from symmetrical Japanese botany, incorporating sculptural Bonsai trees and water features harmoniously alongside indigenous trees and shrubs. The building's perimeter is defined by sculptural metal grid structures on opposing sides. These grids are not merely aesthetic; they provide essential shade during the summer months and are adorned with geometrically positioned square blocks of Fir wood, adding visual depth. The external walls are also crafted from Fir wood, treated with the traditional Japanese Shou Sugi Ban technique, which involves burning the wood to enhance its durability. The single-floor dwelling utilizes pigmented micro cement throughout. Externally, this material is acid-etched to mimic the appearance of natural stone, while the interior surfaces are left smooth. The internal layout is designed to foster continuous interaction with the surrounding natural environment, largely achieved through expansive sliding glass walls. The interiors showcase a thoughtful curation of design pieces, where luxury meets functionality and artistic expression. In the sitting room, a playful ‘Cactus’ coatrack by Guido Drocco and Franco Mello immediately captures attention, positioned near a painting titled ‘Sardinia’ by Andrea Lo Papa. The room also features an enveloping ‘Pack’ sofa by Edra, illuminated by Ingo Maurer’s ‘Lacrime del Pescatore’ lighting. A hand-crafted rug by Mohebban Milano and a collection of wooden sculptures by Austrian artist Daniel Eggli further enrich the space. The dining room offers a contrasting palette to the building's earthy brown tones. It features a gold leaf table, designed by Dilmos Milano, complemented by ‘Ella’ chairs by Jacopo Foggini for Edra, which are described as having soft, gleaming molten amber hues. The ‘Scrigno’ sideboard, with its mosaic mirror shards, adds a deeper luster, reflecting the jewel-toned scheme. Damilano describes these colors as representing the 'earth and territory, warm and material colors.' The kitchen and bathrooms maintain a practical yet refined aesthetic. The kitchen, hand-built in oak by a local carpenter, is designed for industrial efficiency, a material choice echoed in the bathroom. The bathroom is equipped with ‘Origini’ taps by Gessi, ‘I Ching’ towel warmers by Elisa Ossino for Tubes, and sanitary ware by Cielo Ceramiche. In the main bedroom, a burnished dragon motif, painted by artist Riccardo Brotini, adorns the entire back wall, drawing inspiration from Japanese mythology where dragons symbolize cosmic guardianship and control over natural elements. A foldaway bed is integrated into the ceiling, allowing for flexible use of the space, which also connects to the terrace, pool, and gardens through sliding glass doors. The design team's overarching goal was to create a dynamic yet meditative natural experience, with the metal mesh and interlocking wooden blocks forming an optical illusion that changes as one moves around the pavilion. This integration of Italian luxury with Japanese Zen principles culminates in a home that emphasizes well-being and a harmonious connection with its environment. #ModernistPavilion #ItalianLuxury #JapaneseZenGarden #ArchitectureDesign #PiedmontHome #DuilioDamilano #InteriorDesign #ShouSugiBan #LandscapeDesign

House in Higashi-Gotanda, located in a small district near Tokyo with approximately 10,000 inhabitants, is a residential property designed by Koichi Futatusmata and Yuki Ohnita of Case-Real studio. This two-level house spans a total area of 192.74 square meters and includes a double garage. The design addresses the challenge of achieving adequate light and ventilation in a high-density residential area. Initially, the owners requested an internal courtyard. However, the architects proposed an alternative solution: a terrace on the first floor. This innovative design allows natural light to penetrate both levels of the house. The terrace is strategically positioned on the opposite side of the main staircase, which further aids in diffusing reflected light from the ceiling down to the ground floor, optimizing natural illumination throughout the living spaces. To enhance functionality and privacy, the open-air terrace is transformed into an extended living area through the incorporation of a series of angled louvers. These louvers are designed to facilitate air circulation and allow ample light to enter, while simultaneously providing visual protection from the adjacent buildings, ensuring a sense of seclusion for the residents. The exterior of the House in Higashi-Gotanda is distinctly characterized by its galvanized steel cladding. This material choice imparts a solid and uniform aesthetic to the underlying wooden structure, creating a modern and cohesive appearance. The steel plates covering the facade are highly reflective, adding a dynamic quality to the building's exterior. Consistent with this material palette, the same galvanized steel is utilized for the finish of the garage door and the louvers on the first-floor terrace, ensuring a harmonious and unified architectural expression. Inside the residence, the architects addressed the constraint of a low ceiling height, particularly on