Gilles Mendel's Fashion-Forward Home

Interior designer April Jensen resides in a 150-year-old Federal-style farmhouse in Glendale, Missouri, characterized by its Italianate details and a historical red barn, now converted into a pool house. The property features four terraces and a broad front porch with a haint-blue ceiling. Shortly after moving in with her family—husband Jason, children Lily, Julien, and Tallulah, and their dogs—a plumbing mishap occurred, causing significant water damage from a burst pipe. Instead of viewing this as a setback, Jensen and her husband saw it as an opportunity for renovation. They updated the home's lighting, installed a new thermostat and audiovisual system, and painted the entire house white to emphasize its architectural details and original woodwork. Jensen describes herself as calm under pressure, attributing her success in design and life to her confidence and an unwillingness to overthink decisions. Jensen's approach to interior design is evident throughout her home, which she describes as an outward expression of her inner self. While the previous owners had opted for a traditional aesthetic with dark paints and heavy drapery, Jensen introduced a lighter touch, allowing her instincts to guide the design process. She advocates for creating homes that possess a sense of history while incorporating unexpected elements such as vibrant fabrics or unique light fixtures. Her philosophy emphasizes authenticity over perfection, encouraging clients to buy what they love and trust that it will find a place within their home. The designer believes in drawing broad strokes first and then fine-tuning rooms with accessories and color, ensuring a consistent tone without requiring exact color matches. The living room's design began with a minimalist gray sofa, a deliberate choice by Jensen to create a welcoming space, unlike a similar sofa from her childhood that was off-limits. She prioritizes comfort and accessibility, ensuring that family and friends, including their three poodle mixes (Bon Bon, Bebe, and Winnie), feel at ease throughout the house. The original quarter-sawn, white-oak floors are a testament to the home's enduring character. The living room also features a marble-top Saarinen table, refinished side tables, and green-and-white cotton draperies from Highland Court. A pivotal element in the home's design was the discovery of two chairs from Anthropologie, adorned with a vintage-inspired fabric of yellow, jade green, and blue flowers, which Jensen describes as the "impetus for the design of the house" due to their cheerful colors. In the dining room, Jensen incorporates vibrant colors through shades of green, warm wood tones, and a fuchsia painting by St. Louis artist Peter Manion. Her antique angel wings, acquired from the Round Top Antiques Fair in Texas, are displayed simply, juxtaposed with a Midcentury Modern unit showcasing her collection of milky-white and minty-green milk glass. Despite her preference for a streamlined look, Jensen acknowledges the current state of her home, which she feels is somewhat cluttered with new furniture pieces from her mother-in-law, a sconce awaiting repair, and fabric samples for ongoing projects. She views this temporary disarray as part of life. Jensen’s passions, including music, pop art, thrift-store finds, and family, are interwoven into the fabric of her home. She and her husband share a love for music, owning eight record players and attending numerous concerts annually. Her home office is a blend of fine antiques, unique finds, and yellow silk drapes, chosen for a low-traffic area, reflecting her practical side. Despite the demands of her successful design business, which has seen significant growth and led her to hire a new marketing firm and a life/business coach, Jensen prioritizes family time. Her recent self-reflection on values and mission has brought her a greater sense of balance, reinforcing her belief that "it’s not about things, but about what happens to you when you’re living in an amazing space." #InteriorDesign #HomeDecor #FarmhouseStyle #GlendaleMissouri #Renovation #PersonalStyle #StLouis #DesignPhilosophy #HistoricHomes

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome

Gemma Samuels, an interior decor designer and content creator, founded Happi Habitat with the mission of creating happy homes for her clients. Her passion for interiors began at a young age, influenced by her house-proud Caribbean mother and her own enjoyment of redecorating her bedroom. Despite initially pursuing psychology with aspirations of becoming a clinical psychologist, she discovered a preference for working independently through a fashion and jewelry business she started during university. The pivotal moment arrived after she moved into a new home with her partner and two children, solidifying her interest in interiors. Samuels' entry into the interior design industry was organic and unplanned. She initially intended to document her flat's decoration on a blog, but a photographer, impressed by her home, requested her help with decorating and offered payment. This led to an exchange of services where Samuels decorated the photographer's bedroom in return for professional photos of her work. Upon sharing these on Instagram, she began receiving inquiries from potential clients. Initially, she undersold her services due to her newness in the field, often working for free or only covering expenses. This period, however, allowed her to accurately gauge project durations and determine fair pricing, leading to a standardized pricing structure over two years. The name 'Happi Habitat' reflects her personal experience of a happy home with her children and her broader goal of enhancing clients' lives and family dynamics through design. The pandemic significantly impacted her business model; while her on-site bespoke design services were temporarily halted, her e-design services, conducted virtually, saw a notable increase as people spent more time at home and focused on their living spaces. A key lesson Samuels learned as a businesswoman is