interlinked garden rooms stretch beneath single roof in tamada & wakimoto's japanese house

Yuji Kimura Design has completed House K, a three-storey residential project located in a busy Tokyo neighborhood. The primary design challenge was to reconcile the client's desire for private outdoor terraces with the need for privacy on a street with significant traffic. To achieve this, the architects implemented a design strategy that involves a tall, white perimeter wall effectively shielding the house and its outdoor spaces from public view. The house is conceived as an elongated box extending from east to west, a configuration that optimizes natural light exposure. The southern facade incorporates the bedrooms and terraces, strategically positioned to receive ample sunlight throughout the day. To further enhance privacy on these terraces while still allowing light and air, slatted timber and translucent panels are used as screening elements, preventing direct views from passersby. In contrast, the northern facade features smaller, horizontal slit windows. These openings are designed to bring natural light into specific areas such as the ground-floor living room and toilet, and the first-floor bathroom and hallway, without compromising the overall sense of seclusion. Upon entering House K, residents are greeted by a functional and uncluttered entrance hall on the ground floor. This space integrates full-height cabinets with recessed handles, creating a streamlined appearance and maximizing storage efficiency. The entrance hall transitions into an open-plan living area, which includes a kitchen, dining room, and a study area. A notable design detail in the ground-floor toilet is the full-height door, which, when closed, blends seamlessly with the wall, contributing to the minimalist aesthetic. Connecting the different levels of the house is a steel staircase with open timber treads. This design choice is not merely aesthetic; it also facilitates the flow of natural light between the upper and lower floors, enhancing the brightness of the interior. The staircase extends upwards to a loft space, further contributing to the natural illumination within the dwelling. The first floor is dedicated to private quarters, housing three bedrooms along one side and a bathroom and separate toilet on the other. Consistent with the ground floor, the doors to these private rooms are also full-height, maintaining a cohesive and less obtrusive visual language when closed. Throughout the interior, Yuji Kimura Design has maintained a minimalist material palette, predominantly featuring white walls and light timber floors, which contributes to a bright, spacious, and serene atmosphere. The total area of the house is 95.98 square meters, built on a site of 120.1 square meters, with a building area of 47.99 square meters. #TokyoArchitecture #JapaneseHouses #PrivacyDesign #ModernResidential #WhiteFacade #TerraceDesign #MinimalistInterior #YujiKimuraDesign

This blog post explores the transformation of a 1,000sqft HDB terrace in Whampoa into a Japanese-inspired dream home, affectionately named "Wabi-sabi Homu" by its owners, Grace and Caden. The couple, who previously enjoyed Japanese holidays, aimed to integrate the tranquility of Japanese aesthetics into their living space, emphasizing the beauty of imperfection reflected in the home's name. A significant feature of the renovation is the creation of a Japanese zen garden. This outdoor space is designed for relaxation, complete with a tatami mat, a low sitting platform table, and unique "snow mountain" rocks. These rocks, sourced from Taobao, were meticulously cut from a mountain, with their authenticity verified through documentation from the supplier. Bamboo trees and a willow tree line the exterior, further enhancing the Japanese ambiance. The garden also incorporates a shishi-odoshi, a traditional bamboo water feature, contributing to the serene atmosphere where the couple and their two dogs often unwind. The renovation process itself was extensive, involving a major revamp of the interior. Grace and her husband took on the design work themselves, hiring a contractor to execute their vision. Key elements of their redesigned interior include a multi-functional kitchen island that serves as both a dining table and a bar, and a prominent built-in alcohol shelf. The design ingeniously integrates practical solutions, such as a wooden fluted feature wall that conceals the entrance to the guest bathroom and provides hidden storage, helping to maintain a clutter-free environment. The space behind the alcohol shelf was also repurposed into a storeroom, maximizing storage in the cozy home. The couple's primary goal was to create a comfortable space for relaxing and occasional hosting, which led to structural changes like hacking walls, blocking corridors, and relocating the entire kitchen. Throughout the home, a blend of Japanese decor elements is evident. Many unique finds were sourced affordably from Taobao, including handmade 3D wall art depicting a lotus pond and various lanterns. The owners also employ a design strategy of separating different living spaces to create distinct environments. An example is Grace's dresser area, which has been transformed into a mini spa, complete with a Muji aroma diffuser and a wooden stand for essential oils. A notable and unique addition, though not Japanese in style, is a custom-built dog house under the stairs, providing a cozy hideaway for their shiba inu and maltipoo. The stairs themselves were updated with black steel railings and statement hanging lights. The second floor of the terrace, while smaller, is dedicated entirely to the master bedroom. This attic-style room features high ceilings and a sloped roof, creating an intimate and comfortable sleeping space. Adjacent to the master bedroom are the couple's study and a generously sized master bathroom, which was created from what was originally a walk-in wardrobe and features homogeneous tiling. The transformation of this HDB terrace highlights the owners' dedication to crafting a home that perfectly aligns with their lifestyle, wants, and needs, emphasizing that a dream home is a journey of exploration rather than an overnight creation. #JapaneseInspired #HDBTerrace #ZenGarden #HomeRenovation #InteriorDesign #SmallSpaceLiving #SingaporeHomes #WabiSabiHomu #AtticBedroom

Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, hosts an eight-acre Japanese garden designed by Hoichi Kurisu, offering visitors a profound connection to nature through traditional Japanese garden practices. Senior Vice President Steve LaWarre highlights the garden's unique ability to transform perception across seasons, even when covered in snow, encouraging introspection and renewal through ancient design principles. The garden, inspired by Frederik Meijer's early 2000s trip to Japan, was a five-year collaborative effort with Kurisu and recently celebrated its tenth anniversary. Winter provides a distinct experience within the garden, characterized by a profound quietness. The tranquil, snow-covered landscape emphasizes the garden's underlying structure, with boulders and rocks painted white, cold-hardy bamboo standing tall, and softly trickling water features. This stripped-back aesthetic embodies 'wabi-sabi,' celebrating imperfection, simplicity, and subtle beauty. In Japanese tradition, winter is seen as a time to appreciate the garden's bones and structure, with snow viewed as another form of blossoming, representing 'mujō' or impermanence, akin to the fleeting beauty of cherry blossoms. As spring arrives, the garden quickly bursts with color. The initial flush of chartreuse green leaves offers a stark and joyful contrast to the dark stems of trees. Conifers form the garden's structural backbone, providing evergreen color year-round and serving as iconic elements shaped through 'niwaki' pruning. This artful technique creates exaggerated, airy, and asymmetrical silhouettes, mimicking natural forces. The garden also features a vast bonsai collection displayed from spring to fall, including acers, pines, and flowering varieties like azaleas, showcasing sculptural pruning on a smaller scale. Spring unfolds with 'ephemeral waves of bloom,' starting with flowering cherry blossoms in late April along the Cherry Tree Promenade, symbolizing transient beauty. This is followed by serviceberry, vibrant azaleas, and water lilies, ensuring continuous floral displays throughout the growing season. In autumn, Japanese maples of various shapes and sizes transform the landscape with fiery hues of orange, red, and yellow, extending the garden's colorful journey. The garden integrates traditional Japanese structures, such as a teahouse, which was constructed in Japan from authentic materials, dismantled, and reassembled in Michigan. The teahouse, with its hand-bent copper roof and traditional tatami mats, offers an accessible space for tea ceremonies ('sadō' or 'chadō'). These ceremonies, deeply rooted in Zen Buddhist philosophy, promote mindful reflection and connection. The garden also includes a 'karesansui' or zen garden, a dry gravel garden where horticulturists create intricate patterns with traditional Japanese rakes, forming a living artwork that changes with the seasons and represents natural elements. Water is a central element, with the main pond's 'kanji' shape symbolizing the spiritual heart. Islands and a network of bridges guide visitors, always keeping the water in sight. A viewing hill provides panoramic views of the garden and pond. The water symbolizes renewal and purification, offering a space for meditation and introspection. Four waterfalls, representing masculine and feminine energies, create sensory sound and movement. The garden's integration of centuries-old tradition with modern art, including permanent sculptures that embody humanity's connection to nature, creates a timeless living masterpiece. Hoichi Kurisu's design intentionally guides visitors through varied spaces, from intimate pathways to expansive views, fostering new discoveries and a deeper appreciation for nature's asymmetrical balance. Visitors can incorporate elements like asymmetry, water features, and embracing the winter garden into their own outdoor spaces to create tranquil moments. #JapaneseGarden #GardenDesign #Horticulture #CulturalHub #ZenGarden #Teahouse #SeasonalBeauty #Bonsai #LandscapeArchitecture

