'The final chapter' of Frank Lloyd Wright's prosperous career – this New York home was the perfect passion project for its previous owner, who continued to restore this historic home

Frank Lloyd Wright, an iconic American architect, designer, writer, and educator, is celebrated for his profound influence on architectural and philosophical discourse. His extensive body of work includes approximately 1,000 structures, with about 400 realized projects, epitomizing his philosophy, as notably seen in Fallingwater, designed in the 1930s. Wright's concept of 'Simplicity' is crucial to understanding his approach, which he described as a "spiritual thing to comprehend." This enduring legacy means many of his works are open to the public, and his private residential designs continue to be inhabited. The Frank Lloyd Wright Building Conservancy has recently highlighted seven of his properties that are currently available for sale, offering a unique opportunity to own a piece of architectural history. Among these is the Norman Lykes House in Phoenix, Arizona, designed in 1959. This unique circular home, featuring rounded windows, custom built-in furniture, and a crescent-shaped pool, is perched on a mountain, offering a 180-degree view of Phoenix. The property is currently available for co-ownership. The Fawcett House, located in Los Banos, California, was designed in 1955 and sits on 76 acres. It underwent a significant restoration in 2012, led by architect Arthur Dyson with involvement from Lynn Fawcett Whiting (the owner's daughter), Eric Lloyd Wright (Frank Lloyd Wright's grandson), and Cornelia Brierley (Wright's interior designer for the home). A notable feature is a shallow, circular flower planter, a design element typical of Wright's earlier works. The Eppstein House in Galesburg, Michigan, designed in 1948, is part of "The Acres" community. This mid-century Usonian-style residence, constructed with distinctive textile blocks, has been fully renovated and is available for both sale and overnight accommodation. Its kitchen features a high ceiling and skylight, and the house retains original Frank Lloyd Wright furniture alongside other period pieces. Marika Broere and Tony Hillebrandt were instrumental in its restoration. The Winn House in Kalamazoo, Michigan, completed in 1950, is the last Wright-designed house built in its neighborhood. It embodies Wright's signature open floor plan, expansive windows, and custom-built furniture, with a curving facade that harmonizes with the site's topography. It includes three bedrooms, two and a half bathrooms, a patio, a porch, a fireplace, and a glazed balcony. The Hickox House in Kankakee, Illinois, dating back to 1900, is an early example of Wright's Prairie-style architecture. It features flared roof ridges inspired by Japanese architecture and geometric patterns. The interior boasts a spacious, well-lit entryway with built-in seating and leaded glass bands across the bay windows, blending the indoors with the natural environment. The design integrates elements from Wright's articles "A Home in a Prairie Town" and "A Small House with Lots of Room in It," with white plaster exterior walls and stained woodwork, and sand-finished interior walls. The Richard Lloyd Jones House in Tulsa, Oklahoma, designed in 1929, is distinct from other Wright designs. It features alternating columns of block and glazing that create a unique interplay of light within the interior. The exterior is marked by several glazed, two-story elements. The house has five bedrooms and five bathrooms. After Jones's death, architect M. Murray McCune updated the residence in 1965, and it remains one of only three Wright structures in Oklahoma. Finally, the Site of Oboler Estate in Malibu, California, originally featured the Arch Oboler Complex, which was destroyed in the 2018 Woolsey Fire. This 100-acre property now holds the remnants of structures built from Wright's designs, including the "Eaglefeather Compound," a primary living space converted from an initial gatehouse, stable, and carport, and named after an unconstructed 1940 design for the Obolers. #FrankLloydWright #ArchitecturalHistory #UsonianHomes #PrairieStyle #MidCenturyArchitecture #HistoricProperties #LuxuryRealEstate #ArchitecturalPreservation #IconicHomes

The Newman Residence, a mid-century modern masterpiece by Lloyd Wright, son of renowned architect Frank Lloyd Wright, has recently been listed for sale in the Hollywood Hills for USD$12.8 million. This five-bedroom, three-and-a-half-bath home in the Pacific Palisades has a rich history, having been originally commissioned by composer Alfred Newman and later restored by actress Diane Keaton. The residence showcases Lloyd Wright's unique architectural style, which blends international influences with experimental designs, featuring geometrically shaped rooms, innovative material combinations, and captivating indoor/outdoor living spaces. One of the most striking design lessons from the Newman Residence is the unconventional approach to room shapes. While traditional living spaces often adhere to square or rectangular layouts, this home encourages a departure from the norm. The angular rooms inherently create visual interest, allowing the walls and ceilings to become design elements in themselves. For instance, a caddy-corner wall in the kitchen efficiently accommodates a fridge and shelving without occupying excessive space. Furthermore, Lloyd Wright masterfully maintains a cozy atmosphere in open-concept areas by strategically using partitions, furniture, and integrating outdoor views to define distinct zones within the otherwise boundless space. The residence also exemplifies the beauty of mixed materials, a core tenet of mid-century modern design. The kitchen, in particular, highlights this principle by combining brick backsplash, warm wooden cabinetry and ceiling beams, concrete floors, and stainless steel appliances. This eclectic mix, rather than creating discord, results in a unified and inviting aesthetic. The integration of large windows that frame outdoor views further softens these industrial elements, making them feel organic and harmonious within the natural surroundings. This design choice suggests that bold material combinations can produce a stunning and functional environment. Another innovative design aspect is the use of stainless steel beyond the kitchen. While common in kitchen countertops, stainless steel is incorporated into the bathroom for countertops and bathtub edges, creating a dynamic yet timeless appeal. This avant-garde application of brushed metal finishes aligns with contemporary trends favoring chrome decor and metallic accents, demonstrating that unexpected material placement can elevate a space and introduce a fresh, modern sensibility. Even for those not undergoing a full renovation, incorporating stainless steel accents through items like floating shelves can achieve a similar sophisticated effect. The article also highlights the impact of long and low furniture in enhancing a room's aesthetic and functionality. This type of furniture, popular in retro and mid-century styles, provides ample storage while drawing the eye across the room, effectively becoming a unique architectural feature. Examples include built-in bookcases and daybeds that seamlessly integrate with the geometric layout, transforming simple storage into a design statement. This approach can be replicated without extensive customization by arranging multiple shelving units side-by-side or using clever IKEA hacks to achieve a similar low-profile look, adding to the home's distinctive character. Finally, the Newman Residence redefines the perception of brick as a beautiful and artistic element. Rather than being seen as harsh or overly industrial, brick is utilized throughout the interior as an accent wall material and in prominent features like a large fireplace. These applications introduce color and texture, making structural components feel like decorative elements. Even in the exterior, the strategic use of brick around the pool deck appears elevated and contemporary, demonstrating that brick can be a sophisticated design choice when thoughtfully integrated. These five design lessons from Lloyd Wright's iconic residence offer valuable insights for contemporary home design, emphasizing creative spatial planning, material juxtaposition, and thoughtful integration of elements to create unique and timeless interiors. #LloydWright #NewmanResidence #MidCenturyModern #HomeDesign #ArchitecturalDesign #InteriorTrends #MaterialMixing #AngularRooms #ModernistArchitecture

