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Artist Paints Home Interior In An Unusual Way To Create A 2D Illusion, And Here Are 33 Pictures Of Her Work
Anastasia Parmson, an award-winning artist originally from Estonia and currently based in Sydney, Australia, has gained recognition for her distinctive approach to art by transforming domestic interiors into two-dimensional illusions. Her work involves painting household objects and entire rooms in a cartoon style, primarily using black lines on a white base, to create the impression of a flat drawing. This unique artistic expression evolved from her studies in Visual Arts in France, where she began experimenting with 3D drawn objects made from foam board. After extensive international travel, she revisited this concept in 2017, focusing on black and white furniture and small objects, which gradually expanded into the large-scale room installations seen today.
Parmson's primary inspiration for this body of work is her deep affection for drawing, seeking to push the boundaries of this traditional medium by giving simple black lines more dimension and magnitude. Her installations are not intended as interior design or decoration but rather as fine art, often created as site-specific pieces for temporary art exhibitions. A recurring theme in her work is the exploration of 'home' and 'belonging,' reflecting her personal experiences of feeling like an outsider. The domestic settings she creates are infused with personal narratives, incorporating vintage objects from the 1980s and 1990s that evoke specific memories, alongside modern design elements that represent aspirations.
Her artistic journey has been significantly shaped by influential figures, particularly her teacher Eric Laniol at Strasbourg University, who fostered her love for drawing and art. Additionally, the artist Pipilotti Rist has served as a major inspiration, with Parmson admiring Rist's use of domestic spaces to craft emotional and inviting environments for audiences. The process of creating these elaborate installations is meticulous and time-consuming. The most demanding part is preparing the pure white base, which can take several days and multiple coats of paint to achieve a smooth, matte finish. For instance, a 35-square-meter room installation at the Bathurst Regional Gallery took approximately 2.5 years to complete.
Despite the extensive preparation, Parmson finds the act of drawing the black lines to be the most enjoyable aspect of her practice, expressing a desire to dedicate all her time to this creative process. The audience's reaction to her work varies significantly between online and in-person experiences. Viewers encountering her art on small screens often perceive the dense black lines as overwhelming or stressful. However, those who experience the installations in person typically find them inviting and serene. They are often delighted by the immersive quality of stepping into a drawing, with many feeling nostalgic for childhood memories or their own love for drawing. These in-person interactions often spark creativity in viewers, with some expressing a desire to draw or color, an outcome Parmson finds deeply gratifying. She announced an upcoming online sale of limited original works in early November for her international audience, encouraging interested collectors to follow her social media or join her email list for updates.
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