LightMass^ | Shortlists | Dezeen Awards 2025

The Livingetc Style Awards 2024 recognize outstanding achievements in lighting design, highlighting pieces that blend form and function to elevate interior spaces. A panel of Livingetc's senior editorial team, including Global Brand Director Sarah Spiteri, Executive Editor Pip Rich, Digital Editor Hugh Metcalf, and Print Deputy Editor Ellen Finch, meticulously reviewed numerous entries to select the winners across various categories. The Best Lighting Collection award went to Alchemist by Lee Broom. While Lee Broom is known for broader design contributions, his lighting designs are particularly celebrated. The Alchemist collection is inspired by celestial constellations, allowing for the creation of intricate clusters that resemble art installations. Pip Rich praised its versatility and endlessly fascinating shapes, suggesting it might be Broom's most accomplished work to date. The Soft Blown by Lladro, a collaboration with Nichetto Studio, was honored as the Best Table Lamp. This design combines Lladró’s Airbloom table lamp and Afloat chandelier, drawing inspiration from balloons. The judges lauded its whimsical and cartoon-like character, with Ellen Finch noting its humorous appeal. For the Best Ceiling Light category, Wave by Curiousa was selected. These chandeliers are characterized by their handcrafted, mould-free blown glass, which results in a charming lack of uniformity and an ice cream-inspired color palette. Pip Rich envisioned them as striking, contemporary clusters suitable for entryways or above dining tables, appreciating their carefree aesthetic. David Hunt Lighting's Pop collection won Best Wall Light. This globe-shaped bulb features a metal backing that acts as a reflector, casting a warm glow into the room. Available in four colors, its scalloped edge was particularly admired by Sarah Spiteri for its aesthetic detail and thoughtful design. The Best Portable Light award was given to Tom Dixon's Bell lamp. Recognizing the growing demand for flexible living solutions, portable lamps have become essential. The Bell lamp offers a range of calming hues and provides excellent downlight for reading, as noted by Ellen Finch. Its design ensures seamless integration into various settings. Finally, Dyson's Solarcycle Morph secured the Best Desk Light award. This innovative desk light is engineered to adapt to the user's needs throughout the day with a daylight tracking system. Hugh Metcalf highlighted its soothing ambient setting, underscoring its functional sophistication. This award category introduced a new level of engineering in lighting, focusing on dynamic light delivery based on daily tasks. #LivingetcStyleAwards #LightingDesign #InteriorDesign #LeeBroom #Lladro #Curiousa #DavidHuntLighting #TomDixon #DysonLighting #HomeDecor

The year 2025 has seen a significant shift in lighting design, characterized by an innovative "material remix" that redefines conventional notions of lamps and fixtures. The Domino Good Design Awards for the Lighting category highlight this trend, showcasing products that challenge the status quo through unexpected material combinations, unique finishes, and unprecedented glasswork. These winning designs emphasize a departure from traditional aesthetics, embracing creativity and pushing the boundaries of functional art. The Banda Flush Mount by Ward + Gray was recognized as the Best Flush Mount. This striking, stripe-y glass fixture draws inspiration from the gondoliers of Venice and was meticulously crafted in the historic Italian city. Its design offers a compelling argument for integrating prominent, aesthetically driven overhead lighting, transforming a utilitarian object into a central decorative element within a space. The Best Pendant award went to Huey's Artist’s Edition Maeve Pendant. This piece innovatively translates the Dutch tradition of Delft tile into lighting, featuring intricate hand-painted designs. While Delft tile has recently gained popularity in kitchen aesthetics, its application in lighting is novel, making this pendant a distinctive and charming addition to any interior. The collection also includes two equally appealing sconces. Ford Bostwick's Mira Sconce earned the title of Best Sconce. This color-blocked light fixture transcends its primary function, serving as a piece of wall art even when unilluminated. Its abstract steel components create a sculptural presence, offering both practical illumination and a sophisticated decorative accent that can enhance a room's artistic appeal. For Best Table Lamp, the Gio Table Lamp by SIN was selected. This lamp demonstrates the artistic potential of stoneware, featuring a woven ceramic base coated in an inky-black, iridescent glaze. The finish evokes imagery of the cosmos, bringing a sense of depth and allure to the piece. Virginia Sin successfully elevates a humble material to a luxurious and visually captivating design element. Lee Broom's Chant Portable Lamp was honored as the Best Portable lighting solution. In a market often dominated by metal and plastic in rechargeable, weather-resistant lamps, this design stands out with its handblown glass shade. Coupled with four dimmer settings, the Chant Portable Lamp offers versatility, easily creating a desirable ambiance both indoors and outdoors, emphasizing craftsmanship and material quality in portable lighting solutions. #LightingDesign #HomeDecor #DesignAwards #FlushMount #PendantLight #Sconce #TableLamp #PortableLamp #InteriorDesign

