Christopher Peacock Launches the Hudson Collection

Peter Dunham, an ELLE DECOR A-List interior designer renowned for his 'Englishman-meets-L.A. style,' is expanding his presence with a new 3,500-square-foot showroom in New York City. The showroom, located at the New York Design Center's 200 Lexington Avenue, is set to open on August 19. Dunham, who has been operating from Los Angeles since 2003, expressed his long-held desire to establish a New York presence, stating, 'For me, it’s always New York...and honestly, I wish I’d done it sooner.' The new space will showcase a diverse range of products from both Dunham’s Hollywood at Home and Peter Dunham Textiles brands. Visitors to the showroom will experience an environment designed to emulate Dunham's distinct interior projects, characterized by opulence, playfulness, vintage influences, and a strong affinity for bold colors and patterns. The showroom aims to offer a tangible experience, allowing clients to 'touch and feel and try and test the quality and comfort' of his offerings, emphasizing the designer's belief in the importance of physical interaction with products despite the shift in retail landscapes. The showroom's layout is meticulously curated to reflect Dunham's design philosophy, presenting a comprehensive display of his work. A central feature will be an array of his signature prints and woven fabrics, including the widely recognized 'Fig Leaf' print, which adorns the walls. This is complemented by outdoor furniture selections, such as a textured beige Hollywood at Home Rush Club armchair, upholstered in Nawab fabric. The space also includes a dark green cabinet filled with indoor-outdoor poufs, a varied collection of patterned cushions, and a wall dedicated to fabric swatches, inviting tactile exploration. His latest 'Shani' textile launch, drawing inspiration from Indian block prints, will also be featured. Beyond textiles and seating, the showroom will display lamps, a four-poster bed draped in a 100 percent alpaca bedcover crafted by Peruvian handweavers, and cowhide chairs. Notable pieces include the 'Carmania' woven fabric, previously used in Dunham’s Paris apartment. The showroom is designed to be a condensed yet comprehensive representation of Dunham’s extensive career and dedication to fabric artistry. Dunham describes the showroom as a layered environment, mirroring his approach to designing a room—a fusion of art, accessories, vintage items, his original designs, and collaborations with artisans. For those unable to visit in person, the article provides a glimpse into some of the featured items, offering a preview of the diverse collection available at the new New York location. #PeterDunham #NYCShowroom #InteriorDesign #HomeDecor #Textiles #HollywoodAtHome #NewYorkDesignCenter #DesignTrends #FabricDesign

The traveling exhibition platform Object & Thing is currently showcasing its latest iteration, 'A Summer Arrangement: Object & Thing at LongHouse,' at LongHouse in East Hampton. LongHouse is the former home and sculpture garden of the renowned textile designer John Lenor Larsen. The exhibition, co-curated by Object & Thing founder Abby Bangser and LongHouse curator-at-large Glenn Adamson, and featuring installation design by Colin King, runs until September 3, 2023. It occupies the summer living room, gallery, and guest level of the residence. The exhibition is inspired by Larsen's philosophy of integrating art into everyday living spaces, believing it makes art more relevant than in a traditional museum setting. Larsen, influenced by the 7th-century Shinto shrine at Ise, Japan, collaborated with architect Charles Forberg to complete LongHouse in 1992. As an avid collector, Larsen filled his home with a diverse array of objects from around the world, arranging them alongside simple, local items, creating a unique and personal aesthetic. Following his passing in 2020, LongHouse was bequeathed as a public space, encouraging artistic collaboration and organic evolution. 