Home Tour: $45,000 Classical Victorian-style renovation for this 5-room HDB flat in the Pinnacle @ Duxton

This blog post showcases a 5-room HDB flat in Tampines Street 33 that has been transformed into a spacious, contemporary Victorian-style retirement home for a retired couple. The homeowners sought out Chuah Peilin from The Interior Lab to create an English country cottage-inspired environment, prioritizing a clutter-free and expansive living space to accommodate guests during their retirement. The total size of the home is 1506 square feet. The interior design features a predominantly white color scheme with elegant gold accents, contributing to a bright and luxurious ambiance. The living room walls incorporate wainscoting details and wall beading, establishing a classic Victorian aesthetic. Marble tiles at the foyer entrance, along with a shoe cabinet adorned with a simple golden knob, reinforce the regal feel. Gold elements in plant holders, table centerpieces, and wall lights are consistently used throughout the space to tie the modern regal look together. To enhance the sense of spaciousness, several structural modifications were made. A solid wall in the foyer was removed, and wooden beams were installed, offering a visual connection to the kitchen and dining area and adding depth. The former study room adjacent to the kitchen was also reconfigured, creating an open-concept kitchen. This area features a six-seater round dining table with a marbled top and a functional kitchen island. Light grey hues in the furnishings complement the contemporary Victorian kitchen design, while hanging pendant lights and tabletop ornaments provide visual interest. The kitchen cabinetry is detailed with wainscoting and finished in light grey, harmonizing with the overall color palette. Golden knobs and handles maintain the consistent luxurious theme. The design also integrates both display cabinets and concealed storage solutions to accommodate the couple's extensive collection of crockery, drinkware, and kitchen accessories. The master bedroom includes a large built-in wardrobe and a concealed bathroom door, which was a creative suggestion from the interior designer, Peilin. The master bathroom is outfitted with a standing vanity counter, further adding to the home's luxurious feel. Accent pieces such as golden table ornaments, doorknobs, neutral-toned carpets, and lace are used to complete the elegant look. The daughter's room is designed with practicality and personal preference in mind, featuring a walk-in wardrobe for ample storage to prevent clutter, and a tall shelf to maximize vertical space for books. The daughter was actively involved in the design process, choosing a marble wallpaper for her bedroom's feature wall and a matching grey, textured finish for the bay window area. This bay window was specifically designed to replicate a cherished resting spot from her previous home, intended for both relaxation and work. #HDB #InteriorDesign #Tampines #VictorianStyle #RetirementHome #HomeRenovation #OpenConcept #Wainscoting #GoldAccents

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

Binh and Thomas Allen, a couple with no prior property development experience, embarked on an ambitious three-year renovation of an untouched Victorian terrace in West Dulwich, South London. They discovered a property built in the early 1900s with many original features still intact, a rarity in today's market, and were captivated by its inherent charm. Their vision for the home was to blend its historical Victorian elements with modern mid-century furniture and contemporary furnishings, a reflection of their diverse backgrounds—Binh from Vietnam and Thomas from Switzerland. The renovation was not without significant challenges. The couple chose to live in the house throughout the process, even enduring a period where their roof was removed for a loft conversion. This meant sharing their living space with builders six days a week and contending with constant dust and exposure to the elements, including birds flying into their bedroom through the open roof. Despite these difficulties, their belief in their dream home never wavered. They meticulously managed the project themselves, from sourcing all materials and furnishings to keeping a strict handle on the budget, a task at which Thomas excelled with his detailed spreadsheets. A key motivation for purchasing a "doer-upper" was to maximize their investment. They began with essential upgrades, such as installing a new boiler and removing outdated carpeting. The renovation was phased over three years due to budget constraints. In the second year, they tackled bathroom renovations, and by the third year, they undertook the two most significant projects: the loft conversion and the kitchen remodeling. They gathered ideas by attending local open house sales, which also helped them understand the precedents for loft conversions and extensions in their area, aiding in the planning permission process. For the loft conversion, they hired a builder with the understanding that they would procure all materials themselves. This hands-on approach resulted in a 20 percent saving on the overall cost, and they learned to negotiate prices effectively. Although the work fell under permitted development, they enlisted an architect specializing in period properties to creatively maximize the space and ensure a premium finish. The architect designed a master suite without compromising ceiling height by strengthening existing joists and adding new ones, avoiding the need for steel beams that would have reduced headroom. They also used the opportunity of scaffolding to repaint windows, repoint, install solar panels, and repair exterior damage. The kitchen renovation involved removing a chimney breast to create space for units, taking out the back wall, and installing Crittall doors. They opted for long and wide timber floorboards to enhance the sense of space and a Shaker-style kitchen with brass details for an urban country aesthetic. Cost savings were achieved by selecting a marble-inspired matte worktop made from natural, recyclable materials, with an offcut used to create a feature shelf. Their patio design was inspired by travertine tiles seen on holiday in Israel, chosen for their creamy, warm appearance and minimalist, Mediterranean feel. They also installed a home office/cinema room in the garden, a multifunctional retreat surrounded by greenery. Inside, they maintained a consistent blue and white color palette, restored original Victorian cornices and ceiling roses, and chose a mix of modern and antique furnishings to create a unique character without being overly traditional. The entrance hall's original Victorian tiles were preserved, with broken ones replaced by matching imitation tiles, and the front door's frosted glass was replaced with stained glass inspired by the floor tiles. The bathroom features reclaimed period tiles from Spain, contrasted with white wall tiles and paint, accommodating a large shower and freestanding bath. #VictorianHome #HomeRenovation #LoftConversion #KitchenRemodel #InteriorDesign #DIYProject #PeriodProperty #HomeImprovement #LondonRealEstate

