Mathias Klotz and Carolina Pedroni Update a Vineyard Oasis in Uruguay

The article profiles Christie Green, ASLA, a landscape architect based in Santa Fe, New Mexico, who runs a one-woman practice called Radicle. Green's work is driven by a mission to repair humanity's fractured relationship with nature, particularly with the plants and animals consumed for sustenance. A significant aspect of her personal life and professional philosophy involves hunting for the majority of her meat, an activity that has profoundly influenced her understanding of ecological systems and her design approach. She views hunting not merely as a hobby but as a visceral connection to the natural world, fostering an awareness of vegetation, water availability, and wildlife patterns that she integrates into her landscape projects. Green's journey into landscape architecture was unconventional. Raised between Alaska and Texas, she developed an early appreciation for wild landscapes. After graduating from the University of California, Berkeley, and working with an environmental education organization called Bioneers, she became deeply involved in the politics of food. This led her to start a design/build company focused on edible plantings and backyard gardens, aiming to counter monoculture agriculture. However, the commercial demands of larger projects often compromised her initial vision, leading to dissatisfaction. The 2008 recession forced her to scale back, inadvertently providing an opportunity to reassess her career path. At nearly 40, she enrolled in the graduate landscape architecture program at the University of New Mexico, where she was recognized for her intelligence, humility, and dedication as a student, even as a single mother commuting daily from Santa Fe. After completing her graduate studies, Green rebranded her firm as Radicle, symbolizing the embryonic root of a seedling. She committed to undertaking only projects that aligned with her core values, such as an outdoor recreational facility for the Ohkay Owingeh Pueblo and the landscape for an immersive art installation. She also ventured into art, using a rented warehouse as a studio to host salons and create installations that explored themes of consumption, waste, and societal ideals. Her art often draws parallels to ecological processes, such as a piece involving mounted elk scat to highlight nature's efficient nutrient cycling. A recurring theme throughout Green's work is food and challenging the mindless approach to consumption. She advocates for a deeper connection to the provenance of food, emphasizing the importance of understanding where sustenance comes from, whether wild or cultivated. Her projects demonstrate a pragmatic and ecologically conscious aesthetic, often utilizing natural or repurposed materials and focusing on long-term sustainability. An exemplary project is the Española Healing Foods Oasis, a community garden developed with Tewa Women United. This project transforms a neglected urban space into a public ethnobotanical garden, employing traditional Tewa techniques for dryland cultivation and water harvesting. The garden not only provides edible and medicinal plants culturally significant to the Tewa people but also serves as a testing ground for innovative ecological strategies like mycoremediation to address environmental contamination. Green's approach is characterized by an intuitive and iterative process, often involving years of soil building and allowing landscapes to evolve naturally. Her designs are not merely aesthetic but deeply functional and responsive to the environment and human behavior. Her work is seen as a bridge between indigenous knowledge and Western technology, translating complex ecological ideas into tangible, community-focused projects. While her uncompromising environmental ethic may limit her clientele, it underscores her commitment to a holistic and integrated understanding of humanity's place within the natural world, reflecting a life lived in the liminal space between urban and rural, wild and cultivated. #ChristieGreen #Radicle #LandscapeArchitecture #EnvironmentalDesign #SustainableDesign #FoodSystems #IndigenousKnowledge #EcologicalRestoration #CommunityGardens