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

Czech glassmaker Lasvit showcased a series of new lighting designs at Euroluce 2025, taking inspiration from various natural elements and textures to create pieces that explore the relationship between light, material, and well-being. The exhibition, titled 'Soaked in Light,' featured several highly textured designs that blended innovative glassmaking techniques with natural aesthetics. One of the standout creations was 'Vera,' a sculptural glass pendant designed by renowned French designer Patrick Jouin. The concept for 'Vera' originated from Jouin's observation of a twig, leading to experiments with torn paper and eventually a glass piece that mimics the appearance of bark. This design incorporates two types of handmade glass: delicate borosilicate for the light source and fused glass, where molten glass is poured over raw wood to capture its intricate grain and texture. This process allows the glass to take shape influenced by gravity and nature, resulting in a unique interplay of surface, shadow, and light that evokes a primal connection to forests and trees. Another highlight was 'Splash,' an extravagant glass installation by Lasvit designer Martin Gallo. This piece was designed to emulate the calming effect of water, featuring fused glass forms suspended in a dramatic arrangement. Visitors could walk among these forms, which resembled water in motion, reflecting light like ripples and creating an immersive experience that promotes tranquility and well-being. At the entrance of the exhibition, Lasvit artistic director Maxim Velčovský introduced 'Loomo,' a new lighting system inspired by woven textiles. Despite its smooth-to-the-touch surface, the glass in 'Loomo' is imprinted with a structured weave, effectively capturing the softness of fabric within a rigid form. Designed for compact spaces like corridors or bedside areas, 'Loomo' is available in two wall sconce sizes, both finished in a warm, golden hue that enhances their sculptural glow. Velčovský emphasized the playful approach to light in its development, aiming to optimize every centimeter to transform the atmosphere of a space. Rounding out the showcase was 'Niveo,' a collection by Czech designer Jan Plecháč. Named after the Italian word for 'snow-white,' 'Niveo' captures the fleeting beauty of hailstones in hand-blown glass. The collection includes linear pendants, clusters, and an inverted spherical table lamp, all featuring an irregular texture that produces an alluring, soft glow. Additionally, the exhibition featured the 'Herbarium Radiant,' an immersive, color-shifting lighting installation that incorporates a new type of glass made from repurposed waste. This piece, first launched at Design Miami 2024, allows users to adjust the light color for a dynamic and mesmerizing visual experience. Lasvit's installation at Euroluce 2025 served as a contemplative contrast to the bustling Milan Design Week. It offered a moment for visitors to pause and appreciate the subtleties of design, emphasizing nature-inspired aesthetics and innovative glass craftsmanship in lighting. #Lasvit #Euroluce2025 #LightingDesign #GlassArt #MilanDesignWeek #NatureInspiredDesign #InteriorLighting #CzechDesign #DesignInnovation

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Danielle Trofe, through her brand MushLume Lighting, is pioneering a new direction in design by transforming mushrooms into light fixtures. This innovative approach integrates nature, technology, and craftsmanship, offering a forward-looking vision for interior spaces. The article highlights an interview with Danielle Trofe in her Brooklyn studio, where she discussed the origins and development of her mycelium-based lighting products. Trofe's journey into biomaterials began in 2011 with Danielle Trofe Design, initially focusing on hydroponics. However, in 2014, her research into sustainable material alternatives led her to discover mycelium, the root structure of fungi. The realization that she could grow objects into specific shapes using a living organism became a pivotal moment, inspiring her to dedicate a decade to collaborating with a biomaterials company to bring mycelium to the forefront of lighting design. This commitment addresses the growing concern over the environmental impact of mass production by offering a sustainable alternative. Mycelium is a rapidly renewable material known for its strength, fire resistance, and biodegradability. It grows by binding agricultural byproducts, making it an excellent choice for eco-conscious design. Trofe explained that MushLume Lighting utilizes low-heat LED bulbs, which are well-suited to the fire-resistant properties of mycelium. The production process involves hand-packing hemp substrate into molds, allowing the mycelium to grow into a solid structure within 7-10 days, forming the base of the lamps. The lamps’ domes feature natural curves that enhance the interior illumination, creating a soft and inviting glow. The use of natural, VOC-free lime wash provides earth tones that complement the organic texture of the mycelium. Addressing common concerns about using living organisms in home products, Trofe clarified that the mycelium lamps are not 'alive' when they reach consumers. The material undergoes a heat and drying process that renders it inert, eliminating any possibility of mushrooms sprouting from the fixtures. The article notes the challenges Trofe faced in establishing MushLume Lighting, as there was no existing brand to support this novel material. This necessitated creating a new brand to introduce, cultivate, and validate mycelium as a viable product in the market. While MushLume Lighting has been established in the U.S. for a decade, it has recently gained traction in European markets, where sustainability is a central tenet of design. This expansion underscores the alignment of Trofe’s work with the continent's eco-conscious movement. Trofe's passion for nature and sustainability is a driving force behind her design philosophy, emphasizing the need for balance in human creations and a deeper connection with the environment. She expressed inspiration from algae as a potential future material due to its rapid renewability and ability to replace more resource-intensive options. The article concludes with a tour of Trofe's studio, highlighting the hands-on craftsmanship involved in filling molds and observing the mycelium growth process. This blend of scientific innovation and artistic creation reflects Trofe’s thoughtful approach to design. The interview ended with Trofe sharing her ideal dinner guests, including figures like Merlin Sheldrake, Paul Stamets, Tom Dixon, Zaha Hadid, Ray Eames, and Lonneke Gordijn, indicating a broad appreciation for both scientific and design pioneers. #LightingDesign #BiophilicDesign #InnovationDesign #InnovativeMaterials #SustainableDesign #MyceliumLighting #DanielleTrofe #MushLumeLighting

The 'Accent Light' is a limited-edition desk lamp designed by Zürich-based designer Fritz Jakob Gräber, focusing on perspectives, symmetries, and colors. Gräber, who possesses extensive experience across various crafts, aims to create an eclectic range of products, furniture, and lighting. The 'Accent Light' exemplifies his approach to design, which centers on transforming flat materials into three-dimensional forms. The development of the 'Accent Light' was driven by Gräber's ambition to establish his own design practice and produce his own editions, a challenging endeavor for a young designer. The lamp is designed to be highly practical, emphasizing ease of production, storage, and shipment through its super flatpack design. This minimizes labor costs and logistical complexities, making it an efficient product to manufacture and distribute. The lamp's aesthetic is minimalistic yet visually striking, crafted from a specialized type of paper. This material choice is integral to the lamp's ability to create volume from a flat form. The production process involves a unique technique where all envelopes are hand-printed on a Dainippon flatbed offset machine, a vintage piece of equipment from 1971. This detail highlights Gräber's dedication to craftsmanship and his appreciation for traditional printing methods, adding a unique character to each lamp. Functionally, the 'Accent Light' emits a subtle warm downlight, designed to create an inviting and cozy atmosphere. The lamp is a limited edition, with only seven pieces produced, all manufactured in Switzerland. This exclusivity underscores its status as a collectible design object, reflecting the designer's personal commitment to quality and unique artistry. The limited availability and local production emphasize the bespoke nature of Gräber's work and his focus on maintaining high standards of craftsmanship. The design reflects a blend of artistic vision and practical considerations, addressing both aesthetic appeal and the challenges of independent production. The 'Accent Light' is not just a lighting fixture but a statement piece that embodies the designer's philosophy of creating impactful objects from simple materials while managing the complexities of establishing an independent brand in the design industry. #LightingDesign #LimitedEdition #DeskLamp #FritzJakob #MinimalisticDesign #SwissDesign #Handcrafted #ProductDesign #InteriorDesign

Jason Krugman, a New York-based artist, creates captivating light sculptures using wire mesh forms embedded with thousands of hand-soldered LED bulbs. His journey into art began after a career in investment banking, leading him to study technology and art at NYU's Interactive Telecommunications Program (ITP). There, he learned about microcontrollers, soldering, digital fabrication, and new materials, which became foundational to his artistic practice. In 2009, Krugman established his studio in Brooklyn, focusing on the intersection of physical computing and fine art, transforming electricity into remarkable sculptures. Krugman's work is characterized by its fluid appearance, despite being constructed from static materials, often mimicking natural phenomena or intricate systems like swarms of mini-drones. He has developed several proprietary technologies, including a hand-soldered LED mesh, various cable systems, and custom printed circuit boards for LED artworks, holding two US patents. His designs are unique in that they often use the physical structure of the sculpture to conduct electricity to the light sources, eliminating the need for insulated wiring. This innovation allows thousands of LEDs to appear to float weightlessly within minimal wire forms, creating a soft, ethereal glow. His recent recognition includes a LIT Lighting Design Award for 'Capella Basket,' a large-scale installation described as a rectangular sheet of 2,000 LED bulbs rolled into a cannoli-like shape and seamed. This particular piece represents a decade of development, inspired by the challenge of shaping mesh material into complex forms. The 'Capella Basket' itself was a monumental undertaking, involving over 10,000 circuit boards, extensive prototyping in collaboration with Arup engineers, and fabrication with the support of the Brooklyn Navy Yard and other local businesses. Krugman views his work as a three-dimensional puzzle, where aesthetic form is deeply intertwined with functional utility. He believes that the beauty of his art is enhanced by its ability to perform, allowing viewers to engage with it intellectually and emotionally. The sculptures are shaped by their inherent capacity to efficiently distribute electricity. The artist's approach combines craft with technology, a process he manages by always building smaller versions and mockup sections, regardless of the project's scale or edition count. Feedback on Krugman's installations frequently highlights their resemblance to scientific structures and natural forms, fostering a sense of connection and collaboration with his audience. Looking ahead, Krugman aims to create even more complex forms while maintaining structural clarity. He also plans to explore folding and stretching techniques with different materials to delve deeper into surface creation, moving beyond his current focus on points and lines. He is also beginning to offer smaller sculptures for sale on his Instagram and website, providing more accessible ways for the public to engage with his art. #LightingDesign #ArtDesign #LightSculptures #LEDArt #InteractiveArt #PhysicalComputing #ContemporaryArt #Innovation #DesignProcess

