An Architectural Feat in Silicon Valley Tames a Rocky Landscape

The article discusses the architectural installation "Spirit of the City" by London-based United Visual Artists (UVA) at A/D/O in New York, presented during New York Design Week. This installation is a collaboration with Mini, hosted in their innovative creative space, A/D/O. The primary goal of the installation is to offer a reflective experience within the dynamic urban environment, metaphorically and physically mirroring its surroundings and New York City at large. The installation consists of 9-foot-high modular columns that revolve, creating an immersive experience for visitors. The rotation patterns are not arbitrary; they are based on extensive research into human activity within the city. This research allowed UVA to develop a 24-hour algorithm that dictates the movement of the columns, transitioning from tranquil rhythms to more urgent, dynamic movements. As visitors navigate the space around these colossal totems, they can observe subtle shadows cast onto the ground, forming intricate, poetic patterns that respond to the kinetic energy of the columns. The surface of the columns themselves presents varying perspectives, shifting from serene sky blues to the grittier, industrial aesthetics of A/D/O's creative hub. This visual transformation further emphasizes the interplay between the installation and its urban backdrop. UVA, founded in 2003, is known for its art practice that integrates technology to create experiences that often extend beyond conventional physical boundaries. Their previous works have been showcased globally in prestigious institutions such as the Victoria and Albert Museum and YCAM in Japan. Matt Clark, founder of UVA, poses a fundamental question through "Spirit of the City": do human activities shape urban landscapes, or do urban landscapes, in turn, define human activities? This philosophical inquiry underpins the interactive and reflective nature of the installation. A/D/O itself, located in a converted warehouse in Brooklyn, opened the previous year, featuring a diverse array of design-focused retail, bars, and restaurants, aligning with Mini's broader design agenda. Mini's head of brand strategy and business innovation, Esther Bahne, states that Mini believes in design's capacity to foster a more humane world. A/D/O initially launched with Design Academy, a three-day festival for professional designers to explore cultural themes. "Spirit of the City" marks the space's first major showcase for NYCxDesign since its opening and was on display until 2 September. The installation, through its thoughtful design and interactive elements, invites contemplation on the symbiotic relationship between people and their urban surroundings. #NewYorkDesignWeek #ArchitecturalInstallation #UnitedVisualArtists #UrbanEnvironment #AdoSpace #MiniCollaboration #KineticArt #PublicArt

Joy Cho and her husband Bob embarked on a challenging house hunt in Los Angeles in 2014, facing a competitive market and limited options. After initial discouragement, a conversation with architect and interior designer friends, McShane and Cleo Murnane of Studio Murnane, redirected them towards new construction. This pivotal discussion shifted their search from existing homes to undeveloped land, aiming for a "forever home" that could accommodate their growing family. They prioritized a flat yard and seamless indoor/outdoor living. The couple eventually acquired three contiguous vacant parcels in the Los Angeles hills, a site previously deemed problematic by developers due to its steep slope and complex zoning. McShane Murnane devised a strategy to address these challenges, combining two of the lots to create a larger single parcel and retaining a smaller one. This innovative approach allowed for the construction of two distinct structures: a main residence for the family and a separate studio for Joy's creative work, which also functions as a guesthouse. The architectural design for the two buildings intentionally diverged to prevent a uniform, development-like appearance. Joy's studio, characterized by its dark, vertical form, drew inspiration from Scandinavian aesthetics. In contrast, the main home, with its light and horizontal lines, paid homage to Los Angeles's rich architectural history, particularly referencing Rudolph Schindler's site-influenced designs that integrate with the hillside landscape. The interior design further distinguished the two spaces. The main home adopted a neutral and serene palette, fostering a calm living environment. The studio, on the other hand, embraced vivid colors, playful textures, and bold patterns, reflecting Joy's creative personality, where pink was considered a neutral. Custom terrazzo with pink and yellow highlights was used in high-traffic areas, and brass finishes added richness throughout both structures. The exterior of the main home combined crisp white stucco with redwood from Humboldt Sawmill, chosen for its natural warmth, durability, and ability to age gracefully. Redwood was also utilized for the roof decks, ensuring comfort in the Los Angeles sun. The material's sustainability, as a native California species and FSC® certified product, was also a key factor in its selection. Today, the completed compound serves as a home for Joy, her husband, their two daughters, and pets. Despite the complexities of building on a hillside, the family has made the property their own, even inscribing messages on the wooden beams during construction to permanently embed their presence within the home's structure. The project stands as a testament to overcoming design challenges through innovative solutions and personalized touches, creating a unique and functional living and working space. #LosAngelesArchitecture #LiveWorkCompound #RedwoodDesign #HumboldtSawmill #StudioMurnane #SchindlerHouseInfluence #SustainableMaterials #CustomHomeBuild #IndoorOutdoorLiving