the first floor, by implementing an indirect lighting system. A V-shaped plate is installed along the entire length of the room at the center of the double-pitched ceiling, providing soft, diffused illumination that enhances the sense of space despite the lower ceiling. The functional layout of the house places the master bedroom and bathrooms on the ground floor, offering privacy and easy access. The main living area, kitchen, and a dedicated studio space are situated on the first floor, benefiting from the natural light and openness provided by the terrace. The project was completed in 2020, with design cooperation and construction handled by Yoshida building firm, and the lighting plan executed by Tatsuki Nakamura of BRANCH LIGHTING DESIGN. #JapaneseArchitecture #ResidentialDesign #GalvanizedSteelCladding #WoodenHouse #UrbanLiving #TerraceDesign #NaturalLighting #ModernHome #CaseReal

This article presents the 'House in Tama' project, designed by Cheng Hao Chung Architect, located on the border of Kanagawa and Tokyo, Japan. The house is situated on the southern slope of a hill, offering ample sunlight and a clear atmosphere, despite being in a dense residential neighborhood. The design approach for this 116 square meter residence, completed in 2024, focused on integrating with the natural topography and maximizing light and views while ensuring privacy and comfort for the inhabitants. The architectural concept emphasizes a multi-layered structure that adapts to the sloping site. The design creates a sequence of distinct yet interconnected spaces, each with its own relationship to the exterior environment. The architects utilized a combination of concrete, wood, and glass as primary materials, contributing to both the structural integrity and the aesthetic of the house. Concrete provides a robust foundation and defines the main volumes, while wood introduces warmth and texture in interior finishes. Large glass panels are strategically placed to blur the boundaries between indoor and outdoor spaces, allowing natural light to penetrate deeply into the living areas and offering framed views of the surrounding landscape and the distant Buddhist cemetery. A key aspect of the design is the careful consideration of the site's unique characteristics. The building form responds to the contours of the hill, creating a stepped profile that minimizes its visual impact and blends with the terrain. The internal layout is organized to take advantage of the southern orientation for optimal sunlight exposure and to create a comfortable microclimate within the house. The use of varied ceiling heights and spatial configurations contributes to a dynamic and engaging living experience, moving from more intimate, enclosed areas to expansive, open-plan zones that facilitate family interaction and entertaining. The project involved collaboration with structural engineer Jun Yanagimuro and constructor Sekkeikomu. The construction process highlighted attention to detail in material selection and craftsmanship, aiming for a durable and aesthetically pleasing outcome. The interior spaces feature a minimalist aesthetic, allowing the quality of materials and the interplay of light and shadow to define the atmosphere. The design includes functional elements such as a modern kitchen, comfortable living areas, and private bedrooms, all designed with a focus on usability and long-term sustainability. Overall, the House in Tama demonstrates an architectural solution that responds thoughtfully to its context, balancing modern design principles with respect for the natural and cultural landscape. The project showcases how a residential building in a challenging urban-natural interface can achieve both architectural distinction and a high quality of life for its residents through careful planning, material selection, and a strong conceptual vision. The dwelling serves as a contemporary example of Japanese residential architecture, prioritizing light, views, and a harmonious relationship with its immediate surroundings. #ResidentialArchitecture #JapaneseArchitecture #ModernDesign #SlopingSite #NaturalLight #Concrete #Wood #Glass #UrbanIntegration #SustainableDesign

The Fukuoka-based design firm Case-Real, led by Koichi Futatsumata, has successfully transformed a traditional Japanese storehouse, known as a 'kura,' into a contemporary and highly versatile multi-functional work-live space. This project was conceived to address the growing demand for spaces that seamlessly integrate professional and personal lives, particularly for creative individuals. The owners, a creative director in food design and a gallerist specializing in Japanese craft, required a space that could accommodate their diverse professional needs, from hosting art exhibitions to conducting tea ceremonies, while also serving as a comfortable living environment. The converted property is located in Gosho-Higashi, a tranquil area nestled between Kyoto Gyoen and the Kamo River. The design incorporates a white structure that houses the primary office area, complementing the traditional kura, which was repurposed as a gallery to display pottery and everyday tools. Futatsumata's