Nestled in Longueville, a leafy suburb on Sydney's lower north shore, lies a sprawling garden oasis offering breathtaking views of Woodford Bay and the Lane Cove River. This garden, a creation by landscape designer Hugh Main of Spirit Level Designs, is a harmonious blend of sculpted and organic elements, juxtaposing intimacy with expansiveness and ruggedness with softness. It serves as an ideal complement to the crisp, minimalist architecture of the Stanic Harding-designed home it surrounds. The garden's inception in 2011 was a collaborative effort between the homeowner, architect, and landscape designer, aiming to forge a private family sanctuary that resonated with the strong, elegant lines of the residence and the magnificent Sydney landscape. As it matures, the garden showcases a sophisticated interplay of textures and forms. Clipped mounds of westringia, raphiolepsis, and elaeagnus create a structured contrast against the natural screens of bamboo, effectively softening the architectural starkness and defining a tranquil, restorative space away from the city's commotion. Hugh Main expresses his satisfaction in witnessing the garden's evolution, noting that it has grown into the envisioned space, a process that takes years to fully materialize. A striking courtyard, located at the end of the northern pavilion, features an arresting display of crassula and Dracaena draco, framed by clipped hedges of magenta syzygium. The unique, velvety grey spikes of Dracaena draco resemble living sculptures, rising from a vibrant carpet of flowering lime green jade, all leading to an intimate sandstone path. This secluded enclosure transitions seamlessly into an expansive lawn and an elegant pool area, mirroring the building's clean, linear structure. The dark-tiled pool further enriches the landscape, drawing in the sky above and casting dynamic shadows and reflections across its opaque surface. Hugh emphasizes that his design philosophy centers on subtlety and complementarity, ensuring that the garden enhances the architecture rather than competing with it. His goal is to cultivate a sense of calmness, quietude, and serenity, providing a soothing experience for those who traverse his gardens. Among the garden's many features, Hugh holds a special affinity for the 'girl’s courtyard,' a serene space inspired by Japanese Zen gardens and the wabi-sabi philosophy, which celebrates beauty in imperfection. This courtyard incorporates rough-cut Sydney sandstone, echoing the home’s cladding, used as a central bench. It is flanked by a beautiful crackle-glazed Vietnamese water bowl on one side and a solitary Japanese maple tree on the other. No detail is overlooked, including a pebbled rooftop sculpture visible from the main living pavilion, inspired by British land artist Sir Richard Long, and an array of handmade charcoal and copper vessels filled with textured green and grey succulents adorning the terrace doorways. The property's design orchestrates a journey through hidden pockets and sweeping grounds, each alive with mystery and contemplation, reflecting the elegance of the architecture and the designer's skill. The journey through the garden is designed to evoke a rhythmic breathing experience, where one encounters expansive open areas upon 'inhaling' and retreats into intimate, private settings upon 'exhaling,' fostering a profound sense of exploration and tranquility. #JapaneseGarden #GardenDesign #LandscapeArchitecture #SydneyHomes #OutdoorLiving #ModernGarden #ZenGarden #WabiSabi #TranquilSpaces

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

Kichi Architectural Design has completed the House of Kubogaoka, a cube-shaped residence in Ibaraki Prefecture, Japan. The house features small square windows intermittently placed across its facades. The structure utilizes a timber framework, but its front and rear facades are finished with plaster, providing the appearance of solid concrete construction. In contrast to these two facades, the side walls of the house are painted white. According to the architects, the use of white on the side walls creates a clear visual distinction against the basic mortar color of the other exterior walls. The main entrance of the house is created by an apparent cut-away section at one corner of the cube. Upon entering, a corridor extends directly through the house to a terrace located at the rear. This corridor features a dark tiled floor, which the architects liken to the traditional earth floors found in older Japanese homes. This design element aims to evoke a sense of historical Japanese dwelling immediately upon entry, extending the concept of an 'earth-floored room' to the outdoor yard beyond. The interior of the house introduces varying floor levels and materials to define different spaces. The main living area of the first storey is raised by two steps from the entrance corridor. This change in elevation is accompanied by a transition in flooring material, moving from the dark tiles of the corridor to a wooden surface. Further into the house, this wooden surface then gives way to a grid of tatami mats, forming a traditional Japanese room. The architects state that this combination of tatami and tiles harmonizes Japanese and Western interior styles within the residence. The traditional Japanese room is designed with sliding partitions, allowing it to be separated from an adjacent long, narrow space. This adaptable space serves multiple functions as a combined living room, dining room, and kitchen. This layout facilitates an open-plan living environment while retaining the option for privacy or distinct area definitions through the use of traditional sliding screens. An outdoor dining area is integrated into a recess at the back of the house. This area is strategically aligned with a sheltered balcony on the upper floor, suggesting a vertical connection between the outdoor spaces. A staircase, constructed with wooden treads, provides access to the upper storey. The upper floor accommodates two bedrooms, which are situated along opposite walls, with a second tatami room positioned between them. Photography for the project was carried out by Ippei Shinzawa. Floor plans for both the ground and first floors, as well as a cross-section, are available to illustrate the layout and design. #ResidentialArchitecture #JapaneseHouses #KichiArchitecturalDesign #IbarakiPrefecture #CubeHouse #TatamiRooms #TimberConstruction #ArchitecturalDesign