This article details the transformation of a four-bedroom California bungalow on Sydney's Lower North Shore, owned by designer Jennie Cadman of Periwinkle Interiors. The renovation was undertaken to accommodate her growing family, which includes her husband and four children, aged between two and 12. Despite having completed a renovation on their previous home nearby, it proved insufficient for their needs, prompting the family to acquire this bungalow in 2018. The property was appealing due to its 'great bones,' featuring high ceilings, spacious bedrooms, a predominantly single-level layout, and a generous backyard. Previous owners had also effectively utilized the attic space, converting it into an additional bedroom and a family room. However, the bungalow presented challenges, particularly its dark and inefficient floor plan in the 1990s addition. This section included a bedroom and laundry overlooking the garden, a space Jennie felt was better suited for a living area. A significant issue was the lack of kitchen bench space, compelling Jennie to prepare meals on the stovetop. To address these functional shortcomings and improve the home's flow, the family engaged architect Adam Hampton of Hampton Architecture in 2019. Their primary goals were to design a new extension with a living area that maximized garden views, reconfigure the misplaced bedroom, and incorporate an ensuite for their eldest child, who needed a private bathroom. Today, the renovated home features an open-plan kitchen, dining, and living area that occupies almost the entire left side of the house. A distinct sitting room is situated between this open-plan space and the entry, while the main bedroom suite and family bathroom are located to the right of the entry. The children’s bedrooms now overlook the backyard, and the pitched roof of the upper level houses a study and a family room. The kitchen, designed as the central hub, connects seamlessly to the new living room and the backyard. A notable architectural feature of the extension is its pitched roofline, which mirrors the original front facade and achieves an impressive height of approximately 4 meters, enhanced by skylights, to create an expansive and airy feel. Innovative design choices include a 1.4x1.1-meter cool room in place of a traditional fridge, providing an efficient way to store groceries. Jennie also specifically requested that all storage be below bench height, accommodating her stature. In the dining area, French doors were added, opening onto a deck overlooking the front garden and pool, with a sheltered sitting area beneath. Windows in the children’s bedrooms were enlarged, and the attic family room gained a balcony to further integrate indoor and outdoor spaces. The main bedroom was reconfigured to enlarge both the ensuite and walk-in wardrobe. The interior design, largely overseen by Jennie, showcases a bold navy blue palette, particularly prominent in the sitting room through artworks and soft furnishings. This is contrasted with vibrant pops of red and orange, seen in a Knoll ‘Womb’ chair and a patchwork kilim in the dining area. Jennie intentionally created a contrast between formal and informal spaces, with the casual living room being bright and airy, and the sitting room designed to be darker and more intimate. Texture plays a crucial role, with materials such as a linen modular sofa, linen curtains, timber floors, tongue-and-groove joinery, a concrete plinth, and a marble coffee table in the family room. The main bathroom features smooth marble, while the kitchen employs dolomite for benchtops and splashbacks, complemented by walnut veneer and brass finishes. Jennie identifies the sitting room as her favorite space, appreciating its cozy and enveloping atmosphere. #CaliforniaBungalow #HomeRenovation #InteriorDesign #FamilyHome #ArchitecturalExtension #OpenPlanLiving #NavyInteriors #CathedralCeilings #KitchenDesign #OutdoorLiving

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

The project involved the renovation of a 1960s home and the addition of a compact, single-story extension in British Columbia, Canada. The property, situated at the end of a suburban street, is characterized by rocky outcrops, mature fir and oak trees, and expansive 180-degree views of an inlet. The clients' vision for a new residence on this sensitive, waterfront site led to a solution focused on minimal ecological impact by retaining and renovating the existing structure, alongside the new addition. Strict waterfront setback regulations played a pivotal role in shaping the design of the addition, which accommodates the primary bedroom and en suite. These regulations necessitated an irregularly shaped building envelope. The design of the new volume features a minimal footprint, carefully touching the terrain with recessed concrete foundation walls to prevent extensive excavation in the marine-protected area. The structure itself is designed to appear as though it is hovering, with its roof dramatically soaring 13 feet above a cantilevered screen wall that extends to a sharp point. Access to the home is orchestrated by a colonnade-lined staircase that directs visitors to the front door. The addition is clad in light-stained cedar, creating a visual contrast with the original house's shed-roof forms and dark finishes, which are intended to echo the granite shoreline. In terms of landscaping, patios and pathways are seamlessly integrated with the site's native vegetation and natural topography. The design incorporates expansive windows, some with concealed frames to blur the distinction between interior and exterior spaces, and others strategically placed to frame specific vistas. These windows are instrumental in capturing the changing light and ocean reflections, thereby animating the interior spaces throughout the day. The project was completed by Splyce Design, with Mdrn Built as the builder, Aspect Engineers handling structural engineering, and Andrew van Egmond responsible for landscape design. Ema Peter provided the photography for the project. #HomeRenovation #CantileveredExtension #WaterfrontProperty #SplyceDesign #BritishColumbiaArchitecture #MidcenturyModern #SustainableDesign #ArchitecturalInnovation