The article details the extensive restoration of Frank Lloyd Wright's 'Pottery House,' his only adobe design, located in Santa Fe, New Mexico. The house, designed in 1943 but built in 1984 by developer Charles Klotsche with oversight from the Frank Lloyd Wright Fellowship, had fallen into severe disrepair under its previous owner. Richard Poe, a long-time admirer of Wright's work and a Santa Fe enthusiast, purchased the property in 2016, recognizing its unique architectural significance despite its dilapidated state. He embarked on a challenging restoration project with his friend and architect, William Helm of In*Situ Architecture. The restoration faced numerous obstacles, including contractors deeming the house beyond repair, the complex nature of working with traditional adobe construction combined with modern materials like cement-based plasters and foam, and the unforeseen delays caused by the pandemic. A significant challenge also arose from adhering to the strict requirements of the local historic commission, which closely monitored the home's exterior appearance from the road. The original structure featured unique elements, such as curved facades and interlocking concentric circles, which were experimental for Wright and American home design at the time. These features were intended to capture the sweeping views of the desert landscape and the San Miguel Mountains. The restoration involved stripping down walls to the original plaster base coat and replastering them, a meticulous process requiring a dedicated team. Exterior changes included replacing a peach paint job with a custom cream shade, approved by the historic commission. Richard and Helm painstakingly rebuilt many original features to Wright's specifications, including arched doorframes and other woodwork in vertical-grained fir. The cabinetry and butcher block in the kitchen were also rebuilt, featuring appliances like a solid iron Aga oven and Viking Professional appliances. An original pothanger above the island was restored, mirroring the home's unique shape. The radiant floor heating system beneath the brick floor was also reconstructed. The primary bathroom was updated with fir cabinetry and an original Japanese soaking tub, alongside a waterfall-edge quartz countertop, incorporating terra-cotta pipes as a recurring motif. New elements were also introduced to enhance functionality and aesthetics while respecting Wright's vision. William Helm designed standaway pergolas to provide shade from the harsh afternoon sun without altering the house's original form. Local artist Greg Reiche created striking screens with iridescent glass tiles for an indoor/outdoor space, enclosing an outdoor shower and filling an eye-shaped portal in a courtyard wall. The swimming pool deck was rebuilt with ipe wood, a dense South American hardwood, while the original bridge was preserved. Richard Poe's preservation efforts aim to ensure the 'Pottery House' can be enjoyed by future generations, recognizing its status as Wright's sole adobe design and a remarkable architectural achievement. #FrankLloydWright #AdobeArchitecture #HistoricPreservation #SantaFeHomes #ArchitecturalRestoration #MidcenturyModern #SouthwesternDesign #HomeRenovation

The author recounts her 17-year experience of growing up in a Frank Lloyd Wright-designed prairie-style home in Rochester, New York, acquired by her parents in 1977 when she was eight years old. This house, built in 1908 for Edward E. Boynton, was the only one designed by Wright in Rochester. The author, along with her brother, explored the unique architectural features of the home, including built-ins, oak radiator covers, a central hearth, and a dog-leg staircase with nine-foot stained glass bay windows. The home's distinctive design attracted constant public attention, with cars frequently slowing down to observe it and visitors regularly requesting tours, often sharing stories of their travels to see Wright's work. Living in a Frank Lloyd Wright home came with both challenges and unique experiences. The house required continuous maintenance and restoration efforts due to its age and Wright's architectural choices. Flat roofs adjacent to stained glass clerestory windows in the dining room often led to leaks during Rochester's harsh winters, especially when snow accumulated and melted against the furnace-warmed windows. Internal downspouts, prone to clogging with debris and ice, caused plaster to fall, highlighting the practical difficulties of Wright's form-over-function design philosophy in a challenging climate. Despite these maintenance issues, the home retained its aesthetic appeal, influencing the author's appreciation for natural materials, clean lines, and open spaces. The house contained 17 original pieces of furniture and 253 stained glass windows, doors, and light fixtures, preserving its historical integrity. Growing up in a public architectural landmark also shaped the author's personal development. Frequent house tours, TV specials, newspaper features, charity events, and celebrity visits made her comfortable with public speaking and contributed to a sense of self-importance. The article invites the public to a free multi-media presentation at Unity Temple on Friday, May 17th, at 6:30 pm, where the author will share more stories about her childhood in the Frank Lloyd Wright house. Reservations are not required, but RSVPs ensure guaranteed seating. Additional speaking engagements in the Chicago area are mentioned, with details available on her websites. #FrankLloydWright #ArchitecturalDesign #HistoricHomes #PrairieStyle #HomeMaintenance #PublicInterest #RochesterNewYork #UnityTemple #ArchitecturalLegacy