The Tokyo-based architecture firm matsuokasatoshitamurayuki, led by Satoshi Matsuoka and Yuki Tamura, has completed a courtyard house in a commuter town near Tokyo. This residential project features a distinctive pleated radial floor plan and integrates a small garden and outdoor living spaces around its perimeter. The design aims to strike a balance between interior privacy and connection to the surrounding environment, drawing inspiration from traditional Japanese house designs, particularly the 'geya' architectural element. The design strategy involved lowering a small roof attached to the main house to align with the site's borders, following the natural contours of a berm. This approach, combined with the pleated plan, creates varied depths within the structure. The architects aimed to preserve the appearance of the area's characteristic 'geya' house design while fostering the community culture associated with small gardens and berms. The pleated internal spaces are designed with initial specific functions but are intended to adapt to evolving uses over time. The house is configured to accommodate two families within a limited floor space, meaning individual rooms are not designed to be self-sufficient but rather part of a larger interconnected whole. Key interior elements, such as counters and tables, are positioned to extend beyond their designated areas, promoting a fluid transition between spaces. Abundant natural sunlight is a central feature, filtering through windows to illuminate every corner of the home. The 'geya' section, located beneath the small roof, provides a comfortable, sunlit area near a window, suitable for family gatherings or individual relaxation. This space is envisioned to be versatile, functioning as a communal hub while also allowing for separate activities. A central room, measuring 4.5 x 5.5 meters with a ceiling height of 4 meters, forms the core of the house. This area offers a private, bright space for the family, flexible enough to adapt to future needs and changes. The design consciously integrates the concept of a courtyard house, where internal spaces are protected while maintaining a connection to the outside. Unlike typical courtyard houses that are often closed off from the exterior, this residence opens sensitively towards the surrounding berm, ensuring privacy for the residents while remaining approachable to neighbors. The architects describe it as a "closed home" that allows the family to live in peace. The exterior of the main house features a tower-like central room, which serves as a symbolic icon for the family. By adopting and adapting the characteristic appearance of vernacular homes in the area, the architects hope the house will become an enduring and integrated part of the local community. The project details include a wooden structure, with wood and steel as major materials. The site area is 166.58 square meters, with a building area of 82.40 square meters and a total floor area of 101.72 square meters. The structural consultant was ASA – Akira Suzuki, and the general contractor was Yasumatsu Tekken. #Architecture #ResidentialDesign #CourtyardHouse #PleatedFloorPlan #JapaneseArchitecture #Tokyo #GeyaConcept #FamilyHome #ArchitecturalInnovation