Film director Will Gluck's Los Angeles home, designed by his father Peter Gluck of GLUCK+, is a contemporary reinterpretation of the iconic Case Study Houses from the post-World War II era. While retaining the clean lines and midcentury aesthetic characterized by glass, wood, and steel, the new residence incorporates significant advancements in sustainability and comfort. The original Case Study Houses, though groundbreaking for their time, were often compact and lacked sustainable features, built primarily to meet the high demand for housing after the war. Peter Gluck's design addresses these past limitations by integrating modern sustainable practices. The lower level of the home is built into the hillside, utilizing the earth-sheltered concept for natural insulation. Nine inches of soil on top of this level, combined with a foot-thick concrete wall, significantly reduce air leakage and stabilize interior temperatures, contributing to substantial natural heating and cooling. This strategic construction minimizes energy consumption, making the home more environmentally friendly and comfortable year-round. The upper level of the house features a distinctive "floating roof" design. This rectangular roof appears to hover above the glass facades, an illusion created by lowered cabinets and interior walls. The roof is subtly rotated and gently tilted upwards at the edges, reminiscent of an origami bird. This angular differentiation is not merely aesthetic; it strategically creates shaded areas throughout the day, allowing residents to enjoy the outdoor environment in various conditions. Furthermore, the roof discreetly houses a comprehensive array of solar panels, which generate enough electricity to power the entire house and charge three electric vehicles, highlighting a strong commitment to energy independence and sustainability. Peter Gluck's design philosophy is evident in the clear distinction between public and private spaces, while always adapting to the surrounding environment. The lower level is dedicated to private areas, including bedrooms, bathrooms, a family reading area, and an enclosed home theater. Despite its subterranean nature, floor-to-ceiling glass panels offer expansive, uninterrupted views of the valley and allow ample California sunshine to penetrate the interior. The upper level, in contrast, serves as an open, public domain encompassing the kitchen, dining, and living areas, which boast even more sweeping panoramic views. The Gluck family values the open and comfortable interiors for quality family time, frequently congregating in the kitchen and enjoying both indoor and outdoor spaces. Will Gluck expresses a deep appreciation for the home, viewing it as a realization of his father's vision. He particularly cherishes a rug in the downstairs hall, originally intended for the floor but now functioning as an interactive art piece. The project represents a successful fusion of homage to midcentury design with innovative sustainable building practices, creating a home that is both aesthetically pleasing and ecologically responsible. The collaborative process between father and son, and the involvement of GLUCK+ in the construction, fostered a positive and memorable experience for the family. Key design and construction teams involved in the project include GLUCK+ as both Architect of Record and General Contractor, with structural and civil engineering by PECK, and landscape architecture by Hoerr Schaudt. Lux Populi provided lighting design, while Insight Environmental Design by Anne Kaplan handled interior design. Cabinetry was designed by GLUCK+ and installed by Funtime Cabinet Factory. Paul Vu and Brandon Shigeta were the photographers for the project, and IBC Engineering Services, Inc. along with CES Engineering contributed to mechanical engineering. #MidcenturyModern #SustainableArchitecture #LosAngelesHomes #FloatingRoofDesign #GLUCKArchitecture #CaseStudyHouses #GreenBuilding #ArchitecturalDesign #FamilyHome

Los Angeles architecture studio CHA:COL undertook the renovation of an apartment for a novelist and game designer, transforming a previously cluttered space into a functional live-work loft. Located in LA's Arts District, the project aimed to create a serene and inspiring environment for the creative couple, moving away from the apartment's former ornate and theatrical aesthetic. The renovation involved a significant simplification of the interior, strategically dividing the space to accommodate both private living areas and a combined kitchen, lounge, and study space. Upon entering the apartment, a clear division was established, with a private area partitioned to the right of the threshold. The main living space, encompassing the kitchen, lounge, and study, is situated at the end of the entry hallway. This layout was designed to optimize functionality and flow for the occupants. During the renovation process, existing structural elements such as heavy timber posts and ceiling beams were exposed, contributing warmth and character to the otherwise bright and minimalist interior. These wooden elements contrast with white-washed walls, light-colored flooring, and the glossy finishes of integrated furniture, creating a balanced and visually appealing environment. Large windows further enhance the brightness of the space, allowing ample natural light to permeate the loft. Custom-made millwork plays a crucial role in defining the various zones within the open-plan area. A bespoke kitchen unit marks the entrance to the combined living space, while another distinct furniture installation separates the lounge from the dedicated work area. This latter installation, known as "the writer's block," was conceived as a double-sided object, serving to clearly delineate the different functions of the space. One side of the writer's block is designed for more public and social activities, such as entertainment, while the other, more private side, functions as a dedicated writer's desk. CHA:COL principal Apurva Pande emphasized that the studio aimed for the space to be both motivating for creative pursuits and suitable for the clients' daily living habits. Adding a whimsical and inspirational element, a large geometric graphic was applied to the wall facing the lounge area. This intricate pattern extends onto the grey carpet in the form of striations. Where these lines intersect with the writer's block, they seamlessly integrate into three sections of the furniture piece, shaping niches and influencing the angles of the shelving units. Both the color palette and the overall design layout draw inspiration from the popular smartphone puzzle game, Monument Valley. This game is renowned among creatives for its impossible architectural mazes and vibrant, stylized graphics. According to Pande, Monument Valley's unique ability to transform two-dimensional shapes and lines into a surreal three-dimensional landscape resonated with the design team and the clients, given their backgrounds in gaming and animation. The concept of the game, where the central character, Ida, navigates tilted planes and angular walls, directly influenced the design of the loft. The architects envisioned the clients moving through the central creative area into the lounge in a similar fashion, translating the game's interplay between 2D and 3D into the physical space. Despite the modern transformation, subtle nods to the apartment's past remain, with gargoyles from the original interior painted over, adding a humorous juxtaposition to what CHA:COL now refers to as a "compact, urban oasis." The project highlights a contemporary approach to residential design, where personal interests and professional needs of clients are deeply integrated into the architectural and interior solutions. By drawing inspiration from unexpected sources like video games, CHA:COL created a unique and personalized living and working environment that fosters creativity and provides a retreat from urban life. This renovation serves as an example of how bespoke design and thoughtful space planning can transform an existing apartment into a highly functional and aesthetically engaging live-work studio for creative professionals. The integration of custom millwork, geometric graphics, and a thematic inspiration from a popular game demonstrates a holistic approach to interior design that goes beyond mere aesthetics to enhance the occupants' lifestyle and work productivity. The blend of exposed structural elements with modern finishes and personalized decor creates a distinctive character for the loft, balancing warmth with contemporary style. #ApartmentRenovation #LiveWorkLoft #CustomMillwork #GeometricGraffiti #MonumentValleyInspired #LosAngelesArchitecture #InteriorDesign #CreativeSpace #ResidentialDesign