to trust her instincts, both in business decisions and design recommendations. She emphasizes that as the expert, she must stand her ground, even if it means short-term disagreement, as her advice ultimately benefits the client. Addressing the lack of diversity in interior design, Samuels highlights the significant underrepresentation of Black women in the industry. Her own career path was unconventional, as she did not see Black women in interior design roles growing up, which led her to believe it wasn't a viable option. She believes increased visibility of Black interior designers is crucial to inspire more individuals from underrepresented communities to pursue careers in the field. She notes that while she initially struggled to find Black women interior designers, her networking within the industry has since revealed many talented professionals. Samuels resides in a two-bedroom flat in East London, which she is currently renovating into a three-bedroom space to accommodate her growing business and the demands of e-design work. Her interior style is a blend of Scandinavian minimalism with industrial accents. Her favorite room is her children's room due to its colorful and fun ambiance, while her least favorite was her bathroom prior to renovation. She admitted to succumbing to pressure to choose marble tiles for her renovated bathroom, a choice she now regrets but cannot change due to the investment. Samuels avoids being overly influenced by trends, preferring timeless, classic styles, though she occasionally adopts trends she genuinely likes, such as pampas grass. She expresses a strong dislike for grey crushed velvet decor, a trend she finds unappealing. Her top three home furnishing stores are MADE, for its affordable and stylish lighting; Ikea, for its affordability and wide range of home items; and Homesense, for unique pieces at great prices, despite requiring diligent searching. #InteriorDesign #GemmaSamuels #HappiHabitat #HomeDecor #BusinessJourney #DiversityInDesign #PandemicImpact #ScandinavianIndustrialStyle #HomeRenovation

The article showcases the home of Kelley and Brian Duncan, located adjacent to the golf course at Green Valley Country Club in Greenville, South Carolina. The residence is a carefully curated blend of mid-century aesthetics and personalized touches, reflecting the couple's style and accommodating their family life. Numerous photographs highlight various rooms and design elements within the home. The exterior of the house benefits from its prime location next to the golf course, offering scenic views and a tranquil environment. Inside, the living room serves as a central hub for the family, designed to be open and conducive to entertaining. The space features large multi-panel doors and is adorned with art, including portraits by Pat Rawlins of their two older sons, flanking the fireplace. The shelves in the living room display a collection of art and keepsakes, adding personal character to the area. The playroom introduces a mix of textures and tones, with the warm, rich hues of an upright piano contrasting with natural seagrass wallpaper. A framed print of James Audubon’s “Ruffed Grouse” decorates the wall, and an antique tobacco basket further contributes to the natural aesthetic of the room. In the primary suite, an oil painting of hole #3 at Bulls Bay Golf Club in Awendaw, S.C., commemorates the couple's engagement, adding a sentimental touch to the private space. The home's original fireplace mantel in the living room has been upgraded, painted ebony, and accessorized with antique brass accents, demonstrating a thoughtful update to existing features. A detailed view of the carved mantel highlights its intricate design. The formal dining room, connected to the living room, offers flexibility with retro accordion doors that can section it off. These doors are an original detail of the home and can be neatly tucked away into a wall pocket when not in use. The kitchen features cabinets painted in Farrow and Ball’s Dix Blue, providing a distinctive pop of color. A mother-of-pearl pendant light hangs above a table, which is utilized by the boys for homework, blending functionality with aesthetic appeal. A dark teal sideboard and coordinating artwork echo the color scheme maintained throughout the residence. The foyer is characterized by large mid-century windows that allow abundant natural light to flood the space. A formerly blank area has been transformed into a wet bar, which has become a popular spot. This area now includes a gold-veined mirror, glass shelving, pendant lighting, and stools. Gold retro highball glasses are strategically placed to evoke the home’s original era, adding a touch of nostalgic glamour to the bar. The integration of various design elements, from color palettes to art and furniture, creates a cohesive and inviting living environment for the Duncan family. #HomeDesign #InteriorDecor #GreenvilleSC #MidCenturyModern #FamilyHome #GolfCourseLiving #CustomInteriors #ResidentialArchitecture

The Gen Z demographic has voiced strong opinions regarding various modern home design trends, criticizing their lack of personality, practicality, or aesthetic appeal. These sentiments were compiled from comments on a previous article discussing disliked home trends, and they highlight a generational shift in interior design preferences. One significant point of contention for Gen Z is "luxury vinyl" flooring. Many express distaste for its feel underfoot and advocate for real wood flooring, suggesting that individuals save money until they can afford natural materials. This highlights a preference for authenticity and a dislike for artificial substitutes, even those marketed as luxurious. The criticism extends to all-white kitchens, which are frequently compared to sterile environments like autopsy rooms, indicating a desire for warmth and character over stark, clinical aesthetics. Another trend Generation Z dislikes is the disregard for a home's architectural era in decorating. They argue against modernizing older homes, particularly craftsman styles, with ultra-modern decor that clashes with the original design. This suggests an appreciation for historical integrity and cohesive design that respects a building's inherent character. Electric fireplaces are also largely disliked. Reasons cited include their artificial appearance and their impracticality during power outages in cold weather, emphasizing a preference for functional and authentic heat sources. The pervasive use of gray and white color schemes in interiors draws heavy criticism for creating spaces that resemble office lobbies or break rooms, lacking warmth and individuality. Similarly, pure white lighting is deemed uninviting, with a clear preference for warmer, more ambient light. Large, prominent ceiling fans in bedrooms are considered an eyesore. This suggests a desire for more discreet or aesthetically pleasing climate control solutions. Painted cabinets are criticized as a way to conceal cheap wood, indicating a preference for natural wood finishes or higher-quality materials. White kitchen cabinets are also disliked due to their propensity to show dirt and require frequent cleaning, highlighting a desire for practicality and ease of maintenance. Open-concept living spaces are problematic for many Gen Z individuals, who express a need for privacy and separation from household activities like cooking while trying to relax. This preference points to a demand for distinct zones within a home that allow for personal space and quiet. Pot filler taps above stoves are deemed an unnecessary expense, suggesting a more minimalist approach to kitchen utilities. The broader "minimalistic" all-white aesthetic is widely condemned for being boring, devoid of personality, and lacking coziness. Gen Z advocates for incorporating rugs, pillows, blankets, and colorful wall art to add warmth and character, contrasting sharply with the often-cold, uninviting nature of minimalist designs. This indicates a desire for comfortable, personalized, and visually stimulating living environments. Glass shower doors and walls are viewed with concern due to safety issues, with one anecdote describing a severe injury caused by a broken glass door. This highlights a focus on safety and practicality over potentially hazardous design choices. The ubiquitous presence of Ring cameras is questioned, with some suggesting they are unnecessary for security in most homes. This could reflect a general skepticism towards constant surveillance or a belief that such devices are excessive. Finally, certain modern bathroom fixtures, such as glass bowl sinks and "waterfall" faucets, are described as infuriating and useless. Users find these designs impractical for basic tasks like handwashing and teeth brushing, citing issues with shallow basins and ineffective water flow. This strong disapproval emphasizes a critical view of design that prioritizes novelty over functionality and user experience. Overall, Gen Z's opinions reveal a collective desire for home environments that are authentic, practical, safe, and rich in personal character, moving away from generic, sterile, or impractical modern trends. #GenZ #HomeDesignTrends #InteriorDecor #ModernAesthetics #ArchitecturalIntegrity #Practicality #HomePersonalization #MinimalismCritique

The article details the personal experience of award-winning interior designer Gillian Segal as she designed and built her own family home in Vancouver, Canada. Segal humorously describes herself as her 'own worst client,' highlighting the unique challenges and extensive decision-making involved when a designer undertakes their own project. The primary focus of the design was smart space planning, driven by the need to accommodate a growing family within a relatively compact single-family home. Gillian Segal's design philosophy blends modern aesthetics with classical references, reflecting her appreciation for various design styles and her reluctance to commit to a single genre. Key design decisions included optimizing living spaces by combining traditional formal dining and breakfast nooks into a single, larger area, and merging a den with a formal living room. This approach maximized usable space and allowed for a more open and versatile floor plan. The flooring played a foundational role in the design, with Gillian opting for white concrete throughout the home to provide a fresh, unique, and neutral base. This choice subsequently influenced the kitchen design, serving as a blank canvas for the incorporation of stained wood vertical textures in cabinetry, fluted glass on upper cabinets, and antique mirror panels. The kitchen island, a central feature, was meticulously chosen for its durability and resistance to wear and tear from daily family life. Gillian specifically selected a porcelain slab, a material she wished to thoroughly test in her own home before recommending it to clients. The dining area, integrated into the kitchen-diner, features custom pieces from local Vancouver talent, including a table by Christian Woo and a light by Randy Zieber, emphasizing local craftsmanship. Throughout the home, a strong emphasis was placed on kid-proof design, particularly evident in the choice of materials for upholstery in the dining chairs, which combine hardwearing vinyl with patterned indoor/outdoor fabric. The living room showcases a custom marble mantelpiece, made from over 22 cuts of marble, serving as a significant focal point. A Kagan-inspired sofa, upholstered in performance fabric, was selected for its durability against children and its ability to facilitate conversational seating. Even with space constraints, Gillian incorporated a discreet home bar setup within custom built-ins in the living room, complete with a wine fridge. The mudroom, a highly functional area, doubles as a home office during lockdowns and features durable porcelain flooring with a terrazzo look, extensive millwork for storage, and a striking contrast between dark painted cabinetry and a light bench alcove. The entryway is defined by a curved staircase, introduced to add softness and visual interest to an otherwise rectilinear space, adorned with Lindsay