The 'Kusatsu House' in Shiga, Japan, designed by Hearth Architects, is a family home structured in an L-shape to embrace a central, tree-planted courtyard. This architectural decision was driven by the clients' desire for a home with a garden where family members could relax and interact, fostering a sense of togetherness. The L-shaped layout effectively integrates nature into the common living areas, creating a lively and engaging atmosphere within an otherwise understated interior palette. The design thoughtfully connects the indoor and outdoor spaces through extensive floor-to-ceiling openings, allowing abundant natural light to penetrate the home and blurring the lines between the interior and exterior environments. This approach enhances the feeling of openness while maintaining privacy. To balance openness with the need for seclusion, the veranda is enclosed by a concrete wall, offering a more private and introverted outdoor space. The design also incorporates traditional Japanese architectural elements, particularly evident in the courtyard. A wooden strip of flooring extends from the interior, effectively expanding the living area into the garden, providing a dedicated space for relaxation and connection with nature. The interiors are characterized by warm, natural tones, and a deliberate absence of excessive decoration, contributing to a minimalist and serene aesthetic. A notable feature is a small, separate Japanese-style room, which fulfills a specific client request. This room is distinguished by its vibrant colors, traditional tatami flooring, and an opaque opening that allows dim light to enter without compromising privacy. The project details confirm that the Kusatsu House was completed in February 2020. It spans a site area of 160.41 square meters, with a building area of 65.21 square meters and a total floor area of 99.36 square meters. Photography for the project was done by Yuta Yamada. Hearth Architects successfully met the clients' brief by creating a harmonious living environment that celebrates both communal interaction and individual privacy, all while deeply connecting with its natural surroundings through thoughtful design and traditional influences. The house stands as a contemporary example of Japanese residential architecture that prioritizes natural light, spatial fluidity, and a calm, inviting atmosphere. #LShapedHouse #HearthArchitects #KusatsuHouse #JapaneseArchitecture #CourtyardDesign #ResidentialArchitecture #NaturalLight #IndoorOutdoorLiving #MinimalistInterior

The Star House, a 6,600-square-foot single-family residence in Kaohsiung, Taiwan, designed by Atelier Gratia principal Grace Ming-En Chang, presents a unique blend of fortress-like protection and open, airy living. This inward-gazing structure was conceived to offer a sense of refuge amidst the dense urban environment. From the street, the home appears as a faceted concrete monolith, providing a robust and private exterior. However, once inside, the design reveals an open and airy layout centered around a private courtyard. Every room in the residence benefits from a view of this central sanctuary through full-height glass walls. Many of these glass panels are designed to slide open, providing direct access to decks or balconies, thereby seamlessly connecting the interior with the outdoor spaces. The focal point of the courtyard is a ground-floor Zen garden, which pays homage to Japanese aesthetics and culture, reflecting the homeowner's past residency in Japan. Chang explains that this garden utilizes geometric principles to symbolize an idealized vision of heaven. A striking feature of the Zen garden is a single, sculptural pine tree that emerges from the center of an infinity-edge reflecting pool. This pool is also home to koi, adding a dynamic and tranquil element to the space. An iris-lined path gracefully leads from the courtyard to the backyard, which is lushly forested with bamboo and ferns, further enhancing the connection to nature. The integration of greenery extends to the rooftop, where the landscape transitions into a more wild and free-form style. This rooftop garden is described by Chang as a “gesture of giving back to nature.” A prairie of tropical grass covers the roof, playing a crucial role in the home's environmental performance. This grass is irrigated using recirculated rainwater, contributing to water conservation efforts. Beyond its aesthetic appeal, the rooftop vegetation serves a functional purpose by helping to block the harsh sun, thereby cooling the interior temperature of the home. The lawn is interspersed with various shrubs and fragrant native flora, including rosemary, jasmine, and lantana. These plants have not only beautified the space but have also quickly attracted local wildlife, turning the rooftop into a haven for butterflies and birds, thus creating an unexpected oasis within the urban landscape of Kaohsiung. The project was a 2022 Best of Year Winner for Residential Landscape, highlighting its innovative design and successful execution in blending urban living with natural tranquility. The design exemplifies how architectural planning can create a serene and private environment within a bustling city, using thoughtful landscaping and a strategic layout to achieve both aesthetic beauty and functional benefits. #AtelierGratia #ZenGarden #ResidentialLandscape #TaiwanDesign #CourtyardHouse #SustainableDesign #UrbanOasis #ArchitecturalInnovation