'A Summer Arrangement' adopts Larsen's non-hierarchical approach to objects, presenting a collection of contemporary art and design pieces, including several site-specific commissions. The featured works are crafted from materials that Larsen himself frequently utilized and collected, such as ceramic, fiber, glass, metal, and wood. The exhibition includes works by textile artist Megumi Shauna Arai, sculptures by Wyatt Kahn and Alma Allen, and ceramics by Frances Palmer. These contemporary pieces are displayed alongside Larsen’s personal collection of Wharton Esherick furniture, notably a dining table that was showcased at the 1939 World’s Fair, adding historical depth and context to the evocative setting. Glenn Adamson notes that Larsen was a master of subtle arrangement, constantly recontextualizing the objects in his collection. He states that this project continues Larsen's practice by exploring what the designer might be interested in collecting and displaying if he were still alive today. The exhibition serves as a tribute to Larsen's enduring legacy and his innovative approach to design and art display. Admission to LongHouse is $20, with discounts for seniors and guests with disabilities, and complimentary entry for children, students, veterans, and active personnel. #LongHouse #ObjectAndThing #Exhibition #JohnLenorLarsen #DesignExhibition #EastHampton #ContemporaryArt #TextileDesign #ArtAndDesign

Marks & Spencer has launched its latest homeware collaboration with renowned British interior designer Kelly Hoppen, offering a festive collection just in time for Christmas styling. This new range builds on the success of Hoppen's previous AW24 collection, infusing her signature timeless elegance with a seasonal touch. The collection emphasizes a neutral palette and understated sophistication, aiming to elevate various areas of the home. The range includes an array of items such as elegant tableware, sculptural accessories, distinctive tree decorations, occasional furniture, and luxurious lighting, all reflecting Hoppen's design philosophy. Key characteristics of the collection are clean lines, monochrome tones, and tactile textures, designed to integrate seamlessly into diverse home aesthetics. For instance, the collection features matt-glazed ceramics and geometric-detailed glassware, which introduce a modern flair to Christmas tablescapes. Versatile furniture pieces are also part of the offering, intended to provide additional surface space and act as striking focal points within a room. To complete the look, the collection suggests layering with sculptural vases, tactile cushions, and throws, all coordinated with plush, hotel-style bedding. A notable addition to this year's collection is a series of tree decorations, embodying Kelly Hoppen's approach to festive styling. These decorations include ridged glass options, metallic finishes, and oversized designs, aiming to bring a unique yet subtle elegance to Christmas trees. Hoppen herself expressed her joy for the festive season, highlighting her desire to create a warm and welcoming atmosphere through her designs. She emphasized the importance of 'little touches' that contribute to a magical environment. Another significant new element is a Christmas fragrance, which Hoppen designed to truly evoke the scent of the season. This fragrance features notes of green foliage and warm spices, intended to instill a festive mood while also being versatile enough for year-round enjoyment. The article also showcases specific items from the collection, providing details and pricing for consumers. These include a Tall Bend Vase with a textured finish and modern angular form, a Pure Cotton Band Cushion featuring neutral tones and monochrome panel detailing, and a 20-Pack Silver Grey Glass Baubles set that adds a designer touch with metallic shades and glitter accents. Other featured items are a Coffee Table with a painted solid oak base and oak veneer top, a Press Ceramic Dinner Candle Holder with curved lines and a glossy finish, and a Faux Fur Throw for added warmth and texture. The collection also includes Christmas Joy Pre-Scented Diffuser Reeds and a Sateen Applique Bedding Set crafted from 500-thread-count cotton sateen. #KellyHoppen #MarksAndSpencer #ChristmasDecor #HomewareCollection #InteriorDesign #NeutralPalette #FestiveStyling #HomeDecor #LuxuryDecor

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

As summer transitions to fall, many seek opportunities to refresh their living spaces. Urban Outfitters has addressed this demand by releasing five new furniture collections, featuring over 80 pieces designed to revitalize any home. To commemorate these launches, the brand is offering a chance to win a $4,000 shopping spree at Urban Outfitters, encouraging customers to envision and create their ideal autumn-ready interiors. The Mikko collection, a continuation of UO's contemporary bohemian style, showcases natural arcs and textures. This assortment emphasizes concentric curves and woven materials, providing an eye-catching yet comfortable aesthetic. Notable items include a rattan-wrapped settee and a black bamboo room divider, both contributing to a bungalow-inspired atmosphere. The Huxley collection draws inspiration from mid-century modernism, a style celebrated for its enduring appeal. It features honeyed wood finishes and classic shapes, presenting essential items that seamlessly integrate with both vintage pieces and other contemporary furnishings. Highlights from this collection are a recycled-leather wrapped bed frame and a round dining table with hidden storage, optimized for apartment living. The Aria collection introduces lightweight steel designs with looping lines. Characterized by Marcel Breuer-esque contours, crisp white finishes, and playful rounded feet and castors, this collection offers versatile pieces that can either serve as focal points or complement existing decor. Key items include a vanity set and a matching vinyl record shelf, both distinguished by their light and lithe construction. For a touch of French country charm, the Virginia collection provides an airy flourish and hand-carved romanticism. This line features delicately carved mango-wood furniture, available in white or natural finishes, and adorned with charming aged brass details. A complete matching bedroom set, comprising a scalloped, low-slung bed frame and a tone-on-tone upholstered vanity stool, exemplifies the collection's idyllic aesthetic. Finally, the Lita collection embodies Scandi simplicity and striking geometry. It combines George Nelson-like slatted wood with natural woven accents, resulting in a design story that is conceptually complex yet visually uncomplicated. Standout pieces include a clean-lined petite bookshelf and a Donald Judd-esque platform bed with an integrated bench. These collections collectively offer diverse styles and functional pieces, inviting individuals to refresh their homes for the upcoming season. #UrbanOutfitters #FurnitureCollections #HomeDecor #InteriorDesign #BohemianStyle #MidCenturyModern #ScandinavianDesign #FrenchCountry #HomeMakeover

Henrybuilt, a company known for its high-end kitchen system designs, has introduced a new line of standalone storage furniture called Primary Objects Studio Group. This collection is intended to be a more accessible offering for customers who may not typically invest in Henrybuilt's custom-built solutions. While positioned as more affordable, these pieces still fall within a luxury price range, costing between $4,000 and $8,000 each, aiming to provide a blend of luxury and practicality. The initial launch of the Primary Objects Studio Group features four distinct pieces, collectively named "The Towers," each designed with specific functionalities and aesthetic considerations. These pieces are not built-in, offering flexibility in placement and use within various home environments. One of the pieces, "Split," is characterized by its two doors which, when opened, reveal a versatile interior. This interior features warm yellow tones and can be configured with Henrybuilt's Opencase system. This adaptability allows Split to serve multiple purposes, such as a wardrobe in a bedroom, a concealed coffee or wine bar in a dining area, or an additional pantry in a kitchen, catering to diverse storage needs. Another piece, "Shift," stands out with its brightly colored back and offset partial doors, presenting an aesthetically dynamic storage solution. Shift is designed to be visually intriguing while offering functional storage. It can function as an entryway feature, combining display space with hidden storage for items like coats or bags. Alternatively, in a kitchen setting, it can conceal pantry items while showcasing wine glasses or cookbooks, providing a flexible solution for both practicality and display. "Peak" is a narrower unit featuring an open bottom, making it suitable as a standalone armoire, particularly for smaller spaces like city apartments, guestrooms, or studies. Its interior is fully equipped with adjustable shelves, allowing for seamless integration with Henrybuilt's adjustable shelf system, hangrod shelf, or shoe shelves. These adjustable shelves can also be replaced with Opencase components, transforming Peak into a sport, utility, or mudroom locker, highlighting its versatility. Finally, "Prime" is optimized as a utility cabinet. It combines the Opencase system with adjustable shelves to maximize flexibility. Prime is designed to serve as a dedicated storage unit for cleaning tools and supplies, as well as overflow bulk items. Its purpose is to help keep kitchen, pantry, or entryway spaces organized, thereby freeing up critical space elsewhere in the home. The adaptability of the Opencase system further allows Prime to be reconfigured from a utility function to various other storage or closet functions, emphasizing its long-term utility. These new "Towers" are currently available directly from Henrybuilt's website. The introduction of this standalone furniture line represents Henrybuilt's strategy to expand its market reach beyond its traditional built-in clientele, offering luxury storage solutions with increased flexibility and adaptability for a broader range of residential needs. #Henrybuilt #StorageFurniture #LuxuryDesign #FurnitureDesign #HomeOrganization #InteriorDesign #ModularStorage

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

The article announces the launch of a new furniture collection resulting from a collaboration between Four Hands and Van Thiel, designed to blend heirloom craftsmanship with modern functionality. This collection, featuring over 25 antique-inspired pieces, is set to debut at the High Point Fall Market. The collaboration aims to cater to a renewed interest in traditional and heritage designs, reimagining archived Van Thiel designs to meet contemporary home needs. Adam Dunn, Vice President of Design at Four Hands, highlights that the collection draws inspiration from the Van Thiel family's extensive history in antiques dealing, resulting in pieces that evoke an aged and time-worn aesthetic. This effect is achieved through the careful selection of materials, distressing techniques, and specialized finishes that accentuate the unique artistry and craftsmanship of each item. The collection includes pieces like the "Please No More Doors" cabinet, which is inspired by Scandinavian antiques and features both drawers and wine storage behind panel glass doors. Another notable piece is the hand-distressed “It Takes an Hour” sideboard, which draws inspiration from Chinese styles. The playful names assigned to the pieces are intended to further connect them to the concept of stories passed down through generations, much like genuine antiques. Dunn explains that a mix of solid and veneer woods is used for tabletops, cabinet doors, and panels to mitigate issues like movement, checking, and cracking that can occur with solid wood, thereby creating stronger, more durable furniture designed to be passed down through generations. The designs incorporate grand scales and exposed joints to introduce a modern touch, while weathering techniques contribute to a collected and curated appearance. For example, the “1500 Kilometer” dining table, a large-scale vintage-style piece crafted from solid pine, features a hand-distressed finish and is available in both aged brown and natural finishes, capable of seating 12 individuals. The distressing of solid wood frames is meticulously applied by hand, emphasizing grain movement, softening corners, and breaking hard edges. These methods are designed to mimic the natural wear and tear seen on authentic antiques, specifically in areas that would typically be touched or kicked over time. The finishing process involves a combination of paint and stain, which are distressed and rubbed away to enhance the natural aging appearance of each piece. Rudy van Thiel Sr., with over 50 years of experience in the antiques and furniture industry, underscores the importance of the finishing’s effects and application. He notes that finishes have been studied globally, leading to the development of unique techniques where careful attention is paid to areas that would authentically experience wear and tear. The Four Hands x Van Thiel collection is accessible to trade professionals through the Four Hands Marketplace and directly to consumers via Scout & Nimble. The collection aims to offer heirloom-quality pieces that will bring lasting joy to future generations within well-curated interiors. #FourHands #VanThiel #FurnitureCollection #AntiqueInspired #HeirloomDesign #HighPointMarket #InteriorDesign #HomeDecor #Craftsmanship

The High Point Market Fall 2024 showcased numerous new collections and collaborations from prominent designers and brands in the home furnishings industry. This event served as a platform for unveiling innovative designs and product lines across various categories, including furniture, textiles, lighting, and rugs. The market attracted a significant number of design professionals, all seeking to discover the latest trends and offerings. Bernhardt's Designer in Residence showcase, led by Nicole Fuller, presented an installation inspired by the Moroccan desert. This collection featured exotic elements such as pierced brass lanterns, an art deco-style faceted credenza, bullion fringe-trimmed settees, and pillows with beaded "evil eye" accents. The showcase aimed to create an immersive and unique design experience for visitors. Four Hands introduced the second installment of its collaboration with designer Amber Lewis. This launch comprised over 160 artisan-made SKUs, reflecting Lewis's signature coastal-cool aesthetic. Notable items included the shearling-covered Bennett chair, the paper cord-accented Salvador coffee table, and the hammered-bronze Corinne stool, catering to a blend of comfort and style. Tara Shaw's collaboration with Century Furniture drew inspiration from French flea market finds. The collection highlighted antique-driven designs such as the midcentury Italian-style Saint Laurent lounge chair and ottoman, the Rococo-esque Sainte Rome accent table, and the Trocadero desk, which featured ebonized detailing and hand-carved animal paw feet. This partnership aimed to merge historical elegance with contemporary craftsmanship. Thibaut's Anna French room displayed the Camelot collection, characterized by vibrant, jewel-toned fabrics. The collection included chairs upholstered in Linden Velvet, a sofa in moire-esque Regia, and drapes made from flame-stitched Kamut Embroidery, providing a luxurious and colorful aesthetic. Hickory Chair presented new collaborations with Kim Scodro and Suzanne Kasler. Scodro's contributions included soft-hued designs like the pale pink Harrison lounge chair, while Kasler's Bruges collection featured pieces such as the bone-inlaid Luc cocktail table and the tufted, art moderne-style Annabelle sofa, combining traditional and modern influences. Abner Henry's launches featured Sasha Bikoff's second collection, inspired by Memphis Milano, and the sinuous Aero console. These pieces emphasized unique shapes and artistic expressions, attracting attention from industry figures like Thom Filicia. Kravet's collaboration with fashion label Altuzarra at 200 Steele showcased a couture-fueled line. The collection included the ombre, sunset sky-inspired Colorscape mural, the Moth Weave, and the finely feathered Caspia, available as both fabric and wallcovering, reflecting a blend of fashion and home decor. Hubbardton Forge introduced the Snaps collection, an interactive lighting system composed of leather straps, LED modules, and alabaster diffusers. This modular design allowed for various configurations, offering customizable lighting solutions. Interlude Home presented petite versions of its Lucie and Theo sheep and a line of designer-selected chairs upholstered in Kravet fabrics, adding playful yet sophisticated options. Eliko Rugs by David Ariel collaborated with Anne-Marie Barton for a 27-piece collection of artisan-crafted rugs. This collection, which included the ultrashaggy Adorne and geometric Terra Luna styles, blended European design influences with contemporary aesthetics. Universal Furniture's Dwell collection featured architectural designs like a latticework-like bed frame, a cast concrete-shelved bar cart, a multifunctional cocktail table with an attached ottoman, and the Basalt credenza with pine lap-siding. Harbour showcased its new Palm Beach collection at the 313 Space, alongside other outdoor retailers and sustainability-minded brands such as Loose Parts, Nanimarquina, and Soil to Studio. Barbara Barry expanded her line with Baker and McGuire, introducing pieces like the rattan-framed Encircle sofa, the oak veneer-topped Cinch dining table, the plaster Dias Cylinder lamp, and the L-shaped Lao cocktail table made of honed Honey Onyx. Jaipur Living collaborated with House Sprucing on a collection of six artisan-crafted rugs, including the distressed Tesorino and hand-tufted Amata styles, made from 100 percent PET yarn. This collection emphasized European design and sustainable materials. Cordless lights were a notable trend, with introductions from Surya, Visual Comfort, Currey & Company, and Pooky, offering portable and flexible lighting solutions. Verellen celebrated its silver anniversary with a line of colorful upholstered furniture, including the polychromatic Otis club chair, the rainbow-speckled Roger swivel stool, and a bold color-blocked iteration of the modular Diego sectional sofa. Loloi featured Chris Loves Julia’s Scottie collection, a line of hand-tufted rugs with scalloped edges and striped double borders, available in various sizes and colorways. Burton James presented plush designs like the slope-armed Ally swivel chair, the sinuous Grayson sectional sofa, and the tightly upholstered Roy ottoman. Brown Jordan’s bestselling Luca collection, designed by Ann Marie Vering, offered a range of outdoor furniture with gently curved teak frames and weather-safe cushions. American Leather updated its Menlo Park series by Rick Lee, introducing a curvaceous bed and serpentine sofa upholstered in Ultrasuede fabric with channeled backs and welt detailing. Regina Andrew Detroit unveiled new lighting designs, including the mobile-inspired Artemis chandelier, the asymmetrical Happy Outdoor sconce, and the leather-wrapped Denver table lamp. BDI’s Elements collection by Matthew Weatherly provided acoustic-savvy storage solutions with laser-carved wood door fronts and metal mesh panels, designed to conceal audio equipment without compromising sound quality. #HighPointMarket #ProductLaunch #InteriorDesign #HomeFurnishings #DesignerCollaborations #FurnitureTrends #LightingDesign #TextileCollections #RugDesign

Calico Wallpaper, a Brooklyn-based company specializing in bespoke wallcoverings, is expanding its reach into the European market this month with debuts at Maison&Objet; in Paris and the London Design Festival. Founders Nick and Rachel Cope identified a growing international interest in their products, prompting this strategic expansion, particularly focusing on France and the U.K. due to their strong wallcovering traditions. Nick Cope specifically noted London's significant demand for wallcoverings as a key factor in their decision to enhance their presence there. During the London Design Festival, commencing September 14, Calico Wallpaper will unveil its new Prism collection at SCP, a prominent furniture manufacturer and retailer. The Prism collection draws inspiration from the subtle, rainbow-colored reflections produced when light passes through crystals. Rachel Cope developed this concept by experimenting with various prismatic forms and photographing the resulting light effects, which then served as the foundation for the wallcovering patterns. Her aim was to capture the dynamic and ethereal quality of moving prisms on walls, an idea she had contemplated for years after being captivated by the visual effects of crystal refractions. Concurrently, at Maison&Objet;, running until September 10, Calico Wallpaper is presenting a distinct collection called Singing Sand. This collection is featured within a mirage-like installation at Triode, titled "Visions / Perceptions," which explores the interplay between material reality and optical illusions. The installation will remain on view until October 5 and was a collaborative effort with John Hogan and New York-based Ladies & Gentleman Studio. It incorporates a conceptual kinetic sculpture, glassworks by Hogan, and actual sand to create an environment that reflects the essence of the Singing Sand wallcovering. The Singing Sand collection, handcrafted by Rachel Cope, is designed to evoke the fluid granularity of desert dunes. It mimics the constant movement of a desert landscape, illustrating how grains of sand shift and slide with the wind to form meditative patterns. Rachel Cope expressed her fascination with the digital effects of a mirage and her desire to translate that phenomenon into a wallcovering, specifically aiming to capture the movement and rhythm of actual sand dunes. Calico Wallpaper is recognized for its unique approach of blending artisanal techniques with advanced digital technologies. The company previously received a 2019 NYCxDESIGN Award for its Relic Collection, which features layers of translucent paper, and has also collaborated with artist Faye Toogood on a collection for Salone del Mobile. #CalicoWallpaper #EuropeanDebut #MaisonEtObjet #LondonDesignFestival #PrismCollection #SingingSand #Wallcoverings #InteriorDesign #BespokeDesign

Kristin Harrison, the founder of Georgia & Hunt Design, has introduced a new custom cabinetry collection in collaboration with Unique Kitchens & Baths. Harrison's primary goal for this collection is to redefine livable design, merging a relaxed sophistication with a timeless aesthetic suitable for everyday living. The collection aims to address the common concern of delicate cabinetry in homes, particularly in active family environments. Harrison focused on developing colors and door profiles that possess a more 'lived-in' feel, designed to improve in appearance over time rather than showing wear. The Georgia & Hunt Collection features six distinct door profiles, including names like Delancey, Merion, and Rittenhouse. These profiles are offered with a selection of eight paint colors and four wood finishes, such as Natural Elm and Dark Stained Walnut. A key aspect of the collection is its commitment to domestic manufacturing, with all pieces designed and built within the United States. The cabinetry is constructed from high-quality all-wood materials and incorporates practical features like smooth, easy-to-clean finishes, dovetailed drawer boxes, and soft-close glides. Harrison highlights the versatility of the collection, pointing to The Rittenhouse profile as an example. She notes its ability to integrate seamlessly with various interior design elements, whether paired with different metal finishes, marble, or wood countertops. The Rittenhouse profile can also complement furniture with cleaner lines, introducing texture and warmth into a space. The emphasis on American craftsmanship was a crucial factor for Harrison in selecting Unique Kitchens & Baths as a partner. Harrison stresses the importance of genuine custom manufacturing, noting that many companies falsely claim to offer fully custom products while importing and merely assembling components. Her partnership with Unique Kitchens & Baths was driven by their practice of sourcing, employing, and building entirely within the U.S. This commitment to domestic production, coupled with the company's attention to detail, customization capabilities, and high-quality standards, stood out to Harrison. The collection also comes with a lifetime warranty, a feature Harrison notes as increasingly rare in the current market, further underscoring the confidence in the product's durability and craftsmanship. #KristinHarrison #CustomCabinetry #GeorgiaAndHuntDesign #UniqueKitchensAndBaths #InteriorDesign #HomeDecor #LivableDesign #MadeInAmerica #KitchenDesign

Christopher Peacock, a prominent figure in the luxury cabinetry design industry, established his career in the early eighties at Terence Conran’s furniture store in London. In 1992, he founded Christopher Peacock Cabinetry, initially showcasing a kitchen display in a small shop in Greenwich, Connecticut. Since then, his business has expanded significantly, now boasting showrooms across the United States and Europe, including major cities like Chicago, Boston, San Francisco, and New York City, as well as international locations in Cannes and Cote D’Azur. Peacock's cabinetry is distinguished by its meticulous craftsmanship, starting with raw, hand-selected timbers and employing traditional joinery techniques. The finished products are recognized for their luxurious aesthetics, intricate details, and use of exquisite materials, positioning Christopher Peacock as a leading name in the high-end cabinetry market. He emphasizes that the company's brand is synonymous with ultimate luxury in cabinetry design, having adorned residences for notable clients, including U.S. presidents and other celebrities. A key aspect of Christopher Peacock Cabinetry is its commitment to being entirely "Made in America," with all design and manufacturing processes taking place in West Virginia. This dedication to domestic production underscores the brand's quality and craftsmanship. The company has recently expanded its presence in Nashville, Tennessee, by opening a new showroom at the Nashville Design Collective. While Peacock has previously served clients in Nashville remotely, this new showroom signifies a more direct and enhanced engagement with the local market. He expressed a long-standing appreciation for Nashville's surrounding countryside, homes, and architecture, noting the city's sophisticated and well-traveled clientele. The move aims to introduce the brand to a wider audience within this new market. A significant upcoming project for Christopher Peacock in Nashville involves designing custom kitchens for all 31 units in "The Manning at Belle Meade," an exclusive and upscale development. This venture is set to further solidify Peacock's influence in the city's design landscape. Peacock identifies Nashville as a dynamic and rapidly expanding city, recognizing a demand for high-end companies to cater to the top tier of the market. He believes the timing is opportune for his company and its products to be embraced by the Nashville community, addressing a specific need for luxury offerings in the area. #ChristopherPeacock #LuxuryCabinetry #NashvilleDesign #InteriorDesign #HomeFurnishings #MadeInAmerica #KitchenDesign #HighEndDesign