The CSYS™ LED task light, developed by Jake Dyson and his team, addresses common issues with existing LED lighting technology, particularly overheating. The team dedicated a decade to perfecting their lighting solution before joining the Dyson company to further its advancement. A core innovation in the CSYS™ light is its use of heat pipe technology. This system effectively draws heat away from the LEDs, a critical factor for maintaining the light's efficiency and longevity. This advanced thermal management is projected to give the CSYS™ lights an impressive lifespan of approximately 37 years without significant loss of efficiency. Beyond its thermal engineering, the CSYS™ task light features a unique mechanical design that allows for smooth, precise movement. Unlike conventional task lights that rely on tension, the CSYS™ uses gravity to maintain its position. The arm of the light can move vertically, utilizing a counterweight pulley system, and extends horizontally up to 10.8 inches along anti-friction bearings. Additionally, the weighted base rotates a full 360 degrees, offering extensive adjustability and positioning options to the user. This innovative movement mechanism ensures effortless repositioning and stable lighting in any desired configuration. The light source itself consists of high-power LEDs that emit a warm, white light. The CSYS™ task light is equipped with touch-sensitive, continuous dimming capabilities, allowing users to precisely control the light intensity to suit their needs and preferences. A convenient memory function is also integrated, ensuring that the light returns to its last-used brightness level when switched back on. This combination of advanced LED technology and user-friendly controls enhances the functional experience. The CSYS™ range has expanded to include both floor and desk lamp variations, offering versatility for different spaces and applications. The desk lamp is available with either a base or a clamp, providing flexible mounting options. A notable addition to the collection is the CSYS™ Tall light, which features an adjustable height ranging from 31.8 inches to 53.54 inches, catering to various desk configurations and user requirements. This expansion makes the advanced lighting technology accessible for a broader array of home and office environments, from individual workstations to larger collaborative spaces. Overall, the CSYS™ task light represents a significant development in LED lighting, addressing key challenges related to lifespan, efficiency, and user experience. Its innovations in thermal management, gravity-based movement, and flexible design contribute to a product that is both highly functional and durable. The collaboration with Dyson further underscores the commitment to advanced engineering and design in bringing this sophisticated lighting solution to market. #LEDLighting #TaskLight #JakeDyson #Dyson #HomeFurnishings #InnovativeDesign #LightingTechnology #ThermalManagement

Rich Brilliant Willing (RBW), a New York-based design firm, introduced Queue, a linear LED pendant system, at ICFF 2015. This lighting solution aims to address the shortcomings of traditional office lighting, offering a more dynamic and aesthetically pleasing alternative to the common overhead fluorescent fixtures often found in corporate environments. Queue is designed with a modernist sensibility, yet it transcends the rigid order and repetition typically associated with such designs by allowing for variations in height and lighting direction. The system comprises extruded aluminum sections, each 44 inches in length, which can be interconnected like train cars. This modularity enables users to create diverse lighting configurations, providing both direct and ambient light either upwards or downwards. The design seeks to inject softness and organic roundness into fixtures, a contrast to the often harsh and impersonal nature of standard workplace lighting. While conceived for office spaces, its versatile design makes it suitable for various settings, including bars or residential kitchens, offering a warm and inviting atmosphere. Alex Williams, a co-founder of RBW, explains that Queue is their interpretation of typical architectural lighting products, elevating the concept of a simple aluminum box with a fluorescent tube. The system allows for dynamic changes in height and flexible connectivity, pushing the boundaries of conventional linear lighting. Theo Richardson, another co-founder, emphasizes the deliberate effort to imbue the form with a softer, more organic aesthetic, a departure from the angularity often found in workplace fixtures. Queue is assembled in Brooklyn and utilizes high-end LED boards sourced from the Netherlands. These components enable the system to deliver exceptionally warm color temperatures, contributing to a more pleasant and comfortable lighting experience. The system also features two lens profiles, further enhancing its adaptability and lighting quality. Rich Brilliant Willing anticipates that Queue will enter production soon, with shipping expected to commence by late September. The company plans to maintain a stock of the product, ensuring a lead time of 1-3 weeks for orders. This product represents an innovative approach to architectural lighting, blending functional efficiency with refined design to create more engaging and human-centric spaces. #lightingDesign #LEDLighting #pendantSystem #RichBrilliantWilling #ICFF2015 #architecturalLighting #officeLighting #modernDesign #productLaunch

Atlas Concorde's new Marvel Gems collection introduces a contemporary reinterpretation of traditional Venetian terrazzo through coordinated floor and wall tiles. This collection, developed under the overarching Marvel concept, integrates the aesthetic of marble fragments embedded in fine marble chippings with the practical benefits of porcelain stoneware and white-body wall tiles. The design aims to enrich residential and commercial spaces by creating an interplay of light-capturing fragments. The collection faithfully reproduces the beauty of marble-effect pieces and inclusions, while offering the enhanced qualities of ceramic materials, such as ease of installation, maintenance, and cleaning. The resulting ceramic surfaces combine the luster of porcelain stoneware and white-body wall tiles with the distinctive style of multi-faceted marble pieces set against a background of fine marble chippings. These marble-effect fragments are designed to appear like gemstones, generating unexpected reflections and contributing to a visually engaging environment. Drawing inspiration from original Venetian flooring, Marvel Gems offers a diverse range of colors and particle sizes, facilitating elegant and personalized combinations that coordinate with the entire Marvel project. The collection provides numerous tile sizes, extending up to 75x150 cm. It is available in five standard colors: Grey (a cold grey), Pearl (a warm grey), Cream (a luminous ivory), White (a pearly white), and Black (an intense black). Additionally, the collection features an exclusive deep, elegant blue shade, offering a unique interpretation of Venetian terrazzo. All porcelain stoneware tiles in the collection feature a fully lapped, glossy, and reflective finish, designed to mimic the honed appearance of traditional materials. This robust and compact surface is engineered to maintain its aesthetic integrity over time without requiring extensive maintenance. The Marvel Gems collection also includes the "Palladiana" in porcelain stoneware, which incorporates large Carrara marble-effect pieces. Further variations include Mix Cold and Mix Warm porcelain stoneware surfaces, characterized by minuscule, densely packed homogeneous fragments, which are suitable for modern environments seeking a retro touch. The overall effect of these glossy, reflective surfaces combined with marble-effect fragments is the creation of light-filled, reflective spaces, distinguished by the superior qualities of Atlas Concorde ceramics. #AtlasConcorde #MarvelGems #VenetianTerrazzo #PorcelainStoneware #WallTiles #FloorTiles #HomeDesign #InteriorDecor #CeramicSurfaces

The article details the 'Destinations' exhibition, a key component of Dubai Design Week, which brought together six international design weeks to showcase emerging brands with a focus on lighting. The event served as a global platform, highlighting diverse design approaches from cities including Mexico City, Beijing, Helsinki, Istanbul, Melbourne, and San Francisco. Each participating design week presented three emerging brands, demonstrating a variety of innovative lighting solutions. From Melbourne International Design Week, Lab De Stu, founded by Andre Hnatojko, featured highly modern and oversized Popper lamps. Ben Tovim contributed pieces that explore geometric structures and material values, while Christopher Boots presented graphical works that combine traditional and contemporary techniques. San Francisco Design Week showcased Lumio lamps, which are designed to open like a book, creating a unique illumination experience. Beijing Design Week's contribution included Eoq lamps, known for their Moiré effect, adding a distinctive visual element to lighting design. Helsinki Design Week featured Saas Instruments, which innovated with Alexander Lervik's crystal glass Sparkle pendant and Sense Light Swing lamps, offering both aesthetic beauty and functional versatility. Mexico City's Abierto Mexicano De Diseño highlighted craft-led and pattern-projected lighting solutions from Ediciones Jalapas, alongside Tributo's materially rich and formally sound designs. The exhibition emphasized how specific materials are utilized to reflect the distinct regional contexts in which these light sources are produced. The 'Destinations' exhibition underscored the global nature of design, where creativity converges from various corners of the world. The diverse range of styles and applications presented at Downtown Design Dubai demonstrated that despite geographical and cultural differences, the sublime qualities of light possess the potential to unify and connect communities worldwide. The showcase allowed for the appreciation of different interpretations of lighting, from clean geometry and ingenious references to intricate weaving techniques and crystal refraction, all contributing to the transformation of an essential resource into an art form. #DowntownDesignDubai #LightingDesign #DubaiDesignWeek #InternationalDesign #EmergingBrands #DesignInnovation #GlobalDesign #ArchitecturalLighting #HomeDecor