In a quiet residential area of Tokyo, the Japanese design studio Nendo has crafted a new house, aptly named the 'Stairway House,' which features a supersized staircase as its central element. Designed for two families from different generations, the project emphasizes openness and connectivity while maximizing natural light within the site's constraints. The site, surrounded by other apartment buildings, led Nendo to strategically offset the new volume to the north end of the plot. This arrangement creates ample space at the southern elevation, allowing for a largely glazed facade that ushers natural light and ventilation deep into the interior. This glass frontage also facilitates a visual connection between the residents and a garden area, integrating a touch of nature into the urban environment. The house accommodates an older couple on the first floor and a younger couple with their child on the upper floors. The first-floor program includes a kitchen, living/dining room, bedroom, study, bathroom, toilet, and storage. Notably, Nendo incorporated a dedicated cat room for the older couple's eight cats, providing them free access to roam and keep the mother company while gardening. This thoughtful inclusion reflects the family's lifestyle and relationship with their pets. The second and third floors, designated for the younger family, feature a spacious open-plan kitchen, living, and dining area, two bedrooms, a bathroom, a study, and various storage solutions. To seamlessly connect these distinct living spaces, Nendo introduced a massive 'stairway-like' structure that traverses all three levels. This architectural element serves as more than just a means of vertical circulation; it creatively houses essential functions such as bathrooms and additional storage, optimizing the use of space. The upper portion of the 'stairway' transforms into a semi-outdoor greenhouse. This area is rich with greenery and provides a sunny spot for the cats to climb and relax. This design decision blurs the boundaries between indoor and outdoor, enhancing the living experience with natural elements. The stairway, filled with plants, subtly links the upper and lower floors along a diagonal axis, fostering a sense of connection among the three generations while preserving their individual privacy. Furthermore, this innovative structure extends conceptually beyond the building itself, connecting to the southward-facing road at ground level and reaching towards the sky through a rooflight, symbolizing a broader integration with its urban and natural surroundings. Project details confirm the location as Tokyo, Japan, with Nendo as the designer. Photography credits go to Takumi Ota and Daici Ano. #Nendo #StairwayHouse #TokyoArchitecture #ResidentialDesign #MultiGenerationalLiving #NaturalLight #IndoorPlants #JapaneseArchitecture #ModernHome

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Kiyoaki Takeda Architects has designed and built a timber house in Tokyo's residential Setagaya ward that integrates with its hilly surroundings through the strategic use of five retaining walls. Unlike typical developments in the area that flatten land with large concrete walls, this project embraces the uneven terrain, featuring a rough slope with a 3.5-meter height difference. The primary objective of the design is to foster a deeper connection between the residents and the natural environment, despite the urban setting. The architect, Kiyoaki Takeda, aimed to restore the tactile sensation of living in a "place," emphasizing that this goes beyond merely adding soil to a floor. Instead, he sought to create an experience where inhabitants feel supported and enveloped by the earth's structure, achieved by contrasting natural elements with man-made interventions. The design focuses on merging nature and artifact, creating a vibrant living space that acknowledges the inherent life force rooted in the earth itself. The house, intended for a young couple and their four children, incorporates several small excavated areas to maximize the potential of the terrain. To manage the varying height differences resulting from these excavations, five distinct retaining walls were designed. Each wall, while uniquely shaped, maintains a flat structure reinforced by L or T-shaped ribs, engineered to support the earth's load with minimal thickness. This approach allows the retaining walls, typically construction materials, to become an integral part of the living space, contributing to the interior environment and benefiting from geothermal properties. This complex border between the earth and the architectural structure is intended to offer dynamic moments within the home. The architecture extends from this foundation, tracing the contours of the earth and the retaining walls. The structure is built in two layers: a reinforced concrete base and a timber upper section. The reinforced concrete part, traditionally an underfloor space, is integrated into the interior, creating a large atrium within the timber structure. This atrium features various skip floors, each offering a different environmental experience. The timber structure above provides an open frame with exposed beams, offering flexibility for future expansion or modification of the floor space. This design philosophy encourages residents to first perceive the unique characteristics of each space and then to creatively adapt and personalize their lives within this distinctive environment. The project underscores a harmonious coexistence between contemporary architecture and the inherent qualities of its natural site, making the retaining walls an essential and tactile element of the home. #KiyoakiTakedaArchitects #TokyoArchitecture #TimberHouse #RetainingWalls #ResidentialDesign #NatureIntegration #SustainableArchitecture #JapaneseArchitecture

