A Hong Kong home is filled with eclectic art and furniture made to last

The Cochran family, including parents Sheryl and David, and sons Luke and Matt (with wife Courtney), shares a distinct interior design aesthetic characterized by a blend of modern, vintage, and quirky elements. This aesthetic has evolved through their shared love for music, art, and eclectic pieces, with the parents' curated home inspiring their sons' living spaces. David Cochran, an artist, contributes significantly to their art collections, and family painting sessions further enrich their homes' decor. The siblings' individual design choices also influence each other, with new finds by one often sparking ideas for the other. Courtney and Matt Cochran’s historic home in the Fan District, built in 1909, exemplifies this shared style. They meticulously preserved the home's original charm, refinishing floors and retaining existing chandeliers to maintain its inherent grandeur. Their approach to furnishing involved a slow and deliberate process of acquiring pieces from estate sales, antique markets, and local stores like Class and Trash. The entryway features an original crystal chandelier juxtaposed with an industrial console table and an African elephant mask, showcasing their ability to blend diverse styles. The dining and living area combines a West Elm dining table with midcentury modern chairs and a velvet sofa, illuminated by vintage stained-glass panels. The use of subtle color notes and carefully chosen art and decor creates a harmonious space that seamlessly merges new and old. Luke Cochran's South Side Richmond home also reflects the family's aesthetic, with his mother, Sheryl, providing design guidance. Renovations in Luke's home were minimal, primarily focusing on removing walls to create a more open layout, thereby preserving its original character. His design philosophy centers around unique pieces, such as an antique carved wooden cabinet sourced from Circa in Charlottesville, which is contrasted with contemporary gold lamps. The dining room features deep blue walls and modern cabinets, softened by a wooden pantry door from Caravati’s in Ashland. A retrofuturistic Sputnik-inspired light fixture bridges modern features with warm wooden elements, resulting in a refined yet comfortable atmosphere. Across both homes, a consistent theme emerges: the juxtaposition of furniture with eclectic art collections and luxurious mirrors. This common stylistic thread connects the generations, illustrating how a shared passion for design can manifest uniquely in different living spaces while still retaining a familial signature. Each home, while reflecting the individual tastes and travel experiences of its occupants, maintains an inviting ambiance where art, music, and creativity are central to the living experience. This intergenerational influence and the conscious curation of diverse elements define the Cochran family's interior design approach. #homes #interiorDesign #homeDecor #families #antiques #vintageStyle #artCollections #eclecticDecor

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

Art serves as a transformative element in home décor, offering a means to refresh living spaces and reflect personal tastes without extensive redecoration, particularly beneficial for renters. Experts suggest that a strategic selection and display of artworks can revitalize a home's ambiance, evoking emotions or establishing specific moods. For instance, abstract art with loose, expressionistic marks can create a romantic atmosphere, while a more graphic style can impart a modern, urban feel. The flexibility of art allows for periodic reconfigurations, mirroring how public galleries re-hang their collections, providing a renewed perspective within a home. Practical considerations for hanging art include using small nails for easy patching in rental properties or opting for leaning art against ledges, book stacks, mantelpieces, or consoles for a casual display. When integrating new art, it should complement existing furniture and homeware rather than compete with them. This can be achieved by placing art alongside items with similar aesthetic qualities, such as echoing patterns in a rug or the curves of ceramics, or by creating juxtapositions with personal ephemera like postcards or family photos. Wall-hung art can also provide a visual counterpoint to bulky furniture, acting as a focal point that balances the weight of larger pieces like sofas. Furthermore, carefully chosen art can unify a room by linking disparate design elements, such as contrasting materials or colors, ensuring a cohesive look. Artworks can reflect or complement tones present in fabrics or wood, thereby integrating the room's overall design. Beyond traditional wall