Style Inspiration: Congress Park’s Sweet Cooie’s

This article explores a Washington, D.C., home designed by Zoe Feldman, which showcases a maximalist yet restrained approach to interior design. The residence, owned by a young, fashion-forward couple with an affinity for British style, particularly House of Hackney, challenges conventional design norms by seamlessly integrating bold patterns, vibrant colors, and diverse textures. Feldman emphasizes that despite the eclectic mix of elements, the home maintains a cohesive and surprisingly neutral feel. The dining room, for instance, features a large, square layout adorned with striped Farrow & Ball wallpaper. This bold pattern, rather than being overwhelming, is described as soothing. The space offers a view into a floral-covered foyer, which in turn leads to a chartreuse-colored living room where various animal prints are harmoniously incorporated. Feldman explains that the striped wallpaper in the dining room naturally complements the William Morris Pimpernel print found in the stairwell, with both areas utilizing tame color palettes that subtly prepare visitors for the vibrant chartreuse living room. A key design philosophy employed by Feldman is balancing quirky and traditional elements, ensuring that "everything can’t be the star." This approach is evident in the inclusion of a vintage landscape tapestry in one corner and a human hand-shaped catchall for keys, a signature touch in Feldman’s projects. She stresses the importance of natural relationships between design elements, rejecting the idea of simply throwing disparate items together. The leopard stair runner is highlighted as an example of a seemingly bold choice that functions as a neutral, according to Feldman, who believes animal prints are inherently neutral and can coexist in nearly any space. The living room further exemplifies this adventurous design, featuring nude sketches by a team designer, antique glass mirror panels, and a 1970s tiger-print daybed. The striking chartreuse walls and window trim, painted in a Benjamin Moore hue matched by Fine Paints of Europe’s Hollandlac finish, create the illusion of lacquer without the associated cost and labor. In contrast to the vibrant communal spaces, the kitchen acts as a palette cleanser with its gradient blue cabinetry. Feldman applied various shades of Farrow & Ball paint—Pale Powder for the walls, Light Blue for medium door fronts, and De Nimes for pantry cupboards—to create a calming, smudged effect. The Donatello marble countertops, integrated sink, and backsplash, with their subtle blue veining, enhance this optical illusion. The adjacent family room, described as the "heartbeat of the house," is designed for both the couple and their young children. A TV is concealed behind bifold cabinet doors, painted in Farrow & Ball’s Stone Blue to match the walls and baseboards, allowing for a versatile space that can be active during the day and serene at night. Feldman’s use of antique brass grilling to disguise lower cabinet panels, a technique often used for radiators and AC returns, adds a functional yet decorative touch. The primary bedroom features an upholstered bed frame that is complemented by speckled Matouk Margot print pillows and duvet, chosen to play up the pattern rather than mute it. Feldman argues that small-scale prints can complement larger ones in ways solids cannot. The children’s bedroom incorporates playful pink dinosaur wallpaper from House of Hackney, with the border painted in an icy blue-green, a tone present in the motif, to ensure a cohesive and impactful design. This careful consideration of trim, doors, and ceiling colors maximizes the effect of the wallpaper, avoiding a stark white that would feel out of place. #InteriorDesign #HomeDecor #MaximalistDesign #PatternMixing #ColorPalette #ZoeFeldmanDesign #WashingtonDCHome #TextileTrends #EclecticStyle

Mark Drendel and Chad Conway, owners of Canine Styles, New York City's oldest dog boutique, reside in a 1,600-square-foot apartment within the Art Deco Central Park West building, The Century. Their design philosophy for both their business and home centers on a blend of traditional, classic, and up-to-date styles. Their recently renovated apartment in The Century showcases a deliberate fusion of the building's inherent Art Deco architecture with their contemporary art collection, modern furnishings, and a curated selection of antiques spanning from the 18th century to the 1960s. This eclectic approach creates an environment that aims to transcend a specific era or city, offering a unique and fashionable aesthetic. The couple met 21 years ago on Fire Island and, despite their initial downtown preference, relocated to the Upper West Side for their son's schooling. They emphasize the importance of having a country house in Connecticut, which serves as a traditional, "fluffed" contrast to their streamlined Manhattan apartment, allowing their son to experience a different environment. Their New York City routine includes frequent dining at local favorites like Café Luxemburg and Fiorello’s, and they appreciate the convenience and cultural offerings of their Central Park West location, including Lincoln Center. Their apartment is also a venue for small dinner parties, hosting six to eight guests a few times a month. Mark Drendel acquired Canine Styles 30 years prior to this interview, a business founded in 1959. He began as a retail employee and, with a background in retail and a lifelong affection for dogs, seized the opportunity to purchase the store. The business transformed significantly after Chad joined, leading to the creation of their own product line approximately 16 years ago. This expansion into manufacturing propelled Canine Styles into the wholesale pet market and enabled the acquisition of additional retail locations on the Upper East Side and Upper West Side, leveraging existing grooming clienteles. The original Canine Styles store, an old-school establishment on the Upper East Side, was known for its distinguished clientele, including figures like Andy Warhol and Princess Grace. The Upper East Side's demographic, though slightly younger, has retained a sense of generational continuity, with past child customers now returning with their own families and pets. Canine Styles recently expanded its original store, doubling its size, and the design aimed for a traditional, on-trend aesthetic, allowing the products themselves to introduce color and speak to the brand's identity. The brand's signature item is a proprietary plaid, used across collars, leashes, harnesses, coats, and bedding. They also produce their own line of beds, creating limited runs of fabrics that are not typically repeated, excluding the plaid. A specialized workshop in Long Island City produces small quantities of high-end, couture dog products using remnant luxury fabrics, including bespoke dog carriers made from materials like cashmere, alligator, or ostrich. Their dogs, Katie and Izzy, enjoy the freedom of their Connecticut home, though Izzy is a devoted lap dog who accompanies them everywhere. Mark and Chad acknowledge their fortune in establishing a successful life in New York City, a place that offers both challenges and opportunities for those who find their niche. #HomeTour #CentralParkWest #ArtDeco #InteriorDesign #CanineStyles #UpperWestSide #NYCRealEstate #EclecticDecor #LuxuryLiving