Adelman pendants, a commissioned mirror by Hannah Polskin, and a vintage marble table. In the primary bedroom, space efficiency was achieved through a custom built-in headboard with integrated nightstands. The design thoughtfully includes personalized elements, such as a Kelly Wearstler fabric for the bed and nightstands, and Apparatus Studio ceiling lights. Children's rooms are characterized by playful elements like a leafy animal mural, expanding the perceived space and creating an engaging environment. The bathrooms also demonstrate thoughtful material selection, with the primary bathroom featuring unlacquered brass plumbing, European oak, and Calacatta viola, while the family bathroom incorporates a quirky geometric patterned tile for a fun and stylish aesthetic. The powder room, designed with budget in mind, drew inspiration from a 1960s vintage desk, utilizing Corian for the countertop and an integrated sink, alongside a mirrored laminate on the base and dramatic green paint. Gillian Segal's personal project underscores her deep understanding of design challenges and her ability to create a luxurious yet comfortable and highly functional family home. #InteriorDesign #HomeRenovation #GillianSegal #FamilyHome #SpacePlanning #ModernClassics #VancouverHomes #KidProofDesign #CustomDesign

In 2023, a 1952 Metairie home, after 33 years of ownership, underwent a significant transformation from its previous appearance, characterized by a light blonde brick exterior and a mix of midcentury, contemporary, and New Orleans design elements. The ranch-style house was re-envisioned as a modern, multigenerational residence, incorporating elements that pay homage to its original midcentury style. Architect Nathan Fell noted that many homes built in that era in Metairie often displayed a cautious design approach, which this renovation aimed to transcend. Working with Nathan Fell Architecture, the owners embarked on an extensive renovation of their 4,000-square-foot home. The exterior, particularly the entry and roofline, was redesigned to accentuate midcentury features. Internally, bathrooms were repositioned, a new laundry room was added, and the kitchen area was reconfigured to create a large great room. The comprehensive renovation also involved converting the garage into a cabana with direct access to the pool. The owners, a busy couple with adult children, grandchildren, and an active social life, desired a space that would better accommodate family gatherings and sleepovers. Although the home's footprint remained unchanged, a major internal re-arrangement was necessary. Fell, collaborating with CNG Construction, sought to depart from the home's original reserved design by highlighting its midcentury origins while also creating spaces that fostered openness, diversity, and functionality for the family's lifestyle. To achieve a more expansive and visually dramatic living space with vaulted ceilings, the former dining room was merged with the living room, and the roof was raised and reframed. The renovated exterior now features white-painted brick and a distinctive wooden gable, presenting a unified aesthetic with repointed brick framed by smooth gray stucco. Ipe wood trellises were incorporated to delineate space, and a central ipe gable adorned with glass elements was added for visual depth. Horizontal pavers guide visitors to a new double-door ipe-clad entrance, also framed by a trellis. For the pool and landscaping, Fell partnered with Palmetto Pools + Landscape. The pool was elevated 3 feet, aligning with the main floor, and raised decking was installed, creating a visual effect similar to an internal courtyard. Inside, the design harmoniously blends new, modern, vintage, and heirloom furnishings. The kitchen, inspired by the family's matriarch, was a focal point, designed to be both visually appealing and highly functional for cooking and family bonding. It features double ovens and an efficient exhaust system. The millwork throughout the home, crafted by Daniel Bell, replicates the color of a cherished rosewood dining room table. Quartz countertops and a backlit Cristallo Natural Stone feature wall from Triton Stone provide contrast and dramatic flair against the rosewood-stained millwork. Barlinek, Oak Cannoli 7-inch wide plank engineered wood flooring unifies the kitchen, dining, and great room areas. Multiple seating zones in the great room are connected by the consistent use of quartz for the stone feature wall and the same cabinet and casework materials found in the kitchen. The feature wall includes an inset flat-screen TV and a linear vapor fireplace. A striking element is the multi-tonal ipe wood veneer covering the vaulted ceiling, which creates a subtle link between interior and exterior elements. An I-beam, an architectural challenge, was seamlessly integrated into the gable design and concealed within a trapezoidal shape. The entryway was designed for practicality, featuring a bench and coat closet, setting the tone for a home that successfully merges past and present, innovation and tradition, and reinvents the familiar. #HomeRenovation #MidcenturyModern #NathanFellArchitecture #MetairieHome #ArchitecturalDesign #InteriorDesign #ModernLiving #FamilyHome #CustomMillwork