The article details the design of Andree Caldwell's Manhattan penthouse by Hutton Wilkinson, showcasing a maximalist aesthetic inspired by Venetian palazzos. Caldwell, a lecturer on 17th-century Old Master paintings, first encountered Wilkinson's work at a design weekend in the Lyford Cay Club, Bahamas, where he spoke about his mentor, Tony Duquette. Impressed by Duquette's aesthetic, which she felt resonated with her experiences in Venice, Caldwell commissioned Wilkinson to design her New York penthouse. The collaboration between Caldwell and Wilkinson is described as a "date with destiny," revealing a prior connection to the apartment. Years before, Wilkinson had found the same apartment for a client, who ultimately did not purchase it. He then intended to buy it himself but was pre-empted by Caldwell, a long-time family friend of the previous owners. Caldwell provided Wilkinson with a budget and complete creative freedom, allowing him to fully express his unique design philosophy. Wilkinson's design approach, similar to Duquette's, emphasizes elevating the ordinary and disregarding conventional rules. This is evident in the choice of materials and finishes throughout the 1,000-square-foot space. Velvet is used to cover walls, while malachite-patterned cotton adorns ceiling beams. Antique chairs are painted green and their silk upholstery is marked with felt-tip pens, which Wilkinson describes as "chic." The decor further includes bed curtains edged with pearls and citrines, golden brocade on baseboards and moldings, and marble tabletops painted to resemble tortoiseshell. Caldwell expressed delight with the results, despite some initial surprises. The penthouse's design aims to create an atmosphere conducive to sophisticated entertaining, reminiscent of the glamorous salons depicted in Woody Allen’s film, *Midnight in Paris*. Mirrors strategically placed on ceilings and walls enhance the perception of space and amplify light from the three terraces, contributing to an opulent and expansive feel. The interior is divided into distinct zones, including a drawing room, living room and bar, and a primary bedroom, each meticulously designed with intricate details. The drawing room, drenched in emerald hues, features Roman shades made from Tony Duquette cotton for Jim Thompson Fabrics and art by Joseph Heintz the Younger. Natural motifs, such as coral and leopard spots, are incorporated to add visual interest. A custom banquette, antique table, and a 19th-century Chinese Coromandel screen further enrich the space. For dining, a deep velvet-covered sofa is positioned alongside an antique table, adorned with tablecloths made from Tony Duquette cottons and complemented by 18th-century English chairs. The living room and bar area continue the theme of graphic patterns with coral and leopard spots. A custom banquette, an antique table, a 19th-century Chinese Coromandel screen, and art by Henri Cartier-Bresson define this space. A Venetian secretary is repurposed as a bar, furnished with Tony Duquette dinnerware for Mottahedeh. The primary bedroom is enveloped in golden brocade and lace, creating an opulent and luminous sanctuary. It features a vintage mirror, an Italian chest, an antique lamp from the Tony Duquette collection, and a custom bed with a canopy, dressed in linens from E. Braun & Co. For entertaining, the article highlights the presentation of Champagne and caviar hors d’oeuvres on a malachite-painted table, accompanied by Georgian candlesticks and Tony Duquette dinnerware for Mottahedeh. The article concludes by noting its original publication in the November/December 2014 issue, with interior design credited to Hutton Wilkinson, photography by Francesco Lagnese, production by Carolyn Englefield, and writing by Frances Schultz. #InteriorDesign #MaximalistDecor #ManhattanPenthouse #HuttonWilkinson #VenetianPalazzo #LuxuryInteriors #HomeDecor #TonyDuquette #HouseTour

This article details the renovation of a 925 sq ft, 4-room HDB resale flat at Balam Road for a homeowner who is a music and plant enthusiast and enjoys hosting guests. The interior design, executed by Threehaus Works and led by Thi Yi, focused on creating unique spaces that reflect the homeowner's passions, featuring angled walls and a raw, industrial aesthetic. The renovation cost approximately $85,000 and took about four-and-a-half months to complete, concluding in June 2024. One of the primary design objectives was to create an indoor balcony for entertaining. This was achieved by demolishing an existing wall between the living room and an adjacent bedroom and erecting a new diagonal wall, resulting in a trapezoidal balcony space. The entrance foyer features terracotta tiles in a triangulated section, mirroring the diagonal balcony wall, to signify the transition from outside to inside. This is further emphasized by the main floor being a step up from the foyer, and the contrast between the terracotta and the cement screed in the living and dining areas, eliminating the need for physical partitions. The living room is centered around a custom-built concrete television console designed to house the homeowner's turntable, speakers, and vinyl collection, also serving as a bench for guests. Its angled form complements the other diagonal elements in the home, ensuring cohesive design language and improving circulation towards the kitchen. The living room's raw finishes and grungy aesthetic align with the homeowner's personal style, and a "blank canvas" area above the console provides space to display travel souvenirs and concert posters. The balcony area is specifically designed for the homeowner's extensive plant collection, featuring ample shelving and provisions for hanging plants. A sliding door separates the balcony from the living room, maintaining air-conditioning efficiency, while glass blocks allow natural light to diffuse into the living space. Terracotta floor tiles in the balcony further enhance the illusion of an outdoor area within the enclosed space. In the dining room, a custom-made window grille, reminiscent of classic HDB designs, acts as a nostalgic backdrop for the homeowner's memorabilia and board games. Deliberately mismatched dining chairs add an eclectic touch to the area. The kitchen initially had patterned tiles that the interior designer considered salvaging but were mostly lost during removal. A few pieces were rescued and repurposed as coasters, serving as a memento of the original flat. A bright orange pipe in the kitchen, along with a similar one in the common bathroom, was intentionally retained and highlighted with color rather than concealed. The master bedroom adopts a minimalist approach to foster a calm and restful environment, with no built-in carpentry and an open wardrobe system reinforcing this style. The master bathroom was expanded by repositioning a wall to incorporate a vanity area. A half-height parapet wall separates the shower and includes a niche for toiletries. Finally, a dedicated home office nook was created as a natural outcome of the diagonal wall in the living space, providing a focused area for work. The renovation involved extensive demolition and reconfiguring of internal walls, contributing to the total duration and cost, partly due to the flat's age requiring additional structural and infrastructure assessments. #HomeTour #HDBResale #FourRoomFlat #InteriorDesign #Renovation #ThreehausWorks #BalamRoad #MusicLoverHome #PlantLoverHome

A 2018 5-room BTO apartment in Yishun, measuring 1,181 sq ft, underwent a significant transformation into an open-concept living space for a couple in their early 30s. The renovation, executed by Studio Super Safari, focused on maximizing natural light, improving ventilation, and creating a harmonious flow between areas. The total cost of the renovation was approximately $55,000. Key to achieving the open-plan aesthetic was the strategic removal of walls, which immediately enhanced the sense of spaciousness and light throughout the home. A distinctive and playful element integrated into the design is an indoor swing, adding a unique touch of personality and fun to the sophisticated interior. The homeowners chose a light color palette complemented by warm wood tones, creating a visually cohesive and inviting atmosphere. The study area, a highlight of the renovation, exemplifies the blend of openness and functionality. Instead of traditional walls, it features sleek sliding glass doors that connect it to the living room. This design choice allows for visual continuity, maintaining the open feel, while also providing the option for privacy when the doors are closed. This flexible arrangement transforms the study from an integrated part of the communal living space into a private work sanctuary as needed. Further enhancing the home's aesthetic and practical elements is a custom-designed drywall with LED-illuminated niches. This architectural feature not only adds depth and visual interest but also serves as a personalized display area for the couple's cherished items and travel mementos. Each niche, highlighted by strategic lighting, tells a story, contributing to the home's personalized character. In the bedroom, the commitment to intelligent space utilization is evident in the custom platform bed. This design incorporates a sophisticated storage system from Systemind, effectively converting potential dead space into valuable storage. This solution showcases how thoughtful interior design can integrate practicality with style without compromising the overall aesthetic. The renovation successfully balanced aesthetic appeal with practical living, resulting in a home that feels both sophisticated and welcoming. The natural light that now floods the reimagined space contributes to an environment suitable for modern living, reflecting the homeowners' desire for a space that is both spacious and intimate, modern yet warm. #StudioSuperSafari #YishunBTO #OpenConceptLiving #HomeRenovation #InteriorDesign #SingaporeHome #SlidingGlassDoors #PlatformBed #SmartStorage

Mexican designer Stephanie Barba Mendoza and her Austrian husband embarked on a significant renovation of their Victorian home in northwest London seven years after moving in. Although the house was in good structural condition, the family sought to expand and update various spaces. The renovation, which commenced in 2022, involved a rear extension to enlarge the kitchen-dining area, modifications to the children's bathroom, and updates to several bedrooms. The project took eight months to complete, experiencing some delays, including a planning permissions error and construction during winter, which presented logistical challenges. The designer views her home as a "laboratory" for creative expression, allowing her to experiment with bold patterns and vibrant color palettes without creative limitations. A key focus of the renovation was the kitchen, which was designed to be warm and inviting. A custom dining table serves as the central gathering point, enhancing social interaction and practicality for a family with young children. To maintain a connection with nature despite sacrificing some outdoor space for the extension, botanical wallpaper was installed in the dining room, complementing the patio visible through the windows. Large rope beads were incorporated to create an architectural separation between spaces without using solid walls, fostering a continuous indoor-outdoor feel during summer. During winter, lighting in the patio's flower beds allows the family to enjoy the outdoor view from indoors. Green is a prominent color throughout the home, adorning the metal doors, window frames, and the patio ground, creating a calming effect and visually expanding the small outdoor area. The kitchen features whimsical Balineum tiles, hand-painted with artwork by Gergei Erdei depicting the family's astrological signs. In the living room, Barba Mendoza transitioned from a previous blue-green palette to a cozier hue, complementing a hand-painted fireplace with an updated mahogany-toned tortoiseshell effect. The living room, originally two separate rooms, was unified and infused with a peachy warmth, inspired by a Gucci dress pattern. Notable design elements include a plaster oyster shell pendant light, C&C Milano fabric drapery, and a bespoke plaster pedestal by artist Viola Lanari. The powder room, despite its small size, was made to feel expansive with antique mirrored panels, a moon brass and opal glass pendant, and a turquoise marble shelf. Further details include a Pierre Frey valance in the kitchen, a raspberry-pink powder-coated Visual Comfort star wall light, and custom kitchen cupboards designed with British Standard Cupboards, featuring rope trim and unlacquered brass handles. The primary bedroom, a loft conversion, is painted in Farrow & Ball’s Pink Ground, with an antique quilt and a Carlyle headboard from Ensemblier London. The children's bathroom features pale yellow porcelain fixtures from Water Monopoly’s Rockwell Collection, complemented by unlacquered brass faucets, and a citrus-themed shower curtain made from Schumacher’s Le Citron fabric. The eldest son's bedroom benefited from an expanded ceiling, creating a more spacious feel, and is decorated with an Istanbul-sourced rug and a headboard from Ensemblier London. The boys' playroom is designed for comfort and fun, featuring a drum kit, TV, wicker toy containers, and large crocodile decor, embodying the family's playful nature. The designer believes the home’s vibrant colors and patterns reflect classic Victorian and Georgian styles, suggesting a timeless appeal that may endure for many years. #VictorianRenovation #LondonHome #InteriorDesign #PatternAndPalette #KitchenExtension #IndoorOutdoorFlow #ColorfulInteriors #CustomFurniture #FamilyHome

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

A townhouse located at 319 East 51st Street in Manhattan's Beekman enclave, Midtown East, has been listed for $14.5 million following a comprehensive gut renovation. Previously acquired by hedge fund executive Timothy Greatorex and his wife Deborah Greatorex for $4.6 million in 2011, the property has undergone significant luxurious upgrades. The residence spans 6,500 square feet across five floors, featuring five bedrooms and five bathrooms. The parlor floor is characterized by an expansive open-plan design, highlighted by an 18-foot glass wall at the rear that offers views of a Japanese garden. Interior details on this floor include herringbone floors, custom millwork, and a wet bar, with ample space to accommodate a grand piano. The ground floor houses the kitchen, dining room, and a den, which also benefits from a wall of glass opening onto a 600-square-foot Japanese-style garden. This outdoor space is described as achieving a balance between luxury and tranquility. The third floor is dedicated entirely to the master suite. This suite features pearl beaded wallpaper, wall-to-wall carpeting, and a remote-controlled gas fireplace. It also includes a dressing room equipped with nine closets. The master bathroom is a focal point, with a marble tub carved from a single stone, set on hand-laid mosaic tiles. Additional amenities in the master bathroom consist of a large shower, a double vanity with a make-up station, radiant heated floors, and three windows for natural light. Ascending the grand staircase to the fourth and fifth floors reveals the remaining four bedrooms, each with its own en-suite bathroom. These upper levels also include an office space, designed with paneling suitable for a hedge fund manager, and a private terrace. The property also boasts a furnished roof deck, although it is not explicitly pictured in the provided description. The exterior of the townhouse maintains its historic character, which complements the extensively renovated and luxurious interior. The renovation has significantly elevated the property's standard of luxury, making it a notable offering in the Midtown East real estate market. The listing for 319 East 51st Street is handled by the Margolis Team for Douglas Elliman, with photos courtesy of Douglas Elliman. #LuxuryRealEstate #Townhouse #GutRenovation #MidtownEast #Manhattan #JapaneseGarden #MasterSuite #ArchitecturalDesign

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

This article highlights a $30,000 renovation of an HDB flat in Singapore, transforming it into a contemporary Scandinavian-style home with industrial elements. The project, undertaken by Space Factor, focused on achieving a cohesive and spacious aesthetic within a limited budget. The design incorporates a palette of wood tones, whites, and greys, complemented by light-colored furniture and clean lines, all of which enhance the natural light flowing through the floor-to-ceiling windows. The renovation, completed in 2016, successfully integrated two unique feature walls without exceeding the financial constraints. To add visual interest and depth, the interior designers utilized creative techniques to craft the feature walls. One prominent feature wall in the living room was designed to mimic riveted metal plates. This effect was achieved through imprinted surfaces and painted a soft grey, which creates dynamic shadow play under ambient lighting. This industrial-inspired trompe l’oeil adds character while maintaining harmony with the overall Scandinavian theme, demonstrating how innovative solutions can be budget-friendly. Another feature wall, situated behind the bar counter, was treated to resemble a rustic brick wall, providing a warm contrast to the cooler tones of the living space and serving as a conversation piece without the cost or structural issues of actual exposed brickwork. Recognizing the homeowners' desire for wooden accents, the designers opted for wood-lookalike laminates as a cost-effective and low-maintenance alternative to real wood. These laminates were extensively used for various elements, including the bar counter, a matching TV console-cum-bench, and wall-mounted cabinetry. This choice not only contributed to the tactile comfort and visual warmth essential to Scandinavian design but also addressed environmental concerns associated with genuine hardwoods. The consistent application of these materials throughout the home, including floor-to-ceiling storage units in the master bedroom and study, creates a sense of unity and makes the HDB flat appear more expansive than its actual size. The renovation successfully balanced aesthetics, functionality, and budget, proving that a well-designed home does not always require significant financial outlay. The selection of materials and design strategies, such as using paint for texture and laminates for wood effects, allowed Space Factor to deliver a stylish and practical living environment. The emphasis on natural light, combined with the strategic use of textures and materials, embodies the Danish concept of 'hygge,' fostering a sense of coziness and well-being for the occupants. This project serves as an example of thoughtful interior design that maximizes impact and provides emotional consistency within an affordable housing context. #HomeTour #ScandinavianInteriorDesign #HDBFlat #Renovation #BudgetFriendlyDesign #FeatureWalls #WoodLikeLaminates #InteriorDesign #SpaceFactor