Master florist Jennifer Figge reimagines four iconic 20th-century American interior designs through the art of floral arrangements. The article highlights how Figge channels the distinctive aesthetics of renowned designers and their famous spaces, translating their unique styles into imaginative botanical compositions. The first reinterpretation focuses on Brooke Astor’s Park Avenue library, designed by Albert Hadley. This setting, known for its opulent livability, features sang de boeuf enamel walls, brass trim, and an extensive 3,000-volume book collection. Figge’s arrangement for this space incorporates oxblood ranunculus to echo the glossy, floor-to-ceiling bookcases, blush hellebores to introduce a playful femininity, and an aged brass vase that subtly references the room's jewellike trim. The floral design captures the sophisticated and refined atmosphere of Hadley’s work, making it suitable for receiving distinguished guests. Next, the article explores Michael Taylor’s guest bedroom in San Francisco, emblematic of his "California look." Taylor's signature style emphasizes elemental beauty and restraint, utilizing organic elements such as a log canopy bed, Yosemite Slate flooring, Italian wicker, and lush alder trees against a serene white backdrop. Figge's floral response to this design employs complex materials like velveteen wisteria seedpods, spherical Bishop’s Balls, and blooming star-of-Bethlehem. These choices mirror Taylor’s immortal sense of balance and his ability to create a visually rich yet understated environment where more layers of detail emerge upon closer inspection. Dorothy Draper’s "Gutsy Glamour" is brought to life through her most famous design playground, The Greenbrier. Here, aqua-striped wallpaper harmonizes with rhododendron patterns on the sofa and carpet, creating a vibrant and confident scheme. Figge’s arrangement for this space is as fiercely vivid as Draper’s aesthetic, featuring commanding red dahlias, lilac sweet peas, and umbrella ferns. This floral composition boldly reimagines the loud, active, and colorful combinations that were hallmarks of Draper’s design philosophy. Finally, the article delves into Mark Hampton’s inviting elegance as seen in a 1980s New York dining room. Hampton's design incorporated chintz and treillage to evoke an English garden enchantment, serving as an airy backdrop for antique porcelain and silver collections. Figge’s reinterpretation creates a romantic idyll with peach dahlias, lavender cosmos, and periwinkle blue lace flowers. The arrangement highlights old-fashioned David Austin Sweet Juliet roses, which are presented as the true stars, embodying the delicate charm and transportive quality of Hampton’s design. This particular piece captures the blend of classic beauty and understated luxury that characterized Hampton's approach. #FloralArrangements #InteriorDesign #20thCenturyDesign #BrookeAstor #AlbertHadley #MichaelTaylor #DorothyDraper #MarkHampton #HomeDecor #LuxuryLifestyle