Frank Lloyd Wright's Imperial Hotel in Tokyo, a project spanning nearly a decade, was scheduled to open on September 1, 1923, after a demanding construction period. Wright navigated numerous challenges, including on-site fires, an earthquake, illness, and significant personal tragedies such as the arson at Taliesin and the murder of his mistress. The hotel’s grand opening was famously preempted by the Great Kantō Earthquake, which devastated Tokyo moments before the scheduled event. Despite the widespread destruction caused by the earthquake, fires, and tsunami, Wright’s innovative design—featuring a floating foundation and reinforced steel—allowed the Imperial Hotel to survive largely intact. While the hotel officially opened later and was eventually torn down in 1968 due to Tokyo’s rapid 20th-century development, its design was pivotal in crystallizing Wright’s aesthetic ideas that would deeply influence his subsequent residential architecture in the United States. An exhibition titled _Thought-Built_ at the Martin House in Buffalo, New York, designed by Wright two decades prior to the Imperial Hotel, showcases surviving fragments of the hotel. These include volcanic oya stone blocks, clay tiles, a copper roof cornice, and an art glass window with gold leaf accents. The exhibition also features Japanese _ukiyo-e_ prints from Wright’s collection and correspondence between Wright and Darwin Martin, a wealthy businessman and patron of the Martin House, who was instrumental in Wright’s career. The collection highlights the cross-cultural connections Wright forged, particularly between Eastern and Western aesthetics. Wright's interest in Japanese prints began at the 1893 World’s Columbian Exposition in Chicago, where he admired their minimalist qualities. This affinity, shared with Martin, was a factor in his selection to design the Imperial Hotel. Elements of the Martin House, completed in 1905, foreshadow design motifs seen in the Imperial Hotel. For instance, the geometric pattern of the hotel’s art glass window is echoed in large-scale urns on the exterior of the Martin House. This demonstrates an evolution in Wright’s architectural vocabulary, with certain motifs recurring throughout his career. However, the Imperial Hotel also marked a significant aesthetic departure, moving away from his earlier Prairie-style homes towards a distinctive Mayan Revival style. Wright’s exposure to pre-Columbian architecture at the same Chicago exposition influenced the hotel's design, which features interlocking tiles and ornate blocks inspired by ancient textiles. This Mayan Revival style subsequently appeared in four Southern California homes designed by Wright, most notably the Ennis House (1924) and the Hollyhock House (1921). The Ennis House, with its massive walls and textile-block construction, directly reflects the interlocking system of the Imperial Hotel. Wright continued to contemplate the Imperial Hotel long after its completion, dedicating eight essays to it, more than any other of his works. His experiences in Japan, though challenging, profoundly shaped his architectural vision. #FrankLloydWright #ImperialHotel #MayanRevival #ArchitecturalHistory #MartinHouse #Exhibition #JapaneseArt #TextileBlockConstruction #ArchitecturalInfluences

The Calori House, a Spanish Colonial style residence designed by Lloyd Wright (son of Frank Lloyd Wright) in 1926 for Dr. E.E. Calori, is now on the market in Glendale, Southern California, following an extensive restoration. The property, characterized by its white-washed exterior, has been listed for $1.695 million through Crosby Doe Associates. Over the decades since its construction, the Calori House changed ownership several times and experienced a period of neglect and disrepair. However, its current owners undertook a comprehensive restoration, carefully preserving and enhancing its original architectural features. Upon entering, an Art Deco-detailed boxed staircase provides access to the home. The interior spaces are distinguished by their architectural details, including groin and barrel-vaulted ceilings that add a sense of grandeur and historical character. Wrought iron lighting fixtures are integrated throughout the house, complementing the Spanish Deco aesthetic. The ground floor of the residence accommodates the living room, kitchen, and dining room, each offering direct access to the outdoor garden space. This layout facilitates an indoor-outdoor living experience, typical of Californian design. Ascending from the ground floor, a magnesite staircase leads to the upper level, where two bedrooms are located. This staircase is illuminated by stained glass, a detail that further enhances the home's period charm and craftsmanship. The restoration efforts have focused on maintaining the integrity of Wright’s original design while updating the property to contemporary living standards. The Calori House stands as a testament to Lloyd Wright's architectural style, blending Spanish Colonial influences with distinctive Art Deco elements. The listing highlights the house's historical significance and its meticulous renovation, positioning it as a desirable property for those interested in architecturally significant homes. The blend of historical detail with modern restoration makes this property a notable offering in the Southern California real estate market. The property's enduring design and recent revitalization ensure its appeal to prospective buyers who appreciate both architectural heritage and refined living. #LloydWright #CaloriHouse #SpanishColonial #ArtDeco #CaliforniaProperty #GlendaleRealEstate #ArchitecturalRestoration #HistoricHomes

Fallingwater House, designed by Frank Lloyd Wright and completed in 1939, is an iconic example of organic architecture, seamlessly integrating with its natural surroundings in Mill Run, Pennsylvania. The residence was commissioned by Edgar J. Kaufmann Sr., a Pittsburgh department store magnate, who desired a weekend retreat that would embrace the beauty of Bear Run. Rather than building the house with a view of the waterfall, Wright controversially decided to construct it directly over the waterfall, making the natural element an integral part of the design and sensory experience. The house's cantilevered concrete terraces, which extend over the cascading water, are a defining feature. These horizontal planes are balanced by vertical elements of local sandstone, blending the man-made structure with the rocky landscape. The use of natural materials such as unpainted concrete, local stone, and wood reinforces the connection to the site. Large expanses of glass walls and windows further blur the boundaries between the interior and exterior, allowing natural light and views of the surrounding forest to permeate the living spaces. The sound of the waterfall is a constant presence, contributing to the serene and immersive atmosphere. Inside, the design emphasizes an open floor plan and a flow of space that mirrors the continuous movement of the water. The central hearth, a prominent feature in the living room, symbolizes the home's anchor to the earth, contrasting with the lightness of the cantilevered structures. Built-in furniture, also designed by Wright, enhances the spatial continuity and minimizes clutter, contributing to the harmonious aesthetic. The design ensures that every room offers a unique perspective of the landscape, fostering a deep connection between the occupants and nature. The engineering of Fallingwater was groundbreaking for its time, particularly the complex cantilevers. Wright collaborated with engineers, including Mendel Glickman and William Wesley Peters, to realize his ambitious vision. Despite initial structural challenges and subsequent restoration efforts, the house stands as a testament to innovative architectural and engineering principles. The construction involved pouring concrete on site, a process that required careful planning and execution to achieve the desired effect of lightness and extension over the water. Fallingwater has been recognized globally for its architectural significance, earning numerous accolades and being designated a National Historic Landmark. It opened to the public as a museum in 1964 and remains a powerful symbol of modern architecture's ability to create spaces that are both functional and deeply integrated with their environment. The house continues to influence architects and designers, serving as a prime example of how architecture can respond to and enhance its natural context, creating a timeless masterpiece that celebrates both human ingenuity and the beauty of the natural world. #FrankLloydWright #FallingwaterHouse #OrganicArchitecture #ModernArchitecture #ArchitecturalMasterpiece #CantileverDesign #ResidentialArchitecture #NationalHistoricLandmark #ArchitecturalInnovation

Lizzie Fortunato, a jewelry designer, and her husband, Peter Asbill, endured a year-long wait to finalize the purchase of their 1924 shingled home in Bellport, New York. Despite the delay and other properties appearing on the market, the couple remained committed to this particular house, which is located just 55 miles from their Brooklyn apartment and offers a manifestation of their desired lifestyle. The home's potential for transformation, unlike their city rental, was a significant draw. Upon acquiring the property, Fortunato collaborated with her childhood friend, Kate Towill of Basic Projects, on renovations. Key changes included converting the kitchen into a mudroom and a porch into the primary bedroom. The most substantial alteration involved removing a wall to create an open-concept first floor, a process that necessitated adding a structural header. This renovation aimed to create a more fluid and interconnected living space. The decorating process was deliberate and personal, avoiding big-box stores in favor of unique, meaningful pieces. For instance, Fortunato sought a vintage draper's table at counter height to serve as a kitchen island. After an extensive search, she discovered an 1800s-era French model on Jayson Home. Its delivery during COVID-19 required coordination with her contractor to move it from the lawn into the house. This island has since become a central gathering spot for the family, including their toddler daughter. Another custom piece is the patchwork chair and ottoman in the sitting room, designed by Studio Sam Klemick. This involved a 10-month collaboration, featuring vintage kantha cloth sourced by Fortunato during a trip to India. The floral chandelier in the dining room was an Etsy find, though its delivery was delayed due to pandemic-related shipping restrictions, arriving only after most of the house was decorated. Some design elements were immediate additions, such as the Alexander Calder bicentennial tapestry, inherited from Fortunato's maternal grandparents. This piece, previously stored in their Brooklyn home, was among the first items hung and influenced the selection of red and blue textiles throughout the house, creating an Americana aesthetic without being overtly patriotic. The style aims for a beachy feel while avoiding common coastal clichés. Fortunato made some spontaneous design decisions, like installing Moroccan tiles in the primary bathroom backsplash, originally intended for a future pool. The vanity cabinet in the bathroom was repurposed from a removed kitchen cabinet. Upstairs, the three bedrooms were furnished with family hand-me-downs, and Etsy headboards were primed and painted to add character. The focus was on creating inviting gathering spaces, reflecting the home's role as a social hub for family and friends. Despite its smaller size compared to properties owned by nearby relatives, Fortunato's home is frequently the preferred spot for gatherings, a testament to its carefully curated and welcoming atmosphere. #HomeTour #InteriorDesign #Renovation #VintageDecor #CustomFurniture #BellportNY #LizzieFortunato #DesignInspiration

Jennifer Liffman's journey into interior design began in 2012 during a vacation in Florida, where an encounter with Coastal Living’s Ultimate Beach House ignited a long-dormant passion. Despite this initial spark, her formal pursuit of design education did not commence until early 2020, coinciding with the onset of the COVID-19 pandemic. During this period, while at home with her family, Jennifer enrolled in a distance-learning program at the New York Institute of Art and Design, delving into various aspects of interior design from hand drafting to space planning. This educational experience culminated in the launch of her own design firm in 2022, and she subsequently joined the interiors team at Craft Realty/Interiors/Homes. Simultaneously with her professional development, Jennifer applied her burgeoning design expertise to her family's late-1960s ranch-style home in Jefferson Terrace. The Liffmans had moved into the home in August 2016 and initiated a series of renovations to align the space with their family's lifestyle. Exterior modifications included painting the brick for a more contemporary aesthetic, while interior changes involved replacing carpeting and tile with wood flooring and expanding the opening between the foyer and living room. These foundational updates paved the way for personalization, with each space being brightened and infused with unique touches. The renovation project was a collaborative family endeavor. Jennifer’s father, John Hawkins, contributed significantly by constructing custom shelves and cabinets for the living room, laundry room, and primary suite bathroom. Her husband, Eric, applied Venetian plaster finishes to select walls, adding textural depth. The home also became a showcase for art, prominently featuring works by Eric’s mother, artist Christy Diniz-Liffman, as well as pieces from other professional artists within their extended family, reflecting the couple's shared appreciation for art. A central theme in Jennifer's decorating philosophy is the integration of meaningful artworks, antique furnishings, and heirloom pieces that carry sentimental value. Examples include an antique iron bed and desk in her daughter Emma’s room, which previously belonged to Eric’s sister, and recovered wingback chairs from her grandmother that now grace the living room. Her coffee table exemplifies this blend of old and new, featuring an antique wood base paired with a new limestone top. Jennifer emphasizes the importance of creating thoughtful, collected spaces that blend time-honored items with contemporary elements, as seen with a hutch in her dining room, a piece inherited from her grandmother that she uses daily. The transformation of her home remains an ongoing process, with Jennifer continuously applying her evolving design skills to spaces like the master bedroom. Beyond her personal residence, she and the Craft Interiors team are actively involved in designing custom finishes for luxury home builds and are preparing for a significant 5,000-square-foot remodel. Jennifer acknowledges that her personal style is still developing and embraces the eclectic nature of her home, which accommodates her growing children, pets, and the continuous evolution of her design aesthetic. #InteriorDesign #HomeRenovation #RanchHome #FamilyProject #EclecticStyle #AntiqueFurniture #HeirloomPieces #HomeDecor #DesignCareer

Jessica Wright, an associate at a law firm, focusing on commercial litigation, antitrust, and international human rights, and a writer of personal and political essays, resides in a 1,190-square-foot Dumbo, Brooklyn, loft. Her home, despite her legal profession, was designed to evoke an artist’s loft, a vision brought to life by interior designer Crystal Sinclair. Wright sought to replicate the European apartment aesthetic she admired during her time living in Berlin, Paris, Delhi, London, and Kabul, with Paris being the most significant influence on her design preferences. The loft is situated in a former warehouse for Kirkman and Son Soap Company, a building that garnered extra attention due to its exterior being featured in a TikTok as a facade in 'Gossip Girl.' Wright secured the highly sought-after space through luck and a personal letter, which highlighted her appreciation for the loft's original character, unlike other similar properties in the neighborhood that had been converted into luxury rentals. Her real-estate agent, Mary Elizabeth Smith of Corcoran, advised her to express her deep connection to the property. Crystal Sinclair collaborated with Michal Cisowski of Smart Interiors on the renovation, aiming to blend the industrial origins of the turn-of-the-century building with romantic design elements. Key modifications included wrapping the large pillars in warm terracotta tile and encasing the washer and dryer within a slatted wood structure. A primary goal was to make the mezzanine, previously lacking permanent access, easily accessible. This area was transformed into a cozy mini library and reading nook, furnished with Wright’s Afghan rugs and low, cloud-like chairs from Pottery Barn Teen. Wright, drawing from her experiences in Afghanistan where sitting on the floor is common, found the low-ceilinged space perfectly comfortable. The kitchen, a central element for hosting, as Wright highlighted in her letter to the previous owner, underwent a significant transformation. Sinclair adorned the walls, backsplash, shelving, and countertops with honed Arabascato marble and replaced the old microwave-vent hood with a sleek oxidized steel shell. Despite initial concerns about storage, the custom island incorporates drawers on its front and sides, proving to be highly functional. In the living room, a 250-pound, 6-foot-wide vintage chandelier serves as a focal point. Another notable feature is the Frame TV, which, positioned on an antique easel, often fools guests into believing it’s a real painting, especially when a screensaver is displayed. The living area is completed with a curved sofa, chosen by Sinclair to optimize the corner setup and create a soft, sensual, light, and airy ambiance. Wright’s bedroom showcases a Nuristani mirror and a Qashqai rug, both acquired in Afghanistan, as her most cherished possessions. Given that she works from home four days a week, a dedicated workspace was essential. Sinclair designed a desk that spans the entire wall, offering ample space for both work and a makeup station, strategically placed by the window to provide an outside view. The overall design harmoniously combines industrial history with personal touches and European-inspired elegance, creating a unique and functional home tailored to Wright's diverse life and preferences. #BrooklynLoft #HomeTour #InteriorDesign #MezzanineNook #IndustrialChic #EuropeanInspired #CustomFurniture #ResidentialDesign #DumboRealEstate

Taylor Swift, the world's richest female musician with a net worth of $1.6 billion, has amassed an extensive property portfolio valued at approximately $95 million (£71m). Her journey into real estate began after her early life on an 11-acre Christmas tree farm in Pennsylvania, which inspired her 2019 song 'Christmas Tree Farm.' Her parents, Scott and Andrea Swift, were a financial advisor and a marketing executive, respectively, providing a comfortable childhood. The family moved to Wyomissing when Taylor was nine, where she developed her musical talents, learning guitar and writing songs, leading to a development deal with Sony-owned RCA at 13. Her first significant property purchase occurred in 2009 at age 20, a 3,240-square-foot penthouse in Nashville's Music Row for nearly $2 million. She extensively renovated this three-bedroom, four-and-a-half-bathroom apartment over 18 months, adopting a whimsical style influenced by Tim Burton and 'Alice in Wonderland,' featuring elements like a koi pond and a human-sized birdcage. In 2011, following the success of her album 'Speak Now,' Swift acquired a 2,800-square-foot Cape Cod-style home in Beverly Hills for $3.6 million, selling it off-market for $4 million in 2018. The same year, she bought a 5,000-square-foot Greek Revival-style mansion in Nashville for her parents, known as Northumberland Estate, for $2.5 million. In 2012, Swift expanded her portfolio with a mid-century modern home in Los Angeles for $1.8 million, used primarily for guests, and a magnificent oceanfront estate in Hyannis Port, Massachusetts, for $5 million, which she sold in 2013 for $5.7 million. The Massachusetts property, located near the Kennedy compound, featured eight bedrooms and seven bathrooms with stunning coastal views. By 2013, with numerous awards under her belt, Swift bought a Rhode Island beach mansion for $17.8 million, paid in cash. This 11,000-square-foot home with seven bedrooms and nine bathrooms has hosted many celebrity parties, including her famous Fourth of July celebrations, and its history inspired her song 'The Last Great American Dynasty.' Her New York City real estate acquisitions began in 2014 with two penthouses in Tribeca from director Peter Jackson for nearly $20 million. These were merged into an 8,300-square-foot unit with ten bedrooms and ten bathrooms, featuring neoclassical decor and private terraces. Instagram posts from her friends have offered glimpses into the living room with red walls and beamed ceilings, and a kitchen with traditional cabinetry. In 2015, Swift acquired a 1930s mansion in Los Angeles from the Goldwyn family for $25 million, which she successfully designated as a landmark in 2018, preserving its original character. This mansion boasts seven bedrooms, a cinema, library, and tennis court, decorated with 'Americana' and contemporary art. During her Tribeca penthouse renovations in 2016, she rented a converted carriage house on Cornelia Street in New York City's West Village for $39,500 a month, a property that later inspired her song 'Cornelia Street.' This 5,500-square-foot brownstone includes four bedrooms, seven bathrooms, and an indoor swimming pool. In 2017, Swift bought an $18 million townhouse next to her Tribeca penthouses, converting it into a private entrance and garage, connecting it to her existing properties to form a vast compound. Her Tribeca acquisitions concluded in 2018 with another condo in the same building for nearly $9.8 million, bringing her total expenditure on that block to about $48 million. Recently, in May 2025, it was reported that Swift has been staying at her boyfriend Travis Kelce's rental mansion in Boca Raton, Florida, a waterfront property with six bedrooms, a swimming pool, and a media room, indicating a slower pace of life and continued engagement with real estate investments. #TaylorSwift #CelebrityHomes #RealEstate #PropertyPortfolio #LuxuryHomes #ArchitecturalStyles #HomeDecor #Investment #NewYorkCityRealEstate

This blog post, part of "The Home Page" series, delves into various aspects of architecture, home design, and local events, beginning with a personal account of a visit to Chicago. The author describes the architectural style of Chicago Bungalows, specifically highlighting a recently purchased home by her son and daughter-in-law in the Montclare neighborhood. These bungalows, built between 1910 and 1930, are noted for their brick construction and prevalence, with over 80,000 such homes forming "bungalow belts" across the city. The narrative touches upon the affordability of these homes relative to Santa Barbara standards, emphasizing the satisfaction derived from the new homeowners' happiness. Further into the Chicago visit, the author recounts a tour of Frank Lloyd Wright’s home and studio in Oak Park. This historical site served as the residence where Wright and his wife raised their six children and where Wright commenced his architectural career, earning him recognition as a leading American architect. The tour was guided by a docent named Amelia, whose historical insights enriched the experience. The author particularly enjoyed envisioning the daily life of the Wright family and the evolution of Wright's professional practice within that space. Specific architectural details are highlighted, such as the lighting in the octagonal library where Wright met clients, and the thoughtful placement and design of the windows, which included both decorative elements and functional features like a deeply recessed window in the children's playroom designed to create a window seat and maximize natural light. Shifting focus from Chicago, the article transitions to an upcoming local event: the Ojai Holiday Home Tour and Marketplace. This event, scheduled for the weekend of November 16 and 17, is presented as an opportunity for readers to immerse themselves in the holiday spirit. The tour will feature four distinct homes in the Ojai Valley, ranging from a collector’s cottage to an expansive orchard estate. A complimentary shuttle service will be provided to facilitate transportation between the featured homes. Concurrently, Libbey Park will host a holiday marketplace, complete with Santa Claus appearances and musical entertainment. The event serves as a fundraiser for the Ojai Music Festival, with tickets priced at $45. The article concludes with a general wish for readers to find joy in their day, positioning the Ojai event as a potential source of such joy. #ChicagoBungalows #FrankLloydWright #ArchitecturalTour #OjaiHolidayHomeTour #RealEstate #HomeDesign #Travel #Fundraiser