vision was to create a harmonious environment where the clients' varied professions could coexist and even influence each other, a concept deeply rooted in the inherent adaptability of traditional Japanese residences. The aesthetic of the space is characterized by a refined color palette of plums, browns, and creams, establishing a warm and inviting atmosphere. A key functional element is the inclusion of movable screens, which allow for dynamic adjustments to room sizes, offering flexibility for different activities and gatherings. This design choice underscores the adaptability that was central to the project's brief. To achieve the unique blend of urban Japanese style and traditional Zen aesthetics, Case-Real collaborated with local artisans. For the tearoom, bespoke furniture was crafted by Koichi Touji and Yuji Yamamoto, resulting in a custom six-seater counter designed to fit the room's specific dimensions. Architectural lighting specialist Shoji Hiroyasu was engaged to implement tastefully concealed down-lighting, further enhancing the serene and sophisticated ambiance. Futatsumata highlights that the project's success in balancing multiple functions stems from embracing the inherent spatial continuity found in traditional Japanese architecture. This approach allowed for a design where each functional area within the house harmoniously coexists, providing the owners with an elegant, adaptable, and inspiring environment that supports both their professional endeavors and personal lives. #JapaneseArchitecture #LiveWorkSpace #StorehouseConversion #InteriorDesign #ModernWorkspace #KoichiFutatsumata #CaseReal #KyotoDesign #TraditionalMeetsContemporary

Japanese garden design, rooted in centuries of tradition, continues to be a captivating style that balances nature, structure, and simplicity, creating serene outdoor spaces for reflection and connection with the natural world. This article explores 24 distinct Japanese garden ideas, emphasizing their ability to cultivate calm and elegance in outdoor environments. Each idea showcases a unique aspect of Zen-inspired landscaping, from traditional elements like moss-covered paths and koi ponds to more contemporary interpretations. Key themes recurring throughout these garden designs include the deliberate placement of elements to create balance and harmony. For instance, 'Quiet Elegance in Motion' highlights the intentional balance between stark white walls, rhythmic wood slats, and soft, organic greenery, creating a space for slow mornings and quiet contemplation. 'Overgrown in the Best Way' suggests a romantic, natural aesthetic where moss-covered stones and varied foliage create a secret-garden feel, emphasizing nature's freedom with subtle guidance. 'Ginkakuji Stillness' exemplifies philosophical design, where space itself becomes a medium for reflection, characterized by deliberate rock placement and negative space, fostering a sense of sacred calm without excessive decoration. The article also showcases gardens that incorporate vibrant colors and playful elements, such as 'Candy-Colored Daydream,' featuring azaleas that bring a dreamy, almost chaotic joy to the scene, or 'Red Walls & Bamboo Whispers,' which uses deep red walls and golden light to create an intimate and atmospheric setting. The importance of texture is evident in 'Moss Like Velvet,' presenting moss as a majestic, living carpet that encourages a slowing of breath, while 'Geometry of Nature' demonstrates how gardens can be sharp, sculpted, and architectural without losing their inherent soul. Lighting plays a crucial role in enhancing the mood and functionality of these spaces. 'Light-Soaked Reverie' describes gardens bathed in golden light, inviting reflection, and 'Evening Light Ritual' illustrates how warm lighting can transform a small space into a dramatic, sculptural retreat. The integration of gardens with indoor spaces is explored in 'Zen from the Inside Out,' where a garden is framed like a living painting, offering soft views through glass. Further designs include 'Classic Kyoto Majesty' with its timeless elegance and layered greenery, 'Sculpted Spirits' which treats trees as miniature stories in a bonsai sanctuary, and 'Gentle Chaos,' celebrating perfectly imperfect natural arrangements. Pathways are not merely functional but integral to the aesthetic, as seen in 'Pathways & Poetry,' where white gravel and stone invite intentional wandering, and 'Forest Whispers,' which offers a cinematic experience with mossy textures and shifting shadows. The article concludes by presenting several contemporary designs that blend modern minimalism with natural elements, such as 'Clean Cut Zen' with its smooth pebbles and soft shrub silhouettes, 'Wild-Structured Harmony' showcasing mutual respect between built and natural forms, and 'Twilight Zen,' which uses subtle evening light to create a dream-like ambiance. These examples collectively illustrate the versatility and enduring appeal of Japanese garden design in fostering tranquility and beauty. #JapaneseGarden #LandscapeDesign #OutdoorLiving #ZenGarden #GardenIdeas #HomeDesign #MinimalistGarden #TranquilSpaces #NatureInspired