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

This article details a budget-friendly backyard makeover project undertaken by the Brownstone Boys, following their major house renovation. With a budget of $2,500, they transformed their urban backyard into a multi-functional space designed for both relaxation and social gatherings, particularly relevant given the increased importance of outdoor spaces during pandemic precautions. The renovation involved significant manual labor, including jackhammering concrete, relocating soil, and carrying numerous bags of sand, gravel, and excess soil. The tour of the newly renovated backyard begins with an 18-by-8-foot steel deck, constructed from steel and concrete to comply with NYC building codes for property line-to-property line structures. This deck serves primarily as an area for cooking and al fresco dining, featuring a grill and an expandable round table, with sun yellow chairs adding a pop of color. Descending from the deck, the hardscape includes a pea gravel and bluestone patio. The bluestone was salvaged from various parts of the yard, and the pea gravel was used to evoke a Mediterranean garden aesthetic. This patio area is designated for relaxing seating and a fire pit, offering a more comfortable and immersive experience amidst the surrounding plantings. A 24-inch planter box, painted matte black to match the deck, spans most of the yard's width between the patio and the building. This planter serves to introduce varying heights in the garden's design and create a private space for the tenant. Beyond the patio, the back half of the yard features a newly seeded lawn. Overcoming initial doubts, the homeowners meticulously cared for the lawn for five weeks, watering it three times daily, using a special dog-friendly and drought-resistant grass seed mix (PT Lawn Seed #769) suitable for areas with limited direct sunlight. This approach proved to be a cost-effective alternative to sod, resulting in a vibrant green lawn. Additional relaxing spots in the backyard include a hammock and two Adirondack chairs placed on the grass. The perimeter of the yard is adorned with shade-tolerant plants, selected with the help of a Brooklyn garden designer. The plant selection includes Bugloss, Hardy Geranium, Ghost Ferns, Ostrich Ferns, Echinacea, Butterfly Bushes, and two Ruby Falls, sourced from wholesale suppliers, with the expectation that they will grow to fill the space and create a lush environment. The ambiance is further enhanced by two 60-foot strings of lights stretching from the house to the back of the yard. The total project cost amounted to approximately $2,600, slightly exceeding the initial budget but significantly less than professional quotes. The homeowners express great satisfaction with the outcome, having actively participated in the transformation and now thoroughly enjoying their revitalized outdoor space. #BackyardMakeover #UrbanGardening #DIYRenovation #OutdoorLiving #GardenDesign #BudgetRenovation #BrownstoneBoys #BedStuy #Hardscaping

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

Architect Mary Ann Schicketanz, founder of Studio Schicketanz, has established her firm's reputation for sensitive and sustainable design, particularly within the Monterey Bay area of Northern California. Her approach is heavily influenced by her Austrian heritage and an admiration for midcentury modernist architects like Richard Neutra and Rudolph Schindler, who pioneered modern residential design in the U.S. Schicketanz, who has worked in Big Sur and Carmel-by-the-Sea for decades, emphasizes a seamless integration of sustainability concepts with design integrity, whether in new constructions or historic renovations. Studio Schicketanz specializes in both ground-up residential projects and the renovation of midcentury homes. A notable example of their renovation work is the Henry Hill House on the Monterey Peninsula. This 1,957-square-foot house was originally the private retreat and later primary residence of English-born midcentury starchitect Henry Hill, who used it as a personal architectural testing ground. The house evolved through various additions, incorporating geometric shapes, light monitors, and unique fenestration patterns. Schicketanz describes it as a "living architectural being" due to Hill's continuous experimentation with its structure and interior finishes, which included unusual materials like seashell-covered walls, wallpaper made from book pages, gilded surfaces, and leather tiles. When commissioned by a retired Silicon Valley couple to modernize the Hill House, Schicketanz faced the challenge of preserving its unique architectural spirit while updating its functionality and sustainability. Instead of a strict restoration to a specific period, her strategy involved addressing failing elements and introducing new interventions that echoed Hill's inventive spirit. Key improvements included opening up the cramped interior to enhance circulation, increase natural light, and strengthen the connection to the outdoors. The firm also upgraded outdated mechanical systems and an uninsulated building envelope by adding high-performance spray foam insulation to walls and replacing the forced-air heating system with radiant heat. While some original single-pane windows were replaced with double-glazed casements for efficiency, many original glazings were retained to respect Hill’s design intent. The team also meticulously preserved rough-sawn cedar siding and interior woodwork where possible. New additions, such as a powder room, were designed to align with Hill's playful glamor, featuring a custom gold and white geometric wall mosaic by artist Erin Adams. This approach reflects Studio Schicketanz's broader philosophy: that the most sustainable design strategy is to maintain and thoughtfully adapt existing structures. For their new constructions, particularly those on significant waterfront properties, the firm prioritizes efficient footprints and energy systems, aiming for structures that are integrated into the landscape rather than conspicuous. They have a strong commitment to green design, having completed the first LEED-certified home in Carmel-by-the-Sea. Currently, the firm strives to achieve net-zero energy and carbon-neutral status for all new projects. An example is the Mal Paso residence in Big Sur, a net-zero home designed as four interconnected pavilions that blend into the hillside with green roofs. Studio Schicketanz continues to work on net-zero residential projects in Monterey Bay and Los Angeles, demonstrating a deep respect for the natural environment and a commitment to sustainable architectural practices. #StudioSchicketanz #SustainableDesign #MontereyBay #HistoricRenovation #MidcenturyModern #NetZeroHomes #CaliforniaArchitecture #GreenBuilding

Sculptor Randy Polumbo has transformed the Orient Point Light, a 19th-century lighthouse situated in Plum Gut Harbor off Long Island, into an artist's residency known as Plum Gut Grotto. Polumbo acquired the historic structure through government websites five years prior, initially searching for old fuel tanks. His vision for the lighthouse is to provide a unique retreat for artists, a "micro philanthropy" where individuals can stay for several weeks to pursue creative endeavors, such as writing. Key to the lighthouse's operation is its complete reliance on off-grid power. Polumbo, an alumnus of Cooper Union and founder of the eco-construction company Plant, has equipped the structure with modern amenities including USB ports, electrical outlets, and appliances, all powered by a newly installed windmill and solar panels. This sustainable approach reflects his expertise in eco-friendly construction techniques, which he has also applied in projects for notable clients like Santiago Calatrava, Lee Mindel, and Maya Linn. The interior design of Plum Gut Grotto incorporates Polumbo's distinctive artistic style. It features a sparkling, galaxy-themed grotto with a large, built-in banquette described as a “topographical human habitat.” A striking illuminated, crystal-clad ball spins outside the structure, serving as a beacon. The bunk house, or grotto, is prominently featured, as is a newly built teak dining table capable of seating six guests. An atelier is furnished with a new teak writing desk designed for two occupants. The internal structure also includes a stair leading to the top of the lighthouse. Further artistic and functional elements include a porthole offering a view into the grotto's 20-foot-long banquette and a ceiling crafted from hand-hammered mirror-polished aircraft aluminum. A significant art piece, "The Oracle of Plum Gut," is a 4-foot-diameter spinning ball made from marine epoxy, crystals, silvered mirror, glass beads, and color-changing LEDs. The exterior features a deck, on which solar arrays are strategically installed to maximize energy capture. The project is supported by tax-deductible donations, highlighting its philanthropic aspect in fostering artistic creation in an environmentally conscious setting. Drone video footage of Plum Gut Grotto is also available, offering a comprehensive view of the converted lighthouse and its surroundings. #LighthouseConversion #ArtistResidency #GreenPowered #OffGridLiving #SustainableDesign #ArchitecturalRenovation #InteriorDesign #RandyPolumbo #EcoConstruction

The Uros Islands, located in the north-western part of Lake Titicaca, represent a remarkable achievement of human engineering. These man-made floating islets are home to the indigenous Uros people and were initially constructed over 500 years ago as a defensive measure against the expanding Inca Empire. The Uros built these islands to be movable, allowing them to retreat into the lake for safety. Today, approximately 120 such islands exist, supporting a community of about 1,300 people. The islands and virtually everything on them, including boats, houses, roofs, and mattresses, are crafted from totora reeds, a water-resistant plant abundant in Lake Titicaca. The totora is integral to the Uros' survival, serving not only as building material but also as food, medicine, and for making tea from its flowers. The plant's strength and flexibility are key to its versatile use, as demonstrated by a 2002 study where archaeologists successfully transported heavy stones across the lake using a totora reed boat, similar to ancient practices. Building an Uros island involves gathering large blocks of totora roots, which often float to the surface during the rainy season. These blocks are then pulled together, and their roots and reeds intermingle to form a dense, 1-2m thick base known as 'khili'. Dried totora reeds are subsequently laid in alternating directions on top of this base, forming the walking surface and foundation for homes. To prevent the islands from drifting, eucalyptus rods are used as anchors, driven into the lakebed and tied to the root blocks. The maintenance of these islands is a continuous process, requiring fresh totora reeds every 15 to 20 days as the older ones decay, highlighting the ephemeral yet magical nature of these structures. In 1986, a severe storm significantly impacted the Uros community, scattering islands and prompting them to relocate closer to the mainland city of Puno. This move led to a shift in their livelihood from primarily fishing to tourism. The Uros now engage with visitors, selling handicrafts, and sharing their unique way of life. While modern influences like solar panels and Airbnb lodgings are present, the core traditional building methods and the reliance on totora persist. Experts acknowledge the potential for tourism to alter traditional ways of life, yet the Uros' connection to their totora-based existence remains fundamental. The community hopes for greater recognition, with discussions about the islands becoming an official 'wonder of the world', underscoring their cultural and engineering significance. #UrosIslands #LakeTiticaca #IndigenousCulture #FloatingHomes #TotoraReeds #SustainableLiving #HumanEngineering #PeruvianHeritage #CulturalTourism

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

House TP, a renovation project by Belgian architecture firm dmvA, addresses the challenges of urban farming in the densely packed city of Mechelen, Belgium. The project was conceived for a client passionate about gardening, or with “green fingers,” and sought to integrate a greenhouse into a compact, 90-square-meter home situated next to a church. The house is notably sandwiched between two other buildings and features a north-oriented rear, which typically limits access to natural light. To overcome the natural light limitation, the architects implemented an innovative solution by removing the original rear wall of the building, preserving only a single steel beam. This beam then served as an anchor for additional structural beams, creating a base for a "floating" greenhouse. This design allows ample natural light to filter through to the patio space located beneath the greenhouse, enhancing the usability and ambiance of the outdoor area. Furthermore, large glazed openings were incorporated into the building's rear facade, providing expansive views of the new greenhouse from the second and third floors. The interior layout of House TP was also strategically reorganized to maximize light exposure. The primary living areas, including the kitchen and dining spaces, were relocated to the third floor, where they benefit most from natural light. Conversely, the bedroom was positioned on a lower floor. The ground floor was designed with flexibility in mind, offering an additional living space that can be easily converted into a bedroom as needed. The architects opted for an open-plan layout and removed internal walls to create a more spacious feel within the compact footprint of the home. The staircase was thoughtfully placed to the side of the building, preventing any obstruction of sightlines and contributing to the open aesthetic. The exterior of the house underwent significant transformation as well. Unlike its traditional redbrick neighbors, House TP's exterior was painted a bright white, making it stand out and contributing to a fresh, modern appearance. A notable addition to the exterior is a gate featuring steel blinds installed at a 45-degree angle. This design provides privacy for the residents while simultaneously maintaining an open and light impression. According to dmvA’s project statement, this intervention not only fulfilled the homeowner’s desire for a greenhouse and improved living conditions but also revitalized the surrounding streetscape, transforming a previously problematic dark corner into a vibrant space. The project exemplifies a creative approach to integrating green spaces and optimizing natural light within challenging urban environments. #HomeRenovation #UrbanFarming #FloatingGreenhouse #ArchitecturalInnovation #NaturalLight #CompactLiving #SustainableDesign #InteriorDesign #MechelenBelgium

The Kips Bay Decorator Show House in Palm Beach features an inspiring outdoor wellness sanctuary envisioned by Helen Lambrakis and Erik Moraillon of Garden 26. This serene space, centered around a magnificent banyan tree, was designed to provide a multifaceted destination for relaxation and restoration. The transformation began with the removal of all existing concrete, replaced by lush, verdant grasses, aligning with the designers' philosophy of building around a location's natural offerings. The garden's design prioritizes visual intrigue from every angle due to its multiple entrances, necessitating the creation of distinct "rooms" to ensure a seamless flow and cater to various forms of relaxation. These dedicated zones include a fire pit area, outdoor dining spaces furnished with sculptural woven pieces by Bonacina, a dedicated wellness area complete with custom meditation cushions, a tranquil reading nook, and a traditional pool deck. Plantings were meticulously selected to create layers of textures and varying shades of green, contributing not only to visual appeal but also to the overall sense of calm. The designers also considered the air-purifying qualities of the vegetation, aiming to foster a deeper sense of wellness for visitors. Key plant species featured in the design include lipstick, lady, and Christmas palms, philodendron, giant bird of paradise, agave, and several varieties of ferns. Lambrakis articulated the intention behind the design, stating a desire to foster a sense of exploration that leads to self-discovery. The core elements of serenity, meditation, and the majestic banyan tree are central to the garden's conceptual framework, inviting guests to connect with these aspects for a rejuvenating experience. This thoughtful approach to landscape design emphasizes holistic well-being, transforming an outdoor area into a haven for winter escape and personal renewal. #OutdoorSpace #WellnessSanctuary #KipsBayDecoratorShowHouse #PalmBeach #GardenDesign #LandscapeArchitecture #MeditationSpace #TropicalGarden #DesignerShowhouse

The Hotel Ushüaia, located in Playa d’En Bossa, Ibiza, Spain, features a low-tech vertical garden system developed by Urbanarbolismo in collaboration with Alijardín and Alicante Forestal. Completed in May 2011, this innovative greenwall system serves as a sound barrier between the hotel’s open-air disco in the central courtyard and adjacent guest rooms, enhancing both acoustics and aesthetics. The project is notable for its eco.bin greenwall system, which employs four panels of interconnected ceramic terracotta containers. Each ceramic container within the eco.bin system is individually filled with a growing medium and planted with suitable vegetation. The design allows for slight interior inclination to optimize water absorption from irrigation lines, with each planting hole sealed at the back to store water. This modular approach ensures that each plant unit has its own substrate and water supply, collectively forming a sound-absorbent and visually appealing garden space. The irrigation system combines drip and hand irrigation methods, tailored to the varying water needs of plants in different orientations. The inherent porosity of the ceramic containers facilitates humidity exchange, contributing to a stable microclimate for the plants. This vertical garden stands out as the first of its kind globally, particularly due to its low-tech design and choice of plant species. The designers carefully selected succulents such as crassula, euphorbia, echeveria, aeonium, kalanchoe, sedum, and sedeveria. These species are well-suited to the Mediterranean climate of Ibiza, thriving in conditions with minimal substrate, similar to their natural habitats on vertical surfaces. Their resilience and diverse colors provide year-round visual interest. The low-tech nature of this vertical garden system differentiates it from more complex, automated vertical gardening solutions. It requires minimal water and maintenance, making it a practical option for various applications, including residential settings. The system allows for easy plant substitution without requiring extensive horticultural knowledge from the owners. While it necessitates a more personalized maintenance regimen compared to highly automated systems, its simplicity and accessibility expand the possibility of integrating vertical gardens into broader architectural and design contexts. The primary vertical garden extends to surround the terraces of one of the hotel's restaurants, further enhancing acoustic insulation and creating a more comfortable and intimate dining environment. #VerticalGarden #HotelDesign #EcoBinSystem #LowTechGreenwall #MediterraneanPlants #AcousticInsulation #SustainableDesign #IbizaArchitecture #Urbanarbolismo

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

Nicole Salceda, founder of Eye for Pretty, has transformed her backyard into a sanctuary inspired by California's wine country. The primary goal of this project was to create an outdoor space that emulates the ambiance of boutique hotels found in Napa and Sonoma. Salceda aimed to optimize the layout of her backyard to include distinct zones for entertaining, recreation, swimming, and relaxation. To bring her vision to life, Salceda collaborated with Yardzen, a company specializing in custom landscape design. Yardzen's team assisted her in visualizing the space through colored renderings, incorporating her inspiration and layout ideas. This collaboration allowed for necessary adjustments and modifications throughout the design process, ensuring the final outcome aligned with Salceda's aesthetic and functional requirements. The design emphasizes entertaining, featuring an outdoor kitchen island, a spacious deck with ample seating, an outdoor fireplace, and a large sectional area. These elements are designed to be inviting for both large gatherings and smaller, intimate groups. The expansive layout allows for simultaneous activities, such as children and their friends enjoying the redwood fire pit while adults socialize by the main fireplace. Landscaping played a crucial role in achieving the desired wine country aesthetic. The Yardzen team incorporated specific plant varieties, including pittosporum silver sheen for hedges along the fence, iceberg roses, olive bushes, fountain grasses, feather grass, and fruitless olive trees. These plant selections contribute to a lush and sophisticated atmosphere, enhancing the overall sanctuary feel. Salceda highlights the practicality of the design, noting that the outdoor season in the Bay Area extends for most of the year. Her new backyard has become a versatile extension of her home, hosting various events such as swim parties, birthday celebrations, barbecues, and numerous cozy evenings by the fire. The space encourages outdoor living and offers continuous enjoyment of the views of Mount Diablo. The transformation reflects a successful integration of design vision, collaborative execution, and careful selection of elements to create a functional and aesthetically pleasing outdoor environment. #BackyardDesign #LandscapeArchitecture #OutdoorLiving #WineCountryInspired #HomeInteriors #CaliforniaDesign #ExteriorDesign #OutdoorEntertaining #EyeForPretty

The exhibition 'Uprooted' at the Madrid Design Festival, curated by Seetal Solanki and featuring the work of Jorge Penadés, delves into the overlooked potential of centenary olive tree roots. These roots, often discarded or used as firewood due to the intensive mechanization of Andalucía’s olive oil industry, are repurposed into furniture and material studies. Penadés, a Spanish designer, spent a decade researching olive oil production systems in his birthplace, Andalucía, a region responsible for a significant portion of global and Spanish olive oil output. His research highlighted the widespread disposal of centuries-old native wood, deemed unsuitable for industrial processing due to characteristics like intricate knots, embedded stones, diverse trunk shapes, and excessive density. The shift from traditional manual olive harvesting to super-intensive mechanization has led to the uprooting of native olive species, which are then replaced by trees systematically planted in grids for efficient harvesting. This practice disregards ecological diversity and results in a vast amount of waste material. Penadés' work addresses how materials are often forced to conform to design industry standards, thereby neglecting their intrinsic qualities. His furniture collection, crafted from these discarded olive tree roots, challenges this industrial approach. The 'Uprooted' exhibition, housed in Espacio Gaviota, showcases these furniture pieces alongside material experiments and immersive spatial interventions. It also includes photographic reportage by Max Creasy, which documents the aggressive uprooting practices. The experimental work by Penadés, guided by Solanki, faced numerous technical challenges. Unlike trunks, which grow linearly, roots grow organically in all directions, seeking water and nutrients. This results in embedded stones, extreme hardness, and unpredictable bending during drying, all of which complicate cutting and processing. These challenges necessitated a complete re-evaluation of Penadés' design approach. Solanki, founder and director of Ma-tt-er, champions a 'material-led' design philosophy, where the inherent characteristics of a material guide and inform the design process rather than hinder it. She emphasizes the importance of humans acting as stewards for materials, recognizing their role in fostering a healthier planet. The exhibition further illustrates this approach through Penadés' 'material interview,' which uses 99 questions to explore the olive wood's reactions to various stimuli like burning, cutting, and soaking. 'Uprooted' functions as both a research project and a design exercise, prompting a broader discussion on the implications of cultivation, extraction, and exploitation within the design industry. The exhibition aims to educate audiences on the finite nature of materials and the consequences of limitless extraction. It advocates for designers to embrace their role as caretakers of materials, ensuring a respectful 'birth, life and death' for every material used. The exhibition underscores the importance of thoughtful material interactions in shaping design outcomes and redefining humanity's relationship with the natural world. #MadridDesignFestival #SustainableDesign #MaterialLedDesign #OliveTreeRoots #CircularEconomy #FurnitureDesign #MaterialInnovation #DesignExhibition #Andalucia

Inverse Project has designed the 'Beach Barn,' a functional, single-level home situated on a rectangular beachfront lot in Costa Rica's central Pacific area. The design seamlessly integrates with the surrounding natural environment, which features a gentle slope towards the ocean and a grove of coconut palms frequently visited by sloths and macaws. The client's requirement for fluid transitions between indoor and outdoor spaces heavily influenced the architectural concept. The core design inspiration for the Beach Barn is a large barn roof, characterized by differing north and south pitches. This configuration incorporates a clerestory window that effectively captures morning sunlight, enhancing the interior's natural illumination. To ensure optimal comfort in the tropical climate, the design incorporates an open structure that facilitates natural ventilation, allowing hot air to escape through a slot extending the length of the building. The barn roof is supported by two substantial parallel stone walls, establishing a clear axis from the entry point to the seaside. This primary living space extends outwards to define both an arrival courtyard and an expansive outdoor living terrace. Access to the Beach Barn is discreetly located within a lush, tropical courtyard, leading to a prominent, off-center pivot door crafted from Guanacaste wood. This bespoke door features a long, driftwood-inspired pull, meticulously created by a local metalworker. Inside, a unique wooden sculpture, developed using parametric software by Inverse Project, serves as a partial screen for the open-plan living area and visually represents an ocean wave, further connecting the interior to its coastal setting. Maximizing Costa Rica's mild climate, the residence includes a generously sized outdoor terrace for both living and dining activities. A saltwater infinity-edge pool, designed to offer scenic reflections of the ocean, especially during sunset, is a key feature. A large, wood-framed sliding door provides the option to enclose and protect the interiors from the elements when necessary. The interiors are organized around a wide, open central space, flanked by four distinct modules. These modules accommodate three bedrooms and a garage, with the separated volumes creating private garden courtyards that introduce natural light and greenery into the living spaces and bedrooms. The master bedroom is distinguished by Guanacaste wood panels behind the bed, which are designed to mimic the concentric ripples of raindrops on water. Hand-blown glass lamps, resembling water droplets, contribute to the thematic decor, while large windows provide unobstructed ocean views. Bathrooms feature polished concrete floors that smoothly transition to flush slatted wood in the shower areas. Indirect lighting is strategically placed beneath floating sink counters and behind mirrors, enhancing the aesthetic. Brazilian Gneiss stone clads the walls of the central living space, with floor lighting designed to accentuate the stone's texture. Sustainability was a key consideration in the construction. The roof features clay tiles and solar hot water panels, promoting energy efficiency. Large ceiling fans installed in living spaces and bedrooms reduce the reliance on air conditioning. The lighting system, developed by Ilumineisn, predominantly uses indirect dimmable LEDs to conserve energy and allow for adjustable ambiance. The main living space is equipped with a lighting control system that includes preset light scenes and motorized roll-down window shades, offering convenience and environmental control. #BioclimaticArchitecture #TropicalDesign #CoastalLiving #SustainableArchitecture #IndoorOutdoorLiving #CostaRicaArchitecture #InverseProject #ResidentialDesign

The B.O.B. Sky Patio, located in downtown Grand Rapids, Michigan, serves as a prominent dining and entertainment venue, notable for its innovative double-sided green wall. This historical building, originally a 1903 grocery warehouse, was saved from demolition by The Gilmore Collection and transformed into a multi-venue establishment offering a brewery, various restaurants, comedy, and nightclubs, alongside its unique rooftop sky patio. The green wall project, installed in August 2015 using the LiveWall system, spans 608 square feet and was designed to enhance both the aesthetic appeal and sustainability efforts of the establishment. The green wall is strategically designed with both exterior and interior sections. The three exterior sections, measuring 48 inches in height, are affixed to the perimeter fencing of the patio, facing the street. These sections feature annuals and perennials, contributing to the beautification of downtown Grand Rapids and making the patio more inviting from below. The five interior sections, 45.5 inches in height, are situated on the inside of the perimeter fence and on the building's back wall. These interior sections cultivate a variety of herbs and vegetables, including parsley, basil, mint, lemongrass, chives, kale, Swiss chard, and rainbow carrots, alongside annuals and perennials such as coleus, SunPatiens impatiens, vinca vine, bigroot geranium, lemon grass, and New Zealand sedge. This setup facilitates a 'hyper-local' approach to sourcing ingredients, directly benefiting the restaurant's kitchen operations. The Gilmore Collection, a locally owned and operated entity, emphasizes sustainable practices across its establishments. The living wall at The B.O.B. Sky Patio is a tangible representation of this commitment, showcasing a blend of historic preservation and modern ecological design. Alice Jasper, director of sustainability for The Gilmore Collection, highlights that the green wall not only beautifies the space but also enhances the dining experience for guests. Chef Mick Rickerd of Bobarino’s values having fresh, organically grown herbs and produce readily available for daily dishes and special summer cocktails, underscoring the functional aspect of the living wall. Beyond its aesthetic and culinary benefits, the B.O.B. Sky Patio's green wall contributes to an improved ambiance by dampening traffic sounds and creating a more relaxing outdoor environment. The project is a long-term investment, with Gilmore Collection CEO Greg Gilmore noting that while immediate business results are not the primary goal, the enhanced ambiance has correlated with increased revenues. The B.O.B. actively promotes its living wall, mentioning its role in providing fresh produce from May through September since 2013, and its involvement in community outreach with local schools and food co-ops. The project exemplifies a successful integration of green infrastructure into a commercial setting, offering environmental, economic, and social advantages. #GreenRoof #LivingWall #SustainableArchitecture #UrbanGardening #RestaurantDesign #LocalSourcing #EnvironmentalDesign #CommercialProject #GrandRapids

This article discusses Tin Shed Ventures, Patagonia's venture capital arm, and its role in investing in early-stage companies focused on environmental solutions. Established around 2013, Tin Shed Ventures utilizes a portion of Patagonia’s annual profits to support private companies addressing systemic challenges within their supply chains, particularly in sustainable apparel and Patagonia Provisions, their emerging food business. This initiative is a core part of Patagonia's mission to use business as a tool for environmental preservation. Asha Agrawal, Managing Director of Tin Shed Ventures, explains that the venture capital arm is one of several ways Patagonia allocates funds to combat the climate crisis. Beyond grants to grassroots organizations, Tin Shed Ventures provides equity investments, aiming for an ownership stake in these emerging businesses. The engagement with portfolio companies varies; some relationships are hands-off, while others involve active mentorship, monthly meetings, and introductions to industry contacts to help them scale. The portfolio typically consists of about 20 companies, reflecting a judicious approach to investment with a focus on specific criteria. Key investment criteria revolve around addressing major environmental issues. On the food side, the focus is on inspiring a regenerative organic food system. This approach goes beyond standard organic practices by promoting soil and ocean regeneration, which is crucial for balanced ecosystems and nutritious food. For instance, Tin Shed Ventures invested in a nutrient density company called Adatius to scientifically prove that regenerative practices yield more nutrient-dense food, thereby encouraging consumer adoption. In apparel, the emphasis is on developing alternatives to virgin materials. Patagonia is committed to using preferred materials with recycled elements, and investments like Borreo, which repurposes ocean fishing nets into recycled nylon for Patagonia gear, exemplify this strategy. Agrawal highlights the challenge of defining and educating the public about terms like "regenerative," but emphasizes Patagonia's unique position to influence consumer choices through its captive audience. The article contrasts Patagonia's private company status with public companies, noting that being private allows Tin Shed Ventures to act as "patient capital," prioritizing long-term environmental impact and business durability over short-term returns. This flexibility enables investments in complex, deep-tech solutions like recycling companies, which require extended development timelines. Tin Shed Ventures receives numerous investment proposals due to Patagonia's strong brand reputation and environmental trust. However, the investment team is selective, focusing on companies that align with Patagonia’s core areas of impact: apparel innovation and regenerative organic food. They decline proposals that lack strategic relevance or have unsustainable business models, such as speculative carbon offset projects. The process involves rigorous investigation to differentiate genuine environmental solutions from "greenwashing," often leveraging internal expertise from Patagonia's material scientists and product creators. Success stories include Trove, a re-commerce platform enabling resale for apparel brands, and Bureo, which transforms plastic waste into new products. Agrawal also explains why Patagonia chooses investment over purely charitable donations: their founder, Yvon Chouinard, views business as a powerful vehicle for change. By combining profit with planetary impact, they aim to inspire a broader systemic transformation that philanthropic efforts alone cannot achieve. For aspiring entrepreneurs, Tin Shed Ventures looks for businesses that demonstrate significant, scalable environmental impact and a viable business model. Ultimately, the unique value Tin Shed Ventures offers is not just capital, but access to Patagonia’s vast industry experience, expert knowledge, and established network, helping startups avoid common pitfalls and accelerate their growth in an environmentally responsible manner. #Patagonia #TinShedVentures #VentureCapital #SustainableBusiness #EnvironmentalImpact #RegenerativeAgriculture #CircularEconomy #SupplyChainInnovation