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This Tropical Modernist Miami Home is at One With its Surroundings
Max Strang, founding principal of Strang Design, along with partners Alexandra Mangimelli and Elizabeth Starr, crafted a unique Miami home for a Brazilian family, diverging from typical South Beach aesthetics. Situated on a 1.5-acre oak grove, 20 minutes from downtown, the residence integrates the family's heritage through its design, materials, and landscaping. The original house on the property was demolished to allow for a new construction that seamlessly blends with its natural environment. Strang Design specializes in contextualizing homes using natural materials, avoiding a 'plain white box' approach. For this project, this philosophy resulted in an earthy color palette and strategic placement of plant life and the structure itself, creating a harmonious relationship between the building and the landscape. The design team carefully sited the house to work with existing oak and gumbo limbo trees. Planters wrapping the second-floor exterior, supplemented by aluminum privacy louvers that act as trellises, will eventually allow vines to partially envelop the facades.
The project embodies Strang Design’s 'environmental modernism' fused with Brazilian tropical modernism. An H-shaped footprint allows abundant light to penetrate all corners of the home. Many rooms feature floor-to-ceiling glass pocket doors that open onto a pool, fostering a fluid indoor-outdoor connection while maintaining privacy. The design also addresses Miami's hot climate with generous shade and an open layout that facilitates breezes. The openness accommodates the clients' entertaining lifestyle, with various seating areas and smooth circulation between indoor and outdoor spaces, including a patio-adjacent club room with an exhaust system for cigar smoke.
The furnishings reflect the owners' journey and heritage, featuring midcentury pieces by designers like Jorge Zalszupin and Jean Gillon, who relocated to Brazil and were known for their use of local materials and traditional techniques. Sergio Rodrigues, often called the father of Brazilian furniture design, also contributes pieces that complement the country's tropical climate and relaxed lifestyle. While the dominant palette is earth-toned with travertine flooring and extensive teak paneling, vibrant splashes of color come from the homeowners' international art collection. Works by Elias Sime, Janaina Tschäpe, and Amir Nikravan are thoughtfully integrated, with one piece, Sime's 'Tightrope: I Want to Slow Down and Think,' finding a serendipitous placement in a secondary seating area after the house was under construction.
In line with South American tradition, the kitchen is located off to one side rather than being a central hub. It features a striking geometric-patterned encaustic mosaic backsplash, adding a dramatic focal point. The residence maintains a clear public/private division; the more secluded second floor houses bedrooms, a family room, and a gym. One wing is dedicated to guest quarters and the two children's rooms, while the other accommodates the primary suite. Despite its substantial size of 10,000 square feet, the home contains only five bedrooms, prioritizing spacious and tranquil sanctuaries over maximizing the number of rooms. The 1.5-acre plot features a garden designed in collaboration with La Casona Garden. Landscape designer Ana Miron describes it as a 'manifold sensory experience of sight, smell, hearing, and taste,' incorporating diverse plantings, native species, and a section certified by the National Wildlife Federation as a wildlife habitat, creating an ideal environment for both nature and the human residents.
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