Lighting design encompasses the strategic use of illumination to achieve both practical functionality and aesthetic appeal in various environments. This field involves the selection and arrangement of both artificial light sources, such as lamps and light fixtures, and enhanced performance lighting systems. The ultimate goal is to improve the visual impact and overall ambiance of a designated area. The scope of lighting design extends to diverse applications, including interactive lighting series that utilize air pressure to activate inflating lamp structures, showcasing innovative approaches to dynamic illumination. Other creative examples include upcycled lighting collections that blend vintage object parts with natural wax, offering a sustainable and artistic dimension to lighting. Designers are also reimagining traditional forms, such as Philippe Tabet's transformation of industrial bulkhead lamps into face-like fixtures, and Yusuke Kawai's modular 'Kawara' lighting crafted from Japanese roof tiles, demonstrating a fusion of heritage and contemporary design. Further advancements in the field involve the use of novel materials and technologies. Bacterial cellulose is being transformed into translucent, ruffled lighting sculptures, while 3D-printed ceramics by Jolie Ngo introduce vibrant and sculptural elements into lighting. Exhibitions like 'Nuts + Bolts' highlight the potential of everyday hardware store supplies to be repurposed into DIY lighting solutions, emphasizing accessibility and resourcefulness. Artists like Carmen D'Apollonio create glass and ceramic characters that illuminate spaces, blurring the lines between art and functional lighting. The 'WA' upcycled table lamp, made from retired Tokyo train parts, exemplifies innovative reuse in design. Technological innovations also play a crucial role, as seen in WINT design lab's collaborative effort to create a lamp that adjusts brightness through a stretchable textile interface. Custom-made LED walls, such as those found in Huit Sushi Restaurant in Montreux, demonstrate how lighting can dramatically shape commercial spaces. Installations like 'Blind Lucid Umbrella' by Tony Tao Li explore the symbolic and experiential qualities of blue light through LED modules. Designers like Karim+Elias use desert sand to create luminous wall lamps and sculptural vases, showcasing the artistic possibilities of natural materials. The field also explores historical and cultural influences, with Formafantasma reflecting on American domestic furniture archetypes through lighting design. Kurahito Craft's flexible and see-through lampshade covers, crafted from slabs of wood, illustrate a sophisticated approach to material manipulation. The continuous evolution of lighting design is further demonstrated by annual events such as Milan Design Week, where designers like Michael Anastassiades present modular lighting installations in historic settings, and Lachlan Turczan's interactive halo light sculptures are featured at Google's exhibitions. Studio Lugo's 'Anachron' furniture series, combining horsehair with steel, and A-POC ABLE ISSEY MIYAKE and atelier oï's innovative use of cloth and wire to illuminate spaces, collectively showcase the boundless creativity and interdisciplinary nature of contemporary lighting design. #LightingDesign #HomeDecoration #InteriorLighting #SustainableDesign #InteractiveLighting #InnovativeMaterials #ProductDesign #ArtisticLighting #SmartLighting