Designer Inna Kovalinskiy embarked on a project to transform a one-story cedar home in Fort Mill, aiming to blend French-inspired design with modern aesthetics. Her approach diverges from traditional French country styles, focusing instead on intricate moldings, ceiling medallions, gilded mirrors, marble, elaborate fireplaces, and an overall sense of elegance, balanced with clean, sharp modern lines to provide visual breaks and prevent opulence from overwhelming the space. The renovation commenced in early January with the entryway, which was initially drab and beige. To create an illusion of greater height in the low-ceilinged room, Kovalinskiy added a base cap six inches below the crown molding. She incorporated panel boxes both above and below the chair rail and applied Great Wave Bloom wallpaper by Milton & King within these boxes. This Japanese Ukiyo-e-inspired wallpaper features flowers that subtly resemble waves with small boats, adding a unique artistic touch. French-inspired elements, such as Louis XV side tables, were integrated, alongside modern fixtures like a six-light satin brass chandelier from Linea Lighting. A significant and daring design choice was the application of Santorini Blue paint from Sherwin-Williams to the walls and built-in bookcases, adding a vibrant punch to the living area. In the dining room, the molding and panel boxes were continued, and a classic shaded five-light fixture was installed. The walls were refreshed with Sherwin-Williams' Snowbound paint. The existing rectangular dining table was replaced with a circular table from Rove Concepts, improving circulation and comfortably seating six while allowing ample clearance to the adjacent pantry and laundry room. The laundry room, designed to function as a pantry as well, received new cabinets, blue mosaic flooring, a chandelier, and open shelving. To counteract the visual business of the blue floor, Kovalinskiy opted for black, ceiling-height cabinets, which further enhanced the perception of vertical space. Brass hardware was strategically introduced to add warmth and contrast against the cool color palette. The living room's dated fireplace underwent a dramatic overhaul; the old stone was removed, a wall extension was built, and slate tiles were installed, complemented by a new wooden mantel. A ceiling medallion contributed a vintage touch, while a gallery wall featuring the homeowner's photographs added a whimsical element. Dusty blue drapes were chosen to maintain color continuity with the entry and dining room. The kitchen presented the biggest challenge due to the removal of a load-bearing wall between it and the living room. Following this structural modification, an oversized bar was constructed, featuring cabinets on both sides for increased storage. The kitchen’s modern aesthetic was achieved through charcoal cabinets, brass hardware, and Cambria quartz countertops. After three months, the transformation was complete, resulting in a home that Kovalinskiy describes as both fresh and classic. The successful integration of contrasting styles demonstrates that Parisian elegance and modern design can not only coexist but also complement each other effectively. #HomeDesign #InteriorDesign #FrenchInspired #ModernDesign #HomeRenovation #FortMill #InnaKovalinskiy #DesignTransformation #CharlotteMagazine

Home decor preferences are distinct across generations, with Gen Z, Millennials, Gen X, and Boomers each exhibiting unique styles. These stylistic differences reflect generational values, cultural influences, and life stages. Examining these trends reveals how aesthetics evolve over time and how personal experiences shape interior design choices. Gen Z's decor, for example, is heavily influenced by online aesthetics, notably "cozy cottagecore" and "dark academia." Cottagecore emphasizes faux leaves, mushroom decor, plushies, and soft blankets, creating a whimsical, nature-inspired indoor retreat. Dark academia, on the other hand, leans towards a gothic library feel, appealing to those who enjoy reading and solitude. Another defining characteristic of Gen Z's spaces is a preference for multiple small, funky lamps over overhead "big lights," contributing to a more intimate and mood-lit atmosphere. Additionally, Squishmallows, which are soft, collectible plush toys, are ubiquitous in Gen Z living spaces, serving as a contemporary equivalent to past generations' collectible items. Millennials, often characterized by delayed milestones such as homeownership and parenthood, tend to prioritize being "plant parents." Their homes frequently feature numerous houseplants, reflecting a nurturing instinct and a connection to nature. The "recovered Tumblr girl" aesthetic, popular during their teenage and young adult years in the 2010s, is still evident, incorporating elements like mandala tapestries, string lights, and strung-up Polaroids, often reminiscent of a bohemian, indie vibe. Millennials also embrace "moody maximalism," characterized by an eclectic mix of thrift store finds and quirky wall art, often featuring humorous or self-aware slogans. Crystals and moon-themed decor are also common, symbolizing a search for comfort and spiritual well-being amidst anxiety. Gen X's decor trends are a blend of early 2000s influences and practical preferences. Many Gen X individuals embraced a "living room safari" aesthetic during their early adulthood, incorporating animal prints, framed wildlife art, and ceramic animal figures, particularly elephants. This trend later evolved into "modern minimalism," with a shift towards neutral palettes, such as beige couches, walls, and curtains, though some retained elements like tribal vases. A strong allegiance to sports teams is also a prominent decor theme for Gen X, often manifested through dedicated rooms or significant displays of team memorabilia. Tuscan-style kitchens, with their earth tones, tall oil bottles, and artificial grapes, are another hallmark of Gen X homes, embodying a rustic, warm, and inviting atmosphere. Boomers, having entered their decorating prime decades ago, maintain classic and often nostalgic decor choices. Floral couches are a staple in many Boomer homes, viewed as iconic and timeless pieces of furniture. Chandeliers are a common fixture in their dining rooms, adding a touch of traditional elegance. The "country cookin' kitchen," inspired by establishments like Cracker Barrel, is another prevalent theme, featuring a cozy, rustic aesthetic often accompanied by decorative ceramic farm animals like chickens. These choices reflect a desire for comfort, tradition, and a welcoming home environment. Each generation's decor, therefore, tells a story about their collective experiences, aesthetic values, and cultural landscape. #HomeDecor #GenerationalTrends #InteriorDesign #GenZ #Millennial #GenX #Boomer #Cottagecore #Maximalism