Hailey and Ryan Weller, partners at Concrete Collaborative, undertook a renovation of their 20-year-old home in San Clemente, California, with the goal of creating bright, relaxed spaces for their family and pets. Their primary objective was to lighten the existing dark and dated finishes, infusing a coastal aesthetic inspired by the nearby beach environment. Given their professional background, concrete and terrazzo architectural finishes played a central role in the home's redesign, featuring natural materials reminiscent of sand and rock, abstract patterns suggesting surf culture, and playful color accents. The open-plan ground floor was designed with a neutral palette of whites, creams, and warm grays, serving as a sophisticated foundation for more vibrant elements. Geometric patterned tiles from Concrete Collaborative's Strands x Half Moon collection, designed by Natalie Meyers with a "Scandi-fornian" ethos, were incorporated around the fireplace. The kitchen, characterized by white cabinetry complemented by rattan and timber details, adopted a coastal chic style. Countertops were outfitted with expansive slabs of Concrete Collaborative’s Pacifica extra small marble chip terrazzo, paired with a backsplash from the Strands collection featuring a beige accent that subtly echoed the brass hardware and evoked sandy beaches. Terrazzo tiles were strategically used to establish a seamless flow across the entire ground floor, with their large, rectangular format enhancing the open-plan layout. This design extended to an outdoor entertaining area through large glass doors, facilitating an indoor/outdoor living experience year-round. The outdoor space includes a pool and lounge area paved with Concrete Collaborative Trails pavers and a bar clad in Dwell Tails tiles from the Strands collection, featuring bold, midcentury-inspired colors like Acacia. Additionally, Trestles Circle Breeze Blocks in Beige provided an elevated architectural pattern for a simple block bench. The playful approach to materials and patterns continued into the home's private areas, particularly the four distinct bathrooms. Each bathroom was given a unique character. The guest bathroom, connected to the pool area, aimed for a "lush feeling" using Strands x Dwell collection tiles in Universal Green and Ivory, with color inlaid using the traditional encaustic process for durability. The children’s bathroom adopted a dramatically different palette, featuring a Large Pink Chip terrazzo on the floors and pink striped Strands tiles on the shower walls, balanced with black hardware and a black speckled basin to avoid a overly cutesy appearance. Overall, the renovation successfully integrated Concrete Collaborative's products to achieve a harmonious and functional living space. The design choices, from the natural raw materials of the tiles to the beach-inspired color schemes, were tailored to the San Clemente beachside setting, resulting in a simple, relaxed, and cohesive aesthetic that fulfills the homeowners' vision. #HomeRenovation #CoastalDesign #ConcreteCollaborative #TerrazzoTiles #GeometricTiles #InteriorDesign #OutdoorLiving #BathroomDesign #KitchenDesign