The article highlights Courteney Cox's innovative approach to outdoor living spaces, transforming her cliffside backyard into a cozy and inviting "outdoor living room." This concept aims to extend the comfortable areas of a home outdoors, making them suitable for year-round use, whether for entertaining guests or solitary reflection. Cox achieves this by carefully integrating design elements that are typically found indoors, emphasizing warmth, comfort, and an intimate atmosphere, despite the expansive natural setting. A key aspect of Cox's outdoor living room design is the strategic use of soft furnishings. The article explains how she incorporates mohair and cashmere throws to enhance the sense of coziness. Carlin van Noppen, Head of Design at Fig Linens and Home, emphasizes the importance of indoor-outdoor throw blankets for year-round use, recommending washable styles for practicality. These textiles not only add comfort but also contribute to the aesthetic appeal, functioning as fashion accessories for the outdoor space. The selection of materials and their placement are crucial for creating a soft, inviting environment that contrasts with the natural ruggedness of the outdoor setting. Another significant element of Cox's design is the incorporation of home fragrances. While typically associated with indoor spaces, candles, diffusers, and room sprays can effectively create ambiance outdoors. The article notes that while scents may not be as concentrated in open air, a subtle fragrance on the breeze can be highly welcoming. Multi-wick candles, like those seen on Cox's table from her clean fragrance line, Homecourt, are suggested as ideal investments for outdoor entertaining due to their stronger scent throw. The specific fragrances mentioned, such as Balsam Fireplace, Mandarin Basile, and Cece Candle, are described as offering warming and interesting aromas, further enhancing the cozy atmosphere. The layout of Cox's outdoor living room is also critical to its success. She utilizes a conversational seating arrangement with a curved bench and a round coffee table, positioned within a gravel circle. This configuration promotes intimacy and facilitates conversation, an important consideration in vast outdoor settings where natural expansiveness might otherwise dilute a sense of closeness. The design ensures that individuals are gathered together, making it easy to engage in shared activities like enjoying a bottle of wine or cups of tea with friends. Cox's outdoor space features durable stone furniture, which provides a solid and lasting foundation for the design. The integration of large, carefully placed rocks further blends the man-made elements with the natural landscape, enhancing the aesthetic appeal and creating a harmonious environment. This blend of natural and designed elements is central to the overall character of the space, offering both visual interest and functional comfort. Overall, the article underscores that interior design principles are not limited to indoor environments. By thoughtfully applying elements such as soft accessories, strategic lighting (implied by the use of candles), stylish scents, and clever seating arrangements, outdoor areas can be transformed into functional and inviting extensions of the home. Courteney Cox's outdoor living room serves as a compelling example of how to optimize exterior spaces for year-round enjoyment, demonstrating that with the right touches, outdoor environments can be just as comfortable and welcoming as their indoor counterparts. #CourteneyCox #OutdoorLivingRoom #HomeDecor #CelebrityStyle #InteriorDesign #OutdoorEntertaining #HomeFragrance #CozyDesign

The Cooper Hewitt, Smithsonian Design Museum's exhibition, "The Jazz Age: American Style in the 1920s," is presented as the inaugural major museum exhibition focusing on American design trends during the 1920s. Despite its American concentration, the exhibition serves as a dynamic international showcase, reflecting the era's rapid cultural and technological advancements. Sarah Coffin, curator and head of product design and decorative arts at Cooper Hewitt, co-organized the exhibition with Stephen Harrison of the Cleveland Museum of Art. Coffin noted that previous European Art Deco exhibitions often overlooked American contributions. The exhibition's inception stemmed from the discovery of a significant collection of previously underexhibited 1920s materials during the Cooper Hewitt's multi-year renovation, coinciding with the Cleveland Museum of Art's holdings, which include pieces from the influential Paris 1925 International Exhibition of Modern Decorative and Industrial Arts. The two-floor exhibition is a visually overwhelming experience, featuring over 400 objects that embody the decadence, novelty, and eclectic styles characteristic of the Roaring Twenties, as described by F. Scott Fitzgerald as an "age of miracles, it was an age of art, it was an age of excess, and it was an age of satire." Organized around themes such as "Bending the Rules" and "Abstraction and Reinvention," the exhibition displays a diverse array of items, including furniture, flapper dresses, paintings, and Prohibition-era cocktail shakers, illustrating the cross-pollination of influences across various artistic media. Many contributing designers were European immigrants or had their works imported, while American designers often studied abroad, incorporating European techniques and aesthetics like tubular metal from the Bauhaus or bold colors from De Stijl. Examples include Ruth Reeves, who studied textiles with Fernand Léger in Paris before working on Radio City Music Hall designs, and Viktor Schreckengost, who blended his Vienna sculpture studies with his Ohio pottery background. Coffin emphasized that the exhibition highlights the vibrant exchange of ideas among designers from different countries converging in American urban centers, leading to an extraordinary amalgamation of modern design thinking on American soil. The installations showcase this international exchange, such as British designer Wells Coates’s Bakelite radio on German designer Kem Weber’s streamlined sideboard, both intended for mass production. Pieces like Russian-born craftsman Samuel Yellin’s wrought iron fire screen alongside Lorentz Kleiser’s tapestry of Newark’s transformation demonstrate the persistence of historical European aesthetics. Architectural influences are also evident, with Austrian émigré Paul Frankl’s "Skyscraper Bookcase" incorporating the zoning-enforced setbacks of new skyscrapers, a motif echoed on a smaller scale in Erik Magnussen’s Cubic coffee service. The exhibition aims to draw connections between objects, illustrating the palette and styles of the era, such as a Jean Dunand enamel vase placed beside a similarly colored dress. It also reveals influences between designers, like Edgar Brandt’s screen impacting the Rose Iron Works of Cleveland, highlighting a continuous artistic dialogue. The exhibition "The Jazz Age: American Style in the 1920s" remains open at the Cooper Hewitt, Smithsonian Design Museum through August 20. #JazzAge #AmericanDesign #ArtDeco #CooperHewitt #DesignHistory #CulturalExchange #ExhibitionReview #RoaringTwenties #ModernDesign

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

The article explores how various niche design aesthetics from the past are experiencing a resurgence in popularity, primarily fueled by social media platforms like TikTok and Instagram. This phenomenon is attributed to millennials and Gen Xers' growing nostalgia for their childhoods, leading them to rediscover and share specific design styles. The piece highlights four distinct aesthetics: Frasurbane, Frutiger Aero, Whimsigoth, and Global Village Coffeehouse. Frasurbane, a portmanteau of the sitcom 'Frasier' and 'Urbane,' characterized the 1980s and 1990s with its conservative and sophisticated elements. It features classical music, smooth jazz, serif fonts, and muted color palettes like beige and green, embodying a sense of wealth and class. This style emerged as a counter-response to the flamboyant Memphis Milano designs of the 1980s, allowing the baby boomer generation to express their prosperity through elegant and refined interior spaces. Its roots can be traced to Renaissance art and scientific illustrations, combining minimalist blocks with elegant typography to create a clear aesthetic identity. Frutiger Aero, also known as Web 2.0 Gloss, was prevalent in the early 2000s and is closely associated with technology companies like Microsoft and Apple. This aesthetic typically integrates images of nature, such as water, greenery, and animals, with modern tech hardware. It is currently experiencing renewed interest due to nostalgia. The style's name honors Adrian Frutiger, a Swiss typeface designer whose work influenced its identity. Frutiger Aero creates a dynamic yet static visual experience, blending natural elements with technology to suggest that machines are vibrant and energetic rather than cold and sterile. Whimsigoth, popular among teenagers in the 1990s, is a blend of gothic, witchy, and dark elements, creating a mysterious and intriguing ambiance. This maximalist style was widely seen in media of the time, including TV shows like 'Buffy the Vampire Slayer' and 'Charmed,' and influenced by musical artists such as The Cure and Kate Bush. Whimsigoth fans often embraced the aesthetic through jewelry, wall art, and clothing. While its peak declined in the early 2000s, evolving into goth and emo styles, its core elements persist through artists like Florence and The Machine and filmmaker Tim Burton. Finally, the Global Village Coffeehouse aesthetic, though popular in the 1990s, gained its most significant recognition in the 2000s when Starbucks adopted its style. This aesthetic combines the playful elements of Memphis Milano with earthy, muted colors and exaggerated organic shapes. Primarily found in coffee shops and restaurants, it exudes a warm and inviting atmosphere suitable for retail environments. Despite its manufactured nature, Global Village Coffeehouse conveys authenticity through details like brushstrokes and an airbrushed appearance, fostering a joyful and optimistic sentiment reminiscent of the 1990s' vision of a globally connected society. #DesignAesthetics #SocialMediaTrends #Nostalgia #Frasurbane #FrutigerAero #Whimsigoth #GlobalVillageCoffeehouse #HomeDecor #InteriorDesign

The "café core" design trend is emerging as a significant influence for 2025, focusing on replicating the comfortable, ritualistic, and aesthetically pleasing atmosphere of a coffee shop within one's home. This trend is driven by a desire for a slower pace of life, a sense of community, and moments of quiet solace, often found in traditional coffee house settings. Café core embraces both the lifestyle and the visual elements associated with coffee culture, emphasizing comfort, nostalgia, and the romanticization of simple pleasures like a good cup of coffee and a captivating book. It seeks to infuse personal spaces with a sense of ritual and a welcoming ambiance. Key features of café core involve blending warm, inviting interiors with vintage and artisanal elements. This includes soft lighting, rustic wooden furniture, and eclectic decor, all contributing to an atmosphere that encourages relaxation and creativity. The article provides four actionable strategies to integrate the café core aesthetic into a home. First, creating cozy seating arrangements is crucial. This involves incorporating plush seating options such as deep armchairs, tufted benches, or cushioned window seats, adorned with soft throws and textured pillows. The aim is to design effortlessly welcoming spaces for unwinding, reading, or working, much like a favorite café nook. Small, round tables or wooden side tables are recommended for holding essentials, and a mix of seating zones, including reading nooks and communal-style setups, can enhance the ambiance. Banquette seating is also highlighted as a chic option. Second, establishing a dedicated coffee station is central to the café core trend. This involves designating a specific counter, bar cart, or kitchen corner as a coffee hub and investing in quality coffee-making equipment like espresso machines or French presses. Organizing coffee essentials in stylish canisters and displaying favorite mugs contribute to a charming, café-like setup. Adding a milk frother, a small chalkboard for drink listings, and a tray for accessories further enhances the experience. Scented candles or small plants are suggested to complete the inviting atmosphere. Third, integrating books and magazines into the decor is emphasized. Building on the popular "bookshelf wealth" trend, incorporating reading materials invites occupants to slow down and linger. This can be achieved by arranging a small bookshelf, stacking books on side tables, or using magazine racks near seating areas. A mix of design, travel, and literary books, along with vintage magazines or well-worn paperbacks, adds character. Stylish coffee table books serve as both decor and entertainment. Fourth, the use of textiles plays a significant role in creating a café core environment. While public coffee shops might limit textiles, their judicious use in a home setting enhances the cozy, well-loved charm. Café curtains, which cover the lower half of windows, offer privacy while allowing natural light. Fabric table runners and upholstered seating contribute to the inviting feel. For added comfort and dimension, draping plush throw blankets over chairs, adding textured cushions, and layering woven or vintage rugs underfoot are recommended. #CafeCore #DesignTrends #HomeDecor #InteriorDesign #CozyLiving #CoffeeCulture #ComfortableSpaces #DecorInspiration

The 2025 Southern Living Idea House, located just outside Charlottesville, VA, in Keswick Estate, exemplifies a fusion of traditional Southern silhouettes with vibrant colors and unexpected details. Spearheaded by Molly Hardie, the project involved a collaborative effort with Alexander Nicholson as the builder, Rosney Co. Architects, Waterstreet Studio, and interior designer Charlotte Moss. Moss drew inspiration from a family with a love for travel and music, aiming to create a lived-in, welcoming home that celebrates Southern hospitality while embracing its serene five-acre wooded landscape. The journey through the 4,500-square-foot home begins in an octagonal foyer, featuring Thibaut’s Norfolk Stripe wallpaper on both walls and ceiling, emphasizing the room's geometry. The floor is adorned with diagonally set marble checkerboard tiles, creating a striking first impression. Adjacent to the foyer, a hidden powder room boasts Thibaut Chatelain floral wallpaper above the chair rail and Thibaut Bennett Stripe below, introducing a playful mix of patterns and classic elements, complemented by warm brass fixtures. The living room's design takes cues from its large windows, adopting a palette dominated by vibrant greens. Sherwin-Williams Chartreuse on the walls provides a bright contrast to the timeless furniture and window treatments. Schumacher Daydream in Citron drapes the windows, while a custom Century Furniture tête à tête ottoman is upholstered in a bold Schumacher Shivalik Hills Tiger Gold animal print. The space balances traditional elements with whimsical touches, such as framed song lyrics displayed on a yellow wall. The library offers a monochromatic retreat in shades of brown, from rich chocolate to lighter taupe, designed as a casual gathering space for relaxation or reading. The decor is collected and lived-in, avoiding an overly curated feel. A library bar, complete with an antique mirror backsplash, is located just outside. The kitchen, large yet cozy, features creamy Paperwhite walls, Sherwin-Williams Borscht cabinets, and a display of inherited-looking plates. A square kitchen island, designed by Scotsman Co., anchors the room, enhancing its inviting atmosphere. Functioning as an extension of the living areas, the screen porch overlooks the lake and provides three distinct seating options: comfy chairs by an outdoor fireplace, a dining table, and a chaise lounge offering picturesque views. The equestrian-inspired boot room, a Charlottesville-specific take on a mudroom, showcases Sherwin-Williams Studio Blue Green walls, Wedgewood pottery, and Hunt Country decor, demonstrating meticulous attention to detail. The primary suite, located on the first floor, serves as a serene retreat. Draped in light blues, greens, and violets, it combines classic brown wood furniture with light, airy, and feminine fabric choices, including Thibaut Holly Trellis wallpaper. The girl's room presents a charming, vintage-inspired look with layered patterns, such as Lisa Fine Textiles' Calico Floral Stripe and Augusta Ivory, subtly incorporating modern elements like Taylor Swift memorabilia. The guest suite, reflecting the family’s passion for travel, features globally inspired treasures, bohemian patterns, and eclectic antiques, with a gallery of international photographs extending the wanderlust theme. The Southern Living Idea House is open for tours through December 21, with tickets available at keswick.com, and a portion of proceeds supporting local Charlottesville organizations: the Yellow Door Foundation, Hospice of the Piedmont, and the Building Goodness Foundation. Keswick Hall offers a "Southern Living Experience" stay package for visitors wishing to extend their visit. #SouthernLivingIdeaHouse #HomeDesign #InteriorDesign #CharlottesvilleHomes #KeswickEstate #CharlotteMoss #TraditionalInteriors #VibrantColors #SouthernHospitality

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

The "café core" trend, which is gaining popularity on social media, seeks to replicate the calming and inviting atmosphere of a neighborhood cafe within a home setting. This trend is rooted in the desire to create "third spaces" within one's residence, offering a sense of conviviality, belonging, and a personalized retreat. Interior designers Anne Sage, Rachel Robinson of Dunham Robinson, and Melissa Oholendt of Oho Interiors collectively define café core as an aesthetic that makes one want to spend a quiet moment in contemplation or linger longer with a book, much like in a well-designed cafe. It's about bringing the comfort and curated details of hospitality settings into everyday living spaces. This trend often manifests as a cozy breakfast nook or a dedicated coffee station, concepts that have historically brought joy to homes. Designers emphasize that the café core trend is open to interpretation and does not necessarily require a full room dedicated to it; even a small corner with a single chair and bistro table can achieve the desired effect. The core appeal lies in the ability to slow down, socialize, and enjoy simple pleasures like a cup of coffee or tea in a comfortable environment. This trend addresses a contemporary societal need for spaces that foster social interaction and personal relaxation, amidst concerns about the diminishing availability of communal gathering spots outside the home. The flexibility of the trend allows individuals to adapt it to their existing spaces and personal preferences, whether through subtle additions or more comprehensive design changes. Several practical steps are suggested to integrate the café core trend into a home. A key recommendation is to incorporate a round table, preferably made of wood or marble, to soften corners and create a more welcoming, café-like ambiance that can accommodate more people or activities, particularly beneficial in smaller spaces. Installing banquette seating is another effective way to enhance coziness and create a dedicated nook for dining and socializing, reminiscent of a favorite cafe corner. Hanging partial-height cafe curtains, with options for pinch-pleats for a tailored look or rod-pockets for a casual feel, can add a relaxed and ethereal touch to the space. Creating a dedicated coffee station is also central to the café core aesthetic. This involves setting aside a countertop area for coffee preparation, complete with stylish espresso machines, unique spoons, attractively stored coffee beans, and French glassware, transforming the routine into a decorative moment. Finally, decorating with whimsical and curated items, such as displaying a collection of unique mugs on shelves or keeping breakfast pastries under a glass cloche, helps personalize the space and distinguishes it, much like how a neighborhood cafe expresses its unique character through its decor. These elements collectively contribute to a home environment that evokes the welcoming, comfortable, and aesthetically pleasing qualities of a beloved cafe. #CafeCore #HomeDecor #InteriorDesign #CozyVibes #SocialMediaTrend #DesignTips #CoffeeStation #BanquetteSeating #RoundTables

Devocion, a farm-to-table coffee roaster and café, has opened its newest outpost in downtown Brooklyn, drawing inspiration from its Bogota roots. The design, a collaboration with New York-based LOT Office for Architecture, seamlessly blends Brooklyn and Colombian aesthetics to create a unique and calming space in a busy urban environment. The 1,700 sq ft cafe, located within a new building development, features 18 ft floor-to-ceiling windows, ensuring an abundance of natural light throughout the day. A central highlight of the cafe's interior is an eye-catching coffee bar counter, finished with a sleek black marble top and elegant wood paneling. Adjacent to this, a raised central island provides ample seating and is adorned with a vibrant, jungle-like array of foliage, contributing to the indoor garden theme. The floor is covered in marigold tiles, featuring a simple yet dynamic black and white pattern, which complements the perforated concrete block partitions that define different areas within the space. According to Leo Trampoukis of LOT Architecture, the design concept translates abstract ideas related to Devocion's origins into a communal space. This approach allows for contextual uniqueness in each location, incorporating elements like lush nature, informal seating arrangements, and a prominent coffee counter. The material palette emphasizes warmth and raw textures, creating an inviting atmosphere. Attention to detail is evident throughout the cafe. Custom-designed furniture and cabinets were crafted by Colombian artisans using local wood, a deliberate choice to honor Devocion's heritage. The indoor garden is particularly impressive, featuring 35 different plant varieties, including mango, ficus, fish tail palm, and starfruit trees, carefully selected to evoke an indigenous, tropical feel. This extensive botanical integration creates a truly immersive and natural environment, offering patrons a momentary escape from the urban hustle. The combination of carefully chosen materials, bespoke furniture, and a rich plant selection collectively reinforces Devocion's brand identity and provides a distinctive experience for its customers. The project exemplifies a successful integration of cultural roots with contemporary architectural design to create a functional yet aesthetically rich commercial space. #BrooklynCoffeeShop #IndoorGarden #ArchitecturalDesign #CafeInterior #ColombianCulture #LOTOfficeForArchitecture #DevocionCoffee #UrbanOasis #SustainableDesign

The article highlights the entryway of artist Georgia O'Keeffe's Abiquiu, New Mexico home, as a prime example of personalized interior design that transcends trends. A 1967 image of her entryway reveals a distinct Americana style, characterized by rough-hewn wooden doors and ceilings contrasting with matte walls. A stone bench is adorned with rocks, and elk antlers hang above, while a simple light bulb illuminates the space. This design is presented not as a universal ideal, but as a deep reflection of O'Keeffe's personality and her profound connection to the New Mexican desert, echoing themes found in her artistic work. The article emphasizes the growing consumer preference for individual expression in home design over the rapid cycle of fleeting trends. Dayna Isom Johnson, a trend expert at Etsy, notes that multiple decades are currently influencing design simultaneously because people are increasingly rejecting rigid rules and embracing their unique personal styles. Designing a home that genuinely reflects one's identity can be intuitive, and Johnson advises individuals to select items that resonate with them rather than blindly following popular aesthetics. She cautions against direct replication of online images, suggesting that inspiration should serve as a starting point for incorporating colors, shapes, and overall aesthetics into a personalized design. The discussion underscores the idea that a truly great home reveals insights into its inhabitant's preferences, historical influences, and overall aesthetic. O'Keeffe's entryway perfectly embodies this principle, showcasing a design that is both authentic and timeless. The home acts as a love letter to the region and a complete expression of her personal style, demonstrating that interior design is most impactful when it tells a personal story rather than adhering to transient fads. The core message is that design is subjective, but personal authenticity holds universal appeal, making such individualized spaces influential and enduring. #GeorgiaO'Keeffe #SouthwesternDesign #PersonalStyle #InteriorDesign #EntrywayIdeas #DesignTrends #HomeDecoration #AmericanaStyle #TimelessDesign

As spring ushers in the beauty of the outdoors, garden rooms offer a solution to the limitations posed by unpredictable weather and seasonal allergies, allowing for a continuous connection with nature. These spaces, characterized by abundant windows on at least two sides, seamlessly integrate garden views into the interior, providing sun-drenched shelters for potted plants even during cooler months. Beyond their practical benefits, garden rooms create inviting atmospheres for relaxation, entertaining, and creative pursuits. They lend themselves naturally to decor featuring garden-inspired furniture, whether new or antique, and vibrant floral furnishings and accessories. The concept of garden rooms is deeply rooted in history, with conservatories dating back to ancient Roman culture, designed to harness sunlight while offering protection from the cold. The tradition evolved in Europe during the Italian Renaissance with orangeries, which served to protect citrus trees in colder seasons and became symbols of wealth. In contemporary times, particularly when people are seeking solace indoors, the appeal of being close to nature, even from within, is stronger than ever. This article showcases a curated selection of iconic garden rooms from around the globe, along with examples from Veranda's archives, inspiring readers to create their own serene sanctuaries. One featured example is a stately orangery in a Dallas home, designed by Cathy Kincaid. This space employs a pale blue ceiling, mimicking the open sky, and incorporates outdoor-suitable furniture, potted orange trees, and stone floors to enhance the outdoor illusion. Another highlights a whimsical garden room in Tuscany, where Contessa Giuppi Pietromarchi's space at La Ferriera is adorned with antique botanical prints and ornate planters, suggesting a perfect setting for floral artistry. An airy orangery in a 200-year-old Provence farmhouse, designed by Alexandre Lafourcade, exemplifies tranquility. Floor-to-ceiling iron-framed windows flood the room with natural light, complementing an antique wooden table laden with kumquat trees and lavender, all set on limestone flooring. For sophisticated lounging, Princess Caroline of Monaco's winter garden room on the palace grounds features towering potted plants and rattan furnishings with lively floral prints, creating a visually rich and uplifting environment. Cecil Beaton's classic garden room in his Wiltshire home blends bamboo walls with climbing vines, a wicker rocking chair, and a chinoiserie garden stool, presenting a timeless garden aesthetic. An intimate conservatory overlooking a courtyard garden, reminiscent of a greenhouse, offers a cozy spot for tête-à-têtes. Its glass walls and ceiling, stone floor, and iron patio chairs facilitate a seamless transition between indoor and outdoor spaces. Lastly, a cheerful neo-Edwardian conservatory in Cincinnati showcases abundant hanging geraniums and a large Italian vase, with charming window seats that double as ideal spots for daydreaming and pets to sunbathe. #GardenRooms #Conservatories #Orangeries #HomeDecor #IndoorOutdoorLiving #InteriorDesign #ArchitecturalDesign #HistoricalDesign #LuxuryHomes

This blog post explores the concept of urban eclectic decor, highlighting its key characteristics and offering various examples of furniture and accessories that embody this style. Urban chic is described as a design aesthetic that doesn't require living in a downtown loft but instead focuses on multifunctional furniture, diverse textures, and smaller profiles. The style embraces a mix of old and new, industrial and comfortable, allowing for creative expression and personalization. It encourages blending materials, colors, and design periods to create a unique and lived-in feel. The article showcases several pieces from different retailers that exemplify urban eclectic design. From Art Van Furniture, the Loft II dining table, crafted from solid acacia hardwood with a recycled cast iron base, is presented as an example of multifunctional urban furniture. The 9-drawer Elliott Chest, also from Art Van, is noted for its multicolored mango finish and varied drawer shapes, colors, and textures, emphasizing the style's diverse nature. Art Van's Townsend Queen Bed, with its vintage mahogany finish, is also featured, with a buyer stating that urban decor “really has no rules.” Light fixtures are shown to be both functional and stylish, with examples like the Aspen Chandelier, featuring filament bulbs and a rope-wrapped base, and the industrial-vibe Sputnik Large Chandelier. West Elm contributes to the examples with its Box Frame Counter Marble Table, characterized by a burnished bronze-finished steel frame. The popular industrial storage glass-topped coffee table from West Elm, made of mango wood, offers open shelving and drawers for practical storage. Another West Elm item, the Industrial Bed, is highlighted for its solid wood construction, hand-planed distressed look, and iron base, combining rustic and refined elements. The Industrial Rolling Bar Cart, with its acid-washed, sandblasted metal and electroplating finish, provides a vintage appearance and ample storage, showcasing the fusion of industrial aesthetics with functionality. La-Z-Boy's Urban Attitudes Collection, introduced in 2013, is also featured, emphasizing cleaner lines and smaller profiles in its sofas, love seats, and chairs. The collection includes the customizable Structure sofa, notable for its “party arm” for extra seating, and the Gridiron Stationary Chair, available in numerous fabric options. The Uptown style, also part of this collection, further illustrates La-Z-Boy's take on urban design. The article also touches upon textile influences, presenting Alhambra's Urban Chic textile collection, which draws inspiration from the architectural elements of major cities like New York and Tokyo. This collection offers three color schemes that blend urban tones with metallic touches and vibrant colors. Accessories that complement this style include Nate Berkus's metal Inlay Tray from Target, Target's Angled Metal Mirror in black and gold, and the Threshold rose-gold dipped cement table lamp, all demonstrating the incorporation of diverse materials and finishes. Overall, the blog post illustrates that urban eclectic decor is about thoughtfully blending various design elements to create a distinctive, functional, and personal living space. #UrbanEclecticDecor #HomeDecor #InteriorDesign #MultifunctionalFurniture #IndustrialDesign #ContemporaryStyle #DesignTrends #Furniture #HomeAccessories

This article details a distinctive rooftop landscape project in Boston's South End, conceptualized and executed by architect Jeremy Jih of J.Roc Design. The 600-square-foot roof deck, initially a blank slate with city skyline views, was transformed into sculptural, terraced zones designed to cater to various activities. These zones include dedicated areas for yoga practice, relaxation, and small social gatherings. A central, removable coffee table offers flexibility, allowing the space to be cleared for events such as dance parties. Jih's design approach emphasizes the integration of modern digital fabrication methods with traditional craftsmanship. Each component of the sapele-wood deck was precisely fabricated using computer-controlled machinery, allowing for assembly without screws or nails. This innovative technique incorporates Japanese-inspired interlocking wood joints, reflecting Jih's goal to revitalize traditional wood-shaping practices in a cost-effective, efficient, and aesthetically pleasing manner. Jih also personally oversaw the installation of the deck. A key feature of the design is its modularity. Every piece of the deck is designed to be easily detached from its steel frame, akin to xylophone keys. This modular construction ensures that individual sections can be readily replaced or repaired if damaged. Furthermore, the entire deck is portable, enabling the homeowner to relocate it if they move. The landscaping incorporates native plant species such as wild grasses, lavender, and various herbs, creating the illusion of a New England countryside meadow within an urban setting, an unexpected and refreshing element in the heart of the city. The project highlights the potential of combining advanced technology with traditional design principles to create functional, beautiful, and sustainable outdoor living spaces. The South End roof deck serves as an example of how thoughtful architectural design can maximize urban outdoor areas, offering versatility, aesthetic appeal, and a connection to nature, even amidst a bustling cityscape. The design team for this project included J.Roc Design for design and contracting, and Erdman Design for landscape installation. #SouthEnd #RoofDeckDesign #JeremyJih #JrocDesign #ModularDesign #JapaneseJoinery #DigitalFabrication #UrbanGardens #OutdoorLiving