Masiero, an Italian lighting company established in 1981, has grown from a small workshop in Northern Italy to a global leader in lighting. The company’s success is attributed to its dedication to merging traditional Italian craftsmanship with contemporary aesthetics, as well as its collaborative approach with internationally renowned designers. Masiero works closely with designers and its in-house R&D department to produce distinctive lighting fixtures that shape its product portfolio. The collaborative process typically begins with Masiero providing designers with a brief outlining mood, product type, price range, and materials. However, Masiero also welcomes proposals from designers inspired by their own concepts. This fosters a unique relationship between designers and Masiero’s internal team, focusing on achieving optimal shapes and finishes. Masiero emphasizes the challenge of industrializing a designer's vision while maintaining economic sustainability, leveraging its expertise in metal processing and technological innovation in light management and flexibility. This flexibility, especially concerning color and size, is crucial for designers managing diverse projects. Masiero further supports these collaborations with a commercial network spanning 80 countries and robust marketing efforts, both online and offline. Alessia D’Alesio, Masiero's Global Marketing Manager, highlights the Horo collection by Pierre Gonalons as a particularly successful collaboration, having won the Good Design Award 2021. Gonalons' creative concept for Horo, featuring a sandwich construction of two prismatic glass circles within an outer frame, was faithfully translated into the final product. Masiero's internal team meticulously worked on optimizing illumination, refining the frame's finish, and selecting a decorative yet delicate glass. Gonalons describes Horo as a disk of light that simultaneously offers a light show, emphasizing his passion for handcrafted materials that narrate a story. He appreciates Masiero’s expertise in material and finish selection, which facilitated a natural development of the collaboration. The prototyping phase involved significant modification and improvement, demonstrating a strong collaborative spirit. Gonalons also praises the unique quality of Masiero’s hand-finished metalwork, achieved in their workshop, especially considering its competitive price point. Giovanni Battista Gianola's Sound collection was inspired by the artisans' ability to create perfect curves from shiny tubes, evoking musical instruments. This inspiration translated into lighting fixtures where material and shape are integral to the lamp’s aesthetic, much like they are to an instrument’s sound. The collection features gracefully shaped arms supporting glass diffusers encased by wide metal shades, resulting in layered sconces, floor lamps, chandeliers, and pendant lights. Gianola emphasizes that creating a new lamp involves a deep understanding of the brand's DNA, selecting materials that reflect its heritage, such as Masiero’s crystals, shining metals, and warm light. He views Masiero as having an eclectic spirit rooted in Venetian heritage, pursuing a distinctive path driven by a love for materials rather than fleeting trends. Marco Zito's Nappe collection, developed in 2018, showcases Masiero's material processing capabilities and the potential for a contemporary yet timeless language that integrates design technology with an artisanal approach. Zito's vision for Nappe drew inspiration from Venetian 'nappine' (tassels), reinterpreting this classical ornament into 10 modern pendant designs that can be combined for various installations. He believes such collaborative work generates virtuous processes and knowledge exchange, leading to innovative forms. Oriano Favaretto, who created the Honicé collection in 2018, commends Masiero's extensive experience and ability to balance contemporary designs with its foundational values of quality craftsmanship, noble materials, and ongoing research. He values the company's family-oriented approach to projects and shared perspectives. The Honicé collection, consisting of suspension lamps and wall lights, features a striking blend of opaque gold or brass finishes with natural onyx diffusers, paying homage to Masiero's history. Successful collaborations, according to Gonalons, involve a thorough assessment of the strengths of both the company and the designer. Masiero has honed this skill over the years, understanding his creative identity while he grasped their history and production capabilities. Masiero's D’Alesio notes that designers serve as a rich source of ideas, providing essential creative input from external perspectives. The brand encourages designers to express their creativity while considering the potential client's needs, offering 40 years of experience to produce beautiful, functional, well-finished, and recognizable items. #LightingDesign #ItalianCraftsmanship #DesignCollaboration #MasieroLighting #InteriorDesign #ProductDesign #ContemporaryAesthetics #DesignInnovation #LuxuryLighting