art, incorporating usable art, such as art-themed coasters and placemats, can make art acquisition and display more approachable and enjoyable. Artists like Selina Snow demonstrate how personal art collections, including works by family members, travel souvenirs, and her own creations, can be curated against a neutral backdrop to create a unique and personal environment. Snow emphasizes the importance of linking colors and motifs in a way that enhances individual pieces without causing them to blend indistinguishably. She advocates for professional framing for original artworks to ensure their preservation and suggests installing UV protective window film in bright areas. Sculpture also has a place in home interiors, extending beyond gallery settings. Instead of relying solely on tables or plinths, sculptures can be displayed on affordable free-floating shelves at varying heights to create engaging domestic arrangements. For those looking to start an art collection, visiting art exhibitions, auctions, and open-studio events is recommended to discover art that resonates personally. Many galleries offer a 'try before you buy' service, allowing potential buyers to see how art integrates into their home environment at different times of day and in various locations. Before making permanent hanging decisions, it is advisable to experiment with configurations by laying pieces out on the floor. Ultimately, the selection of art should be deeply personal, reflecting what truly speaks to the individual, whether adhering to a specific theme or simply choosing pieces based on intuition, as there is no right or wrong approach to art selection. #HomeDecor #ArtDisplay #InteriorDesign #ArtCollection #LivingSpace #HomeStyling #ArtConsultancy #RoomTransformation #PersonalExpression

This article details how California-based designer Grace Lee-Lim transformed a large, open living room into three distinct functional areas without structural changes, addressing the client's need for a home office and two separate seating zones. The clients, a couple with a 3-year-old daughter, had recently moved into a new build with a 560-square-foot living room and initially expressed skepticism about fitting so much furniture. Lee-Lim overcame this by presenting multiple floor plans, ultimately gaining the clients' trust and full creative control over the project. The design strategy revolved around the strategic placement of furniture and specific design elements. Lee-Lim created a formal seating arrangement near the windows for quiet mornings, featuring swivel chairs to enjoy the outdoor view, a large coffee table for grounding the space, and wood stools for additional seating. A second lounge area was established near the fireplace, sectioned off by a cane room divider and furnished with a curved sectional and a circular table, fostering a cozy atmosphere for family gatherings. The third space was a home office, incorporating bookcases and desks. Lee-Lim's design aesthetic, which she describes as a blend of modern and Asian American styles, was a key factor in the client's choice. She intentionally moved away from stereotypical "oriental" designs, instead embracing a "Korean cool" look that integrates organic materials and earthy, neutral tones into simplified designs. Traditional Asian touches were woven throughout the space, such as bamboo seokjak (basket-like Korean bento boxes) and minhwa (folk paintings), which are displayed on shelves and in the office. This approach resonated deeply with the Korean American clients, who desired a space that reflected their heritage in an updated manner, reminiscent of their grandparents' California home filled with Korean artifacts and traditions. The color palette played a significant role in achieving the desired ambiance and heritage connection. The design started with Milton and King’s Cranes wallpaper, initially considered for an accent wall but ultimately used above the mantel to avoid overwhelming the space. The Midori colorway's green hue evoked a nostalgic feeling for the client, leading Lee-Lim to paint the room in a similar shade, Palmer Green by Benjamin Moore. This green is prevalent in Korean art and carries a warm, non-blue tone. Furthermore, an orange square in one of the rugs was described by the client as persimmon, a Korean national fruit, reinforcing the natural palette that seamlessly tied the room together. Additional elements were carefully selected to honor the clients' heritage. An onggi, a clay storage vessel for kimchi, serves as a decorative piece on the coffee table. Woven wood is featured in the cane divider and a sokuri basket from Damyang. Mandarin ducks, symbols of fidelity and beloved by the daughter, are depicted on a vintage silk screen and a porcelain sculpture on the bookcase. Through these thoughtful choices in paint, decor, and art, Lee-Lim successfully blended traditional Asian influences with modern design, creating a space that tells a beautiful story of cultural heritage and contemporary living. #InteriorDesign #HomeDecor #LivingRoomDesign #SpacePlanning #AsianAmericanDesign #ModernDesign #CulturalHeritage #FurnitureArrangement

The article explores the concept of transforming a mere house into a personal home, drawing insights from 12 creative individuals across various fields, including fashion, art, architecture, and culinary arts. Each expert shares a unique perspective on what constitutes the essence of a home, highlighting both tangible objects and intangible relationships. Doris de Pont, director of the New Zealand Fashion Museum, emphasizes the role of a large, enduring kauri library table as the central gathering point for her family, symbolizing connection and shared experiences. Her custom-designed red lacquer wardrobe, which reflects the garden, showcases how personal storage solutions can become artistic and functional elements within a living space. Artist Jade Townsend, from Ngāti Kahungunu, frames home through the lens of Te Ao Māori, emphasizing relationships with all living and non-living things. Her art, created within her domestic space, reflects this belief, making her home a dynamic and evolving expression of her cultural and personal identity. She views home as a place for growth, distinct from the self-discovery experienced while away. Dan Ahwa, fashion director for Canvas, recounts his journey of making his home feel less "juvenile" post-marriage. A vintage, scallop-shaped pink velvet zebra-striped couch became the pivotal piece, defying conventional taste to anchor their eclectic style. Surrounded by plants, books, and a 1930s leadlight drinks cabinet, his home reflects a surprising yet cohesive personal aesthetic. Interior designer Nicola Manning highlights the importance of a luxurious and comfortable bed for creating a sense of security and refuge. She stresses that personal touches, such as inherited antiques, travel souvenirs, art, and photographs, are crucial for imbuing a house with individual character and transforming it into a true home. Ceramic artist Phil Brooks, influenced by his mother's love for bargains, describes his home as an evolving collection of unique finds from charity shops and antique markets. A large beaded panel from Kuala Lumpur, treasured by his mother and now displayed in his daughter's room, exemplifies how objects with rich histories contribute to the narrative and essence of his family home. Architect Christina van Bohemen views home as both a refuge and a gathering place. Her dining table, a simple, narrow Sam Haughton design, acts as an anchor for various activities and fosters intimacy. She also values the strategic placement of furniture to maximize views, enhancing the sense of openness and connection to the outside world. Chef Dariush Lolaiy, co-owner of Cazador, finds his home's heart in a custom-made, bright mustard-colored couch, a symbol of leisure after long workdays. Paintings inherited from his wife's great-uncle further cement their connection to family history, making their apartment feel more like a home. Divya Purushotham, an associate at Warren and Mahoney, describes her 130-year-old railway worker's cottage as a space of ongoing renovation and reflection. A name plaque, "Temuka," above her front door, and antique brass pots from her grandparents in India, serve as irreplaceable links to her heritage, contributing to a deep sense of belonging. Chef Jason Kim's definition of home centers on personal routine and family. His early morning ritual of Korean canned coffee and Iron Maiden, quickly followed by making cheese toasties for his children, illustrates how small, consistent moments of connection and comfort define his domestic life. Interior designer Amanda Neill, a Sagittarius, is drawn to fire and its ambient qualities. Her custom-made Alchemy Firepits, adorned with an evocative quote, represent a deep need for connection and provide a gathering point for loved ones, symbolizing warmth for both body and soul. Glass artist Devon Ormsby curates her home with artworks and art objects, such as Ruth Castle woven baskets and a Walk in the Park wooden bowl. Her personal collection, constantly evolving with her own glass creations and pieces from peers, transforms her living space into a "curated museum" reflecting her interests and life story. Emma Ogilvie, general manager of Bar Celeste, values a functional kitchen with an island bench that allows for social cooking and hosting. Having a well-stocked fridge, despite their busy schedules, is essential for creating a homely atmosphere, counteracting the feeling of always being away. #HomeDesign #InteriorDesign #PersonalStyle #CreativeExperts #DomesticSpaces #FamilyLife #ArtInHome #CulturalHeritage #ComfortAndConnection

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

Jeff and Paola Roder acquired their 1979 mid-century modern residence in Johns Creek in 2019, following extensive updates and renovations by the previous owner, Jason Maynard of JM Construction Consulting Inc. The couple was particularly drawn to the home's distinctive design elements, which include irregularly shaped built-in shelves in the family room, a reading nook with USB charging ports, and gallery lighting designed to highlight artwork. Paola Roder, a designer and interior stylist, expressed appreciation for Maynard's thoughtful design in every space. The home spans 2,800 square feet, featuring four bedrooms and two-and-a-half bathrooms. The architectural style is characterized by mid-century modern influences, with an emphasis on large, open living spaces and abundant natural light facilitated by numerous windows. Paola's design philosophy centers on contrasting white and black tones with vibrant primary colors and pop art-inspired patterns, aiming to create a cohesive yet bright and artistic interior. The Roders have infused their home with a personal touch through various art pieces. Paola's personal collection includes a painting by Pop Art Hoppe, pieces by Andy Warhol, and art from Great Big Canvas. The master bedroom, while more subdued in its color palette, is adorned with portraits of Frida Kahlo by Heather Felder, a Mexican and Norwegian artist, and a vivid piece from Great Big Canvas above the bed, complemented by a Turkish rug from Ikea. The dining room features a gallery wall showcasing music memorabilia, combining records discovered in their previous Philadelphia home with art from the U.S. Postal Service’s Music Icons series. Paola further enhanced this space by painting a wall in bold stripes to align with the home's modern pop art aesthetic. Key design elements within the home include brightly painted built-in shelves, striped walls, and patterned prints. Paola sourced furniture from retailers such as Ikea, Target, and HomeGoods, and lighting fixtures from Varaluz. Other notable sources for art and decor include Natalija Nogulich, Nick Pad, Juan Melian, Liz Loncar, The Modern Museum, Ana Art, and Flora Furniture. The entry features a large pink alligator painting titled “Gay Gator” by local artist Liz Haywood, with Paola painting the entryway in primary colors and black and white patterns to integrate with the pop art theme. The mudroom, designed by the previous owner, offers ample storage, which Paola has accentuated with bold colors and black and white stripes. Residents Jeff and Paola Roder share their home with their three dogs: Kali, Lakshimi, and Tiger. Jeff works as a credit manager at AGCO Finance, while Paola is a designer and interior stylist. The overall design of the home reflects a blend of mid-century modern architecture with a lively pop art sensibility, creating a unique and vibrant living environment. #MidCenturyModern #PopArtStyle #HomeDesign #InteriorStyling #ArtisticHome #VibrantDecor #JohnsCreekHome #DesignerPaolaRoder

Joy Williams, an interior designer, recently undertook a hallway makeover for the Adler on the Park showhouse in Chicago, demonstrating that even small spaces can be transformed into engaging and vibrant areas. The original hallway was a mere pass-through with gray walls and light wood flooring, lacking character. Williams aimed to create a space that would encourage residents to pause and interact, rather than simply moving through. The Adler on the Park showhouse is housed within a landmark building, a set of four row homes constructed between 1915 and 1917, designed by David Adler and Henry Dangler. The building underwent a comprehensive renovation and partial restoration, allowing designers creative freedom while respecting its historical integrity. Williams embraced a global theme, intricately weaving together elements from West African and Asian design traditions. Her inspiration for the space was deeply personal, drawing from Chicago's diverse immigrant neighborhoods, the captivating cherry blossom season she experienced in Kyoto, Japan, and her appreciation for West African architectural design and structure. This diverse palette of influences culminated in a unique and inviting entrance hall. Williams' transformation of the hallway was extensive, moving beyond the existing flooring and a black unit door. She introduced bold color to the walls using bright pink and red paints from Sherwin-Williams, complemented by a pink patterned wallpaper by Thibaut. A focal point was established at the end of the hall, where she designed a white and gold credenza. This credenza, adorned with brass urns, palms, a statue, and custom art by a local artist, was inspired by her travels through Morocco. The renovated foyer now functions as an inspiring passage, guiding residents to their respective units. Its welcoming and homey ambiance is intended to enhance the residents' experience, encouraging them to linger and enjoy the entrance hall rather than treating it solely as a transitional space. Williams also shared insights into the project's challenges and budget allocation. She mentioned that varying ceiling heights necessitated a change in lighting fixtures, leading to the substitution of a chandelier with a wall sconce from Hubbardton Forge, a change that ultimately integrated seamlessly into the design. The majority of the budget was allocated to artwork and furniture, including the custom rift-sawn oak credenza painted in Benjamin Moore bright white and gold. Cost-saving measures included purchasing plants from Home Depot, which offered a good selection. Williams' favorite aspects of the completed space are the vibrant color combination and the original artwork. #InteriorDesign #HomeDecor #HallwayMakeover #GlobalDesign #WestAfricanDesign #AsianDesign #ColorPalette #Showhouse #ChicagoDesign

This article highlights the transformation of a newbuild three-bedroom luxury condo in New York City into a vibrant, chic, and globally-inspired pied-à-terre by Petrie Interior Designs. The owners, avid travelers, sought to create a comfortable home for themselves and their extended family in a city they cherish for its diversity and proximity to loved ones. The initial challenge involved redesigning a space previously built for a young couple with toddlers, necessitating the removal of outdated wallpaper and built-in cabinetry while emphasizing existing floor-to-ceiling windows and natural light. Designer Susan Petrie’s vision centered on embodying exuberance, style, and color, reflecting the clients' globetrotting lifestyle and their appreciation for sophisticated textiles and a global aesthetic. The project involved a significant overhaul, with the clients ultimately deciding to retain only the dining table from the previous owners, opting to replace or revamp all other elements. Petrie describes the interior style as a “global, chic retreat,” characterized by the strategic introduction of colorful wallpaper, strong pattern plays, and bold yet sophisticated fabrics and colors, particularly Manuel Canovas fabric as accent pieces. This approach allowed for a design narrative that weaves together the clients' love for global furnishings, unique eclectic touches, and diverse, chic interiors, ensuring that each room makes a distinct personal statement. The entry and hallway were designed to create an immediate global impression. Dark stained wallpaper and a wood grain front door were replaced to brighten the space. The hallway features Ramayana Blue toile wallpaper by GP & J Baker, evoking distant travel, complemented by a vintage Venetian mirror, a Moorish mother-of-pearl inlay table, and an African Senufo meditation stool. These elements collectively establish an international flair, setting the tone for the curated furnishings throughout the home. The hallway further extends into an area adorned with Serena Dugan Studio’s Cassis Grasscloth Wallpaper in Prussian Blue. The living room stands out as a focal point and a favorite space for the clients, celebrated for its intentional eclecticism. Susan Petrie chose not to use window treatments in this area to maximize the natural light and showcase the western views of the historic Gramercy area. The design prioritized warmth, comfort, and strategic pops of color, with a color palette inspired by Moroccan spices like cayenne, saffron, paprika, and ginger. Custom furniture pieces, including a tufted sofa with an embroidered border trim, bergère chairs with a raspberry contrast trim, and a scalloped edge ottoman upholstered in a coral zig-zag fabric, contribute to the unique and inviting atmosphere. A gallery wall featuring Mary Maguire’s art, known for its antique frames and worldly images, adds a cheerful and unique touch. The kitchen's renovation included replacing original pendants with smoked glass Noreen pendant lights and Henson counter stools from Arteriors, introducing a rustic yet refined aesthetic. The dining area capitalizes on natural light, with Susan Petrie opting against window treatments. A recycled green glass and gold leaf chandelier from Arteriors enhances both artificial and natural light. An authentic hand-woven Otomi table runner adds vibrant color, while the existing table and benches were updated with custom cushions made from Kravet hexagon fabric. The home office features Serena Dugan’s Bahia grass cloth wallpaper in Onyx/Natural, creating an exotic, Brazilian-beach inspired feel, juxtaposed with city views from a vintage woven rattan desk. A rust and teal sivas rug from Eliko grounds the space. The primary bedroom is designed as a cozy and tasteful retreat, a favorite of the clients. A custom upholstered bed from Oomph with a global-themed shape, Peter Fasano Trotwood Dusk Fabric, Matouk zig-zag sheets, and a custom bolster made from Lisa Fine textiles Mughal Floral Monsoon fabric create a luxurious and feminine ambiance. Custom window treatments provide sound and light protection, while a Madeline slipper chair upholstered in Brunschwig & Fils Les Touches offers a comfortable spot for reading. The guest bedroom, designed for a range of ages, features Schumacher Thistle Stripe wallpaper and a custom bed in orchid chinoiserie fabric, complemented by vintage Moroccan green hand-painted side tables, ensuring a cheerful yet luxurious space. #NewYorkCondo #InteriorDesign #EclecticDecor #GlobalInspired #ColorPalette #PatternPlay #LuxuryLiving #ChicInteriors #PetrieInteriorDesigns

This article offers comprehensive guidance on effectively hanging art, drawing insights from award-winning designers, a museum director, and Christie’s specialists and art handlers. It emphasizes the importance of considering the context in which art will be displayed, noting that factors such as whether the space is domestic, business, or institutional, along with architectural elements like windows, doors, ceiling height, and floor quality, all influence how an artwork is perceived and interacts with its environment. The article advises against hanging art in locations that could lead to damage. Specifically, it cautions against placing artworks above fireplaces or radiators, as heat can melt or damage canvases over time. Similarly, direct sunlight is highlighted as a risk for fragile or unprotected works, with a strong recommendation to avoid hanging drawings or watercolors near windows. To mitigate these risks, smart framing techniques are suggested, including the use of special glazes that block UV light to prevent fading and seals that create artificial environments to protect against humidity and temperature fluctuations. The article references a guide to framing for further expert advice. Establishing the correct height for hanging art is another key aspect. It notes that modern and contemporary works are typically hung at 1.55 meters to the middle of the picture, a standard adopted by museums and Christie’s. Old Masters are often hung slightly higher. However, domestic settings may require adjustments based on furniture and ceiling height, and some artists, like Le Corbusier, provided specific hanging instructions. The importance of using double fixings rather than a single central one is stressed to prevent works from tilting forward or moving easily. The article also delves into the aesthetic considerations of art display. It introduces the concept of “negative space” as a crucial element when arranging multiple artworks, defining it as the space between works that guides the spectator's eye. Designers encourage variety in art arrangements, advocating for the mixing of periods and genres to create dynamic visual dialogues. Examples include pairing 17th-century portraits with contemporary paintings or combining a large painting with smaller groups of photographs. Finding visual or thematic links between artworks is suggested as a method for grouping, even if they span centuries apart, as demonstrated by juxtaposing a Leda and the Swan painting with modern bird sculptures, or a David LaChapelle work with a Dutch Old Master to explore shared themes. Conversely, playing on contrasts is also presented as an effective strategy to allow individual works to stand out as singular forces. Finally, the article provides practical advice for installation, emphasizing the need for technical precision over subjective judgment. It recommends using a tape measure and spirit level to ensure artworks are hung straight, especially for symmetrical arrangements. Structural considerations are also paramount: understanding wall composition is crucial, particularly for heavy pieces, and it's important to be cautious of water pipes and electrical wiring, especially in older homes where their placement might be less predictable. Despite these technicalities, the overarching message is that personal preference should ultimately guide the arrangement, stating that there is no absolute right or wrong way to organize a collection. Experts’ personal approaches reveal diverse methods, from protecting prints in bedrooms to integrating small works into bookshelves, underscoring that a good artwork will look appealing regardless of its placement. #ArtHanging #HomeDecor #InteriorDesign #ArtCollection #FramingArt #ArtDisplay #MuseumStandards #ArtPreservation #ContemporaryArt

This article showcases a Maryland home designed by Mona Hajj, emphasizing a global-inspired aesthetic that blends multicultural elements with comfort for a young family. Hajj's design philosophy integrates antiques and textiles sourced from various parts of the world, creating a cohesive and inviting living space. The article provides a room-by-room tour, detailing the design choices and key pieces that define each area. The living room's design is centered around a 19th-century Persian Tabriz rug, which dictates the room's color palette. Two distinct conversation areas are established, featuring a skirted sofa by Gérard and a wooden-legged sofa from A. Rudin. An armchair by Dessin Fournir and an antique Regency walnut table from a Parisian flea market further enhance the room's global and timeless appeal, showcasing a mix of historical and international influences. The dining room is highlighted by a custom walnut table with rosewood banding, designed to extend and accommodate up to 16 guests, indicating a focus on both aesthetic appeal and practical functionality for entertaining. This piece reflects a blend of craftsmanship and scale suitable for family gatherings. In the family room, a linen velour sectional by Verellen serves as the central furniture piece, offering comfort and anchoring the space. A cocktail table by Kerry Joyce complements the seating arrangement, while curtains in Ralph Lauren Home linen contribute to the room's refined yet relaxed atmosphere. The walls of the family room feature a faux finish, with trim painted in Benjamin Moore's Soot, adding depth and a sophisticated backdrop to the decor. An Arne Jacobsen Egg chair, upholstered in Moore & Giles leather, is illuminated by a 1960s Italian floor lamp, introducing an element of classic modern design. The daughter's bedroom is designed with a regal canopy, adding a whimsical touch, while glass nesting tables from Donghia provide a sleek, contemporary contrast. Nevis curtains by Lady Ann Fabrics, adorned with a Samuel & Sons pom-pom fringe, further contribute to the room's decorative layers. Throughout the home, the design seamlessly merges diverse cultural influences with functional and stylish elements, creating a uniquely personalized and family-friendly environment. The overall design narrative emphasizes comfort, global aesthetics, and thoughtful integration of various design periods and origins. #GlobalStyle #InteriorDesign #MonaHajj #MarylandHome #AntiquesAndTextiles #FamilyHome #EclecticDecor #DesignInspiration

The article explores a curated selection of online home decor brands, emphasizing the importance of finding unique pieces to create a distinct aesthetic. It highlights the perspective that home spaces are an extension of personal identity, making the process of decorating a significant endeavor. The author acknowledges that while major retailers are well-known, the true enjoyment of decorating comes from discovering lesser-known brands with strong visions and styles that offer both trendy and timeless items. Several brands are introduced, starting with Casa Zuma, praised for its earthy and organic aesthetic, offering ceramics, serving dishes, and furniture from global artisans. Fourth St. Home is noted for its sophisticated selection of home accessories and antique pieces that focus on diverse materials and textures. Saffron + Poe, a California-based brand, is featured for its commitment to sustainable and ethically handcrafted homewares, including furniture, rugs, and textiles, supporting maker communities worldwide. The Citizenry is recommended for bedding, rugs, pillows, and decorative items, known for blending modern style with traditional artisan techniques. Food52, initially a kitchen and food site, has expanded into a home retailer offering beautiful and functional products built to last. Beam Brooklyn is celebrated for its eclectic and creative range of furniture, lighting, art, and home goods, characterized by a unique fusion of mid-century, rock-and-roll, Cali-Brooklyn, vintage, and modern styles. Hay Design, a Danish brand, is recognized for its distinctive and fashionable aesthetic within a classic Scandinavian style. Slowdown Studio, founded in 2015, focuses on celebrating individuality and creativity through its functional and beautiful modern lifestyle products, encouraging appreciation for life's slower moments. Jungalow is highlighted for its vibrant, bold style and its dedication to sustainability through a partnership with Trees for the Future, an organization that helps communities establish Forest Gardens. Areaware is presented as a source for quirky yet non-kitschy items, collaborating with independent designers to offer unique and exclusive home decor. Coming Soon NY, with a background in fine art and high-end design, offers cool and authentic urban-style products. Article is noted for its commitment to providing stylish, affordable, and high-quality furniture and decor by working directly with manufacturers. Anthropologie Home is praised for its highly coveted pieces that combine practicality with a modern yet vintage flair. CB2, the more accessible counterpart to Crate & Barrel, offers a modern selection of furniture and home accessories and is committed to featuring Black businesses, artists, and designers. Target is recognized for its accessible and stylish home decor through collaborations with designers like Hilton Carter and Studio McGee. Urban Outfitters, once primarily for college students, has evolved into a significant design force with its home collection, featuring items with interesting shapes, colors, and designs. World Market is a staple for affordable, original, and handmade items from across the globe, while Hawkins New York is lauded for its thoughtful and unexpected homewares. Lastly, H&M Home and Block Shop are mentioned for their affordable yet elegant offerings and commitment to ethical production, respectively. Block Shop, in particular, invests 5% of its profits in community health camps in Jaipur, where the company was founded. #HomeDecor #InteriorDesign #OnlineShopping #DesignTrends #Furniture #Homewares #SustainableDesign #ArtisanCrafts #EclecticStyle

Neil Watson, Executive Director of the Katonah Museum of Art, and his wife, award-winning YA novelist Judy Blundell (Jude Watson), have meticulously curated their 1920s cottage-style home in Katonah. Having lived in various locations such as San Francisco, Montauk, Manhattan, West Palm Beach, Tacoma, and Delaware, the couple moved into their 1,900-square-foot home in 2005. Their aesthetic philosophy centers on a blend of high- and low-value items, prioritizing pieces that are interesting and well-made. While they indulge in occasional splurges at upscale galleries and shops, Watson demonstrates a keen eye for discovering stylish furnishings from second-hand stores, salvage shops, catalogs featuring excellent reproductions, and even discarded items, including a notable Eames chair rescued from an art museum. Among their cherished possessions is a rare plywood chair, circa 1950, by American furniture designer Norman Cherner, acquired from a West Palm Beach vintage furniture store. Watson has a notable collection of chairs, including designs by mid-century modern masters Charles and Ray Eames and Harry Bertoia, attributing a certain "karma" to these pieces. Another unique find is a chrome-and-wood side table from the 1930s by Wolfgang Hoffman, son of renowned Austrian architect and designer Josef Hoffman, discovered in Thomas O’Brien's Aero Studios in SoHo. This table now serves as a charging station in their office-cum-playroom. The living and dining rooms boast 21 light sources, prominently featuring the Zettel’z chandelier by German designer Ingo Maurer. This chandelier, purchased in 2008 from a SoHo showroom, replaces traditional crystal drops with clipped-on Japanese paper pieces adorned with scribbled notes, poems, and drawings, to which artist and illustrator friends, and their daughter Cleo, have contributed. A meaningful gift from Watson to his wife is a banded bowl by pioneering glass artist Sonja Blomdahl, acquired from a San Francisco art gallery in the mid-1980s. This piece was created using the incalmo technique, involving the seamless merging of two separate pipe-blown glass vessels. Another innovative lighting fixture is the Holonzki wall sconce, also by Ingo Maurer, positioned near the dining-room table. This sconce creates an optical illusion with a holographic red incandescent bulb over a metal socket, while the true light source emanates from above. Watson purchased this piece a decade ago from a high-end furniture store in Seattle, appreciating its blend of humor and beauty. The article also highlights a handcrafted corkscrew from Laguiole, France, a Christmas gift from Watson's wife, celebrated for its exquisite construction and design, indicative of his appreciation for well-crafted items. Finally, an eco-friendly birch bookcase by Argington, originally intended for a toddler's room, was adapted to store Watson's cookbooks and his daughter's art supplies, demonstrating the family's practical and aesthetic repurposing of objects within their thoughtfully curated home. #HomeDecor #InteriorDesign #MidCenturyModern #ArtCollectors #KatonahHome #CuratedLiving #UniqueFurnishings #LightingDesign #VintageFinds

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome