Exhibit of Kennedy's Hyannisport interior design

Nantucket, known for its traditional visual appeal, has recently seen a refreshing take on its classic nautical style with the opening of a new Life House hotel. Hotelier Rami Zeidan, in collaboration with vice president of design Jenny Bukovec, has introduced a contemporary interpretation of nautical design that departs from the usual maritime stripes and oceanic color palettes. This new approach embraces moodier, more eclectic aesthetics, favoring jewel tones over seafoam greens and sky blues. Bukovec's design philosophy focuses on integrating these modern nautical elements into any living space, beginning with the strategic use of color on moldings. Instead of traditional white, she advocates for unexpected hues like warm charcoal, dusty jade, and beach blossom plum to create contrast and highlight subtle textures. These darker colors draw the eye, emphasizing architectural details and complementary elements such as raffia wall coverings, handwoven coastal grass fiber headboards, and floral ceramic tiles. Another key aspect of this updated nautical design is the shift from classic stripes to botanical patterns. While acknowledging the appeal of stripes, Bukovec suggests incorporating playful floral upholstery, artwork, and light fixtures to prevent a monotonous feel. She stresses the importance of choosing locally rooted flora for botanical prints to ensure an intentional and timeless look, rather than something that might quickly become dated. When stripes are used, they are given a creative twist, such as two-tone creme sheer drapery, rather than being the dominant pattern on furniture. The hotel's design also reinterprets the use of rattan and woven fibers. Instead of traditional white wicker, natural rattan pieces and handwoven sisal fibers are employed, drawing inspiration from natural driftwood. This approach brings a sense of nonchalance to outdoor spaces, with whites reintroduced through textures like fringed umbrellas or concrete planters. Finally, Bukovec addresses the modernization of wood paneling. She advises against covering original wood paneling with paint, as it can obscure the natural elements that are integral to a coastal landscape. In the communal kitchen, for example, cedar planks were left exposed. To add a contemporary touch, a fish scale-style floor tile in black was installed, moving away from overtly nautical themes. Mauve countertops, punchy patterns, and vintage framed photography were layered in to prevent the space from becoming too serious and to honor the history of the 200-year-old home, effectively blending historical elements with modern design sensibilities. #NauticalDesign #HotelInteriorDesign #ModernNautical #NantucketStyle #InteriorDecor #HomeDesignTrends #DesignInspiration #ColorPalette #ArchitecturalDetails

Delphine and Reed Krakoff, known for their distinct design philosophies in fashion and interior design, embarked on a significant undertaking by acquiring and renovating Lasata, a historic 11-acre estate in East Hampton, New York. This Arts and Crafts residence, built around 1917, holds historical significance as the childhood summer home of Jacqueline Kennedy Onassis. Despite its esteemed past, the property had seen minimal improvements since the 1960s, a condition Delphine described as featuring “vintage wallpaper and vintage plumbing.” The couple’s decision to purchase the estate was driven by their shared passion for revitalizing unique houses with rich histories that often deter other buyers. The property includes the main residence, a guesthouse, a poolhouse, and a small cottage. The initial phase of renovation focused on modernizing the essential systems of the house, addressing outdated plumbing and electrical infrastructures. Following this, the Krakoffs meticulously restored architectural elements, fixtures, and hardware, ensuring that all new additions were consistent with the home's original period. They opted for plaster with metal lath for walls instead of Sheetrock and chose reclaimed 200-year-old oak for flooring to maintain the house's authentic, creaky character after the original floorboards were damaged during re-leveling. A notable discovery occurred in the living room, where Louis XVI–style boiserie had been installed. Upon finding an old drawing of the room from Jacqueline Kennedy's childhood featuring simple grid-pattern millwork, the couple investigated, uncovering perfectly preserved original oak panels beneath the later addition. This find allowed them to restore the living room to its earlier state. While the architectural restoration aimed for historical accuracy, the interior decoration adopted a different approach, prioritizing an eclectic mix of furnishings to create a lived-in feel, as if the house had been furnished gradually over time. The living room exemplifies this blend, showcasing a 1970s John Dickinson mirror alongside an 18th-century Jacob Frères marquise chair and Queen Anne wing chairs, which were strategically used throughout the house to balance modern pieces. In the dining room, a midcentury Samuel Marx table with Lucite legs is paired with 1910 Tiffany pendant lamps. To ensure visual cohesion across the first floor, where multiple rooms are often visible from various points, all decorative lighting was selected from vintage Tiffany pieces. The bedrooms, though each featuring a dominant color palette, maintain a consistent theme with similar furnishings, including four-poster beds and geometric-patterned rugs, harking back to the original thematic designations like the “yellow room” or “blue room.” The exterior landscaping was entrusted to Perry Guillot, a long-time collaborator and Southampton-based landscape architect. Guillot refined the formal gardens by streamlining plantings and opening up the far side to enhance access to the expansive lawn. His work aimed to distill the original design into a contemporary yet appropriate form, reducing its Victorian formality. In the wooded areas surrounding the estate, neglected plantings were augmented with more of the existing species, such as cedar, linden, and rhododendron. This subtle approach to landscaping, mirroring their work on the house itself, aimed to create an impression that minimal intervention had occurred, allowing the natural beauty and historical integrity of the estate to shine through. #homeDesign #interiorDesign #historicRenovation #eastHampton #luxuryHomes #artsAndCrafts #jacquelineKennedyOnassis #krakoffEstate

This blog post explores a Vancouver oceanfront home whose interior design draws inspiration from the timeless elegance of Jackie Kennedy Onassis. The design, executed by Kelly Deck, blends modern and traditional styles, reflecting Kennedy's sophisticated aesthetic, particularly her look during sailing trips. Key influences include design trips to The Hamptons and observations of vintage sailing craft. The project began when the homeowners, needing to accommodate their growing family, tasked Kelly Deck with seamlessly integrating their original home with a newly acquired adjacent lot. This expansion resulted in a residence featuring seven bedrooms and eight bathrooms. The home's prime location near the Royal Vancouver Yacht Club was a significant factor in shaping the design. The design philosophy incorporates elements reminiscent of wood sailboats, such as sun-kissed wood, detailed fastenings, and the colors of rope, sail, and sea. These elements informed the home's color scheme and contributed to its relaxed coastal ambiance. Historical images of Jackie Kennedy at sea or by the seaside further guided the team in creating a chic and restrained style. The kitchen exemplifies this coastal theme with a palette of blue, white, navy, gold, and natural wood, inspired by the ocean views. A central island matches the specific blue shade of the Le Cornue range. The eat-in kitchen features a gallery wall displaying vintage china in soft blue hues, adding character. Furnishings like a baker's table from Arcadia Antiques and chairs from Coolican & Company enhance the blend of traditional and modern elements. The designer, Kelly Deck, emphasizes the challenge and opportunity of adapting the home to the family's evolving needs over four years, which involved changes in room configurations and flexible design approaches. The home incorporates a broad selection of finishes across its many contained spaces, connected by archways and glazed oak doors, allowing for unique experiences in each room. The kitchen's transitional style combines diverse pieces and finishes, creating a relaxed, timeless appearance, including historically inspired Urban Electric light fixtures, Vicostone countertops, a vintage-style rug from Tibetano, and a Walker Zanger backsplash. The dining room features more contemporary influences, with Visual Comfort chandeliers providing a traditional hint. The table is from Avenue Road, chairs from Villa & House, and the painting by David Guenter. Neutral textured wallpaper by Holly Hunt completes the space. Hallway areas are designed to highlight the home's deep verandas and ocean views, with raised panels and shiplap detailing reinforcing the nautical narrative. The living room is characterized by quiet elegance, with gauze drapery for ample light and whitewashed wide plank white oak flooring. Chandeliers are by Urban Electric, a fireplace by Jamb, and a lamp by Visual Comfort. Custom sofas by Kelly Deck Design, along with armchairs by Lee Industries and Baker furniture, furnish the space. The home office features smart navy millwork, a carved rope motif, navy grasscloth walls, and cognac leather accents, creating a distinct nautical feel. Furnishings include a Herman Miller desk chair, custom sofa and ottoman by Kelly Deck Design, and a rug by East India Carpets. A Phillip Jeffries ceiling wallpaper and a Hector Finch light further enhance the room's character. The principal bedroom is light, bright, and layered, with a color scheme of white, linen, and various blue hues, complemented by stunning ocean views. Darker blue furnishings echo the ocean, while a very pale blue ceiling (Sherwin Williams' Misty) subtly references the sky. A chandelier from Currey & Company adds to the room's sophistication. Kids' rooms feature an under-ocean theme with matching wallpaper and draperies sourced from Paris, maintaining the home's harmonious color scheme while adding individuality. One of the eight bathrooms, the ensuite to the primary bedroom, presents a neutral scheme of white with gold highlights, characterized by rich textures and layers that evoke Jackie Kennedy's style. Key details include pendant lights by Hudson Valley Lighting, faucets by House of Rohl, tiles by Ann Sacks, and a tub by Victoria & Albert. The outdoor spaces, including verandas surrounding three sides of the home, provide access to ocean views. The exterior color scheme, developed in collaboration with architect Eric Stine and landscape architect Paul Sangha, is light and romantic, featuring parchment-colored cedar shake, white trim, a cedar shake roof, copper pipes, and buff-colored natural stone patios. Quality outdoor furniture and soft-palette container plantings complete the look. The overall design aim was to create a home that feels lighthearted, youthful, and airy, while also possessing the presence and substance of a historical residence that has stood for generations. #CoastalInteriors #JackieKennedyInspired #VancouverHome #LuxuryDesign #TransitionalStyle #OceanfrontProperty #KellyDeckDesign #NauticalDecor #TimelessElegance

Christopher Peacock, a renowned cabinetry designer, has introduced his latest offering, the Hudson Collection, marking a significant step into contemporary design. While Peacock's brand is historically rooted in traditional aesthetics, the growing demand for minimalist and clean-lined cabinetry inspired this new modern direction. The Hudson Collection is designed to cater to both urban and suburban living environments, offering cabinetry solutions that are suitable for modern apartment kitchens as well as expansive contemporary suburban homes. The core principles of craftsmanship, heritage, and excellence remain central to the Christopher Peacock brand, as clearly demonstrated in the Hudson Collection. Christopher Peacock's career in cabinetry began in the early 1980s, working at Terence Conran’s furniture store in London. Since establishing his own business in 1992 with a modest kitchen display in a Greenwich, Connecticut store, Peacock Home has expanded into a global enterprise with showrooms across the United States, Europe, and Asia. The production process for Peacock cabinets emphasizes quality, starting with the selection of raw lumber and employing proper joinery techniques. Each product is characterized by luxurious finishes, intricate details, distinctive materials, and meticulous attention to detail. This commitment to superior craftsmanship is evident throughout Peacock’s entire product line, encompassing both his established traditional designs and the newly launched contemporary Hudson Collection. The new collection represents an evolution of the brand, blending its foundational values with a fresh, modern aesthetic to meet current design preferences. The Hudson Collection reflects a strategic move to diversify Christopher Peacock's portfolio, acknowledging the shifting tastes in interior design towards more understated and functional aesthetics. The collection's versatility ensures its applicability across a wide spectrum of residential spaces, allowing homeowners to integrate high-quality, modern cabinetry into various architectural styles. This expansion maintains the brand’s reputation for luxury and precision while embracing contemporary design principles. #ChristopherPeacock #HudsonCollection #CabinetryDesign #ModernAesthetic #LuxuryDesign #HomeInteriors #InteriorDesign #ContemporaryCabinetry

Jenni Kayne Interiors undertook the task of converting a new, builder-grade home in Manhattan Beach into a personalized sanctuary for Kristin Graziani, President of Stem, and her husband, Grant Willhite, a consulting partner. The design inspiration drew from the couple's travels to Greece and the sophisticated, understated luxury of Aman resorts. The primary objective was to infuse warmth, intentionality, and refined simplicity into the existing architectural framework. Linnea Schooley, Interior Design Director at Jenni Kayne, emphasized creating a natural aesthetic suitable for the seaside environment without overtly adopting a "beachy" theme. The design adheres to Jenni Kayne’s characteristic Golden State style, utilizing a consistent and calming color palette complemented by natural materials. Throughout the home, white oak flooring, custom casework, and paneling are prominent features, further enhanced by Roman Clay walls and distinctive sculptural lighting elements. A notable aspect of the design is the entry, which features an oversized glass door designed to make a strong first impression. This minimal space is anchored by an Apparatus Lariat fixture, an antique bench, and a custom art piece developed in collaboration with Sam Kupiec, all contributing to the home’s overall serene and intentional atmosphere. The great room, forming the central hub of the residence, is equipped with wall-to-wall steel and glass doors that open directly onto the backyard. This design choice maximizes natural light and airflow, facilitating an indoor-outdoor living experience ideal for entertaining or quiet relaxation, aligning with the clients' lifestyle. In the kitchen and adjacent dining area, white oak cabinetry is paired with limestone countertops, and an Italian travertine dining table introduces sculptural warmth. Schooley highlights that these material selections are chosen for their ability to develop a rich patina over time, enhancing the home's character. The project required significant design adjustments, as Jenni Kayne Interiors became involved mid-construction. These pivots were necessary to ensure that every detail was carefully considered and executed, occasionally necessitating temporary halts in construction to refine design elements. After approximately three years of work, the completed home embodies a contemporary retreat infused with a distinct California essence. Schooley expressed satisfaction with the final outcome, noting the clients' excitement during the reveal and envisioning their future experiences in a home designed to complement the Manhattan Beach environment. #InteriorDesign #HomeRenovation #SeasideRetreat #ManhattanBeach #JenniKayneInteriors #OrganicModern #NaturalMaterials #LuxuryInteriors #CaliforniaDesign

Susan Winchester Dabney, an interior designer based in Sarasota, has established a prominent career specializing in ultra-luxury yacht interiors. Recognized in 'The Mega Yachts 2014' as one of the top 12 yacht interior designers, Dabney transitioned her business focus to yacht design two years prior to the article's publication. Her background includes growing up on Lake Michigan with a family history of boating, which provided a natural connection to marine environments. Her academic foundation, a B.S. in textile design from Michigan State, proves particularly advantageous in this niche, as textile performance is critical due to the salt air and other challenging factors inherent to marine settings. Dabney's entry into yacht design was organic, stemming from a residential client who purchased a 61-foot Marlow Explorer. After designing the interiors for this vessel and showcasing it at the 2012 Miami Boat Show, she garnered commissions for 12 additional projects. Her clientele typically comprises affluent and private individuals who share a deep appreciation for the water, the simplicity of boating, and the tranquility it offers. These clients often own multiple homes globally, and their yachts, manufactured in China, are shipped worldwide to destinations including Australia, Venezuela, England, Germany, Spain, and the Mediterranean. The construction process involves meticulous planning, with all materials, fabrics, lighting, sinks, and fixtures shipped to China for an 18 to 20-month build time. A recent project highlighted in the article is an 80-foot Marlow Explorer designed for a Boca Grande couple. This yacht was conceived to facilitate entertaining guests and accommodate extended living on board with their two dogs, particularly during summers in the Northeast. For this project, Dabney incorporated luxurious materials, including fine crystal, all selected for their suitability in marine applications. Dabney notes a departure from traditional navy-blue marine aesthetics, preferring to use colors that resonate with her clients' personal tastes. She deliberately avoids nautical clichés such as stripes and lifesaver motifs, drawing parallels to how she approaches land-based interior design by steering clear of common decorative tropes like monkeys and palm trees. Client preferences vary significantly. Some prioritize durability and ease of maintenance, wanting surfaces that can withstand the rigors of boating, such as wet bathing suits or children eating on sofas. Others seek highly elegant and beautiful interiors. Dabney recently completed a 106-foot yacht, her largest to date, for a couple with teenage boys, necessitating a design that balanced beauty with extreme durability. For long-range cruising yachts, clients often desire interiors that resemble a well-appointed home, reflecting their intention to live on board for extended periods. Material selection is paramount in yacht design. Dabney advises against silk due to its susceptibility to sun rot, fading, and water spotting. Instead, she favors robust alternatives like Sunbrella acrylic fibers, commercial-grade Trivera CS polyester fabrics, and other acrylic-polyester blends. Fabric inlays on walls are utilized for their sound-controlling properties and ability to brighten interior spaces. For metal finishes, she specifies cast brass or stainless steel, materials chosen for their resistance to pitting or discoloration, though she acknowledges that brass will naturally acquire a patina. Dabney is currently under consideration for the design of a 246-foot yacht, a significant project intended solely for the owner's personal use, which would represent a major achievement in her career. #YachtDesign #InteriorDesign #LuxuryInteriors #MarineDesign #TextileSelection #SusanDabney #CustomDesign #Sarasota

Neil Watson, Executive Director of the Katonah Museum of Art, and his wife, award-winning YA novelist Judy Blundell (Jude Watson), have meticulously curated their 1920s cottage-style home in Katonah. Having lived in various locations such as San Francisco, Montauk, Manhattan, West Palm Beach, Tacoma, and Delaware, the couple moved into their 1,900-square-foot home in 2005. Their aesthetic philosophy centers on a blend of high- and low-value items, prioritizing pieces that are interesting and well-made. While they indulge in occasional splurges at upscale galleries and shops, Watson demonstrates a keen eye for discovering stylish furnishings from second-hand stores, salvage shops, catalogs featuring excellent reproductions, and even discarded items, including a notable Eames chair rescued from an art museum. Among their cherished possessions is a rare plywood chair, circa 1950, by American furniture designer Norman Cherner, acquired from a West Palm Beach vintage furniture store. Watson has a notable collection of chairs, including designs by mid-century modern masters Charles and Ray Eames and Harry Bertoia, attributing a certain "karma" to these pieces. Another unique find is a chrome-and-wood side table from the 1930s by Wolfgang Hoffman, son of renowned Austrian architect and designer Josef Hoffman, discovered in Thomas O’Brien's Aero Studios in SoHo. This table now serves as a charging station in their office-cum-playroom. The living and dining rooms boast 21 light sources, prominently featuring the Zettel’z chandelier by German designer Ingo Maurer. This chandelier, purchased in 2008 from a SoHo showroom, replaces traditional crystal drops with clipped-on Japanese paper pieces adorned with scribbled notes, poems, and drawings, to which artist and illustrator friends, and their daughter Cleo, have contributed. A meaningful gift from Watson to his wife is a banded bowl by pioneering glass artist Sonja Blomdahl, acquired from a San Francisco art gallery in the mid-1980s. This piece was created using the incalmo technique, involving the seamless merging of two separate pipe-blown glass vessels. Another innovative lighting fixture is the Holonzki wall sconce, also by Ingo Maurer, positioned near the dining-room table. This sconce creates an optical illusion with a holographic red incandescent bulb over a metal socket, while the true light source emanates from above. Watson purchased this piece a decade ago from a high-end furniture store in Seattle, appreciating its blend of humor and beauty. The article also highlights a handcrafted corkscrew from Laguiole, France, a Christmas gift from Watson's wife, celebrated for its exquisite construction and design, indicative of his appreciation for well-crafted items. Finally, an eco-friendly birch bookcase by Argington, originally intended for a toddler's room, was adapted to store Watson's cookbooks and his daughter's art supplies, demonstrating the family's practical and aesthetic repurposing of objects within their thoughtfully curated home. #HomeDecor #InteriorDesign #MidCenturyModern #ArtCollectors #KatonahHome #CuratedLiving #UniqueFurnishings #LightingDesign #VintageFinds

Kim Scodro Design's dining room at the 2024 Kips Bay Decorator Show House Dallas is a multi-purpose space designed for modern entertaining, drawing inspiration from a 1948 Vogue photograph by Cecil Beaton. The vision behind the room was to create a space where contemporary women could enjoy cocktails and dinner without leaving the house, reflecting a shift in how dining rooms are utilized today. The design journey began with a photograph of women in glamorous gowns, which informed the room's elegant and colorful aesthetic. The color palette for the dining room was directly inspired by the gowns in Beaton's photograph. Scodro collaborated with The Shade Store to produce horizontal stripe curtain panels using beautiful silk fabrics that serendipitously matched her vision. Gracie contributed an ethereal botanical wallcovering, complemented by a matching Benjamin Moore paint color on the ceiling, enhancing the room's sophisticated atmosphere. The dining table, from Hickory Chair, is adorned with candy-colored Ginori 1735 china, adding a touch of playful luxury. Antiques played a significant role in furnishing the space, with pieces sourced locally from Wolf-Hall and Legacy, including striking pastel glass chandeliers. These elements contribute to the room's timeless elegance and character. Custom design details, such as a box-pleat armless chair and bespoke silk pinstriped built-in banquettes, were incorporated to maximize comfort and visual appeal. Scodro expressed that the room embodies her personal style, characterized by a sense of beauty and comfort in every detail. The design successfully merges traditional dining functionality with a dedicated bar area, offering a seamless transition from pre-dinner cocktails to a full meal. This approach acknowledges the evolving role of the dining room as a versatile hub for social gatherings and relaxation. The overall design is a cohesive blend of historical inspiration and contemporary needs, creating a luxurious and inviting environment that is both visually stunning and highly functional for entertaining guests. #KimScodroDesign #KipsBayDecoratorShowHouse #DallasDesign #DiningRoomDesign #VogueInspired #InteriorDesign #LuxuryDecor #HomeDecor #EntertainingSpace

This article details the comprehensive renovation of a 120-year-old historic carriage house on New York's Long Island by its new owner, Jamie Morgan, founder of Blake & Dane interior design studio. The property, originally part of a French Beaux-Arts style estate, presented a unique challenge: preserving its historical essence while adapting it for modern family living. Morgan and her husband, Chris, were drawn to the house's character and history, including its 12-foot ceilings, a 30-40 foot entryway cupola, and visible remnants of its past use, such as where hay entered and the original horse doors. The core objective of the renovation was to enhance these historical attributes without compromising contemporary comforts. The kitchen, initially a challenging long, narrow galley layout, was transformed into an intimate family space. A large kitchen island with seating on both sides was introduced to serve as a central gathering point for meals and entertaining. The high 12-foot ceilings, which could have posed a design constraint for cabinetry, were ingeniously addressed by integrating a library ladder and brass rail system, turning a potential problem into a distinctive feature. White kitchen cabinets with dark stone countertops and Signature Hardware pulls were used, with upper glass cabinets skinned in white oak, contributing to a tailored aesthetic. A custom-designed plaster cooker hood and Arabescato Antico marble backsplash further elevated the kitchen's traditional yet modern appeal. The dining room highlights many of the carriage house's original features, including warm-toned ceiling beams from its days as an outhouse. Railings around the stairs and raised floor spaces subtly nod to the former stalls and stables. To visually break up the open-plan living and dining area and add sophistication, elegant moldings and wainscoting were newly introduced. A custom black ash dining table paired with upholstered dining chairs from Arhaus ensures a sleek, contemporary look that harmonizes with the historic backdrop. An arched doorway off the kitchen leads to a butler's pantry, distinguished by its deep green/teal subway tile color scheme. This space provides practical storage with light oak cabinetry and dark wood open shelves, and serves as an additional food preparation area, compensating for the galley kitchen's smaller footprint. The home office masterfully combines old and new elements, featuring an original window alongside a newly installed white oak coffered ceiling. This traditional framework is juxtaposed with contemporary office furniture, including a streamlined desk and striking red chairs, and a Phillip Jeffries' Burled Chevron Carob wallcovering. The design ensures privacy while maintaining an open, airy feel, allowing the office to overlook the living space. The primary bedroom exudes a traditional ambiance with bespoke millwork creating a fitted look around the Arhaus bedframe. Benjamin Moore's Misty Gray on the walls and millwork offers a cool, restful atmosphere, complemented by colorful Milan bedding from Annie Selke, a large arched floor-standing mirror, and a white area rug. The primary bathroom was designed for luxury, incorporating Carrera marble tiles, Waterworks fixtures, and an Aerin Bonnington Chandelier. The layout specifically frames a freestanding bath beneath a window, with watery blue walls adding a shimmering effect. The overall renovation strategy prioritized preserving the home's unique character while upgrading amenities and adjusting the layout to suit modern family needs, resulting in a successful blend of historical charm and contemporary functionality. #InteriorDesign #HistoricRenovation #CarriageHouse #HomeTour #KitchenDesign #DiningRoom #HomeOffice #BedroomDesign #BathroomDesign

This article explores eight distinct owner's cabins found on various superyachts, showcasing a range of interior design styles and amenities. The first featured cabin is from the 58.67-meter Elsflether Werft superyacht *Magna Grecia*. This suite boasts a king-size bed and is adorned with magnolia and chrome furnishings, offering a luxurious space for relaxation or entertainment with a large screen. Next, the article delves into the once-expansive owner's cabin of the 53.2-meter explorer yacht *Vinydrea*, built by Turquoise. This suite underwent a significant transformation during a refit, after which the yacht was renamed *Kinta*. The original lavish interior was overhauled in 2013 for the charter market, resulting in a more classic aesthetic featuring dark wenge wood flooring and a coordinated blend of satin, leather, and cotton finishes throughout the vessel. Another owner's cabin that has evolved is from Mondo Marine's *Panther II*, now known as *Barents Sea*. This suite, originally characterized by a striking combination of beige, gold, and dark wood, was refitted for the charter market with a beach house chic interior. The updated decor features a neutral white and grey palette for a modern and broadly appealing look. Notably, the unique artwork resin walls, created by the previous owner's wife, were preserved during the refit. The article then presents the Old World-inspired owner's cabin of the 47.9-meter Trinity Yachts *Janie*, which has also undergone renaming and is now known as *Cocktails* (formerly *Chevy Toy*). This suite maintains its original layout and concept despite an interior refresh. The design elements include amber-hued lighting, ornamental lamps, and a long-tufted pale carpet with gold filigree, evoking a historic yet stylish charm. Recent updates to this suite involved darkening the bed and joinery, refreshing the carpet, and reviving the headboard with a faux leather finish. Moving on, the 62-meter Viareggio Superyachts *RoMa* features a master suite designed for quiet opulence. This cabin is distinguished by a sprawling king-size bed, silk-lined walls, and plush cushions in contrasting gold and mahogany, creating a serene and luxurious atmosphere. The owner's cabin of the 60-meter Benetti *St David*, previously named *Xanadu*, is highlighted for its light-filled ambiance. A skylight positioned directly above the bed allows natural light to flood the opulent master suite. While the luxurious lilac Louis Moreau quilted silk bedcovers and window treatments have been gently updated, the room largely retains its original character. Finally, the article showcases the spacious master suite of the 39-meter Feadship *Kathleen Anne*, designed by Bannenberg & Rowell. This visually appealing suite features walnut woodwork contrasted with pale oak. Its forward-facing windows offer panoramic ocean views, contributing to the room's spacious feel and aesthetic appeal. The 47.5-meter ISA-built *Aquamarina* presents an interior echoing a five-star hotel, with rich mahogany paneling, gold furnishings, and fine art adorning the walls, creating an atmosphere of unrestrained luxury. #SuperyachtDesign #OwnerCabins #InteriorDesign #LuxuryYachts #YachtRefits #BedroomDesign #NauticalInteriors #LuxuryLiving

A family seeking a unique summer retreat in Southampton commissioned a home that deviates from the typical Hamptons shingle-style aesthetic. They collaborated with local architect James Merrell to design a modern structure on a four-acre plot, which successfully balances 21st-century design with traditional Hamptons village vernacular. The resulting H-shaped house, oriented east to west, maximizes natural light throughout the day, with careful placement of windows and plantings by AD100 landscape architect Edmund Hollander ensuring views of the outdoors from every room. To infuse the Zen-inspired interiors with personality and vibrancy, AD100 designer Kelly Behun was enlisted. The homeowners expressed a desire for both playful and sophisticated elements. Behun curated a space filled with distinctive furniture and art, leveraging her network of artisans. Notable pieces include a Shape Up chandelier by Ladies & Gentlemen Studio, colorful rugs designed by Kinder Modern and Behun for the Rug Company, and a collection of Memphis Group ceramics alongside contemporary vessels by Erica Prince and Manal Kara. Behun approached furniture as sculptural elements, prioritizing both comfort and functionality. The outdoor spaces were also integrated into the design, with Behun collaborating with Hollander to strategically place and light outdoor art installations. These include a stainless-steel zipper sculpture by Mark Richard Hall and an eight-foot-tall painted-fiberglass sculpture by Chiaozza. For the children, a supersized chessboard and Thomas Heatherwick's Spun chairs were added to the yard, creating whimsical and engaging elements. Despite the playful additions, Behun maintained a refined aesthetic by anchoring the interiors in neutral tones, luxurious materials, and stained white oak. The living room features a modular Francesco Binfaré sofa, complemented by brass and stone furnishings. The master bedroom, designed with a 1970s chalet-by-the-sea ambiance, incorporates fuzzy wool carpet, a vintage ribbon-like chair, and a channel-tufted headboard. Reading nooks and a library were also key considerations, reflecting the homeowner's profession as a novelist. The home's central, double-height library serves as a family gathering space, complete with Vladimir Kagan sofas. A shared "bunkroom" for the children includes capsule-like beds and cozy wall nooks for reading. A less conventional request, a bowling alley in the basement, was designed by Behun with inspiration from French artist Jean Dubuffet, featuring a graphic black-and-white pattern on Élitis wallpaper, creating a perception-bending effect. The finished home successfully provides a fun-filled, non-electronic environment for the family and their children's friends. #HamptonsDesign #ModernArchitecture #InteriorDesign #KellyBehun #LuxuryHomes #LandscapeDesign #ArtisticInteriors #CustomFurniture #FamilyHome

The article details the transformation of a Bridgehampton, New York, Hamptons home by architects Timothy Haynes and interior designer Kevin Roberts. The property, initially purchased 12 years prior by a New York businessman, was a five-acre estate near the ocean and the town of Bridgehampton. He had previously renovated the mid-1990s house with interior designer Victoria Hagan, streamlining its postmodern architecture into a comfortable beachside retreat for himself and his two sons. This earlier renovation, featuring a blue-and-white scheme, was prominently featured on the cover of ELLE DECOR in 2002. The current renovation was prompted by the homeowner's remarriage, necessitating a redesign to accommodate his new wife and her 10-year-old daughter. The couple initially engaged Haynes and Roberts for a partial renovation, including the kitchen and master bath. However, as their family grew and their entertaining needs expanded, a more extensive overhaul became necessary. The wife, a fashionista and museum patron with a strong design aesthetic, desired to infuse the home with her personal style, incorporating contemporary art, vibrant colors, vintage and antique furnishings, and a touch of glamour. A primary goal was to create a dining room capable of hosting 25 people for large family gatherings like Thanksgiving. Significant structural and landscape changes were implemented. The existing tennis court, which obstructed views and was unused by the couple, was removed along with the original swimming pool. Haynes and Roberts collaborated with Manhattan-based landscape architect Edmund Hollander, who had designed the property's initial garden, to create an ambitious new landscape plan. This included a new saltwater pool inspired by a Slim Aarons photograph, featuring limestone steps cascading into the water. Hollander also designed garden walks bordered with Japanese holly, green velvet boxwood, masses of hydrangeas, lilacs, peonies, and roses. A new poolhouse was constructed with two wings: one for a changing room and sauna, and the other featuring a chic bar and lounge with a white-and-blue circle-patterned marble floor. These wings frame an outdoor dining pavilion, complemented by a gravel-lined garden and a bosque of plane trees. The main house underwent extensive modifications, including the expansion of rooms and the lifting of ceilings to enhance the sense of space and ease. In the master bedroom, a wall with a Juliet balcony was replaced with expansive windows overlooking the garden, and a previously underutilized terrace was converted into an enclosed sitting room. The homeowners were deeply involved in every design decision, from fixtures to furniture selections. The living room was reimagined as the home's social hub. Haynes and Roberts raised its gabled ceiling to 20 feet and doubled the space with an addition featuring a wall of windows and French doors. The interior decor of the living room includes oversized white leather cocktail tables, ample seating, and a vintage Harvey Probber tufted sofa, which Roberts divided into two sections to face the garden. The design philosophy emphasized functionality and comfort, ensuring that every piece of furniture invited relaxation. A notable artistic element is a faceted mirror sculpture by Doug Aitken above the striped marble mantel, spelling out the word “more,” reflecting the wife’s preference for a touch of extravagance. #InteriorDesign #HomeRenovation #HamptonsStyle #LuxuryHomes #LandscapeArchitecture #ContemporaryArt #VintageFurniture #ArchitecturalTransformation #SeasideLiving