For decades, architects and government officials have recognized the importance of energy-efficient buildings, especially since the 1970s energy crisis. Buildings, including their construction, materials, and associated infrastructure, contribute up to 40 percent of global carbon emissions, making energy efficiency a critical concern. This understanding is foundational in North American architecture schools and has been emphasized by European institutions for even longer. The "Passive House Design" approach, pioneered by German architects, considers a building's entire interconnected system, focusing on its integration with the site, climate, and social support. This philosophy extends beyond residential structures to all building types. A more recent evolution, the "Net Zero Design" approach, also led by German designers, takes this further by requiring buildings to be highly efficient, use minimal energy, and replace all the energy they consume, potentially even contributing excess energy back to the local power grid. Europe, with its advanced energy design and construction history, has developed numerous innovative building cladding systems that contribute to energy efficiency. These systems often incorporate specialty fabrics in intelligent ways, such as vertical shade systems, retractable awnings, and entire building wraps. Industry experts, including Steve Fredrickson from Serge Ferrari North America, note that Europe is significantly ahead of North America in this area due to a lack of air conditioning standardization in European homes and retail, creating a greater need for heat barrier solutions. Additionally, European building codes are more adaptable to new energy-reducing products and developments. In contrast, existing North American building codes and the time required for their amendment make widespread adoption of fabric shade systems more challenging. Architect Samuel Armijos observes that while European markets showcase many examples of vertical fabric systems, such projects are scarce in the U.S. This lack of visible examples hinders broader acceptance and design incorporation. Architect Nicholas Goldsmith, however, notes a growing recognition among North American designers that exterior shading, particularly in specific regional climates, offers advantages over other cladding systems, such as being lightweight, efficient, and cost-effective. Mike Squizzato of Stobag North America Corp. highlights that Europeans prioritize shade for cooling due to higher electricity costs, whereas North Americans typically rely on air conditioning. He believes that as electricity costs rise and climate concerns grow, North American markets will rapidly adopt shading solutions, with awnings and vertical shading providing natural air-conditioned environments and potentially saving over 50 percent on electricity bills. Paul Snustead, director of facades at Structurflex, acknowledges Europe's lead but points to Structurflex's efforts to advance fabric facade architecture in the U.S. Tensile facades, also known as textile, fabric, or flexible facades, offer an innovative, long-lasting, and cost-effective alternative to traditional metal mesh screens, often costing about 50 percent less. These systems act as a 'second skin' for buildings, providing screening and shading, which can contribute to reduced energy consumption and LEED certification. Despite the clear benefits, the adoption of fabric-based shading systems in North America faces challenges. Traditional cladding materials remain strong competitors. Armijos notes a decline in leads for shade jobs, with parking garages being the primary market, but even there, fabric competes with pre-fabricated concrete and metal mesh systems. He suggests a major global event might be needed to spur a push toward textile facades. Andrew Trowbridge of Ronstan International observes a shift away from stainless steel cables in fabric structures towards greening systems and perforated aluminum panels for shade and facade coverage. Conversely, Fredrickson sees growth in both static and retractable vertical shading options across North America. Snustead describes an exponential expansion in the fabric facade architecture market, particularly for tensile fabric meshes, membranes, and foils, initially driven by parking garage screening requirements. Structurflex has seen an 800 percent increase in facade projects annually, with fabric facades becoming a significant part of their operations. Squizzato predicts that as temperatures rise, North Americans will increasingly seek cost-effective cooling solutions beyond air conditioning, leading to buildings with more colorful awnings and widespread vertical shading, eventually mirroring European practices within 15 years. For companies looking to enter or expand in this market, experts emphasize the need for knowledge, education, and accessibility of information. The ideal company size varies by region and market, but success hinges on having the right products and expertise. Fredrickson warns against using cheap, unproven products, which can harm the market's reputation. Snustead highlights the versatility of tensile facades, which can span large distances with less structural support and use materials that are often 100% recyclable with long lifespans. Squizzato points out that many existing businesses, from awning companies to landscape architects, can leverage sun shade protection to expand their services, provided they have appropriate insurance, training, and competent staff. The overall outlook for vertical fabric shading remains positive, with continued growth anticipated, especially as architects and contractors become more familiar with the medium's innovation and economic advantages. #BuildingFacades #VerticalShading #EnergyEfficiency #FabricArchitecture #SustainableDesign #ArchitecturalTextiles #NetZeroDesign #ClimateControl #ConstructionInnovation

The Ranch Mine, a US architectural studio based in Phoenix, has completed a holiday home called Noir Peaks in Flagstaff, northern Arizona. The house is characterized by its black, gabled forms that appear to 'burst vertically from the ground,' reflecting the surrounding volcanic landscape. The location of the property on a grassy, high-altitude plateau in Flagstaff, an area known for its mountains, aspen stands, pine forests, and a vast volcanic field, heavily influenced the design and materiality of the vacation home. The last volcanic eruption in this region occurred approximately 1,000 years ago, leaving a distinctive geological footprint. The Noir Peaks house is built on a two-acre (0.8-hectare) site and consists of a cluster of gabled forms perched on a two-foot-high concrete base. The architectural concept specifically aimed to mimic the volcanic mountains that dot the plateau, with three prominent gabled structures rising vertically. The exterior of the home features fibre-cement, board-and-batten siding, which is painted to match the dark lava rocks prevalent on the site. The spacing of the battens is intentionally varied to evoke the organic and scattered arrangement of nearby aspen trees, contributing to a seamless integration with the natural environment. The design team emphasized the economic construction of the house, stating their goal was to utilize a simple, cost-effective material that could withstand the harsh environmental conditions while achieving an elevated aesthetic through a unique batten pattern. Spanning 2,405 square feet (223 square meters), the interior layout of Noir Peaks is meticulously planned to optimize views of the majestic San Francisco Peaks. The house encompasses multiple communal spaces, a primary suite, three additional bedrooms, a mudroom, a laundry room, and a generously sized garage. The interior design adopts a neutral colour palette complemented by earthy materials such as wood and stone, fostering a warm and inviting atmosphere. For instance, tongue-and-groove hemlock clads the ceilings in the great room and the primary bedroom, adding textural richness and natural beauty. Fireplaces throughout the home are faced with Texas Crème limestone, further enhancing the natural and refined aesthetic. The overall interior ambiance is designed to be cozy and restful, drawing inspiration from the Danish concept of 'hygge.' This philosophy emphasizes creating a comforting and convivial environment that promotes well-being and contentment. In line with this, the designers aimed for the home to serve as a refuge where occupants can recover, rest, reflect, and re-energize in preparation for future adventures. To enhance comfort during the colder months, radiant heated concrete floors are installed throughout the house, providing a consistently warm and pleasant daily sensation. The Ranch Mine has a history of developing projects in Arizona, including a minimalist house in Paradise Valley and a series of townhomes in Phoenix featuring brick, stucco, and weathering steel facades. #VolcanicTerrain #GabledForms #HolidayHome #ArizonaArchitecture #TheRanchMine #SustainableDesign #HyggeInterior #EarthyMaterials #ModernArchitecture

The article showcases a custom-built home by Marmol Radziner in the Venice neighborhood of Los Angeles, listed for $5.89 million. This residence, spanning over 3,110 square feet with three bedrooms and three bathrooms, was constructed in 2010 and recently underwent refinishing. Its design exemplifies California modernism, with a strong emphasis on integrating nature into the living space. A key feature of the property is its surrounding lush botanical gardens, which include towering palms and exotic plants. These natural elements provide privacy and create a serene, secluded atmosphere, making residents feel distanced from the bustling city environment. The house is characterized by its sunlit, open-floor plan and extensive use of floor-to-ceiling windows, designed to maximize views of the surrounding greenery from almost every room. The dining room is strategically placed between two glass walls, offering views of a jetted ozone pool on one side and an outdoor kitchen on the other. The living area features high ceilings with recessed lighting, further enhancing the connection to the outdoors. The chef's kitchen is both spacious and functional, equipped with a Wolf built-in cooktop, ample storage, an oversized island, and custom copper-hued cabinetry. It also offers views of the botanical gardens and includes a leather built-in breakfast nook. The primary suite, located upstairs, presents a moody, minimalist aesthetic. It boasts a wood-paneled, spa-like bathroom with a sunken tub and an expansive walk-in closet. Sliding glass doors in the primary suite open onto an outdoor patio, ensuring continuous visual access to the lush gardens. The outdoor areas are designed for entertaining, featuring an onsen-like bespoke wood hot tub, multiple alfresco lounge spaces, an outdoor kitchen with a wood-fire grill, and weaving garden pathways. Listing agent Desyana Willis of Amalfi Estates highlights that the home's design blurs the lines between indoor and outdoor living, a hallmark of true California indoor-outdoor living. The property's unique custom design is described as a work of art, seamlessly connecting the backyard with the living room. The home's location is also a notable advantage, being steps away from Abbot Kinney Boulevard, known for its trendy restaurants, boutiques, galleries, and coffee shops. Marmol Radziner, the award-winning architecture firm behind this property, is recognized for its expertise in California modernism and its ability to link homes with nature. The firm's impressive client roster includes public figures such as Tom Ford, Ellen DeGeneres, Bradley Cooper, and Anthony Kiedis. They are also known for their respectful restorations of iconic homes by architects like Richard Neutra and Rudolph Schindler, including Neutra’s Kaufmann House and Buff & Hensman’s Harvey House in Palm Springs. #LuxuryRealEstate #MarmolRadziner #CaliforniaModernism #VeniceBeach #ArchitecturalDesign #IndoorOutdoorLiving #BotanicalGardens #LosAngelesHomes

Architectural details such as low-sloped roofs, arched front doors, or prominent turrets are commonly associated with charming homes like Craftsman, Spanish Colonial, or Queen Anne styles. However, even ordinary residences, such as split-levels or traditional brick row houses, can significantly enhance their curb appeal through the strategic use of exterior tile. The versatility and durability of porcelain and ceramic tiles, traditionally used in bathrooms and kitchens, can be extended to outdoor applications. The recent launch of OuterClé, a platform dedicated to outdoor-friendly tile products, highlights new opportunities for incorporating materials like terracotta and terrazzo into patios and garden pathways. Interior designers have also begun utilizing trendy materials like handmade zellige around firepits and swimming pools, further demonstrating the potential of exterior tiling. Architects are increasingly integrating tiles into building exteriors, whether by cladding entire facades or adding tiled sections to new additions. This approach allows for the creation of unique and personalized looks that can rival the character of historic Victorian or cozy Craftsman homes. The article presents eight examples of tiled exteriors, showcasing various creative applications and design impacts. One approach involves building custom patterns from simple rectangular tiles. For instance, Richard Christiansen, founder of Flamingo Estate, clad his garden office in Los Angeles with turquoise tiles arranged in various directions to create a patchwork effect. This design utilizes vibrant shades of green and blue, reflecting Christiansen's aesthetic preference. Another technique focuses on enhancing rooflines. In Costa Nova, Portugal, residences feature striped tiled facades, which, when combined with high-pitched roofs, create the illusion of increased height. Tile can also be used to create inviting covered spaces. In Lisbon, Portugal, an architectural firm utilized dark green tiles, including on the ceiling of a covered patio, to achieve a cocooning effect. This design transforms a simple overhang into a serene retreat, ideal for relaxation. Public transit systems can even serve as inspiration for exterior tile designs. London's Underground tube stations, with their distinctive curved corner tiles and specific pink glazes, have influenced architects to replicate similar aesthetics on Victorian terrace houses. This demonstrates how urban elements can be adapted for residential use, adding a unique historical and local flavor. For efficiency and cost-effectiveness, KitKat-style mosaic tiles offer a practical solution. These tiles come in large sheets, making installation quicker and more affordable. A Melbourne Victorian home, designed by Dan Gayfer, utilized this type of tile to introduce new natural light and update its interior efficiently. Tiled seating is another functional and aesthetic application. At a home in Buenos Aires, white square tiles were used to clad a rooftop entrance and integrate a built-in bench, effectively utilizing surplus material while maintaining a consistent design theme with large gridded windows. Mixing two tones of cement tile on a facade provides both durability and aesthetic depth. Cement tiles are robust, resistant to chips, scratches, dirt, and moisture, and available in a wide array of colors. An example from a UK home showcases the pairing of two similar blue shades in a random arrangement, creating a weathered, established appearance. Finally, framing windows with tile adds definition to flat architectural structures. A care home in Zoersel, Belgium, used minty green tiles for its facade, inspired by the surrounding forest, and further enhanced the windows with dark green tiles to provide contrast and visual interest to an otherwise boxy design. These diverse examples illustrate the transformative potential of exterior tiling in adding charm, personality, and architectural distinction to various types of homes. #ExteriorTile #ArchitecturalCharm #HomeImprovement #OutdoorDesign #FacadeRenovation #TileDesign #Zellige #CementTile #MosaicTile

This article details the interior design transformation of a unique, stoopless turn-of-the-20th-century brick and limestone row house in Park Slope, Brooklyn. The project was spearheaded by Park Slope-based interior designer Jennifer Morris of JMorris Design, who executed a comprehensive renovation and redecoration. The house, notable for its well-preserved original features like woodwork, plaster decoration, and diamond-paned leaded windows, presented a foundation for a glamorous modern aesthetic tailored to the homeowners, a family with teenage twins and a younger son. The residence spans four floors. The ground level features two entrances, leading to a reception room and a service entrance that opens into a hallway, playroom, guest bedroom, and bath. The main living area, referred to as the piano nobile, is located on the high-ceilinged second floor. The third floor accommodates the primary bedroom, a newly designed luxurious bath, and a sitting room, while the children's bedrooms are situated on the top floor. A significant part of the renovation focused on the kitchen, previously a long, dark galley-style space with a single small window, located in a rear extension off the formal dining room. Mark Pennell of Pennell Design redesigned the kitchen within its existing footprint, dramatically improving its character by integrating large expanses of window glass. Jennifer Morris then infused the space with a glamorous aesthetic, blending new acquisitions with existing client pieces. The homeowner's preference for 'Miami energy' — playful, iridescent, and shiny elements — guided some of the decorating choices. Throughout the house, Morris meticulously blended modern design with the home's historic integrity. In the downstairs reception room, elaborate plaster relief panels and parquet flooring were in excellent condition, complemented by new marble tile flooring in the vestibule. The reception area features Philip Jeffries grasscloth wall covering with a subtle sheen, and charcoal paint for moldings and trim. An existing powder room was updated with a water-jet-cut mosaic stone floor, porcelain tile wainscoting, and a compact corner sink. Upstairs, a landing area between the living and dining rooms showcases Trove wallpaper with a falling feather motif, a Julian Chichester console, and a client-owned glass chandelier, alongside an unexpectedly successful IKEA rug. The front parlor, or living room, was envisioned as a serene space with a powder blue and cream color palette, featuring a scalloped pendant light and sofa from Mitchell Gold Bob Williams, blue velvet armchairs with chrome legs, and a modern coffee table from Modern Interiors of Brooklyn. Benjamin Moore’s Mineral Ice provided a silvery cast to moldings against white walls. The dining room stands out as the only area where the original woodwork, including built-in cabinets, a coffered ceiling, and leaded glass pocket doors, was preserved unpainted. This decision maintained a historical contrast to other areas where previously painted wood was refreshed. A round white table from Modern Interiors of Brooklyn was chosen to enhance light, and a Schumacher patterned wallpaper added subtle texture. An original undulating window seat under leaded glass windows received a custom cushion. The primary bedroom was updated with Benjamin Moore’s Veil Cream on moldings, while the adjacent sitting room was furnished with existing client pieces. The primary bath was completely renovated to create a sparkling environment using a mix of glossy and matte glass tiles, with a door leading to a roof terrace. Two top-floor children's baths were also fully redesigned, featuring graphic tile floors and glimmering half-walls with tiles from Nemo, and a utility-style double sink from Kohler. The teenage daughter's bedroom was designed to be feminine yet bold, incorporating magenta accents on the lower walls and carpet tiles for easy future updates. #InteriorDesign #ParkSlope #HomeRenovation #JMorrisDesign #ModernGlamour #KitchenRemodel #BathroomDesign #HistoricHome #BrooklynInteriors

The Illuminus Group, a development firm, collaborated with CLB Architects to design a residential property in a private enclave in Park City, Utah. The objective was to create a timeless, elegant residence that offered extensive amenities while harmonizing with the natural surroundings, thereby setting a new standard for thoughtful design in the region. The 4.9-acre site, situated on a steep slope in the Wasatch Mountains at 8,500 feet above sea level, provides commanding views of the Park City Mountain resort and the valley. CLB Architects, known for their experience in high-end mountain residences, approached the landscape with careful consideration. Their primary goal was to make the 18,000-square-foot house, named Monitor's Rest, as compact as possible to prevent it from sprawling extensively into the forest. The design incorporates an L-shape plan, built into the hillside, making it appear smaller than its actual size upon approach. A central courtyard provides a serene entry point, offering views of the sky and allowing natural light into the home. The exterior features a material palette of Croatian limestone, shou sugi ban cedar cladding, steel-framed windows, and a copper roof, chosen for their durability against harsh winters. The interior layout is designed to contrast with the enclosed courtyard. A limestone foyer serves as the central hub, directing visitors to the primary bedroom suite and office on one side, and the living and dining areas on the other. Straight ahead, a dramatic atrium with forest-facing windows leads down to guest bedrooms and a bowling alley. Common areas, including a large patio with an indoor-outdoor pool, are oriented southwest, offering a strong connection to the slope and environment. The property also features ski-in/ski-out access with a dedicated locker room, while spa and sports facilities are discreetly located in the back. For the interiors, CLB collaborated with David Ostrander, co-founder and creative director of Iluminus. A key challenge was to maintain a focused aesthetic despite the house's vastness. This was achieved through a consistent material selection, including hemlock ceilings, oak floors, and walls clad in oak or Croatian limestone. The primary bathroom exemplifies this pared-down approach with its Zen-like composition of wood, stone, and black metal, featuring narrow mirrors that allow views of the trees and a freestanding wood tub for a sense of calm. The adjacent bedroom similarly employs restrained design with oak paneling and custom furniture. A distinctive feature of the property is a 19-by-19-foot tower room at the back of the ground floor. This pop-up perch, inspired by national park watchtowers, offers 360-degree views and serves as a whimsical yet sophisticated retreat. It includes a wraparound balcony, a floating fireplace, a rosewood table, and a Mrirt rug, designed to be both fun and refined for all ages. Overall, Monitor's Rest successfully integrates extensive amenities and luxurious living with a deep respect for its mountainous setting, elevating the architectural standard in the Park City community. #ResidentialDesign #LuxuryHomes #MountainArchitecture #ParkCityUtah #CLBArchitects #SustainableDesign #InteriorDesign #WasatchMountains #ArchitecturalInnovation

The Desert Wash home, designed by architect Brent Kendle of Kendle Design Collaborative, integrates with the Arizona desert landscape through its site-specific design and material choices. This 6,700-square-foot residence in Paradise Valley, Arizona, was created for a family of four and is named after the existing desert dry wash on the property, a drainage area susceptible to severe flooding. To address this natural challenge and embrace the environment, the home features an elevated glazed bridge that spans the dry wash, transforming a potential obstacle into a defining architectural element. The residence is thoughtfully designed to immerse its occupants in the natural surroundings while offering modern comforts and ample space for entertaining. The layout positions the majority of the home, including the master suite and three guest bedrooms, to the north of the dry wash. The foyer, an office, and one guest bedroom are situated to the south, connected by the aforementioned glazed bridge. This separation and connection allow for varied experiences within the home, highlighting the desert views from multiple vantage points. The material palette and neutral color scheme are deliberately chosen to harmonize the expansive structure with the desert environment. Rammed earth walls are a prominent feature, extending from the exterior into the interior, visually and texturally linking the dwelling to the earth. These walls, combined with extensive glazing, flat steel, and wood roofs with deep overhangs, define the architectural character. The use of predominantly white interior walls creates a bright and airy ambiance, serving as a neutral backdrop for the family’s art collection. Kendle Design Collaborative emphasizes that the Desert Wash home utilizes indigenous materials to delineate its main living spaces. The rammed earth walls literally bring the earth into the interior, providing a sense of rootedness and unity with nature. The design reflects a profound sensitivity to the site, respecting its natural topography and characteristics by nestling the home into the earth and spanning over the ancient wash. This approach ensures that the residence not only coexists with but celebrates the unique qualities of the Arizona desert. #DesertArchitecture #RammedEarth #SustainableDesign #ArizonaHomes #KendleDesignCollaborative #SiteSpecificDesign #ModernHome #IndoorOutdoorLiving