The "Courtyard House with Seven Rooms" project, designed by Takayuki Kuzushima and Associates, is a residential property located in the suburbs of Nishio, Aichi Prefecture, Japan. Completed in 2022, the house spans an area of 95 square meters and was constructed with structural support from Komatsu Structural Design. The design process for this house was unique, starting from the owner's extensive collection of architectural and interior design images sourced from social media and magazines. This collection included a diverse range of aesthetics and functional ideas, from bare concrete exteriors and wood-paneled facades to minimalist and eclectic interiors, alongside practical storage solutions and antique furniture preferences. Faced with a seemingly disparate set of inspirations, the architects opted against a selective approach to integrate these varied elements. Instead, their design philosophy focused on creating a foundational framework capable of accommodating and harmonizing this overflow of diverse and potentially evolving preferences. The core concept revolves around an "open room to room" strategy within a "build room in town" context. This approach aimed to foster a continuous and adaptable living environment that could embrace the owner's changing tastes over time, rather than confining them to a rigid, pre-defined style. The house is characterized by the use of wood and steel as primary materials, reflecting a blend of traditional and contemporary Japanese architectural elements. The design likely incorporates a courtyard, as suggested by the project title, to introduce natural light and ventilation while maintaining privacy in a suburban setting. The "seven rooms" could refer to distinct functional zones or spaces within the house, each potentially reflecting a different aspect of the owner's collected inspirations, yet interconnected through the overarching design framework. The emphasis on adaptability and the ability to integrate diverse aesthetic preferences suggests a highly personalized and flexible living space. This project exemplifies an architectural response to the modern homeowner's desire for a custom-built environment that can evolve with their lifestyle, moving beyond a single, static design vision. #ResidentialArchitecture #Houses #Nishio #JapanArchitecture #CourtyardHouse #JapaneseDesign #ArchitecturalInnovation #WoodConstruction #SteelStructure

This article details the construction and design of a new three-bedroom modern Japanese-style house located in Lennox Head on the NSW north coast, built by video editor Raquel Banks and builder Jack Nyboer of Nobo Build. The project, which took approximately two years from design to completion, features a single-story layout with two courtyards and a self-contained studio, thoughtfully integrated into its natural surroundings overlooking a nature reserve. The house's design centers around maximizing daylight and connecting indoor and outdoor living spaces through dual north-facing courtyard gardens. The central courtyard serves as a communal outdoor space ideal for entertaining, while a more private rear courtyard, adjoining the main bedroom, includes a plunge pool and outdoor shower, creating an adult retreat. This innovative layout ensures that every area of the home enjoys a view of the garden, fulfilling Jack's initial vision for the property. The exterior of the home features charred jarrah-clad walls, utilizing the Japanese shou sugi ban technique for timber preservation, which also provides a raw, maintenance-free aesthetic that contrasts with the brighter interior. The interior palette, selected by Raquel, emphasizes warmth and coziness through materials such as spotted-gum veneer kitchen cabinetry, travertine benchtops and bathroom tiles, and polished concrete flooring. This neutral base allows for personalization through soft furnishings and contemporary artworks by local artists, which introduce summery and playful colors. Collaboration was a key aspect of the project, with long-time friends architect Hayley Pryor and landscape designer/carpenter Rhys Heggie contributing their expertise. Hayley Pryor was instrumental in proposing the two separate courtyards and the detached studio. The construction itself was largely a hands-on effort by Jack and Rhys, involving long days but ultimately resulting in a home that surpassed expectations. Material choices throughout the house were inspired by the landscape, featuring organic and simple finishes selected for their textural and tonal qualities. The kitchen combines spotted gum cabinetry with overhead MDF cabinets in Moss Grey, complemented by a travertine benchtop. In the bathrooms, travertine flooring and custom-made spotted-gum mirrors reflect the natural theme. The landscape design incorporates Australian native plantings such as coastal pigface, kangaroo paw, and banksia and blueberry ash trees, thriving in the local climate. The living zone boasts a soaring raked ceiling and louvered windows that facilitate cooling breezes and cross-ventilation, especially during warmer seasons. Expansive glazing throughout the home frames views of the lush courtyards. Though the couple has since sold the house, they express immense pride in their first joint project, emphasizing the journey from an initial idea to a tangible home and the value of teamwork. #JapaneseStyleHome #CoastalLiving #CourtyardDesign #SustainableDesign #IndoorOutdoorLiving #ArchitecturalInnovation #MaterialPalette #LennoxHead