This article highlights five designer-owned homeware stores that offer unique and high-quality home decor. The author emphasizes that interior designers possess expert knowledge of home aesthetics and are well-suited to curate collections that reflect their distinct styles and set new trends. The article positions these stores as a reliable source for intentional and approved decor pieces. The first store featured is McGee & Co, founded by Shea and Syd McGee. Established a decade ago alongside their design firm Studio McGee, it has become a prominent name in the industry for stylish and high-quality home decor. The brand is characterized by its "modern charm" aesthetic, which combines a relaxed yet elevated design style, often leaning towards modern rustic. McGee & Co. offers a diverse range of products, from furniture like couches and rugs to kitchenware and outdoor items, all designed to enhance both the beauty and comfort of a home. Examples from their collection include the Astrid Fringe Stool, Spencer Gingham Pillow Cover, and Windmere Woven Box, each described with specific design elements and potential uses. Next, the article introduces Magnolia Home by Joanna Gaines. Known for her captivating cozy farmhouse style, Joanna Gaines, along with her husband Chip, launched Magnolia in 2003 in Waco, Texas. What began as a small boutique has grown into a well-loved interior decor brand. Magnolia Home’s products, ranging from dining tables and chairs to vases and kitchen utensils, consistently reflect Gaines’s modern farmhouse aesthetic. The brand is noted for its reasonable prices and good quality, with collections that are trend-led yet timeless. Recommended items include the Adeline Antique Brass Double Wall Sconce, Antique White Eyelet Tablecloth, and Enzo Turned Wood Side Table. Jonathan Adler’s eponymous brand is presented as a destination for modern glamour and maximalist design. Since the 1990s, Adler has infused interiors with eye-catching styles, celebrating color, pattern, and playful aesthetics. His store features everything from large furniture pieces to smaller decorative items, including decorative pottery, which was his initial passion. The brand also recently collaborated with Ruggable for a pet decor collection. Jonathan Adler’s store is recommended for those seeking "loud luxury" in their homes. Specific products mentioned are the Venezia Small Vase, Jet Set Needlepoint New York Pillow, and Muse Sun Trinket Tray. Shoppe Amber Interiors, founded by Amber and Mike Lewis, embodies a sleek, fresh, and laid-back style, aligning with the modern organic design trend. Launched over a decade ago in Southern California, the brand offers simple yet effortlessly stylish home decor. Products are characterized by neutral, earthy hues, rich textures, clean lines, and polished finishes, reflecting Amber’s "California modern aesthetic." Shoppe Amber Interiors is ideal for individuals aiming to create a calm and relaxing oasis with neutral decor. Examples include the Amber Lewis x Four Hands Sedoni Lounge Chair, Amber Lewis x Loloi Cali Cil-05 Natural / Multi Area Rug, and Woodley Woven Basket. Finally, Kathy Kuo Home is highlighted for its timeless decorating ideas. Founded in 2012 by interior designer Kathy Kuo, the brand offers furnishings and decor that exude classic and traditional elegance. Kathy Kuo Home caters to a wide range of interior design styles, with an extensive catalog that spans outdoor decor, indoor furniture, rugs, and artwork. The brand is praised for its quality and stylish pieces, demonstrating Kathy’s passion for enduring beauty. Products showcased include the Kathy Kuo Home Vesper Regency Gold Arched Wall Mirror, Staten Modern Classic Gold Iron Square Decorative Box, and Hanalei Coastal Beach Natural Rattan Table Lamp. The article concludes by emphasizing that shopping at designer-owned stores provides a curated selection, akin to a personal design consultation, given the designers' expertise in home decor. #InteriorDesign #HomeDecor #DesignerBrands #ModernFarmhouse #MaximalistDecor #ModernOrganic #TimelessElegance #HomewareStores #StyleTrends

This blog post showcases a gut renovation project of a 1920s Mediterranean-style home in Los Angeles, transformed by interior designer Mandy Cheng. The owners, a young couple, aimed to update their property while preserving its original character, despite their preference for contemporary furniture and decor. Cheng's strategy focused on seamlessly integrating modern elements with the home's existing architectural details. One of the key solutions employed by Cheng was the incorporation of custom built-ins. For instance, the family room features an entertainment center that spans an entire wall, incorporating arches and integrated windows to allow natural light into the space. This custom millwork harmonizes with contemporary furnishings, such as a white boucle armchair and a globe sconce, effectively bridging the stylistic gap between old and new. Beyond aesthetic updates, the renovation included significant structural reconfigurations. The four-bedroom, three-bathroom house was expanded into a five-bedroom, five-bathroom layout. On the upper floor, Cheng redesigned a previously oversized bedroom, a smaller room, and a shared, narrow bathroom. This reorganization allowed for the addition of individual en-suite bathrooms for each of the clients' two children and a refreshed primary suite. The main floor saw the kitchen reoriented and walls removed to create a more open-plan design, providing a clear sightline to the family room. This layout enhances the functionality of the home, enabling parents to oversee their children while preparing meals. A notable design feature in the kitchen is the use of hand-painted tiles sourced from Tabarka, a coastal town in Tunisia. The procurement of these tiles presented challenges due to pandemic-related shipping delays. The finished kitchen also includes pendants from Visual Comfort, Brizo fixtures, Vadara Quartz countertops, an RH dining table, Hati Home chairs, and a Jas Becker bench. The cabinetry is painted in Troubador by Portola Paints and features hardware from RH, complementing the Tabarka Studio