The article details the transformation of a 7,100-square-foot Edwardian-style house in Pelham, New York, by Dufner Heighes for Erica Holborn, CEO of Sandow Design Group, and her family. The house, rich in history with previous owners including the island nation of Barbados and a Coca-Cola executive who hosted President Eisenhower, was meticulously preserved before its modern redesign. Holborn, a self-professed real-estate enthusiast drawn to properties with stories, initially found the eight-bedroom house too large. However, a year later, with a growing family and the need for more space than their Sutton Place apartment could provide, coupled with an offer on their upstate getaway, the Holborns revisited the Pelham property when its price dropped and ultimately purchased it. The house was in pristine condition, having been restored by previous owners who meticulously stripped paint from moldings and updated certain areas, making it nearly move-in ready. Dufner Heighes initially anticipated a primarily decorative and cosmetic project, involving reupholstering existing furniture, acquiring new items, replacing antique light fixtures, updating cabinetry, and hanging artwork. However, midway through planning the kitchen, it became evident that its current footprint was too small and featured an inadequate island for cooking and dining. The design team, in collaboration with Bilotta, decided to remove a wall to annex the adjoining butler's pantry, which, though a dream feature for Holborn, proved necessary for a functional kitchen space. This decision led to significant structural changes, including plumbing and electrical rerouting and the installation of new structural steel. The extensive month-long renovation resulted in a brighter and more spacious kitchen, characterized by a long Arabescato Corchia marble island seating four and a window-wrapped breakfast nook. Dufner Heighes strategically used two patterns of Artistic Tile terrazzo flooring, incorporating marble chips, to create area rug-like accents that define different zones. Shaker-style cabinetry was chosen to complement the period architecture while maintaining a modern aesthetic, and this same flooring and cabinetry extended into the adjacent mudroom, a former family room now serving as a storage-packed service hub. Given the house's numerous existing living spaces, including a ground-floor salon, sunroom, a second-floor playroom, a primary suite sitting room, and a daylit basement with family and game rooms, the design challenge was to imbue each area with a unique function and purpose. Seating was carefully selected to align with specific activities and postures, such as the upright Bob sectional in the salon for entertaining, the lounge-y Bouroullec Brothers Ploum sofa in the sunroom for relaxation, and a deep, nap-conducive sofa in the family room for television viewing. Despite the traditional layout with discrete rooms, the spaces open graciously into one another, making sight lines a crucial design consideration. Features were holistically curated to ensure cohesion across rooms, particularly on the first floor where lighting fixtures from various spaces could be seen simultaneously. The designers balanced bold choices with toned-down elements to prevent the interior from feeling too heavy or overly layered. An example of this bolder approach is the dining room's trippy graphic wallpaper, Borderline Chinoiserie by Voutsa, which extends from crisp wainscoting lacquered in a mercurial green-gray, creating a striking contrast between the historic 1914 bones of the house and its modern interventions. This blend of historic charm with contemporary design elements encapsulates the essence of the entire project. #HistoricHomeRenovation #ModernFamilyHome #InteriorDesign #PelhamNewYork #DufnerHeighes #EdwardianArchitecture #KitchenRemodel #LuxuryInteriors #ResidentialDesign

A 19th-century brownstone in a Historic District, featuring extensive mahogany woodwork, underwent a significant renovation to balance the preservation of its original details with the creation of a brighter, more contemporary living space. The project was led by architect Kim Letven of NV/design.architecture, with construction completed by Brooklyn-based Burda Construction over 14 months. The brownstone's layout was reconfigured, dedicating three floors to the homeowners and reserving the garden level for visiting relatives. The parlor floor now houses the living room and a new kitchen/dining area, the second floor contains the primary bedroom, a study, and a new bathroom, while the third floor accommodates two children’s rooms and two new bathrooms. A key aspect of the renovation involved extensive structural modifications, including blowing out the rear walls on both the parlor and garden levels. These openings were then fitted with large steel and glass installations to maximize natural light entry. Despite these modern interventions, great care was taken to restore the original architectural elements. The magnificent burled mahogany doors, carved moldings, and plasterwork throughout the house were meticulously retained and repaired, ensuring that the historical character of the home remained intact. Beyond aesthetics, the renovation encompassed a complete overhaul of the building's infrastructure. All mechanical systems, including plumbing and electrical, were replaced. Radiant heating elements were installed beneath new pale white oak floors, which feature a herringbone pattern on the parlor floor and a straight run elsewhere, contributing to both comfort and a clean, modern aesthetic. The interior decor was influenced by the clients' preference for the color blue, evident in the sectional sofa in the front room. Specific design choices highlight the blend of old and new. The kitchen features lower cabinets painted in Benjamin Moore’s Beau Green, complemented by white Caesarstone countertops and matte gold fixtures from Restoration Hardware. A subtle gap in the crown molding above the new window wall discreetly integrates an automatic roll-down window shade. The primary bedroom emphasizes minimalism, allowing the intact original moldings and window trim to stand out. The second-floor study/library is distinguished by blue-backed bookcases and a preserved plaster arch. Bathrooms throughout the house received modern updates. The primary bath employs a subtle color scheme with a custom wood vanity designed to resemble furniture, gold-toned hardware, and gray marble hex tiles. One of the top-floor baths features turquoise glass tiles in the shower and marble mosaics on the floor, while another uses Popham encaustic cement tiles from Ann Sacks. A new large skylight and a wood-veneer pendant from LZF illuminate the top floor landing, further enhancing the home's brightness. Even a boy's room was personalized with a wall covered in a rocket ship blueprint, adding a unique touch. The lower level, designated for guests, also received an expansive kitchen as part of its renovation. #ParkSlope #BrownstoneRenovation #HistoricPreservation #InteriorDesign #ModernHome #ArchitecturalRenovation #BrooklynRealEstate #NVdesignArchitecture