In Situ & Partners, an international architectural and interior design firm, developed a sophisticated pied-à-terre in Hong Kong Central, featuring panoramic city views. The project integrates Japanese design principles with contemporary elegance, emphasizing a minimalist aesthetic. Yacine Bensalem, Principal at In Situ & Partners, highlighted that the "less is more" philosophy of Japanese design guided the project, resulting in a space defined by clean lines, natural materials, and a calming neutral color palette. The 2000-square-foot apartment offers a tranquil atmosphere from the moment of entry. The residence's primary living area is an expansive T-shaped space, thoughtfully divided into a dining room, living room, and a traditional tatami tea room. This layout facilitates distinct functional zones while maintaining an open feel. Light parquet flooring and warm wood cabinetry establish a cohesive backdrop, complemented by European design objects. To introduce fluidity, a custom rug with a wavy pattern, evoking Zen garden sand designs, was incorporated. All technological components are discreetly concealed within the ceiling to maintain an uncluttered aesthetic. Bensalem expressed appreciation for the interior's elegant rigor, noting its simplicity and strong connection to nature. Each element is harmoniously integrated to uphold the home’s aesthetic coherence. Adjacent to the living area, a studio space separated by a glass and wood screen provides a communal desk with city views, continuing the theme of natural elements. The kitchen features sleek, custom-made cabinetry in matte lacquer, aligning with the apartment's overall minimalist design. The primary bedroom is designed as a sanctuary, utilizing soft textiles and tranquil colors. Adhering to feng shui principles, a Japanese landscape silk painting is displayed above a custom-made fabric headboard, and the window ledge is upholstered in brown leather. The en-suite his and hers walk-in closets feature checkered glass doors and traditional washi paper accents, adding a refined touch. A highlight of the residence is the authentic Japanese-style primary bathroom, which features original fixtures and materials. A circular bathtub, crafted by Japanese artisans, is the focal point, surrounded by fragrant wood fluted panels and Italian Ceppo di Gre stone. This design element underscores the blend of traditional Japanese craftsmanship with modern luxurious materials, creating a unique and serene bathing experience. The overall design prioritizes harmony, functionality, and a seamless integration of cultural influences. #JapaneseDesign #HongKongApartment #PiedATerre #MinimalistInterior #InSituAndPartners #TatamiTeaRoom #ZenGardenInspired #NaturalMaterials #FengShui

House in Higashi-Gotanda, located in a small district near Tokyo with approximately 10,000 inhabitants, is a residential property designed by Koichi Futatusmata and Yuki Ohnita of Case-Real studio. This two-level house spans a total area of 192.74 square meters and includes a double garage. The design addresses the challenge of achieving adequate light and ventilation in a high-density residential area. Initially, the owners requested an internal courtyard. However, the architects proposed an alternative solution: a terrace on the first floor. This innovative design allows natural light to penetrate both levels of the house. The terrace is strategically positioned on the opposite side of the main staircase, which further aids in diffusing reflected light from the ceiling down to the ground floor, optimizing natural illumination throughout the living spaces. To enhance functionality and privacy, the open-air terrace is transformed into an extended living area through the incorporation of a series of angled louvers. These louvers are designed to facilitate air circulation and allow ample light to enter, while simultaneously providing visual protection from the adjacent buildings, ensuring a sense of seclusion for the residents. The exterior of the House in Higashi-Gotanda is distinctly characterized by its galvanized steel cladding. This material choice imparts a solid and uniform aesthetic to the underlying wooden structure, creating a modern and cohesive appearance. The steel plates covering the facade are highly reflective, adding a dynamic quality to the building's exterior. Consistent with this material palette, the same galvanized steel is utilized for the finish of the garage door and the louvers on the first-floor terrace, ensuring a harmonious and unified architectural expression. Inside the residence, the architects addressed the constraint of a low ceiling height, particularly on the first floor, by implementing an indirect lighting system. A V-shaped plate is installed along the entire length of the room at the center of the double-pitched ceiling, providing soft, diffused illumination that enhances the sense of space despite the lower ceiling. The functional layout of the house places the master bedroom and bathrooms on the ground floor, offering privacy and easy access. The main living area, kitchen, and a dedicated studio space are situated on the first floor, benefiting from the natural light and openness provided by the terrace. The project was completed in 2020, with design cooperation and construction handled by Yoshida building firm, and the lighting plan executed by Tatsuki Nakamura of BRANCH LIGHTING DESIGN. #JapaneseArchitecture #ResidentialDesign #GalvanizedSteelCladding #WoodenHouse #UrbanLiving #TerraceDesign #NaturalLighting #ModernHome #CaseReal