Sierra Montoya Barela’s paintings are a tribute to interior design, plants and birthday cakes

Sweet Cooie's, a confectionery in Congress Park, Denver, has opened its doors as a sister store to the popular Little Man Ice Cream, owned by Paul Tamburello. The shop, which underwent a renovation before its February opening, is designed as a tribute to Tamburello's late mother, nicknamed "Cooie." The interior design aims to encapsulate her elegant and refined personal style, transforming the space into a whimsical and enchanting jewel-box. This aesthetic choice is a deliberate departure from typical confectionery designs, emphasizing a high-style approach to creating a unique customer experience. The interior design was meticulously crafted by Melissa Friday of Denver-based Xan Creative, with a focus on achieving authenticity while incorporating a feminine touch to honor Cooie. The design invites patrons to linger and appreciate the intricate details throughout the space. The walls are painted in Sherwin-Williams' Meander Blue, accented with brass trimmings, providing a sophisticated backdrop. These elements highlight a range of beautiful and playful features, including a substantial marble countertop, sparkling light fixtures that contribute to the shop's ethereal glow, and a custom-built back bar. This back bar is thoughtfully lined with jars filled with gumballs, adding a nostalgic and charming element to the overall design. Complementing these features are wavy vinyl booths, which offer comfortable seating and introduce a contemporary yet inviting texture to the environment. A particular design highlight is the use of Amelia Lincrusta paintable wallpaper from Brewster Wallcovering Company, applied beneath the wooden chair rail. This wallpaper mimics the texture and pattern of pressed-tin tiles, adding a layer of historical charm and intricate detail without the weight or cost of actual tin. This choice further enhances the shop's unique blend of classic elegance and playful whimsy. The combination of these design elements with the alluring scents of handcrafted truffles and cotton-candy-wrapped waffle cones creates a multi-sensory experience that extends beyond mere confectionery consumption. The article suggests that the success of Sweet Cooie's lies in its ability to demonstrate that exceptional design, much like delicious ice cream, is more than the sum of its individual components; it is about the harmonious integration of style, atmosphere, and sensory delight. The article was originally published in the June/July 2017 issue of 5280 Home, indicating its focus on local design and home decor trends within the Denver area. This feature underscores the establishment's contribution to the local design landscape, presenting it as a source of style inspiration. The detailed description of the interior design choices provides insights into how a commercial space can be personalized and elevated through thoughtful design, creating an immersive and memorable environment for its visitors. The integration of personal history and a distinct aesthetic vision has resulted in a confectionery that is not only a place for sweet treats but also a destination for design enthusiasts. #InteriorDesign #ConfectioneryDesign #DenverDesign #RetailDesign #WhimsicalDecor #PaulTamburello #MelissaFriday #HomeDecor

Art history frequently features paintings of home interiors, offering valuable insights into artists' lives and working environments. For example, Henri Matisse's 1911 painting, *Red Studio*, not only showcases his identifiable artworks and objects but also reveals the arrangement of his studio, functioning as a historical record of his artistic space. Recognizing the historical and personal significance embedded within these interior paintings, the creative agency NeoMam, in collaboration with the home-improvement service HomeAdvisor, embarked on a project to re-imagine six such historically significant rooms. They transformed these famous art-historical interiors into realistic computer-generated (CG) renderings, presenting a modern interpretation of how these spaces might appear today. One of the re-imagined rooms is Vincent van Gogh's *The Bedroom* (1888), which provides an intimate glimpse into his personal life in Arles, France. Van Gogh intended the painting to evoke peace and relaxation. Historical analysis by the Van Gogh Museum in Amsterdam indicates that the vibrant, strongly contrasting colors seen today are partly due to years of discoloration; the walls and doors were originally purple, not the blue that is now prominent. Another featured interior is from Grant Wood's 1928 painting *The Sun Shine on the Corner*. Wood, a Midwestern realist painter renowned for his rural American depictions, including *American Gothic* (1930), presents a charming and inviting nook in this work. The painting's muted, earthy color palette contributes to its welcoming atmosphere. Wassily Kandinsky's 1909 painting *Interior (My Dining Room)* is also among the chosen works. Kandinsky, a pioneer of abstraction, used this painting not only to explore color and texture but also to depict his home. The eclectic palette employed in the artwork imbues the space with a distinct personality, reflecting his artistic approach even in a domestic setting. Konstantin Korovin's 1913 painting *Interior* portrays a Russian Impressionist setting. Korovin, known for his landscapes, portraits, and still lifes, used rose and beige hues, complemented by the view of winter snow outside the window, to create a quiet and comforting environment in this work, emphasizing warmth and tranquility through its depiction of bare wood. Finally, the project includes Roy Lichtenstein’s 1991 work, *Interior With Restful Paintings*. This piece, representative of Lichtenstein’s mature Pop Art style, is part of his “Interiors” series. In this series, he depicted domestic environments, often drawing inspiration from furniture advertisements. A recurring element in these works is an artwork placed within the artwork itself, here positioned above a couch. The CG rendering of this interior provides a contemporary view of Lichtenstein's distinct flat pop imagery in a three-dimensional context. The collection also highlights Eduard Petrovich Hau’s 1835 watercolor of *Empress Alexandra Feodorovna’s Sitting Room*, detailing the opulent interior of Russia's last empress's living space with rich ornamentation. #ArtHistory #InteriorDesign #FamousPaintings #DigitalArt #CGIRenderings #HomeDecor #ArtInterpretation #VisualCulture

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

Houston designer Paloma Contreras, known for her expertise in shelf styling, offers her trade secrets for creating aesthetically pleasing and functional displays. She emphasizes that successful shelf styling is an art form that balances visual appeal with personal expression. The initial step in shelf styling, according to Contreras, involves the strategic placement of books. She advises positioning larger books with neutral-colored spines at eye level to serve as the foundational anchor of the bookcase. To enhance visual coherence, she recommends grouping books of similar sizes and colors. Furthermore, the selection of books should consider the overall color palette of the room, as bookshelves offer an excellent opportunity to reinforce and amplify the existing decor. After arranging the books, the next phase involves incorporating the largest decorative objects. This step prioritizes these items due to potential size limitations and fewer placement options. By placing them early, their positions can be optimized within the shelf's structure. Subsequently, smaller accessories are layered into the display. These items can be placed atop stacks of books or nestled between them, adding intricate details and visual interest. Contreras suggests that if one collects a specific type of object, grouping these items together can create a more impactful and cohesive statement. To achieve balance within the arrangement, Contreras introduces the "pyramid rule." This principle involves arranging objects of varying sizes in a configuration that resembles a pyramid, with a central peak and tapering sides. Adhering to this method helps to unify disparate items, creating a more harmonious and visually engaging display. Finally, the finishing touch in Contreras's shelf styling approach is the inclusion of framed art. She highlights that framed art is an effective way to inject color, character, and personality into the bookcase, further enhancing its aesthetic appeal and making it a more integral part of the room's design. #ShelfStyling #HomeDecor #InteriorDesign #PalomaContreras #BookcaseStyling #DecorativeObjects #HomeInteriors #DesignTips

The article explores current and emerging wall art trends, emphasizing art's crucial role in interior design. It highlights how art, often a significant investment, shapes the mood, texture, and personality of a home. Designers such as Amy Lau and Natalia Miyar view art as a foundational element, using it to introduce color and build a cohesive design narrative. The piece focuses on several key trends that are gaining traction or experiencing a resurgence in popularity. One prominent trend is the revival of vintage neon signs, which add a distinctive character and retro charm to interiors. Originating from advertisements in the 1960s, these brightly lit artworks are now seeing a boom, partly fueled by social media platforms like TikTok. Designers like Molly Torres Portnof utilize custom neon signs to create visual interest and infuse energy into living spaces, demonstrating how they can be tastefully integrated into modern decor. Textured tapestries and wall hangings are another significant trend, moving beyond their traditional associations to find a place in contemporary settings. Designers, including Pablo López Navarro of Casa Josephine, are incorporating textiles like patchwork, Asian textiles, and historical tapestries to bring warmth, coziness, and depth to rooms. This approach challenges the conventional use of tapestries, proving their versatility in blending with modern pieces and creating a unique aesthetic. The article also discusses the growing interest in line-drawn frescos, which transform walls into canvases for minimalist and elegant art. By eliminating traditional framing, these murals, exemplified by the work of Florence Bamberger, offer an architectural and graphic quality, reflecting the surrounding environment or specific design inspirations. This trend provides a unique, personalized artwork that becomes an integral part of the interior's structure. Abstract and colorful art is presented as a strong trend, driven by its psychological impact and ability to uplift spirits. Celine Erlam from Indie & Co notes that clients are increasingly seeking vibrant, block-color prints to brighten their schemes. The article advises thoughtful integration of these pieces, ensuring they either complement or deliberately contrast with the room's existing color palette to create focal points. The use of colorful art to invigorate subdued or neutral palettes is highlighted as a strategic design choice. Mead Quin’s design, featuring a Damien Hirst piece in a white room, illustrates how bold art can provide expression and personality within a restrained interior. This allows homeowners to invest in art that holds personal meaning, regardless of the artist's renown, as a means of personal expression. The growing emphasis on establishing personal art collections, rather than solely focusing on well-known pieces, is also discussed. Kati Curtis encourages homeowners to collect art that resonates with them, including affordable finds from charity shops or antique stores. This approach prioritizes personal narrative and style, allowing individuals to curate a diverse collection that reflects their life experiences and artistic preferences. Ceramic wall art, featuring tastefully hung plates and bowls, offers a rustic yet modern aesthetic. This trend, seen in high-profile homes like Gwyneth Paltrow's, brings texture and a sense of local craftsmanship to interiors. Pablo López Navarro explains that this trend evokes traditional decoration while maintaining a contemporary feel, conveying casualness and relaxation through handmade ceramics. Finally, the article touches upon the trend of incorporating tongue-in-cheek and playful wall art, aligning with a broader appreciation for kitsch and vintage styles. Designs like Studio HÁM's colorful Andy Warhol-inspired kitchen piece demonstrate how art can introduce humor and upliftment. The article concludes by stressing the importance of adventurous framing, suggesting that mixed frames and thoughtful use of negative space can enhance each artwork's identity and visual impact. #WallArtTrends #InteriorDesign #HomeDecor #NeonSigns #Tapestries #FrescoArt #AbstractArt #ArtCollection #CeramicArt

In an era marked by rapid urbanization and increased reliance on digital devices, a burgeoning movement among contemporary artists is rekindling a connection with the natural world through their art. This movement focuses on creating murals and wall-based art inspired by nature or botany, aiming to uplift urban environments and domestic interiors. The article highlights five such artists: Anne von Freyburg, Epoh Beech, Gary Myatt, Graphic Rewilding, and Sophie Mess, whose works infuse public and private spaces with natural beauty, offering a visual respite from contemporary pressures. Sophie Mess, known for her delicate and subtle representations of nature, creates large-scale botanical murals that blend graffiti, pop art, and traditional muralism. Her work, characterized by vivid colors and abstract forms, can be found across Europe and is currently featured at the Saatchi Gallery with her eight-meter-high mural, 'Journey of Progress.' Mess believes art can positively impact the environment and mental well-being, using walls as canvases to tell stories that bridge urban settings with artistic expression. Her inspirations include Dutch Master floral still lifes and Georgia O’Keeffe’s detailed flower paintings, often incorporating flowers grown in her own garden. Anne von Freyburg, a Dutch artist based in London, incorporates textiles and decorative art into her wall-based floral pieces. Her work, inspired by Rococo paintings and 17th-century Dutch Still Life artists, brings a bold, sculptural natural element into interiors. Von Freyburg's solo exhibition, 'Filthy Cute,' at Saatchi Gallery, showcases her textile paintings from 2022 to 2025. Her installations, often of irregular shapes with dripping fringes, reimagine scenes from Rococo paintings, advocating for themes of freedom and self-reliance beyond traditional romantic narratives. Graphic Rewilding, a collaboration between Brighton-based artists Lee Baker and Catherine Borowski, aims to uplift lives with large-scale botanical and nature-inspired artworks in urban settings. Their installations, seen across the UK, China, Italy, Saudi Arabia, and Texas, provide 'visual endorphins' as an antidote to the scarcity of green spaces in cities. Drawing inspiration from Japanese art, particularly Edo-era painter Ito Jakuchu, Baker and Borowski integrate elements like leaves into their paint, creating immersive experiences that, despite being imagined nature, offer psychological benefits akin to real natural interaction. London-based artist Epoh Beech, with a background in fine art and art therapy, is renowned for her hand-drawn animations and intricate wallpaper designs. Her upcoming solo exhibition, 'The Pegasus Papers,' features hand-drawn wallpapers and pen and ink drawings inspired by French narrative wallpapers, the Bayeux Tapestry, ancient Chinese handscrolls, and mythology. Her bespoke wallpaper designs, developed over four years, involve meticulous hand-drawing, scanning, and digital printing, transforming static images into dynamic visual narratives that engage the viewer’s imagination. Gary Myatt, a mural artist and trompe l’oeil specialist, draws inspiration from Old Masters and the Arts & Crafts movement to create bespoke murals for high-profile locations. His work, which can be found in London, Europe, India, and the Middle East, focuses on evoking a distinct atmosphere through landscape imagery rather than mere illusion. Myatt's artistic process involves painting murals on canvas in his studio before installation, allowing for greater control and practical efficiency, while capturing the subtle transitions of color, texture, and light found in nature. These artists collectively demonstrate the profound impact of nature-inspired art on both urban aesthetics and human well-being. #NatureInspiredArt #Murals #WallArt #ContemporaryArt #UrbanEnvironment #InteriorDesign #BotanicalArt #MentalWellbeing #SaatchiGallery #StreetArt

Art serves as a transformative element in home décor, offering a means to refresh living spaces and reflect personal tastes without extensive redecoration, particularly beneficial for renters. Experts suggest that a strategic selection and display of artworks can revitalize a home's ambiance, evoking emotions or establishing specific moods. For instance, abstract art with loose, expressionistic marks can create a romantic atmosphere, while a more graphic style can impart a modern, urban feel. The flexibility of art allows for periodic reconfigurations, mirroring how public galleries re-hang their collections, providing a renewed perspective within a home. Practical considerations for hanging art include using small nails for easy patching in rental properties or opting for leaning art against ledges, book stacks, mantelpieces, or consoles for a casual display. When integrating new art, it should complement existing furniture and homeware rather than compete with them. This can be achieved by placing art alongside items with similar aesthetic qualities, such as echoing patterns in a rug or the curves of ceramics, or by creating juxtapositions with personal ephemera like postcards or family photos. Wall-hung art can also provide a visual counterpoint to bulky furniture, acting as a focal point that balances the weight of larger pieces like sofas. Furthermore, carefully chosen art can unify a room by linking disparate design elements, such as contrasting materials or colors, ensuring a cohesive look. Artworks can reflect or complement tones present in fabrics or wood, thereby integrating the room's overall design. Beyond traditional wall art, incorporating usable art, such as art-themed coasters and placemats, can make art acquisition and display more approachable and enjoyable. Artists like Selina Snow demonstrate how personal art collections, including works by family members, travel souvenirs, and her own creations, can be curated against a neutral backdrop to create a unique and personal environment. Snow emphasizes the importance of linking colors and motifs in a way that enhances individual pieces without causing them to blend indistinguishably. She advocates for professional framing for original artworks to ensure their preservation and suggests installing UV protective window film in bright areas. Sculpture also has a place in home interiors, extending beyond gallery settings. Instead of relying solely on tables or plinths, sculptures can be displayed on affordable free-floating shelves at varying heights to create engaging domestic arrangements. For those looking to start an art collection, visiting art exhibitions, auctions, and open-studio events is recommended to discover art that resonates personally. Many galleries offer a 'try before you buy' service, allowing potential buyers to see how art integrates into their home environment at different times of day and in various locations. Before making permanent hanging decisions, it is advisable to experiment with configurations by laying pieces out on the floor. Ultimately, the selection of art should be deeply personal, reflecting what truly speaks to the individual, whether adhering to a specific theme or simply choosing pieces based on intuition, as there is no right or wrong approach to art selection. #HomeDecor #ArtDisplay #InteriorDesign #ArtCollection #LivingSpace #HomeStyling #ArtConsultancy #RoomTransformation #PersonalExpression

The practice of incorporating natural elements, particularly plants, into home design and decoration has a long and rich history, reflecting humanity's continuous desire to emulate nature and achieve an ideal aesthetic. From ancient civilizations to modern trends, botanical motifs have served as a recurring source of inspiration for architects, artists, and designers. In ancient Egypt, the sacred lotus flower was central to temple pillars and various artifacts, while the Greeks utilized lotus, palm, acanthus, olive, and grape motifs. The early Islamic period and Byzantine mosaics also showcased plant and flower ornamentation. In the Philippines, the Maranaos' traditional 'okir' design, featuring curvilinear floral and leaf patterns, emerged around 600 CE and flourished during the Islamization of Mindanao in the 14th century. The Gothic architectural style of the 13th century prominently featured natural forms, such as rose windows, leaf-shaped pointed arches, and floral traceries in stained glass. The Renaissance era saw an increased interest in realistic botanical imagery in frescoes, textiles, and wallpaper, coinciding with a broader appreciation for nature. This opulence continued through the Baroque and Rococo periods, which were characterized by intricate foliage embellishments in furniture and decoration, while the Victorian era offered a more subdued yet equally nature-inspired approach through its wallpapers and textiles. The Industrial Revolution prompted the Arts and Crafts movement in the mid-19th century, advocating for craftsmanship over mass production. This movement, exemplified by William Morris, incorporated natural elements and folk styles into textile and wallpaper patterns. Art Nouveau, flourishing from 1890 to 1910, further embraced natural forms, particularly the sinuous curves of plants and flowers, integrating them into architecture, furniture, lighting, and tableware. In the early 1900s Philippines, indigenous foliage like anahaw and banana leaves were commonly used in architecture and interior design. Even in postmodernism and minimalism, botanical motifs persisted, albeit in simpler, less elaborate forms. The ongoing pandemic has led to a renewed emphasis on incorporating plants and vegetation into interiors, driven by a desire for lightness and a sense of harmony with nature. This contemporary trend, termed “Vege-Crazy” by Maison & Objet trend forecaster François Delclaux, is characterized by profusion, exuberance, accumulation, and extravagance in plant-inspired decor. This includes oversized leaf patterns and florals, often blending historical styles, as seen in updated classical textiles and old-fashioned bouquets. Examples include the floral velvet prints from Indian Song, which collaborates with artisans in Jaipur, and lamps from Traces of Me, covered in silk with plant motifs. Natural materials like coconut, reeds, bamboo, rattan, and wicker are also prevalent in lamps, baskets, and decorative objects from brands like J-Line. Soothing shades of green are widely used across home accessories, tableware, and textiles, often complemented by fruity and floral accents. Filipino brands are actively participating in this trend: Paperbound offers unique sage wallpaper with abundant foliage and witty representations of the mythical aswang, while JB Woodcraft creates carved floral wall decor with ombré effects, and Cebu Home Craft produces floral bowls. Kitchen and dining ware feature vegetation-inspired colors, exemplified by Moroccan glazed earthenware from Chabi Chic and Syrian bubble glass cups from La Maison Dar Dar. In the Philippines, Lucy Gomez's bone china tableware line, available at Topiary.store, features indigenous flowers like Medinilla Magnifica and Renanathera Storiei, providing both aesthetic beauty and support for livelihood projects in Leyte. The integration of nature into home decor thus not only enhances aesthetic appeal but also contributes to a sense of well-being and community support. #HomeDecor #InteriorDesign #BotanicalMotifs #PlantDecor #ArtsAndCrafts #ArtNouveau #FilipinoDesign #SustainableDecor #VegeCrazy

This article offers a glimpse into the home of Joa Studholme, the colour curator for Farrow & Ball, located in a 19th-century converted schoolhouse in Somerset. Studholme, responsible for many of Farrow & Ball's popular paint colours and their whimsical names, discusses how her home serves as both a personal canvas and an inspiration for new shades. The house, which she shares with her husband and their dog, Tufnell, features distinctive elements such as huge arched windows overlooking rolling hills. Studholme details the colour choices throughout her home, starting with the entrance hall painted in 'Bancha,' a Japanese green tea-inspired hue she created to extend the feeling of the garden indoors and evoke protection. Her journey with Farrow & Ball began in 1996, and she is slated to appear in a TV show about the company's 75-year history. The hall transitions into a library area with bookshelves painted in 'Railings' to create a cozy atmosphere, contrasting with the main living area's vaulted double-height ceilings, a former classroom, which is painted in 'School House White,' a soft white created by Studholme to harmonize with exposed limestone and reflect light. She explains her creative process for developing colours and names, noting that sometimes the colour comes first, as with 'Bancha,' and other times the name, like 'Stiffkey Blue,' inspired by childhood memories, or 'Cromarty,' derived from a shipping forecast. 'Nancy’s Blushes' was named after her daughter’s teething cheeks. The article highlights unique features of the schoolhouse, such as an elevated floor in the living area, originally designed to prevent children from looking out windows during lessons. Studholme and her husband frequently debate whether to lower this floor for more space, weighing it against losing the views. Practicality also influences her choices, as seen in the floor of the living area, which she painted in 'Mouse’s Back,' an earthy, forgiving shade chosen for its ability to merge with garden mud and create warmth. Studholme advocates for painting walls, ceilings, and woodwork in the same colour, arguing that white ceilings do not necessarily make spaces appear larger and that painting window frames the same colour as walls directs focus to the view rather than the frame. The sitting room features concealed up-lighting that highlights the rafters and Tom Dixon silver globes for a contemporary touch. The home's decor emphasizes sustainability, with furniture sourced from previous homes, family inheritances, antique fairs, and flea markets. Studholme describes her approach as 'not overthinking things.' The kitchen incorporates a 'Babouche' yellow accent around a window reveal, chosen simply for fun, and features colourful bistro chairs as recent additions. The interior of the floor-to-ceiling kitchen cupboards is adorned with Farrow & Ball wallpaper samples, a lockdown project she suggests for those hesitant to use bold colours. She also mentions 'Jitney,' a colour she created to mark the end of 'grey mania,' inspired by a bus from the TV show Gossip Girl. Studholme observes a growing preference for earthy colours due to increased connection with nature during lockdown. The article concludes with her clever decor tips, including painting a stained lampshade, using wallpaper samples in an apothecary cabinet, and creating an illusion of light in a narrow corridor with a two-tone paint scheme. #HomeDesign #InteriorDesign #FarrowAndBall #ColourCurator #ConvertedSchoolhouse #PaintChoices #SustainableDecor #HomeRenovation #JoaStudholme

The article details a tour of the London home of Mexican-born interior designer Stephanie Barba Mendoza. Her house is presented as a vibrant and meticulously curated space, reflecting her design philosophy of injecting joy and unexpected theatricality into decor. The designer expresses her deep affection for her home, attributing its warmth to her family and the carefully chosen elements of space, lighting, textures, and colors. Stephanie Barba Mendoza's renowned use of color is a central theme throughout the article. She shares her approach to color, which is characterized by a playful attitude and a willingness to embrace bold and unconventional combinations. This is exemplified by the burnt umber paint covering the walls and ceiling of the sitting room, creating an immersive and rich atmosphere. Another instance of her innovative color application is the powder blue stair rail, designed to evoke a sense of climbing into the sky. The kitchen-diner features a vibrant green botanical print wallpaper, further illustrating her commitment to dynamic color schemes. Her kitchen is highlighted as her favorite area of the home, largely due to a significant renovation that involved lowering the floor by half a meter and adding steps from the hallway. This alteration created a more generous and airy space with high ceilings. The design intentionally blurs the lines between indoor and outdoor living, with doors that open to integrate the small patio into the kitchen area. The choice of green leaf wallpaper in the kitchen, paired with a green floor, door, and fence on the patio, aims to create a seamless transition and a strong connection to nature. Green is identified as a favorite color for Stephanie, appearing repeatedly throughout her home in various forms, such as an accent chair in the sitting room, the main bedroom's headboard, and in the playroom's artwork and couch. She explains that green is complementary with many other colors, promotes a sense of calm, and can contribute to inner peace and harmony. Despite the diverse and bold color palette used across different rooms, the article emphasizes that the house maintains a harmonious flow, with each space evoking a similar positive emotion. The article also includes a section where Stephanie Barba Mendoza shares insights into her personal style and inspirations. She reveals that her go-to decorative detail is beaded adornments, like rope on curtains or tassels on cushions. Her inspiration often comes from design pioneers like Michael Taylor, known for blending traditional and contemporary elements. She describes her style as "playful, warm, and unexpected." Her creative drive is fueled by an obsession with creation. The most recent item she purchased for her home was a unique bouquet of flowers, including a protea from South Africa, which she appreciates for its beauty both fresh and dried. Ultimately, she believes a home should feel "welcomed," a sentiment she achieves through the combination of family presence and her warm, inviting color and pattern choices. #InteriorDesign #HomeDecor #ColorPalette #StephanieBarbaMendoza #LondonHome #KitchenDesign #Renovation #TextileArt

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

Displaying art in a home, whether it's a house or a condo, is an artistic endeavor that requires careful consideration of various factors to create impact and harmony within the space. While there are no strict rules in design, according to Ben Leavitt of PlaidFox Studio, there are optimal approaches to showcasing artwork. The size of the living space significantly influences art placement, with larger homes offering more opportunities than smaller condos. Despite size constraints, art is considered essential for bringing life to any space. Happy Home Design, for example, specializes in optimizing art display in small spaces like modern condos, which often have abundant windows, limiting wall space. In such environments, art pieces become more impactful as they face less competition from other artworks. The density of windows in new condo builds necessitates a strategic approach to identifying feature walls and determining appropriate artwork sizes. Artwork chosen for display should allow for "breathing room," meaning individual pieces should have enough surrounding space to be appreciated. For collectors with numerous pieces, the challenge lies in curating these items to provide each piece with adequate space and to thoughtfully juxtapose them to foster a dialogue between artworks. When assisting clients in selecting art, designers consider the homeowners' interests, desired mood for the room, and color schemes. The physical dimensions and scale of the artwork must be proportionate to the furniture and the overall balance of the room. Creating visually engaging vignettes as one moves through a space is also important; blank walls that disrupt the room's balance are opportunities for artwork. In prominent areas like a foyer, a larger artwork can create a significant visual impact compared to a smaller piece on a grand wall. Different rooms call for different artistic considerations. Leavitt suggests that the choice of art for a bedroom versus a living room depends on the desired atmosphere. Calming artwork would suit a serene room, for instance. Practical aspects, such as reflections, are also important; rooms with ample natural light may benefit from art without glass or with non-glare, matte-finish glass to prevent distracting reflections. Family artwork is often preferred in more personal areas, such as bedrooms or hallways leading to private spaces, rather than in public living rooms. Thematic art, like a beach scene, might be appropriate for a bathroom, especially if it relates to family photos or interests. Another approach to displaying art is creating a gallery wall, space permitting. For those who haven't accumulated art over a long period, the goal is to create a curated look that suggests a long-standing collection. This involves selecting diverse pieces that represent stylistic contrasts, ranging from minimalist to vibrant and colorful. A well-designed gallery wall incorporates a variety of frames, including wood, gilded, vintage, and contemporary, as well as pictures on stretched canvas. The inclusion of three-dimensional pieces, such as artifacts from travels, is also recommended to add depth and interest. A common strategy is to start with a primary piece in the center and expand outwards, leaving small sections to be filled with personal items. This method allows for the collection to evolve and grow with the homeowner over time. #HomeArt #InteriorDesign #ArtCuration #GalleryWall #HomeDecorating #SmallSpaceDesign #ArtworkPlacement

Erik Wyckoff, a professional woodcarver operating out of Minneapolis for 28 years, specializes in creating bespoke wooden elements that add unique character and timelessness to homes. His interest in wood carving began in childhood, inspired by the intricate details of historic homes like the James J. Hill House. Wyckoff's parents encouraged his passion for traditional craftsmanship, leading him to pursue formal training. He honed his skills under the tutelage of master carver Konstantinos Papadakis, who passed down artistic, historical, and practical knowledge, including tool handling, carving efficiency, and the fundamental decorative styles. Papadakis's instruction covered various motifs such as birds, flowers, grapes, and the scrolling acanthus leaf, which forms the basis for numerous historical carving styles. This comprehensive training has enabled Wyckoff to undertake a diverse range of projects, from Italian-style wine cellar doors and French mantels to Black Forest-style mantels for rustic cabins. Wyckoff's portfolio includes notable projects such as a Renaissance-Revival-style carved paneled study featuring hidden loons, deer, and beavers, inspired by the Minnesota State Capitol. He also replicated missing wood carvings for the restoration of the Donaldson Mansion in Minneapolis and created a French-style relief carving over a door in Medina, incorporating the owner’s industrial symbols. Wyckoff places significant emphasis on research, drawing inspiration from historic decorative arts ranging from medieval churches to French tapestries, ensuring historical accuracy and a sense of permanence in his creations. Among his favorite projects are the doors and panels for a Maplewood home's wine cellar, which were inspired by France's Château de Chambord, designed to immerse the owner in a French aesthetic. This project also included a unique bar top under glass, carved with mythical beasts and foliage, conceived as a conversation-starting "cabinet of curiosities." Another deeply sentimental piece involved a carved panel with vines and a pair of cardinals for an older couple, symbolizing their lifelong partnership. Wyckoff collaborates frequently with design professionals, integrating his custom carvings, which often feature Old World decorative art motifs like animals, flowers, and scrollwork, seamlessly into the overall architecture and interior design. He ensures historical accuracy and tasteful integration, often being part of a larger design team to achieve the client's vision. Clients like Steve and Susan Rudolph of Orono attest to Wyckoff's ability to create custom pieces that perfectly match existing architectural details, as demonstrated by the eight unique willow corbels he carved for their Spanish Revival home's entry gallery. These corbels not only highlighted the groin vault ceiling but also subtly incorporated the initials of each family member, adding a personal touch while maintaining historical consistency. Wyckoff expresses profound satisfaction in knowing his work brings joy and lasting beauty to clients' homes. #Woodcarving #BespokeDesign #InteriorDesign #CustomCraftsmanship #HomeDecor #ArtisticWoodwork #HistoricalAccuracy #Renovation #ArchitecturalDetails

First-time homeowners Kaisha and Joey Flynn embarked on a significant renovation of their unique Bernal Heights home, a property characterized by its unusual setback and hidden nature. Initially, the couple sought to revamp only two bathrooms, a task that proved challenging in San Francisco due to architects' reluctance to undertake small-scale projects. They enlisted Ryan Leidner, an architect who had recently established his own practice. While Leidner agreed to the bathroom assignment, he was immediately struck by the property's challenging layout, which involved descending over 30 stairs to a sunken front yard and then climbing another 20-plus steps to reach the front door. During a conversation, Joey Flynn asked Leidner what changes he would make without any limitations. Leidner, who had been contemplating the property's design throughout the meeting, proposed building a bridge to address the complex entry. This suggestion transformed the project from a modest bathroom renovation into a comprehensive reimagining of the entire property. The renovation, which began before the COVID-19 pandemic, spanned two and a half years. The finished entry now features a new gate that leads to a 30-foot-long footbridge. This bridge dramatically improves accessibility and offers an ideal vantage point to view the house. The property's exterior is clad in charcoal-stained cedar planks, evoking the appearance of redwood weathered by San Francisco's fog, and the landscape, designed by Stephens Design Studio, bursts with lush greenery. The bridge leads directly to the front door, opening into an entry landing illuminated by a skylight that connects to the main living area. The original exposed-beam ceiling has been meticulously restored, and the interiors feature light white oak floors and cabinets, complemented by gallery-white walls, providing a versatile backdrop for the couple's burgeoning art and vintage furniture collection. Both Kaisha and Joey Flynn are product designers themselves, working at Open AI and Instagram, respectively, and share a keen eye for detail. Leidner frequently collaborates with creative clients who are similarly committed to intricate design. The home showcases a blend of modern architecture and vintage pieces, carefully curated by Joey. Notable items include a 1970s patchwork leather sofa by Swiss brand de Sede and vintage Italian dining chairs. An innovative design feature is a cross-beam converted into a ceiling-spanning planter box, adding a touch of nature and a unique aesthetic. The home's design was also influenced by the couple's travels, particularly a record-listening lounge on the lower level, inspired by similar concepts in Japan. This room features floor-to-ceiling white oak, a dedicated turntable station, a comprehensive vinyl collection, a wet bar, and a built-in olive green daybed. The lounge can be fully opened to the front garden through disappearing pocket doors, integrating the indoor and outdoor spaces. The Flynns designed the house as a child-free couple but welcomed their daughter shortly after the renovation's completion, reaffirming their design philosophy that their choices would not have significantly changed even with children in mind, given their initial willingness to embrace the property's unique challenges. #BernalHeights #HomeDesign #ArchitecturalRenovation #ModernArchitecture #InteriorDesign #SanFranciscoHomes #LandscapeDesign #VintageFurniture #CreativeClients

Creating a spectacular gallery wall has become a prominent trend in home decoration, seen across social media platforms like Instagram and Pinterest. The key to a truly beautiful gallery wall lies in the selection and arrangement of wall art pieces of varying sizes and styles. Before purchasing, it is important to consider desired colors, sizes, and overall aesthetic, deciding whether to aim for a coordinated or intentionally mismatched look. This guide provides inspiration and resources for finding the perfect wall art to transform any blank canvas. For those seeking affordable options under £50, several online retailers offer a diverse range of prints. Desenio, a Scandinavian online store, is popular among bloggers for its pretty prints and its 'inspiration' section, which allows users to visualize different gallery wall arrangements and shop complete looks. Fy, another online store, curates a cool and quirky selection from independent sellers, featuring everything from fashion illustrations to vintage posters and typography, with popular items highlighted by user likes. Juniqe also champions independent artists and businesses, offering unique pieces like Henry Rivers' art deco-style travel posters and Gretchen Roehrs' food-inspired fashion illustrations, which can add a fun twist to modern kitchens or dining spaces. Moving to a slightly higher budget, between £50 and £100, Oliver Bonas provides a curated selection of framed wall art, eliminating the need for separate framing and making pieces ready for immediate display. Their range includes options suitable for nurseries, as well as fun quotes and typography. Print Arcade specializes in retro prints, including classic Vogue covers, vintage illustrations, music posters, and exhibition artwork, allowing individuals to express their passions through interior design. Not on the High Street offers a platform to support small businesses, showcasing a variety of quirky illustrations, statement art, and personalized prints that can add sentimental value to home décor. For those willing to invest over £100, John Lewis presents a wide array of wall art, from photographic prints and landscapes to typographic designs, catering to various tastes and budgets with prices ranging from £10 to £450. King & McGaw caters to fine art enthusiasts with a more substantial budget, offering prints from renowned artists such as Andy Warhol, Pablo Picasso, and Henri Matisse, alongside original film stills and vintage prints from partners like the National Portrait Gallery and the Royal Horticultural Society. When choosing art for a living room, factors such as existing décor, budget, and desired artistic style are crucial. A gallery wall combining graphic prints and photography is a popular choice, while a single oversized piece of artwork above a sofa can create a significant design statement. A 2021 study by Buildworld indicated that photography pieces are the most popular wall art style in US and UK homes, favored by 62% of respondents, followed by landscapes (49%) and abstract art (36%). #WallArt #GalleryWall #HomeDecor #InteriorDesign #AffordableArt #OnlineShopping #HomeStyling #ArtPrints #DesignInspiration

The article explores the growing trend of creating portrait gallery walls, presenting them as a unique and personal decor choice for those who find solace in art depicting human forms. It highlights how these galleries, unlike traditional ones, are designed to gather beloved and intriguing faces, offering comfort and companionship without the demands of social interaction. Historically, portraits have served as a means of remembrance, and this contemporary application extends that tradition into home decor, allowing individuals to curate a collection of faces that resonate with them. The piece delves into various approaches to designing portrait gallery walls, featuring insights from several designers and decorators. Michelle Gage, a Philadelphia-based designer, shares her concept of "stranger art," where she curates collections of unrefined oil-on-canvas portraits. Gage describes her organic method of acquiring pieces from flea markets and estate sales, emphasizing that her hanging strategy is intuitive rather than meticulously planned. She recounts the story of her first portrait, a girl in a purple shirt, and another, a woman named "Betty," found under a pile of junk, illustrating the personal connections formed with these artworks. Gage also mentions a collaborative hanging process with her husband, where she eyes the placement and he handles the physical installation. Danielle Nagel, a designer and photographer, discusses her vibrant portrait gallery, which is a tribute to her late grandmother. Her collection, backed by a striking red Hygge & West wallpaper, consists of her grandmother's paintings of women, characterized by bold and bright colors against dark backgrounds. Nagel drew inspiration from a Frida Kahlo art display and incorporated her grandmother's self-portrait, which she considers a signature piece reflecting her grandmother's essence. She details her methodical approach to planning the layout, which involved arranging paintings on the ground, photographing them, and even photoshopping them onto the wall to ensure harmony with the wallpaper and frame colors. Liz Solms of Banana Tree Consulting shares her personal and eclectic approach to a portrait gallery focusing on the female nude. She explains her fascination with the varied and captivating nature of the nude female body, aiming for an illuminating rather than jarring display. Solms, a collector of Haitian art, began her collection with a piece by an unknown Haitian artist and sought to include a variety of styles and mediums. She highlights an eBay find—an oil and acrylic piece mixed with collage from the 1970s—as a favorite, noting its unique blend of allure and comfort. Erin Wheeler, a stylist and designer, reveals that her bedroom gallery wall originated from a graphic wallpaper print, which she wanted to complement with portrait art. She chose pieces with colors that would both harmonize with and stand out against the wallpaper, featuring Janet Hill's "Florida" as a key piece. Wheeler emphasizes the importance of incorporating vintage elements into her designs, believing that the faces in her gallery bring soul to the room. Finally, Ali Arakawa, co-owner of Fare Well Trading, describes her collection of portraits featuring men with facial hair, primarily sea captains, which she acquired while sourcing for a client. She notes that these pieces serve as nostalgic reminders of her past projects. Arakawa offers practical advice on arranging portraits, suggesting that larger pieces be placed first and that head positions and eye directions be considered to create a sense of conversation or interaction among the artworks. #PortraitGallery #GalleryWall #HomeDecor #InteriorDesign #ArtCollection #DesignInspiration #PersonalStyle #WallDecor