Peter Dolkas, an interior designer originally from the Bay Area, utilized his former one-bedroom apartment in a five-story 1890s building in Brooklyn Heights as a creative laboratory for his design ideas. Dolkas, who now partners with Michelle Ficker in Studio Dorion, a Dumbo-based boutique design firm, gained valuable experience through this personal project. Their firm is currently engaged in various projects, including a Park Slope brownstone and a NoHo loft. Dolkas and Ficker previously collaborated at renowned interior designer Billy Cotton's firm. Their joint venture, Studio Dorion, was named to evoke an old-fashioned, fictional character overseeing the operation, deviating from the typical eponymous naming convention. The apartment, converted to condos in the late 20th century, presented an Old World charm, particularly with a bay window featuring stained glass transoms that overlooked the street. However, it also posed a significant design challenge: a dated 1980s kitchen positioned opposite the fireplace wall, separated from the living room by a large cabinetry unit. Dolkas addressed this by removing the dividing wall, relocating the refrigerator to an interior wall, and integrating it into new custom cabinets, creating an entirely new kitchen space. The original fireplace, deemed unremarkable by Dolkas, was replaced with a minimalist mantel crafted from painted sheetrock, introducing a contemporary element to a room predominantly furnished with antiques. Dolkas, who holds a master’s degree in fine and decorative arts from Sotheby’s in London, frequently acquires pieces through auctions, such as those held at Doyle on the Upper East Side and Showplace on West 25th Street. Most of the furnishings and decor within the apartment are either antique or vintage, accumulated progressively over time. He regards his home as a dynamic space where furniture is continuously rotated and experimented with. The entry area was adorned with period-appropriate Willow Bough wallpaper, a classic William Morris design. A jute rug from Rugs USA provided a neutral foundation in the living room, complementing the diverse antique collection. The dining area featured an oversized paper globe lantern as a focal point. A live-edge coffee table top was creatively propped in a corner, and a Georgian book cabinet was acquired from Doyle. The sofa, a find from Showplace Antiques, was reupholstered in cotton velvet. An antique mirror, also an auction discovery, had its frame painted matte black. The walls were painted in Farrow & Ball’s Slipper Satin, with Lime White used for the trim. A vertical arrangement of vintage Dunster agateware plates enhanced the wall alongside the mirror. Dolkas designed an unlacquered hurricane candle sconce, which is available on his website. The dining table was a leftover piece from a previous project at Billy Cotton's, and the marbled table lamp was sourced from Housing Works. A corner niche opposite the dining table housed a built-in bookshelf, accented by a vintage table lamp found in Los Angeles. The bedroom was designed with a moody ambiance, achieved by painting the walls in Farrow & Ball’s Treron, a deep green. The pencil post bed was an eBay find from Great Windsor Chairs in Lancaster County, PA. Other bedroom elements, including a heavyweight Belgian linen bed cover from John Derian, a $5 overhead lantern from Jamali Garden, an antique chest from an auction, and area rugs from Paula Rubinstein, were acquired individually. In the kitchen, new custom cabinetry was painted in Farrow & Ball’s Lime White, featuring metal drawer pulls from Rejuvenation. The countertop was made of sealed wood, and the island was topped with a Carrara marble slab, a remnant from another project. The backsplash utilized undecorated blank tiles from Regts Delft Tiles, a Dutch company. The new cabinetry also cleverly concealed the refrigerator and freezer. Throughout the apartment, light switches were updated with new ones from House of Antique Hardware. In the bathroom, inexpensive subway tiles from Nemo were used for the walls, and a striped duster skirt, held by magnets, was added to the original sink. A framed medicine cabinet from Restoration Hardware completed the bathroom's refresh. #InteriorDesign #BrooklynHeights #ApartmentRenovation #StudioDorion #VintageDecor #AntiqueFurniture #HomeStyling #PeterDolkas #DIYDesign

The renovation of a historic Victorian Italianate home in Fayette County, Kentucky, showcases a successful blend of old and new design elements, transforming it into one of the world's best homes. The property, built in 1889, holds sentimental value for one of its owners, having been a family home for years. The objective of the renovation was to update the interiors while preserving the original charm and features of the house. To achieve this balance, the homeowners enlisted the expertise of Lexington-based interior designer Isabel Ladd, who collaborated with architects Gibson Taylor Thompson and builders Fox Hill. Ladd's design philosophy, termed "curated maximalism," emphasizes a layered, "mix-don’t-match" aesthetic. This approach involved the thoughtful combination of exquisite prints, colors, and textures through wallpapers and textiles, creating a unique and personal feel throughout the home. The dining room, designed for formal entertaining, features an updated Victorian aesthetic. It incorporates Schumacher's Hollyhock Pyne wallpaper, with the same pattern extending to the dining chair seats, and a Selamat dining chairs and a Fibreworks Eclipse rug, all set against a curved wall and bay windows. Adjacent to the foyer, a cozy parlor serves as a formal living room. This space is centered around a family heirloom piano and an original fireplace. Contemporary pieces, such as a custom Charles Stewart Co. sofa upholstered in Fern Trellis by Cotton & Quill and a Selamat corner chair in Lansdale Bouquet by Schumacher, are harmoniously integrated with antique French bergere chairs and a vintage rug. The living room, part of a magnificent new open-plan addition, is designed to be the heart of the home, with exposed beams, bricks, and trusses. This area connects the family room, kitchen, and staircase. Ladd ensures continuity with the older sections of the house through carefully chosen artwork, a cohesive color palette, and a blend of antique and contemporary furnishings. Notable elements include art from Cross Gate Gallery, a Tilda light by Arteriors, floral chairs upholstered in Heather by Ferrick Mason, and a Fibreworks rug. In contrast to the more vibrant main living areas, a relaxed breakfast nook in the kitchen offers a change of mood. This space features neutral textures and organic materials, such as an Antibes light by Currey and a Domino rug from Fibreworks, complementing an antique table and chairs. The kitchen itself, with its views of the surrounding farmland, maintains a neutral and organic aesthetic with a soapstone countertop, embedded backsplash, and rattan counter stools, bridging the gap between vintage and new elements. The island pendants are Perennials by Regina Andrew, and the counter stools are Libby by Gabby. The entry foyer highlights the home's original features, particularly the decorative staircase. Two gallery walls adorned with unique frames set the tone for the collected and curated interior. A central foyer table, draped with a fringed tablecloth and accessorized with books and treasured items, grounds the space. Art and framing are from Cross Gate Gallery, the Zira rug and Neygi stair runner are by Fibreworks, and the tablecloth fabric is Malaya by Quadrille. The primary bedroom features a contemporary four-poster bed from Bernhardt, upholstered in Schumacher's Hothouse Flowers fabric, balancing the room's architectural pine beams and trusses. Custom silk lampshades from Slightly East and chair upholstery fabric in Davenport from Lee Jofa complement the floral headboard. The renovation also involved upcycling existing furniture, such as a bench and armchair, which were reupholstered in hand-blocked fabric, a solution adopted during the pandemic-induced supply chain disruptions. Off the primary bedroom, a sitting room suite provides a luxurious space for relaxation. The walls are covered in Thibaut's Cantal, a soft stripe, creating a contemporary interpretation of Victorian style. Art and framing are from Cross Gate Gallery, the chaise is upholstered in Palisades Velvet by Vern Yip for Trend, the armchair in Bird & Iris by GP&J Baker, and the Poppy light is by Regina Andrew. The daughter's bedroom is a vibrant space, showcasing creative touches like matching wallpaper, headboard, and bedskirt in Aldith Blue by Thibaut. Chartreuse accents, an antique rug, desk, and chair are combined with modern abstract art by Lesley Grainger, a handmade papier-mache light from Stray Dog Design, and a Baroque rug from Fibreworks. The ottoman is custom-made with Kate Spade's Maxime fabric. For the boy's bathroom, Isabel incorporated playful and modern elements while maintaining traditional touches. Thassos marble tile, rotating sconces, and green cabinetry painted in Palmer Green by Benjamin Moore are paired with an antique rug and needlepoint bench. The Renee sconces are by Hudson Valley Lighting. The powder room, located in the new addition, features a dramatic yet dark Acquario wallpaper by Cole & Son with a fish motif, complemented by natural rattan and bleached wood elements. The countertop has soft blue veining that mimics a tide. The Padma light is by Arteriors. The exterior of the 1889 Victorian home is surrounded by lush farmland. The design incorporates indoor plants, natural materials, and floral prints to create a fluid transition between the interior and outdoor spaces, blurring the boundaries and enhancing the connection to nature. #VictorianHomeDesign #HistoricRenovation #InteriorDesign #CuratedMaximalism #OldMeetsNew #HomeTour #IsabelLaddInteriors #KentuckyHome #ArchitecturalPreservation