tiles and terracotta-colored grout. The living room is designed for both elegant entertaining and family activities, featuring a variety of seating options, including a blue Maiden Home sofa and a Serena & Lily hanging chair. Key items in this space include a Meadow Blu chandelier, a One Kings Lane coffee table, and a Lulu & Georgia rug. The dining area, visible upon entering the house, features a custom 10-foot table by Estuary Home, Design Within Reach chairs, Rove Concepts end chairs, a Rejuvenation rug, and a Park Studio light fixture. The primary bathroom is adorned with hand-painted tiles from Mexico, adding a unique and artisanal touch. The exterior of the property also underwent a major transformation, with a dilapidated garage converted into an Accessory Dwelling Unit (ADU) and pool house. This involved altering the roof pitch, adding a pergola, and integrating it with a newly installed swimming pool. The ADU features an efficient kitchen with blue cabinetry painted in Hamilton Blue by Benjamin Moore, Schoolhouse hardware, Tabarka Studio tiles, Illuminate Vintage sconces, and Brizo fixtures, alongside Clad Home sofa and a coffee table from The Vintage Rug Shop. The 3,500-square-foot home is described as livable, easy, and suitable for both playdates and dinner parties, successfully maintaining its original charm while embracing modern living. The project is an example of how a 1920s structure can be sensitively updated to meet contemporary needs without losing its historical essence, achieved through a thoughtful blend of custom features, reconfigured spaces, and carefully selected materials and furnishings. #HomeRenovation #InteriorDesign #MediterraneanStyle #CustomBuiltIns #OpenConcept #TileDesign #LosAngelesHome #HistoricPreservation #MandyChengDesign

This article highlights the comprehensive renovation of a 1970s West Vancouver home, situated overlooking the Burrard Inlet. The project, undertaken by Vancouver-based interior designers Falken Reynolds, aimed to integrate two previous, disjointed additions and reconfigure the living space. The primary goal was to create a home that not only embraced its mid-century modern origins but also offered day-to-day comfort and suited relaxed entertaining. The design philosophy centered on infusing the space with a blend of glamour and casual sophistication, achieved through carefully curated sculptural and expressive furnishings that evoke a 1970s aesthetic, alongside an extension of the client's art collections. Initially, the house suffered from a fragmented layout of several small, separate rooms, which lacked proper flow and failed to capitalize on the stunning ocean views. To address this, the design team implemented an open-plan concept for the main living area, allowing panoramic views of the ocean to be enjoyed from all primary sections of the home. A particular challenge involved a large fireplace that obstructed the ocean view. Demonstrating a commitment to sustainability, the designers opted to salvage and reuse the fireplace's unique honey and amber-hued onyx cladding rather than replacing it entirely. This material was then skillfully reinstalled in a new, curved fireplace design, transforming it into a subtle yet impactful focal point within the great room. In the family room, a striking glass wall maximizes the breathtaking vistas of the Salish Sea and Passage Island. The redesigned main floor now serves as a dynamic gallery for the client’s extensive art collection. To ensure the artwork stood out, the designers selected a foundational palette of warm and sensuous colors, allowing the furnishings, characterized by their eclectic forms and bold hues, to complement the art. Notable pieces include a blue Mon-Cloud sectional from Cassina, Ingo Maurer's sculptural Wo Tum Bo 2 Floor Lamp, and a smoked glass Echino Coffee Table from Zanotta, all contributing to the mid-century modern sensibility. The exterior environment was also a significant consideration, influencing the atmosphere to evoke a carefree Southern California lifestyle. A U-Turn Chair from Bensen was chosen for its minimalist design, enabling unobstructed enjoyment of the ocean views. The former closed-off dining room was reimagined as an integral part of the open-plan kitchen, becoming a central hub for activity. The eat-in kitchen features a contemporary NVL dining table from MDF Italia and Dudet chairs from Cassina, illuminated by an antique Murano glass chandelier, further solidifying the mid-century aesthetic. The kitchen’s design consciously balances refinement with approachability through a layered use of color and texture. A lighter kitchen design strategy involved keeping cabinets below ceiling height, with stacked Spanish porcelain tile providing texture reminiscent of reclaimed bricks. Independent kitchen components, styled as furniture pieces, are unified by this tile, which extends as a backsplash and plinth. Curved Corian door fronts on the island soften edges and diffuse light, while 1970s crystal wall sconces minimize recessed lighting, contributing to a clean, uncluttered ceiling. Natural hardwood flooring and millwork throughout the home ground the design within its West Coast context. The bathrooms also feature noteworthy lighting, including retro-inspired Sepia Bocci 14 pendants, and a green quartzite backsplash that wraps around the basin and bathtub, complemented by curved Japanese Inax tiled walls. The home is a testament to blending retro charm with modern style, creating a layered, inviting, and functionally updated living space that respects its architectural heritage while embracing contemporary comfort and aesthetics. #HomeDesign #MidCenturyModern #InteriorDesign #HomeRenovation #EclecticStyle #OpenPlanLiving #SustainableDesign #VancouverHomes #FalkenReynolds

The Ghillanyi House, designed by Harry Seidler for the Ghillanyi family in 1957, is revisited to assess its longevity as a significant piece of Modernism. Located in the leafy suburb of Beaumont, Adelaide, it stands as the sole extant Seidler house in the city. The article reflects on the house's evolution over more than fifty years, highlighting how it has been sensitively adapted by various owners to accommodate contemporary lifestyles while retaining its original character and connection to the environment. The current owners, who have lived in the house for ten years, are preparing to leave, having engaged in a respectful and robust dialogue with the dwelling, enhancing its identity while integrating modern standards. The house's provenance is meticulously documented, with information sourced from the University of South Australia Architecture Museum, confirming details such as its construction cost (£8136) and completion date (July 1959). The construction was supervised by Dickson and Platten, a prominent Adelaide practice of the time, known for its approach to projects from first principles, attention to craft, and materiality, akin to Seidler's philosophy. Correspondence between Seidler and Dickson and Platten reveals a shared commitment to simplicity and functional a-stylism, with Seidler emphasizing "neatest and cleanest" junctions and "clean and simple design" for fittings. The material palette, while diverse in texture—including random rubble, smooth face brick, and off-form concrete—was initially pale and subdued, aligning with Seidler's subtly antipodean interpretation of Modernism's cool white box. Over time, the Ghillanyi House has become more vibrant, featuring painted accent walls, primary-hued curtains in children's bedrooms, and abstract external murals. Its accommodation has also expanded with the addition of a bedroom and bathroom, transforming the original main bedroom into a children's rumpus room, reflecting contemporary family living trends. Despite these alterations, the fundamental plan, which delineates distinct public and private zones finely tuned to orientation and outdoor access, remains intact. Seidler's original built-in furniture continues to offer clarity, utility, and detail, with elements like a suspended silver ash cabinet with recessed uplighting still present. The kitchen, being the most technologically driven space, has seen the most significant updates, with materials like Caesarstone and charcoal ceramic tile replacing older finishes, and the work triangle reconfigured for modern appliances and better traffic flow. The house exemplifies passive climate control through its substantial overhangs and thermally responsive materials. Its ability to naturally cool interiors with gully breezes, even during Adelaide's hot weather, underscores its thoughtful design, despite the recent installation of air conditioning due to challenges in integrating services within its exposed structure. The enduring quality of the construction is evident in the minimal signs of wear, a testament to its robust design in Adelaide's reactive soil conditions. The volumetric composition of the house, described by a young occupant as resembling a "block of cheese," with its strong shapes, distinctive foliage, and high-contrast light and shade, maintains its architectural integrity while having acquired a rich patina over the decades. The article concludes by pondering the extent to which Seidler's design successfully challenged architectural pretensions in suburbia, ultimately suggesting that the Ghillanyi House achieved its lofty aim of being an avant-garde dwelling that truly feels like home. #GhillanyiHouse #HarrySeidler #Modernism #ResidentialArchitecture #AdelaideArchitecture #ArchitecturalPreservation #MidCenturyModern #HomeRenovation #PassiveDesign

This blog post highlights a 1961 architect-designed residence located at 1919 Merrick Street, praising its enduring elegance and the architect's skill in integrating the structure with its natural surroundings. The home, designed by Glenn Allen Galaway, a protégé of New York architect Phillip Johnson, showcases a dignified portfolio in both Dallas and Fort Worth. The article emphasizes Galaway's success in leveraging the property's ravine views, seamlessly blending the design into the environment. Despite being 57 years old, the three-bedroom, three-and-a-half-bath house maintains a timeless aesthetic, having undergone a thoughtful renovation in 2014 that respected its original architectural intent. The interior features a cantilevered bay with floor-to-ceiling windows next to the fireplace, effectively bringing the outdoors inside. A paneled, floating wall cleverly divides the living area from a study, incorporating bookcases on the study's side. The open galley kitchen overlooks an informal dining area and bar, and the recent renovation introduced high-end finishes and materials, including top-tier appliances and a slab Carrara marble backsplash. The dining area offers a view of a private court, and strategically placed skylights enhance the natural light within the interior spaces. Bedrooms are also designed with floor-to-ceiling windows, and when combined with large, mature trees and the home's raised position, create the ambiance of a luxurious treehouse. The bathrooms have been updated with contemporary hardware and trendy wallpaper, exemplified by a Quadrille Ikat backdrop for a shell-framed mirror. The 4,145-square-foot, split-level house includes an informal living area downstairs, accessible via stairs. This lower level features a second fireplace and a wall of windows opposite a bookcase wall. The property gives the impression of floating in space, supported by slender stilts, with the nearly one-acre lot serving as a private green oasis. The article notes that the street view initially conceals the luxury within, but closer inspection reveals Galaway's subtle and effective approach to the challenges posed by the steeply graded lot. Plans for a pool and guest house, designed by Dallas-based firm Droese Raney, and a landscape plan by Archiverde, are available and will be transferred to the new owner. The property is currently listed at $1.6 million by Kris Karr and Kendall Kostohryz at Williams Trew. #ModernArchitecture #GlennAllenGalaway #FortWorthRealEstate #LuxuryHomes #HomeRenovation #InteriorDesign #ArchitecturalDesign #MidCenturyModern