This article showcases a curated selection of innovative lighting designs, originally featured in the October 2023 issue of Wallpaper* magazine, derived from highlights of Euroluce at Milan's Salone del Mobile 2023. The featured products span offerings from established brands like Lasvit, Cassina, and Flos, as well as independent studios such as Pelle and Ross Gardam. The presentation of these designs emphasizes a unique photographic approach, employing both digital and film techniques, with a particular focus on film photography to create optical contrasts and surface textures, exploring the interplay of light and shadow. Among the showcased designs is the 'Polaris' floor lamp by David Rockwell for Lasvit, part of the Constellation collection. Inspired by the celestial mural at Grand Central Terminal, this hand-crafted metal and glass lamp functions as both a dazzling focal point and a unifying element within any setting. Laurids Gallée's 'Pool 02' lamp, a limited-edition polymer resin light, explores the incorporation of traditional elements with experimental materials. This ice-blue lamp, which emits a warm yellow glow when illuminated, features a fluid shape and soft ridges that evoke the dynamic reflections of light on water. Herzog & de Meuron's 'Dreispitz' lamp, produced for Artemide, is a graphically appealing pendant available in black, silver, and a vibrant green. Originally conceived for the architects' Dreispitz project in Helsinki, this lamp can accommodate three distinct light sources that integrate into its triangular base, forming a clover-like profile. It offers various lengths and lighting options, designed for environmental sustainability through its high efficiency, optimized industrial processes, and the use of partially recycled and recyclable materials. Dirk Winkel's 'W225 Ion' lamp for Wästberg represents a deceptively simple design, the culmination of extensive research focused on creating well-being through optimal lighting. Its core innovation is a sophisticated miniature friction joint with a cordless power connection, enabling 360-degree rotation. The lamp's versatility is enhanced by a choice of arm lengths, mounting options, and two optical systems, providing illumination for wide-angle workspaces or focused reading. The 'Vestige' table lamp by Ross Gardam and Peter Kovacsy aims to evoke a sense of wonder. This brutalist-inspired sculptural form features a solid parabolic cone of cast crystal glass, created by Peter Kovacsy, emerging from a rectangular base. The design celebrates the allure and texture of glass, with bubbles within the glass creating a speckled pattern when illuminated, and is paired with a raw aluminum base and a machined conical dimmer. Bocci's '44T' table lamp distinguishes itself with its unique, irregular aluminum canopy, formed through various processes like blowing, pouring, carving, and polishing. Each lamp is individual, reflecting Bocci’s research into dendrite-like shapes. A notable feature is the use of spherical light bulbs that glow without visible electrical cables, as low-voltage electricity passes directly through the cast metal structure. The 'Channel' lamp by Pelle, known for its 'Bubble' chandelier, addresses the practical need for illuminating large table surfaces while brightening the overall room. This ceiling fixture comprises a sleek horizontal body in waxed brushed aluminum, housing four lighting components—two upward-facing and two downward-facing beams—with thin steel cables serving as power conduits. Michele Groppi’s 'Vis à Vis' table lamp for Davide Groppi is designed to seamlessly integrate into any environment. Made entirely of transparent glass, from its thin cylindrical stem to its circular canopy, it appears to float lightly and is rechargeable, allowing for mobility without visible electric cables. Finally, Philippe Malouin’s 'Bilboquet' table lamps for Flos, his first design for the brand, are based on experiments with magnetic elements. Named after a 16th-century French game, the lamp consists of two colored cylinders connected by a magnetic sphere, allowing for flexible orientation and acting as a decorative element, designed to adapt to changing lighting needs throughout the day. Jordi Canudas' 'Dipping' pendant for Marset, inspired by an experiment of dipping a switched-on light-bulb in paint, features a brilliant white hand-blown glass globe, hand-dipped multiple times to create concentric rings of color in various hues, with different layers of paint moderating light intensity. The 'Bijou' pendants by Antoni Arola for Santa & Cole and the 'Eitie' table lamp and pendant by Tobia Scarpa for Cassina offer further examples of innovative design, with 'Bijou' providing exceptional lighting and reflections, and 'Eitie' offering reconfigurable luminous strokes through unique black metal circular connectors. #LightingDesign #InteriorDesign #Euroluce #SaloneDelMobile #ProductDesign #ArchitecturalLighting #ContemporaryDesign #SustainableDesign #ArtisanCraft

The article discusses the resurgence of sculptural silk pendant lights as a significant interior design trend for 2025, evolving from the popular 1970s rice paper lampshades. While rice paper shades were noted for their super-sized, light-softening, and sculptural qualities, they were often perceived as cheap-looking and easily damaged. The modern silk versions offer a more sophisticated and durable alternative, maintaining the desired sculptural form and light-diffusing properties. Content Director Lucy Searle highlights the upgraded construction of silk shades, appreciating their tougher, more expensive-looking material compared to their paper predecessors. These large, sculptural light fixtures are predicted to be ubiquitous in stylish homes, offering a refined aesthetic that blends contemporary tastes with a nostalgic nod to past trends. Sarah Spiteri, Global Brand Director at Livingetc, emphasizes the primary appeal of these shades: the delicate and soft light they cast. This characteristic makes them ideal for spaces where harsh glare is undesirable, allowing for the use of a main light source without discomfort. She suggests their versatility for various rooms, recommending a single large or a trio of pendant lights over a dining table, or an oversized shade in a bedroom to foster a soft, serene atmosphere. This application aligns with the Wabi-Sabi minimalist aesthetic, characterized by organic structures, while also injecting a playful element into the decor. The article further provides specific examples of designer silk shades that are currently favored. Sarah Spiteri personally endorses Beata Heuman’s Moon Lights for hallways, praising their divine glow, and the Northern pendant by Morten & Jonas for guest bedrooms, noting its welcoming and soft illumination. The article encourages readers to adopt this trend early, before it becomes mainstream among design-conscious individuals, and includes a shopping guide featuring various silk pendant lights available from retailers like Amazon, Etsy, and Crate and Barrel, detailing prices and sizes for each option. Overall, the article positions silk pendant lights as an elegant and functional lighting solution that combines aesthetic appeal with practical benefits, such as gentle light diffusion and durable construction. It forecasts their widespread adoption in interior design, providing both inspiration and practical purchasing advice for those looking to integrate this trend into their homes. #LightingTrends #SilkPendantLights #InteriorDesign #HomeDecor #SculpturalLighting #WabiSabi #ModernLighting #DesignTrends2025