The Frank Lloyd Wright Kitchen Collection from Brizo® Kitchen & Bath Company expands upon an existing partnership with the Frank Lloyd Wright Foundation, drawing inspiration from the renowned architect's design philosophy and the six principles of organic architecture, with a particular emphasis on intentional asymmetry. This collection introduces an expanded color palette that is inspired by the natural world. The product line incorporates innovative handle materials, such as glass and concrete, alongside new split finishes. Examples of these split finishes include combinations like Brilliance Black Onyx paired with Wood, and Brilliance Luxe Gold combined with Wood, offering diverse aesthetic options. The comprehensive suite of kitchen fixtures features pull-down kitchen faucets, bar faucets, and pot-fillers, catering to various functional needs within the kitchen space. These products are available in a selection of 10 distinct finishes, allowing for customization to match different interior design schemes. The article also provides an extensive product guide, categorizing a wide array of kitchen and bath products. Under the 'Appliances' category, numerous items are listed, including coffee systems, cooktops (induction, gas, portable), dishwashers, grills (built-in, freestanding, outdoor, hybrid), laundry products, microwaves, ovens (wall, combi steam, hearth, speed), pizza ovens, range hoods (chimney, downdraft, island, undercabinet), ranges (electric, gas, induction, dual-fuel, pro), refrigerators/freezers (column, bottom-freezer, French door, undercounter), trash compactors/garbage disposals, warming drawers, and wine/beverage refrigeration. Smart appliance options and various finishes like matte black and colored/customized exteriors are highlighted, alongside features such as ADA compliance, antimicrobial refrigeration, and energy efficiency. 'Bath Accessories' encompass ADA-compliant items, decorative accessories (towel bars, robe hooks, mirrors), medicine cabinets, and spa amenities. Materials and styles range from brass and cast bronze to modern and industrial. 'Bath Fixtures' include ADA-compliant options, saunas, toilets/bidets, and various tubs (acrylic, copper, clay, freestanding, soaking, hydromassage, cold plunge) with different shapes and finishes. 'Business Assistance' mentions computer software, product certification, smart home integration, trade associations, and virtual reality options. 'Cabinet Components' list cabinet boxes, doors (slab, shaker, reeded, custom), drawer organizers, finishes, pullouts, shelf liners, closet systems, and decorative accents. 'Cabinetry' covers bath vanities, closets, compact/complete kitchens, custom/semi-custom/stock cabinets, metal/outdoor cabinetry, and wine storage, offering various styles like modern, traditional, and Japandi. 'Countertops & Surfacing Materials' include cement, glass, laminate, metal, natural stone, outdoor, paper composite, porcelain, quartz, recycled, sintered stone, solid surface, and wood options, with various textures, patterns, and eco-friendly attributes like carbon-neutral and silica-free surfaces. 'Decorative Tile' presents anti-slip, cement, ceramic, glass, grout, metal, mosaic, natural/engineered stone, pavers, porcelain, recycled, and wood tile, featuring diverse patterns, textures, and aesthetic influences. 'Electrical Systems & HVAC' highlights bath fans, floor/surface heating, lighting controls, and power systems, including smart features and charging solutions. 'Faucets & Fittings' comprises ADA-compliant, bar/prep, bath, hot/cold water, kitchen, outdoor, smart/touchless faucets, water filters, and leak detection systems, available in various styles, finishes, and handle materials. 'Flooring & Flooring Materials' cover cement, ceramic, engineered stone, luxury vinyl/laminate, natural stone, porcelain, and wood flooring. 'Hardware - Decorative & Functional' lists appliance, countertop, shelf, decorative, functional, and shower door hardware, with diverse styles (Art Deco, industrial, minimalist, rustic), materials (brass, crystal, leather), and functionalities (soft-close, lift systems). 'Kitchen & Home Accessories' include cutting boards, fireplaces, furniture, indoor gardens, laundry accessories, pot racks, and shelving. Lastly, 'Lighting' covers bacteria-killing, chandeliers, custom, outdoor, pendant, puck, sconce, smart, strip/tape, and undercabinet lighting, in various designs and materials. 'Paints & Stains' categorizes exterior paints, interior paint, and stains. 'Shower Components' include drains, drying systems, glass shower doors, membranes, panels, pans/bases, stalls, systems, wall niches, walls, showerheads/body sprays, smart/digital, steam, and zero threshold/accessible showers, with features like multiple spray options, anti-slip surfaces, and personalized experiences. 'Sinks' are detailed for bar/prep, bath, kitchen, outdoor, and utility/laundry, featuring materials like 3D printed, concrete, copper, crystal, fireclay, granite, marble, quartz, and stainless steel, in various styles and configurations like apron front, vessel, and workstation sinks. The extensive product listings demonstrate a comprehensive range of design solutions for kitchen and bath areas. #KitchenDesign #BathDesign #FrankLloydWright #OrganicArchitecture #FaucetCollection #InteriorDesign #HomeDecor #ArchitecturalInfluence

Mitch Margo, an attorney, acquired a 1961 residence in St. Louis, known as the Kaplan House, which was designed by William Bernoudy, a protégé of Frank Lloyd Wright. This acquisition marked Margo as the third owner of the architecturally significant Midcentury Modern home. His previous residences included a Victorian townhouse and a house in the historic Claverach Park neighborhood of Clayton, demonstrating a consistent preference for homes with architectural importance. Upon purchasing the Bernoudy home, Margo inherited not only the property but also its meticulously preserved blueprints and historical details from the second owners, who were keen Midcentury Modern enthusiasts. The house, while largely in excellent condition and reflecting Bernoudy's distinctive style, presented certain challenges, particularly in its kitchen and master bathroom, which were still in their original 1961 state and no longer met contemporary living standards. Margo collaborated with architect Helen Lee of TAO + LEE Associates to undertake the renovation of these key areas and to design a new swimming pool. The primary objective for the kitchen renovation was to modernize it for entertaining while maintaining the architectural integrity of the Bernoudy design. This involved a careful assessment of structural elements, such as a built-in bar between the kitchen and dining room, which was ultimately preserved due to its integral construction. The renovation of the kitchen focused on enhancing functionality and openness. The sink was relocated under a window to overlook the front yard, and a new center island was introduced to facilitate cooking and casual seating. The original pantry was removed to accommodate a larger refrigerator and double oven. The design team opted for an L-shaped kitchen layout to balance Margo's cooking needs with space for guests. Material choices, such as custom quartersawn red gum cabinets by Classic Woodwork, Ann Sacks white gloss tiles, and Cambria countertops in White Cliff, were selected to complement the home's original aesthetic, emphasizing white and wood tones and a minimalist, modern appearance. The vertical installation of the tiles subtly echoed a hexagonal clerestory window found in the living room. The living and dining room area, characterized by its soaring ceiling, a wall of windows offering views of the backyard, and built-in wood shelving, became Margo's favorite space. He curated this area with a blend of vintage Midcentury Modern furniture and new pieces, along with art, including signed Salvador Dalí lithographs. Notable furniture includes a Crate & Barrel sofa, reupholstered Adrian Pearsall chairs, a Paul McCobb travertine coffee table, and Wassily chairs by Marcel Breuer. The master bathroom also underwent significant changes. Originally dark and enclosed with a drop ceiling that concealed a skylight, the space was transformed. The renovation involved removing the bathtub to create a more spacious shower and a double vanity. Opening up the ceiling was crucial in restoring the room's sense of grandeur and allowing natural light from the skylight to flood the area. Wood salvaged from the original soffits was repurposed for new soffit lighting, further integrating modern amenities with the home's historic elements. Lee noted the pleasure of working on a Bernoudy house, highlighting the robust original structure and the opportunity to rejuvenate a modern design while making it relevant for contemporary living. #WilliamBernoudy #MidcenturyModern #HomeRenovation #ArchitecturalPreservation #KitchenDesign #BathroomRemodel #InteriorDesign #HistoricHomes #ModernUpdates

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage

This article details the transformation of a Victorian villa in South London, a property that has been in the current owner's family for generations. The project, led by designer Scarlett Jones of Sims Hilditch, aimed to respect the home's history and family memories while updating it for a young, modern family. The design approach was deeply personal and aligned with Sims Hilditch's journey toward B Corp certification, emphasizing sustainability and longevity by reusing treasured antiques and investing in durable designs. The renovation began with the hallway, where bold wallpaper was replaced with soft white walls and woodwork in Oval Room Blue, a color that recurs throughout the house. New oak herringbone flooring was installed to add warmth and character, complemented by a vibrant stair runner. Significant layout changes were made to suit modern family life, notably opening up the kitchen and snug to create an informal dining area. The kitchen features Shaker-style cabinetry in warm gray with a rhubarb-pink island, which serves as a vibrant focal point. Existing joinery in the dining area was refreshed with dark teal paint, a new wallpapered back, and brass bamboo handles, paired with glossy red faux bamboo chairs and an oak bobbin table. The living room, spanning the depth of the house, was designed to celebrate exquisite de Gournay wallpaper. A contemporary checkered rug set the tone for a fresh scheme. Existing George Smith furniture was reupholstered in striped and checkered fabrics, and a bespoke L-shaped sofa with hidden toy storage was introduced to accommodate both daily family life and formal entertaining. Upstairs, the color palette shifts to gentler blues and buttery yellows in the principal bedroom. Fabrics are central to the design, including an oversized headboard in embroidered Colefax and Fowler linen and curtains with broad bands of cream and blue linen. The dressing area features fabric-paneled doors, adding visual interest to the cabinetry. The main bathroom is designed for indulgence, with a sunshine-yellow slipper bath, an elegant fluted vanity, a rug, and upholstered pieces that provide a comfortable, sitting-room feel. Beyond the main living spaces, personality continues to infuse the home. The cloakroom features Bengal tiger wallpaper, and the study, with its reworked original joinery, showcases a playful lion-print lining and a family antique desk. The children's rooms under the eaves incorporate fabric-covered shutters, providing both a practical blackout solution and a cheerful burst of color and pattern. Scarlett Jones emphasizes that the project's success lies in its layered design, ensuring that each room contributes to the family’s ongoing story, honoring the past while embracing the present. #LondonVilla #FamilyHome #HistoricRenovation #InteriorDesign #SimsHilditch #SustainableDesign #VictorianArchitecture #KitchenDesign #BedroomDesign