The Spear's Interiors Index 2025 highlights the industry's top interior designers, those capable of creating properties, private jets, and yachts that meet the demanding standards of high-net-worth individuals. The article emphasizes that the best interior designers skillfully integrate lighting, flooring, furniture, textiles, and color to produce a harmonious space that appears effortlessly designed. This expertise involves distilling a client's desires into a cohesive and functional environment. The index introduces three Senior Statespersons: Andrew Winch, David Linley, and Anouska Hempel, recognized for their established reputations and significant contributions to their respective markets and the broader design sector. Anouska Hempel's firm, for instance, operates under the philosophy that every design should embody 'mystery, romance, theatre and perfection.' These individuals are crucial in shaping the ethos of their firms and the industry as a whole, providing leadership and setting high standards for design excellence. The selection process for the Spear’s Interiors Index is rigorous, involving the Spear’s Research Unit which annually assesses and updates its rankings. This process includes collecting data from and about advisors and firms, evaluating submission forms, compiling nominations, conducting peer reviews, and analyzing third-party sources. Researchers also gather references and recommendations, consult with experts, and carry out numerous interviews. Each advisor is then scored using a proprietary system that weighs various attributes, and these scores directly inform the new rankings in the Spear’s Indices. The rankings are first published online and subsequently in print, as part of the annual Spear’s 500 directory, which features leading advisors across all indices. Among the distinguished designers, eight are awarded the 'Top Flight' ranking, the highest achievable in the Index, which underscores the depth of talent within the Spear’s Index. Noteworthy among these is Martin Waller, whose travel-inspired design house, Andrew Martin, is celebrated for its 'kaleidoscopic' designs. Kelly Hoppen, another Top Flight designer, counts prominent figures like David and Victoria Beckham among her clientele, highlighting her appeal to high-profile clients. These designers are instrumental in establishing trends and redefining luxury, comfort, and functionality in their projects. The article also profiles several other interior designers, including Sharon Lillywhite of Oliver Burns Studio, known for her thoughtful luxury designs in projects ranging from Belgravia townhouses to Italian lakeside villas. Charu Gandhi, from Elicyon, a former member of the Candy & Candy design team, has completed high-profile projects globally, including multiple apartments in One Hyde Park and a large penthouse in Dubai. Laura Hammett, who founded her firm with her husband Aaron, provides comprehensive services including architectural and spatial planning, focusing on creating authentic, livable, and timeless spaces tailored to client preferences. Sameena Singh, founder of Littlemore, specializes in hospitality, branded residences, and ultra-high-net-worth projects, often commissioning bespoke art and furniture. Philippa Thorp, of Thorp Design, operates internationally on projects that emphasize longevity and quality. Matthew Williamson, initially a fashion designer, transitioned into interior design, bringing a 'joyful maximalism' to his projects, including work on Belmond’s La Residencia and London’s Design Museum. These designers, with their diverse styles and areas of expertise, are all capable of translating client wishes into exceptional spaces, whether their taste leans towards minimalism or maximalism. The selected advisors operate worldwide, undertaking projects from North America to Asia, consistently delivering designs that reflect sophisticated personal styles and address practical requirements. #InteriorDesign #LuxuryInteriors #HighNetWorthClients #SpearsIndex #DesignExcellence #ArchitecturalDesign #HomeDecor #LuxuryYachts #PrivateJets

The Kaleidoscope Project, a unique showhouse initiative, has revitalized The Cornell Inn, an 18th-century collection of historic guest buildings in Lenox, Massachusetts. This project goes beyond a typical showhouse by engaging 23 talented BIPOC interior designers to permanently transform 18 guest rooms, a lobby, dining room, and bar. A significant aspect of the project is its commitment to providing scholarship opportunities for young people of color aspiring to careers in creative fields, highlighting a broader mission of diversity and inclusion within the design industry. Participants in the project were assigned specific themes—rest (neutrals), reflection (cool colors), or rejuvenate (warm hues)—and corresponding color palettes. This approach ensured that while each room maintains its individual character, they collectively contribute to a cohesive and inviting atmosphere throughout the inn. The designers' personal touches are evident in each space, ranging from Shawna Underwood's traditional New England style bedroom to David Santiago's glamorous gold and velvet barroom. The project's organizers praised the designers for their exceptional work and their ability to infuse their unique identities into their respective spaces. Among the featured rooms, the Lady Cicely Room, designed by Austin Gray Design Group, draws inspiration from the Berkshires landscape with a cool palette, Benjamin Moore's River Blue walls, and Phillip Jeffries wallpaper on the sloped ceiling. The designers carefully selected furniture to evoke both femininity and strength, honoring Cicely Tyson. Christy Davis's Davis Room balances Southern roots with Asian heritage, employing yin and yang principles through contrasting Thibaut geometric and Lee Jofa floral wallpapers. Rasheeda Gray's Rasheeda Room is a personal homage to her late grandfather, featuring warm, sunny colors and a Safavieh bed, aiming to offer guests a space for rejuvenation. Rydhima Brar's Rydhima’s Room, or the “Empress’s Quarters,” is characterized by rich jewel tones and a hand-painted panoramic Gracie Studio wallpaper in the bathroom, designed to transport guests to a magical experience. David Santiago’s Acento Bar exudes theatrical glamour with gold Akdo tiles, red silk fabrics, and Currey & Co. sconces, reflecting his Spanish heritage and advocating for diversity. Everick Brown’s Kutana Room, named after the Swahili word for “meet,” celebrates Lenox’s cultural crossroads with a blend of rural and global, modern and rustic elements. Iantha Carley’s Bennet Room, located in the inn’s carriage house, offers a modern interpretation of an English country house, with a custom-designed headboard and Circa Lighting lamp, inspired by Jane Austen's Elizabeth Bennet. Dennese Guadeloupe Rojas’s Doreen Suite pays tribute to her mother, creating a luxurious yet inviting space with custom-upholstered seating in jewel tones and a geode-like Weitzner wallpaper. Linda Hayslett’s Maddi-Mia Room merges edgy and traditional styles with Clarke & Clarke floral wallpaper, a berry-colored platform bed from Kelly Clarkson Home Collection, and budget-friendly decor from Zara Home and HomeGoods, emphasizing the flourishing impact of diversity in design. Nile Johnson’s eponymous room is dedicated to self-care, presenting a simple, welcoming space with neutral accents, including a gray Benjamin Moore ceiling and a smoke-colored Sunpan bed. Purvi Padia’s Lioness Room focuses on relaxation with textured neutrals, white wallcovering by Phillip Jeffries, and black accents, with its name referencing Project Lion, an initiative in partnership with UNICEF. Shawna Underwood’s Hudson Room offers a fresh take on New England aesthetics with inviting textures, whimsical details, and Schumacher floral wallpaper, encouraging designers to embrace their cultural perspectives. Finally, Virginia Toledo’s Comparte Room, a dining space, features a communal red-legged table and Eliza Ikat wallpaper from Schumacher, symbolizing shared experiences and the diverse fabric of America. #KaleidoscopeProject #InteriorDesign #BIPOCDesigners #Berkshires #HotelRenovation #DesignShowhouse #HomeDecor #LuxuryInteriors #CulturalHeritage

Kit Kemp, co-owner and creative director of Firmdale Hotels, shares her design philosophy and tips, coinciding with the opening of her pop-up at Bergdorf Goodman. Known for her distinctive and whimsical approach to interiors, Kemp emphasizes creating rooms that are engaging and fun, rather than timid. Her work at Firmdale Hotels has established her reputation for crafting unique and inviting spaces, leading to her recent collaboration with Bergdorf Goodman. The Bergdorf Goodman pop-up showcases a comprehensive collection of Kemp's designs, integrating various elements she has developed over the years, including furniture, fabrics, lighting, homeware, and fragrances. This initiative addresses frequent inquiries from her audience about where to purchase her distinctive pieces, marking a significant step in making her designs more accessible. The pop-up is divided into three distinct spaces, each characterized by its own color scheme and personality, yet maintaining a cohesive aesthetic that is uniquely Kemp's. Kemp offers practical advice for incorporating color into home interiors, suggesting that hesitant individuals can start with a statement chair. She explains that by adding a vibrant piece, such as a wing chair, and then coordinating it with cushions, one can gradually introduce color into a room without it becoming overwhelming. Her philosophy is that color should contribute to a sense of calm and harmony, rather than creating a chaotic environment. She also provides quick and easy design tips to enliven a space. A notable suggestion is to use decorative plates as artwork, hung with black felt behind them to enhance their visual impact. Kemp credits Picasso with this technique, indicating its timeless appeal. When it comes to lighting, she advises viewing light fixtures as sculptures, and using fabric on lampshades to dramatically alter a room's focal point, underscoring that only a few focal points are necessary for an effective design. Folk art serves as a primary source of inspiration for Kemp, influencing her overall design aesthetic. Her process for discovering emerging artists is rooted in natural curiosity and a desire for tactile engagement with art, preferring hands-on experience over digital browsing. Among her favorite pieces in the pop-up are bespoke candlesticks and bird baths, which she repurposes for indoor display, highlighting her unconventional and playful approach to design. The article is accompanied by several illustrations showcasing various nooks and displays from her Bergdorf Goodman pop-up, including hand-painted plates, a bespoke 'Pippa sofa,' and a display of signature-style gifts. #KitKemp #InteriorDesign #HomeDecor #BergdorfGoodman #FirmdaleHotels #DesignTips #ColorInDesign #FolkArt #WhimsicalInteriors

Jenni Kayne has transformed a modern farmhouse in Tivoli, New York, into a warm and inviting space, reflecting her California-based brand's cozy coastal aesthetic. The four-bedroom, three-bathroom property, initially perceived as "a bit too cold," now embodies a moodier style inspired by the Hudson Valley. This project marks Kayne's second venture into large-scale interiors, following a ranch in Santa Ynez that opened in 2022. The Tivoli farmhouse is designed to host her family, brand friends, and community members, featuring an open chef’s kitchen and a pool with views of the Hudson Valley. Uniquely, the property also includes an on-site wellness club offering various treatments such as aesthetician services, Pilates, yoga, and meditation. The article highlights several design ideas that can be adopted from Kayne's farmhouse. One prominent feature is the repurposed greenhouse, which Kayne collaborated with Gothic Arch Greenhouses to customize into a treatment room for the Oak Wellness Club. Kayne was inspired by design books showcasing guest rooms or secluded nooks within greenhouses, aiming to create a self-care sanctuary immersed in nature. This standalone structure, situated at the end of a gravel path, demonstrates versatility and could be adapted for use as a dining room, gym, or office in other residential settings. Another distinctive design element is the artsy kitchen backsplash. Instead of conventional tiles, the backsplash features a series of hand-painted tiles by artist Aviva Halter. These tiles draw inspiration from the property's wildflowers and the botanicals found in Oak Essentials products, designed to evoke a farmhouse aesthetic. The article also points out the bold bathroom sink, which stands out with its rich red onyx stone, a less common color for such materials. The color choice for the sink and the matching shower shelf was intentionally coordinated with the Dume linen sofa in the living room. Finally, the elevated bedding offers a luxurious and cozy alternative to traditional down comforters. Inspired by Belgian design, Kayne selected floor-sweeping linen coverlets that complement the headboards in each guest bedroom. This approach was applied even to the twin beds, elevating them from a typical children's space to an adult-approved retreat. Overall, the farmhouse exemplifies Kayne's design philosophy, blending functionality with a refined, nature-inspired aesthetic and providing a unique space for both personal enjoyment and community engagement. #JenniKayne #FarmhouseDesign #HudsonValley #InteriorDesign #WellnessClub #GreenhouseRepurposing #KitchenBacksplash #BathroomDesign #BeddingStyle #CoastalStyle #LuxuryInteriors

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor